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Vinyl with a couple of light scuffs, close to VG+. Cover close to NM.

Calling all blowhards, cosmic-jesters and techno-goons:Bintus is back at the juggernaut’s wheel, belching flames and generally causing a right old stink. After a five-year hiatus adrift in the fusion zone the angry behemoth returns to bring the pain. Grinding his gears hard on this toxic two-tracker, old man Bintus throws down a barbaric acid gauntlet; guaranteed to satiate the inner panel beater in even the most battle-hardened rave warrior.

In true Power Vac tradition Bintus bows out with a brace of scree-face electro grinds. "Rag It!" gets medieval on your ass then quits the scene in a wheel spin of cosmic dust; leaving your brain to cessate in rapturous turmoil. Millennium Speaker Stand slaps a gutsy acid line against a pock-marked 7/8 beat, while in the background the fabric of society breaks down - a not unwelcome aural distraction in these turbid times.

So, enjoy one last night ride thru babylon with Thee Prince of The Retail Park. As the tyre smoke recedes we are left in a haze of joy, sensory disorientation and the hope that visionary lunatics like Bintus will continue to rescue our souls from the stasis grip of consensus reality that threatens to consume us all.

"Great teamwork from Stilleben youth crew Br. Beta, Sir Kenneth & Dataintrang. Could write a novel about this record but all i can say, is let the music play. Electro Electro." Luke Eargoggle / Stilleben

We proudly present the first release under the Statica imprint “m2-9: Wings of a Butterfly”STATICA001 comes in the form of a split ep from two extremely unique & talented artists. With two dance floor ready, techno driven tracks full of unpredictability and excitement from the prolific Central Intelligence on the A side.Followed by a B side of reflectionism within the 4/4. Two emotional, energetic tracks, from madrid based producer Victor Reyes.A contrast of sound that showcases everything that Statica sets out to encompass…”Forces in Equilibrium” ...

Musique Pour La Danse is proud to present Coil's unreleased soundtrack for the VHS only, pre-internet, sexual education documentary entitled "The Gay Man's Guide To Safer Sex" released in 1992. Members for this project are John Balance, Peter "Sleazy" Christopherson and Danny Hyde.

The OST, to quote John Balance's interview for Compulsion Online, "is [a] slightly new agey, progressive house type thing".

Another way to approach it is as a delightful collection of balearic beats, smoking jazz not far removed from Badalamenti's work with David Lynch, somewhat of an ambient house album for your home listening and early morning sunrise dances, Coil style.

Taken from the original masters provided by Danny Hyde, "The Gay Man's Guide To Safer Sex" features a new sexy edit of the main theme. Bonuses "Nasa-Arab" and "Omlagus Garfungiloops" are taken from the 1992 CD only "Stolen And Contaminated Songs", both being original versions of the radically reworked (for the Ost) "Nasa-Arab 2" and "Exploding Frogs" in order to balance the whole album and extend the listening pleasure.

This is a 140g pressing on black vinyl. Musique Pour La Danse presents Cron aka Todd Sines 'Scalable Architectures', the classic 1997 EP remastered. For fans of Dopplereffekt, Drexciya, Keith Tucker, Mid-West Electro.

This is a 180g pressing on blue Colored Vinyl. Musique Pour La Danse presents Cron aka Todd Sines 'Scalable Architectures', the classic 1997 EP remastered. For fans of Dopplereffekt, Drexciya, Keith Tucker, Mid-West Electro.

Recordstore & Electronic Music Label from Neapolitan underground scene.

DJ Duke returns on Power Music Records with an mindblowing retro- future classic from his endless vaults! Highly recommended!

LP plus free bonus mix cd plus liner notes by Geert Sermon [The Sound Of Belgium] A timeless collection of unintentional psychedelic, post-everything, and pre-anything music with his one of a kind, unique, selector air, compiled by by Dj Morpheus aka Samy Birnbach, member of post punk / wave band Minimal Compact and responsible for compiling the classic downtempo / ambient late 90s Freezone series on SSR Records (parent label of Crammed).

Another gem from the endless treasure island called Power Music and the Mastermid behind who is DJ Duke! This time in the rebound the 1997 classic "Electro Force"!

Dawns early shadows by Berlin’s UBahn Platforms, desperately running from his own shadow into the arms of a lover not found. EVA is a warm soul from the past trapped in a ice cold city reliving a modern Neues Sehen. We are proud to present his fragile story & namesake ep / single title ‘EINSAM’ which, In our opinion, is a romantic-wave masterpiece. Flip to the B side, the beginning of EVA’s loveless story actually starts here with ‘The Gitter’ Gearing to machine funk territory and a naive outlook on what could be in-store for him. Finally P808 Takes us into the (sub) consciousness of his mind, just as the 808 in the name suggest, toms pulsate like his brain scanning neurons over and over, searching for the answer, ‘Who will…who will love me?’

Midi Mode Records, a new chapter begins for the label formerly known as Mini Man Records. A home for the unmistakable energy of electro and techno grooves.

The decision to rebrand to Midi Mode as a name came after the previously known label title was unexpectedly caught up in a weird trademark dispute. The label has adapted to survive and will provide tracks for true believers, made by true believers into the future.

As the label unveils its upcoming releases, it starts with the "Fake Reality EP", a 5 tracker with Electro & Techno Funk, housing a collaboration with Human Rebellion & Power.

Electro heads should already be very familiar with the unmistakable electro sonic sounds of Human Rebellion. Furthermore to this, a fusion with the stripped back Detroit electro sounds of Power means the senses are pushed to move in dark rooms with the fierce Techno cut of "I'm a Freak". All of this is combined with a haunting and unhinged remix from Nite Fleit that's mesmerising.

Limited Edition Jungle Green Double Vinyl. DLP Donkey Kong Country OST DLP 2 [Recreated], mastered for vinyl, fully licensed, half speed mastering, colored vinyl (jungle green).

Limited Edition Ocean Blue Double Vinyl. DLP Donkey Kong Country OST DLP 3 [Recreated], mastered for vinyl, fully licensed, half speed mastering, colored vinyl (ocean blue).

In a world threatened by environmental decay, a passionate young man embarked on a daring quest to save the planet. Will his vision of a sustainable future become a reality, proving that the passion of one young man could ignite a revolution and ultimately save the planet for generations to come? Find out by following the Chronicles Of Bru, the new series of EP composed by Jesse Bru and produced by Happiness Therapy!

Writing on label sticker.

Re-Issue, originally released in 1986. Limited edition! It also includes a secret insert!

After the intriguing collaborative efforts on their debut EP “Tender Trance” and the follow-up EP “Sueño”, DJ Gigola and Kev Koko are back with a 3-track record. Continuing their hybrid production style, this time, they are joined by rapper Perra Inmunda. Perra’s fast paced flow and staccato rhymes blend seamlessly with Kev Koko’s signature groove. Together with DJ Gigola's airy, ethereal chorus vocals, the result is a playful exploration of modern music that picks up right where the previous EPs left off: blurring lines between techno, pop, and now also, rap. Lyrically, the EP examines three different aspects of love. Sweaty dances on the floor, kisses lost on the way home and the solitude of being left unanswered; it seems only fitting they chose the title “No Es Amor”. The EP will be released on "Live From Earth Klub" on 8 April 2022 in both digital and physical formats.

Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio). First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020. Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close… Available digitally, and on limited vinyl LP in a reverse-board jacket, and includes a Bandcamp download card inside.

Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio). First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020. Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close… Available digitally, and on limited vinyl LP in a reverse-board jacket. We’ve also pressed up a special edition with an additional bonus 7”, featuring covers of songs by US minimal synth oddball John Bender,and Australian industrial mavericks SeveredHeads. The special edition LP and 7” are on pink-vinyl LP + green-vinyl-7”, and strictly limited to 200 copies. Both versions include a Bandcamp download card inside.

Vinyl with a couple of light scuffs

MUSCLES & HATE is an unnamed artist from Russia producing raw, pulsating EBM-inclined rhythmic techno. His second white label release on bore hole in 2018 was quickly sold out and is now getting a limited repress.

Stripped back electro, tooled to make your body move in dark rooms. Rubbery synth lines duck and weave with metallic percussion, as the machines spin stories of deep space and distant aquatic worlds. Four tracks made with the knowledge and instincts of a turntable veteran combining an 'always in the record bag' usefulness with a solid individual identity. An additional remix by Human Rebellion mutates the already fierce sea snakes into a radioactive monster from the deep.

The first EP in a series of Sci-Fi Influenced Electro and Techno cuts on the newfound label, 'MiniMan Records' Focusing on the warped and twisted sonic sounds. The Bends EP, carves its way through Dark rumbling bass lines, atmospheric arpeggios, analogue synth textures, pulsating and hypnotic high energy percussive drums. Tracks ranging from purest Electro of Atmospheres to peak time Electro/Techno of the track Submerged.

Culminating in four years of recording sessions in Russia, Australia and Northern Ireland, ‘A Voyeur Makes No Mark’ is Nite Fields’ second LP. It’s the follow up to 2015’s ‘Depersonalisation’ (released on Felte, mixed by Nigel Lee-Yang from HTRK, cover art by Juan Mendez). If ‘Depersonalisation’ was an album of loss and self-destruction, ‘A Voyeur Makes No Mark’ embodies a self-possessed, buoyant, confrontational figure – though no less anguished with self and the world at large. More outward looking than the Nite Fields debut, and with a redefined aesthetic, themes of rebirth and redefinition carry throughout the album immortalised in principal songwriter and protagonist Danny Venzin’s delicate web of sound. Found within the 8-track LP are sounds rarely heard and even lesser played by the Western hemisphere. Utilising a sonic palette inspired by Venzin’s new surrounds whilst living in Moscow, a purposeful decision was made to incorporate local recording equipment and instrumentation. The results are stark yet richly atmospheric. Lead single ‘Not Your Time’ sets the scene of a living and breathing pulse within a distant, unknown city. Nightstalking, double-tracked drum rhythms and swirling, modulated drones re-treaded from Soviet synthesizers form the backdrop for Venzin’s deadpan yet sharply elegant vocal delivery. ‘Invitation’, low-slung and brooding with misanthropy recalls the growing maturity in Venzin’s songwriting, executed to perfection on a stage set elsewhere by motorik drums on ‘Take My Side’, film-noir ambience on ‘Descent’, swooning, dubby shoegaze on ‘Fiction Eyes’ and nods towards the shadowy corners of the dance-floor on ‘Chase It’. ‘A Voyeur Makes No Mark’ also exhibits Venzin’s collaborative impulse. All original members of Nite Fields’ band, as well as touring members feature on the recordings. Album credit notes include performances from members of Multiple Man (Australia), Nerve (Australia), Autumns (Northern Ireland) and Love Cult (Russia). Some album tracks were also co-written by founding member Chris Campion whose guitar sound defined many of Nite Fields’ early recordings. Mastered at the historic Mosfilm studios in Moscow by Antaoly Ryassov and mixed by Marly Luske at Alchemix in Brisbane, the album will be available as a limited release via Lost Race (200 vinyl copies) and Perfect Aesthetics (50 cassette copies) in April 2020.

1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

Among a thousand projects, Para One is back on the dance floor with “Club", a new album which was not meant to be one, but believe it or not: it’s serious stuff! “The ‘Passion’ album is the background for this, as I decided to reshape it for my live act, explains Para One. I’ve rebuilt the tracks entirely, making live versions for festivals and bigger clubs. Then I found myself with a totally different album. It’s not a live album. The tracks have been modified and reinterpreted. It’s my tribute to Soulwax’s “Night Versions". Subtlety was not really an option, it had to hit kind of hard. The tracks had to sound real in a club situation and people are now meant to dance to them! It’s also a ‘treasure hunt’ kind of record with many references. It sounds like my DJ sets, when I mix many things and styles, old and new, because that’s how a club should sound. It’s a place where memories belong.” The pop, melancholic and highly danceable “Passion", was meant to be listened to at home or on quiet dance floors, but “Club” only retains the melodies and vocal hooks. It smells like sweat, joy and abandoned bodies. Packed with English acid house piano, huge beats, elegiac vocals, references to UK Garage, EDM filtered french touch and house, “Club” dives into the heart of dance music. It’s a 3.0 rave emblem, a daring record to make people dance without selling out.

Jean-Baptiste de Laubier, aka Para One, has always been an hyperactive guy. He first started as no-nonsense hip-hop producer in the mid-nineties, making beats for undeground rap artists. His recording studio was actually his one-room apartment in Southern Paris, where MCs were coming on a daily basis, crammed around a mic, an MPC and a battered convertible.

At the turn of the century, he began producing his own instrumental tracks and soon got in touch with the TTC people, then at the core of the burgeoning French indie rap scene. This was the beginning of a new exploration in sound for him : from traditional rap, Para One switched to IDM and techno-infused beats, fizzing with 8-bits FX and deconstructed grooves.

After TTC’s first LP Ceci n’est pas un disque, in 2002, for Ninja Tune’s rap sublabel Big Dada, Para produced L’Atelier’s (an indie rap supergroup) album for seminal Parisian label Institubes, with his boy Tacteel, whom with he also started a live electronic project named FuckALoop.
In 2003 came the massive « Beatdown EP », and then TTC’s 2nd album in 2004, Bâtards Sensibles, two records that definitely proved how rap attitude and electronic wizardry could be melt into one single sound – an idea many people didn’t quite buy at the time. In 2005, Laubier graduated from the FEMIS film school, and found the time to start working on his first solo LP, the critically acclaimed Epiphanie, that came out in 2006 on Institubes.

Nicolas Demuth, better known as Parra for Cuva, is a wildly talented young musician born in Cologne. Nicolas has developed an artistic and musical individuality not common in the indistinguishable mass of the electronic music scene. His personal catalogue has steadily shaped into a collection of slow, well-mended and melody-laden electronica that lets one?s heart and soul dance side by side with body and brain.

Setting up a futuristic style, Pera Sta Ori’s music blends senses from DnB, IDM and bleep music, without forgetting the bass impact. Roars Crack Fossil breaks the label's silence delivering an elegant bass gem, charged with IDM elements, breakbeat and shiny bass-melodies. A four-track EP where high-class arrangement, dynamism and narrative evolution stand out with strong coherence.Immortal shouts for those who know the language, but also for those who are still training their ears.

‘Piska Power is ready to see you again’. We’re back with a check up from the med student come avant electronic producer & live performer. Piska Power plunges us right into modular territory with some heart beating material and thus the tests have come back positive… or negative, which ever way you want to look at it. ‘Eiter Mit Stulle’ is a 6 track EP/ Mini LP - A nod to the working class, the ones building our society, for the better. We cannot wait for this to consume your nervous system.

Pure has released highly diverse music with different projects for over 25 years – distorted Acid on Drop Bass Network, industrial hardcore on Praxis, heavy techno on Ophism, Experimental Electronics on Editions Mego, and dark broken beats on aufnahme+wiedergabe, to name just a few. With his latest e.p. he delivers three tracks in the classic hardcore rave style of mid 90s Things To Come Records – distorted 909, analogue rave sounds and disturbing voice samples. The release comes with two remixes – label owner The Horrorist adds one with a strong 80s New Wave vibe and Temple Traxx owner Bizz O.D. turns the heavy rave original into a distorted funky acid killer.

Pelvis and Burning Rose Records present the debut 12” from producer and vocalist Purient. Her voice floats over tough production on three original tracks, pushing from an icy cool to blistering heat. It’s page one for Purient, and exceptional remixes from Eartheater and Varg²™ further pull the curtain back on her expanded universe.

Another pocketsize edition in the Brew white label series. Sounds big enough for your weird uncle's wedding, but also perfect to play at other mutant gatherings. 2 tracks, very loud.

Musique Pour La Danse presents rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network).

Previously only available in CD format, this sought-after album which nonetheless remains too underappreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion.

Nearly 30 years after its release, rEAGENZ remains a crucial milestone of electronic music. The duo famously met at an early gig of British IDM heroes Autechre and then recorded its debut album between its respective studios in San Francisco and Heidelberg. This is a record where the sense of in betweenness is not only geographical. It is indeed a beautiful hybrid that explores the relationship between lush ambient textures and intricate IDM/techno rhythms, with striking and memorable results.

Rather than trying to fit in pre-determined templates, rEAGENZ invites you in a paradigm of its own. In these unprecedented times without access to clubs and dancefloors, this is a much needed reminder, as it is one of those albums that argues that the enjoyment of electronic music is anything but confined to the formulas and expectations of music for clubs. It's all about diving into gorgeous and compelling soundscapes, wherever you might be listening and dancing.

ä, ö, b, ü, ß, tz recorded at reflective studio, san francisco, summer 1993 long leaves, hollow mountain, dj friendly recorded at resource studio, heidelberg, summer 1994 by jonah sharp and david moufang.

originally released in 1994 on reflective records / source records original artwork cebra & env / reissue design env (jonas grossman)

Landing on Delsin with a highly developed strain of emotionally inquisitive electro, Reedale Rise presents a new four-track EP which builds on his growing reputation for beautifully rendered headphone escapism. Since first appearing in 2015, Liverpool-based Simon Keat has released on such respected outlets as Frustrated Funk and 20:20 Vision, while last year he released This Beautiful Life, an LP for Assemble Music. From the twinkling melodic mystery of 'Littoral Zone' to the playful synth flourishes of 'Globular', 'Driftwood's plush, expressive layered lines to 'Artemia's deep-diving introspection, this latest release confirms Keat as a leader in the field of contemporary electro, delivering tracks with pristine production but crucially placing feeling as the priority ahead of the considerable technical finesse.

Landing on Delsin with a highly developed strain of emotionally inquisitive electro, Reedale Rise presents a new four-track EP which builds on his growing reputation for beautifully rendered headphone escapism. Since first appearing in 2015, Liverpool-based Simon Keat has released on such respected outlets as Frustrated Funk and 20:20 Vision, while last year he released This Beautiful Life, an LP for Assemble Music. From the twinkling melodic mystery of 'Littoral Zone' to the playful synth flourishes of 'Globular', 'Driftwood's plush, expressive layered lines to 'Artemia's deep-diving introspection, this latest release confirms Keat as a leader in the field of contemporary electro, delivering tracks with pristine production but crucially placing feeling as the priority ahead of the considerable technical finesse.

Rolando Simmons - a revered name in certain acidic circles - joins Utter for the 'Human Remains' EP, a wildly inventive 8-track adventure that deftly dabbles in rave, IDM, Techno and beyond in classic RS style. The project is the creative brainchild of Mattias Östling, who has been on a prolific production streak since the late 2000s, firstly under the name Trackermatte before settling into work under his current moniker.

This particular release is a missing puzzle-piece of sorts, compiled and sequenced by Utter's Alex Egan from a self-released digital collection titled 'Human Touch' which initially surfaced on Bandcamp during the producer's golden 2016 'Walk On Strawberries' and 'World Building' era.

'Human Touch' was a curious selection of unmastered oddities - the first Östling made using audio signal processing environment Cecilia5 - which remained largely overlooked due to its digital limbo. The tracklist itself shifted, with bonus tracks appearing then disappearing. While the excellent Dutch label 030303 cherry-picked the original version of the title track for a 2019 2xLP of the same name, the rest of the material remained frustratingly unavailable on vinyl and elsewhere, including the elusive bonus track which prompted Egan to reach out to Östling in the first place, the stunning 'sq1_mc4_iloveu03a_149unedit'.

That track is firmly at the core of this new EP, under its new title 'Nueva Traditional', as well as the alternative CV Beszállás edit of 'Human Touch'. They are surrounded by every other un-pilfered gem that originally appeared alongside them - however briefly - with all material freshly mastered and cut by Anne Taegert at D&M. The artwork and large fold-out poster (included with the 12") were designed by the Timpani Mystique Agency.

No stone left unturned!

Contrived through a pure spawn of friendship and boundless exploration, Sin Limites began as a jam between Nap, Ex-Terrestrial & Roza Terenzi in Montreal 2018 with no intentions. After a reshape and polish from Priori it found its way back to demolish dancefloors, slipping into mixes over the years and standing the test of time; a micro reissue of sorts finding a home on Delicate Records with a pair of remixes from none other than Ambien Baby & D. Tiffany to keep things in the chosen family. The title track is simple yet bold in nature; daring hypnotic metallic sequence, original Spanish vocals laced throughout by Nap and rough ‘n’ rugged 606 drums; a master in exquisite nuance and tech-evolution. Dormant until 2021, the B side rose from the ashes via the remixes to anoint the record as a three part ode to No Limits; a timeless ethos shared and lived amongst all involved.

Childhood Intelligence Six coming from German-Austrian Audio/Visual Pioneers of digital Culture "STATION ROSE“. Gary Danner & Elisa Rose have been continuously progressing their own Vision of Music and Art since the late 80s, f.e through their own Label Gunafa, Sony Music, PIAS, International Deejay Gigolo Records & collaborations with producers like Atom Heart. Their Project has been highly respected by Media & Press (Hr-fernsehen/ARD Digital, Wire, Mixmag, FAZ) since the early days. With the Child Six Mini Lp we are celebrating their Gunafa 30.0 anniversary.

Monogold EP is raw, polished and bold. The drums hit hard and the chords that shadow them are constantly on the move. It is where techno meets meditation, strangeness and mystery. Equipped with a Efdemin remix to keep the dancefloor going. Vinyl-only!

The latest release by Musique Pour La Danse is a reissue of a rare and cult record, Super Nova's Planetary Invazion EP. It is part of a 4 EP reissue series of Nate Krafft's music under several aliases (Super Nova, Naquil). Originally released by Infra in 1996, this is an off-kilter EP that should be filed under techno / electro / Detroit but that also goes beyond these categories.

BIG TIP - TBZ is the MF DON around here. Too slept on...if you ask us.
" Another hardcore mini-lp from our favourite madman. Sink some Kölsch and vibe to this.."

Actual extended play (a mini Lp of sorts)... Get into the mind of the cgn wizard. BIG TIP!

Mentalist dance music from Tera Octe on PRR! PRR! If you love Ork Musik, Lorenzo Senni and Sophie then you'll love this.

Moving into 2021 Pure Space is excited to deliver another year of Australian electronic music. Lately we’ve found therapy through regular body movement to help us see that better days are ahead. We hope you feel this too with this new release… For our first release of the year, Melbourne’s Third Space captures his most club-focussed exploration to date. It offers a broad path which melts genres, instead showing us an alternate domain. Having started his own label ‘Nice Setting’ in 2020 and self-releasing an album and an EP, Third Space has established his sound of complex undulating rhythms. For his release on Pure Space, ‘Pattern of Spring’ continues this exploration of dramatic structures with continually shifting timbres - morphing them as they progress through energies, rumbles, and struck surfaces. The two A-side tracks are powerful displays of organic instrumentation with fluttering pads and subtle resonations. An upbeat tempo and abright atmosphere underpins the opening side, anchored by dnb leaning programming and off-kilter polymetric rhythms. ‘170 Shitshow’ showcases complex percussion underwritten by a formidable resonating karplus-strong section throughout the track. Whilst ‘Pulsing Delay Mod’ builds upon this notion of polymetric rhythms continually at play with one another, it offers a crisp and menacing drum pattern pulsating amongst metallic timbres. Flipping to the B-sides; ‘Cyclical Pan Workout’ reflects an unruly and evolving atmosphere, anchored by a wonderfully cerebral drum pattern and delicate pad toward the close. The final track ‘Nonlinear (For Pillows)’ offers re-contextualised melodies and percussion, providing a sense of closure and sonic bookending by linking tones and timbres referenced throughout the EP into a pillow like state.

A simple idea in an over complicated moment. Strip away aesthetics and be artist centric, sharing and explore collisions, sounds and genres. Step out of comfort zones to release a series of EPs of broad, challenging and deep music. Starting with The Proposal by A Strange Wedding, this Lyon based producer from the Worst label, builds on their "modern style" slow trance to create a label anthem, a template. Stretched Arp, hypnotic bass and searing melody, underpinned by ocean wide kick. Merci for the perfect beginning. Datasal are next, as this Gothenburg's trio's debut arrives. Acoustics (Miyazawa flute / Fender bass) and electronics Roland Rs-09 / Korg Mono) collide; prog rock meets post punk meets dance; outside organised compositions to improvise to the beat. Side two leads back to the origin. 84pc, the dormant Tel Aviv collective that developed out of the city's Michatronix Crew (featuring Katzele, Naduve, Asaf and Yovav), return with a previously unreleased remix from Khidja. Their "Welcome To The Pleasuredome" moment is peak time perfection. To close Barcelona's Iro Aka arrive with another debut. Having dispatched edits on Hard Fist and 44,100Hz Social Club, their bubbling 303 is a tender dreamtime finale that points ahead.

Welcome to the one and only Vernon Bara, Belgian veteran doing a tribute to his beloved Strobe Records. 2000’s electro lovers, enjoy the ride!

This Cassette is limited to 100 copies. MPD is proud to release the set played by Voiron at the 2015 edition of Weather Festival in Paris. Connecting the dots between the approaches of artists such as Aphex Twin,Legowelt and Future Sound of London to name a few, Voiron's music has always been about blending influences from braindance, acid house and techno, proper electro, early rave, early hardcore and 90's dance music in his very own idiosyncratic style.