Search "danny+brown" 1498 Items

Back The Funk / Hype The Funk

Genre: Electronic & Dance

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Deluxe re-issue of the 1994 studio album from one of the architects of the Brtish Blues Rock explosion, Savoy Brown!

Led by superstar guitarist Kim Simmonds, this is one of the band's most scroching albums with a mix of original tunes and blues classics! This reissue features a complete digital remastering of the audio plus all new artwork! Available on digipak CD and - for the first time ever - on 12" RED vinyl in a gatefold jacket!

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V.A.

12" | EU | Original (Twin Town Production)

Release: EU – Original

Genre: Electronic & Dance

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Mononome & Piranha Ft. Stereo Utopia

Bhf / Spaceship

LP (Melting)

19,99 €*

Genre: Electronic & Dance

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Living Off The Goodness Of Your Love

Barrino Brothers

LP (Demon)

25,99 €*

Genre: Electronic & Dance

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Tony Allen / Moritz Von Oswald

Ole

12" | UK | Original (Honest Jon's)

12,99 €*

Release: UK – Original

Genre: Electronic & Dance

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A Delicate Motor

Fellover My Own

LP (Sofa Burn)

17,99 €* 19,99 € -10%

Genre: Electronic & Dance

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12" | EU | Original (Brain Distortion)

D4go

Maiden In The Moor

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Brain Distortion)

Voldo

Eternity

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Brain Distortion)

C.T.O.

T.S.O.

Release: EU – Original

Genre: Electronic & Dance

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Wat De Fok Ouwe - Original + The Remixes

DJ Dano

12" | EU | Original (Tpf)

16,99 €*

Release: EU – Original

Genre: Electronic & Dance

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12" | DE | Original (Netrecord-Z)

Pro-Ton

Believe In Me

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Danny English & Egg Nogg

Party Time

| Original

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | UK | Original (Honest Jon's)

Tony Allen / Carl Craig

Kilode

Release: UK – Original

Genre: Electronic & Dance

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LP | US | Original (Leaving)

Brin & Dustin Wong

Texture Ii

Release: US – Original

Genre: Electronic & Dance

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Exotic Moog Black Vinyl Edition

Martin Denny

LP | 1969 | US | Reissue (Jackpot)

27,99 €*

2LP | 1972 | EU | Reissue (Distance)

Release: 1969 / US – Reissue

Genre: Electronic & Dance

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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.

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Don Bradshaw-Leather

Distance Between Us

37,99 €*

2LP | 1973 | DE | Reissue (Brain)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

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Klaus Schulze

Cyborg

Ypsilon In Malaysian Pale

Release: 1973 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Side 3 has a pressing error: label sticker is pressed wrongly over the record!! Other sides are close to NM. German reissue.

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Edgar Froese

LP | 1975 | DE | Reissue (Brain)

38,99 €*

2x12" | 1975 | EU | Reissue (Virgin EMI)

Release: 1975 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

1977 reissue. Slight corner wear.

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Brian Eno

Discreet Music

40,99 €*

LP | 1977 | US | Reissue (Etats-Unis)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue. Limited edition.

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Joe Jones

In Performance

36,99 €*

I'm Just A Lonely Girl / The Groove I'm In

Release: 1977 / US – Reissue

Genre: Electronic & Dance

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After studying with composers John Cage and Earle Brown, Joe Jones became a prominent figure in Fluxus, contributing to the movement’s first “yearbox” alongside La Monte Young, György Ligeti and Nam June Paik. Beginning in late 1961, Jones began constructing his own music machines – drawing inspiration from the calliopes, automata and orchestrions of the 19th and early 20th century to create self-playing ensembles of stringed instruments, percussion and woodwinds – “played” through an elaborate (yet decidedly lo-tech) system of rubber bands, balls and tin foil.

Christened the Tone Deaf Music Company, this battery of automated musical instruments generates the sounds on In Performance (originally released in 1977 on the Harlequin Art imprint). With exacting conceptual precision and varied subtleties of natural motion – not unlike Harry Bertoia’s sounding sculptures – Jones’ machines produce richly-textured strata of sound and serve as engines of paradox. While bringing the figure of the artist-composer to the foreground, the machines ultimately dispense with the need for the performer entirely – a cunning subversion of the fetish for virtuosity and individual genius.

Limited edition of 500 numbered copies on clear vinyl.

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Florence Miller

12" | 1977 | UK | Reissue (P&P)

15,99 €*

2x12" | 1977 | EU | Reissue (Virgin EMI)

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Two hidden gems from the P&P vaults courtesy of a scarcely known talent from Georgia, Florence Miller get an official reissue 'I'm Just A Lonely Girl' and 'The Groove I'm In'. With only two releases to her name, both of which came on Peter Brown’s P&P Records, ‘The Groove I'm In’ released around 1975 got the attention of the Northern and Modern Soul scenes in the mid ‘90s becoming a real star of the show. Since then, it’s maintained consistent demand on the second-hand market with originals selling for over £200. As with most of Peter Brown's artists, they briefly emerged on the sparsely distributed P&P label, for a brief stab at stardom only to disappear when Peter's attentions moved on to the next releases. Consequently, very little is known about the multi-talented and sadly ignored Florence Miller following her two releases on the Harlem label. Clearly though, the music speaks for itself with the quality of the P&P catalogue and this Florence Miller slice of magic shining through to this day.

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Brian Eno

Before And After Science

60,99 €*

Release: 1977 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. With OBI. Limited edition. 2017 reissue.

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LP | 1977 | JP | Original (Casablanca)

I Remember Yesterday

39,99 €*

LP | 1978 | EU | Reissue (Dialogo/Cramps)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM. No Obi, with insert.

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David Tudor

Microphone

25,99 €*

LP | 1978 | EU | Reissue (Superior Viaduct)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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David Eugene Tudor (1926 – 1996) was an American pianist and composer of experimental music. He eventually became one of the leading performers of avant-garde piano music, giving first or early performances of works by Pierre Boulez, Morton Feldman, Karlheinz Stockhausen, Christian Wolff, La Monte Young and many others. Tudor is particularly associated with John Cage, who wrote a number of compositions for him. His solo record “Microphone” was originally released on the Italian Cramps Records label as the 16th volume of the Nova Musicha series dedicated to contemporary avant-garde composers, “Microphone” is now made available again on Dialogo in a faithful reproduction of the original gatefold cover artwork, including also an inner sleeve with the English translation of the liner notes. From the original liner notes of “Microphone”: David Tudor was born in Philadelphia in 1926.He studied organ and theory with H. William Hawke, piano with Irma Wolpe Rademacher, analysis and composition with Stefan Wolpe. He began his concert activity as an organist. He has been known as the most important avant-garde pianist since the day he performed, to great acclaim, the American debut of Pierre Boulez’s Deuxieme Sonate pour Piano (1950), and subsequently introduced the works of Earle Brown, Sylvano Bussotti, John Cage, Morton Feldman, Karlheinz Stockhausen and Christian Wolff to a larger audience. At the beginning of the 1960s, he and Cage switched to live electronic music as opposed to music performed in the studio. As a composer, Tudor relies on technological tools that are both flexible and complex: he uses mostly modular electronic devices, many of which he built himself. His method requires the choice of specific electronic components and transducers, whose interconnections define both composition and performance. The sound materials he employs unfold through broad movements in time and space, with many of his compositions associated with visual sources: light systems, dance, television, theatre, film or 4-colour laser projections. The only source of Microphone’s sound is the modulation of a microphone feedback produced in a distant echo chamber. The incidence and duration of the sounds are produced by the action of extremely close (narrow band) peak/notch filters (used in both modes), inserted into the lead signal. Each of the 9 versions is performed by the composer and simultaneously recorded on four tracks. Then the four tracks are spliced onto two, using a pan-matrix. The final product is a library of 9 stereo tapes, each about 32 min. long, which can be used in any combination, for live performances or for electronic installations. In these performances the tapes are played and stopped at any point, rewound and played again, altered in amplitude and/or equalisation, rotated on any given channel, etc., at will, for any period of time. A live performance of Microphone (for instance without tapes) can be achieved by employing (a minimum of 4) performers using duplication systems, each one with 2 speakers. This 1973 instantiation of Microphone covers a work originally conceived for the Pepsi Pavilion of Expo ‘70, in Osaka, Japan. Conceptually, the original work derives from discoveries made through the composer’s collaboration in the design of the Pavilion’s acoustic system. Sound diffusion was achieved through the use of 37 loudspeakers placed in a rhomboid grid system covering 3/4 of the sphere. The original tapes for Microphone were recorded in May 1973, at the Mills College Centre

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Harold Budd

The Pavilion Of Dreams

29,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.” Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture. The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.

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2LP | 1979 | US | Original (Casablanca)

Bad Girls

15,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with a couple of light scuffs, close to VG+

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2LP | 1979 | US | Original (Casablanca)

Bad Girls

9,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | EU | Reissue (Brain)

Klaus Schulze

Dig It (2017 Remaster)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Soul Syndrom (Henry Stone Records)

James Brown

LP | 1980 | EU | Reissue (Wagram)

Slow (Motion And Movement)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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By 1980 James Brown did one album for Henry Stone's T.K. While this doesn't have Brown bubbling over with innovation, he still provided a more substantial alternative to disco. On this album, we have a sublime sped-up version of "The Payback," which rocks like nobody's business. Or on the remake of "Mashed Potatoes", Brown is reuniting with Bobby Byrd. Shortly afterward they both go through a travelogue of cities and states like it's "Night Train" all over again. Soul Syndrome has Brown still full of ideas. The inane "Funky Men" has a killer reggae/funk guitar riff and a fantastic Latin horn arrangement...In the end, it makes it a nice album that counts in the rich carrer of the master of Funk !

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V.A.

LP | 1980 | Reissue (Be With)

27,99 €*

My Life In The Bush Of Ghosts

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

47,99 €*

LP | 1981 | EU | Reissue (WRWTFWW)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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Normal Brain

Lady Maid

2LP | 1981 | EU | Reissue (Mecanica)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is immensely happy to announce the reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain.

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Carlos Peron

Impersonator

29,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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2LP | 1982 | EU | Reissue (Driven By The Music)

44,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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12" | 1982 | DE | Original (HB Highlights)

Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | DE | Original (HB Highlights)

Christian Bruhn

Surf-Fascination

Release: 1982 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Can't Take My Eyes Off You

Boys Town Gang

7" | 1982 | JP | Original (Victor)

2LP | 1982 | EU | Reissue (Virgin EMI)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Brian Eno

Ambient 4 (On Land)

40,99 €*

12" | 1982 | UK | Original (Virgin)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue Limited edition.

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Sharon Brown

Love Don't Hurt People

Release: 1982 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1982 | US | Original (Polydor)

Ray, Goodman & Brown

Open Up

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | JP | Original (Warner)

16,99 €*

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

No Obi, with insert.

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Don Blackman

30,99 €*

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1983 | US | Original (RCA)

Ross

12,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1983 | US | Reissue (Numero Group)

Don Slepian

Sea Of Bliss

22,99 €*

Adelbert Von Deyen / Dieter Schütz

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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First ever vinyl edition of the landmark 1980 cassette by synth wizard Don Slepian. Utilizing the fabled and notoriously complex Alles digital synthesizer at the Bell Laboratories scientific research center, Sea Of Bliss features two transcendent cascading sidelong tracks, to easily qualify as one of the ultimate pinnacles of the new age genre. Cut with care using the Direct Metal Mastering process, and featuring cover artwork by visionary artist Jonathan Meader.

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Inventions

LP | 1983 | DE | Original (Sky)

26,99 €*

Release: 1983 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM. Cover has one seam splt.

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LP | 1983 | US | Original (RCA)

Ross

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Vega Synthauri / Grace Kelly's Song

Donna Laser Orchestra

12" | 1984 | EU | Reissue (Best Record Italy)

15,99 €*

Micro-Phonies Colored Vinyl Edition

Release: 1984 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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"Another Italo Disco Pearl, Vega Synthauri! One the most spontaneous and genuine tracks of the first half of 80s. The song, written by composer Daniele Pace (co-author Corrado Conti), is a futuristic and galactic dance floor piece with a heavy rhythmic focus where the main melodic line has a classical music feel to it. A lovely combination! This track by Donna Laser is one of the most significant electronic tracks of the entire Italo-Disco scene even beyond the mid-80s, was arranged by the talented Mark Owen (aka Marco Colucci). His synthesizer skills are a true art! This release was mixed at the renowned Trafalgar Recording Studios of Rome by Gaetano Ria, one of the most accredited technicians of the country in that period. "Grace Kelly's Song" on the flip is a very beautiful quiet nostalgic piece, that could fit perfectly into an Italian dramatic film of the late 70s or early 80s, a cute and delicate track to unwind after the monster killer on side A! Masterpiece created by the young visionary DJ Marco Marati. Stunning release!"

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Cabaret Voltaire

LP | 1984 | UK | Reissue (Mute)

27,99 €*

Release: 1984 / UK – Reissue

Genre: Electronic & Dance, Pop

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LP | 1984 | EU | Reissue (Mondo Groove)

Skorpio

23,99 €*

Another Time, Another Place

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Cult synth-pop album from 1984 repressed for the very first time. One of the most obscure Synth / Italo recordings from Germany with the Danny “Skorpio” Antonelli’s haunting vocals. Includes the obscure deep “Black Mercedes” and the hit “Long Hard Climb”. Limited edition.

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Dan Siegel Project

LP | 1984 | JP | Original (Elektra)

18,99 €* 19,99 € -5%

Release: 1984 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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12" | 1984 | UK | Original (Capitol)

Missing You

Release: 1984 / UK – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | US | Original (Arista)

Tom Browne

Tommy Gun

9,99 €*

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | DE | Original (Elektra)

Tina B

8,99 €*

Release: 1984 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | EU | Original (Capitol)

Swept Away

Release: 1984 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1984 | UK | Original (Record Shack)

Miquel Brown

Black Leather

Release: 1984 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Nothing Is True; Everything Is Permitted

Carlos Peron

LP | 1984 | EU | Reissue (Mecanica)

24,99 €*

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of this seminal work by the multi-talented musician and producer Carlos Perón. After the release of “Impersonator” and the score of the film “Die Schwarze Spinne”, “Nothing Is True; Everything Is Permitted” is his third album released in the beginning of 1984. While still being an active member of Yello, it was around the start of the recording of “You Gotta Say Yes To Another Excess” that Carlos met the American musician Chris Lunch in Hamburg. He invited Chris to Zurich and together played with projects such as Romantic Rubber, Heavymetallen and recorded some sessions that become the basis of “Nothing Is True; Everything Is Permitted”. After the release of “You Gotta Say Yes To Another Excess”, Carlos decided to leave Yello and focused to finish the recording and mixing of his new solo album.

“Nothing Is True; Everything Is Permitted” has gone down in music history as a dark soundtrack without a film, influenced many artists and helped to develop diverse genders of electronic experimental and dance music.

Limited edition of 300 copies including all original tracks and new artwork.

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LP | 1984 | EU | Original (Capitol)

Swept Away

Release: 1984 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1984 | US | Original (Geffen)

Cats Without Claws

LP | 1985 | EU | Reissue (Onderstroom)

Release: 1984 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

saw cut in back spine. Original inner sleeve. Original US Specialty SRC pressing.

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Glorious Din

Leading Stolen Horses

LP | 1985 | UK | Reissue (Spacetalk)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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How a boy from the Sri Lankan jungle formed the greatest post-punk band you’ve never heard. Fronted by an intense singer with an oblique songbook and a mysterious past Glorious Din were unlike any other group to emerge from San Francisco’s ‘80s underground. With singer Eric Cope, the chosen persona of a Joy Division-obsessed Sri Lankan boy who travelled halfway around the world to follow his punk dream.

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Jake Hottell

Break The Chains

24,99 €*

We Don't Need Another Hero (Thunderdome)

Release: 1985 / UK – Reissue

Genre: Electronic & Dance

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It had taken him almost three years to record, but in 1985 Jake Hottell finally finished his debut solo album, Break The Chains. Inspired by his opposition to fracking, anger at government corruption and a series of profound spiritual experiences, a hundred copies of the album were pressed and given away to radio stations, friends and local business interests in Hottell’s home state of New Mexico.

The album would have remained an obscure footnote in musical history had it not been for the efforts of DJs Danny McLewin and Jeremy Spellacey. Between them, they tracked down Hottell to hear his story, offering the former electronics engineer and Nashville-based music producer the chance to get his music to a whole new audience. Now, some 34 years after the private press edition was produced, Spacetalk is giving Break The Chains a full release for the very first time. Hottell began recording the album in 1982 after reading Your Body’s Many Cries For Water, a best-selling book by Dr Fereydoon Batmanghelidj about the health benefits of clean, purified water. Remembering the poisonous, methane-laden water that came out of his mother’s taps in the 1970s – a by-product of extensive fracking activity in the area around the family farm – Hottell wanted to create a set of tracks that registered his concerns, reflected his recent spiritual experiences (many of which he still finds it difficult to discuss today) and offered a meditative listening experience.

The resultant set is suitably cosmic and emotive, with Hottell cannily fusing gentle drum machine rhythms and dreamy synthesizer motifs – influenced, he says, by a love of the contemporaneous new age output of former jazz label Windham Hill Records – with his own glistening guitar passages, which sit somewhere between the homespun riffs of country music and the classical guitar solos that have long been a sonic staple of Spanish styles such as Flamenco. Many of the tracks have stories attached. “Horizon” features a profound spoken word vocal from local man Darald McCabe – whose homemade purified water helped Hottell recover from serious illness – while “El Rio dos les Delores” was composed after discovering that fracking was taking place on a local Native American reservation. “The Truth Is All I Want”, meanwhile, reflects Hottell’s growing exasperation at the extent of corporate greed and government corruption in the United States.

This new edition of Break The Chains has been painstakingly re-mastered from the original master tapes, while extensive new liner notes shed light on the remarkable musical and personal experiences that inspired Hottell to create an obscure, overlooked classic.

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Tina Turner

12" | 1985 | EU | Original (Capitol)

Release: 1985 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 1985 | US (Le Bon Ton Record)

Duran Duran

Duran Durance

49,99 €*

Release: 1985 / US

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 1985 | DE | Original (Hansa)

Tony Esposito

Papa Chico

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1985 | EU | Reissue (Onderstroom)

Glorious Din

Leading Stolen Horses

19,99 €*

12" | 1985 | EU | Original (Virgin)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Limited Edition.

Cover close to VG+ with seam split at upper seam.

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Don Juan

Dancing With Mister D.

12" | 1986 | EU | Reissue (DBH)

Release: 1985 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: G+

Cover with some wear, small seam

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Duane & Co

Hardcore Jazz

LP | 1986 | US | Original (Epic)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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DBH Music proudly presents the new inhouse label called DBH! We're very happy and proud to represent with the first release the first ep which came out on legendary Dance Mania Records! "Hardcore Jazz" by Duane & Co. was done as a hommage to James Brown. Special thanks to Ray Barney! Here are some words by Duane Buford: Some yers ago my friend and Mentor Ray Barney started a record label and we sat down and talked about his 1st release, I sat down in my basement and put something together little did I know years later it will be reissued, a little while later we did our second release which was really successful. I really give thanks to Dancemania records a label Ray Barney and I started, many others have tried to claim that they started this record label but all of them are totally full of s*** . A little while later ended up getting signed to a major record label which actually served no purpose for me what so ever, it was'nt the label it was the people i was involved with at the time, I was making more money with Ray Barney and Dancemania. Moral to this, take care of your paper work when you release your music, don't sign away your publishing, you never know where your song will end up.

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Teena Marie

Emerald City

12" | 1986 | US | Original (Tremper Records)

Release: 1986 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a cut-out.

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Donna Garraffa

Don't Make Me Wait

Release: 1986 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1986 | JP | Original (Scotti Bros.)

James Brown

Gravity

12,99 €*

12" | 1986 | EU | Reissue (DBH)

Release: 1986 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert.

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Duane & Co

Hardcore Jazz

8,99 €*

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Mike Platinas & Javier Ussia

Don Discomix

LP | 1986 | ES | Original (Don Disco)

9,99 €*

Release: 1986 / ES – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | EU | Original (Hansa)

Tony Esposito

As Tu Às

Release: 1986 / EU – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1986 | US | Original (Epic)

Teena Marie

Emerald City

LP | 1987 | EU | Reissue (Onderstroom)

Release: 1986 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing. Original inner sleeve. Promo stamp on back cover.

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Glorious Din

Closely Watched Trains

LP | 1987 | EU | Reissue (Orbeatize)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Dana Andrew Rath

Impressions Of The City

17,99 €*

LP | 1987 | US | Reissue (Pine Hill)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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From ("Xisle" member) Rath's private archive. Originally released in 1987 only on tape cassette format, remixed in Oct. 2019 by Mr. Rath and remastered in Jan. 2020 by himself with the collaboration of sound engineer Andreas Merlini.

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Don Harriss

Elevations

36,99 €*

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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What is it like to be up in that ominous, dark blue/pink sky that we stare at in wonder? Without the use of a single word, Don Harriss shifts the unknown universal connection to the forefront of the mind with the mystical collection of compositions on his album Elevations. Originally released in 1987, this album is seeing its first-ever appearance on vinyl. This ambient, melodic new age masterpiece will bring you to unspoken places. Tracks like “Motion #4”, “Impromptu” & ”The Tortoise, The Temple & The Rain” showcase the album’s element of depth. Various diverse themes carry you all the way to the beautiful closing track “Caravans.” To the right age audience, this album is highly reminiscent of some of the best 80s & 90s video game soundtracks. This could fit right onto the Ecco The Dolphin 1992 Sega Genesis soundtrack. Other tracks could be well-imagined in 1994’s Donkey Kong Country on Super Nintendo. If you’re into ominous, extremely well-done OSTs, this is for you. This album is highly appreciated & widely overlooked.

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LP | 1987 | US | Original (Epic)

Forever Yours

3,39 €* 3,99 € -15%

Release: 1987 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | IT | Original (Limited Edition)

New Boys Town Gang

Rockin' Love (Medley)

Release: 1987 / IT – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1987 | UK | Original (Epic)

Forever Yours

Release: 1987 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | DE | Original (BCM)

Big Tony

Out Of Hand

12" | 1987 | EU | Original (Dean)

Release: 1987 / DE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Slight seam wear. Sticker on front and sticker residue on back cover.

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Con Act

Beautiful

Release: 1987 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1987 | US | Original (Criminal)

Tina B

Miracles Explode

Release: 1987 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1987 | EU | Original (Baby)

Den Harrow

Tell Me Why

Release: 1987 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1987 | Original (Magnet)

O'Chi Brown

Light The Night

Release: 1987 / Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1987 | UK | Original (Epic)

Forever Yours

Release: 1987 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1987 | EU | Original (Epic)

She's Fly

3,95 €*

12" | 1987 | US | Original (Dance Mania)

Release: 1987 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover has slight wear, seam split in bottom spine, small tear in opening.

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Duane & Co.

Hard Core (On The One)

Release: 1987 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1987 | DE | Original (United Music Record Company)

Den Ryder

It's Hard To Say Goodbye

8,99 €*

Release: 1987 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

My Life In The Bush Of Ghosts

Brian Eno - David Byrne

LP | 1987 | EU | Reissue (EG)

12" | 1988 | US | Original (Atlantic)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on back cover.

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Ten City

Right Back To You

7,69 €* 10,99 € -30%

12" | 1988 | UK | Original (Kunst = Kapital)

Release: 1988 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Vinyl is close to NM.

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Greater Than One

Now Is The Time

4,74 €* 4,99 € -5%

Release: 1988 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 1988 | EU | Original (Mika)

Deon Estus

Spell

6,99 €*

Release: 1988 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

The Payback Mix (Keep On Doing What You're Doing But Make It Funky)

James Brown

12" | 1988 | DE | Original (Urban)

Release: 1988 / DE – Original

Genre: Electronic & Dance

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Medium: VG+, Cover: VG

LP | 1989 | EU | Reissue (Born)

Joan Bibiloni

Born

20,99 €*