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Enter Planet Dust’s next release is our first album, courtesy of Manuel Jesus aka World Wild Web. His debut LP follows lead single Cursed Fruits which featured remixes from Epsilove and label head Donald Dust.

World Wild Web’s organ, guitar and drum machine-led music nods to the global Cosmic continuum, and explores themes of anxiety, overconsumption and Web 3.0. The album features creative and catchy vocal dance tracks in both English and French (Colony, La Nuit, Je Mange Des Animaux, The Best Is Yet To Come), scrappy guitar anthems (Pills, Don’t Quit!, Scrolling) and exotic Cosmic joints aplenty (PA 2, M-Gola, Druid Dance). We at Planet Dust are reminded of the likes of Suicide, Rizan Sa’id, DJ Stefan Egger and more.

An impressive, ahead of the game pre-acid house anthem from 1983, later sampled by Moodymann on "Dem Young Sconies". Still relevant almost 40 years later.

Vinyl with scuffs and hairlines

Label sleeve.

The MinimalRome "Urbi et Orbi" franchise debuts in 2006, juxtaposing Rome-based producers to others around the globe ("urbi et orbi" can be translated as "to the city and to the world") featuring in time, amongst others, Legowelt, Rude 66, Mick Wills, Andrea Benedetti, Ra-X, Polysick, The Exaltics. This fourth chapter delivers a vinyl EP compilation with monster electro tracks by Teslasonic, Plant43, Cosmic Force and Microthol, plus a couple of synthorama joints by Heinrich Dressel and Sonobe.

Get ready to groove to the beats of The Void Project latest release. Lukey, A.G, Kompo and Soyuz take control of the spaceship.

Seamless to our first release of the Stone Techno series we are presenting the second edition of this unique concept. Each artist has been given a sample library consisting of recorded minerals from the Ruhr Area. The task was pretty clear, to create a track exclusively out of those sounds. The results are remarkably differing from each other and showing the huge creative potential of this project, which is a collaboration between the world famous Ruhr Museum foundation and The Third Room collective.

While Matrixxman delivers us an ambient driven masterpiece, Rodhad shows us his impeccable skills to create an ever-evolving tension in his dub techno influenced approach. Yan Cook on the B-Side is exploring the full potential of those samples to honor the industrial era and its machines, while T3R-Resident Vnnn. is hailing with his hypnotic grooves the late hours of an extensive musical journey.

We hope you enjoy this imposing line-up of artists and its different styles within the release. There is more to be coming. Stay tuned!

Each release is limited to 300 copies (180gr marbled 12" Vinyl, Full Cover Print).

Serie Noire Is a Brand New Skylax Records Sub-Label Dedicated to What Can Be So Called Indie Dance, Dark Disco & Italo-Disco, Genre That We Have Promoted & Pioneered for Years. in This First Part, You Will Be Able to Find the Explosive &Ldquo;free Gluten” Signed David Body, the Very Mental &Ldquo;waves” by Facets, the Fabulous Neurotiker &Ldquo;bdsm” Which Reminds Us of the Best of Viewlexx and on the B Side Our National Signal St, With a Title Dedicated in Tribute to Our Label, an Improbable Collision of House Music & New Order (Our Lifelong Love) and to Close It All Silicodisco With “Mirror Constellation”, an Incredible Spanish Producer Who Reminds Us at Times Waxtrax but Also the Sepulchral Atmospheres of the Cure's Disintegration....

Emerging when humanity needs him most, and currently adopting the body of a 60 odd-year old carpenter with a penchant for animation and Red Stripe; Terry Perace teams up with Red Laser's own Pharaoh Brunson to form a new perpetual EP series. The Peraceamid project begins with EP 1. 4 x Hyper-ancient, super-hi-tek audio tools for us Earth dwellers to utilise, corrupting RL's standard "Manctalo" vigour with abandan.

(A1 - Terry Perace - Trip Pop 2020) Perace himself, ditching the Carpenter attire and hardwiring himself straight into basic circuitry, conjures up skeletal, repetitive reduxes, born outta the oldest primordial gloop, churning together into embryonic life form rhythms that have now existed since the earliest signals of dual-cell organisms on our planet.

(A2 - Kid Machine S.D.M (Terry Perace's InSlaved mix) Terry sparkles his Martian magic across Kid Machine's S.D.M from the 2020 'Magico' LP. An already high Manctalo watermark now given further accreditation by the highest Elders of Ancient Egypt which Terry confers with on the regular. Welcome to the top of the pyramid gee!

(B1 - Marcus Paulson - Wrecked in Utrecht) The elusive Marcus Paulson we so far know very little about other than that he's an unconfirmed UFO enthusiast from Warrington...Terry received 'Wrecked In Utrecht' when he accidentally plugged a random USB drive into his earhole (he's not that up on our basic tech yet) in Pharaoh's studio at Hidden. An otherworldly Manctalo vortex and a holographic, plasma-soaked acid track designed to provide a cross-planetary bridge to raves and free parties on Cygnus.

(B2 - Ste Spandex - Examples of You) Terry's been warmly applying his cosmic voodoo on Red Laser veteran Ste Spandex, nudging him further into the inter dimensional discipline of sonic energy manipulation, the fruits of which are a hyper-driven re-vamp of a '98, Earth-based club classic which he blasts into 5D thru the galvanised circuitry of his palladium-boosted studio.

Licensed and published by Red Laser Records here on Earth. First volume in a perpetual series

Fukuinn's 3rd release on vivid blue color vinyl. A1 is edgy electro sounds from Bristol's "Lost Signal" resident trackmaker Fazack. A2 is a deep and floating track by Relaxant. He's released an EP on Florklang Records and is one of the hottest young artists out there. On B1, Böhm, known for his acid and bleep sounds, surprises with an acid-heavy masterpiece. His successes and releases in recent years have been very inspiring. Lyon's genius, Foreign Sequence, played the best bizarre sound with pleasant melody on the last track.

Dead Dreams Don’t Die vol 1 marks the inception of Half Grand Records, a label focused on no-frills, raw talent electronic music. This artefact contains new output from several members of legendary Borft Records. Nimam (Spregleda) gives us a riotous and exuberant Drum and Bass banger that will have your teeth jingling. Jon Doppler’s signals transform from searing blasts of psychedelia to soaring synths that will make you pine for days of yore. A Stantz drops some body music that's equal parts acid and mosh pit. The closing track is by a group specific to the label; Cracktros. Cracktros is a collaborative group project that will continue to grow as more artists join the HG fold. With this number, the collective explores fantastic textures in this riveting deep house ditty. Keep your eyes peeled on this label.

Multi Culti launch a new quarterly 12" series in step with the seasons beginning with Solstice I: Post-pandemic lockdown inspiration can be found in the great planetary balancing act that has taken place since a cataclysmic impact with an asteroid caused mass extinction and set our earth’s orbit off axis. This Axial Tilt, or obliquity, is responsible for the seasons, and life as we know it has evolved around these unleashed forces. As our lives and for many, careers, have spun dramatically off axis as of late, we look ahead to the coming seasons, with the hope that we can weather the changes, and maintain inner stability. To aid in this quest, Multi Culti promises to deliver sonic support with utmost regularity at the peak moments of cosmic significance, with each Solstice and Equinox. Beginning this journey are some of the label’s most beloved artists. Israeli duo RED Axes provide a chakra-elevating soundtrack with their inimitable blend of psych-garage-tronica, a sun-kissed banger that signals a long-awaited return to the togetherness of the dancefloor. Zillas ON Acid turn in a robustly wiggly jam that electrifies, frazzling zaps and frenetic percussion recall the fritzy tension of the past year, a cathartic shock-treatment for traumatized dancers looking to get back to prime spine-shaking shape. Mexico managed to stay open for the most part, and TYU seems to have not skipped a beat here, still in perfect form after breaking out as one of the hottest young producers to emerge in recent years. Dark disco, Mexi-chug, call it what you want, but the emergent genre is never better represented than here… spooky, phosphorescent tribal dance, Tulumminati-tested and approved. Finally, the big guy - Manfredas - whose remixes and edits have been highlight-reel material the past couple of years, delivers a long awaited original track with his requisite heavy-weight swag. Wonky tunings and a chunky downtempo beat underpin Manny’s trademark masterful arrangement style, building patiently, with breakdowns that managed to wring every last drop of impact out of an odd, other-worldy assortment of sounds.

A download code is included. Trentemøller returns with his fifth studio album 'Obverse' in September 2019! Anders Trentemøller is a well-known multi-instrumentalist, but perhaps the one he’s most adept at is the studio itself. 'Obverse' is the result of him expanding that skill even further. 'Obverse' often feels like an instrumental album because it started life as one, the driving philosophy being “what if the pressure of having to perform these songs live is removed entirely?” Granting yourself the freedom to chase down every idea a studio offers comes with privileges. What happens when you reverse a synth part mid-verse? Why not send an entire track through a faulty distortion pedal? Inspiration reveals itself in a variety of forms and, before long, a simple chord progression contorts into something entirely new. It’s a work method that yielded great results for the legendary German Kosmiche/Motorik experimentalists of the 1970’s. Intentional or not, 'Obverse' embodies more than a little of that spirit without even a hint of pastiche.

A download code is included. Danish composer, musician and producer Trentemøller announces his new studio album ‘Memoria’ which is set for release in early 2022 on his own label In My Room alongside the first single ‘In The Gloaming’ which is released September 10th 2021. Anders Trentemøller’s sixth studio album, Memoria, seems to exist at the confluence of inspiration, coincidence, and maybe even a little bit of the supernatural. A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album’s worth of material was also waiting in the wings. As with most Trentemøller releases, it’s a body of songs that are thematically linked by many melodic threads. The first single from the upcoming album, ‘In The Gloaming’, which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne’s dawning. Stars emerge in the form of percussive arpeggios. 2019’s Trentemøller album ‘Obverse’ was an exercise in what could be done if the prospect of performing the songs onstage wasn’t a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.

A download code is included. Danish composer, musician and producer Trentemøller announces his new studio album ‘Memoria’ which is set for release in early 2022 on his own label In My Room alongside the first single ‘In The Gloaming’ which is released September 10th 2021. Anders Trentemøller’s sixth studio album, Memoria, seems to exist at the confluence of inspiration, coincidence, and maybe even a little bit of the supernatural. A recent, unanticipated drop of four songs, in the form of two singles (No One Quite Like You, and Golden Sun), might leave one surprised to find that a full album’s worth of material was also waiting in the wings. As with most Trentemøller releases, it’s a body of songs that are thematically linked by many melodic threads. The first single from the upcoming album, ‘In The Gloaming’, which is released in September 2021, implies the arc of the album might have actually begun late in the day, giving the sensation of waking in the evening. Nocturne’s dawning. Stars emerge in the form of percussive arpeggios. 2019’s Trentemøller album ‘Obverse’ was an exercise in what could be done if the prospect of performing the songs onstage wasn’t a factor. It opened up some doors, and signaled a new chapter. Memoria, even considering its resplendence, almost feels like it demands to be presented live as well.

Tommy Farrow has been making waves ever since his breakout single, 'Let's Just', caught the eye of Radio 1 tastemakers. His emotive, trancelike tracks, evoking influences like Bicep, have been instant hits. Joining the Classic Cuts series, Forever EP is his debut on Shall Not Fade.

'Forever' features rising star vocalist Clementine Douglas, her sultry lines coasting over melancholy chords before casting off into high drama breaks and synth melodies. Breakbeat dominates 'Feel What I'm Feeling' too, a big room track filled with pure ecstasy; closing track 'Imagination' is deep and grooving with an explosive electro edge.

Forever EP drops 10th December via Shall Not Fade.

Next up for Shall Not Fade's new Killer Cuts series is London-based DJ and label boss Tom Frankel. The up-and-coming producer has gained attention and respect for his slick techy house cuts that take from a range of classic house and UKG sound palettes. He makes his debut on Shall Not Fade with Milestones EP, six tracks of skippy house that reminisces early 90s raves. The record meshes modern sounds with nostalgia; "Better Perspective" is a pulsing laid back house track but with a swerving bassline that gives it edge. Frankel experiments with the sounds of a warehouse rave in a nod to dancefloor romance, "Mandy Cuddles" - melding the classic M1 house piano with searing jungle vocals that cut through the melody like a laser. Showing the cheekier side of his production, "Slippery Nipple" pays homage to filter house, a skippy garage bassline bringing it up to date. The funkiness of this one is unavoidable, making even the most static hips move; onto "Peak District", a throbbing 90s style roller to keep the pace going. The two final tracks dabble in the darker end of Frankel's sound palette; "Tapas" adds heavy bass and percussive organ stabs to a clean house sound while "Cuckoo Land" is a deep, sweeping club track that formed a spaced out end to an otherwise high-intensity EP.

Neither Timothy J. Fairplay, nor Norwell are strangers to the Dalmata Daniel family: both of them are trustworthy contributors to DD compilation albums of earlier years, plus Norwell has released his 'odd' EP and 'Joint Spaceflights' EP back in 2017 and 2019 on the label. So this time, it's a return for Norwell, and a debut for Mr. Fairplay: their Dds09 split EP is here to present 4 tracks full of outer space lights, eerie vibes, mesmerizing beats and cosmic energies.

Timothy J. Fairplay's side A starts with the explicit kicks and ominous basslines of 'Caliber 9'. Slowly and steadily, the laser blasts and relentless drums all add up to define a world of space cadets on the run, where any odd-looking figure can turn out to be a malignant, speedy alien. 'TV Tower' takes us to another planet with an even higher rotation velocity. Fast percussion elements and squished lower frequencies take center stage in this intergalactic episode, but the whistle-like melodies and descending, bubbling robot signals make the journey complete.

Flip to side B, and enter the contemplating, otherworldly atmospheres of Norwell. 'Midnight Rituals' gives you the chills with its breath-like swooshes, grievous sirens and deadly asteroid belts. Yet, there is no need to worry: after an intense ride with your spaceship, eventually you end up in the same spot, where you started: in the stable and steady mid-tempo beats of an expertly-programmed drummachine. The orbital mission comes to an end with 'Natives', a dense and heroic hymn with emotive structures and well-crafted harmonics. The track starts with the bittersweet, lamenting synths of a solo voice, pouring their heart out in the spotlight, all alone on the stage. All of a sudden, a hard-hitting, rhythmic groove commences its last rush of dedicated cadences. It is full of breaks, it is full of 303s, completed with airy echoes and dreamy, light gestures. 'Natives' keeps on building its structure with elegant paces, providing a massive, yet delicate experience of Norwell's defined aesthetics. The track lets the last strokes of its gloomy synths roll out, along with the final round of looping drums, thus putting an end to Dds09.

Cover and vinyl are close to NM.

The Nightstalker - Mystical sounds from the shadows of the night The Zurich duo The Nightstalker, consisting of producers Dan Piu and Popshop (Gary Rich), create a cosmos of sound that plunges deep into the darkness and unfolds an almost magical attraction.

After two acclaimed albums on the Berlin label Childhood Intelligence, they now invite us on a sonic fantasy journey with their new mini-album ‘Isoutopic Fantasia’ on World Wide Web Records.



With six tracks that oscillate between danceable darkness and playful, surreal moments, ‘Isoutopic Fantasia’ embodies a seductive fusion of mystical depth and bizarre beauty. The sounds are addictive and lead us through a musical dream realm where each beat reveals a new twist and the melodies unfold into sprawling, unexpected dimensions. A sonic fantasy carried by the shadows of the night, in which light and darkness unite in a hypnotic dance.



All tracks written & produced by The Nighstalker (Dan Piu & Gary Rich)

Mastering by Johanz Westerman at Ballyhoo Studio (NL)

“Passing Signals” is the Suction Records label debut of The Jaffa Kid, aka UK producer Daniel Pringle. Over the past few years, The Jaffa Kid has been building up a strong following amongst braindance/d’n’b/acid heads, with killer releases on labels like 030303, Altered Sense, Utter, and his 2 standout “anonymous” Wh03 and Wh09 EPs on the Withhold label series. From the melody-drenched 303 acid of “Olyqu” and “Xom”, to the Bochum Welt-style electro vibes of “Ief” and “Tropet”, it was clearly just a matter of time before The Jaffa Kid appeared on Suction. With these 8 carefully curated tracks, Suction Records delivers 8 tracks of timeless melodic electronics, and surely the most solid The Jaffa Kid release to date, in our books! Available digitally, and on limited vinyl LP in a reverse board jacket — includes a Bandcamp download card inside.

The successful creative disco-graphic synergy continues between Simona Faraone’s label, New Interplanetary Melodies (nim), and the artistic collective Kuro Jam coordinated by Gianluca Pernafelli.

After creating the two V/A sound-tracks, Kimera Mendax EP (NIMKurojam 001) and Kimera Mendax Vol.2 (NimKurojam002), for this third release of Kuro Jam Recordings line, the team assigned to the Rome producer T/error - already featured on the second volume of Kimera Mendax series with two tracks (kx2048 on vinyl and Rising Tide in the digital re-pack) - the music version of the new, eponymous comic strip. The Data Surfer of the title is a special mixer: among its controllers, in addition to thosefor sounds, there is one that reads, mixes and recomposes space-time. What would happen if it ended up in the hands of a suburban hoodlum angry at the world and intoxicated by electronic music? The answer lies in an irregular and corrosive graphic journey that the graphic novel unravels in 6 chapters, in a symbiotic dialogue with the 6 vinyl tracks. In five temporal dimensions curated by five talented artists. In two cities - Rome and Berlin - criss-crossed by pain, youthful passions, torments, desire for redemption, delusions, desire for life. And by a single, unstoppable sound-narrative flow that will sweep through the protagonists’ lives and caress the readers’ hearts.

DOMINA TRXXX presents Steve Murphy & Carlo Di Roma! Steve already released the great "Automatic EP" in 2017 on our imprint. Now he teamed up with his friend and italian Dj Legend, Carlo Di Roma who delivered us two beautiful and unreleased tracks from 1997!

Mystic Transfers is a label focusing on experimental music and club cuts from around the world, taken from the suburbs. Mystic Valley - Mystic Valley is the new musical project by Andrea B, architect, collector and producer from Florence, Italy. His sound is best described as a melting pot of Italian psychedelic influences, from obscure downtempo to new beat, as well as English breakbeat and German EBM. After years of Tropical Animals he started with Felis Oxiana the project ‘’Galattica’’ and from 2021 is one of the founders of Mizuna. Heading coach of the post punk group Zona Utopica Garantita, he began to work with them since they started to play, and together they launched the label ‘’Mystic Transfers’’, focusing on experimental music and club cuts from around the world. SPO - Drummer in the ’00 of the underground scene in Florence fond of the 70s Progressive Rock sounds and experimental, co-founder in 2006 of the DIY label La Statua Sommersa Produzioni. Currently in Florence after the experiences in Rome and 5 years in Berlin with many gigs around Europe and albums with his solo project Die Lust! and the italo-german duo Bloodygrave & Die Lust! establishing itself as a producer and composer in the electronic european musical scene Minimal Wave e Synth Wave. From 2017 began a new solo project named SPO (Solo Per Oggi).

Limited 75 Copies Poster Edition (inclusive poster & stickers) Sound Synthesis, Acidulant and Raim perform their best Electro Acid tracks on our second 'The Electro Guilde' release. Raim is a collaboration between Sound Synthesis and Acidulant. Now in a very Limited Poster Edition. Grab your copy!

RAWAX proudly welcomes Alan D. Oldham to the Family. We're happy to present you Signal To Noise Ratio - Detroit is Burning. This gem was ariginally out on Djax Up Beats in 1991!

With the new Serwed III on Flaty's promising Anwo Records, Flaty and OL set out to explore and celebrate the altered visions of today's mundane futurism with a kind of keen aesthetic intuition that could only be enabled by the vast volume of their listening, production, and teaching experience. Following the first two Serwed albums on Asyncro and West Mineral Ltd., the current fruits of the flourishing long-time collaboration between OL and Flaty comprise an oddly coherent kaleidoscopic set of free-wheeling journeys across varied pseudo-desolate soundscapes full of anomalies and sometimes thrills. Beyond the now seamless blending of the artists' individual styles, a whole bunch of other boundaries get blurred on the record, whether it be between the human and computer data processing algorithms, originality and referentiality, anxiety and euphoria, signal and noise. Serwed III postmodern world is the one where the orbital space is just another littered parking lot, neural networks are appreciated mostly as a source of absurd imagery, and delivery drones are used as designer drug mules. The sonic collection is fittingly complemented by the visuals based on Regula Bochsler's The Rendering Eye, an art project capturing the "erroneous" yet "picturesque" renderings found in the 3D world of Apple Maps.

C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

C-l-a-s-s-i-c library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. Background Action’s first side is all Blaxploitation wah-wah, funky clav and heavy, heavy drums. It’s top-quality takes on the sort of hard-knocking psychedelic sleuth-funk that the library labels gave us in spades.

Following the release of Limewax's Untitled and Speed Dealer Moms' Sdm-la8-441-114-211, Trickfinger and Aura T-09's Evar Records imprint is keeping its foot on the gas, officially introducing the arrival of its sub-label, Rave4evar. Embracing more of an outlaw mindset, Rave4evar was created as a place for rebellion to collide with rave, offering refuge for off-the-cuff releases, special projects and occasional one-off collaborations.

Ushering in the sub-label's inaugural release, Rave4evar is proud to present Chicago-based DJ, producer and new media artist S4m23's debut EP, Angelface. The five-track project, set to arrive on July 2nd via a limited edition cassette and digital download, combines haunting vocals with pounding kicks and rave synths to create a moving take on hardcore. Written and recorded during a weeklong session in April 2020, the creation of Angelface took place during a period of processing grave personal loss juxtaposed with the collective state of chaos, grief and fear brought on by the covid-19 pandemic.

Within that specific period of time, S4m23 channeled intense emotion to reflect how cathartic it can be to honor the connections we build with one another despite how frenetic and heart-wrenching the circumstances of a particular moment or experience can be. Pouring an immense spectrum of emotions into Angelface, these productions eschew simple repetition to create unexpectedly complex rhythms and textures that evoke the sounds of British club music and '90s rave, while simultaneously creating something entirely new.

close to NM

RP Boo's essential first album, 2013's ‘Legacy’ caused a storm of acclaim worldwide as people finally started to piece together his true place in Footwork and the powerful legacy of his work as an innovator. In parallel with productions, his always on-point DJ sets have lit up festivals and clubs worldwide and continue to do so to this day, notably leading to him being named one of the ‘100 World’s Best DJs’ in a recent book by DJ Mag. Now on its 10th anniversary ‘Legacy Vol.2’ continues his story. Featuring tracks created between 2002 and 2007, this is a wonderous selection of material, some known, some unknown. The album kicks off with the dark and epic ‘Eraser’ created in September 2007, during a time RP was going to underground Footwork club War Zone on the west side of Chicago. The track was inspired by, and created to fuel, the “taunting words of intimidation” between dancers.” And now it makes for one intense album opener. Some cuts are inspired by everyday life – take for example 2005's ‘Pop Machine’, which was inspired by the time he was working at Speedway Oil Change who had a temperamental soda/pop machine. One day, a customer put money in the machine and nothing came out, so he continued to press the button, and for some reason RP found this funny so he went over to the machine and started pressing the buttons himself and everyone he touched started saying “Work!.” Inspired once he was back home in his studio he made ‘Pop Machine’ in tribute to the defunct machinery. When he came back to work the next day and played the track for all this co-workers it blew their minds and they also laughed with at how creative RP could get using things from his everyday life as inspiration. ‘Pop Machine’ also illustrates how RP’s Footwork uses repetition and minimalism as fuel. Years later RP Boo is still inspired by Foot Work – the art of dancing and working for dancers. He continues to shake up clubs and isn’t afraid to get out from behind the decks and drop some Foot himself. We’ll let the man himself have the final word - “What inspires me to keep going is seeing the people having an awesome time moving on the dance floor, as well as playing music that is a recognizable part of my life. I’m one with it.”

Following his feature on We Miss The Crowd EP - the last addition to our Killer Cuts series - Romeo Louisa returns to the Shall Not Fade catalog with a blissful solo EP.

Rarified Terms sees the emerging French producer come into his powers with three soulful deep house tracks which reflect his musical background in jazz, and see reworks from the likes of Shall Not Fade family members and fellow collaborators, Theos and Denyl Brook, and London duo, Funk Cartel.

The EP starts as it means to go on. A skippy house beat, jazz-like piano chords and diva-esque vocal phrases lend "Desires" a driving propulsion, equally suited to the dancefloor as it is to a more laid-back listening environment. Next up, the stripped-back melody on the title track makes way for a focus on percussion, paying tribute to Romeo's brief residence in London with a half broken garage beat. "The House of Jazz" sees the EP at its classiest with soulful piano chords and a bouncing deep house rhythm, at times punctuated by drum accents which reference the sporadic nature of jazz improvisation.

Next up, enter Silver Steps Records boss, Denyl Brook, and fraternal duo, Funk Cartel, who offer their take on the title track before French producer Theos rethinks "The House of Jazz", teasing out the lower ends so that the track is led by a funk-infused bassline.

Rolando Simmons - a revered name in certain acidic circles - joins Utter for the 'Human Remains' EP, a wildly inventive 8-track adventure that deftly dabbles in rave, IDM, Techno and beyond in classic RS style. The project is the creative brainchild of Mattias Östling, who has been on a prolific production streak since the late 2000s, firstly under the name Trackermatte before settling into work under his current moniker.

This particular release is a missing puzzle-piece of sorts, compiled and sequenced by Utter's Alex Egan from a self-released digital collection titled 'Human Touch' which initially surfaced on Bandcamp during the producer's golden 2016 'Walk On Strawberries' and 'World Building' era.

'Human Touch' was a curious selection of unmastered oddities - the first Östling made using audio signal processing environment Cecilia5 - which remained largely overlooked due to its digital limbo. The tracklist itself shifted, with bonus tracks appearing then disappearing. While the excellent Dutch label 030303 cherry-picked the original version of the title track for a 2019 2xLP of the same name, the rest of the material remained frustratingly unavailable on vinyl and elsewhere, including the elusive bonus track which prompted Egan to reach out to Östling in the first place, the stunning 'sq1_mc4_iloveu03a_149unedit'.

That track is firmly at the core of this new EP, under its new title 'Nueva Traditional', as well as the alternative CV Beszállás edit of 'Human Touch'. They are surrounded by every other un-pilfered gem that originally appeared alongside them - however briefly - with all material freshly mastered and cut by Anne Taegert at D&M. The artwork and large fold-out poster (included with the 12") were designed by the Timpani Mystique Agency.

No stone left unturned!

Side B has some stains that are hard to remove on the first tracks, the other sides are clean and closer to VG+. Cover with light wear on the edges.

Next up on Magnonic Signals we are pleased to welcome the silky skills of ReKaB aka UK stalwart James Baker. First appearing on Where We Met in 2019 followed by stellar releases on Móatún 7, Intellitronic Bubble and Fourier Transform, here he provides a superb 4 track EP that showcases his immense talent with his love for Detroit techno shining through.

Record is close to NM.

Mighty fine collaboration release from Qeta & Inkipak on Sound Synthesis own imprint. Signal II Signal EP deliveres 3 tracks from each artist of high quality timeless electronix sounds. Limited pressing of 200 copies and comes with a printed sleeve.

Popshop – a kind of music which doesn't just fit in one category because it's a mix of many different styles like electro, pop, house, digital funk, techno, post wave, indie and which has always a special personal flair because of the voices, vocals and lyrics.

Poltergeist has that strange power of attraction that these personalities with their icy, mysterious aura hold. As soon as Ari Girard (aka Poltergeist) appears, something happens, he catches the light and strikes the spirits. Kämpfer LP is a ghost story where Poltergeist invites Joy Division, New Order, Talking Heads, The Cure, Can, Kraftwerk, Nine Inch Nails or Jeff Mills for its first album. At the Poltergeist banquet, the crows of cold wave and the barbarians of krautrock, the metallers of indus rock and the freaks of techno meet. The epicentre is Berlin, the Wall, Lou Reed's Gotham, the Bowie/Eno trilogy and the toxic nights of underground clubs. Kämpfer LP, Poltergeist's first album, reveals its dark and disturbing universe. Marked by a heavy, deep and majestic atmosphere, this project evokes, without ever saying it openly, the climatic urgency, the ineluctable destiny, the human obsession to be first, to leave a trace of its passage and the nightmares which agitate the nocturnal spirits. Between frenetic synths, bewitching waves and marked foot, this implacable album marks the beginning of the Poltergeist era.

Plants Dub is an art project of the homonym collective based in Lecce - Italy formed by Maria Teresa Santoro, art historian and light designer, Francesco Andriani De Vito aka Dubin dj and producer, and Andrea Presicce aka NoFinger Nails, dub master and producer. They work in Plants Dub project in a mutual exchange of skills so as to be able to research in a way where art and science has no borders. Plants Dub connects electronic music and bio-acoustic researches. Through samplings and synthesizers Plants Dub produces an inter-species communication in order to form a complete human-plant audio exchange. The album was composed using melodies generated by plants thanks to a special sound device that allowed the translation of the plants' electrical impulses into sound. Plant sounds were recorded between March 2018 and July 2019 in Salento. The musical production has followed a double register: in Acanthus Mollis, Morus and in Phoenix Canariensis the vegetable melodies overlap to specially composed dub rhythms, in Laurus Nobilis, Olea Europaea and in Quercus, the tree melodies are translated into ambient sounds.

"Insane and heavy beats by the og don Pixelord featuring great remixes by an all-star line-up comprising Dj Ride, Dj Pound, Starkey and Dranq!

Like a lightning bolt in the middle of a dark sea, Pixelord has returned once again from the frozen lands to shock and disquiet the tides of Futuristic Bass Music. Perhaps the best thing about Russian electronic music godfather Alexey Devyanin's Pixelord project returning to Saturate! for this "Demonslayer" release is not simply the exciting and hard-hitting beats contained within, but the simple fact that it shall be offered on delicious, glorious Vinyl. An artifact for all time, perhaps to be found in future wastelands by those who would consider this "Demonslayer" to be the VanHelsing (or perhaps Trevor Belmont) of the 21st century bass music scene.

The last decade has seen Pixelord riding the wave of forward-thinking bass music, and always staying at the crest, and 2020 is no different. "Doomguy" comes tearing straight in with menacing, distorted synth weaponry, assaulting with ballistic beats (even some nods to Junglism) until finally bestowing some glittering melody atop the fray, showing that not only is Alexey an elder-statesman of the genre, he's still the eager bass monster that explores his own depths. The depths are again evident in "Pain Elemental" where the vibe is established immediately, and only delves deeper into the slightly-detuned bass signals and ominous creeping atmosphere. The melodic elements are no longer here to sooth, they are newly charged laser beams that sear the flesh, scorching the eardrums.

This foreboding, demon-dispatching vibe is indeed present throughout this entire release, as you enter the "Bonus Stage" of this deadly game, where the aggression does not abate, and the bass plays backseat to the synth bell sonic geometry on display. The drums especially feel the wrath of Pixelord on this track, where some impossibly tortured tambourines take a beating, and the chopping and relentless reorganization of the rhythm keeps you churning with intensity. The title track brings the "wild style", even though the drums are less frantic, the bass frequencies and laser blasts from our protagonist, the ever-ready "Demonslayer", are sure to dismantle any submissive subwoofer in range.

"bfg" rounds out this collection in a disheveled fashion, dishing out low frequency divebombs and squelches, whilst otherworldly transmissions from synth realms afar come leaping in trying to assert their dominance, only to be eaten alive by daemonic bass and telluric currents of seismic drum activity. An utterly destructive end to this tale… BUT Wait, IT Gets Worse! We have here on hand Saturate! stalwarts DJ Ride, DJ Pound, Dranq and big daddy Starkey on remix duty, who all take the tracks down their own rabbit holes to parts unknown, with equal aplomb. The result is equal in intensity and aggression, but the textures by which this is conveyed are wholly transformed and re-imagined skillfully.

All this on one slab of gorgeous Vinyl. No demon shall stand a chance against Pixelord's battalion of beats and bass."

More exciting tracks from the relatively fresh DWS imprint. Label founder Oliver Moon delivers an impressive package for 002 on the label. 4 cuts of premium dancefloor heat with remixes from Agile Kind & Jay Tripwire.

Obzerv finally makes his return to the label with his first solo vinyl release. A pack-a-punch electro ep with tracks taken from past live set performances, delivering that machine funk, robotic bass and energy that has proven to work the dancefloor. Listen to the machines come to life, with the synths communicating through the punchy, broken and 4/4 drum patterns.

One of the most essential works from Nurse With Wound, coming in an extended luxury 3LP edition, as well as a 3LP picture disc release with many unreleased, alternative versions and songs. This album is the sister album to Current 93's same titled album and it's a crownjewel for collectors of avant-garde and experimental music.

For the first time, these exclusive extended versions of Njoi's seminal tracks are available as a 3 coloured disc vinyl-only release. Carefully lifted from their original early 90's live sets, these tracks have been re-crafted, extended and mastered to todays sonic standards and we're very proud to present 'Collected' on Food Music.

This project is much more than simply re-issuing the cream of Njoi's catalogue. As we enter 2022, we begin a year long journey with the duo, eventually unveiling 30 year old unreleased sought-after material for the first time ever, together with remixes from some of the todays finest electronic artists. It’s a privilege to complete the circle with Njoi and their timeless music.

NYC experimental producer Neud Photo is up next on EYA's Lonewolf series with a killer 5 tracker named 'Echoes.

The EP brilliantly oscillates between various inspirations with a strong machine sound; an incredible and hauting journey into electro,new beat, minimal and techno.

Record is very close to VG+.

This is music from another timeline... First chapter of the "Mutant Signal" serie featuring Minimum Syndicat in mutant electro / industrial cyberfunk mode. Uncompromising sounds for dissident dancefloors.