Search "men+i+trust" 644 Items

Release: 2000 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

2LP | 1999 | DE | Original (!K7)

Aux 88

Electro Boogie

18,99 €*

12" | 1999 | DE | Original (E-State)

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl 1 ONLY (Side A/B) is dense with many scuffs and hairlines

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Froyd

Electro Funk Rules

33,14 €* 38,99 € -15%

12" | 1998 | UK | Original (Echo)

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Mono

Life In Mono

7,99 €*

12" | 1998 | UK | Original (Thursday Club Recordings (TCR))

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs

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Mr. Nex

B-Boy Shout

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

The Men You'll Never See EP

V.A.

12" | 1998 | EU | Reissue (Clone West Coast Series)

9,99 €*

12" | 1998 | US | Original (Joey Boy)

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

I-f, Adult. And Electronome with their versions of this Detroit electro anthem by the Detroit In Effect boys. Remastered for the Westcoast!

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Industrial Bass Machine

A Taste Of Armageddon

54,99 €*

12" | 1996 | DE | Original (Holzplatten)

Release: 1998 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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A. Crash

Passionate

12" | 1996 | NL | Original (Viewlexx)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Generic label cover

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I-f / Jungian Archetype

Test Pilot Volume 1

27,99 €*

Release: 1996 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Everlasting Pictures (Right Through Infinity)

B-Zet

12" | 1995 | DE | Original (Eye Q)

The Thoughts Behind The Things

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Label cover.

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Garden Mould

12" | 1994 | DE | Original (O-Range)

17,59 €* 31,99 € -45%

12" | 1994 | DE | Original (O-Range)

Release: 1994 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, closer to VG+

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Faux Ami

Het Up Children

7,49 €* 14,99 € -50%

12" | 1993 | US | Original (A)

Release: 1994 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs

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Plan B

Life's A Beat

Release: 1993 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

I See The Light / Pick Up The Flow

Model 500

12" | 1993 | EU | Reissue (Metroplex)

13,99 €*

The Dominatrix Sleeps Tonight (1992)

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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Another one of Model 500's classics, carefully remastered and recut. Two masterpieces of true Detroit Techno History!

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Dominatrix

12" | 1992 | US | Original (I Square)

Release: 1992 / US – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: Generic

Found My Trust (Hollywood Remix)

Karl Keaton

12" | 1991 | DE | Original (Ariola)

Release: 1991 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1991 | US | Original (Deco)

2 Hyped Brothers & A Dog

Doo Doo Brown

14,99 €*

Psychotronic EP (with Seamsplit)

Release: 1991 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Writing on label sticker.

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Earth Leakage Trip

12" | 1991 | UK | Reissue (Blank Mind)

15,99 €*

12" | 1991 | UK | Reissue (Blank Mind)

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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A few copies arrived with a Seamsplit Cover. We're therefore selling it on a reduced price.

“The doors are where the windows should be, and the windows are where the doors should be”. If you had been in one of the more open minded all night raves in the early 90s you are likely more than familiar with Earth Leakage Trip’s ‘No Idea’. You could write several pages about the 'Psychotronic EP' and still not nail it as well as Discogs user covert_operative's description of 'urban, British psychedelic music.' The Acid House narrative is all about ecstasy, but for many, especially outside of London, there was a lot of LSD involved. Things were edgier, too, with parties in derelict, liminal spaces. By the time this record came out in 1991, the rave was properly diverging from its house music beginnings. The Psychotronic EP was the first release on the legendary Moving Shadow label. Its lead track 'No Idea' is both the perfect entry point to the catalogue and something of an outlier. Neil Sanford had been writing music for a few years before playing some demos to Rob Playford in his car outside a nightclub in Wood Green. Simon Carter got involved, and the pair went to Playford's studio to manifest the madness they'd been sketching with rudimentary gear. 'No Idea's use of samples was wholly inspired and far more surreal than so many of the dark-side tracks that were to follow it. A friend of Neil's had given him a record called 'Happy Monsters' and the lead track, 'Adventures in the Land of Ooog,' lent the unforgettable children's vocals. Neil initially had his doubts. Had they gone too far? However, while working on the track, Rob Playford's girlfriend ran in shouting, "you Have to use that!" And so it came to be. As a footnote, the track did prove to be strong medicine, with at least one documented account of a promoter having to be talked down by his friends after hearing it when psychedelically altered. The Psychotronic EP is a truly visionary piece of work, standing poised on the edge of the rave's burgeoning future and entirely outside it. As such, it's never not been a cool record, as appealing to lysergic adventurers as it is to house heads, hardcore ravers, or experimental music pioneers. And it has now been lovingly reissued by Blank Mind, for which I'm eternally grateful, seeing as my copy is battered beyond belief.

Written by Piers Harrison Remastered by Graeme at the Exchange Licensed with permission from Moving Shadow Played by Autechre, Colin Dale, Colin Faver, Orbital

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Earth Leakage Trip

Psychotronic EP

16,14 €* 16,99 € -5%

12" | 1990 | UK | Original (Tam Tam)

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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“The doors are where the windows should be, and the windows are where the doors should be”. If you had been in one of the more open minded all night raves in the early 90s you are likely more than familiar with Earth Leakage Trip’s ‘No Idea’. You could write several pages about the 'Psychotronic EP' and still not nail it as well as Discogs user covert_operative's description of 'urban, British psychedelic music.' The Acid House narrative is all about ecstasy, but for many, especially outside of London, there was a lot of LSD involved. Things were edgier, too, with parties in derelict, liminal spaces. By the time this record came out in 1991, the rave was properly diverging from its house music beginnings. The Psychotronic EP was the first release on the legendary Moving Shadow label. Its lead track 'No Idea' is both the perfect entry point to the catalogue and something of an outlier. Neil Sanford had been writing music for a few years before playing some demos to Rob Playford in his car outside a nightclub in Wood Green. Simon Carter got involved, and the pair went to Playford's studio to manifest the madness they'd been sketching with rudimentary gear. 'No Idea's use of samples was wholly inspired and far more surreal than so many of the dark-side tracks that were to follow it. A friend of Neil's had given him a record called 'Happy Monsters' and the lead track, 'Adventures in the Land of Ooog,' lent the unforgettable children's vocals. Neil initially had his doubts. Had they gone too far? However, while working on the track, Rob Playford's girlfriend ran in shouting, "you Have to use that!" And so it came to be. As a footnote, the track did prove to be strong medicine, with at least one documented account of a promoter having to be talked down by his friends after hearing it when psychedelically altered. The Psychotronic EP is a truly visionary piece of work, standing poised on the edge of the rave's burgeoning future and entirely outside it. As such, it's never not been a cool record, as appealing to lysergic adventurers as it is to house heads, hardcore ravers, or experimental music pioneers. And it has now been lovingly reissued by Blank Mind, for which I'm eternally grateful, seeing as my copy is battered beyond belief.

Written by Piers Harrison Remastered by Graeme at the Exchange Licensed with permission from Moving Shadow Played by Autechre, Colin Dale, Colin Faver, Orbital

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4 For Money

It's A Moment In Time

34,99 €*

12" | 1989 | EU | Reissue (Thank You)

Release: 1990 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Generic label cover

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Ace Buzz

Moskitos

18,99 €*

Quincy Jones Featuring Ray Charles And Chaka Khan

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Ace Buzz is one of the various projects of Tony Baron and Gery Francois (the minds behind projects like "Teknokrat's" and others that would found their output on labels like Carrere). Potentially naive for some, but surely playful and raw, an exquisite example of the sound of Belgian "New Beat". Void of the usual aggressive temper known to the genre, "Moskitos" comes in with a slight juxtaposition of Balearic accents in the form of those classic, very simple, piano chords we might have heard enough of. The samples employed invoke the image of someone in a cheap hotel room in Ibiza without AC trying to kill the airborne vermin celebrated in the title while hallucinating from an August drug infused heatwave, who knows. On the B-side, things slow down into a deeper more serious mood, "Nuevo Mondo" departs from the usual New Beat potency into something a bit more digestible to the ear in a rather unique way, followed by a Remix that sounds more like a complete facelift of a cover version by studio maestro Anatolian Weapons.

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I'll Be Good To You

12" | 1989 | EU | Original (Qwest)

Release: 1989 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1989 | EU | Original (BCM)

Stevie B

I Wanna Be The One

Release: 1989 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

(What Can I Say) To Make You Love Me

Alexander O'Neal

12" | 1988 | UK | Original (Tabu)

Release: 1988 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1988 | DE | Original (8ighty 8ight)

Oh Well

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1988 | EU | Reissue (Thank You)

Degrees Of Freedom

China

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

My Life With The Thrill Kill Kult I

See Good Spirits... Green Vinyl Edtion

LP | 1988 | US | Reissue (Wax Trax!)

35,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits... Black Vinyl Edition

LP | 1988 | US | Reissue (Wax Trax!)

29,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits.. Limited 2lp Edition

2LP | 1988 | US | Reissue (Wax Trax!)

46,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Spike V.S.T. With Taz Money

Shut-Up And Dance

12" | 1988 | US | Original (Street Art)

Release: 1988 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1988 | UK | Original (Wa Records)

Rick Clarke

Get Busy

2,79 €* 3,99 € -30%

Release: 1988 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Biggest Chair (Don't Say Any Words)

Georgie Red

12" | 1988 | DE | Original (WEA)

2,59 €* 3,99 € -35%

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1988 | US | Original (A&M)

Cinema

Wrong House

2,59 €* 3,99 € -35%

12" | 1988 | EU | Reissue (Thank You)

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs, close to VG+

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Degrees Of Freedom

China

They're Playing Our Song B/w European Mega Mix I

Release: 1988 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Degrees of Freedom is a Canadian musical group founded in 1984 in Montreal by Janet Cadman (vocals and percussion), Martin Chartrand (bass, guitar, rhythm programming and vocals) and David Curtis (keyboards, vocals, and percussion). Established as a 5-piece New Wave cover band, Degrees of Freedom evolved into its classic quartet configuration following the departure of the original guitarist and drummer, and the subsequent enlistment of Santino Mastrocola on drums. With this lineup change came a new musical mission: the writing, recording and live presentation of original material only. Since Santino's withdrawal from the band in 1988, Degrees of Freedom has carried on as a trio in the studio while augmenting concert performances with additional musicians.

In February 1985, Degrees of Freedom performed at the newly formed S.O.S. (Save Our Songwriters) Club in Montreal. Like other participants in the S.O.S. project, Degrees of Freedom was rewarded with studio time to record some of its own songs. One of these, "August is an Angel" was selected to close out the locally produced 1985 band anthology album "Listen - A Faze Compilation of Montreal Music." The next year, a new track "In This Room," was included in the follow-up release "Listen 2." Both songs, with four newly recorded works, were issued in 1988 as Degrees of Freedom's eponymous sole vinyl release, informally known as the “China” album.

In 2015, the music of Degrees of Freedom experienced a renaissance thanks to a new generation of club DJs, traditional and internet-based radio hosts, vinyl disc collectors, and other aficionados of synth-based music. Local and international recognition has come in the form of record sales to fans in Canada as well as in the USA, Germany, Scotland, England, Ireland, Belgium, The Netherlands, France, Spain, Lithuania, Sweden, Bulgaria, Australia, Vietnam, and Japan. Responding to the resurgence of interest, Degrees of Freedom has twice re-issued the disc (2017 and 2019). Today, with eyes on the future and the past, Janet, Martin and David continue to collaborate on new material including the songs, "Metal Flesh" and "Be This Way" both accessible on the band's YouTube channel.

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Trinere

12" | 1987 | EU | Original (Top Seller)

Release: 1987 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1987 | UK | Original (10)

52nd Street

I'll Return

Release: 1987 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | EU | Reissue (Thank You)

Ghia

Don't Leave Me Alone

11,24 €* 14,99 € -25%

LP | 1987 | EU | Reissue (Wah Wah)

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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One of those tracks you simply can't forget - perhaps because it's a hard one to put in any specific genre category - laying somewhere in between the realms of synth pop and italo disco with hints of even new beat, this Austrian diggers delight has been haunting Discogs want-lists for years. Aesthetically smooth and sexy (as it shares chord changes with non other than “Careless Whisper”) but with accents of less orthodox production techniques in the “Wunderbar” mix emphasize a uniquely charming playfulness. Originally released as a 7” single, Thankyou brings it back to your record collections now in a 12” format with an additional extended cut by Castro for those of you who might have thought the original was just a little too short. Remastered by Man Made Mastering.

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Mecanica Popular

Baku: 1922

25,99 €*

12" | 1986 | US | Original (Pow Wow)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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A welcome departure from their first effort, the record has gained greater reconection in recent years when contemporary audiencies could fully aprreciate the strenght and harsher direction the duo decided to take for their follow-up album. More rhythmically-oriented tunes whilst revisiting some old-favorites like Daguerrotipo or La Edad del Bronce (both off their first album, but albeit in new mixes). The Wah Wah edition has been mastered from the original tapes by Eugenio Muñoz, reproduces the original sleeve artwork and and features an insert with photos and info. It is a strictly limited edition of 500 copies only.

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Johnny Dynell

Rhythm Of Love

6,99 €*

Release: 1986 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1986 | UK | Original (MCA)

Colonel Abrams

I'm Not Gonna Let You

Sexual Desire / Heat In Africa

Release: 1986 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.

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Time Capsule

12" | 1986 | EU | Reissue (Thank You)

17,99 €*

I Should Have Lied (Longer)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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An interesting insight into some of the diverse dancefloor oriented sounds going on in Canada during the 80s sitting somewhere between electro, italo disco and proto house. A-side starts off on a slow paced 80 bpm pop/rock italo-disco crossover track featuring lyrics in english with an unidentifiable accent, very much reminiscent of Italian local neighbourhood private press ventures featuring someone's sister on the vocal. 3 versions later, on the B side, things step up a notch coming in at 130 bpm with "Heat In Africa's" drum machine propelled rhythmic mayhem pulling out all the latest studio bells and whistles of the time. Big electric guitar solo build up on the "Dance Mix" and additional Bonus Beats mix by Castro. Remastered and officially re-released almost 4 decades later.

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Brother Beyond

12" | 1986 | UK | Original (EMI)

Release: 1986 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1986 | DE | Original (EMI)

Brother Beyond

I Should Have Lied

Release: 1986 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | EU | Reissue (Intravenal Sound Operatio)

Diamanda Galás

The Divine Punishment

34,99 €*

Julio Mau Y Los Imbatibles

Release: 1986 / EU – Reissue

Genre: Electronic & Dance, Pop

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On June 30, 1986, the same day that Diamanda Galás's The Divine Punishment was released, the Supreme Court upheld the constitutionality of Georgia's so-called sodomy law in Bowers v. Hardwick, criminalizing consensual sex between men. At the time, about 15,000 people were known to have died of Aids in the U.S. alone, with little government acknowledgement besides suggestions to quarantine homosexuals on island colonies. By the end of 2021, the number of Aids deaths globally would exceed 36 million. The first album in her Masque of the Red Death trilogy, The Divine Punishment is one of the most jarring works of art produced in response to the Aids epidemic, and a milestone in Diamanda Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and as well as a physical representation of Aids and those it afflicts.

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A Tiempo / Te Fuiste De Mi

7" | 1986 | EU | Reissue (Ritmo Del Barrio)

12,99 €*

12" | 1986 | EU | Reissue (Schatzi Musik)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Re-Issue, originally released in 1986. Limited edition! It also includes a secret insert!

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I.B.M.

Computer Love

16,99 €*

LP | 1986 | EU | Reissue (Mental Experience)

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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We are very proud to present you the third release on Schatzimusik with the reissue of the much sought after I.B.M. – Computer Love 12″ inch and an unreleased track and a remix. For this release we have teamed up with none other than Dario di Pace & Raffelle Arcella from Naples, better known as Mystic Jungle and Whodamanny. The two have done numerous remixes for very well-known Italo-Disco songs. For this remix, they have delivered a brilliant reinterpretation of Computer Love. Rhythmic, driving, funky and playful, they put Computer Love in a new light. The release is rounded off with the previously unknown track “Metropolis” and the long version of “Computer Love”. A little background info on the original vinyl. Thomas Waver & Rudi Raders the two originators of the group I.B.M. emigrated to Alicante (Spain) in the 80s. They stored the records of Computer Love in the attic of Thomas’ aunt. Unfortunately, she died, and the attic was dissolved along with the records. So, the original vinyl is unfortunately a rarely seen item.

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Kozmonaut

Flieg

21,99 €*

12" | 1984 | FR | Original (Philips)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Ultra-rare D.I.Y minimal / synth-pop / industrial / darkwave album from 1986!

Kozmonaut was the personal project of a young & talented Canadian musician called Michael Gutierrez, who moved to San Francisco in the early 80s. Influenced by Kraftwerk and German culture / electronic music, Michael recorded the “Flieg” album all by himself at his garage studio, using the pseudonym of “Hans Schiller”.

1000 copies were pressed on his own label, Vier Productions Inc, but they were never distributed or sold at the time, with virtually the entire pressing being discarded, as Michael, a perfectionist, was not satisfied with the spelling mistakes on the cover, among other things. In 1989, Michael, along with Pieter Ziegelmeier, formed the famous industrial / electronic band Kode IV.

Sadly, Michael contracted AIDS and passed away in 1994. All the contents of his garage (tapes, albums, synths and recording equipment) were sold for cheap or ended up in the street.

Fast forward to 2010: An adventurous record hunter (Christian Peintner) finds a copy of the “Flieg” album at a thrift shop in San Francisco. At first, he thinks it’s a German album but after some investigation, he discovers the name of Michael Gutierrez which leads him to Kode IV and then to Peter Ziegelmeier. He visits Peter who tells him the real story of Michael Gutierrez aka Hans Schiller and Kozmonaut.

“Flieg” is an excellent album, a crossover of a wide range of styles from early Industrial (paving the way for Michael’s later sounds with Kode IV), to Synth-Pop, Experimental Electronics, ambient and Dark Wave. Michael uses the vocoder very effectively and in one of the songs, “Tidal Meditation”, he recorded the Golden Gate Bridge fog horn to use it as a sample.

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Les Fils De Joie

Tonton Macoute

Release: 1984 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | JP | Original (CBS/Sony)

Gloria Gaynor

I Am Gloria Gaynor

16,14 €* 16,99 € -5%

12" | 1984 | UK | Original (Calibre + Plus!)

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert. Copy close to VG+

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Kelly Marie

I'm On Fire

4,49 €* 4,99 € -10%

12" | 1984 | US | Reissue (Turin Dancefloor Express)

Release: 1984 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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Ego Neco

You + I ?

20,99 €*

LP | 1984 | EU | Reissue (Materiali Sonori / Spittle)

Release: 1984 / US – Reissue

Genre: Electronic & Dance, Pop

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Obscure Italo disco from back in the Wbmx HOT MIX 5 days. This rare and in demand vinyl originally pressed in '84 finally gets an official reissue via Turin Dancefloor Express featuring original versions along with a new mix

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Alexander Robotnick

Ce N'est Q'un Debut

K.Bytes (Marcello Giombini)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Pop

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Raised from the ashes of eighties new wave (when Materiali Sonori debuted the Fuzz Dance series), Problemes D’Amour soon began a disco and electro classic all over the place. Florence born producer and musician Maurizio Dami - with co-conspirators Giampiero Bigazzi, Arlo Bigazzi and Marzio Benelli – created a mysterious character, a so called “modular structure born out a soviet calculator and promptly runaway". He was singing in french and was supported by primordial digital machine, using at the same time the more classical electric guitars, sax and sensual female voices. A handful of evergreen are still played all over the world by many international deejays, while “Problemes d’Amour” was even featured on influential Strut compilation Disco Not Disco 2. American label Sire (home of Talking Heads and a young Madonna) published a Fuzz Dance Ep in 1985 with the Robotnick masterpiece and several contribution from Mya & The Mirror, Gina & The Flexix and Naïf Orchestra. Maurizio Dami is still performing worldwide as a dj and is still composing new music. After 40 years Spittle Records in joint venture with Materiali Sonori re-issues the mini album and the 12” with its original artwork. "Once I was in Chicago, it was around 2010, I was just finishing my set and went outside the club to light a cigarette. Suddenly a police car stops nearby. I thought the policeman was here to fine me (I was more than 20 meters outside the venue), but he just lifted a poster of mine and asked to sign it. Then I realized that "Problèmes d’Amour" has been for a longtime the opening theme for a popular radio broadcast well-known between the black community (hence the policeman was black)”. Maurizio Dami

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I Adore Commodore

LP | 1984 | EU | Reissue (Mondo Groove)

14,99 €*

12" | 1983 | US | Original (A&M)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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After the creation of Computer Disco LP (1982), Marcello Giombini produces the year after I Adore Commodore - Computer Music Flash, which was mainly made with a Commodore 64. Giombini was a veteran of music applications with personal computer, started with an Apple II Europlus and then converted to the Commodore 64 thanks to the presence of 3 independent music generators that allowed him to make more elaborate music easier.

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Chilltown

Rock The Beat

Content To Write In I Dine Weathercraft

Release: 1983 / US – Original

Genre: Electronic & Dance

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Stano

LP | 1983 | EU | Reissue (Allchival)

30,99 €*

Spray Orchestra Max Manuel

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Former member of Dublin punk band The Threat, Stano released his debut LP on Scoff Records in 1983. Recorded in Alto Studios, the Irish artist eschewed live performances in favour of fusing collaborative, improvised, experimental music with spoken word-poetry. The LP featured contributions from fellow Irish musicians and artists such as Michael O'Shea, Roger Doyle, Donald Teskey, Vinnie Murphy, Detroit born Jerome Rimson and is a seminal document of Irish postpunk

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Transilvania / Energy

12" | 1982 | EU | Reissue (Miss You)

15,99 €*

Against The Dark Trees Beyond

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sound Metaphors' collaboration with Constantino Paolini opens the Italian classics vaults yet again to bring back two more anthems of Italian dancefloor history. This time a selection of two Instrumental versions of the productions done with Patrizia Pellegrino. Spray Orchestra's “Transilvania” is the instrumental version of Patrizia Pellegrino's “Il Mondo Da Una Nuovola” and Max Manuel's “Energy”, an abstracted instrumental version of Patrizia Pellegrino's “Automaticamore”, both highly coveted in digger circles and originally released as 7”. Now brought to your collections in hefty 12” 45rpm remastered versions. Complemented with a slowed down acid remix of “Transilvania” by DJ Asshole.

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A Blaze Colour

LP | 1982 | EU | Reissue (Onderstroom)

24,99 €*

LP | 1982 | EU | Reissue (Bureau B)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sought-after Belgian minimal synth finally reissued.

They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never before, and Belgium was no exception: Digital Dance, Snowy Red, The Names, Pseudocode, Marine, 1000 Ohm, De Kommeniste, M.Bryo & D.M.T., De Brassers, Struggler, Siglo XX are but a few legendary names of bands and artists who started making a name for themselves.

In Leuven, things were happening as well. Until then, the music scene in this rather provincial town had been dominated by straightforward rock and blues acts. Not for much longer, though: in places like Arno'z and (later) The Gladhouse, where young budding artists met with kindred spirits, bands were often formed on the spot and, more importantly, started to make ripples.

Ludo Camberlin and Karel 'Bam' Saelemaekers already had a certain track record in Leuven's burgeoning music microcosm. But what they shared would become the cornerstone of A Blaze Colour (Against The Dark Trees Beyond): a fascination for new forms and instruments, a penchant for sonic adventure and a profound love for gripping songs. The full band name, by the way, was inspired by a phrase from the Irish-American novelist J.P. Donleavy, a writer who belongs in the definitely-worth-checking-out section.

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P!OFF?

25,19 €* 27,99 € -10%

Iwishcan William Record Store Day 2020 Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

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1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

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The 3 Pieces

12" | 1982 | EU | Reissue (Rogue Cat Resounds)

13,99 €*

I'm Gonna Be Your Lover (24 Hours A Day)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Record Store Day 2020 Release. Full printed sleeve - black 12” vinyl. Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those. Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus: “I wish love. I can love. I will love. I am love.”

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J.D. Hall

12" | 1981 | US | Original (Sunfire)

14,99 €*

12" | 1980 | UK | Original (Automatic Record Co.)

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Eye To Eye

Am I Normal?

Release: 1980 / UK – Original

Genre: Electronic & Dance

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7" | 1979 | AU | Original (WEA)

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Space Invaders

Release: 1979 / AU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

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Sammy Burdson, Klaus Weiss & Larry Robb

Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

24,99 €*

LP | 1975 | EU | Reissue (Be With)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Sammy Burdson

Background Action

24,99 €*