Search "airhead+wait" 556 Items

Tacit Group Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Rusty shanks of dubstep and UKGristle from undisclosed operators on Youth, sustaining the label’s swagger after ace drops by Fumu, Authentically Plastic/Emma DJ & Toma Kami, and Hajj already in 2022 Behind a mask of anonymity, Nw/hr deploy a pair of hard-bitten cuts that sound like they were unearthed from the bottom of a bin circa 2003, throwing down fetid chunks of shower face halfstep and squashed 2-step swivel that was seemingly too dank, even for the early dubstep/grime cranks. We could be here all day speculating on the producer’s provenance - is it one, or even two, or more sets of mitts, on the desk? - but we’ll suffice it to say they slap in the club. ‘Nuclear Winter’ steps in first with something like an early Skream or Slaughter Mob workout, all oxidised snares and grim, skulking South London atmosphere, nowt flash or clever, but ruggedly rude and sopping with dirt for the dance. ‘Heavy Rain’ arrives in a vein of proto- or primordial Burial styles, depressing the tempo to a thuggish hulk accentuated with groaning bass and sore blue synth pads bound to bring a rictus shower face to OG steppers.

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Tacit Group

2x12" | 2022 | EU | Original (Wesa)

James2007 EP White Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tacit Group is an audio-visual group founded in 2008 with a vision of creating new art for the 21st century. Based in Seoul but working globally, the group comprises composer Jaeho Chang and electronic musician Gazaebal(Lee Jinwon).

With audio-visual art as its core content, Tacit Group has expanded in a contemporary and experimental way in multimedia performances, interactive installations, and music installations. Representative works such as ‘Hun-Min-Jeong-Ak,’ ‘Game Over,’ ‘Morse ㅋung ㅋung,’ combine a systematic worldview weaved through intuitive materials and technology inspired by normal everyday activities such as games and text chatting. In particular, works that utilize the beauty and communica- tion power of characters are among their most striking.

“It’s like wind chimes,” says Tacit Group’s Jeaho Chang. “The creator makes the pipes, but the wind makes the music.” He’s talking about the algorithmic music that Tacit Group creates. Jaeho and Gazaebal create audio/visual systems using code that the pair work within to unleash their utterly compelling AV performances, each show, each track, as unique as a snowﬂake. The pair met at Korea National University of Arts in 2006. Jaeho Chang was a media installation artist and composer who’d studied classical composition in Korea and electronic music at Den Haag’s Conservatoire. Gazaebal, who’d moved to the US as a teen, had worked at the renowned Quad group studios as a sound engineer, recording acts including Rage Against The Machine, Wu Tang and Janet Jackson. Returning to Korea, he had found success as a K-Pop producer, (founding the act Banana Girl, and writing their No.1 Korean hit ‘Shake Your Ass’) and DJing under the moniker Gazaebal, before deciding to go ‘back to school’ to learn to create more challenging music.
The quiet and reserved Jae and the more outgoing Gazaebal bonded over a shared vision, forming Tacit Group in 2008. And until recently, everything they have done has been through the medium of their globally acclaimed live shows, playing all over the world from Lincoln Center in NY, the Museum of Contemporary Art in Chicago, MMCA (National Museum of Modern and Contemporary Art) and Nam June Paik Art Center in Korea, Aarhus Festival in Denmark, Stereolux in France and NYU Abu Dhabi.

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Jamesjamesjames

12" | 2022 | EU | Reissue (Shall Not Fade)

Marc Brauner & Tender Games

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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jamesjamesjames hovers somewhere between Y2K house and super-sugary PC music, creating a unique and sexy sound that just feels expensive. The Melbourne-based artist has built a large following with poppy earworms and pounding house, and now joins Shall Not Fade's Classic Cuts series for a full EP of hits.

james2007EP starts with the anthemic "It's Not You, It's Me"; pairing the rumble of jungle breaks with melancholic, airbrushed vocals that show their Sophie influence, it's an eye catching opener. "My Purple iPod Nano" has a sound palette which will transport you straight back to a 00s club night, teasing a climax that stays just out of reach with pumping synth stabs and a kick drum that packs a punch.

On the B-side, "Orange Tesla" is a high-pressure roller that centers a pacey melody - sure to be a 3am dancefloor energiser. The record closer, "I Dunno Her", brings back the emotive edge with spaced out pads and glittery little ear candy moments overarching the still-racing beat. Ballad-like vocals that are barely perceptible add depth. This EP showcases jjj's talent for catchy and clever hybrid music, which is sure to make him one to watch.

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Concrete Jungle EP

12" | 2022 | EU | Original (Shall Not Fade)

Daily Routine EP Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Marc Brauner makes his return to the label, this time collaborating with fellow Berliner, Ulrich Harrison - better known by moniker Tender Games - on five summertime sweeteners.

These two producers are no stranger to working together, co-running their own imprint, Nostalgics Records in their home town of Berlin. This collaboration then came together naturally, and represents the ideal blend of Marc Brauner's syncopated rhythmic tendencies, and Tender Games' musical antecedents in soul music and penchant for instrumentation.

'Concrete Jungle' epitomises this fusion: a two-step rhythm carries a deep bassline which cruises beneath a blissed-out trumpet melody. 'You Keep Me Up' and 'Listen' are skippy old school bangers, the former complete with anthemic piano stabs a la Manix and Inner City and the latter peppered with blithe whispers of a saxophone. 'It Makes Me' follows suit, substituting hi-hats for a focus on funk-inflected low ends before the UKG-leaning 'Violation' draws things to a close with MC vocal chops and bass womp ruffage.

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Deborah Aime La Bagarre

12" | 2022 | EU | Original (Shall Not Fade)

12" | 2022 | EU | Original (RFR)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Crouds

Bionic Jelly

LP | 2022 | EU | Original (World Of Paint)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Subsequent to their formidable collabo with Max Delius a few months prior, Andreas Schuller and Jay Nagel deliver the next tracks for RFR. “Bionic Jelly” still moves in style within the croudian sound biotope, yet places the tooly aspect a little bit more in the foreground. “It’s a match” starts restrainedly with dubby breakbeats, being driven forward by echoes and reverb. Rattling percussions jump on the sonic carpet and little by little increase the intensity of this funky opener. Yep, that fits! „Stomache Grind“ comes around the corner way more relaxed than its title may suggest. Nothing indigestive is presented here, in contrary a digestif made of all the ingredients which crouds are famous for: Melody, broken beats, elaborately composed dub patterns and a dose of finesse. Heavy 90s vibes in the final track of this EP. Kinda reminiscent of Luke Vibert in his best Rephlex days. Minimal, interlaced and mystical. “Shifting Space” not only moves space, but also time. Because this is what’s needed in order to enjoy the true depth of this track.

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Betonkust

Concrete Coast

12" | 2022 | EU | Original (Applied Magic)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Solo album by Betonkust (Dutch for Concrete Coast). The vinyl comes with a booklet containing drum patterns used on the album, together with a download link of the original samples that you can use for your own music. This record includes a Bandcamp download code for the digital files. Short bio from Betonkust: I was born in Utrecht (1988). I grew up in a very small town somewhere between Amsterdam, Utrecht, and Hilversum. The so-called 'green heart' of the Netherlands. That means there's lots of nature. It was very boring and/or normal. A typical Dutch 1990s upbringing. I've been listening to house music for as long as I can remember. On cassette tapes, on the radio, it was everywhere. Now I live in Rotterdam and there's a lot going on, mainly in the area of electronic music. There is Operator Radio, Clone, Pinkman, etc. Most of my friends are involved in music in some way. The older I get the less I care about gear. I didn't use any expensive or exotic stuff. Korg Electribes (both the sampler and the synth), Korg M1, some Boss effects pedals, a cheap mixer, a Shure Sm57 mic, a cheap guitar. For this album everything was recorded in FL Studio. Some tracks on the album started like five years ago with a melody and slowly developed into a full song. Other songs were made one month before mastering. It really depends. But most of the work was done in 2020 and 2021. I think most of this album is about transience, giving up, the infinite sadness of humanity.

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Last Men On Earth

Pixel EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Applied Magic is proud to present the first full EP of one of the most promising duos out there: Last Men On Earth.
And not only is it their first EP - it will also be the first Applied Magic release available on vinyl. What a way to celebrate catalog number ten!

Originally hailing from Argentina, with Euge holding it down in Buenos Aires and Seba making waves in Tulum, they have been on a roll this year, releasing some incredibly well-produced and sparkling music along the way.
With tracks on Frau Blau, Amancay and most recently the incredible "Kakra" on Nandu's Out Of Options label, they have been supported by everyone from Dixon to Mano Le Tough, Trikk, and last not least Applied Magic labelhead Aera.

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LP | 2022 | EU | Original (Saturate!)

Saturated! Volume 8

Release: 2022 / EU – Original

Genre: Electronic & Dance

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"saturated! The various artist series on vinyl has proven to be the epitome of curation in bass music since its inception. The whole package is curated such that each track perfectly flows into the next. Each volume is carefully hand-picked and serves as a snapshot of bass music at that moment, Saturate! has earned its spot as the first choice for those seeking fresh sounds from established and emerging artists. and has been leading the way in all thing's bass heavy, breakbeat, experimental, glitch, hip-hop, psychedelic and trap for years now. They have a track record of propelling artists to the next level. Their roster includes some of the scene's biggest names. These compilations present A weird, wonky and wonderful journey through the raw attitude of the blistering beat driven electronic music scene. Get it now!"

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LP | 2021 | EU | Original (Saturate!)

Saturated! Volume 7

LP | 2021 | EU | Original (Saturate!)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Saturated! the various artist series on vinyl has proven to be the epitome of curation in bass music since its inception. The whole package is curated such that each track perfectly flows into the next. Each volume is carefully hand-picked and serves as a snapshot of bass music at that moment, Saturate! has earned its spot as the first choice for those seeking fresh sounds from established and emerging artists. and has been leading the way in all thing's bass heavy, breakbeat, experimental, glitch, hip-hop, psychedelic and trap for years now. They have a track record of propelling artists to the next level. Their roster includes some of the scenes biggest names. These compilations present A weird, wonky and wonderful journey through the raw attitude of the blistering beat driven electronic music scene. Get it now!

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Pixelord

Demonslayer

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"Insane and heavy beats by the og don Pixelord featuring great remixes by an all-star line-up comprising Dj Ride, Dj Pound, Starkey and Dranq!

Like a lightning bolt in the middle of a dark sea, Pixelord has returned once again from the frozen lands to shock and disquiet the tides of Futuristic Bass Music. Perhaps the best thing about Russian electronic music godfather Alexey Devyanin's Pixelord project returning to Saturate! for this "Demonslayer" release is not simply the exciting and hard-hitting beats contained within, but the simple fact that it shall be offered on delicious, glorious Vinyl. An artifact for all time, perhaps to be found in future wastelands by those who would consider this "Demonslayer" to be the VanHelsing (or perhaps Trevor Belmont) of the 21st century bass music scene.

The last decade has seen Pixelord riding the wave of forward-thinking bass music, and always staying at the crest, and 2020 is no different. "Doomguy" comes tearing straight in with menacing, distorted synth weaponry, assaulting with ballistic beats (even some nods to Junglism) until finally bestowing some glittering melody atop the fray, showing that not only is Alexey an elder-statesman of the genre, he's still the eager bass monster that explores his own depths. The depths are again evident in "Pain Elemental" where the vibe is established immediately, and only delves deeper into the slightly-detuned bass signals and ominous creeping atmosphere. The melodic elements are no longer here to sooth, they are newly charged laser beams that sear the flesh, scorching the eardrums.

This foreboding, demon-dispatching vibe is indeed present throughout this entire release, as you enter the "Bonus Stage" of this deadly game, where the aggression does not abate, and the bass plays backseat to the synth bell sonic geometry on display. The drums especially feel the wrath of Pixelord on this track, where some impossibly tortured tambourines take a beating, and the chopping and relentless reorganization of the rhythm keeps you churning with intensity. The title track brings the "wild style", even though the drums are less frantic, the bass frequencies and laser blasts from our protagonist, the ever-ready "Demonslayer", are sure to dismantle any submissive subwoofer in range.

"bfg" rounds out this collection in a disheveled fashion, dishing out low frequency divebombs and squelches, whilst otherworldly transmissions from synth realms afar come leaping in trying to assert their dominance, only to be eaten alive by daemonic bass and telluric currents of seismic drum activity. An utterly destructive end to this tale… BUT Wait, IT Gets Worse! We have here on hand Saturate! stalwarts DJ Ride, DJ Pound, Dranq and big daddy Starkey on remix duty, who all take the tracks down their own rabbit holes to parts unknown, with equal aplomb. The result is equal in intensity and aggression, but the textures by which this is conveyed are wholly transformed and re-imagined skillfully.

All this on one slab of gorgeous Vinyl. No demon shall stand a chance against Pixelord's battalion of beats and bass."

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12" | 2022 | EU | Original (Row)

ROW Various Part II

Project V Saturn Ep Feat. R.T.

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Row Records comes around with a V.A. to show the range of the label sound with five artists who go different ways in different tempos and ultimately come together. The opening track "Goose Father“ by Suh+Moon from New York embarks on a varied journey, followed by Manchester's Avernian, who taps along percussively with "Seivad". On the flip side comes Pressure Dome's Yushh from Bristol with her deep grooving "Smile & Scarper" and Row Records co-founder Kaep is collaborating with Bhed to let the woods do the talking.

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Dave P

12" | 2022 | EU | Original (Sakskobing)

The Only Way We Know How To Have Fun

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Sixteen arrives to the label straight from Detroit, by the owner of Vigilante Cartel - Dave P who is also known as Dirty Dave or Dirty Dave P, who has been releasing records since the early 90’s. This Electro & House infused 12’’ is made by the man together with his friend Rick Tuner and consists of 4 track journeys starting from the space and heading way beyond any known stratospheres known to mankind.

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C/A

LP | 2022 | UK | Original (C/A)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"The new album by c / a is a wild conceptronic ride but one that pays off in giddy acid squiggles and a healthy dose of 'horse riding ambient'

The debut full length from London AV duo c / a is an entertaining head melter. Mixing up artificial intelligence with Arcadian fantasy and the occult with deconstructed club sounds, The Only Way We Know To Have Fun does not bring the unity of sweaty dancefloor jams but the atomised connectivity of the terminally online. Putting the fun back into digital dysfunction"

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12" | 2022 | UK | Original (Row)

Row Various Part II

12" | 2022 | UK | Original (Rhythm Section International)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

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Nicola Cruz

Self Oscillation

2x12" | 2022 | EU | Original (Retrofutura)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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‘Self Oscillation’ is made up of 5 club-ready psychedelic workouts swaying with natural momentum, from Ecuadorian superstar Nicola Cruz, who makes his 2nd appearance on London’s Rhythm Section Intl.

The internationally renowned producer, Nicola Cruz, has been instrumental in pioneering the sound of Andean music over the last decade. Born and raised in Ecuador, Nicola has found his own unique way to tap into Latin America’s illustrious musical past to create something utterly contemporary. His previous projects have had the 4 elements running through as major themes: Fire and lava erupted during his sophomore album, Siku, with an Ecuadorian volcano doubling up as a recording space. And now, with his second Rhythm Section release, we are met with sounds of flowing water that Nicola describes as “aqueous explorations”. On this EP, ‘Self Oscillation’, Nicola Cruz fuses experimental production techniques with underwater, bass-heavy constructions. Moods change like the tides; from euphoric highs with acid riffs and latin drum patterns, the music quickly dives to moody submarine basslines and dark, frenetic rhythms.

‘Self Oscillation’ sees Nicola’s production move to new heights as he expertly bridges the gap between natural and mechanical sounds. With the help of iconic 80s and 90s synths and the retro colours of a Roland Space Echo, his newest work is a hybrid of electronic dance music and a synaesthetic image of nature. In the spirit of his previous EP on Rhythm Section Intl, ‘Self Oscillation’ showcases the synergy - or rather ongoing battle between the organic and inorganic, the analog and digital, civilisation confronted and confounded by nature. It’s within this dichotomy that Cruz revels, and manages to say so much, without words.

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Vitess

Cyber Zone

22,99 €*

12" | 2022 | EU | Original (Radio Mars)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Vitess is part of a new breed of electronic music artists leading the way in France’s underground clubbing scene. A prolific producer, 2022 will act as a highlight year for.

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Thissperso

Inmortal En Ti EP

Freundschaft Feat. Steffi, A. Rother & J. Interceptor

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Radio Mars is really happy to present you this new artist on the red planet! Tomas is a punk at heart (a real one). For this release he was able to mix all styles because he is not linked to any and that’s what makes his charm! His music appropriates the space in a particular way because it bewitches you and never lets go. Melancholic melody, devastating kick a kind of perverse decadence in which the poetic song is linked. Her soft voice comforts you in her sequences of Electro, ghetto, breaks, feverish techno in which you can guess the heat of sweaty bodies…A real job in transitions and choices. DJ Frankie by his remix gave his hot and nasty side, he respected the original while putting his touch to it, a high-flying track that will easily turn any dance floor. Well done Frankie This record is a marvel!

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CYRK

2LP | 2022 | EU | Original (Burial Soil)

Escapism Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Berlin-based label. Burial Soil proudly presents a collaborative electro album initiated by Cyrk. For their album "Freundschaft" Cyrk has collaborated with Steffi, Anthony Rother, Ravn Jonassen, JakoJako, Jensen Interceptor, Alienata, Nite Fleit and David Carretta. Over the last few years electro has had a massive resurgence. Since then, a new generation of producers has taken the genre under the microscope, recombining classic tropes and influences in new ways. Cyrk is among the list of artists consistently pushing all things electro to new heights with forward thinking, dancefloor shattering and bass-heavy concoctions ready to turn your favorite club dance floor into a sea of spaced-out euphoria.

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Pepe.

LP | 2022 | UK | Original (U Know Me)

32,99 €*

Forget The Lessons Of The Past

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"Escapism" is the second album produced by Piotr Rajski also known as Pepe.. Once again, he offered us music that is hard to close in one genre and is best described by the artist himself: At the time of creating this album, the world was absolutely dominated by the pandemic turning our lives upside down. Writing new music has became a way to escape from disturbing reality.
According to Paweł Bartnik who also mixed and mastered my first album "Afterimages", the second one is more colourful and vivid. I think he described well the idea I had in mind while recording the new tracks. I wanted them to stay in that dreamy tone which can't be referred to only one genre.
The record was pressed on 180g vinyl.

Limited version was made in 100 copies - each vinyl record has a different splatter color! "Very Limited Surprise Edition"

I found "Escapism" a great opportunity to combine my UK inspirations ("Vanity Fair", "wqrwy") and rap fascinations from Money Sex Records or Tartelet Records ("Realizm Magiczny"). While working on the album my biggest inspirations were i.a. Madlib, D'Angelo, Samiyam, Ras G, Jai Paul and Overmono. I'm extremely happy I could create some of the songs with such talented people as Moo Latte, Kasia Siepka from Byty, Paulina Przybysz, Immortal Onion, Baasch and Wuja HZG. Everyone's unique personality enriched the sound and compositions on the album.
The cover was designed by Beata Śliwińska "Barrakuz" and it's based on the summer photo taken by Kuba Olachowski. It's worth mentioning that it was created using analog collage technique.
And where did the title come from? The songs on the album are for me the way to escape from the pandemic and explore new musical areas. I just wanted to forget about all the laws, quarantines and restrictions. Imagination turned out to be the perfect cure for this.

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Land Of YRX

LP | 2022 | UK | Original (Polytechnic Youth)

Sun Rising On Concrete Landscapes White Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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The first of two fabulous new Polytechnic Youth full lengths released this May, is a wonderful -and long overdue- vinyl compilation of key UK electronic pioneers Land OF YRX’s work between 1982 and 1984. Released almost exclusively across a series of DIY produced cassette only releases, the bands’ output is now revered in that golden period of groundbreaking, home recorded 4 track experimental / minimal electronics releases, all of which are highly sought after and hugely influential on the swell of electronic musicians that followed at that point in the UK. The duo consists of Shrewsbury based Rob Andrews and Dave Gate (extended for live shows) and with their core discography being so utterly wonderful, honing in on a fair representation of their work with 20 minute-a-side time caps here, was no mean feat. So much of their greatest work featured across epic 15 minute plus jams- ideal for the cassette format, but trickier for wax. But we’ve got there; 7 beauties which highlight the bands’ love for experimental electronica, kosmische / krautrock and prog perfectly- all underpinned with Rob’s superb often Gottsching-esque guitar work. A superb band, totally worthy of further investigation- massively recommended to anyone into any of the above, or that core of early UK electronic underground / cassette scene of Colin Potter, Paul Nagle, Neural Circus as well as heavyweights like Conrad Schnitzler etc… The duo are still very much busy and working today, as “Why stop just because you’re having fun?” A wonderful and long overdue vinyl collection, available as a pressing of 300 this May.

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Lake Haze

12" | 2021 | EU | Reissue (Shall Not Fade)

Kev Koko, DJ Gigola & Perra Inmunda

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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2022 white vinyl repress

Portuguese artist Lake Haze (Goncalo Salgado) makes his return to Shall Not Fade with an album of spacious club music. Salgado is a key player in Portuguese musical exports, delivering masterful blends of techno grooves and retro melodies, and released his debut LP on E-Beamz in 2019. This second LP is titled Sun Rising On Concrete Landscapes. This record explores further the atmospheric, slightly melancholic timbre to Salgado's music. The use of reverb across the LP elucidates a sense of looking back to the past; "The Rave That Saved My Life" sounds like echoes from a distant memory. It turns the sounds of the rave into something sombre, expansive and scattered with space age breaks.

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No Es Amor

12" | 2022 | EU | Original (Live From Earth Klub)

Guinness Italo Green Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After the intriguing collaborative efforts on their debut EP “Tender Trance” and the follow-up EP “Sueño”, DJ Gigola and Kev Koko are back with a 3-track record. Continuing their hybrid production style, this time, they are joined by rapper Perra Inmunda. Perra’s fast paced flow and staccato rhymes blend seamlessly with Kev Koko’s signature groove. Together with DJ Gigola's airy, ethereal chorus vocals, the result is a playful exploration of modern music that picks up right where the previous EPs left off: blurring lines between techno, pop, and now also, rap. Lyrically, the EP examines three different aspects of love. Sweaty dances on the floor, kisses lost on the way home and the solitude of being left unanswered; it seems only fitting they chose the title “No Es Amor”. The EP will be released on "Live From Earth Klub" on 8 April 2022 in both digital and physical formats.

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David Jackson

12" | 2022 | EU | Original (Frank Music)

12" | 2022 | EU | Original (Confused Machines)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Third times's a charm! Sir - or better - Signore David Jackson is back with his third record for Frank Music. Our Heidelberg posterboy has constructed some of his best work to date. "Guinness Italo" is by far the recipe you need at your party too. Imagine the spice of a perfect Negroni mixed with all the charme of another pint in your favourite pub with all your mates. Nothing but good times indeed. "Guinness Italo" arrives in various forms, shapes & dreams. One for the euphoric Italo moment, one a hundred percent emotional, one going Trance all the way and finally one just for the Drums. What's your choice lad? Slainte!

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Zadik Zecharia

Remixed Kurdish Melodies

13,59 €* 15,99 € -15%

Resuscitation Red & Black Marble Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Legowelt, Juju & PRZ and Mule Driver Remixes. Our story begins in Jerusalem 1980 – Zadik Zecharia – a folk musician whose speciality is the Zorna – a traditional kurdish woodwind instrument – recorded a cassette of kurdish melodies played on Zorna and Dola, a kurdish drum. The tape was released independently and distributed mainly around the kurdish-jewish community in Israel. Zadik mostly performed at weddings and ha as / celebrations and was also known by the nickname “Iron Lungs”, because of his ability to take only a few pauses for breath during his long gigs. In 2005, one tape found its way to “Something on the Road” – an underground CD-r Jerusalem based label which reissued the music on CD-r. Overnight, these intense melodies became a cult phenomena in the hipster-ish circles of Jerusalem and beyond. The kurdish melodies could suddenly be heard during dj sets, topping electronic beats, or adding drones to heavy experimental sessions. which later led “Something on the Road’s” founder to initiate a remix compilation with Jerusalem’s nest producers. One of them is your truly, Mule Driver. The remix has became a cult by its own. Fast forward to present time, a conversation with Legowelt about folk music led Mule Driver to dig an unreleased longer version of this techno remix. As well as ask the mighty Legowelt for his interpretation, that turned out as a killer acid track followed by an EBM – electro belter by Juju (Juju and Jordash) and PRZ (Clone).

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ADULT.

2LP | 2001 | US | Reissue (Ghostly International)

27,99 €*

LP | 2022 | EU | Original (Vrystaete)

Release: 2001 / US – Reissue

Genre: Electronic & Dance, Pop

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Classic 2001 collection from Detroit's Adult. 20th anniversary of the original release, 10th anniversary of the first vinyl pressing. Available for the first time in red & black marbled vinyl. "We've wanted to re-release this album for some time," says Adult.'s Adam Lee Miller, "but we weren't ready until now. We have some new material in the pipeline, and we thought this would be a nice way to reintroduce ourselves." It is indeed a nice way for the hugely respected Detroit duo to herald their return to the world of music, especially for anyone who missed out on Resuscitation the first time around _ the album was never available digitally until the 2012 re-release and vinyl pressing on Ghostly International. The reissue thus presented the chance to own one of the more influential records of the early 2000s: either on double 12" LP or, for the first time, as a digital release. Now, in 2022, the vinyl is available for the first time in a new red and black marble colorway. When it first dropped in 2001, Resuscitation served as a de facto introduction to the duo, collecting a bunch of songs on CD that had only previously been available on hard-to-find singles and EPs. Eleven years later, it does the same thing, except this time around, we can see just how influential its creators' work has been _ and Adult.'s music only sounds more remarkable with the benefit of hindsight. At the time, Resuscitation's combination of crisp beats, squelch-laden synths and Nicola Kuperus' detached monotone sounded like a broadcast from the future, steeped in the analog synth sounds of forebears like Kraftwerk but possessed of an ultramodern sheen all its own. The duo's visual aestheticwas just as important _ Kuperus' photography adorned all their album packaging (including this re-release), and their liveshows drew on a sense of what a reviewer once called "detached intrigue." Echoes of Adult.'s aesthetic can be heard today in everythingfrom today's surfeit of analog synth-toting minimal wave bands to the highly stylized divas who dominate the pop charts. But really, in 2022 Resuscitation still sounds like no-one else.

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IYv

Upes

32,99 €*

LP | 2022 | EU | Original (Infine / Cry Baby)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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I came across the music of IYv shortly after I encountered the dark ambient project Skeldos. Both are projects by the same musician. The IYv debut release (and only so far) “Upės” I had missed when it was released on tape. But I had been listening to it a lot when I was away during the winter of 2020 at a small house at a lake. There was a bluetooth speaker in the house so I could listen to the music there. The beauty of this music really resonated with me. Some time later after the musician contacted me (there are no coincidences) to order the Ô Paradis & Nový Svět LP I released on Vrystaete I dared to ask him if he would be into doing a vinyl version of this long sold out tape release. I was very happy he and his partner in crime involved in this project liked the idea. About IYv… it is a project by Vytenis (Skeldos) and Inga (Rūkana) from Lithuania and “Upės” (meaning “Rivers”) was released by themselves in 2017 in a small edition of 72 copies. While Skeldos is more towards the dark ambient sort of thing with hints of (post-)industrial music, IYv is much more on the melancholy side of things… accordion, electronica and Lithuanian vocals make up for a beautiful post-folklore album… The musicians themselves described the album in a perfect way… so I will not try myself to capture the mood and spirit of the music: “Upės” is an album about travelling. About the hearing of birds, close to the rock chains, which twists on the surface of mountains, through marks of our memory just like the rivers. The album was recorded in seclusion: in a log barn and wooden summerhouse. It’s decorated with deliberately left spontaneous inaccuracies and coherent crookedness. Nostalgic loops of ambient music tells a natural story about the composers: approaching gritty earth, enjoying crackling fire in the night, enduring live rain and swimming through the river streams. LP, 150 copies with screen printed artwork,

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UTO

Touch The Lock

2LP | 2022 | EU | Original (Atomnation)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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UTO are a duo from Paris who sound like they might be from outer space. Chic and alien, rhythm-centric yet diaphanous and ghostly, they are a group that thrive on contrasts and embrace paradoxes. Described variously as witchpop, dreampop and trip hop, they mine a rich seam of 90's British music from the peripheries, with added je ne sais quoi. Debut album Touch The Lock sees them present to the world their singular vision for the first time. It's an album grounded in reality that communes with hyperreality, unlocking the box where hard-to-reach emotions and thoughts often lay dormant and untapped.

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Awe Kid

Body Logic

In Any Case By Any Chance

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Awe Kid explores ideas of trans-humanism, evolution and digital immortality on Body Logic, a fantastically lush new album for Atomnation. The immersive 10 track record plays with organic, breathing textures punctuated by moments of digital unrealness to result in an album permeated with a dream-like quality. This contrast is mirrored by the artwork from Portugal's acclaimed The Royal Studio.

Awe Kid is an alias of Sine Language Records co-founder Rick Parsons. It is the product of years spent exploring a multitude of different music. From early days in post-hardcore groups and on to a love of 90s Warp, electronic jazz and more experimental niches, the multi-instrumentalist has now settled on his own unique fusion of breaks, ambient and left-field dance music. This deft studio wizard mixes up melodic nostalgia with forward-thinking sound design using whatever he can get his hands on, from analog and modular hardware, to samplers, field recordings to digital techniques.

Says Parsons, “I love working with digital processes because you get these unexpected moments where you dial something in, that somehow takes on a tangible, organic form in the real world. Searching for these sweet spots was the motivation for the album, contrasting natural textures against synthetic elements, and finding ways to create something that feels like it exists outside of the computer.”

While the album pays homage to dance music traditions, such as the broken beat of title track 'Body Logic', and full-throttle breaks of 'Zenith', these are assimilated and repurposed to create something that defies genre categorization. The listener's journey is perfectly paced, with broody but uplifting cuts of electronica giving way to shimmering, celestial melodies, and dusty breakbeats emerging from dense layers of atmosphere, only for the mood to be reset with soothing, suspenseful synths and haunting vocal samples. Elsewhere, devastatingly emotional ambient is followed by punchy grooves and propulsive melodies to make for a real ride.

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Zanshin

LP | 2022 | UK | Original (Affine)

12" | 2000 | EU | Reissue (Tonal Oceans)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"What took you so long?" might be a valid question concerning the ten year gap between Zanshin's new album "In Any Case By Any Chance" and his first album "Rain Are In Clouds".
Of course it is a question that the Viennese musician has asked himself quite startled in his usual self-critical manner, just to realize at a closer look that it has not been a lack of creativity or laziness at least. He used the Zanshin moniker on four EP releases and several remixes, plus a game soundtrack. Not to forget all his output as one half of producer duo Ogris Debris (the album "Constant Spring" from 2016 and roughly two dozen singles and remixes) and the many, partly award-winning audiovisual installations and performances with Leonhard Lass as Depart (depart.at). Furthermore he has also built two sound installations in 2021, "I Gong" at Elevate Festival and "Cymatic Sands" at Ars Electronica. In addition, Zanshin performs with the Max-Brand-Synthesizer from time to time as part of the compositions by Elisabeth Schimana, and together with label mate Dorian Concept he has also composed and performed the piece "Half Chance/Music for Moogtonium" for this unique instrument, built by Bob Moog himself.
Not spared by certain global developments of recent years, but rather invigorated by exploring his own resilience, Zanshin had a talk with Affine Records Operator Jamal in the beginning of 2021, speaking of future ideas and releases. And what was initially a single release spawned into a whole album in seemingly no time. An old skit ("Polar Polychrome") on the Roland Mc-505 groove-box that had never really been forgotten, but was rather waiting patiently somewhere in the back of his mind, suddenly proved to be the initial spark for the album.
The term "Zanshin", roughly translated as un-focussed attention, is in fact more than just a pseudonym but rather a directive in the artists life. Zanshin really likes to go in several directions at once, kind of according to Wittgenstein's claim that "The world is everything that is the case.", to find out where his love for music might lead him this time. He also somehow went back to his roots with this album. Not necessarily in the sense of certain musical influences or genres, because then the album would be even more eclectic than it already is. More like a focus on the core values in the fabrication process of the music itself, the freedom to rather follow the structures and sounds than to shape them in a completely predetermined way. Somebody once called it, "to weave what the music demands."
In this regard, Zanshin often feels more like a sculptor and tries not toadhereto strongly to the rules of specific sub-genres of electronic music. Searching for sounds and designing them is one of the energies that fuels his interest the most, thus at the beginning of a lot of tracks there are small skits and ideas that have the freedom to grow in whatever direction.
Hence this album has no elaborate story to tell, there is no extensive "narrative" or big time "storytelling" at work. "In Any Case By Any Chance" is not a novel but rather a collection of short stories (which are certainly dense and have complex plots nonetheless). The result is a long-player where playful electronica, skillful songwriting, extrovert dance music and symphonic film music enter into a symbiotic relationship. Returning to another Wittgenstein quote, "Whereof one cannot speak, thereof one must be silent", the emotional impact of music is the main focus and the results can be quite solemn at times, but around the corner always lurks the next bone-breaking rhythm pattern and gnarly sound design.
The infamous saying, "writing about music is like dancing about architecture", is another brick in the wall of sound in Zanshin's approach to music. He rarely roots himself in traditions or uses them too overtly, he really likes to agglomerate sounds, to challenge the listeners. It seems like he tries to avoid classification on purpose, because he knows that everyone has their own perception anyway. The only thing that this music demands implicitly is a willingness to listen attentively.
Very dense, at times really heavy and massive, then again airy and playful. "Music for clubs that don't exist.", might be another fitting caption to describe this album, which lasts for a little more than an hour.
The opener "Heatseeker" rushes to a sudden head start with its steel pan extravaganza, tropical vibes meet a bass line drenched in electro funk, and electrified synth stabs support the declaration of love in the lyrics. Kind of Jamie XX meets Electro meets Diva House. The monster that is "Bronteroc Brawl" is up next, a serious test for the speakers and a wild ride with metallic, growling sounds. The aggressive sound design reminds of suspense ridden shark chases, vicious dogs and cunning dinosaurs, in any case a track for people who love a proper bass stomper.
A new approach for the "indie discotheque" brings the emotional roller-coaster "In Gloom" with snappy drums and hypnotic synth motives á la Alessandro Cortini, creating an epic atmosphere together with the multi-layered vocals. A psycho-acoustic treat is position 4, the crisp instrumental "Polar Polychrome", you could even go as far as calling this a Zanshin signature track. Like mentioned before, the roots of this track go back to 2002 and you can hear the unmistakable influence of beat wizards like Photek, a piercing bass line is supported by poly-rhythmic drums, while dense pads try to escape the claustrophobic lockdown mood of winter 2020/21.
Another round of intense pathos waits for the listeners in the ensuing track "In Search Of". Moderat say "Hello", a melancholy piano melody is rushed to a climax by a wild bass arpeggio and forceful drums, the desire for a perfect sunrise at the next after-hour to the max. Initially just an appendix to the preceding track, "Time After Thought" swiftly developed from a mere improvisation to an ambient epic with a croaking alien piano, as if Keith Jarrett were on his way to Alpha Centauri.
Up next is the first single "Because Why", a breakbeat driven, synth-heavy track with winged vocals and a popular film quote. The title refers to the movie "Alphaville" by Jean-Luc Godard, a dystopian science fiction film noir, in which an omniscient computer system named Alpha 60 is ruling society and humans can only say "because" but never "why". As if the gears of a galactic mechanism were spinning into motion sounds "Identity Slices". A raspy chord structure finds its counterbalance in a kind of stumbling, wonky beat, and Zanshin would never deny the huge influence that Autechre's sounds and structures always have had on his music. Micro- and macrocosm meet on the same level and this friction is also a metaphor for questions of identity and self-awareness, without using voices or lyrics.
Off we go into the IDM bubble bath of "Enzyme Enigma", the bass drum is stomping and a fizzy acid-line is twisting in all directions behind rolling dub-techno chords. "Corrosion Creak" is a kind of acoustic degradation process, the rave dogs are finally let loose and everything happens at once, funky synths shred, string sounds wail and then there is this bass that sounds like smashing a rusty metal plate in the junk yard with a vengeance.
Towards the end everything slows down a bit, the beat in "Whatever Words" is Warp school cerebral hop at its best and therefore loads of glittery, creaky sounds swarm out until the synapses are overloaded, cumulating in a mighty bass ending. Last but never least, "Rebus Redux" guides us into the limitless night sky, with long indulgent pads dotted by an aimlessly wandering piano, while a compact net of tamed resonances and meandering sub frequencies unfolds in the background, enticing navel-gazing imagination.

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Artificial

Stoner Classix Selected

12" | 2022 | EU | Original (No Exit)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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Hot on the heels of 001, Tonal Oceans proudly presents 6 carefully selected tracks from Nicole Skeltys' rather extensive catalog. Compiling tracks from her Artificial alias, Tnl-ocs002 consists of material which draws from her self-released 12"s, a long lost 7" lathe cut, as well as some CD-only material. Being active since the 90's, Nicole has paved her way through many genres and moods, which together represent all things "Antipodean Electronica" excellently. Also features a track from close friends Dark Network. Presented in a printed sleeve with psychedelic sticker. Artwork by Soft Turbo.

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Hektor

Nighthawks

Release: 2022 / EU – Original

Genre: Electronic & Dance

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No Exit Records is pleased to present Hektor’s sophomore release, ‘Nighthawks’, a 33 minute journey of highly textural, romantic electronic music. On ‘Nighthawks’, Hektor states: ‘For me, the release is pure escapism. Euphoria, drama, joy - a way to channel feelings and emotions that have been few and far between during the past 18 months. Life in 3D’ Another exciting offering from the newcomer, who is quickly carving out a unique voice in the Australian electronic landscape.

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More Of That Frightful Oompty-Boompty Music: A Spun Out Sampler Part 1

12" | 2022 | EU | Original (Spun Out)

LP | 2022 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Spun Out Agency is honoured to present ‘More of that Frightful Oompty Boompty Music’, a compilation dedicated to the Guv’nor himself Mr Andrew Weatherall who should need no introduction on these pages. Released on vinyl in two beautiful parts, the first drops on April 15th with the second following two weeks after.

‘More of that Frightful Oompty Boompty Music’ (yes we are going to write that out every time we talk about it in this communique) showcases a selection of the shining greatness from the agency’s roster. Paranoid London, Fantastic Twins, Mehmet Aslan, Autarkic, Ruf Dug, Sean Johnston, and Manfredas gift exclusive tracks which highlight the sublime acid, techno and house sound that Weatherall would have described as “oopmty-boompty” music.

Spun Out is a London-based artist booking agency which has been run by Caroline Hayes for over 20 splendid years, that looked after the life and times of Andrew Weatherall alongside his partnership with Sean Johnston under their A Love From Outer Space moniker, and the likes of Optimo (Espacio), Ivan Smagghe, Josh Caffe, Man Power, Body Hammer, Kiara Scuro and many more artists, doing it differently.

Kicking off the A-side of the first record is Hardway Bros’ (aka Sean Johnston) previously unreleased remix of We Are The Axis by The Asphodells, the duo consisting of the Andrew Weatherall and former Battant member and Spun Out talent Timothy J. Fairplay. An energetic techno stomper with percussive rhythms, this exclusive remix offers the ideal tantalising dose to tease any dancefloor. The vocals and synth layers give it a punk rock approach, referencing the multi-genre essence of Weatherall’s taste in music.

Tel-Aviv-based Autarkic’s Sleepover closes the A-side with a chuggy lullaby, one that is certainly unsuitable for putting a baby to bed, given its intricate acid lines of total hypnosis. Following on the B-side is Manctalo Banger, a house bop by the Manchester-via-Ibiza computer game nerd and vinyl digger Ruf Dug, and Shizowaves, Turkish-born Basel-based Mehmet Aslan’s soulful touch to the compilation, bringing Middle-Eastern percussive melodies and catchy basslines.

The second record is introduced by Paranoid London, with a Spun Out dedicated acid techno banger appropriately titled Spinning Out and Fantastic Twins’ EBM track Kali’s Tongue Was A Weapon. On the B-side is Lithuanian chug legend Manfredas’ Hfuhruhurr, and Naum Gabo, who closes the compilation with the chaotic analogue-synth frenzy, Cold Sold. The name Naum Gabo may evoke the pioneer of Russian constructivism, who rose to fame thanks to his crazy kinetic sculptures. However, here it manifests as one half of Spun Out’s Optimo duo Jonnie Wilkes (JG Wikes) and James Savage. The duo’s impeccable manipulation of electronic hardware couldn’t give a better homage to him.

Some highlights for Spun Out artists this summer include 9 acts from the roster playing at Houghton Festival, Paranoid London’s show at Sonar Festival, Love International Festival and Ransom Note’s festival with Optimo Watching Trees.

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Perel

Jesus Was An Alien

27,99 €*

LP | 2022 | EU | Original (Midnight Mannequin)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The dance floor as devotional is a trope as old as the club itself. But, with her new album, Jesus Was An Alien, Perel subverts the stakes of our collective communion: Who are our arms raised to? Who are we seeking salvation from?

“Jesus Was An Alien is a discourse about whether Jesus was an actual alien,” she explains, “but also a social debate about what is and implies religion today.” She offers up her provocative second record – her first on Kompakt – as a soundtrack for the listener’s own journey through the intricacies and ironies of modern belief.

Picking up on the themes she brought to her debut, the 2018’s LP Hermetica on DFA, Perel has created ten tracks rich with spirit and allusion. Her influences are myriad, from the indie dance hitmakers of the early 2000s – Hot Chip, Simian Mobile Disco, Justice – to rave compilations that predate her ascent to the DJ booth, to more abstract inputs. Living with synesthesia, she says, “I feel emotions and colors piling up inside me, then there’s a triggering sound or event that opens a valve. My tracks are color streams that tell a story.”

Jesus Was An Alien is not just multicolored – it’s multi-lingual too, slipping in and out of tongues in a single track, sometimes dispensing with words altogether (the ecstatic breakdown of “The Principle of Vibration”). The album features Perel’s voice almost entirely but for her special collaboration with Canadian songwriter Marie Davidson on the title track.

“Jesus Was An Alien” stirs like a late-night revelation, a heady discovery awakened in the dark. Perel lays out a fiercely disciplined electro pulse, with Davidson’s proclamations growing more fervent over the song’s sensual stride. “I already said everything with my synthesizers and the melodies I created,” Perel explains of the collaboration, but “somehow she gave the song a voice I couldn’t.”

Perel drives further not only spiritually but sonically across the ten tracks, taking thrilling production risks: standouts include her breathy vocals atop a melodic piano strut on “Matrix;” the delirious blur of ghostly chimes and disembodied voices of “Religion;” and the retro radiance of “The Principle of Vibration,” in which Perel exhorts us to “come on and vibe” over an athletic riff and shuffling percussion.

“Kill The System,” meanwhile, hits the listener with tense acid pulses, building to only an imagined release and calls out the end of patriarchy. Album closer “Am Kanal” starts as a pensive cloud of a track, finally breaking into a rich textural rain of synths and stabs.

The variety throughout Jesus Was An Alien underlines Perel’s purpose in this latest project; she’s experimenting her way to answers – or maybe just more questions. After all, she says, “questions are the beginning of something new.”

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Panic Priest

Second Seduction

26,99 €*

12" | 1991 | UK | Reissue (Blank Mind)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Death. Sex. Doomed Romance. These three simple phrases define the sound and thematic presence of Panic Priest. The musical project of singer, songwriter, and multi-instrumentalist Jack Armondo (of “dark pop” outfit My Gold Mask), Panic Priest is centered around Armondoʼs deep, crooning vocals while weaving together dreamy guitars and synths. For fans of New Order, Tears for Fears, The Sisters of Mercy, and Clan of Xymox. Panic Priestʼs long awaited sophomore effort Second Seduction is a significant sonic expansion on the projectʼs signature sound (which was first unveiled by way of the debut self-titled offering in 2018). Co-produced and engineered by Brian Fox (Wingtips, Ganser), the new album intertwines classic genres such as darkwave, post-punk and goth while a richly layered modern synth-pop sensibility elevates the album to something larger than simple nostalgic recreation. Performed and composed almost entirely by Armondo (with key contributions by Twin Tribes, Vincent Segretario of Wingtips and Gretta Rochelle of My Gold Mask), Second Seduction is simultaneously personal yet fantastical. A cathartic account of Armondoʼs real life experiences, stemming from personal heartbreak, life as a non-monogamous individual and even current political anxieties, be prepared to once again be tempted and lured into the world of Panic Priest. Midnight Mannequin Records is proud to present this deluxe reissue of Second Seduction, pressed on limited edition “Kiss Me Dead” ghost white (frosted clear) 140 gram vinyl. Includes OBI strip and insert with lyrics and liner notes.

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Earth Leakage Trip

Psychotronic EP

16,14 €* 16,99 € -5%

Remedy White Vinyl Edition

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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“The doors are where the windows should be, and the windows are where the doors should be”. If you had been in one of the more open minded all night raves in the early 90s you are likely more than familiar with Earth Leakage Trip’s ‘No Idea’. You could write several pages about the 'Psychotronic EP' and still not nail it as well as Discogs user covert_operative's description of 'urban, British psychedelic music.' The Acid House narrative is all about ecstasy, but for many, especially outside of London, there was a lot of LSD involved. Things were edgier, too, with parties in derelict, liminal spaces. By the time this record came out in 1991, the rave was properly diverging from its house music beginnings. The Psychotronic EP was the first release on the legendary Moving Shadow label. Its lead track 'No Idea' is both the perfect entry point to the catalogue and something of an outlier. Neil Sanford had been writing music for a few years before playing some demos to Rob Playford in his car outside a nightclub in Wood Green. Simon Carter got involved, and the pair went to Playford's studio to manifest the madness they'd been sketching with rudimentary gear. 'No Idea's use of samples was wholly inspired and far more surreal than so many of the dark-side tracks that were to follow it. A friend of Neil's had given him a record called 'Happy Monsters' and the lead track, 'Adventures in the Land of Ooog,' lent the unforgettable children's vocals. Neil initially had his doubts. Had they gone too far? However, while working on the track, Rob Playford's girlfriend ran in shouting, "you Have to use that!" And so it came to be. As a footnote, the track did prove to be strong medicine, with at least one documented account of a promoter having to be talked down by his friends after hearing it when psychedelically altered. The Psychotronic EP is a truly visionary piece of work, standing poised on the edge of the rave's burgeoning future and entirely outside it. As such, it's never not been a cool record, as appealing to lysergic adventurers as it is to house heads, hardcore ravers, or experimental music pioneers. And it has now been lovingly reissued by Blank Mind, for which I'm eternally grateful, seeing as my copy is battered beyond belief.

Written by Piers Harrison Remastered by Graeme at the Exchange Licensed with permission from Moving Shadow Played by Autechre, Colin Dale, Colin Faver, Orbital

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Breakbot & Irfane

12" | 2022 | EU | Original (Ed Banger / Because Music)

12" | 2022 | EU | Original (Atomnation)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ed Banger Records proudly presents “Remedy” , Breakbot’s new EP. Creators of classic songs such as “Baby I’m yours”, Breakbot & Irfane are back with 4 new songs. Following “Remedy”, next single will be “The Light”. Limited Solid White Vinyl Edition.

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Sam Goku

East Dimensional Remixes

12" | 2022 | EU | Original (Ldi Records)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This spring, Atomnation is to serve up three remixes from Sam Goku's cultured East Dimensional Riddims album. The original full length landed in spring last year, and now contemporary innovators Lauer, Paula Tape and Ineffekt all offer their own unique versions. Goku sees this remix EP as a way of showcasing the sort of tunes he plays in his mixes, most recently for the RA podcast series as well as for Ransom Note and Live At Robert Johnson. The Chinese-born but long Munich-based artist is an assured DJ who unites his different heritages when he plays. He's someone who taps into the similar emotions and motivations of east and west and does so with a nuanced, storytelling brand of house and techno that is warm and uplifting.

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Martin Matiske

Tape | 2022 | EU | Original (Osàre! Editions)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Martin Matiske's superb new six-track EP Circle Of Enlightenment on LDI Records is based around the concept of one-mindedness and togetherness. This German artist was fascinated with mixing records as early as his 10th birthday and had his first release on the legendary International Deejay Gigolo Records aged just 15. In the 20 years since he has released a selection of records on labels like Moustache Records and Bordello A Parigi. His timeless sound comes with a vintage touch and always fuses electro, italo and techno in fresh new ways. This new EP aims to describe the direct connection between human beings and the universe. Martin says: "Human beings are aliens always looking for answers to questions like why are we here and what life is about? We know the answer but won't accept it. We are made up of the elements of space and are directly connected to the universe. Each person contains the energy of the universe and is connected with everything that surrounds it. We are one! We are here because we are here! Our mission is to be!" The EP opens with 'Memory', and Martin explains that "Remembering is the ability to do things right but most of the time it causes pain." The track is a slick and icy electro workout with gorgeous retro-future pads bringing a cosmic sense of soul while the corrugated bass keeps busy below. 'Breakout' describes breaking out of normal thought and reaching a state of "no-mind." It is a playful and dynamic electro cut with characterful bass and synth stabs like shooting stars as shimmering arps ride up and down the scale. 'Lost In Space' deals with the idea that human beings on earth are just as lost in space as aliens. It's an interplanetary electro trip with glistening synths shining bright next to more twisted, tortured bass. 'Microbot' is about miniature robots that make our lives easier and ride on a punchy bassline, with neck-snapping snares and pads that circle around like spacecraft during battle. It is another lush electro workout that leads into 'Stars' and pays homage to the importance of these twinkling rays of light. It's a widescreen track with withering leads, cyborg vocals, and a real sense of hope as the snappy drums march into an unknown future. Last of all, 'Solaris' pays tribute to the life-giving force of the sun with another super crisp electro groove, slithering arps and conversational pads that make both a physical and emotional impact. Circle Of Enlightenment is a brilliantly adventurous and storytelling new EP from the ever-excellent Martin Matiske.

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L/F/D/M

Gold Like Glass

LP | 2022 | EU | Original (Left Ear)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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L/f/d/m, aka Richard Smith, makes his debut on Osàre, exploring the more delicate side of his intoxicatingly abrasive sound. Gold Like Glass is razor-sharp and elemental, with each track cast from long passages of synth dissected into heavy edits. According to Smith, this composition process is akin to printmaking, where the ink on a series of images deviates from the original stencil, becoming looser, softer and increasingly ghostly. ‘After Whitney’ is haunted by peak time rave energy; the drums are disembowelled, leaving a rolling climatic melody, utterly euphoric and disorientating. The track is followed by ‘Blood Byze Leech,’ a thunderously jagged affair, and ‘Delicate Push’ that fizzles like an electrified spinning-top, its frozen melodies accompanied by a lolloping beat. Turning over to the B-side, ‘Plute’ winds its way into dark psychedelia while ‘m-two nine’ descends into the realm of mutant de-accelerated bleep techno. Combing the ciphers of hardcore, its cruxes and suspense, with the serrated edge of minimal synth EBM, Gold Like Glass presents an
alchemical fusion of deeply danceable and cerebral noise.

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Influenza Prods.

Memoire

12" | 2022 | UK | Original (Gated)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Left Ear re-surface with a compilation of music from Italy’s original “homewave” band the ‘Influenza Prods.’. TIP!!!! Bruno De Angelis and Giovanna Gulinello unwittingly met in London in the late 70’s, after being introduced by a mutual friend. Both Bruno and Giovanna arrived with varying ambitions. Giovanna wanted to learn English or be a painter, while Bruno found work at the Royal Post Office, which he found testing. It wasn’t until Bruno rescued Giovanna from an awkward date that the pair became a couple. At the time, music was just something they did for fun. Bruno already had an acoustic guitar and G bought a bass. Those were the days when you could start a new band, whether you could play or not, and new independent labels were springing up. Rough Trade Records was literally around the corner. In 1981 the pair moved back to Italy and found an apartment in Rome. It’s here that they began to focus on their music and where they started ‘recording’ their tracks. First, they would record the rhythm, maybe add the Gigster (the name of their “cheap drum machine”), the bass, and then, as they made a copy of the first cassette onto a second cassette they would add guitar, more synth, or both at the same time. After that, it was not unusual to copy from the second cassette back into the first cassette adding even more “stuff”. As with many artists during the early 80’s, the Influenza Prods’ sound was the direct result of the accessibility of emerging electronic instruments and the recording equipment available to them. The duo was resourceful and inventive, acquiring new equipment as resources allowed. They recorded dialogue from British Soap Operas on their TV set, which were later added to their tracks, while further making use of their family’s cutlery sets, which were used to fill in certain percussion sections The duo’s homespun recordings found a web of admirers in the unofficial distribution of tape trading and mail-art scenes. Despite the DIY ethos and the fact that most tapes were handmade, the Influenza Prods managed to ‘release’ three tapes which comprised of the Greatest Tits (1983), Cheek-A-Bomba (1984) and Quasi Solo (1985). Bruno and Giovanna were sadly subjected to serious family problems, including the loss of loved ones in their lives and eventually parted ways, concluding the Influenza Prods. However, to this day they remain close friends who keep in touch regularly.

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Marcela Dias Sindaco

Beijo Eletrico

12" | 2022 | EU | Original (Patience)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Marcela Dias Sindaco's music captures the essence of Gated as a label, sitting half way between so many genres: bass-heavy electro, funky breaks, squelchy synth-boogie... but driven by Marcela's breathy Portuguese vocals, expressing the depths of her carioca soul. Marcela grew up in Rio de Janeiro, and as a classically trained pianist and cellist, music was in her blood, but it was her dad's obsession with Krautrock that influenced her early music taste. Later, travelling around Europe as a model, she discovered the clubs of Berlin, Paris and Milan and incorporated what she heard into her own music, using a studio filled with analogue equipment. The result joins the dots between heads-down club stompers, electrofunk, Prince, and Brazilian samba. In a word: fresh!

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Hoshina Anniversary

Hyakunin Isshu

20,39 €* 23,99 € -15%

12" | 2022 | EU | Original (Optimo Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Prolific and singular Japanese producer Hoshina Anniversary presents Hyakunin Isshu, a two tracker of extended jaunts deeper into the mystery than he’s yet dared to venture. With a growing reputation for sizzling productions combining propulsive house rhythms with gyrating arpeggios and textured sound design punctured by jazz-inflected keys, Hyakunin Isshu further expands the limits.

On Hyakunin Isshu, Hoshina Anniversary paces it out over the course of two complimentary side-long runs. The A side Karakurenaini rides on a steady 4/4 as cycling percussion loops, squelchy acid basslines and angular piano chords float in and out of the mix. Deployed and rinsed to peak effect, it's relentless repetition evolves just enough to get completely lost in.

On side B Kirigirisu slows the pace down to a crawl, a lurching rhythm and haunting riff ascending almost to the point of vertigo toppling and giving way to a sci-fi drum break, a stirring prolonged break and triumphant culmination, it’s slow-mo future strut equally indebted to melodies of the past.

Hyakunin Isshu is named for Ogura Hyakunin Isshu, an anthology of delicate, reflective Japanese poetry comprised of works from the 12th and 13th centuries. Both tracks share their titles with different entries in the series.

Hoshina Anniversary is the alias of Yoshinobu Hoshina, a reverent reinterpreter of jazz, dance music and traditional Japanese instrumentation. The last couple of years have seen the producer from the Tokyo suburbs release a torrent of inimitable missives on esteemed maisons disques like ESP Institute, Osare Editions, Alien Jams and Youth. Also forthcoming in the summer of 2022 is an LP on Impatience.

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Rudolf Abramov

Losing Perspective

7" | 2022 | EU | Original (Martin Hossbach)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Rudolf Abramov hit all Optimo Music's buttons at once. Drums, energy, songs, instrumentals, super production, Post Punk echoing, dance floor destroying, home listening friendly, and completely unique.

Who are they and what are they about? Read on. Rudolf Abramov is a duo based in Berlin. They seem to open a door to unexpected musical encounters. It's an almost impossible task to sum up their sound in a comprehensible way, but in their own words their music is 'a response to a seemingly endless conflict about disgust, acceptance and love.' Since the duo likes to invite other musicians and fellow humans to add to their pieces, this often creates another layer to their unexpected musical encounters.

"Losing Perspective" is the result of a journey that began with a week-long recording session outside the city. Back in Berlin the skeletons of the track gradually grew in flesh, experience and emotion, describing this time in a vibrant and ever-changing city; a city where the faded colours sometimes seem more appealing than the unifying glow of the new.

In order to preserve for ourselves the conflicting colours in their fantastic disharmony, we have therefore watched the pieces change rather than moving them in a particular direction. The result is a number of tracks with different facets that derive from different moods and voices, indulging in diversity.

At the end of this process, we look back at this colourful collage and connect our own very personal history with it and both resolve in harmony. When asking the cat from our studio’s courtyard for example, she said that "Losing Perspective" was about stray tomcats who have lost their old home port to a newfangled establishment wandering randomly through the days in search of songbirds, distraction and rest. And we feel like she kinda has a point there.

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Venetian Green

Darkness / Abstract Art

10,99 €*

12" | 2022 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Limited TO 200 Copies! »Darkness & Abstract Art« is the debut single by Berlin based producer and songwriter Venetian Green. And what a debut it is. Two pop-pearls from a parallel universe, in which grand pop gestures of past decades live in harmony with the more bleak and disturbing emotional rollercoasters of recent times. The songs embrace a deep sense of nostalgia, while remaining firmly and confidently rooted within a contemporary pop context.

»Darkness« may be the most uplifting pop song ever that deals with mental health issues and depression. A topic that many can surely associate with after a challenging period of lockdowns and lack of perspective. The opening moments seem like a flirty exchange between an early Vince Clarke and Jake Shears but with a more bouncy and ›present-day‹ sound aesthetic. The bridge, »Was I ever in control, did my feelings just go rogue. Is it you or is it me, you’ve stolen my identity«, brings some major glam moments front and center and finally culminates in a heartbreaking auto-tuned chorus, an ode to the »Darkness« in all of our hearts.

In »Abstract Art«, we are jumping effortlessly between different musical eras. From late Roxy Music elegance to the plasticy melancholy of early Robyn all the way to the slow-rolling pop anthems of Christine and the Queens. A classic pop song about intimacy, trust, boundary issues and physical connection. Easy to imagine the line »You watch me dance with someone else, cause only you have me in strings and belts« on a sweaty recently re-opened dancefloor celebrating the return to a ›new normal‹.

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Kollmorgen

1243

LP | 2020 | UK | Original (Fabrika)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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When we first heard from recent Kompakt signing Emma Kollmorgen, with 2021’s “You Are The”, she was hymning the complexity of romance: “Love is scary as fuck!”, she said. On her debut EP, “1243”, she’s built on that intensity and offered up a five-track suite of night-vision electronic pop, bristling with a stealthy sensuality. It’s a cinematic collection, building from the brooding “Escape”, through the drifting, tactile pulses of “Taciturn”, the gritty, bustling noises that run underneath the smoke-signal torch-song of “All The Wild Animals”, and the closing, tear-stained melancholy of “Home”. “You Are The” reappears here as well, settling in perfectly amongst new friends.

It’s a completely assured first EP from an artist who’s been slowly and steadily building her own sonic world. From her early days, when she busied herself by learning guitar and joining bands, Kollmorgen always had a vision of doing something “more independent”, to allow her to find her own sound and write her own songs. A brief creative alliance with the Berlin DJ duo Dole & Kom led to some recordings and live performances. All the while, Kollmorgen was carefully shaping her production and sound designing skills with Ableton Live, and exploring distinctive musical terrain in collaboration with co-producer and multi-instrumentalist Paul Seidel (The Ocean Collective, Fern, Nightmarer). She joined the Kompakt family after a recommendation by Patrice Baumel, who also remixed her debut single with typical flair.

On “1243”, though, Kollmorgen fully inhabits her songs, gifting each of them with a sweet, subtle sway, her vocal and lyrical openheartedness balancing the bluer hues of her production. Each song is confident and poised, Kollmorgen relying on cross-thatched patterns of texture as a web to support her melodies: “I like patterns,” she says, “they give me something to hold onto, something stable in an unstable world.” The songs feel as though they’re grappling with moments of revelation and experience in Kollmorgen’s world, which makes sense, given her approach to music: “I never had a diary,” she reflects, “so writing songs is my way of expressing and dealing with life.” On 1243, you’ll catch some glimpses of life lived, made sonorous through songs beautifully sung.

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The Glass Beads

Therapy

12" | 2022 | EU | Original (Partout)

Release: 2020 / UK – Original

Genre: Electronic & Dance, Pop

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With silent film cinematic aesthetics imbued with unique and 21st-century flair, Ukranian Coldwave Duo The Glass Beads invoke sorrowful sounds, both strange and sensual, on their debut LP Therapy, melancholic life stories focused on the search and struggle of trying to find your way as an individual way and to accept yourself. These themes explored on the record are filled with pain and anger as well as hope. The Glass Beads feature the talents of musicians Mark Arshynnikov and Morin Sane, a pair of musicians whose Slavic features construct an appearance that is altogether commanding, beautiful and timelessly Gothic, yet gracefully tempered with a modern and tasteful style woven between two eras of the centennial: 1920, and now. In collaboration, Mark and Morin conjure melodies that reverberate like footsteps through the hallways of an abandoned house, haunted by memories of love, sickness, and death. Their melodic music is interwoven with sighing keys, palpitating drum machines, sauntering basslines, and disaffected vocals like an eastern european version of Velvet Underground chanteuse Nico. It has been 4 years since the two made their debut with “Going”, a song that would two years later make itself part of The Glass Beads’ 4 track debut EP Phobia issued on cassette via Squall Records. For that release, The Wave of Things spotlighted the pair in their Sounds of Ukraine episode, Describing them as a cross between Lebanon Hanover and Drunken C, and highlighted their mesmerizing video for the title track “Phobia” where a blindfold vocalist Morin Sane drifts amongst a field of sunflowers in stark black and white.

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Fede Lijt

This Too Shall Pass EP

12" | 2022 | EU | Original (City Of 3000)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For the second EP of the Uruguayan series, Fede Litjmaer lands on Partout with this 4 electro and acid tracks.

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FSK24

Special Distance

12" | 2022 | EU | Original (Shall Not Fade)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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French label City of 3000 Records returns with a fourth EP from Fsk24, expect breaks and 90's style techno all the way.

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Romeo Louisa

Rarified Terms EP

LP | 2022 | EU | Original (Shall Not Fade)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following his feature on We Miss The Crowd EP - the last addition to our Killer Cuts series - Romeo Louisa returns to the Shall Not Fade catalog with a blissful solo EP.

Rarified Terms sees the emerging French producer come into his powers with three soulful deep house tracks which reflect his musical background in jazz, and see reworks from the likes of Shall Not Fade family members and fellow collaborators, Theos and Denyl Brook, and London duo, Funk Cartel.

The EP starts as it means to go on. A skippy house beat, jazz-like piano chords and diva-esque vocal phrases lend "Desires" a driving propulsion, equally suited to the dancefloor as it is to a more laid-back listening environment. Next up, the stripped-back melody on the title track makes way for a focus on percussion, paying tribute to Romeo's brief residence in London with a half broken garage beat. "The House of Jazz" sees the EP at its classiest with soulful piano chords and a bouncing deep house rhythm, at times punctuated by drum accents which reference the sporadic nature of jazz improvisation.

Next up, enter Silver Steps Records boss, Denyl Brook, and fraternal duo, Funk Cartel, who offer their take on the title track before French producer Theos rethinks "The House of Jazz", teasing out the lower ends so that the track is led by a funk-infused bassline.

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Lorca

Saudade

Lunatica Borghesia EP Pink Marbled Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lorca joins the Shall Not Fade family with a debut LP consisting of 8 melodic tracks with richly-layered soundscapes made up of samples and field recordings taken from his hometown, Brighton.

His first full-length album as Lorca, the Saudade LP sees Sam Cassman return to a melancholic and experimental sound for which he originally made a name for himself since his first release in 2012. The album's title, written in Portuguese - the language native to his current residence, Madeira - translates to English as "a feeling of longing, melancholy, or nostalgia". With stripped-back percussion and plaintive atmospherics, it's clear to see why. We are soothed into things with the soft melody of "Lullabies" before being transported to Brighton Beach via field recordings of seagulls and the whisper of pebbles on the second track. The driving pulse of deep house track "Are You Gonna Love Me" picks up the pace whilst maintaining a sense of minimalism before the shimmering lull of "Two Pianos" brings things right back with formless sonic collages and drifting atmospherics.

Flip the record over and the rolling beats are back. "Colraine" and "uTube" see the return of clever use of sampling, the latter including mobile phone recordings of live piano playing by friends, sampled from social media. "Colraine" offers up pulsating jazz rhythms, oozing with groove, before the aptly-named "Polly" ushers in a change of course with a razor-sharp polyrhythmic melody and acid undertones which are more suited to the club. On "Rock Paper", it's sound design that takes centre stage. To close the LP, Lorca manipulates field recordings taken from inside his studio to incorporate abstract, sample-based percussion, making for a truly unique take on techno and synthesis.

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Koko

12" | 2022 | EU | Original (Lost Palms)

LP | 2022 | EU | Original (Clone - Dub Recordings)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lunatica Borghesia sees emerging Italian producer Koko come into his powers in a 6-track EP which, at times seems suited to accompany a blissful reverie, and at others a rave in a rainforest. Either way, Lunatica Borghesia is about escaping.

The first two tracks capture deep house in its truest essence: at once meditative, melancholic and serene.The blissed-out piano chords and cymbal strokes "You can't buy luxury" lend the opening track a nocturnal jazz feel which is carried through to "Ego Borghese" where it is heightened by the melodic cries of a saxophone. Instrumentation maintains its primacy in "Listening to Some Impala in Coventry" as staccato flutes guide the subtle bongo-sounding percussion which gives the track its swing.

The next two tracks - "9,99EU" and "Pegasus" - are for the dance floor. Whilst the synth-driven melody and acid undertones of "9,99EU" sees the EP at its most retro, the final track "Tradizione Tradimento" is a brilliantly modern take on garage house which lets the listener settle back into the groove after being rowsed by "Pegasus" driving pulse.

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Jodey Kendrick

Village Of The Damn Fine

12" | 2022 | EU | Original (Kompakt)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A collection of brilliant modern electronica scores inspired by the Bedfordshire countryside by Jodey Kendrick. Some of the historical landmarks in this historic UK midlands county, several dating back from before the 9th century, are the sceneries for this collection of eerie soundscapes punctuated by clangy metallic beats and brutal bass. Alienating old landscapes clashing with rapidly changing modern technologies is the playground for Jodey Kendrick's musical adventures.

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Archil & Leon

Blooming

LP | 2022 | EU | Original (Imara)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2022 may bring much much uncertainty to the world but one thing we know for a fact is that we are introducing our most innovative and intriguing new act in years – the French duo Archil & Leon with their five track debut (appropriately called) “Blooming”.

Having both released in the past independently, Archil & Leon were originally brought together thanks to their teenage band His Majesty and from there, their passion to create music together never has faltered. Leon is a veteran session and live drummer who also produces music for his own dance project Ongaeshi and the dance collective moovance. Archil is an accomplished solo electronic musician and the force behind Archil Lab handmade musical devices. Using elements like springs (Springophone) and wheels (Roulettophone), his instruments are lovingly manufactured in wood and somehow carry the characteristics of modular gear but in the most unconventional way possible.

At a first listen, Archil & Leon’s music comes off as a well oiled live jam but as you dig deeper, it’s clear these tracks have a precision and style that separates them into a category of their own. Their EP “Blooming” is the result of two full years of being locked in their studio, writing and experimenting together. Indeed, an underlying flow of 70’s funk permeates throughout their music, however pigeonholing them into such a stereotype would be a travesty as they have impeccable song writing skills and their self made instruments conjure an experimentalism which is through and through rooted in electronic music. We can only hope that fans of now-classic Jamie Lidell / Super_Collider will appreciate where they are coming from, and you agree their “sound” is brilliantly individual. After all, they created their tracks literally from the ground up.

Watch more about Archil & Leon and their wonderfully outlandish instruments.

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Heiko Voss

3:30 Minutes To Live

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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Heiko Voss has earned near mythical status as a torchbearer for the emotional, deeply felt and quietly radical style of electronic music. The blissed-out radiance of his Kompakt Pop single, “I Think About You” remains one of the label catalog highlights and a stellar run of collaborative singles as Schaeben & Voss; others might know him for his stewardship of the excellent, much-underrated Firm imprint. But with his new album, 3:30 Minutes To Live, released by Michael Mayer’s label Imara, Voss returns after a long silence with a beautiful collection of songs that hymn heartbreak with a lusciously melodic touch.

There is something definitive and newly confident in 3:30 Minutes To Live that has it feeling like a real statement of intent if compared to his earlier releases. “Although it’s not, 3:30 Minutes To Live feels like my debut album,” Voss reflects. “All releases before were more song sketches or electronic dance tracks.” Bunkering down in Teary Eyes Studio, Voss worked up somewhere between thirty and forty sketches of songs, which he whittled down to the twelve collected here, all of them situated in a unique space, but very much in accord with Voss’s defining aesthetic, which he describes as “indie pop music with a lot of guitar, electronic elements and a great love for melancholic ‘80s synth-lines.”

Voss is sensitive to both variety and consistency – 3:30 Minutes To Live sits together as an assured, vibrant collection of pop songs, but it’s marked by all kinds of surprising incident, like the guitar solo that erupts out of “This Is My Life”, or the acoustic guitar-led melancholy of the closing “This Summer”. It’s all borne of the alchemy of the studio process and the intimate romance of music-making. “If you constantly feel a little bit like you’re in love while writing and producing your music – simply because of the sound of the synth flowing warmly and gently through the room, or because the sequence of notes awakens something in you, or even a randomly arising groove in the loop of a guitar lick makes you shout, ‘Ha!!’ – then it usually becomes a beautiful song,” Voss nods. “Those moments make me happy.”

There’s also a delicious tension between the push of the music, its melodic lushness and gliding, ballerina-like movement, and the darker currents that pull through Voss’s lyrics, inspired by a “short, dramatic and toxic love affair.” This may read like familiar terrain for a pop album, but the way Voss weaves language through both the extra-linguistic joys of music and the inarticulate speech of the heart somehow allows for direct communication that is simultaneously plain-spoken and deeply profound. “Say It” is a simple, devastatingly effective plaint of alienation; “She Wasn’t Lonely” a simple portrait of everyday living set to chiming, clacking guitars, the music in the bridge taking astral flight as the titular character ‘lets herself go.’

A smart and sharp collection of songs that captures you with its gorgeous melodicism just as it blindsides you with its aching heart, 3:30 Minutes To Live is Heiko Voss at his most assured and open-hearted best.

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Alternative Funk: Volume 1

LP | 2018 | EU | Reissue (Platform 23)

Release: 2018 / EU – Reissue

Genre: Electronic & Dance

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Platform 23 launches with the reissue of the seminal Alternative Funk compilation series, presenting a selection of music across 2 volumes.

Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further "Alternative Funk" cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these "Various Artist" selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.

As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.

Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.

What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.

The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.

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2LP | 2022 | EU | Original (Pareidolia)

Electro Became Electro

12" | 2022 | EU | Original

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Pareidolia Recordings is glad to present for her seventh chapter the first 2xLP "Electro Became Electro", a labyrinth where the deepest nuances of the electro blend togheter. Seven artists, seven different ways of feels, interpreting and conceiving this genre, seven innovative minds. The electro music without spaces and borders.

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11:68pm

Minimum Wage Maximum Joy

12" | 2022 | EU | Original (Cheeky Sneakers)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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What If It Works’ first release, minimum wage maximum joy arrives by way of newcomer 11:68PM. Produced in Berlin in the winter of 2020 and mixed & mastered at the newly minted Brewery Studios, minimum wage maximum joy’s five tracks are precision-tooled for the club, showcasing 11:68PM’s veneration for UK-leaning house and techno.

11:68PM’s moniker, as well as the EP title minimum wage maximum joy draws on the artist’s experience of balancing the grind of the 9-5 with dreams of realizing his creative vision. The skittish breaks on “Bluff Mind State” and “Sway”’s glitchy “Call Mohandes Dub” reveal this state of mind, while “Vertical Mobility” reveals a playful side with its irresistible acid bassline and soaring synths.

In 11:68PM’s words: “Writing the record in the evenings in my bedroom on one of the loudest streets of Neukölln, after I had clocked out from work, I found myself in the ever-present struggle of being artistically active while making ends meet. In making this EP, I decided to prioritize my own desires and not wait for some hypothetical moment to pursue this project that might never arrive.”

Visually, this is underscored by Philipp Pess’ striking artwork, depicting the gaunt face of a man whose tired eyes hint at a lifetime spent in front of a screen.

With minimum wage maximum joy, 11:68PM offers a compelling glimpse into a new generation of Berlin’s left-of-centre club producers.

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Talker

Information EP

LP | 1975 | EU | Reissue (Be With)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After an intriguing appearance on Lobster Theremin's PLUR compilation in 2020, New York's Talker prepares his debut on Cheeky Sneakers with four varying cuts of emotive breakbeat and squelchy electro NRG.

"Information" takes the swaying aesthetics and waved basslines of contemporary breaks and wraps it in a digital ribbon; a periodic dip into a post-humanoid world where information is no longer something we consume, but something we have become. Delicate melodies swirl above the clouds leading the raver to their inevitable peak, before large kicks and percussive power sparks the fuse with a flurry of gun fingers and hands ascending towards new heights.

"Da Business" again wraps its electronic sequence in a modern blanket with elements of grime, garage and electro taking it in turns to wow and delight; a distinctive, lairy UK energy moulds together with ice-like synth work on an emotional trip that packs a punch, before the B-side is introduced on "X", a squelching cut of acid-electro made for late nights and strobe lights.

"Echolation" finishes things off the way it stated - cinematic breakbeat that invites the listener to take a moment for themselves on the dancefloor, looking inward for moments of private contemplation as the euphoria is pushed increasingly outward.

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Sammy Burdson

Background Action

Im(Mortal) Black/Pink Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. Background Action’s first side is all Blaxploitation wah-wah, funky clav and heavy, heavy drums. It’s top-quality takes on the sort of hard-knocking psychedelic sleuth-funk that the library labels gave us in spades.

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S Y Z Y G Y X

LP | 2022 | EU | Original (Cold Transmission Music)

19,99 €*

Im(mortal) Cornetto Black/White Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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You can call this album “Immortal” or “I’m mortal”, the idea of the title (Im)mortal is that both ways apply, there is no right or wrong way. Since I was a kid, I always struggled with the concept of mortality, not as a body, but as a person, as an artist. Once I started studying the lives of long gone artists I realized they were still alive, through their art. I believe art transcends human life. This album touches that, and many emotions that I’ve felt throughout the past year (and really, ever in my human life). This is me, uncensored. Me sad, me happy, me angry, me in love, me losing hope, me gaining hope, the many parts of me, as a human being, as an artist, every part that hopes to live through my art, and past my human body. And per usual, I want you to dance with me, dance until you drop, babes!

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S Y Z Y G Y X

LP | 2022 | EU | Original (Cold Transmission Music)

19,99 €*

Dead Season Solid White Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Iamnoone

LP | 2022 | EU | Original (Cold Transmission Music)

19,99 €*

LP | 2022 | EU | Original (Minimal Detroit Audio)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The last couple of years have been a Dead Season for most of us. We discovered that things we deemed important were, in fact, of no consequence, or things we took for granted, like handshakes, hugs, kisses…were all lost for an unforeseeable long time. This Dead Season saw us changing the way we lived our music, too: once together, now apart; once playing, listening, dancing in the same room, now entrusting our notes to the Ether, like messages in bottles committed to the seas, in the hope whomever gets them, will understand their secret meaning. These songs are the cries of our souls staring into the Abyss. The desperation, the frustration, the will not to break under extreme circumstances, but also the love, the hope to get soon back to a life we can look forward to. We dedicate these feelings to all the brave souls who are still fighting to make it through this Dead Season, and to those who didn’t make it. Iamnoone: philippe marlat seth

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Jordan GCZ

My Brain's Brain

Museum On The Horizon Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Premium solo material from Jordan CGZ (Magic Mountain High, Juju & Jordash). An unbounded trip around the producers musical universe. Sounds ranging from icy futuristic soundscapes to crunchy melodica techno workouts, Other-wordly Jazz explorations to hazy Rhodes washed Deep house memories. “I feel that Jordan’s album is an innovative masterpiece that will stand the test of time” Terrence Dixon Pressed In Detroit, MI , Artwork by Karl -Otto von Oertzen

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Pop.1280

LP | 2021 | EU | Original (Profound Lore)

26,99 €* 29,99 € -10%

Museum On The Horizon Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New York’s Pop. 1280 was formed in 2008 by Chris Bug and Ivan Drip, with the vision of rebelling against the music of the day and making their own soundtrack for the end times. Initially a noise rock outfit, the band has released five LPs and numerous singles integrating diverse influences of industrial, EBM, techno, and post-punk into their signature sound. In 2018, Matthew Hord joined Chris and Ivan, and this new trio embarked on a collaborative journey that saw the band shed their rock roots and turn their focus toward sequencers, drum machines, samplers, and synthesizers. This exciting outpouring of creativity produced 2019’s "Way Station" LP.

Now, Pop. 1280 present their 2021 album, "Museum on the Horizon", an industrial opus that epitomizes Pop. 1280’s drive to push themselves into new artistic territories, and to inspire each other to be bold and hold nothing back. Recorded, mixed and co-produced with Jonathan Schenke in Brooklyn, NY, Museum on the Horizon finds Pop. 1280 at the height of their powers on a thrill ride of industrial bangers.

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Pop.1280

LP | 2021 | EU | Original (Profound Lore)

Forever Ep White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tommy Farrow

10" | 2021 | EU | Original (Shall Not Fade)

Ambivalent EP Red Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Tommy Farrow has been making waves ever since his breakout single, 'Let's Just', caught the eye of Radio 1 tastemakers. His emotive, trancelike tracks, evoking influences like Bicep, have been instant hits. Joining the Classic Cuts series, Forever EP is his debut on Shall Not Fade.

'Forever' features rising star vocalist Clementine Douglas, her sultry lines coasting over melancholy chords before casting off into high drama breaks and synth melodies. Breakbeat dominates 'Feel What I'm Feeling' too, a big room track filled with pure ecstasy; closing track 'Imagination' is deep and grooving with an explosive electro edge.

Forever EP drops 10th December via Shall Not Fade.

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Kessler

12" | 2021 | EU | Reissue (Shall Not Fade)

LP | 2021 | EU | Original (Prophecy)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Shall Not Fade welcome Rotterdam based producer Kessler to the family with six weighty jams for their ‘Basement Tracks’ series. Rising Rotterdam based producer Kessler has been bubbling over the past 12 months with a string of high quality releases on labels such as Yellow Island Records and his own Kessler Trax imprint. His first full vinyl outing sees him serve up a bass driven masterpiece for Shall Not Fade’s new ‘Basement Tracks’ series. Ambivalent EP is nothing short of spectacular, weighty breaks meet dreamy synth patterns on this killer dance disc.

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Deine Lakaien

Dual +

Men At Werk EP D'Arcangelo Remix

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Deine Lakaien, the legendary electronic avant-garde duo are an iconic German dark music act who have been popular for over three and a half decades! With their new full-length "Dual +", Deine Lakaien continue to ride the impressive creative wave their compelling previous double-album "Dual" caused. While "Dual" was strictly following a principle of cause and effect that juxtaposed one cover version on the first album with a new song that was inspired by it on the second record. "Dual +" keeps the basic formula, but comes across as more compact, multi-layered, and experimental, while also leaving more space for relaxed divergence. With their 11th studio album, "Dual +", classically-educated composer and pianist Ernst Horn and vocalist extraordinaire Alexander Veljanov are further exploring the musical vector that the duo had taken on "Dual" by playfully adapting some of their musical influences and making them their own, but always serious about the composition and respectful towards the original. By ostensibly showing the connection to their own creations and making a part of their artistic process transparent, Deine Lakaien also state that music does not grow out of thin air – as clearly as Beethoven could not have created his symphonies without the works of Bach before him. Founded in 1985, the German duo started as a purely electronic avant-garde dark wave project. Taking their name from a reference in the song 'Die genaue Zeit' by German experimentalists Einstürzende Neubauten, the band self-released "Deine Lakaien" in 1986, which spread by word of mouth and created an underground buzz. The debut set the duo clearly apart from electronic contemporaries such as Yazoo, Soft Cell, Eurythmics, and OMD by virtue of their singular dark sound. Deine Lakaien have created yet another marvellous piece of music with "Dual +". Their art comes with multiple layers and can be read in many different ways or simply be enjoyed as one amazing song after the other unfolds and the dividing lines between cover versions and original songs begin to blur until they are without meaning to the true beauty revealed.

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Men At Werk

12" | 2022 | EU | Original (N9 Multimedia Lab.)

10,49 €* 14,99 € -30%

12" | 2021 | EU | Original (TMS)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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What would happen if Florian Schneider from Kraftwerk fell in love with Anne Dudley from Art Of Noise? That’s exactly how “A Spanner In The Werk” sounds : a mix of soulful melodies and robotic rhythms, which proves, at last, that Techno and love songs can meet… and have a fruitful relationship! Composed in 1996, this unreleased track by French New Beat veteran Guillaume U. Chifflot received massive positive feedbacks as a bonus track on the recent 2xLP compilation by n9. So here’s a brand new “Longform Mix”, taking android sensuality even further, lovingly pressed by Swewax onto a collector item, with a beautiful floral etching on the flip side by artist Yül-Rik. Mastered by techno and acid superstar Thomas P. Heckmann (Trope, Drax, etc.), the EP also features the participation of cult Rephlex duo D’arcangelo, who offer an exclusive remix, filled with a firework display of the delicate electronic drifts they excel at. n9 is a French label founded in the early 90’s to release new beat and techno-rave tracks. After focusing on graphic design for a decade, groups of Discogs fans brought n9 back into the field, and the label began to pioneer a 21st century blend of New Beat and TBM, while making room for a growing number of like-minded French techno artists.

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72TM

Mutations EP

18,99 €*

12" | 2022 | EU | Original (Emotional Response)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Two numbers referring to the year 1972. And in two numbers, everything is said. The project is simple and ambitious, it is the soundtrack of life passing by, of our lives, of theirs: those of two boys who became two men, both born the same year. 1972. And contrary to its commercial destination, the “tm” sometimes af fixed to these two letters appears here rather like a real mental tattoo, if not a purely aes thetic gesture, as if to tell us: these sounds, these feelings, these immaterial emotions, were deposited in the dark recesses of these two brains, these two minds, before passing through their bodies, passing through their fingers, then through the keyboards, the ins truments, to transform themselves, to turn into sounds, which, themselves, through the alchemy of creation, become music. And this music is the soundtrack to these two lives: Benjamin Cohen. Ulysse Genet. And these two lives which at one point crossed, met. And from this crossing was born 72. From these two experiences, from these memories, from the memories of the two artists, music is revealed. Four tracks for the moment, instrumental, mixing the reminiscences of hip hop, the echoes of the ‘ambient’ created by Brian Eno, the techno vo lutes of Detroit, and more particularly those of Carl Craig. Without forgetting the roots of what has been called the French Touch… this unique musical adventure revealing France abroad in a singular way, in which Benjamin Cohen has actively participated.

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Cherrystones

Aged Of Silver

17,99 €*

LP | 2022 | EU | Original (Fragile)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Cherrystones returns with the second of the "Aged" EPs for Emotional Response. Time propels and so does sound, thus orbiting nuances and motion leads us here, to present whatever maybe or interpreted as. Since the acclaimed Aged Of Bronze EP a symbiotic progress of craft arrives in the aptly titled Aged Of Silver. Again each track is like a coded syntax, unlocking the puzzle to aid a listeners journey and experience, building blocks to a utopian scape in form without form notes and pictures living and residing in the dimensions. Never pandering to trends, his art based on immediacy and the moment, no disposable sub genres that fade as fast as they emerge, transposing and emitting heard and unheard a way to communicate with himself and those that identify. A capsule of touched emotions bearing gifts for those in the present and wishing to be present, a key with keys analogue for Silver Tongues and Brass monkeys living in the shadow of a Scorpian's Tail.

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Wolfgang Tillmans

Moon In Earthight

26,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks. Opening with more that connects us than divides us, ‘Celloloop / More That Connects Us’, a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he’s left his “place in security.” And, “you’re shining … All the way down to this glittering place … you’re shining.” Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a ‘Rain Gutter’ later caught by the soft, warm rhythmic bounce between two synth notes on ‘Fourth Floor’ where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity

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12" | 2021 | EU | Original (Underrated Art Creations)

Various Artists Volume 1

12" | 2021 | EU | Original (Seilscheibenpfeiler)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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From different latitudes, they have come. Look up the noise they bring. Open up your mind. Strange times are here…

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Fjaak

Your Time is Ov3r

14,39 €* 15,99 € -10%

12" | 2021 | EU | Original (Ernest's Way)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The pandemic has affected people in all sorts of different ways, but for FJAAK, life in
lockdown led to one key realization: nothing in life is permanent, and what you do have can
disappear at any moment, no matter how solid it may appear. That idea is at the core of the
Berlin duo’s new EP, Your Time Is Ov3r, a four-track effort that sits somewhere between a
rallying cry and a desperate primal scream. It’s not a coincidence that the record’s jagged,
electro-flavored title track contains an ominous vocal refrain (“Hypnotize me”), born out of a
time when FJAAK were looking for something, anything to make the days go by more quickly.
Still, there’s more to Your Time Is Ov3r than emotional strife. The tracks here have been
primed for the dancefloor, and are easily some of FJAAK’s sharpest productions to date.
Unbridled EP opener “Identity” fuses elements of ’90s rave techno with modern electro, the
whole thing powered by the song’s menacingly crunchy bassline. “Chunks” drops the hammer
even harder, its heavy kick and low-end growl rumbling along like a vintage muscle car. And
for those seeking something a bit more chaotic, the blaring sirens and frenzied breakbeats of
“Falcon Punch” come off like the club equivalent of a nuclear sub attack. Throughout Your
Time Is Ov3r, FJAAK tiptoe right on the edge of completely losing control, and while their
skilled hands prevent things from ever veering off the road and into a ditch, the music’s
inherent sense of instability is undeniably exhilarating.

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Featherstone

Chrysalis

12" | 2021 | EU | Original (Cheezy Crust)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The third installation from Ernest's Way 'Chrysalis' sees Featherstone return with another 4 track EP building on his already diverse catalogue. This release features angular rhythms offset against dreamy, introspective yet expansive melodic passages.

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Mint Huus

Odd Radio Circles

LP | 2021 | EU | Original (Blood Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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And here we go again. After making his self-titled label debut in 2019 followed up by the super limited cassette tape “Sport EP” in 2020 Mint Huus is finally back on Cheezy Crust Records - and he’s back on vinyl! Exploring “Odd Radio Circles” we see Mint Huus catering an array of four cuts, once again covering and exploring a spectrum of superbly driving, high quality electronic club music of a timeless quality which is nothing short of a truly epic manifestation of the German artists production standard and value which is up to par with the genres greats. Sparse, yet melodic, bouncing, yet dreamy from the very start the Mainz / Germany-based producer effortly amalgamates a highly functional Electro foundation, beautifully arranged vintage retro synth layers and ever bubbling Acid modulations to further carve out and create a distinct sonic realm and niche which, due it’s innate drive and well comforting depth, is set to excel way beyond the confined boundaries of the Electro genre and gain praise and recognition on many dancefloors all around the globe.

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Dynatron

Origins

2LP | 2021 | EU | Original (Brothers From Different Mothers)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The master of interplanetary discovery returns. One of the original artists of synthwave, Denmark's Dynatron is a trailblazer in off-world soundscapes, meticulously crafting the soundtrack to eternal space exploration. Following on the heels of the acclaimed, ambient “Rigel Axiom” EP; Dynatron's long- and highly-awaited third album arrives. “Origins” is his most personal work to date – a quest for meaning through the infinite chaos, a meditation on loneliness and the painstaking search for hope. Building upon the cinematic atmosphere of his previous work – exploring a massive variety of analogue synthesizers – “Origins” is the perfect throwback to the genre's beginnings. Retro, ethereal, and passionate. The record touches upon synthwave's foundations while expanding Dynatron's scope through a wider range of musical instrumentation. Orchestral sounds give the album a more human feel. Choir and strings mix against synthesizer flourishes to create a supernatural aura. On Dynatron's previous album – “Aeternus” – astronauts venture deep into intergalactic space, but dire events force them to flee a foreign star system. Evacuating at lightspeed, they end up lost in darkness, hopelessness clawing at their minds. The creation of “Origins” took Dynatron on a five-year exploration into the abyss of self-discovery. “Origins” was never meant to be a personal album, but through its creation, Dynatron realized the astronauts stranded in darkness mirrored his own personal struggles. The only way out was through hope.

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The Pilotwings

Les Charismatiques

LP | 2022 | EU | Original (Conatala)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following their first album in 2016, The Pilotwings are back – having gone from two to three members - with the LP « Les Charismatiques » on the infamous Brothers From Different Mothers label. As witty and sparkling as ever, the trio’s given birth to a 2020 millesime that dares to oscillate from synth-pop to digit dub, psych-rock and new-age ; combining acoustic sounds with traditional music, all tainted with an 80s summer-hit influence… As whacky as it may sound at first listen through its melting-pot of personal anecdotes and dated corporate speeches, the album does succeed in avoiding the totally-offbeat ; by adjusting sensibilities and altering the way one listens to music these days, these tracks transcend and fly. Guided by anti-conformist synth-sounds, « Les Charismatiques » embarks on the path towards the gilded light of remission and spiritual rebirth ! New collaborations have also emerged on this album from long-lasting friendships but also impromptu meetings, with Hajj firstly, the Dawn Records’ boss who needs no introduction, but also with their Lyon friend Amélie Arcuri alias Bigoudi, half of Schmilblick ; or more surprising, with the cult underground figure of Robert Lapassenkoff, crooner and singer from the 80s band of the same name who’s been recently re-issued on vinyle before joining the Pilotwings on tour. 5 years later the Pilotwings are back on Bfdm with an album that seems ripe for tasting, like a fine wine with a mouthful of flavors.

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7fo

Ran - Bouten

29,99 €*

Ester Brinkmann, DJ Marcelle & Jd Twitch

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“When I started working on the piece in March of 2020, I had only decided to record it in the way I wanted to. The coronavirus was spreading globally, and the situation was gradually changing into something very serious. With no gigs scheduled and hardly seeing anyone, I felt as if my spirit was in a slightly deeper place than usual during the production. I sat down in front of my equipment as if I were dropping a fishing line into a quiet lake. I kept feeling that something new was lurking beneath the water surface. I was trying to catch that something that seemed to be just out of reach, that floated in and out of sight like a speck of smoke. “ ＿Referenced from: Afterword of 7FO「Ran - Bouten」 2021 brings a new album by Osaka electronic musician / producer 7FO. This work is a departure from the recent global ambient / new age approach, and the unique sound aesthetic created using only hardware equipment is a new frontier of 7FO or a return to his origin. "Ran - Bouten" is a new electronic music album with a poetic sensibility using machines.Discovered by overseas labels such as Rvng intl., Bokeh Versions, and Metron-and with the release that followed EM Records in his hometown Osaka, it's like his personal folk craft that was once quietly played at his own pace. Music has reached listeners around the world. In recent years, he has been touring from a famous performance with Tapes at the Belgian "Meakusma Festival 2019" to a Japan-Korea tour. "Ran - Bouten" was born as a result of facing the sound alone without being asked by anyone to cool down the heat when the steaming and intense experience had settled down. Inside the cool electronic sound like a water bath, you can feel the maker's heart sending hot blood.Peep into the condensed universe of a home-recorded miniature world that looks like an independent production of unknown age. He was alone in a dark room, making full use of KAWAI's 1990 digital and FM synthesizers , tracing the shape of nature and resonating the micro and macro sound worlds. The Rhythm and melody that continues to the Paradise Pure Land, which floats in a dreamy atmosphere, is the true value of 7FO even without his guitar play.Mastering by Makoto Oshiro, which supports everything from home listening to club sound systems. Hiroaki Hidaka designed the jacket to make the image of the sound appear cool and friendly everywhere.

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Ten Years Serendeepity Part Three

12" | 2021 | EU | Original (Serendeepity)

Gingko Remixed Gerd Janson, Lauer, DJ City & Nice Girl

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Third part of the compilation celebrating the tenth anniversary of the Milanese record shop. This collection is entirely composed of previously unreleased music, exclusively produced for the occasion by many artists of great relevance in the worldwide music scene, who supported the store over the last ten years. The artists who produced the music for this compilation are Egyptian Lover, Ellen Allien, Thomas Brinkmann, Neil Landstrumm, JD Twitch, Matias Aguayo, San Proper, Tolouse Low Trax, Jay Glass Dubs, Dj Marcelle, Jorge Velez, Tamburi Neri, Fabrizio Mammarella, Heith, Itinerant Dubs, Timeslip89, Kreggo and Intersezioni Ensemble. The entire work is composed of 4 x 12”, plus a bonus EP

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Aksel & Aino

12" | 2021 | EU | Original (Public Possession / Live At Robert Johnson)

12" | 2021 | EU | Original (Human Sense Technology)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Collaboration between Live At Robert Johnson & Public Possession, both selecting some key label artists to remix “Gingko” a track taken from “Aksel & Aino”s debut Album “Lullabies for Insomniacs”. Including Mixes by Gerd Janson, Lauer, DJ City & Nice Girl ranging from Big Room Balearic Pop to tripped out Techno and classic house.

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Dan Piu

Modern Utopia Thoughts

12" | 2021 | EU | Original (Memento)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following up on a strong launch with Braintalk, Human Sense Technology returns for their 2nd entry; this time from the man of many styles, Eastern Zurich's very own Dan Piu, with Modern Utopia Thought EP. Dedicated to his youth and influenced by future visions of creation, the atmosphere and arrangement on this EP permeates into the imagination with colors of suspense, harmony, and spherical textures showcasing the finer lines of deep frequency. Courageous indeed as this EP embraces the mysterious in an eccentric bliss that charms the listening experience in a way that grooves the body as much as it moves the mind. Welcome to Modern Utopia EP, where there are no constraints on creation or time.

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Rachiid Paralyzing

Analha

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Analha was one of the first approaches I had with the design of analog basses and drums, to understand the way in which we can involve so many sounds and transform them to our own liking, to give it its own narrative, a sense, an identity in which it can be navigated about different styles without problem.

They are two pieces that make up totally different break paths where "Mi ama Dic K no" [a1] is my own exploration and vision of the break beat, three melodies written in F # that count the subtlety, while the bass contrasts in an aggressive idea to the beat of many changing rhythms in the drums, which sorfs between a Mpc, 808, Dsm & V Modular ; Classic trip hop voices samples that guide the way this own idea progresses on the breaks and pads that generate a more complete environment with a very energetic atmosphere that is constantly on the rise in the active and natural development of the track.

Towards the B side "Run mami run" [b1] is composed by a classic intro of acid cut while some seconds of drums interpose which are accompanied by a radio narration of a chase, a return change is present with a vinyl spin between voices from GTA & WU Tang Clan which make an intro for an infusion of breaks fully aligned to the beginnings of oldskool drum and bass which are accompanied by voices recorded, treated and edited to connect more directly between the spaces interrupted by the glitch acid chords.

Among contrary structures "Analha" contains hidden but marked criticisms, it is a project that comes from 2018 and ended at the beginning of 2019 which made him think about how to involve more than music within his own sound narrative.

The sonorous identity of rachiid today is different, he understands his environment but does not believe in adapting, he tells us that each exploration and discovery during these years have led him to think how this first release was born until now but is not connected at all with what nowadays, describes his sonority today as changeable, essential and highly with IDM, experimental and breaks.

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12" | 2021 | EU | Original (Lunatic)

Fracht 01

12" | 2021 | EU | Original (Unknown Untitled)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Heavyweight cargo, wrong shipping adress, delivered without demand. Frachtø1 is the very various artists EP on Lunatic, ticking all the boxes that lead through the past releases. Tracks that represent the numerous ways of todays saturated society’s struggle expecting a dark future‘s prophecy. Roberto Auser allows no introduction time with his dystopian “Neturality” system. CVBOX‘s air cargo sets a hard contrast with as lightly bleeping as confusing “Wingwalking”. Walk on with Credit 00 who shows who you really “Wanna B”, just before all dark matter fuse on the ipside of reality: Hayter’s voice is the oracle for the street: “Sooner Or Later” all pain ows together “In Den Hochofen Des Schmerzes” of the Iron Ore.

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Unknown Artist 002

Unknown - Untitled

Binmen, Machines, Insects & More

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Since the early days of electronic music, white label records have been inextricably linked to DJ culture and the ways in which underground music has been disseminated. unknown - untitled draws on the white label concept withholding details about the producers behind the tracks and leaving listeners to draw their own conclusions about what they’re hearing. The concept label focuses primarily on vinyl releases, with previews of the tracks available online, but information about the artists only to be found within the record sleeve itself. Several weeks after the vinyl is out, there is a digital release that reveals who was behind the tracks. The roster ranges from new and emerging producers to more established artists looking to explore new sounds. The label's second release, presents four glitched out expansive cuts taking in everything from warped jungle and twisted percussive workouts to cerebral techno and immersive IDM. With online personas often eclipsing the focus on music itself, here lies a return to form.

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Carlton Doom

12" | 2021 | EU | Original (Lobster Theremin White)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Chris Hanna has been at the forefront of Irish electronic music for over eight years, first through his work under Unknown with fellow Irish artist Gemma Dunleavy and now as the formidable Carlton Doom. The Belfast based producer has built a reputation as one of the most forward thinking, genre-merging artists on the island, combining his love for techno, breaks and garage into a growing palette of sonic decompression. Now the Belfast hit-man steps up with another exploration of deconstructed techno, screw-face bass and otherwise unknown substances not fit for human consumption.

Opener ‘Binmen Of The Apocalypse’ features a heavy drum-work perfect for peak-time and the type of bassline that lights a fire under any dance-floor; while ‘E-Machine’ adds swing with it’s killer low-end, bouncing between tenacious beats and choppy vocoder samples. Wrapping up the A-side is ‘I Am the Creator’ a signature Carlton Doom track with it’s weighty kick-drums and uncompromising structure, bulldozing it’s way through your speakers.

On the flip ‘Insects and Jelly’ and ‘Scatterbrain’ share the same DNA; both seeping with personality and a total disregard for the rules; as the EP then comes to a close with a high-velocity ‘I Am The Creator’ remix by one of Manchester’s finest - Interplanetary Criminal.

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Nous'klaer Audio Summer Sampler '21

2LP | 2021 | EU | Original (Nous Klaer Audio)

Tape | 2021 | EU | Original (Evar)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Nous'klaer presents their summer sampler of 2021! Eight hot tracks by new and known names on the label, to celebrate their 50th vinyl release. Starting with the haunting opener Faded Red by Djoser, to a deep techno cut of Pugilist and straight onto RAFF's banger Yeye. Floid debuts with his pumping 4x4 tune Pjee, and Panda Lassow delivers her signature trippy wonkiness that evolves into an addictive rave climax. The last tracks see Konduku and Oceanic making a return to the label with what they do best - and closing is the dubby debut track from Animalia's label owner Kia. Comes in silver vinyl and artwork, designed by Woody92.

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Sha Sha Kimbo

Total Chaos

LP | 2021 | US | Original (Sacred Bones)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Los Angeles native Sha Sha Kimbo undeniably lives for the rave. As exemplified through her every intentional move as a producer, DJ, promoter, radio host and label owner, Sha Sha radiates an unwavering love for amplifying, nurturing and supporting the culture of underground electronic music and the community that surrounds it, with her forthcoming release absolutely no exception to this.

Set for release as a digital download and limited edition cassette tape on August 13, the LA rave staple is happy to announce her debut EP on Evar Records, Total Chaos. A brilliant testament to the cathartic importance of staying up late and getting lost in a buzzing crowd of kindred spirits, Total Chaos harnesses the universal experience of having pent-up energy into massive, angst-ridden breakbeat anthems. Over six tracks, Sha Sha channels the hair-raising spirit of '90s rave along with her formative experiences with DMZ-via-Low End Theory dubstep and punk rock. Finding her place within LA's bass music, house, techno and rave scenes while defying easy categorization, Sha Sha personifies the no-rules electronic music ethos behind John Frusciante and Aura T-09's Evar Records. To supplement Total Chaos' three originals, Lyzza, Machine Girl and LCY provide three raw remixes highlighting various aspects of Sha Sha Kimbo's renegade rave spirit.

Drawing from the Los Angeles punk rock and '90s rave music that soundtracked her youth, Total Chaos personifies how she grew up on the dance floor, showcasing Sha Sha's tried and true ability to express rich, nuanced emotions through tracks that, first and foremost, can level a warehouse party. Kicking off the vibe on July 30, the EP's lead single "Save The World" is a perfect representation of this, with the jump-up rave cut employing a megaton breakbeat and sickly-sweet vocal samples over simmering base of dark, UK-influenced atmospherics. From the late night energy of the title track to the euphoric, dawn-breaking feel of "Limited Perfect," Total Chaos offers the refuge of a robust dance floor with the warm reassurance to be one with the universe.

Rounding out Total Chaos EP are three remixes that amicably and serendipitously support Sha Sha Kimbo's visionary aim to both explore the unknown and bring people together along the way. Brazilian-born, Amsterdam-based powerhouse Lyzza adds a full verse and a nest of serrated rhythms to her version of "Total Chaos," while New York's Machine Girl applies their trademark punk electronics approach to "Save The World." Meanwhile, Bristol's own LCY hollows out "Limited Perfect" into a haunting amalgam of post-punk minimalism and low-frequency pressure. A study of the opposing light and dark energies of underground dance music, Total Chaos presents a breakbeat-heavy vortex, sure to awaken everyone's inner raver.

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Domingae

Ae EP

Ete 97 (Blind Delon & DJ Varsovie)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Debut solo album from leader of legendary psych band Föllakzoid, Available on white color vinyl! Riyl: Föllakzoid, Beatrice Dillon, Huerco S., Arca, Amnesia Scanner, Sophie, Kaitlyn Aurelia Smith. Musician and filmmaker Domingæ is probably best known as the founder of experimental psych band Föllakzoid. Written whilst stranded in Mexico and Tokyo on her way to a world tour with Föllakzoid, her new debut solo album Æ has taken the decompositional system she devised for the band and added the depth of inner exploration and a symbiotic relationship with musical craft. The resulting sound is as groovy and hypnotic as the best Föllakzoid tracks but with a seductive and darkening electronic texture. She has become a channel in which the shadows inhabit. Domingæ's sounds and formats are articulated via depuration, expanding in time and space via the subtraction of shifting elements. The process of unlearning and uninstalling previously established creative softwares in order to achieve dissolution has always been a central focus in her creative pursuit. Æ is a result of said experimentation, the dissolution of preconceived notions to create a minimal sound yet rich in textures.

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Far Away

12" | 2021 | EU | Original (Intervision)

LP | 2021 | CA | Original (Aural Medium)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Blind Delon & DJ Varsovie collaboration "ete 97" is a retro synth-wave project with an electro remix from Voiron. With nostalgic and dark lyrics, this release will take you back on the last day of the summer.

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XVARR

Transitional Being

22,49 €* 29,99 € -25%

12" | 2021 | EU | Original (Knekelhuis)

Release: 2021 / CA – Original

Genre: Electronic & Dance

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"Transitional Being reveals another side of Xvarr’s production palette — characteristically tranceinducing, this release highlights the transformational potential of dance music.

Spanning the last ten years, these six tracks handpicked by Aural Medium align with a particular relationship to technology that has formed the central pillar to the Xvarr studio set up. Often starting with a drum pattern and sequenced bass-line, the physical rhythm is stripped out and surrounding elements are drawn out and manipulated to convey the ‘hidden’ intention behind the track. With the tracks compiled here, he lets the rhythms ride. The influence of more ‘club-orientated’ music has remained firmly embedded in Xvarr’s psyche, although typically the trip has been more introverted. The approach here may differ from other Xvarr outputs, but the mood most definitely remains the same, with an overarching desire to channel emotion and passion from the other side of nowhere.

Xvarr recognizes the parallels between the ritualistic dance of the Witches’ Sabbath and a dark room filled with sweat, smoke, and sound. It is in this parallel void of transcendent possibilities that tracks such as “Running out of Time”, “The Crooked Path” (a nod to Andrew Chumbley) and “Universal” reside. There’s also a subtle presence of influences from Industrial music, with groups such as SPK, Conrad Schnitzler, Chris Carter and Cabaret Voltaire paving the way for Xvarr’s early experiments with electronic music. The alchemical results on this EP float in a universe populated by such luminaries as AFX, Drexciya, and the constellation created by Chain Reaction, within a cosmos governed by the gravitational pull of Baldelli and Weatherall."

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Keito

Manget

12" | 2021 | EU | Original (Isophlux)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Summer has arrived and with it our first club release in ages, a high energy burner by Kσito from Tokyo, Japan. We are more than excited to welcome this talented MPC finger drummer Keito Suzuki to fiery post-lockdown dance floors. He draws inspiration from the South African Gqom and percussive music, and in his own stately way he merges big room intensity with an experimental explosion of weirdness. Expect bare bones techno, full of earworm hooks. Tolouse Low Trax and Kӣr complement this record with a bunch of psychedelic remixes, creating a great balanced journey.

Artwork by Marta Marinotti.

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Gosub

Cosmic Cannibals

LP | 2021 | EU | Original (Far Out)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For over 20 years Gosub has brought us his brand of classic electro cuts, so it was really interesting to see his techno mind in action on “Cosmic Cannibals”. Though out this release Gosub drapes soul across the Detroit fueled 808/909 foundation though out this vinyl release. Starting with “The Depth Charge” a dark dimensional warping bass and a synth that cuts through the darkness sounding like if Charlie Parker designed a synth a definite for repeat. Full 909 in effect on “The Way Home II” with heavy toms an high Ph acid lines provoke the listener to pay further attention to the details in this track. On the B-Side “The Ratio” which features New York’s Preston Fulwood on vocals and keys brings in the funk infused to Gosub’s more familiar electro beats we find really rewarding. This track is brings the funk and jazz while Preston’s vocals make you want to sing and find your own soul. The ending’s dark vocoder reminds the listener that “This is just your virtual reality”. Preston & Gosub makes you want more of this future sound. Lastly, “Omni Presence” grounds us again with low swung 303 baselines grinding against a straight 4 on the floor beat while supporting synths carry on with their own conversation. Be warned. We hope you enjoy this analog recording.

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Vasconcelos Sentimento

Furto

Presents Dead Horse: Where Wild Horses Go

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A mosaic of lo-fi breaks, cosmic ambient jazz and wonky chromatic funk, the eccentric Brazilian DIY wizard's debut album Furto beautifully pieces together a huge range of seemingly disparate sonic elements.

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Ilija Rudman

LP | 2021 | EU | Original (Forbidden Dance)

18,99 €*