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(6lp Box Set, 180gr vinyl, 4c print + Glossy varnish). Stephan Bodzin, Luna Semara, Solomun, Adriatique, Mind Against, Maceo Plex, Jupiter Jazz, Avnu, Fideles, Denis Horvat, Kevin de Vries, Ben Böhmer, Boris Brejcha, Roman Flügel, Agents Of Time, Patrice Baumel, Echonomist, Hernan Cattaneo, Soundexile, Dubfire, Anfisa Letyago, Anna, Wehbba, Reinier Zonneveld, Ameloar, Christopher Coe, Anii, Hannes Bieger, Meute, Innellea

Project: Mooncircle, as the name reveals, has been on a journey to the moon since day one, exploring the frontiers of music and art, always looking for new discoveries and giving a different perspective to look at the earth. In it’s 10 year history the label has published roughly 100 releases by equally as many artists from all corners of this globe and, therefore, the selection of sounds on this compilation represents the development of the label from the past, present and going into the future.

Some of the artists featured on this compilation have been a part of the label from its very beginning, like CYNE, Manuvers and Jahbitat, whose song will be the last one he produced and published under this moniker, while others, like Robot Koch, fLako and Long Arm, are outstanding examples of its growing popularity and success. Furthermore, the box also features an exceptional selection of close musical friends and inspirational artists like Jehst, Dday One, Kwala and Ichiro_, just to name a few.

The logo and artwork represent someone who was very close to the label, especially in the early years but unfortunately passed on and whom this box is dedicated to. Featured on the compilation are artists such as Mike Slott x Diane Badié, CYNE, Sweatson Klank aka Take, Jahbitat, Robot Koch, fLako, Jehst, Beat Butcha, Long Arm, Kelpe, Pavel Dovgal, Blossom, Daisuke Tanabe, Dday One, Inner Science, Substantial, Arts The Beatdoctor, Rain Dog, Kidkanevil + Microkorg by Dorian Concept, John Robinson, Sorrow, Rumpistol, The Red Baron, Christoph El’ Truento, 40 Winks, Sina., 1000Names, DZA, Ichiro_, EAN, Tom Dicicco, Headshotboyz, Graciela Maria, Gards From KC, Sekuoia of Kilimanjaro, Sense of The Q4, Sneaky, I.V.A., Empt, John LaMonica, Mike Gao, Bambooman, Manuvers, Krts, Kwala, Soosh, Memotone, Sun Glitters, Called Understandable Souls & Szenario.
The limited box includes 2 white & 2 black vinyl LP’s with 32 tracks, 13 additional digital bonus tracks, a T-shirt (only at HHV) and a poster (with digital download code) all in a specially designed box that features a special light-reflecting varnish, which makes this truly a collectors and music lovers item.

Berlin-based label Project: Mooncircle and it’s two sublabels Project Squared and Finest Ego is an official label from HHV. It was founded in 2002 and is specializing in the conjunction between electronic and organic music. The label, at first envisaged as a compilation project only, soon released the first instrumental and vocal solo releases by such artists as The Q4, CYNE, Mr Cooper, Robot Koch, fLako, 40 Winks, John Robinson & MF Doom, DZA, Krts, Sina., Graciela Maria, Manuvers, Lambent, Lewis Parker, Non of Shadowhuntaz, Strand, Ta-Ku, Mika Gao, Onra, Obba Supa, Asusu, Furesshu, AnD. Kowton or Glen Porter. The work of illustrators and graphic designers such as Bioniq, Dan May, Iain McArthur, Ima One, LNY, Gordon, 44 Flavours, La Mano Fria, and The Binh create images that accompany the acoustic spaces.
Project: Mooncircle with its various producers & vocalist shall be an interesting experience for anyone looking for the extraordinary.

A&R: Laurent Fintoni, Jinna Morocha, Karolina Kaczor, Gordon Gieseking and Malte Tarnow. Mastering by Sven Friederichs. Artwork and original paintings by Gordon, LNY & Bioniq. Webdesign 2006 – 2012 by Thimo Hörster & Hendrik Stein. Animation trailer by Sebastian Muñoz.

Release date: March, 23rd.

10th Anniversary Showcase with Mike Slott, Robot Koch, fLako, Long Arm, Jehst, Arts The Beatdoctor, Sekuoia of Kilimanjaro, & Graciela Maria @ Club Gretchen in Berlin, Kreuzberg – March, 17th!

Recorded by Daniel Hartl, Vienna 2019-2021. All Tracks written and produced by Daniel Hartl, except: B2 Daniel Hartl & Julian Derkits. Mixed with Christopher Schweiger at Tongues TNG Studios Vienna (Yamaha NS10s + Soundcraft Mixing Desk). Mastered by Tim Xavier at Manmade Mastering Studios Berlin. Design by: Team. Special thanks to: Christopher Schweiger, Julian Derkits, Sasa Strauß, Felipe Duque, Matthias Haas. All rights of the producer and of the owner of the recorded work reserved. Long is the way and hard, that out of Hell leads up to Light.

Project: Mooncircle, as the name reveals, has been on a journey to the moon since day one, exploring the frontiers of music and art, always looking for new discoveries and giving a different perspective to look at the earth. In it’s 10 year history the label has published roughly 100 releases by equally as many artists from all corners of this globe and, therefore, the selection of sounds on this compilation represents the development of the label from the past, present and going into the future.

Some of the artists featured on this compilation have been a part of the label from its very beginning, like CYNE, Manuvers and Jahbitat, whose song will be the last one he produced and published under this moniker, while others, like Robot Koch, fLako and Long Arm, are outstanding examples of its growing popularity and success. Furthermore, the box also features an exceptional selection of close musical friends and inspirational artists like Jehst, Dday One, Kwala and Ichiro_, just to name a few.

The logo and artwork represent someone who was very close to the label, especially in the early years but unfortunately passed on and whom this box is dedicated to. Featured on the compilation are artists such as Mike Slott x Diane Badié, CYNE, Sweatson Klank aka Take, Jahbitat, Robot Koch, fLako, Jehst, Beat Butcha, Long Arm, Kelpe, Pavel Dovgal, Blossom, Daisuke Tanabe, Dday One, Inner Science, Substantial, Arts The Beatdoctor, Rain Dog, Kidkanevil + Microkorg by Dorian Concept, John Robinson, Sorrow, Rumpistol, The Red Baron, Christoph El’ Truento, 40 Winks, Sina., 1000Names, DZA, Ichiro_, EAN, Tom Dicicco, Headshotboyz, Graciela Maria, Gards From KC, Sekuoia of Kilimanjaro, Sense of The Q4, Sneaky, I.V.A., Empt, John LaMonica, Mike Gao, Bambooman, Manuvers, Krts, Kwala, Soosh, Memotone, Sun Glitters, Called Understandable Souls & Szenario.
The limited box includes 4 white vinyls LP’s with 32 tracks, 13 additional digital bonus tracks, and a poster (with digital download code) all in a specially designed box that features a special light-reflecting varnish, which makes this truly a collectors and music lovers item.

Berlin-based label Project: Mooncircle and it’s two sublabels Project Squared and Finest Ego is an official label from HHV. It was founded in 2002 and is specializing in the conjunction between electronic and organic music. The label, at first envisaged as a compilation project only, soon released the first instrumental and vocal solo releases by such artists as The Q4, CYNE, Mr Cooper, Robot Koch, fLako, 40 Winks, John Robinson & MF Doom, DZA, Krts, Sina., Graciela Maria, Manuvers, Lambent, Lewis Parker, Non of Shadowhuntaz, Strand, Ta-Ku, Mika Gao, Onra, Obba Supa, Asusu, Furesshu, AnD. Kowton or Glen Porter. The work of illustrators and graphic designers such as Bioniq, Dan May, Iain McArthur, Ima One, LNY, Gordon, 44 Flavours, La Mano Fria, and The Binh create images that accompany the acoustic spaces.
Project: Mooncircle with its various producers & vocalist shall be an interesting experience for anyone looking for the extraordinary.

A&R: Laurent Fintoni, Jinna Morocha, Karolina Kaczor, Gordon Gieseking and Malte Tarnow. Mastering by Sven Friederichs. Artwork and original paintings by Gordon, LNY & Bioniq. Webdesign 2006 – 2012 by Thimo Hörster & Hendrik Stein. Animation trailer by Sebastian Muñoz.

Release date: March, 23rd.

10th Anniversary Showcase with Mike Slott, Robot Koch, fLako, Long Arm, Jehst, Arts The Beatdoctor, Sekuoia of Kilimanjaro, & Graciela Maria @ Club Gretchen in Berlin, Kreuzberg – March, 17th!

Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.

Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.

It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.

Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.

What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.

Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record.

Fresh off a few top-of-the-range hors d'oeuvres to whet our appetite, Tal Fussman resurfaces on his dedicated imprint Survival Tactics with his longed-for debut album, 'The Fine Line In Between'. Right on the brink of even bigger things, as attested by the inclusion of his track 'It Was Misunderstood' on Dixon's seminal Innervisions mixing series, 'Secret Weapons 14', a contribution to the label's compilation 'Secret Weapons Part 15' a few months ago, and making it into Frankey & Sandrino's BBC 1 Essential Mix back in 2022, it's safe to say the Tel-Aviv-born, Berlin-based producer has been on a roll as of late, and 'The Fine Line In Between' is the fruit of all these years spent honing his skills and vision through some of the finest labels and stages out there. Kit up for a fascinating ride across Fussman's hypnotic headspace, the ideal liaison between hi-NRG floor potential and proper funky mischief.
Collated from beats recorded about a year ago, the idea for 'The Fine Line In Between' was, in Fussman's own words, to unfold as a "rollercoaster of emotions, happy, sad, angry, hopeful". Soaked in the Prophet 6's extra-terrestrial envelopes, the opening track 'No Return' is a highly cinematic escape from our earthly here and now, and a most meditation-compatible asset at that. Injecting some breaksy rhythm into its mechanisms, the title-track serves up a masterly built and deployed piece of floor-ready abstraction, suited for either after-daydreaming in the backroom or soundtracking your next sunset whirl on the autobahn. Back to a more hip-swaying, Latin-infused techno vibe, 'A Subtle Change' blends in the suave funk of dubbed-out Chicagoan classics with that of a samba-like chugging tempo, easing us into its warm and sensuous world in the most languid fashion. Making dazzling use of the Moog Sub Phatty's analogue grit and all-around incisiveness, 'Move Your Hips' draws a flock of oh-so-buoyant Rhodes stabs and has them flinging in all directions as a hi-intensity jack ensures maximal traction from the dancers. Hard-boiled boogie, set to no-surrender mode.
Lacking no oomph nor swing, 'Get By' goes from deep the dub techno spectrum's lower end, up sample-heavy disco house's most exhilarating heights, perfect for when the DJ needs that energetic offload but also requires some fiery syncopations to ignite the dance floor. More in the Moroder-esque vein of EBM you'd see being played over images of Ryan Gosling going pedal to the metal in Drive, 'Talk To Me' fires off an avalanche of sizzling arpeggios and menacing vocals, cooking the crowd up until a midway drop that shall obliterate any remnants of inhibition amongst the ravers. Birdsongs and tribal drums are on the menu of 'Back Up', a proper smashing bit of Afro-funk assault, flush with the blazing conga lines, chopped-up vox and that unrelenting bassy earworm going wild. A cannibal rite turned electrokinetic Rave-God worshipping. Thunderous and built for big-room get down, 'Cycler' finds Fussman at his most corrosive and combative, whereas 'Funktown' explores the more squelchy, unabashedly acid-friendly facet of the Israeli producer's all-embracing approach. Note, that second half of the track is bespoke gym workout material. Stretch your body and feel the gain.
A compelling mix of faux-organic lushness and surgical whoosh-step, 'Unconditional' melds high-voltage UK bass and garage alongside near-abstract electronica escapology, beautifully mingling the potent nature of intricate drum programming and ethereal flights of its endless textured pads. Pure peak-time business, 'I Will' is atomic energy stacked in a marble-sized core, highly volatile and bound to devastate any outdoor rave or club basement it may come into contact with. 'The Chamber (Outro)' rounds off the journey as it started, moving upstream onto the path of serenity, like the calm after and before the storm. Glimmering harps and warped chords entangle in a moving symphony of sorts, melancholic yet evocative of a spaciousness and freedom Fussman holds onto as its magnetic North.

If you've been in the club scene for many years like David Dorad, you will one day face the big, essential, serious questions that each of us will ask ourselves sooner or later:

Are marmots pack animals? Can marmots sign language? Do marmots plan their lives according to European or Chinese zodiac signs? Do marmots need a special passport, after all they don't have a thumb to turn the pages? What happens when a marmot eats Coke and Mentos at the same time?

And with all those questions whistling, hissing and muttering in his head, David grabbed piano, baton and BioBassline to crochet his new EP. This is called "Marble" and offers 6 different approaches to solve these big questions. As a source of ideas, he has competent partners at his side in Roman Flügel, Mira, Christopher Schwarzwälder, Canson and Sascha Cawa.

After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene. The blinding lights of Death Rave point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno. It’s their first for the Berlin label (founded by Gabber Eleganza) following 2021’s EP Principle of Light Speed Variance. Full description VMO aka Violent Magic Orchestra break through the darkness and herald a spectacular mould-melting sound on their forthcoming album Death Rave.

After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene. The blinding lights of Death Rave point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno. It’s their first for the Berlin label (founded by Gabber Eleganza) following 2021’s EP Principle of Light Speed Variance.

Ahead of the release VMO have brought their digital harcore to festivals around the globe, including Roadburn Festival, Bang Face Weekender, Brutal Assault extreme music festival, Le Guess Who?, CTM Berlin and Dark Mofo. Their performance is the ultimate extreme visual music project in which techno, black metal, and industrial unite to create a ritual from the near future, 2099. All visual art and stage setting is provided by non-touring member, artist and programmer Kezzardrix (who has been visual director for millennium parade and Babymetal previously).The power consumption of a VMO show is equivalent to 56 guitar amplifiers, 5000w, a mind-expanding supreme noise and light experience.

The band members all go by the names of classic black metal bands rendered in the Japanese katakana script; “ダークスローン”; “メイヘム”, and “エンペラー”. Their new LP is the first to feature lead vocalist ザスター. The record features guest vocals from extreme metal icon Attila Csihar, known for singing with Mayhem and Sunn O))). Other featured artists include Dylan Walker, singer of Full of Hell, punk-techno artist Infinity Division (aka Ash Luk), Icelandic darkwavers Kælan Mikla and Ican Harem of Gabber Modus Operandi.

The result is a leap forward from their 2016 debut, where they have found a singularity where death metal meets Kraftwerk, or Rephlex goes black. Dressed in corpse paint and other hell-raising looks, onstage they are like “Shinigami (death gods) from the Death Note manga”. Singles Venom, Supergaze and Martello Mosh Pit featuring Gabber Eleganza have been released in the lead up to the record and have been shocking techno dance floors too with their hi-NRG-symphonic doom-gaze. They have shared their video for Planet Helvetech (here), created by Berlin-based Patrick Defasten. Helvetech combines the Norwegian word for hell (hevlete) with techno and is a reference to the infamous black metal shop founded by Mayhem’s Euronymous. It’s a song that imagines time travel from 2099 on the planet Helvetech (where VMO comes from) to 1990s Oslo. In 2023, they performed at the CTM festival in Berlin, as well as at Berghain, receiving rave reviews. At Sydney’s leading multi-sensory Soft Center festival they drove the crowd into a frenzy on the 17 metre X 30 metre jumbo screen. They have also collaborated with artists, performing at the two day installation by the trailblazing Tianzhuo Chen - The Shepherd - at the Kyoto International Performing Arts Festival in 2021 here. At Sónar 2023, VMO provided the music for Taiwanese visual artist Yuen Hsieh’s work about virtual life after death Digital Afterlife Agency here. VMO will tour the world again for the new record, with appearances at Roskilde and media art and music fest Sónar 2024 announced so far and the Death Rave experience getting bigger and bigger.

After more than ten years on the techno scene, hosting Vienna?s infamous Meat Market parties, playing DJ gigs in some of the best clubs around the globe and releasing four solo EPs on his very own label Meat Recordings, it is time to take his profile as a producer to the next level. And this is exactly what Snacks will do for Gerald. Besides delivering some of his typical techno bangers (push, Waste OF Good Cereal, Winning Streak, Every ME) and a breaky roller in the legacy of his hit Otto Wagner Green (fever), he has taken some considerable risk by showing a completely new side of his production in the studio: Wash ME and Sail Away are coops with Viennese singers, that could quite plausibly be described as pop songs. GAY DAD offers some Rammsteiny vibes along with some provocative, yet sexy lyrics. Snacks also features two amazing remixes by Christoph Faust and Projekt Gestalten. The double 12? vinyl comes in a precious gatefold cover with a breathtaking 3D rendered artwork by Jesus Florez (Bogota, Colombia), which is, in effect, a work of art for itself.

Law of pinch conscious; think hard, look up, surge - reach over for balance. The next chapter predicts new fragrance, hidden logic, harmony. All will be well, it’s meant to feel like slipping. The law is told from the top ledge. Links woven from grass, becoming thick columns and then chains. The law is held by the mouth, speaking blankly whilst meaning shifts. What balance. What deep understanding.

Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.

Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.

It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.

Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.

What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.

Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record.

1st release of the "IZE" serie including:
- Don Slepian's unreleased 1983 performance for the Jean-Marc Matos Dance Company;
- Blair Greenberg's exclusive track taken from “Desert Magic” 1992 performance staged at the Performing Arts Complex - Australia;
- Dirk Cervenka's unreleased recording;
- Roberto Rosi aka Borixc's monster track "Staffile": the best Italian library electronic track ever?
- Alessandro Barelli & Angelo De Luca's recordings taken from their invisible rare library albums;
- Mike Christopher's 1983 proto-minimal techno monster;
- Philip Brophy, Virgil Work Jr. aka Vincent and James Chandler Jr.'s weird stuff;
- Franco Bonfanti & Valerio Gallo Curcio's best tracks taken from elegant Musica D'Ambiente library LP.

Red Laser continue their prolific purple patch, unpacking four more slabs of red lit Manctolo from a host of box jammers, old and new.

Frank Butters wastes no time at all, 'The Call Of The Wild' engaging photon tubes with a highly kinetic array of crystalline synth shards, thunderous bass and hyperactive sfx. Without geeking out too much, special mention has to go out to the synthesis on display here - Butters advancing up the levels of sonic shamanism as he conjures up never-before-heard patches of interstellar cosmic NRG...

Bob Swans' 'Bodyform4U' unites the robots with a universal message of togetherness. Its multiple layers of shuddering arpeggios and star-aligned synths working in unison to quell any fears and send us off into a space age utopia. One that'll work as well soundtracking the end of the session as it will as the dancefloor's filling up; its subtle anthemic qualities sure to rouse the spirits of even the most dehumanized cyborgs.

New signing Lone Saxon drops 'Hypersleep' which utilises rich piano chords and a hefty breakbeat, switching up the vibe but keeping things super uplifting. This one reminds us of that innocent period when you could get on the megabus for 50p and score three for a tenner on the dancefloor. An evocative vocal refrain adds a moment of thoughtful introspection in between the e-rushes and arm-raising for another moment of interactive harmony.

Finally, 'Webo' sees Franz Scala (with a little help from Il Bosco) return to source, delivering a bona fide slice of maximum balls out MANCTALO chug. With tension-wrought chord progressions, delicious layers of lead melodies and a soaring vocal, there's few that can resist the charms of this late night electro-disco hyper anthem.

All aboard the starship !

RL x

T4T LUV NRG present the first vinyl release by Gynoid 74, the beloved Glaswegian DJ known also as Miss Cosmix. Label heads Eris Drew & Maya Bouldry-Morrison (Octo Octa) met Gynoid 74 through their work with the queer Shoot Your Shoot event series in Scotland. Gynoid 74 has been DJing for 20 years and has shared her knowledge of DJing and sound with so many artists in Glasgow that she’s truly beloved there for her contributions to the scene. She’s as likely to be DJing as she is to be working sound at a local club or huddled off in her home studio. The three artists all formed an immediate connection because of their mutual love for old school electronics, tape culture, and proper house music. When the label finally heard Gynoid 74’s original music they were blown away. Gynoid 74 tracks are a truly refreshing mix of 12-bit sampling and raw breaks alongside “tracky” house music that could have come from Chicago in the 80s, but didn’t. The songs on the “Shroom E.P.” are elemental and elegant, each one recorded on a limited kit of gear by a special artist who makes timeless music for herself, creating little worlds of her own to exist in. The vinyl release includes the incredible original artwork of ocypode_quadrata, which beautifully illustrates Gynoid 74 in communication with her snails and mushrooms.

Solar Flex draws inspiration from 90s club oriented dance music and sets moods from laid back outdoors to prime time club nights and after hours. On the A-side ‘Stepping Toward Zen’ prepares for the mental workout with shivering chants that gain consciousness to rhythmic tablas and spacious bleeps. Next, mysterious energies set free with ‘Entropica’ unfolding its wobbly dub baseline to the enigma of pitched cymbals and robo-rhythms aligned by the steady-state of a bouncing four-to-the-floor 909 kick. ‘Supernature’ pops the B-side with a more club-oriented electro-trance blended stomper soothed by watery pads that set a pause before straight breaks and alien leads ask for their sweaty tributes. Finishing off, ‘Tablagauze’ primes for after hours with a gnarly downtempo chugger speckled with overdriven analogue drums and hypnotic acid arpeggios.

Finally the two main protagonists of the current live electronic movement and founders of our fair label Carl Cox and Christopher Coe have stepped up to the plate with this truly innovative and uncompromisingly live collection of techno tunes that defy categorization and are certain to land us fair and square on the dancefloors of the underground clubs of the world!

What can we say.. This EP just bangs! Improvised, recorded live and straight to 2 track in one day, this 4 tracker comes straight from the machines of Carl and Christopher’s collaborative studio in Australia and onto wax!

It is with great delight that we can present this collaboration straight after the release of Carl’s first solo album in 10 years.

This is a statement of definition from the boys, they have planted their feet firmly in the live scene with this edgy, experimental and jackin’ collection of beats!

The mindset is real.

Hot wiring dancefloors with their immersive orchestration of uplifting sonic waves, Soft Crash sets out to soundtrack the unified, euphoric heartbeat of the crowds they foster with their mechanical yet fantastical, Italo Body Music. Presenting their highly anticipated EP ‘nrg’, the Berlin-based collaborative project of Berghain resident and Bite label head Hayden Payne (aka Phase Fatale) and French prolific producer Pablo Bozzi works to forge Soft Crash’s unique vocabulary of post-humanist production with the harmonic grandeur of their rhythmic, machine-made anthems.

Fresh off the back of their 2022 debut album ‘Your Last Everything’, Soft Crash present their latest 4 track EP ‘nrg’, chronicling their synonymous surrealist visuals infused with the contagious punch of Italo and Synth-wave. Geared towards the dancefloor from a fresh perspective, Bozzi and Payne pull from their respective wheelhouses to curate a sound additionally influenced by Wave-Pop, Acid House and Post-Punk sensibilities.

Procuring their cerebral yet zealous indentation of dance music, the EP features sanguine vocals from Kyiv-based singer and musician Ready in LED on the first single ‘Free Yourself’. She comments about the track “I became captivated instantly with the idea of the track that Hayden and Pablo sent me. At that moment, I was a bit tired of carefree disco and wanted to reveal my dark side in music. The demo sounded very daring. This track demands attention to itself from the first seconds. My sources of inspiration were glam rock and grunge. I had a blast in the studio, and I hope the people on the dance floors will feel that energy too.”

While full throttle vitality and booming grooves on the title track ‘nrg’ showcase Soft Crash’s take on 90’s sample-filled techno. Closing the extended play with an updated cut of the bewitching ‘Your Last Everything’, featuring Canadian musician and producer Marie Davidson, Soft Crash breathe a new life into the namesake track from their preceding album, concluding with an additional remix of the track by cult favourite producer Alen Skanner. The intrinsic dance floor vigour emulated in NRG further fleshes-out the pair’s recognisable DNA of nurturing a revitalised techno sound, cementing them as pioneers of the Italo Body genre.

Very dope.

With this EP an attempt is made at documenting the vibrant action happening during the late 1970s and early 1980s in the Pioneer Valley area of Western Massachusetts, US. The story is richer than the snapshot we present here, and a more detailed account is to be found in the accompanying book that can be purchased separately.

The Five Colleges in Hampshire County congregated a vast student population that inevitably interacted with the towns in the area. Bars, music and record stores, live music and a lot of experimentation and free thinking. Hampshire College, especially, promoted new approaches to teaching, subjects that might be considered radical by some even today, although a more favourable context would now surely exist for openly debating such topics as American Indians, Kayak Design, Black Oral Tradition, Food Management, etc. And the music? The immediate "punk effect" motivated the creation of numerous bands, many short lived, others evolving into New Wave / Power Pop territory, eventually crossing into Post-Punk experimentation. What is captured in "Noho EP" is a more electronic disposition, favoured by the existence of EMS gear and other equipment at Hampshire College and University of Massachusetts. We chose to focus on a group of musicians who, for a time, played together in different combinations under the loose umbrella of the Tekno Tunes label and the structure around it.

These musicians come from very different backgrounds and the nucleus portrayed here consisted of Christopher Vine, Elliott Sharp, James Whittemore and Nicholas Brown.

Of the several line-up changes The Scientific Americans went through, it was actually only the duo of Chris Vine and Jim Whittemore who recorded "Among Bodge Watt". Never before released, it is a companion piece to their track "El Salvador" available on the 1981 Roir tape-album "Load & Go!". The Sci Ams were founders of the Tekno Tunes label and also created the Tekno Tours "concert promotion agency", under which name they exposed local audiences to bands such as The Stranglers, The Slits, Pylon, Pere Ubu, The Psychedelic Furs, The Bush Tetras, Steel Pulse, etc. Their own sound kept progressing but at its best there's a solid dub undercurrent, pretty obvious in "Among Bodge Watt".

Human Error was born out of a collective jam by Chris Vine, Elliott Sharp, Jim Whittemore and Nick Brown. Elliott Sharp had moved to Northampton in August of 1978 and naturally became involved in the local music scene, hooking up first with Whittemore at a hi-fi audio store where he worked at the time. Basement jams followed stimulating conversations, and other musicians joined the sessions. "Clandestinator" sounds gorgeously loose, an effortless groove coming from a quasi-dub set-up. Nothing here seems calculated, the music just flows, contagious and irregular as the handclaps in the mix.

The Higher Primates later evolved into a "proper" band but started as Nick Brown's solo project. The Primates only ever released a (now sought-after) 7" single in 1980 (on the Tekno Tunes label, precisely). Both tracks on "Noho EP" were recorded the following year and never released until now. "Auto Music in the Disco Dub Style" is self-explanatory, with a steady, mid-tempo Tr808 beat running through, supporting synth squelches, echoes and reverbs, a fat bassline, dissonant melodic lines and odd vocal snippets. Kind of a DJ tool when the concept was barely in place. The more uptempo "Teresa Variations" adds a Fender Jazz bass and Selmer sax to the electronics. It actually sounds more "Disco", even with the robotic, unintelligible vocals. On top of this, the vibe is sealed by the overall Radiophonic Workshop analogue strangeness applied to a dance beat.

White vinyl seems unplayed. Label cover.

Fractions are back with "Dimension X," a release that signifies the beginning of their new music label, NRG Trax. This release is a statement of purpose, cementing the duo's signature high-energy sound and 00s aesthetics.

"Dimension X" takes listeners on a sonic journey through the duo's musical influences, showcasing their love for The Prodigy-inspired infectious leads and breaks, EBM-infused basslines and fast-paced tempos that are dominating the current club scene. Paying tribute to their previous two releases on Dax J's Monnom Black, this release marks the start of a new era for Fractions as they continue to push the boundaries of uncompromising club music.

Get ready to be transported to another dimension.

Following appearances on Ellen Allien’s UFO Inc. and Bpitch Control, Lobster Theremin,and many more, NYC-based singer,multi-instrumentalist, DJ, and producer Heidi Sabertooth readies her first appearance on New York Trax this Spring, turning in a fierce four track EP of gritty hardware techno jams. Leading the release, ‘BeMyISM’ brings raw and crunching percussion alongside grinding low end for a high energy start to the EP. The fast-paced ‘JupiterCalling’ follows, raising thetempo to 150bpm as pounding kicks meet grinding, machinist percussion while trippy synthesis unfurls towards the tail end of the track. On the flip, ‘Welcome2MirrorWorld’ sees warped acid lines and sizzling percussion bring a dark and moodyatmosphere, before ‘You Must Have 10000 Followers (For Me To Book You)’closes out the release. A jittery slice of bass heavy electro, the punchy track makes use of squelchy synthesis, knocking drums and an assortment of unruly sounds. Heidi Sabertooth ‘Nine Hundred Lives EP ’drops this Spring.

Brothers Harvey and Ryan McKay return to Drumcode with their dynamic Alias project.
The title track 'NRG' is an attitude-packed tour de force; compromised of aggressive snares, warped vocals and a tension-filled break, it has been smashed by Adam Beyer for the last six months.
‘Orange Sunshine' pulls no punches as it dishes out apocalyptic acid paired with the sibling's startling drum work. ‘The Event' rounds out the EP and is an exhilarating affair propelled by uplifting synth lines and a buzzing energetic bassline.

Berg Audio is happy to welcome back one of our favorite producers, Havantepe. In the past few years, the Turkish artists output has become rare, greatly increasing our excitement to finally share these masterfully crafted pieces on the label. The release includes a superb collaboration with Christopher Ledger, and a remix from one of Romanias key artists, Cristi Cons ? Artwork by Juli Jah.

A classic NYC club anthem gets a re-work from Charles D. 'Final Chapter' by Mike Macaluso was first released in 1999 on Dieselgroove and immediately became an omnipresent classic. "I would hear it all the time on every house music mix CD I got my hands on," buzzes Charles D. "Once I started actually going out in the mid-2000s, it was still being played at legendary clubs such as Sound Factory, Tunnel, Pacha and Avalon. It was quite literally the soundtrack to New York nightlife at the time." The original, clocking in at over nine minutes, is a golden dancefloor trip taking in elements of house, trance and Hi-NRG, and is famous for its rousing bell sample throughout. It's an iconic sound signature that brought many a dance fan to a weepy state of delirium. Paying due respect to the original, Charles D gives it a modern techno touch up, retaining elements of the melody and famous bells throughout.

Are you ready to embark on a wild ride through the sonic wonderland of ‚Life Of Phoroma‘? This isn‘t your average V/A extended player compilation – it‘s a pulse-pounding journey through chaos, confusion, and pure eclecticism that‘ll take you beyond just dancing. Terra Magica Rec. sixth release is a passionate ode to the fusion of EBM and psychedelic, perfectly blending lightning-fast new age and tribal hypnotic soundscapes with 1980s synth atmospheres high on Trance.

It’s Electronic Disco gone Techno gone HiNRG gone wrong folks! Enjoy. The SH-101‘s aggressive cuts, the Sequential Circuits‘ mesmerizing melodies, and the heavily processed Neumann TLM 193 vocals seamlessly weave in and out of acid-ish and electro breakbeat grooves, „Why am I suddenly standing at Tokyo Teleport Station? What happend to my last week?“ Welcome to relaxed Rave-basslines and lo-fi rhythms that will intoxicate your senses. Get loose and fall into your next portal of unexpected spiritual flows. Catch your six unique tracks for a highly eclectic journey through mysterious and magical moments. So strap in and become one with the sound, because ‚Life Of Phoroma‘ is your roller coaster ride to unforgettable sonic adventures.

Vessel 05: The founders edition.

A special artist split featuring Vessel label heads Norachi & Miris. A and B. Deep and deeper. Sunshine, rain, joy and pain.

The first release of the new label Surfaced Trax submerges into deep waters, delivering three sonically rich compositions aimed at late-night peak-times and early-morning sun rising hours.

The 'Liquid Terrain EP' was produced by Parallax Deep and remixed by Christopher Ledger. And while "Liquid" takes the listener through minimalized yet funky arrangements of precise drum programming and steady grooves, "Terrain", on the other hand, explores the in-between palettes of the electro & acid genres with plenty of rhythmic experimentation and wonky modulations.

On the remix duties, the Italian wizard Christopher Ledger works his magic on "Liquid", turning it into a highly textured, deeply atmospheric, slightly acidic breakbeat monster.

Stunning and tonally fitting collage artwork by Joagi.

After an intriguing appearance on Lobster Theremin's PLUR compilation in 2020, New York's Talker prepares his debut on Cheeky Sneakers with four varying cuts of emotive breakbeat and squelchy electro NRG.

"Information" takes the swaying aesthetics and waved basslines of contemporary breaks and wraps it in a digital ribbon; a periodic dip into a post-humanoid world where information is no longer something we consume, but something we have become. Delicate melodies swirl above the clouds leading the raver to their inevitable peak, before large kicks and percussive power sparks the fuse with a flurry of gun fingers and hands ascending towards new heights.

"Da Business" again wraps its electronic sequence in a modern blanket with elements of grime, garage and electro taking it in turns to wow and delight; a distinctive, lairy UK energy moulds together with ice-like synth work on an emotional trip that packs a punch, before the B-side is introduced on "X", a squelching cut of acid-electro made for late nights and strobe lights.

"Echolation" finishes things off the way it stated - cinematic breakbeat that invites the listener to take a moment for themselves on the dancefloor, looking inward for moments of private contemplation as the euphoria is pushed increasingly outward.

4 tracks by Momus, Christoph De Babalon, Phillip Sollmann and Arises

Afterhours. latest release, “Dimensions EP“, is the result of the successful collaboration between Optide and Adar Cohen, showcasing their talents in seamlessly blending Electro, Break Beat, and Minimal genres. In the package, two hefty remixes by Christopher Ledger. Catering to those with a soft spot for Electro and Breakbeat, A-side’s title track ‘Dimension’ and Christopher Ledger’s Remix are all about driving basslines, robotic percussions and captivating soundscapes. Flip-side’s ‘Hypnagogic’ shifts gears to the Break & Minimal House realm where detailed groves, deep tones and swing are key. Ledger’s remix further develops the deepness of the original tune and expands it over a 4by4 groove.

Ach, komm, ein Mensch kann nicht immer gut sein... This sentiment rings amusingly true for us. How did we find ourselves in this post-truth era, and why does such a term actually exist? In a world where distinctions between right and wrong blur, does the clarity of a black-and-white delineation persist? Are we progressing, or are we regressing to a state reminiscent of the past?

Weaving together the complex tapestry of gore, politics, emotions, and, of course, the human experience in this work is done intricately and reflectively by the hands of Christoph de Babalon.

French Berlin-based producer and DJ Anthony Georges Patrice returns to his own Ausblick imprint this October with‘x5nrg’, accompanied by a remix from the much loved Playhouse artist LoSoul. Throughout the past decade France’s Anthony Georges Patrice has been steadily unveiling his productions on the likes of Berlin’s Lossless, Ghetto Rhythms Records and of course his own Ausblick where he returns here, all the while honing his skills as a DJ through regular appearances on his adopted home turf of Berlin and further afield to Amsterdam, Paris and beyond. Here, Anthony makes awelcome return to Ausblick with a new12’’ release and leading the way is on the a-side is the original mix of ‘x5nrg’, a DJ tool like clubcut fuelled by trippy vocal loops, murky atmospherics, a throbbing bass groove and resonant synth sweeps all underpinned by a crisp4/4 rhythm. On the flip-side Germany’s groove maestro LoSoul flips the original with his own unique twist, laying down a near twelveminutes of subtly unfurlinghypnotisminhis signature fashion. Fragments of the original’s atmospherics and vocals are dubbed out while LoSoul’s raw, skippy rhythmic style and unfaltering drive keeps listeners locked in throughout.

London based label Natural Selection present their 3rd release in the form of a 4-track physical and digital EP courtesy of Kamikaze Space Programme (aka Christopher Jarman), entitled "Ashes To Ashes, Dust To Dust EP". The release also features a remix from Slave To Society (ex AnD). Cut by Simon at The Exchange Vinyl and mastered by Dadub Studios, Berlin.

Jarman is widely considered as one of the most forward thinking and innovative sound designers around. With roots indebted to the music he released as Raiden in the early 00's, his abstract, field recorded, industrial and broken admission into the annals of Techno via his prevailing alias; Kamikaze Space Programme, has seen his music backed, supported and released by the heaviest of renowned labels such as Mord, Mote-Evolver, Osiris, Trust & more.

As an avid field recording artist, Jarman's release by and large is made up of foley sound design and sonic experimentation using bespoke apparatus and homemade microphones. Capturing internal resonances and electromagnetic radiation of objects, re-amplified or organic, classic hardware dub mixing completes his instantly recognisable Kamikaze Space Programme aesthetic, and successfully traverses the divide between Techno, Drum and Bass, Electro and Breakbeat.

Natural Selection are well known for bridging the heavier spectrum of Techno, Electro, Acid, etc. with new, experimental style and form. One can always expect cutting-edge, hard-hitting, underground electronics from Natural Selection, with extreme diversity in sound.

The Tel Aviv-born and now Berlin-based Dj & producer Roy Brizman is next on the ever respectable Subtil Records. He delivers two remarkable original cuts, accompanied by a lush remix from the talented Christopher Ledger.

First up is "At The End" wich reflects perfectly Brizman´s moody gentle side, a journey of sounds and beats - super unique.

On A2 "The Swing", a rolling little groove monster that will surely do the magic on any dancefloor.

Christopher Ledger keeps the original low slung minimal house vibes of "At The End" and goes deeper into broken beats with a brilliant remix.

Fio Fa hops back behind the wheel for Two Of Me, his second turn off Sunset Drifters boulevard. 4 timeless rollers shimmering with hi-NRG magic and prog-y glitz, hybridising vintage house sounds with his signature moods and grooves.

After the roaring X5nrg Ep released a year ago, with a driving remix from Losoul, AGP heads back to his own imprint for a new EP set to drop on Ausblick in June 2024. A1: "Everything From Uptown" sets the tone with its sundowner House vibes, boasting a powerful punch, a deep jazz bassline, and emotionally charged chords that promise to win your heart from start to finish. B1: Prepare to embark on a journey of reinterpretation with Altitude (aka Matt Thibideau) at the helm. This track offers a fresh perspective on A1, a bold re-appropriation that delves even deeper into the heart of the original piece, offering a mesmerizing sonic experience. B2: Rounding off the release is a summer anthem like no other : Cocktail De L'eau. Smooth and effortlessly cool, this track has already garnered early support from industry heavyweights Ohm and Steve O'Sullivan, making it a must-have addition to any playlist

Family Jubilee III – Part 1 is the first part of a fabulous overview into Meanders momentum – featuring two club-oriented tracks from Christopher Ledger + Pressure Point and Pîrvu, and a gorgeous downtempo track from Sublee.

Yazzus follows up her appearance on the Tresor 30 compilation with a new EP named Black Metropolis. Within its, at times, rough-hewn textures lies a core that explores joy and energy within the roots of black techno. In her words: “I want this release to be black and beautiful, to be queer, and playful, a nostalgic nod to the 90s but also reimagining it in the current times.” The Ghana-born, London-bred, now Berlin-based producer’s research into afro-futurism, envisaging a path forward for science, technology and culture through the black experience, has impressed a deep vision on this EP. Yazzus sets like a cartographer, using her tracks to explore a technologically advanced world, each representing dierent regions and environments. Human Error Processor introduces an ear-worming percussion pattern nearly swamped by distorted bass drums and a vocal sample screwed just beyond recognition. Perforated leads with a 150bpm four to the floor stomp, infectious and supercharged. Gluey synth motions soak in an otherworldliness, where industrious, mechanical rhythms map out futurist structures in all directions. Metro City Bay Area exhibits a ghettotech soul, lean and bouncy - this part of the galaxy is an infinite source of fun, with the heart of groove at it’s core. Three Deities brings adventurers of its region towards higher powers, its ravey synths and an engulfing bass provoke a complete NRG release, ascending into a spiritual trance where dense melodies bubble and fizz. Digital-only track United By Fate meddles busy vocal samples with searching melodies, a fitting end to the kaleidoscopic that is Black Metropolis.

Fort Romeau provides Phantasy with a none-more-timely rave opus in the form of FWD NRG. Unleashing an unexpected, accelerated side of his immaculate studio experiments, FWD NRG is also remixed with blistering results by AceMo.

Immediately engulfing dancers in breakneck kicks, trancing synths and driven by a vampish melody, FWD NRG’s intent is rich in vintage rave texture, dusty and almost warped. This expertly controlled chaos builds to an epic wormhole of a breakdown, dissolving time and space until dancers find their minds transported to a field near Frankfurt, circa 1994.

FWD NRG could well be the maxim of New York’s AceMo, the prolific New York producer who has earned a deserved reputation as one of electronic music’s most inventive and versatile figures. His monumental ‘N Is For Nrg’ remix locates a menacing undertone in Fort Romeau’s original production, spinning off and hitting even tougher with vast rave stabs and gloriously frenetic arrangements.

Limited edition of 12′ vinyl release. Presents its sixth vinyl release with an interesting collaboration between a contemporary project such as Dot Product, the tandem formed by Adam Winchester and Christopher Jarman, and the Japanese legend of experimental rock and noise Kazuyuki Kishino. Known as KK Null, this artist had a first stage as a guitarist in several bands, it is worth remembering that at that time he collaborated with Merzbow in several albums and that years later he changed the guitar for electronic devices. 404 Not Found opens side A with a first cut by the English duo. Error Message combines grainy, strummed textures with a humanized sonic profile in which a beautiful melody makes its way in the face of bleak adversity. The second cut of this side is by KK Null, in this track the Japanese artist shows a high dose of metallic sounds that travel at the free will of the author to end up yielding in front of a complex and disorderly structured rhythm. Unlike side A, side B of this EP shows a work created jointly by Dot Product and KK Null. Pause Frames is an industrial cut, with hard percussion and numerous sound patterns such as pads, strong resonances and highly saturated components. 10-4-10-409-Conflict is the fourth and final track on the release, again employing a hard-hitting rhythm with a series of crunchy textures and a harmonic conjugation of dissonant chords. Picture: Stefan Alt / Salt (Ant-Zen) Mastered: Daniele Antezza / Dadub Written: Kazuyuki Kishino, Adam Winchester and Chris Jarman

Titonton Duvante’s long and more than essential Residual Recordings clocks up a fantastic 25th release in the form of a fifth volume of the famous Refraction series. This one draws on another masterful mix of names including Nachtbraker, Christopher Rau, Titonton himself as well as a rare killer outing from veteran S-Max. Reaching a milestone in style… Nachtbraker opens the EP with a swirling house cut that is riddled with FM bass, twinkling keys and balmy pads that reach for the heavens. Christopher Rau goes for a more raved up house cut with feel good energy chords but a nice deep bassline and pensive synths on his Give It. Titonton does as he does best - keeps it deep, loopy yet driven, with a slick tech cut that is dubbed out and perfectly atmospheric as well as being hugely infectious. Last of all, S-Max comes correct with the slick boom bap of his stripped back house roller Lil’ Lightyear Wants to Ride, with its dreamy pads and sci-fi feels. Residual is by now, and for many years been a key label for lovers of tasteful house, as this latest collection proves they are showing no signs of slowing down.

Bristol born Arlo begins a special series of releases with Food Music. Party Response does exactly what it says on the tin - Hi NRG Dance music across the board - including a collab with Shadow Child (set to be released on vinyl only), and a huge remix from J.O.S.H.U.A too. Expect more in the Party Response series, and enjoy vol 1!

Detroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.

Mastered by Giuseppe Tillieci (aka Neel) @ EnissLab Studios, Rome. Artwork by Christopher Honeywell

Christopher Ledger & Pressure Point, Pirvu , Sublee . A fabulous overview into Meanders momentum.

Two are surely better than one. Following Lory D and Fadi Mohem, Toronto based producer Graham Bertie aka Nautiluss also steps up for his second outing on Seilscheibenpfeiler, marking the label’s 10th overall release. Once more, Nautiluss is transforming playful and rhythmically intriguing bass music into prime dancefloor cuts, encompassing a rich array of sounds and moods ranging from upfront rave action to delicate deepness.
„Guccifer“ kicks things off with a dark, shuffling beat, creating a subtle hardcore/jungle vibe with atmospheric overtones. „Snakes And Ledgers“ is a percussion-heavy tune led by a fat and thumping bassline and completed with muffled chants by Toronto rapper Matthew Progress. Next up is „WiFi Oasis“, again fronted by a memorably melodic and reverberating bassline while the track explores airy and enigmatic IDM territory. „Moment Of Clarity“ rounds off the EP with ethereal synth pads and big breaky beats, providing an ideal closing track for every extended club night.

Seen Links Schlösser Rechts, Deutsch Nepal, Ancient Methods. Mastered and cut by Christoph Grote-Beverborg at Dubplates & Mastering

Mastered and cut by Christoph Grote-Beverborg at Dubplates & Mastering.

With insert!

Vinyl 1 ONLY (Side A/B) is full of scuffa, marks and hairlines

Vinyl close to VG+