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When the great mystic Meister Eckhart went out from Gotha into the world to investigate the states of the souls of the clergy, the faithful and mankind in general, he soon ended up in the desert regions. A flash of lightning quickly passed through him, one of insight: the desert is us, it is within us. It is the place of total contemplation, a fortress of solitude. The real desert, whether Gobi, Sahara or Atacama, on the other hand, is populated: by animals, small and large, crawling and flying; by plants, prickly, green, brown or in permanent sleep; by billions of micro and macro-organisms. Pawel, your insights are like those of the mystic: THE Desert IS Alive!
Pawel'S BAR is the alias of Leipzig based Marvin Uhde aka Qnete. While as the latter he’s known for sophisticated house and shows a preference for breakbeats, Pawel's Bar is much more reserved and subtle. Its dub and downbeat structures that build the foundation on »Pawel’s Desert Trip«. Instead of facing the dancefloor head-on, tracks like the shimmering Welwitschia, the mellow Many Birds or the nature-dubby Pharaohs work excellently as companions for any life situation. Rather soundtracks of withdrawal than mere ecstatic escapism. Big feelings. Meanwhile, on Recycle, Refresh and Beach Nights you can hear why Qnete is such a sought-after DJ and producer (X-Kalay, Shtum or 777): a deep knowledge of what a party might need, although nobody expects it - as Pawel's Bar he can prove this knowledge as well, even if he tries to disguise it.With this, he also follows the rumor that has been around for a few years about the Kame House Records: This is where great producers come to think outside the box and deliver their unexpectedly best records.

We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrète, 80's tape scene and Birmingham school techno.

After working together on the ‘Crepes’ EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we’ve split across 2 EPs with 6 tracks on ‘EP No. 1’ and 7 tracks on ‘EP No. 2’. Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. ‘EP No. 1’ is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and ‘EP No. 2’ is radioactive orange with a different pair of monster masks.

None other than Blawan on his lonesome ownsome — after collaborations with Pariah as Karenn, and Surgeon as Trade — returning to the blood-drenched scene of his heinous Why They Hide Their Bodies. New name, new sound; heavier and slower than his Ternesc output. The title track is the banger. Acid techno — deliberate, widescreen and ominous.

Rhythmic club tools from Denmark via Berlin

Next up on Paper-Cuts is the individual works of Roza Terenzi & Furious Frank in a new series for the label featuring 2 artists in unison over a full length, double feature LP. Split across six-tracks the two Australian born artists deliver a like-minded swarm of mid-tempo breaks, lush ambience, unrelenting drum & bass and techno.

Gideon Jackson and Eddie Richards are bona fide tech house titans who have more than helped to shape the genre since day dot and the All Rise EP sees three of their finer past glories gathered together and remastered and pressed on lovely red wax. The excellent 'Biscuit Barrel Blues' opens with exactly the sort of compelling drum work you would expect and it is imbued with some prying synths and sultry vocals. There is an irresistible glitch and dryness to 'Pull Tab 2 Open' and its smeared pads that make it perfect body music then 'Crying' (Gideon Jackson remix) brings a more heavy tech house sound with extra dub weight. Perfection.

Hector Oaks, Ill Pekeno & Ergo Pro joined forces in Berlin to record their collaboration, blending the pounding beats of techno with the raw lyrics of rap. Inspired by the city's club scene, they captured the energy of their night out in Eso Es G.

close to NM

Central to the Israeli club scene, Deep’a & Biri have long been defying expectations even within a community they helped construct. Serving as resident DJs, activists and bookers for Tel Aviv’s legendary Barzilay Club, the pair helped build a transcendent club scene.

Vinyl closer to VG+. Generic label cover

Dark Entries’ resident scuzzmasters De-Bons-en-Pierre return with the Card Short of a Full Deck EP, featuring six tracks of their signature sludge. In 2016, Beau Wanzer and Maoupa Mazzochetti fused forces in order to infect the world with their mutant analog strain, a noxious hybrid of 80’s DIY cassette electronics and 90’s Birmingham techno. Card Short of a Full Deck follows 2017’s Crepes EP and 2019’s EP No. 1 and EP No. 2, all released via Dark Entries. Their latest salvo features six tracks composed for a live performance in 2019. While a damaged sense of whimsy has pervaded their previous work, Card Short sees the duo ramping up the absurdity to obscene levels. Skittering rhythms dance over ghoulish basslines and haunting, rave-evocative chords on cuts “Le Râle du Mâle Alpha” and “Puddle Points”. Elsewhere, like on “Card Short of a Full Deck” and “Accidental Surgeries”, contorted vocals battle careening synths amidst post-apocalyptic waste. This deck’s not just short, it’s also full of jokers The sleeve for Card Short of a Full Deck was designed by Eloise Leigh, and features a punk zine xerox aesthetic with playing card motifs.

Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021.

This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.

There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down.

Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens.

Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts.

As the head of Grounded Theory and Manhigh, Henning Baer has since 2009 presented his downcast, experimental interpretation of modern electronic music to wide critical acclaim, establishing his forceful presence on Berlin’s scene with immaculate curatorial skills and equally imposing DJ abilities.

Brutal Nature Redux is a continuation of Rhys Fulber’s “Brutal Nature” album and art concept, featuring remixes by carefully curated artists. Years of Denial’s take on “Rogue Minority” injects some emotion and humanity into the stark and aggressive original while preserving the driving bass riff and lifting it into the sound of a futuristic tribal gathering. Berlin’s Sarin is up next, leaning into the future EBM style he also shares with Fulber but amping up the intensity and apocalyptic dance floor elements of Central State Institute. Night Render is given a darker and more sinister sheen by up-and-coming Bulgarian producer, Evitceles. The nature elements of the original are replaced by a cinematic dystopia, akin to salvaging lost technology in a ruined city. Orphx add their rhythmic sophistication to “Stare at the Sun, tripping and refining the original down to its base elements while tuning Sara Taylor’s (Youth Code) screams across what appears to be several channels of short wave radio. Qual’s radical re-interpretation of “Pyrrhic Act” brings elements of Fulber’s past history in EBM right to the fore, creating a groove that’s both retro and very modern, slowing it down so the tension hangs heavier in the air. Lastly but certainly not least, Vanity Productions highlights the “nature” of “Fragility”, accentuating it with delicate clouds hanging in an air of contemplation; darkness and light coexisting in thick emotional textures. A fine way to close out this collection of cohesive individualism.

Exploring the darker side of dance floors, we have a striking first release under the label Trnwrk with Detroit native Pablo R Ruiz with a floor pounding remix by legendary Russell EL Butler to complete this vision! Limited Pressing!

The piece de resistance of the 'Collected 1984 - 1989' project, all the music on this LP has never been heard before, except for a single tune released on a rare 7" in 1988. The track selection and sequence is the result of Ducret & Isar closely listening to the many hours of unreleased material Desaever shared with them.Saved from oblivion and irremediable decay, the music on this LP is now just waiting to be played and listened as well as to inspire.

Acclaimed electronic music artist Rhys Fulber returns to Sonic Groove with his latest album, "Balance Of Fear". Once again, Rhys delivers a masterfully crafted selection of eight songs that seamlessly blend techno, industrial, electro, and EBM elements, layered with thought-provoking atmospheric melodies. The album serves as a soundtrack for navigating through dark times, decaying cultures, the misuse of technology, the erosion of social structures, manipulated spirituality, and the consequences of disaster capitalism. To stay afloat in these turbulent floodwaters, one requires a "Balance of Fear".

Musique Pour La Danse is proud to present this 2 x LP limited edition reissue of The Purple Universe, an album originally released in 1993 by Swiss duo Synectics (Marco Repetto & Stefan Riesen) on legendary braindance label Rephlex ran by Richard D.James (Aphex Twin) & Grant Wilson-Claridge. Bearing CAT number 06, this early release is one of Rephlex's best-kept secrets. The 2 x LP edition includes 3 tracks from the CD version, never available on vinyl before.

LP includes bonus download including a bonus remix of "Elite Excel" by Kassem Mosse. STELLAR OM SOURCE's new album, "Joy One Mile", marks a certain and spirited departure into worlds unknown. A faithful leap into the infinite beat, "Joy One Mil" is the most forward-reaching effort by STELLAR OM SOURCE yet. STELLAR OM SOURCE originated from Christelle Gualdi's desire to unhinge from her academic musical upbringing. A double bassist in the Konigin Katharina Stift Schulorchester and a student of music theory at Université Paris VIII, Gualdi completed her studies in electro-acoustic composition at the Conservatoire de Paris after earning an architecture degree. The process of Gualdi's "unlearning" began in experimental ense...

File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.

On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shop of the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.

Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond.

Vinyl with scuffs and hairlines

Black Vinyl Double vinyl version of Rhys Fulber’s latest album. Pressed on black vinyl with an extraordinarily designed sleeve. Photography by R. Fulber, graphics by Janina Schütz. Ships out from Berlin, Germany, using DHL. The package is tracked and insured. Includes unlimited streaming of Brutal Nature via the free Bandcamp app, plus high-quality download in MP3, Flac and more.

File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.

Aisha Devi’s Danse Noire label reissues Gabber Modus Operandi’s mindboggling combo of microtonal Balinese gamelan and screaming carnival gabber. Absolutely galaxy brain post-colonial hardfuzion free expression from one of the globe’s most fascinating duos. Originally released in 2018, Indonesian duo Gabber Modus Operandi’s debut album “puxxximaxxx” showed the world the artistic and political power of radical fusion. By bolting together trash culture, European hard dance hedonism, heavy metal/punk theatrics and Indonesian gamelan elements, Ican Harem and DJ Kasimyn came up with a “chaotic pastiche” that has by now surpassed its influences without losing its cutting sense of humor. If you heard 2019’s “hoxxxya” then you should have an idea of where GMO’s interests lie - “puxxximaxxx” is maybe more raw, more unhinged and even more flamingly carnivalesque. From the very beginning the duo make their intentions clear, wielding a wavering trumpet loop before adding 400bpm kicks that roll like a tidal wave over traditional Indonesian percussion like it’s nothing at all. There’s no hesitance in Kasimyn and Harem’s resolve, they take risks that should make most producers embarrassed. Think the Danes are putting a fresh spin on hard trance? Well listen to ‘Pariah’, that takes the “festival somewhere in the distance” supersaw sound and slathers it over rolling gabber kicks before disintegrating into wobbly, ambient ritual magick. ‘Jathilan Titan’ might be even better, wrapping those same trance leads in beating Indonesian percussion without losing the 7am-on-a-mystery-drug-cocktail essence of the ‘ardkore experience. By the time we get to ‘Goroxxx’ with its swung rhythm and dense, chattering vocal mangles, there can be no denying that “puxxximaxxx” is a unique proposition. While half of Europe is trying to recapture the sounds of a lost rave they never attended, GMO use the discarded shells of dance subgenres to cobble together a completely unique vanguard rave sound that doubles as a middle finger to the dull, aggy purists.

The third and last volume of Rave Encounter serie. This one is dedicated to acid sounds in its different forms.

Musique Pour La Danse presents rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network).

Previously only available in CD format, this sought-after album which nonetheless remains too underappreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion.

Nearly 30 years after its release, rEAGENZ remains a crucial milestone of electronic music. The duo famously met at an early gig of British IDM heroes Autechre and then recorded its debut album between its respective studios in San Francisco and Heidelberg. This is a record where the sense of in betweenness is not only geographical. It is indeed a beautiful hybrid that explores the relationship between lush ambient textures and intricate IDM/techno rhythms, with striking and memorable results.

Rather than trying to fit in pre-determined templates, rEAGENZ invites you in a paradigm of its own. In these unprecedented times without access to clubs and dancefloors, this is a much needed reminder, as it is one of those albums that argues that the enjoyment of electronic music is anything but confined to the formulas and expectations of music for clubs. It's all about diving into gorgeous and compelling soundscapes, wherever you might be listening and dancing.

ä, ö, b, ü, ß, tz recorded at reflective studio, san francisco, summer 1993 long leaves, hollow mountain, dj friendly recorded at resource studio, heidelberg, summer 1994 by jonah sharp and david moufang.

originally released in 1994 on reflective records / source records original artwork cebra & env / reissue design env (jonas grossman)

Price tag residue on front. Writing on label stickers. Vinyl is Close to VG+. Limited edition

8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.

Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.

Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.

Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.

“Abstract Forms” is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late Eighties and early Nineties. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experiments are not only characterized by their use of electronic instruments, as dictated with the requirements of the time, they also have a specific rhythmic inventiveness that gives them their identity. One more time the Italian brilliant composer follows his strong drive in drawing inspiration from what technology can offer him.

Recorded by Daniel Hartl, Vienna 2019-2021. All Tracks written and produced by Daniel Hartl, except: B2 Daniel Hartl & Julian Derkits. Mixed with Christopher Schweiger at Tongues TNG Studios Vienna (Yamaha NS10s + Soundcraft Mixing Desk). Mastered by Tim Xavier at Manmade Mastering Studios Berlin. Design by: Team. Special thanks to: Christopher Schweiger, Julian Derkits, Sasa Strauß, Felipe Duque, Matthias Haas. All rights of the producer and of the owner of the recorded work reserved. Long is the way and hard, that out of Hell leads up to Light.

Cristian Vogel's best techno tracks from the '90s, remastered in 2015. Cristian Vogel is a composer and music producer, knownfor his DJ sets and live performances, studio composition and production (having worked with artists such as Radiohead, Maximo Park, Chicks on Speed, and Thom Yorke). Following a few solo EP's and collaborations with emerging UK techno artists such as Neil Landstrumm and Dave Tarrida, Vogel released his debut full-length, 'Beginning To Understand', in 1994 on Mille Plateaux, and subsequently became the first UK techno artist to be signed to Berlin's Tresor Records.

After six years in the making between Malmö and Berlin, Per Hammar presents his first studio album on his Dirty Hands imprint. Pathfinder LP is designed for the dance floor and represents the evolution of one of Sweden’s finest artists from his musical beginnings in 2004 to the current day. Per Hammar has been associated with labels such as Infuse, Constant Sound, Malin Génie Music and Berg Audio to name a few. Always inspired by music where melody is the focus, he notes his subconscious as being an inspiration for his productions. Over the last 15 years, his material has featured influences from dub to video game scores, and trance to happy hardcore, but on his Dirty Hands productions it’s been dub that’s held centre focus.

Since being identified as a rising star by PIV label head Prunk in 2023, Ruze has consistently proven their talent and captivated audiences across the music scene. With endorsements from industry heavyweights and a remarkable rise to becoming Beatport's best-selling artists in the Minimal Deep Tech genre, Ruze has solidified their position as a force to be reckoned with.

The anticipation for Ruze's debut album has been building, fuelled by the success of their hit singles 'Mister DJ' and 'Trip.' These tracks have garnered widespread acclaim, showcasing Ruze's ability to blend infectious rhythms with innovative sound design, setting the stage for the release of their full-length album.

'Journey LP' is a culmination of Ruze's musical evolution, offering listeners an immersive experience that transcends boundaries. From mesmerizing melodies to pulsating beats, each track takes listeners on a sonic voyage.

Walker & Royce have released their highly-anticipated sophomore album No Big Deal out now via Dirtybird Records.

Embarking on a four-part mission to bring the party back to dance music, Walker & Royce have embraced the boisterous, unruly nature of their over-the-top signature to deliver 10 non-stop anthems. A highly collaborative body of work, No Big Deal features a colorful collection of characters including comedian/ musician Reggie Watts, Grammy-nominated and multi-platinum selling artist James Patterson (and 1/2 of the electronic duo The Knocks), peak-time queen Vnssa, Grammy-nominated vocalist Barney Bones, and more.

From the tongue-in-cheek lyricism of ‘I Don’t Remember’ and ‘Might Just’ to the overzealous charisma imparted on tracks like ‘Motivashun’ and ‘Fatalistic Groove’, No Big Deal boasts the sense of humor and lightheartedness that Walker & Royce have brought to countless dance floors throughout their career. The album is hallmarked by the kaleidoscopic elements of their dance music roots: catchy vocals, playful melodies, thumping basslines, and relentless four-on-the-floor percussion.

No Big Deal is a wondrous homage to the weird and wacky tropes that have distinguished Walker & Royce’s no-holds-barred style for more than a decade. An auditory yearbook cataloging Walker & Royce’s sonic inspirations from their early days in New York City’s 90s underground raves to the Dirtybird BBQs and Campouts where they found their home, No Big Deal is a victory lap for Walker & Royce as they cement their status as headliners and hitmakers.

No Big Deal is a reminder to enjoy the ‘Cheap Thrills’ that life presents, to ‘Get Down Down’ and adopt a motto like ‘Let’s Live It Up’

Fellow Eerste Communie resident based in Amsterdam, Hitam will debut with a solo EP on Somov Records. With the trio of tracks, he is expertly showcasing his sound from the ethereal ambient scape to the signature floor cuts.