Search "amewu+leidkultur" 58 Items

We at Antinote are proud to make our first French-Russian connection. Olga is from Moscow. She came to us after Dominique Dumont's show in Paris, winter 2018. We checked her music and immediately fell in love with the song 'Mojno'. Step by step we built a nice collection of tracks that now make up the 1905 LP! Very active in the electronic music scene, she’s spent the last ten years releasing music, performing, recording & DJing as well as being busy with her tech-project Playtronica (with them she's created 3 controllers that you allow to play scales on people, objects and colors). Across the "1905" LP she utilises some DIY devices such as Yamaha sampler vss-33, voice glitcher from the Russian company “Naked Boards” and organelle synth that creates this synesthetic tone in “ready when you are”. Besides dreamy pads and dancy beats Olga is ironically singing on Russian about her daily routine, in a positive way. There's no sadness and melancholy in the dark snowy days, where even the full moon or retrograde-mercury don’t even bother you ...if you are in harmony with mother nature's 5 elements.

EM (founder S.M. Nurse) is back, harder than a heart attack! Hot & danceable! With recent work, some remakes and a classic. For the first time on vinyl (12” EP). Special limited edition “on the one” of 250 copies on white vinyl.

Like the original records, ‘Bloodline Remixed’ takes us to unexpected paths to recreate a timeless electronic journey; it evolves in multiple traits and shape oscillating between electro, bass, breaks, techno and cosmic beats to deliver some well-crafted tracks for advanced dance floor.

The long-awaited, first-ever vinyl release from the Osaka-based band goat. The five tracks being compiled from their debut CD “New Games” (2013) and their second album “Rhythm & Sound” (2015). The titles of those releases provide a hint: a sense of joyful play within defined structures, and an emphasis on propulsive pulse and a prioritizing of pure percussive sound over melodic content. With guitar, bass, drums and saxophone, goat create music which is unlike any rock band, utilizing harmonics outside standard tonality, as well as clever muting, to craft the intricate, driven, forceful compositions of Koshiro Hino, aka YPY.

goat is currently going through a period of new development and further exploration of intertwining patterns of rhythmic repetition; this compilation is the bedrock. Superbly recorded and mixed by Bunsho Nishikawa, mastered and cut by Rashad Becker, cover art by Tomoo Gokita, this release will be a revelation for your turntable.

“goat's is a singular sound, improvised frenetic rhythms, reined in by weeks of rehearsal, until a monstrous battery emerges. See them live in Europe this summer and prepare to be absolutely blown away.”

Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc

Originally released on Firstcask Records 2006 played by a dj like Aphex Twin at Field Day 2023, Ceephax essential oils ! Acid Varsity !

Electronic musician 7FO's first release on EM Records in a long time is a new tune and single that will change the image of 7FO. The new song, "Healing Sword," which the artist says they approached with the "feeling of being mysterious DIY musicians" (not a feeling, they actually are), was the first single song in 7FO history to be produced as a tribute to the 7" pop era and Joe Meek. "Surf synth acid dancehall rock!!" - Jackson Bailey (Tapes/Rezette)

Weirdo acid tracks and spacedout braindance by RTR. Probably the most energetic up there tracks RTR has done so far. Putting those 10 tracks together makes us go through an immersive musical journey that goes from stuttering, rapid breakbeats all the way through the record to complex melodies, needling acid basslines, mind-melting electronic workout that'll leave you on your knees. One for the Aphex Twin and Rephlex fans (and isnt everyone a Aphex Twin fan???). Limited edition of 300 copies!

In the year 2000 the internet had not yet become the new messiah. I would often cross the Channel by ferry on my way to London where I would spend the weekend going out and hunting for records, especially those that were impossible to find in Belgium. As soon as I set foot in a record shop, then under the influence of labels like Rephlex, Warp and Planet Mu, I would rush like a gold digger, head down in the racks that mentioned these labels, to try and find the piece I was missing or the latest release not yet distributed in Belgium. The artists that obviously haunted me the most at the time were Aphex Twin and Squarepusher. During one of my visits to the record shop "Sister Ray", I was, as was often the case, deep in the Squarepusher rack. And there, I find a record that I do not yet know, an LP entitled Ceephax Acid Quakers 1000, on the fantastic label "Lo Recording" ! Without hesitation and without further investigation I rush to buy it, convinced that I am holding the new Holy Grail from Squarepusher. Back in Brussels, I listen to this mysterious LP straight away and I discover a completely different album from what I was expecting. More audacious than what Squarepusher had produced in the past and which was more in line with the sound I was looking for at the time. I had to look hard at the record sleeve to understand this new approach. "Produced by Andy Jenkinson... but no, it's Tom Jenkinson....there must be a mistake?" Knowing the record shops of Brussels well, here I was on my way with the record under my arm to get more info. A record shop owner in the city centre tells me that this "Andy" is Tom's little brother, and that if I'm interested, he just brought in another record by this artist who calls himself "Ceephax"... Of course I'm interested! Icing on the cake, it is on a Belgian label, and moreover, provided with a cassette. I had to meet the guys who were behind this impressive "First Cask" label. I don't know by what magic I managed to meet Ga?l, one of the two founders, but what is sure is that since that day he has become more than a friend and he arranged for me to get in touch not with Squarepusher but with Andy. Two historical albums united in a superb gatefold !

Japanese pressing without OBI!

An concept album of personal introspective music and an observation on a dark time, in our world today.

optically VG, but plays VG+

Ships in a label sleeve.

Still in shrink, but opened

Sealed copy!

doHn on WeMe

WeMe inaugurates 2024 with an braing massaging yet teeth grinding first vinyl release by Chromedealer aged 23 hailing from New York! Blending all sorts of styles creating a nice mixture of all things WeMe. A match made in heaven!

No obi.

"rtr makes a dazzling return to WeMe Records with Circle coming through with 6 new tracks. 6 ways to outline his love for playful melodies, sauntering arrangements, squelching synths. Less breakbeat, more dancefloor oriented, RTR shows off some of his best and most colourful material as of late The record is both raw and punchy, kicking into gear over and over like an old fashioned detuned drum machine loop."

Its been five years since Belgium's WeMe Records lovingly selected the first ever collection of Heinrich Mueller's (Drexciya/Doppleffekt) best remixes/remodels for a new generation of listeners that won't have to pay collector prices to have them on vinyl. Volume 2 of False Vacuum is now with us and still has riches to choose from. These 13 rare and hard to find tracks (3 of which make their vinyl debut) all deliver in different ways as he systematically reinvents each one. Beginning with his raw and now classic remix of Ultradyne's 'Clones', the hard-edged dance-floor friendly 'Woman's Scent' by Cisco Ferreira (The Advent), the more laidback and futuristic sounding 'Bohrium 274' by Jauzas the Shining and Victoria Lukas, the slow and mysterious and first time on vinyl 'Somehow' by Rough Days For Diamond Trade, reinventing the darkest of dance-floors on 'Rytumtraks 0002' by Albert van Abbe, the moody masterpiece and first time on vinyl 'Now We Continue' by White Car, Duplex's 'Autoslug' sounding like its been rearranged inside a black-hole, a balancing act between the light and darkness on Fasenuova 'Cachito Turulo', an insistent rise and falling workout for As One's 'Where Did He Go and Why', a tightly wound and almost meditative 'The Truth' by The Exaltics, an angular stomping march of the robots 'Longwang' by 6d22, a jumpy fidgety groove for first time on vinyl 'Forty Eight Hours' by Yan Wagner and perhaps one of his most sublime pieces is kept for last with 'So Long For A Small Storm' by Dollska.

Berlin’s EZ Jam returns to Hot Haus Recs with a spooked out tripping techno infused house EP - dancefloor focused psychedelic jams!"

The prolific shapeshifting artist known as Emma DJ is back on L.I.E.S. following his "fusion" split lp from last year.

His new nine track "Melon Siesto" lp is a deep dive into the warped world that is Emma DJ and his musical perversions. Mechanized soundblasts, tortured voices rising from the rubble, slowbeat mind destruction, and fast paced teeth grinding dance not dance make this album what it is. And what is it? Think about armor piercing bullets shot from close range with maximum blood splatter across your xxxl white tee while a tricked out Honda Accord sideswipes your falling and now lifeless corpse and you're getting the idea. Limited to 250 copies worldwide.

Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

Vinyl with a couple of light scuffs

Ltd 150 copies only, full artwork sleeve, mastering&cut by LXC.

As we continue our ever long winded hiatus from the dancefloor, we are happy to welcome a new group of producers to the label in the form of 00:AM’s fourth various artists compilation. Certainly not the only way we expected to come together this year, but we’re grateful to be able to cultivate another 12” to share with the world. Across the A Side, we are joined by three artists who we’ve had the pleasure of hosting and playing with in Montreal over the past couple years. Alfredo92 of the Axces crew in Copenhagen presents ‘Tente Hjul’ which gets the remix treatment from Mr. Action Shadow himself, Fett Burger. The result in something distinctly mechanical but not without a human pulse and a tear jerking conclusion. Fantastic Man then puts his own psychedelic twist on the hardcore continuum, taking the beautiful palette of his recent LP on Mule Musiq to the brink of insanity with ‘On Tha Run’. On the B side we find two new friends to 00:AM. We have a mandatory “minimum of 1 ESB tune gets played a night” policy round these parts, and so its truly a pleasure to release his ‘Sequential Dub’. Nothing less than a future classic, it’s dubby and understated, but a little quicker than you think. And finally, its a pleasure to introduce 2wo2imes, who delivers ‘Immune’ a deep and driving excursion into the wormhole. It’s a weird world, we miss you all, but we’ll keep doing what we know best, releasing and enjoying the music that moves us - no matter the time or place.

Price tag.

Vinyl close to VG+

For Fans Of: Scorn, Autechre, Insect Ark, Download, Front Line Assembly Following up on their accomplished first collaboration “Fever Dream” and its accompanying remix album “Parasomnia”, Snowbeasts & Solypsis head out on wax for the fantastic “Firelands” LP. The dependable industrial beats and synths of Snowbeasts programmer Robert Galbraith (also known to many as a superior mastering engineer), the haunting voice of Elizabeth Virosa, and the nefarious bass and electronics of the prolific Solypsis come together once again to produce a ride through a fiery terrain of slowed tempo, half-remembered nightmares, and cavernous low end. With vocals ranging from ethereal to evil, spooky grooves charting a pathway to inferno, and distortions applied at the perfect moments, Firelands is a memorable journey. Heavy on synthesizer funk, and intricate percussions to drive the beat, the album erupts with the black lava of downtempo destruction. Slow, driving horror and collaborative interplay make this a sophomore album worth taking home.

Excellent robotic electro(nix) as Pan-Am Tracks welcomes DVS NME and Krypton 81 with this ambitious project that pays homage to German Electro producer Das Muster. Both artists set the tone with intricate rhythms and analogue warmth. Pulsating basslines and shimmering synths intertwine, creating a vibrant, futuristic soundscape. This dynamic interplay between the two artists continues throughout the album, as DVS NME and Krypton 81 counterpoint each others explorations into the sound. A sonic trip that will surely resonate with fans of the genre.

Copy is close to NM!

Small sticker on cover.

Vinyl with a couple of light scuffs. Still in shrink, but opened, close to NM

Copy closer to NM. Cover with slightly bumped corner

The successful creative disco-graphic synergy continues between Simona Faraone’s label, New Interplanetary Melodies (nim), and the artistic collective Kuro Jam coordinated by Gianluca Pernafelli.

After creating the two V/A sound-tracks, Kimera Mendax EP (NIMKurojam 001) and Kimera Mendax Vol.2 (NimKurojam002), for this third release of Kuro Jam Recordings line, the team assigned to the Rome producer T/error - already featured on the second volume of Kimera Mendax series with two tracks (kx2048 on vinyl and Rising Tide in the digital re-pack) - the music version of the new, eponymous comic strip. The Data Surfer of the title is a special mixer: among its controllers, in addition to thosefor sounds, there is one that reads, mixes and recomposes space-time. What would happen if it ended up in the hands of a suburban hoodlum angry at the world and intoxicated by electronic music? The answer lies in an irregular and corrosive graphic journey that the graphic novel unravels in 6 chapters, in a symbiotic dialogue with the 6 vinyl tracks. In five temporal dimensions curated by five talented artists. In two cities - Rome and Berlin - criss-crossed by pain, youthful passions, torments, desire for redemption, delusions, desire for life. And by a single, unstoppable sound-narrative flow that will sweep through the protagonists’ lives and caress the readers’ hearts.