Search "raw+soul+3" 7234 Items

12" | US (Brooklyn South)

Release: EU – Reissue

Genre: Electronic & Dance

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Absolutely classic, banging ghetto Houz HEAT from the legendary Dance Mania camp outta Chicago.
DJ Slugo and DJ Clent supply us with a handful of chopped up R&B and Hip Hop sampling footwork/House bangers.
Already highly sought after due to a certain LA DJ dropping the 'Pac sampling "Hail Mary" on his Boiler Room set, this EP can change hands for up to £100 used!

Reissued and remastered here for the first time you can now get your hands on this heavyweight 6 tracker for the price of a normal 12" single - Sho nuff!
If you know about this style of music then you know what to expect! Raw, super charged House and Footwork stylings for the heads!

Reissued in conjunction with Dance Mania, Chicago IL. 100% legit!

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Brooklyn South

Volume 3

14,99 €*

Release: US

Genre: Electronic & Dance

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LP | EU | Original (Rouge Mécanique Musique)

Romain Azzaro

Presents Colours Of Now

22,99 €*

Release: EU – Original

Genre: Electronic & Dance

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After a long hiatus, Romain Azzaro is reactivating his Rouge Mécanique Musique imprint with an exciting collaborative project, exploring new musical territories.

As the world started to flip on its head early in 2020, a quintet of musicians formed in Berlin : Paul Behnam (guitar), Sacha Hladiy (grand piano), Nicolai Johannsen (vibrating metal plates), Ruth Mogrovejo (viola), and Azzaro himself (zither) recorded their first album over 3 months in Azzaro’s living room, studio and basement. In Hladiy’s words, “a magical musical circus”. The collision of these different personalities and sensibilities makes Colours Of Now a singular, spontaneous and inimitable object, exploring neoclassical, ambient and experimental music.

“Romain had a wide open vision for a brand new project, connecting musicians from different horizons,” says Paul Benham, “a lot of different processes and beautiful vibrations were shared at this moment in his place.”

Nicolai Johannsen adds: “Colours Of Now is a portrait of a time which was and wasn’t; an alternation between existence and its opposite. The album is a collective formation, realized through different energies drawn to the same centre.”

“This album has become a compilation of people,situations and emotions to me,” explains Ruth Mogrojevo. “2020, the year in which we all met, has been an orderly metamorphosis from which we cannot exclude our professional activities. We all met playing music and deep down we knew that the whole project could be something great and actually meaningful.”

« Colours of Now » is a quintet that formed in early 2020 during quarantine in Berlin. The self-titled album, produced and mixed by Romain Azzaro, explores the different shades of sound in a time where uncertainty leads to the present moment.

A1. A1. Sacha Hladiy & Paul Behnam – Abyss A2. Romain Azzaro – Chloe's Dream Machine I A3. Romain Azzaro – Chloe's Dream Machine II A4. Romain Azzaro – Chloe's Dream Machine III A5. Paul Behnam – Strat my Love A6. Sacha Hladiy – Solstice D´hivert

B1. Nicolai Johansen & Ruth Mogrovejo – Catharsis B2. Sacha Hladiy – GrassHopper B3. Paul Behnam , Joao Comazzi, Sacha Hladiy – From Carnival to Quarantine B4. Ruth Mogrovejo – The Black Curtain. B5. Paul Behnam & Sacha Hladiy – Tente Natalie

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Gregory James Edition

Prophets Of Soul

LP (Demon)

Genre: Electronic & Dance

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Known Shaz

Flowerstone

LP (Raw Tapes)

15,39 €* 27,99 € -45%

Genre: Electronic & Dance

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For Tunea Cookies Volume 3

12" | EU | Original (forTunea)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (forTunea)

Peletronic

Secret Escape

12" | EU | Original (forTunea)

Release: EU – Original

Genre: Electronic & Dance

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The Austrian electronic music label fortunea starts off the new decade with a bang! This time they come up with a new EP by label fellow Peletronic.

It’s called ‚Secret Escape‘ and begins with the raw and energetic title track, that is driven by MPC-style melody chops and a grooving bassline. Definitely a lot of peak time potential here. The original track is accompanied by a remix of charismatic Australian dj- and producer Jad & The, who transforms it into an euphoric deep house weapon with funky breaks and analogue infused acid sequences.

The first track of the B-side is setting up a darker mood. It’s called „My House Is Your House“ and comes up with spaced out elements that complement each other into a late night/early morning club atmosphere. Voice- and effect artefacts sprinkle through the listeners head, while kick and bassline are holding everything together. Jon Gravy makes the remix dutys on B2 and delivers a stomping alternative to the original. A funky reverberant guitar, a staccato male vocal and high pitched piano stabs gives you back these feellings of mid 1990s chicago house memories.

All in all a must have house record for this upcoming festival season. Don’t miss out!

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Klaus Benedek

Still Daydreaming

Myles Davis & Ray Herrmann

Release: EU – Original

Genre: Electronic & Dance

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forTunea is a new upcoming label from Vienna, Austria. Their first release, Still Daydreaming EP, by label head Klaus Benedek features 3 tracks. While the title track on the A-Side creates with its hypnotic synths an overwhelming, melancholy atmosphere, „Fragile Balance“ and „Road To Infinity“ on the B-Side focus more on the dancefloor. If you like deep, raw, energetic house that puts you in another dimension through listening then check this release out! Murat Tepeli (Potion), Rainer Trüby (Compost), Alex Blaxx (Dessous Recordings), Michal Zietara (One Step Back Ahead), Roman Rauch (Philpot), Franjazzco (disko404) and Alex Kolodziej (Ochsenfrosch) are all in support of this hot wax!

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Hybrid Vigor

LP | UK | Original (Red House)

Release: UK – Original

Genre: Electronic & Dance

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LP | UK | Original (Orange Milk)

Diamond Soul

Maya'mi

Release: UK – Original

Genre: Electronic & Dance

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Rimessa Truppa Suite Volume 3

Padna

Tape | UK | Original (Orange Milk)

16,99 €*

Release: UK – Original

Genre: Electronic & Dance

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12" | UK | Original (Reel People Music)

Reel People

Vinyl Sampler Volume 3

Release: UK – Original

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Lakou Mizik & Joseph Ray

Leave The Bones

2LP (Anjunadeep)

32,99 €*

Genre: Electronic & Dance

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12" | EU | Original (Ggm Raw)

DJ Smurf

Ggmraw006

11,99 €* 19,99 € -40%

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Gabberhead)

Gabberhead Vinyl 3

Release: EU – Original

Genre: Electronic & Dance

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The Vinyl Collection Vol. 3

Lunatic

12" | EU | Original (Hell's)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Musical Mayhem)

Old But Gold Part 3

19,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Point 44 Records Presents Unfinished Business Deluxe Gold Edition 3

12" | EU | Original (Point 44)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Rave Instinct)

Rave Instinct

The 2nd Album

16,99 €*

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Rave Instinct)

Painbringer

Gabber Symposium

Release: EU – Original

Genre: Electronic & Dance

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12" | DE | Original (Mercury)

Santo Farina

Snake

14,99 €*

Release: DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | EU | Original (År Og Dag)

Anden Enhed

Første Halvår

Release: EU – Original

Genre: Electronic & Dance

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12" | FR | Original (Night School)

Night School 3

7,99 €*

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | Original (U3R Music)

Rawhill Cru

Helpless

4,99 €*

12" | US | Reissue (Wave Classics)

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo copy with white labels

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Exodus

Together Forever

12" | DE | Original (Ultraphonic)

Release: US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Ragga II Rave

Celebrate (Remix)

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | DE | Original (Budde)

Dr. Sommers Rave

Und Es War Sommer

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Soul Experience Pres. Melvin Canady

Mind Games

12" | DE | Original (Partysan Records)

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | IT | Original (Endless Wave)

Roy The Boy

Ring My Bell

LP | US | Reissue (Warner)

Release: IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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George Benson

In Your Eyes

4,99 €*

Release: US – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | US | Original (X-Mix)

X-Mix Hybrid 3

4,99 €*

Release: US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl closer to NM

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Strictly For The Klubheads Volume 3

12" | US | Original (Strictly Hits Vinyl Service)

9,99 €*

Release: US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Tape | US | Original (Leaving)

Xyla

Ways

12,99 €*

Release: US – Original

Genre: Electronic & Dance

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Tape | US | Original (Leaving)

Jahsh Banks

Dude<3

12,99 €*

Release: US – Original

Genre: Electronic & Dance

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12" | EU | Original (Supa Dupa)

Tyree Cooper

Da Soul Revival 8

Release: EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | DE | Original (Jupiter)

D-Train

Music

6,99 €*

Release: DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

LP | EU | Reissue (Warner)

Prince

Dirty Mind

19,99 €*

Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

La Monte Young / Marian Zazeela

31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta

LP | 1969 | US | Reissue (Superior Viaduct)

Release: 1969 / US – Reissue

Genre: Electronic & Dance, Classical Music

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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

LP | 1972 | JP | Reissue (P-Vine)

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Anthony Moore

Reed Whistle & Sticks

Close To The Edge Atlantic 75 Series Sacd

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

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Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

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Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

19,19 €* 23,99 € -20%

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Join Inn 50th Anniversary Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Seven Up 50th Anniversary Edition

Reality Gates Record Store Day 2023 Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Steve Birchall

LP | 1973 | EU | Reissue (Soave)

19,79 €* 32,99 € -40%

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.

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Starring Rosi(Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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"Starring Rosi“ is the 5th Album by Ash Ra Tempel. Released 1973 in the same Year as "Join Inn".
The CD Version is remastered by Manuel Göttsching himself.

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Join Inn (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

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Seven Up (Remastered By Manuel Göttsching)

CD | 1973 | EU | Reissue (MG.Art)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with
American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous
Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed
September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik - the
first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.
We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th
2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels
of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously
unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos
from the recording session. ->continued on page 2->continued on page 2
As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler”
(published by Head Heritage, 1st ed. 1995):
“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards...
7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic
group, but even weirder that he chose to sing a wild yelping freaked out blues !
Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the
mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it
all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer
weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.
The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut
Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as
the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would
have sounded psychedelic.
7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous
sounds have been allowed to stay, to drift and to dance around the performers.
The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the
grandest of traditions.
In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though,
Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all
segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W.
Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like
Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.
In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the
Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Starring Rosi Pearl Sunrise Colour Vinyl Edition

30,99 €*

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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180G "Pearl / Sunrise" Colour Vinyl

We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.

Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.

Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel

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Starring Rosi Black Vinyl Edition

2LP | 1973 | DE | Reissue (Brain)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-12-13

We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.

Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.

Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel

Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up

Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.

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Klaus Schulze

Cyborg

Release: 1973 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Side 3 has a pressing error: label sticker is pressed wrongly over the record!! Other sides are close to NM. German reissue.

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Autobahn Translucent Blue Vinyl Edition

LP | 1974 | UK | Reissue (Parlophone)

29,99 €*

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1974 | EU | Reissue (Real Gone Music)

Soul Searchers

Salt Of The Earth

33,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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12" | 1974 | EU | Reissue (CBS)

Elkin & Nelson

Jibaro Red Vinyl Edition

17,99 €*

LP | 1975 | EU | Reissue (Holy Basil)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

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Ennio Morricone

Controfase

LP | 1975 | EU | Reissue (Holy Basil)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Composed by Ennio Morricone alongside friend and frequent collaborator Bruno Nicolai, "Controfase" is one of the most overlooked and lesser known chapters in the maestro's extensive catalog. Various experimental elements perfectly intertwine in these skilful compositions, Vcs3 blend with hair-raising violin notes on a pattern of ominous percussions by Egisto Macchi. With the precious help of Gruppo di Improvvisazione Nuova Consonanza as well as Edda Dell'Orso angelic voice, the two masterminds have crafted a true hidden gem.

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Mario Molino

Antico E Moderno

27,54 €* 28,99 € -5%

LP | 1976 | EU | Reissue (Mental Experience)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Following our reissue of Silvano Chimenti's classic "Disco Music", we're happy to delve back into the Usignolo catalog with the reissue of C 364, one of the most iconic releases of the series, the incredible "Antico E Moderno" by Mario Molino. Bringing some of the most eccentric, chaotic and spaced out vibes you could hear in the mid 70's, Molino's mind bending arrangements are timeless classics, still standing the test of time and showing how he was way ahead of his time. Literally translating to "Ancient and Modern", showcases Molino's unique blend of traditional and contemporary musical styles, creating a captivating auditory experience for listeners.

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Thomas Hamilton

Pieces For Kohn

21,99 €*

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Spaced out bleeps & bloops and wild ARP synth freakouts from 1976!
“Pieces For Kohn”, as the title suggests, included four electronic pieces composed by Tom Hamilton as musical responses to 3-D geometric paintings by artist Bill Kohn.
A renowned audio producer and electronic composer, among other many things, you’ve probably have seen Tom Hamilton’s name in the credits of many albums by Robert Ashley and on releases from labels like Lovely Music, Pogus Productions, New World Records, etc.
Tom was first introduced to electronic music in 1965, while he was an undergraduate in Milwaukee, thanks to a lecture by Vladimir Ussachevsky illustrated with examples of electronic composers of the day: Bülent Arel, Karlheinz Stockhausen, Pierre Henry, Milton Babbitt…Encouraged by his teacher, Thom David Mason, Tom started to build audio circuits and battery-operated boxes that produced or modified sounds.
In 1969, Tom moved to St. Louis. After graduating at Washington University, he was offered a job to design, purchase, and build an electronic music and recording studio there. He now had continuing access to commercially built synthesizers and by the mid 1970s Tom found that working with electronic music was more satisfying to him than other musical endeavors.
The idea for the “Pieces for Kohn” album came from a studio visit with St. Louis artist Bill Kohn. Tom was an admirer of his work, which combined vibrant color combinations to fulfill 3-D geometric and architectural compositions in paintings, prints, and watercolors.
Bill proposed that Tom composed music for his art exhibition opening at a famous St. Louis gallery and Tom decided to simultaneously release that work on LP. Tom picked four of the paintings that he liked the most and titled his four pieces correspondingly. The recording took place at the Washington University Electronic Music / Recording Studio – the studio that Tom designed and first built in 1971 and then moved and rebuilt in 1974 (where it resides to date).
The original tapes were performed at the opening of Bill Kohn's exhibit at the Terry Moore Gallery in St. Louis, in January, 1976 and then Tom did a limited pressing of the album on his own label, Somnath Records.

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Coke Escovedo

Comin' At Ya!

LP | 1976 | Reissue (Be With)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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180 gram audiophile black vinyl. Joseph Thomas Escovedo, better known as Coke Escovedo, was an American percussionist who played in several genres, including jazz fusion, R&B, and soul. In 1976 he released his second solo studio album Comin' At Ya!, which counts 11 Latin rooted tracks and was produced by the synthesizer pioneer Patrick Gleeson.

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Michel Gonet

Phasing News Volume 1

Release: 1976 / Reissue

Genre: Electronic & Dance

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European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.

Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.

"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.

The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.

*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.

To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.

The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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All The Hits Of Monster Disco Sounds

LP | 1976 | JP | Original (Overseas)

LP | 1977 | EU | Reissue (Wah Wah)

Release: 1976 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI

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Franco Leprino

Integrati … Disintegrati

21,99 €*

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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It was 1977, the year when punk rock exploded in the face of disco-music, but some thinking heads in Italy managed to escape the set trends of the year and walk a totally different path. Pioneers like Franco Battiato had already been experimenting with a crash of rock and electroacoustic music since the beginning of the decade, and others like Roberto Cacciapaglia or Riccardo Zappa would explore farther in those lands, mixing acoustic instruments with the bourgeoning synth technology. Among all these artists, an obscure little gem missed the attention it deserved: Integrati… Disintegrati, by Francesco Leprino, is undoubtedly one of the best albums of the genre. More freely unchained from the prog rock links that albums like Battiato's celebrated Fetus and Pollution LPs or Zappa's Celestion still retain, Leprino merges a very pure classical instrumentation of Spanish guitar, piano and flute with more modern electric guitar sounds, 12 string guitar and -of course- a V.C.S. 3 and Moog synths background that creates highly avantgarde atmospheres. Binson tape echoes, Hammond and Thomas organs, oboes, vibraphone and other additional instruments add texture richness to the final mix.

An outstanding opus split through both sides of an LP in two 20 minutes long pieces that has become a much sought after album among collectors. It will appeal those interested in the development of synth music, beautiful athmosferic landscapes and electronic-acoustic orchestrated sounds.

Reissued under license from Francesco Leprino in a 500 copies limited edition that respects the original artwork, comes with remastered sound and includes an insert with liner notes and photos.

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Trans-Europa Express German Version Clear Vinyl Edition

LP | 1977 | UK | Reissue (Parlophone)

34,99 €*

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Trans-Europe Express English Version Clear Vinyl Edition

LP | 1977 | EU | Reissue (Parlophone)

30,99 €*

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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12" | 1977 | UK | Reissue (A's And Bees)

Rare Pleasure

Superfine Feeling

13,99 €*

Release: 1977 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Proudly presenting the inaugural release on A’s and Bees, a new label of heavyweight 12 inch pressings highlighting double sided delights, with 50% of the profits from each release being donated towards the British Beekeepers Association. First up, Rare Pleasure’s ‘Superfine Feeling’. Only ever pressed as an almost unattainable acetate that’s rarely traded hands and when it does we’re talking £400 upwards. A 1977, modern-soul-tinged disco number from the New York troupe with soaring vocal harmonies, jamming guitars and big band section galore. Who better to take on the Bee side than Ashley Beedle himself, offering up a signature NSW rejig - retweaking, dubbing and straight buzzin this cut out across those summer thermals for maximum dancefloor bedlam. Buzz for life!

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Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

23,74 €* 24,99 € -5%

Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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Edo Black Vinyl Edition

LP | 1977 | EU | Reissue (Soave)

20,39 €* 23,99 € -15%

I'm Just A Lonely Girl / The Groove I'm In

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Edo” is a cosmic ambient experimental masterpiece conceived in 1977 by Masashi Komatsubara and developed alongside with Hideki Matsutake (a.k.a. Logic System and reductively defined by many as the "fourth member of the Yellow Magic Orchestra"). As a true sound scientist, he pours all his efforts into this record, and aimed at the widest possible use of an electronic instrument that was at the forefront at that time — the Moog IIIc. He extends his research by trying to break down the last wall between modernity and the past: the union and eurythmy between artificial sounds and traditional sounds. All this through a perfect three-way collaboration together with the shamisen musician Konae Imato, and the creation of a unique and extraordinary charming work dedicated to the double soul of the capital of Japan: ancient Edo, now the current day city of Tokyo.

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Florence Miller

12" | 1977 | UK | Reissue (P&P)

15,99 €*

LP | 1977 | DE | Reissue (Notes On A Journey)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Two hidden gems from the P&P vaults courtesy of a scarcely known talent from Georgia, Florence Miller get an official reissue 'I'm Just A Lonely Girl' and 'The Groove I'm In'. With only two releases to her name, both of which came on Peter Brown’s P&P Records, ‘The Groove I'm In’ released around 1975 got the attention of the Northern and Modern Soul scenes in the mid ‘90s becoming a real star of the show. Since then, it’s maintained consistent demand on the second-hand market with originals selling for over £200. As with most of Peter Brown's artists, they briefly emerged on the sparsely distributed P&P label, for a brief stab at stardom only to disappear when Peter's attentions moved on to the next releases. Consequently, very little is known about the multi-talented and sadly ignored Florence Miller following her two releases on the Harlem label. Clearly though, the music speaks for itself with the quality of the P&P catalogue and this Florence Miller slice of magic shining through to this day.

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Chuck Senrick

Dreamin'

30,99 €*

»1-2-3-4« (We Ain't Got Much Time)

Release: 1977 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

2017 reissue. Tiny wear. Vinyl is close to NM. Original inner sleeve

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Mandy B. Jones

7" | 1977 | DE | Original (CBS)

8,99 €*

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1977 | FR | Original (Barclay)

Le Disco Album

10,99 €*

Release: 1977 / FR – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Disco Hits Explosion Vol. 3

LP | 1977 | JP | Original (Overseas)

LP | 1977 | EU | Reissue (Vinylmagic)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert. Vinyl close to NM. Faintest foxing on cover and insert otherwise VG+

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Luciano Cilio

Dialoghi Del Presente

LP | 1977 | US | Original (Cotillion)

Release: 1977 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Limited Edition. Clear Green Vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

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Cerrone

Cerrone 3 - Supernature

Santa Esmeralda Starring Leroy Gomez

Release: 1977 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Original inner sleeve with seam splits

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Don't Let Me Be Misunderstood

LP | 1977 | DE | Original (Philips)

5,99 €*

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1977 | JP | Original (Casablanca)

Donna Summer

I Remember Yesterday

12" | 1977 | US | Original (P&P)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM. No Obi, with insert.

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Cloud One

Disco Juice

Tape | 1978 | US | Reissue (Leaving)

Release: 1977 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Minor writing on label. Clear signs of use, however plays fine and sounds like a VG copy.

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Laraaji

Lotus-Collage

14,99 €*

Release: 1978 / US – Reissue

Genre: Electronic & Dance

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Part 1 of a 3-part release. Lotus Collage was originally released in 1978. The album was recorded with a freestyle open tuned electric zither and harp. “One of my first home electric zither recordings, recorded live in a Park Slope, Brooklyn living room during my street performer/busker years in the late 1970s.” – Laraaji.

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The Man-Machine English Version Translucent Red Vinyl Edition

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Die Mensch-Maschine German Version Translucent Red Vinyl Edition

LP | 1978 | UK | Reissue (Parlophone)

34,99 €*

Release: 1978 / UK – Reissue

Genre: Electronic & Dance

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Harder They Come Record Store Day 2021 Edition

Masaki Ueda

7" | 1978 | JP | Reissue (Universal Music Japan)

33,99 €*

LP | 1978 | EU | Reissue (Dialogo/Cramps)

Release: 1978 / JP – Reissue

Genre: Electronic & Dance

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Record Store Day Japan 2021 Drop 2 release. Released in 1978, Masaki Ueda sang the reggae lovers’ masterpiece “Harder They Come” in Japanese, a soulful cover single.

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David Tudor

Microphone

25,99 €*

LP | 1978 | AU | Reissue (Left Ear)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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David Eugene Tudor (1926 – 1996) was an American pianist and composer of experimental music. He eventually became one of the leading performers of avant-garde piano music, giving first or early performances of works by Pierre Boulez, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, La Monte Young and many others. Tudor is particularly associated with John Cage, who wrote a number of compositions for him. His solo record “Microphone” was originally released on the Italian Cramps Records label as the 16th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, “Microphone” is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Microphone”: David Tudor was born in Philadelphia in 1926.He studied organ and theory with H. William Hawke, piano with Irma Wolpe Rademacher, analysis and composition with Stefan Wolpe. He began his concert activity as an organist. He has been known as the most important avant-garde pianist since the day he performed, to great acclaim, the American debut of Pierre Boulez’s Deuxieme Sonate pour Piano (1950), and subsequently introduced the works of Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen and Christian Wolff to a larger audience. At the beginning of the 1960s, he and Cage switched to live electronic music as opposed to music performed in the studio. As a composer, Tudor relies on technological tools that are both flexible and complex: he uses mostly modular electronic devices, many of which he built himself. His method requires the choice of specific electronic components and transducers, whose interconnections define both composition and performance. The sound materials he employs unfold through broad movements in time and space, with many of his compositions associated with visual sources: light systems, dance, television, theatre, film or 4-colour laser projections. The only source of Microphone’s sound is the modulation of a microphone feedback produced in a distant echo chamber. The incidence and duration of the sounds are produced by the action of extremely close (narrow band) peak/notch filters (used in both modes), inserted into the lead signal. Each of the 9 versions is performed by the composer and simultaneously recorded on four tracks. Then the four tracks are spliced onto two, using a pan-matrix. The final product is a library of 9 stereo tapes, each about 32 min. long, which can be used in any combination, for live performances or for electronic installations. In these performances the tapes are played and stopped at any point, rewound and played again, altered in amplitude and/or equalisation, rotated on any given channel, etc., at will, for any period of time. A live performance of Microphone (for instance without tapes) can be achieved by employing (a minimum of 4) performers using duplication systems, each one with 2 speakers. This 1973 instantiation of Microphone covers a work originally conceived for the Pepsi Pavilion of Expo ‘70, in Osaka, Japan. Conceptually, the original work derives from discoveries made through the composer’s collaboration in the design of the Pavilion’s acoustic system. Sound diffusion was achieved through the use of 37 loudspeakers placed in a rhomboid grid system covering 3/4 of the sphere. The original tapes for Microphone were recorded in May 1973, at the Mills College Centre

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Rainbow Generator

Dance Of The Spheres

24,74 €* 32,99 € -25%

LP | 1978 | DE | Original (Warner)

Release: 1978 / AU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Limited to 500 units, includes a bifold insert with archival images and detailed liner notes.

Rainbow Generator are Australia’s first true experimental electronic music group. Consisting of David Labuschagne AKA Mojo, and Rob Greaves AKA Ras. Starting in the mid-70’s, the pair took it upon themselves to begin exploring the possibilities of the sonic dimension and with an ‘open mind’ began investigating the interface between psyche and sound.

In 1976 David established the ‘Lectric Loo’ studio in Woolloomooloo, Sydney. Known to the ‘heads’ as simply the “Loo”, the 3-story building was owned by the Department of Main Roads, and slated for demolition. So, it was that the entire block became a haven for squatters, and while Mojo had the main 3-story building to himself, the rest of the buildings were taken by a hotch-potch of people that included Anarchists, a Clown School and a collection of other random squatters. Recording in the ‘Lectric Loo’ provided them the ability to record freely. In 1975 they began to experiment, putting Mojo’s Fender Strat through effects pedals, playing with sounds while manipulating shortwave radio stations and also challenging convention by playing the insides of instruments. By 1976 they had built a kit synthesizer and shortly after purchased a full Roland 100 Synthesiser set-up and were on their way.

In 1978, with little resources, or any form of distribution they released their sole LP ‘Dance of the Spheres’. As Mojo puts it, “we were intent on making music with whatever we could beg, borrow, buy, and liberate. Albeit with scant regard for the rules or conventions or niceties of the game. Ultimately, it was all an act of love, of joy. Not just an adventure; it was a musical odyssey”.

This odyssey continued their exploration of the interface between psyche and sound. Fusing genres and boundaries, Dance of the Spheres incorporates elements of 70’s psych and folk with spoken-word and of course the emerging sounds of the synthesizer and drum machines. Furthermore, the addition of traditional instruments such as the didgeridoo and the classical Indian instrumentation technique of a Raga add a timeless layer, all seamlessly complementing the other elements and launching the album to another dimension.

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Richard Schönherz

What A Night

Release: 1978 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | US | Original (Private Stock)

Samantha Sang

Emotion

9,99 €*

7" | 1978 | DE | Original (EMI)

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Terre Haute pressing. Still in shrink but opened. Cover is so close to NM.

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Ayisha

Space Man

49,99 €*

LP | 1978 | UK | Original (Mercury)

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with faint ring wear and small sticker.

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Village People

Cruisin'

8,99 €*

Release: 1978 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

7" | 1978 | DE | Original (Metronome)

The Ritchie Family

American Generation

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Love Childs Afro Cuban Blues Band

Rhythm Of Life

LP | 1978 | US | Original (Arista)

6,99 €*

LP | 1978 | JP | Original (Victor)

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Michele

Magic Love

16,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert. Overall close to NM.

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OST Thank God It's Friday

2LP+12" | 1978 | US | Original (Casablanca)

5,99 €*

7" | 1979 | EU | Reissue (Melodies International)

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: Generic

Only record 1! Record 2 and 12" are missing. Cover is missing.

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Majik

Back Into Your Heart

15,99 €*

7" | 1979 | US | Original

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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A poster is included. With Back into Your Heart, Majik pull through with a strong up-tempo disco tune that embodies Mitchell’s sound as well as a level of modernity that might explain why it has remained largely unnoticed up until now. Licensed and re-mastered, MEL010 comes forth in its original 7″ format with a folded 14″x14″ poster designed by Mafalda. With its latest reissue, Majik’s Back into Your Heart - Melodies International dug deep into the back catalogue of Hi Records, the legendary soul label from Memphis founded in the 1950s. Originally signed as a recording artist, Willie Mitchell took the reins of the label and guided it through its most successful period in the 1970s, notably producing a string of studio recordings for Al Green, Syl Johnson and O.V. right among other eminent soul musicians of the time.

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Units

Warm Moving Bodies

45,99 €*

LP | 1979 | Reissue (Be With)

Release: 1979 / US – Original

Genre: Electronic & Dance

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Original Pressing found in drummer Richard Driskell's archives Units were a synth punk band formed in San Francisco in 1978. This was a private release from 1980. "I hate synthesizers but both sides of this make me eat my words. Listen to "I-Night" and re-evaluate the bloated crap that comes out of most electronic groups. Once the singing starts, though, on "Warm Moving Bodies" I throw in the towel. It's some of the lamest vocal arranging ever to be found anywhere and the words are the standard science-art jokes that've gotten as sickly cute as leopard skin on Saturday Night Live. "I-Night" doesn't fall victim to this syndrome, instead letting loose with one of the wildest riffs this side of Metal Urbain. The words are shuddery and bleak, and the vocals tolerable." Slash Magazine, Vol 3 #3

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Pierre Dutour

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