Search "rom+foot+signal" 1529 Items

12" | 2019 | EU | Original (El Milagro)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Chris Wood is back on HOUSEWAX! After the collaboration with his former Freebase Records -partner and good friend Meat aka Carsten Schuchmann, Chris now presents the solo ep called "Further Future" - a great and well balanced release which hits the stores by end on June!

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Fede Lijtmaer

Daramar

10,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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12" | 2018 | EU | Original (Rawax)

Bacaunau (VID)

Moving On

Hundred Eight Stars Red Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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RAWAX welcomes Sorin Rastoaca aka Bacauanu aka VID to the Family!
There is no need to introduce this great artist and A|ndromeda label boss. His music and discography are manifested to the undergound scene since 2012. "Moving On" is a 2 track beauty righ on time for the open air season.

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Fat Jon

2LP | 2015 | EU | Original (Project: Mooncircle)

17,99 €*

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Instrumental collection by Five Deez producer fat Jon the ample soul physician!

Introducing the vinyl re-release of “Hundred Eight Stars” from beat smith fat jon the ample soul physician, also kown as Maurice Galactica, producer of legendary Hip Hop crew Five Deez, and one half of Rebel Clique amongst others, this album contains rare “vinyl only” releases from fat jon’s expansive catalogue. These tracks were originally compiled onto one CD for the people who weren’t able to get the various vinyl releases: some of which have been discontinued. This will be the only way to get your hands on all of these tracks in one beautifully packaged vinyl collection.

“Hundred Eight Stars” comes out worldwide on remastered limited red double vinyl and with revised artwork.

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12" | 2013 | EU | Original (Housewax)

The Stalwart

Repaint Tomorrow Orange Vinyl Edition

Release: 2013 / EU – Original

Genre: Electronic & Dance

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The Detroit master of deep House on Housewax! 4 classic cuts!

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Fat Jon

2LP | 2013 | EU | Original (Project: Mooncircle)

17,99 €*

12" | 2024 | EU | Original (Teist)

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Here we go with the vinyl version of another quality instrumental set by Five Deez' very own Fat Jon, "Repaint Tomorrow", on orange wax.

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Fat Dubs

Expressio

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-12-20

/ˈteɪst/

1. "The ability to perceive the good among the bad."

A Madrid-based label is set to release vinyl-only music, focusing on microhouse, rominimal, and deep genres. Our concept emphasizes the "simplicity" of minimal music, paired with classy and elegant designs and aesthetics.

The EP features three tracks, each embodying deep cultural and atmospheric elements, including Romanian lyrics and layered textures. Fat Dubs highlights his taste, resulting in a work rich in both cultural significance and personal expression.

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Zamaru Ultu Qereb Ziqquratu Part 1 Side A/B Black/Red/Yellow Vinyl Edition

31,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After two years in the making, Wyatt E. seals their long-awaited return in 2025 with the highly anticipated narrative sequel to “āl bēlūti dārû”: zamāru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.

Featuring contributions from 7 international collaborators, zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds.

The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem’s choir conductor, Tomer Damsky delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch.

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Zamaru Ultu Qereb Ziqquratu Part 1 Gold Nugget Vinyl Edition

25,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Zamaru Ultu Qereb Ziqquratu Part 1

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exile To Beyn Neharot Transparent Black/Orange Splatter Vinyl Edition

31,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into 2 parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the Doom/Drone scene. It was first released by Jerusalem's label Shalosh Cult.

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Exile To Beyn Neharot Yellow Solid Vinyl Edition

25,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exile To Beyn Neharot

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mount Sinai / Aswan 3 Colour Striped Purple/Yellow Transparent/Blue Vinyl Edition

31,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mount Sinai/Aswan is the first Wyatt E.'s attempt to write the soundscape of a travel in the past which leads to ancient Gods, forgotten cities and lost civilizations. This first record is in a more phantasmagorical vein. It re-imagines an escape to Egypt that stopped at the banks of the Upper Nile. It was released in May 2015 and has only been performed live a handful of times.

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Mount Sinai / Aswan Gold Opaque Vinyl Edition

25,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mount Sinai / Aswan

12" | 1998 | FR | Original (Radio Bomb)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Voodoo Mix

Travelling Pirate Radio

6,99 €*

12" | 2019 | DE | Original (Seilscheibenpfeiler)

Release: 1998 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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Fadi Mohem

Perception

16,99 €*

Release: 2019 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2017 | EU | Original (Path)

Fate 258

Games With Blades

9,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2002 | IT | Original (House Traxx)

Soul Food

New Order

4,99 €*

Release: 2002 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1995 | ES | Original (Bol Beat)

CC Waite

Painted Moon

8,99 €*

Release: 1995 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2017 | DE | Original (Majestic Casual)

Two Feet

First Steps

210,99 €*

12" | 1997 | DE | Original (Orbit)

Release: 2017 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Single sided Limited edition. Vinyl is close to NM.

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Mrs. Wood

Joanna

6,99 €*

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 1991 | UK | Original (Total Music Records)

Elixir Vitae

Gotta Release It

Release: 1991 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

(Everything I Do) I Do It For You

Wood Robbin

12" | 1991 | DE | Original (Power Brothers)

3,99 €*

Release: 1991 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2021 | EU | Original (Mixed Signals)

Wet Silk

17,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2024 | EU | Original (Intergalactic Research Institute For Soun)

Fractal Void

Elemental Collection

12,79 €* 15,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | Original (R&S)

Hatti Vatti

Zeit

26,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2016 | IT | Original (Black Box)

Vito Fattore

Vicious Circle

5,99 €*

Release: 2016 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1994 | US | Original (Harmonie Park)

Late Night Basix

89,99 €*

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2015 | EU | Reissue (Domino)

Robert Wyatt

Shleep

21,99 €*

LP | 2014 | EU | Original (Mannequin)

Release: 2015 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Side B has some stains that are hard to remove on the first tracks, the other sides are clean and closer to VG+. Cover with light wear on the edges.

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Void Vision

Sub Rosa 2024 Repress

27,54 €* 28,99 € -5%

Release: 2014 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Balearia)

Santa Eularia Des Riu

12" | 1997 | UK | Original (React)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Balearia records brings up a particular sound yet again with another stunning selection of balearic deep eclectic gems. Includes a classic Jovonn remix, an incantations and ecstatic trip to the heavens that will leave dancefloors in raptures…

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Mrs. Wood

Joanna / Feels So Good

3,99 €*

LP | 2015 | UK | Original (Tru Thoughts)

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on label.
Back cover with faint ring wear.

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Strange Faith

Love & Poverty

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with bent corner!

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12" | 2023 | UK | Original (Shall Not Fade)

Golden Era EP

12" | 2023 | EU | Original (Eya)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Generic label cover. Green Translucent vinyl

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Neud Photo

Echoes

12" | 2002 | BE | Original (Yeti Records)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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NYC experimental producer Neud Photo is up next on EYA's Lonewolf series with a killer 5 tracker named 'Echoes.

The EP brilliantly oscillates between various inspirations with a strong machine sound; an incredible and hauting journey into electro,new beat, minimal and techno.

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Urban Voodoo

Humanity

33,99 €*

Release: 2002 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2005 | US | Original (Ovum)

Nicholas Wood

Get Lost / Overhead

3,99 €*

10" | 2023 | UK | Original (Infrared)

Release: 2005 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Ships in a label sleeve.
Record is a slightly warped but still enjoyable.

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Heavy Weight

Volume 1 EP

16,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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12" | 2015 | US | Original (Path)

Fate 258

Heaven Or Hell

6,74 €* 8,99 € -25%

Release: 2015 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2023 | EU | Original (Balearia)

Sant Josep De Sa Talaia

3LP | 2023 | Original (Cocoon)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Balearia returns with an incredible collection of remixes for the always good Dj Fede. Alex Neri, Francesco Farfa and Rahaan for this sublime wax. Tip!

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Sven Väth

Catharsis Remixes

37,99 €*

Release: 2023 / Original

Genre: Electronic & Dance

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The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

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12" | 2023 | EU | Original (Balearia)

Unreleased Remixes

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Balearia series stunning with a more groove-driven tracks made for the dancefloor. Starting with four new dancefloor tracks, a combination of 90s underground energy with modern grooves, a summer feelings the sea spoils you just like good wine and lots of sun... Includes Ricky Montanari remix

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Golden Era Ep Green Transparent Vinyl Edition

12" | 2023 | EU | Original (Shall Not Fade)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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House music royalty Rick Wade returns to Shall Not Fade with another feel good cut of Deep House goodness!

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12" | 2023 | EU | Original (Balearia)

Cap Negret (Can You)

Phat 'N' Phunky Feat. Rozalla

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Balearia vinyl series sees a new release with 4 stunning club-ready cuts. Digging in the depths, there’s a flavour for every occasion here that span the world over the balearic house sounds. Includes stuff from the always good Dj Fede with remixes from Dj Rocca and Chris Coco.

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Friday Night

12" | 1998 | UK | Original (Riversal)

4,99 €*

Release: 1998 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

In The Light Of The Miracle - Remixes

Arthur Russell

12" | 2024 | UK | Original (Be With)

26,99 €*

LP | 2019 | EU | Original (Be With)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.

These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.

The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".

Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.

These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.

The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.

These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.

Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.

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Smith & Mudd

Tea With Holger

Open Space Motion (Underscores)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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It seems KPM have long been fans of Smith and Mudd and, after being introduced to each other by mutual friend Andy Allday, the peerless Balearic maestros were invited to contribute to the library label’s digital-only “Album Shorts” project. The results are predictably wonderful. With past projects under our belt working with everyone involved so far it made perfect sense for Be With to take on the vinyl release of this instant library classic. But why is it called “Tea With Holger”? “Holger” is of course Holger Czukay and the whole LP is dedicated to Smith and Mudd’s time spent with him and Ursa Major at Can’s famous Inner Space Studio in Weilerswist, near Cologne.

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Klaus Weiss

LP | 1981 | EU | Reissue (Be With)

LP | 2024 | Original (Be With)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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They say: "Contemporary synthesizer sounds illustrating wide open space activities, environment and research." We say: Panoramic proto-techno underwater-electro library dynamite. One of the hardest pulls on the seminal Coloursound, Open Space Motion (Underscores) isn't just regarded as one of the best releases from library-funk overlord Klaus Weiss. It's one of the very best library records ever. As cult as it gets when it comes to library music, the Klaus Weiss sound was built on top of sometimes funky, sometimes frenetic, but always hard-hitting drums. AND YET! Open Space Motion departs from his drum-heavy approach by being completely...BEATLESS! That's right, the virtuoso beat smith, Mr "drumcrazy of Deutschland", a man known for snapping necks at will, crafted one of the most horizontally sumptuous, elegantly sweeping electronic masterpieces, sans-drums, a good decade before chill-out rooms became a thing. It features organic instruments married to pulsing synth bass atop brilliantly subdued yet irresistibly funky percussion. Possessing a very special vibe, that's at once futuristic yet cinematic, it overflows with atmosphere. The highlights - unsurprisingly - are many. The very first track - the unstoppable "Wide Open Space Motion" - is a sinister, string-fried electro bomb that rides an unrelenting bass loop. "Incessant Efforts" is more reflective, with pastoral yet probing flutes atop strutting synth chords and head-nod percussion that really swings. The heavenly, uber-kosmiche "Pink Sails" hovers over swirling neon-synthy-strings and yet more unobtrusive percussion. The beautiful "Transiency" is a dramatic piano-led underscore, its creeping unease created by patient strings, unhurried percussion and some wonderfully strident keys. "Driving Sequences" is perhaps the key tune here, and if the Detroit crew weren't listening to this staggering piece then, well, imagine if they *were*. The bubbling rhythms of "Southern Mentality", at first ominous, give way to a more optimistic vibe as the movement progresses. The lush, gorgeous "Bows" is deep-sea slow-motion magic whilst the bright-eyed "Outset" feels as fresh as the dawn, and no less beautiful. How these tracks haven't been gobbled up by sample-driven producers is beyond us. Equally calming is the sweeping majesty of "Constellation", again conjuring images of being at one with and fully beguiled by the wonders of nature, of space, of underwater worlds. "Changing Directions" is another fidgety, propulsive non-Detroit beatless bomb. As with all our library music re-issues, the audio for Open Space Motion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Steve Moore

Cursed Objects

29,99 €*

LP | 1976 | Reissue (Be With)

Release: 2024 / Original

Genre: Electronic & Dance

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Steve Moore returns to the library music fold and it's a total doozy: Cursed Objects is truly sensational prog-synth-wave. Featuring epic electronic explorations with chamber music and symphonic flourishes, it's our favourite thing Steve has ever done. In keeping with the horror heat of the music contained within, this vinyl release is frighteningly limited, with just 500 pressed for the world.

New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. Steve’s music has found a home across hallowed labels like Future Times, Mexican Summer, LIES, Static Caravan, Kompakt, Death Waltz, Ghost Box and, of course, Be With Records.

Steve released Cursed Objects for fresh library label Fold. Run by ex-KPM head Paul Sandell, it's a library with values we can all get behind. It's the first production music platform working exclusively with independent labels, publishers and artists to create a truly authentic artist-led sound, at production music rates. Here's what Steve had to say: "I had worked with Paul before, at KPM. After he left, he mentioned that he had started a new library - Fold - and I was very interested in being a part. And I happened to be working on a bunch of music at the time that I thought could fit." So here we are!

The LP opens by letting in "The Uninvited One". Calm and relaxed arpeggiated synths build around sweeping strings and plucked harp to create a mystical and hopeful feel. The title track sees dark synths merge and swell with a piano, string and harp melody that is dark, mysterious and brooding. "Evolutionary Steps" is an electro synthwave track that builds with epic strings and beats, offering an expansive and dreamy approach with a mystical and driving rhythm. Next up, "The Icarus Feather" is daring, pulsing and cinematic synthwave that builds with arpeggiated synths to a hopeful end. "Daily Affirmations" offers calm and meditative ambient synths with plucked harp and strings for a reflective, peaceful, daydreamy feel.

“Mesmer's Bauble” ushers in side two, its dark synth backing builds with plucked harp and strings building with a sense of unknown and dread; it's introspective and heartfelt. "Quiet Springs" is all mystical synths, harps and strings, building to an epic panoramic scope with a hopeful and poignant atmosphere. "Festival Of Samhain" presents a dark and brooding piano melody which builds with synths and strings to create a slow and desolate feel. "The Icarus Feather (Revisited)" is epic building synthwave with arpeggiated synths and strings and a driving rhythm - the beat builds with the strings entering a forceful and marching mood. To close, "Shard Of Medusa" rides a serious and dark piano melody and, in concert with harp and strings, it creates a suspenseful and solemn atmosphere.

Steve recorded Cursed Objects, as always, at his home studio in Albany, NY. For synths, he mostly used his trusty Prophet 6, as well as his Moog Minitaur and lots of Korg Polysix too. But he also utilised a lot of virtual instruments - he doesn't have the budget for a full string section, or a harpist, alas.

The album’s cover was designed by Chris Stevenson. The artwork is a nod to first wave cyberpunk and in particular Neal Stephenson’s Snow Crash and the idea of mind viruses and cursed data. Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at AIR Studios to be pressed in the Netherlands by Record Industry. Far from being cursed, this is another future classic library LP.

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Michel Gonet

Phasing News Volume 1

12" | 2023 | EU | Original (U Fit)

Release: 1976 / Reissue

Genre: Electronic & Dance

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European funk fusion of the highest order, Michel Gonet's Phasing News Volume 1 is the essential companion piece to the venerated Volume 2. It's truly a library treasure that every home must own. As Tele Music themselves said, it contains "tense and mysterious underscores in a range of styles"; whilst we don't disagree, we'd add swaggering, orchestral drama-funk-jazz-breaks. Vital.

Opener "Moon To Light (Number II) - A" is a total wonder. It's incredible, and what a way to begin a record. The percussion is electrifying, complimenting the dark, heavy piano, eerie organ work, electric guitar soling and rhythm section brilliance. Part B is virtually identical but without the electric guitar. The slow "Soul Cathedral (Number II) - A" is an ambient spacey synth gem which is both beatless and drenched in phased organ. Pretty captivating. Part B plays it rather straighter, a church organ continuing the same melody and tempo but with less of the swirling synthy effects.

"Light In The Rains (Number II) - A" sounds like something Diamond D would've sampled in the mid-to-late 90s, conjuring as it does that peculiar, creeping Axelrod-funk, all eerie electric guitar and organ, bass and spacey effects. Part B loses the electric guitar and adds brass.

The swirling, dramatic "Mondial Scoop (Number II)" has that urgent News At Ten feel with its prominent timpani drums whilst "Mecanic Bird Song" is a frenetic, abstract track with disorientating keyboard interplay.

*Total highlight* "Mephisto Jet (Number II) - A" rides a slick, proto-hip-hop beat with melodic, warm Rhodes yet, thrillingly, casually ups the drama with strings and timpanis. It then returns to its more mellow state. Ace. Part B adds acidy, phased percussion to create a more hypnotic, tripped out feel to proceedings. Part C is half as long but, pared back to just drums and Rhodes, it's arguably twice-as-nice.

To close, the shuffling, bell-laced urgent jazz of "Phasing News - A" is another highlight, riding a great bassline and augmented by ace drums, organ and electric guitar. Part B is also great, removing the guitar and doubling down on the head-nod funk.

The audio for Phasing News Volume 1 has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Nico Lahs

Distant Shadows

10,49 €* 13,99 € -25%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After more than a decade releasing quality music on prestigious labels worldwide, Italian artist Nico Lahs launches his new label, U FIT, with two new solo EPs. The first, Distant Shadows, is a 4-track EP that showcases all of Nico's skills and his ability to juggle the most diverse shades of deep house. A package that collects proper club tracks, groovy stuff, emotional deep house, and raw and deep tunes. Simply what one would expect from Nico Lahs. Tip!

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12" | 2023 | EU | Original (Faut Section)

Perception Series II

LP | 2023 | Original (Be With)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Perception series is no more than an invitation to absorbe the creativity and the passion that every artist involved puts into his work. Four diferent perceptions including the path, the experience and the vision from each of the artists, all combined to create a magnificent EP with a wide range of directions. Portuguese and spanish artists combined give their contribution to make 2023 an excellent year. As it has been so far.

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Swing Family

Music Force

Release: 2023 / Original

Genre: Electronic & Dance

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Branislave Zivkovic / Andre Tschaskowski

Emotionally (Coloursound)

LP | 1986 | EU | Reissue (Be With)

Otakar Olšaník / Jan Martiš

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Emotionally, crafted by Brainislave Zivkovic and Andre Tschaskowski in 1986 for Coloursound, is arguably the most beautiful library album ever produced. A start-to-finish masterpiece of powerfully melodic music for reflection and introspection. It is, indeed, deeply emotional.

Branislave Zivkovic handles the majority of Side A. Opener "Morning Light" evokes exactly that feeling, with a gorgeous and plaintive acoustic guitar solo combining with alto flute to stunning effect. Its immediate counterpoint, "Sundown", in no less arresting but brings with it an after-dark drama of almost Lynchian proportions, again drawing upon guitar and flute but with a slightly more melancholic, even sinister edge, also calling to mind Ry Cooder's score for Paris, Texas. It truly captivates when the strings arrive. Remarkable.

The reflective cello solo with swelling strings at the heart of "Pastoral Walk 1" ensure this track is aptly titled, with parts 2 and 3 adding more agitation - via keys and percussive elements - to great effect. "In The Garden 1" presents an elegiac cello solo whilst its second part elevates the romance. The four-part "Soft Thoughts" suite invites further introspection via reflective alto flute and guitar. Fans of The Durutti Column will need to seek this.

Andre Tschaskowski enters proceedings with three tracks at the end of the Side A. All of them aces in the pack. "Grief", whilst sorrowful, uplifts in its second half through beautiful keys. Equally hopeful are the two-part "Personal Mood" sketches, both dreamy exercises in optimistic ambience.

Tschaskowski controls the entirety of Side B. "Woodland Mood", with its pastoral flute and cor anglais and "Reminiscence", with its classical, emotional strings, both beguile. The piano and strings-heavy "Sentimental View" suite is one of the most beautiful, atmospheric things you will ever hear, particularly its second part. "Moonset 1" with it's wonderful Joe Pass-esque guitar is tense yet easy, the beauty elevated further with the introduction of strings and horns. The more restrained "Moonset 2" is pared back to its divine, sweeping essence and should surely have been sampled by now. To close out an album of almost impossible refinement, the brief 2-part "Emotional Tension" salvo brings both increased stress before resolving itself and the LP with a piano motif and atmosphere of serenity. Blessed relief.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Emotionally comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Advanced Process (Coloursound)

LP | 1986 | EU | Reissue (Be With)

Collected Black Vinyl Edition

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Heads have been after Otakar Olšaník and Jan Martiš's Advanced Process for a long time. That's because "coincidentally-cosmic disco" packed with spaced-out, smacky-synth dynamite tends to become sought-after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as "contemporary synthesizer underscores played by computers; depicting future technologies in today's process." If they'd just added "acid-drenched", they'd have been closer to nailing it.

The A-Side is totally beatless. It's also totally perfect. "Atomic Plant 1" is a pulsing synth epic and could've easily soundtracked a stylish 80s thriller such as Thief or To Live And Die In LA. It's a narcotically enhanced meeting between John Carpenter and Steve "Lovelock" Moore. "Atomic Plant 2" adds extra squelch and proper early computer synth squiggles. This stuff is addictive and truly ace. The 3 part "Fusion Point" showcases a dramatic and insistent industrial mood via a gripping sequencer pattern mixed with effects and accents. Menacing and magnificent. The trio of "Nuclear Radiation" tracks veer majestically from a hypnotic sequencer pattern with a heavy dramatic tune to hectic patterns without much of a tune, managing nevertheless to maintain a hold on the listener.

The drums enter proceedings on Side B and they're absolutely outstanding. Coming on like a slicker, heavier Johnny Jewel production, 20 years before Italians Do It Better, "Regulators 1" marries the smoothest head-nod beat you can wish for, with a murky mechanical rhythm and phasing effects. After the stunning beatless version ("Regulators 2") the suuuupppper slo-mo "Data Load" sounds like its wading through the heaviest K-Hole and is all the more thrilling for it. "Modem" is a brief and breezy funky bass and synth squiggle wonder, of the beatless variety. "Robot Masters", would you believe, actually sounds like something those Daft Parisians would've sampled on Discovery, over 15 years later. An uptempo, optimistic track with a real strut; propulsive rhythms with dramatic synths, what can only be described as "very-80s sounds" and digi-handclaps. The breathless "Digiheart" double bill rounds things out, one with a dynamic driving rhythm and more slick-as-hell beats and the other without drums. Mental, brilliant and completely essential.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Advanced Process comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Njoi

3LP | 2022 | EU | Original (Food Music)

30,99 €*

LP | 2022 | EU | Original (Be With)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For the first time, these exclusive extended versions of Njoi's seminal tracks are available as a 3 coloured disc vinyl-only release. Carefully lifted from their original early 90's live sets, these tracks have been re-crafted, extended and mastered to todays sonic standards and we're very proud to present 'Collected' on Food Music.

This project is much more than simply re-issuing the cream of Njoi's catalogue. As we enter 2022, we begin a year long journey with the duo, eventually unveiling 30 year old unreleased sought-after material for the first time ever, together with remixes from some of the todays finest electronic artists. It’s a privilege to complete the circle with Njoi and their timeless music.

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Kenny Dickenson

Les Rivieres

Klaus Weiss Rhythm And Sounds

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We finally made it: Bewith100lp! And what better way for a re-issue label to celebrate such a landmark catalogue number than to give it to a record of new music. We couldn’t resist when the artist is Official Be With Family Member Kenny Dickenson and when the music is his lovely, lovely score to French-Vietnamese artist Mai Hua's 2020 documentary film “Les Rivières”. If you enjoy the more minimal, intimate piano of the likes of Nils Frahm or John Carroll Kirby’s solo work, you’re certain to fall for this beautiful album.

Taking six years to make, Mai’s film explores what happened when she brought her dying grandmother to France, pulling together four generations of women from the same family. Kenny’s score accompanies all the pretty things, sad things, dirty, beautiful, happy, broken and reborn moments of these women’s experiences.

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Sound Inventions (Selected Sound)

LP | 1979 | EU | Reissue (Be With)

Sammy Burdson, Klaus Weiss & Larry Robb

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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The second Be With foray into the archives of revered German library institution Selected Sound is one of our favourites, Sound Inventions from Klaus Weiss Rhythm And Sounds, originally released in 1979. From the notoriously strong mind of Niagara drummer / library-funk overlord Klaus Weiss, Sound Inventions is loaded with tripped out studio funk-freakery, mad samples and swaggering abstract funk grooves. From dramatic deep disco with dark Italo/Moroder leanings to heavy German funk breaks, this is absolutely sensational. Absolute synth-and-string-drenched magic. Born in 1942 in Gevelsberg, Germany, Klaus Weiss began his career as a jazz drummer at sixteen (with a group called the Jazzopators) before working with the internationally successful 60s groups the Klaus Doldinger Quartet and the Erwin Lehn Big Band. In 1965 he formed his own trio, the first of many groups to bear his name, and as his renown as a bandleader grew over the next decade it naturally lead to working in production music. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

LP | 2021 | EU | Original (Be With)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Steve Moore

Analog Sensitivity

You're Mine Luke Vibert Remix

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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When a synth master like Steve Moore joins forces with the legendary KPM, magic must materialise. And so it does with Analog Sensitivity: cinematic, enigmatic synthscapes to both haunt and heal. New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. The story of Analog Sensitivity starts with those soundtracks, or more specifically the time in between them. Rather than being commissioned by KPM, this LP comes from music Steve was recording sporadically and tinkering with for over three years during the downtime between his film projects. There were no ideas about what it was nor a plan for how it would be released, or even if it was going to be released at all. However, after Jon Tye invited him to play on the Ocean Moon project for KPM Steve realised that the hallowed library label might be the perfect home for what he had been working on. The people at KPM agreed. Finishing production in late 2019 in Albany, NY, he came up with the track sequencing and suddenly, he had an album: Analog Sensitivity.

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Posthuman

12" | 2020 | EU | Original (Food Music)

12" | 2020 | EU | Original (Faith Beat)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Posthuman makes his Food Music debut with the infectious “You’re Mine”. The Frank DeWulf-esque stabs and swagger from this tune have already had many "ID?” requests from people since airing on Rinse FM and a DJmag social media video over the last few weeks and months. Posthuman has taken his sound to a fresh area which is complimented by remixes by none other than Luke Vibert, with an ice-cool swung-groove, Black Girl/White Girl with a full on pounding Techno workout and on the digital package, newcomers Mac & Ward do the big room House thing to perfection! In addition we’ve included “Find Me On The Edge of Town”.. an acid-kissed piece of Techno which sits the cherry ontop of an awesome release for us on Food.

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Bruce Ivery

The Rebirth EP

12" | 2019 | EU | Original (Faith Beat)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Chicago native Bruce Ivery throwing down four stripped back blinders on Ryan Elliott's Faith Beat.

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Ryan Elliott

The Introduction EP

12" | 2010 | US | Reissue (Fit Sound)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Ryan Elliott provides the first EP on his new label Faith Beat. An intricate blend of techno, house, and hypnotica.

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Anthony "Shake" Shakir

The Drummer Downstairs

Labor Of Love Kenny Dickenson Remix

Release: 2010 / US – Reissue

Genre: Electronic & Dance

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Shake has proven himself time and time again to be one of the most original and creative producers in electronic music today. Unafraid to take risks in his productions or as he calls them his "failed experiments", Shake has created three killer tracks for FIT Sound that can be called anything but failed. "Trackin" is a bangin' disco influenced house track that will smoke the dance floor . "Drummer Downstairs" is a beat track in typical Shake style that mutates into something completely different and unlike anything we have heard before. "Frayed" shows another side of Shake, it is equal parts deep, melodic and dubby. It is an absolutely stunning track. Shake does it again, and FIT Sound is proud to present it to the world.

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Ned Doheny

12" | 2017 | EU | Original (Be With)

12" | 2015 | UK | Original (Food Music)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2017!

London/LA producer Kenny Dickenson crafted his stunning remix of Ned Doheny’s “Labor Of Love” to mark the Be With Ned tour in March 2015. The gentle disco re-rub was leaked by influential blogs and has been wreaking elegant havoc on both sides of the Atlantic ever since, setting a new gold standard for AOR remixes. Beloved of everyone who’s heard it, we’ve been inundated with requests for a physical version.

As RedKen, Dickenson came to prominence with his cult edit of Steve Perry’s “She’s Mine” – an instant hit on the AOR Disco scene – whilst his double A Side Fleetwood Mac 12" with Psychemagik was number 1 across Juno, Piccadilly and countless others, gaining him further notoriety. Here, taking Ned’s stellar version and creating new melodies by twisting original sax solos inside out, Kenny’s remix is elevated further with the introduction of his sophisticated keyboard work and additional white-hot production.

Completed the day of Ned’s penultimate show, Kenny bounded up to Pete Fowler – on DJ duties – and handed him the demo. Ever the showman, Pete played it seconds after Ned finished. Momentarily mortified at the chutzpah involved, we realised we were listening to something sensational. The key element would be Ned’s opinion. He aired it the next day, breaking a drained silence as we boarded a flight to Berlin: “There was a remix of my song played last night.” Heart in mouth, we were in for a deserved dressing down. “Pretty good; I liked it.” And with that, we were determined to commit this wonderful reimagining to vinyl.

After two years of major label wrangling and artist nudging, Be With Records are delighted to finally present this as an officially authorised, one-sided 12". Enhancing the package, the record comes appropriately adorned with striking new artwork from Pete Fowler himself and liner notes from all parties involved. Limited to just 500 copies, these are sure to fly.

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A1 Bassline

Technicality

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Food Music welcomes A1 Bassline to the label to release his first LP - Technicality.

The album’s title draws from the club night “Technicality”, a monthly Drum & Bass night at Herbal in East London, which is run by Chris Inperspective and continued the sound of early Reinforced and Metalheadz records as well as pushing new forward thinking music. The album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend Rahim (Lab Creation), where the likes on Fold, Ben UFO, Breakage would attend the club.

In addition to well received records on DirtyBird, Pets Recordings and his collaborative work with Leon Vynehall as Laszlo Dancehall, the album is a stamp on A1’s sound and his influences from his teenage years to growing up and discovering House and Techno.

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Cheese_Tricks_Vol_1 // Honey&Cheese_Combo EP

12" | 2024 | EU | Original (Secret Feta)

LP | 1974 | US | Reissue (Fat Possum)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Embark on a fascinating journey as you enter the enchanting realm of Secret Feta, a place where the present, the past and the future become one. Each note is a key unlocking doors to realms unseen, and each rhythm is a guide leading you through a labyrinth of secrets waiting to be discovered.

Welcome to the first volume of the cheese tricks compilation, a collection that promises to be as unique and intriguing as the mystical worlds it draws inspiration from. In the harmonious universe of Secret Feta, you will find yourself transported to different aesthetics of the great family of house and techno.

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Ann Peebles

I Can't Stand The Rain

30,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Food Music)

Njoi

The Dubs

13,59 €* 15,99 € -15%

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After huge demand, the instrumental mixes of NJOI’s unreleased tracks are now here in the shape of 'The Dubs', complimenting the duos recently unveiled 'Hidden Gems' vol 1 & 2 and their 'Collected' album. These iconic tracks became a huge part of NJOI’s original live set and the iconic mixed 'Live In Manchester' album over 30 years ago. After huge demand since their televised 1990 Brixton performance, they're finally available as fully extended individual recordings.

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Slow (Motion And Movement)

LP | 1980 | Reissue (Be With)

12" | 2023 | EU | Original (Faith Disciplines)

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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German Army / Group

Caras Rotas

LP | 2023 | EU | Original (Wide Awake)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Faith Discipline presents on the same release two of the proposals that best define its identity as a recording project. Two artists, or two bands, or a band and an artist, who coincide in some of their qualities and who also perfectly represent the sound line that the label has pursued since it was launched in 2015. German Army and Group have a lot in common, but their personalities are also unique, as are the objectives that influence their work.

German Army and Group coincide in several ways, both operate from anonymity and their approach to music production is also very similar. The style and sound of German Army and Group is mainly based on extreme and lo-fi treatments, and their music can be categorised as tribal, industrial, ethnic or experimental. However, German Army adds to their style a series of moral principles, as the project is based on a vindictive nature with continuous messages and appeals to the population and the rulers, the health of our planet is in extreme danger and with it the life and dignity of the underprivileged.

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Felipe Gordon

Errare Humanum Est

33,99 €*

10" | 2023 | EU | Original (Vade Mecum)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Felipe Gordon Second conceptual album

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Soft Traffic

Subcaeruleus EP

Neurohumoral Transmission EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Dub at its best! Strong limited! Dub at its best! Strong limited! Vade Mecum is excited to present the debut release from Soft Traffics, a new project by >Samon K.< The tracks were carefully crafted using only analog equipment and mixed with live techniques, showcasing a deep appreciation for the classic dub sound. The first track of the release features the captivating Prince Morella, a new artist who has already collaborated on vocals with some of the most accomplished producers in the scene. This release perfectly captures the classic, 90s-inspired sound of dub techno and is a nostalgic nod to the early days of the genre. It is sure to be a standout addition to the Vade Mecum catalogue.

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Lewis Fautzi

12" | 2022 | EU | Reissue (Faut Section)

12" | 2023 | UK | Original (Food Music)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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2023 repress

It's always a huge pleasure to have him back. Lewis Fautzi's astronomic ascension is well known and we are delighted that he decided to 'play home' one more time.

Although the years are passing by, Lewis is faithful to his principles. His personal style is almost a trademark and impossible not to recognize. Techno scene has evolved and he has evolved with it but always in a straight line, adapting himself perfectly to the new tendencies and keeping his touch and his vision.

This new ep is full of trippy pads and powerful bass lines. Mesmerizeng techno as its finest and with a small cherry on top of the cake: a remix by Rodhad. His first time with us and there is no greater feeling, specially knowing the huge artist he is. Established nowadays as a techno force, the german producer combines the hypnotic with different theatrical approaches and came a long way demonstranting the uncontainable nature of his brand of shadowy dance creations, as someone once described his work. We couldn't be happier with the result.

In summary, the first ep by Lewis Fautzi on his own imprint with a remix by Rodhad.

Lewis, welcome back home!! And thank you for bringing such an illustrious guest.

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Ourpeggio

12,79 €* 15,99 € -20%

12" | 2023 | UK | Original (Food Music)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The beautifully mysterious Ourpeggio - so heavily supported by Teed and Bonobo - finally lands on Food Music.

The timeless original takes you to another dimension with it's melancholic synth patterns and exquisite middle eastern vocals which weave around a tripped out groove, whilst the Shadow Child remix loses the four-to-the-floor, instead fusing Garage and Rave breakbeats which will keep you entranced until sunrise.

This one's set to turn heads for a long time.

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Lazy Ants

Lazy Ants Vs Friends EP

16,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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FIT Siegel + Tim "Love" Lee

Living Is Serious Business

12" | 2016 | US | Original (Fit Sound)

6,99 €*

Release: 2016 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2018 | US | Original (Fit Sound)

S & M Trading Co.

Metal Surface Repair

8,99 €*

Release: 2018 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2022 | EU | Original (Void+1)

Scalameriya

Nullification EP

The Bells Of Mist (Lauer Versions) EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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"Void+1" is officially starting to unleash its arsenal of 12 releases that have already been scheduled for 2023, and the journey starts with Scalameriya's "Nullification EP". On board are 4 tracks in different styles, specifically designed to showcase the variety of techno-branches that will be explored on the label in the future. From minimalistic structures to metallic stompers, hommages to 90's roots and electric breaks."

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Skatebard

12" | 2023 | EU | Original (Balsa Wood)

12" | 2023 | EU | Original (Faith Beat)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The unmistakable Skatebård classic “The Bells of Mist” has received special remix treatment by Bård’s friend and co-conspirator Lauer. Twice! Accompanying the original are two new takes on the tune, stirring up the heavy grit of the original with some complimentary upbeat melodic rhythms. “Lauer Flute Mix” is a punched up house version with melodic keys and a spacey backdrop, enhancing the playful elements of the track. The “Marshall Mix” adds a distorted gritty touch topped off with classic piano riffs. Together with the memorable dubbed-out disco tune “Farver/Flimrer” also found on Cdiii, this release reunites us with two Skatebård hard-to-find-on-wax originals and hot interpretations by Lauer. On red vinyl!

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Max Watts

The Dusk EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Beauty Of The Abyss EP

Heretic

12" | 2023 | EU | Original (Faith Disciplines)

LP | 2023 | EU | Original (Fat Possum)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The beauty of the abyss is an exploration of the relationship between religious ecstacy via ritual and the hypnotic euphoric experience of dance music. An attempt to combine and create the hypnotic states of religious processes such as prayer ritual or meditation with the mantric hypnosis of tribal dance music. Part of the process was trying to make modern electronic instrumentation sound somehow ancient, which has become the drive of the Heretic project. A desire to make cutting edge ancient ritual dance music. This EP is the most successful results of this experiment.
Faith Disciplines is a sublabel of Subsist Records, and focused on more experimental sound territories.

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Syl Johnson

Diamond In The Rough

26,59 €* 27,99 € -5%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Andrzej Marko / Andre Mikola

Fly Me To The Sun (Coloursound)

LP | 1983 | EU | Reissue (Be With)

12" | 2023 | UK | Original (Sous-Vide)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Fly Me To The Sun is a breathtaking German library gem from the hallowed Coloursound label. Originally out in 1983 it features two Polish composers, Andrzej Marko and André Mikola. If outré synth-funk is your thing, you need this record.

Almost blindingly luminous with positive vibes and radiant optimism, Fly Me to the Sun is a collection of funky, sun-dappled compositions for synthesizer and live instruments like drums, bass and guitar. A dope blend of beatbox driven future jazz and electro pop.

The wonderfully sleaze-adjacent opener "Dhamma" includes some grandiose piano chords amid floating ambient sounds a la Steve Hillage with slick drums entering the fray at a languid pace. "Circulation" sounds like Bowie ran into Chaz Jankel during an extended stay in Los Angeles, the Thin White Duke emerging out of a studio at 6am, bleary-eyed and clutching this filthy, bleepy instrumental of sonic smut. "Magic Scenery" is as delicate and astounding as the title suggests, a deep ambient movement conjuring halcyon images of rolling fields with abundant fauna and flora; acid-tinged visions of intense colour and natural beauty. Cool, slo-mo breaks adorn the strutting melancholy of “Longing for Tomorrow” and “Nocturnal Flowers” to close out Side A.

Skip the title track, which opens up Side B, and head straight to “Birth of a Butterfly” for a slice of creeping digi-dub-soul niceness. This should've been front and centre of that Personal Space compilation a decade ago. Raising both the tempo and the temperature, “Riding on a Sunbeam” continues in the mesmerising cosmic funk style before "Osmosis", one of the clear stand-outs, presents a fine vintage synth solo over a mellow funky rubberband beat. The closing track, "Solar Heating", warms things up with slapped bass and bold drum machine beats and the synth lends Sci-Fi vibes to the dark dub-funk-reggae rhythm.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Fly Me To The Sun comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Silat Beksi

Svr004

18,99 €*

12" | 2010 | US | Original (Fit Sound)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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With open arms, Sous-Vide Records welcomes one of the genre's most celebrated producers Silat Beksi for our latest vinyl release Svr004.

The Ukrainian mainstay offers up three deeply submerged late night grooves that come dusted in tasteful sound design. Flexing his rhythmic aptitude, Beksi applies percussive elements and dubby electronic motifs to craft melancholic tones throughout the EP. Melodies may be in short supply, but Beksi's signature style creates invigorating and emotively fueled productions without them.

Silat Beksi writes a new chapter in minimal education for those versed in the field

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Marcellus Pittman

Erase The Pain

7,99 €*

Release: 2010 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2022 | EU | Original (Voight-Kampff)

DJ Valentimes & Draag

VKR010

Neurohumoral Transmission EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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DJ Valentimes & Draag arrive on Voight-Kampff Records with an intense split EP, characterised by 4 driving noisy techno tracks with sinister undertones. Exploring intense modern hard techno sounds and euphoria, the EP is sure to be a peak time dancefloor staple.

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Lewis Fautzi

12" | 2022 | EU | Original (Faut Section)

12" | 2022 | EU | Original (Faith Disciplines)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It's always a huge pleasure to have him back. Lewis Fautzi's astronomic ascension is well known and we are delighted that he decided to 'play home' one more time.

Although the years are passing by, Lewis is faithful to his principles. His personal style is almost a trademark and impossible not to recognize. Techno scene has evolved and he has evolved with it but always in a straight line, adapting himself perfectly to the new tendencies and keeping his touch and his vision.

This new ep is full of trippy pads and powerful bass lines. Mesmerizeng techno as its finest and with a small cherry on top of the cake: a remix by Rødhåd. His first time with us and there is no greater feeling, specially knowing the huge artist he is. Established nowadays as a techno force, the german producer combines the hypnotic with different theatrical approaches and came a long way demonstranting the uncontainable nature of his brand of shadowy dance creations, as someone once described his work. We couldn't be happier with the result.

In summary, the first ep by Lewis Fautzi on his own imprint with a remix by Rødhåd.

Lewis, welcome back home!! And thank you for bringing such an illustrious guest.

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Mattia Prete

Life Is Waiting EP

12" | 2022 | EU | Original (Solid Wood)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Electronic dreamer Mattia Prete opens 2022 with “Life Is Waiting” on the Faith Disciplines label. His six track offering lands this year and is another mesmerising trip to the outer edges of the techno world.

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Future Architects

Prophetic Dreams

LP | 1975 | EU | Reissue (Be With)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Future Architects—a new project by producers Angelina Rose and Florian—cultivate a world of diverse club bangers in the 4-track Prophetic Dreams. Marking it as the second release on Rose’s label (Solid Wood), Dreams builds upon the label’s ethos, rooted in honest yet uncompromising music, with tracks that range from driving dub techno in "Unseen Realms," burning IDM breaks ("Renaissance"), ascending melodic techno house ("Universe"), and an experimental acid 2-stepper in the closer, "Hierophant." Master by: Enrico Mercaldi (Time Tools Mastering)

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Sammy Burdson

Background Action

12" | 2021 | EU | Original (Vade Mecum)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of super-heavyweight espionage-funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Background Action from Sammy Burdson, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. Background Action’s first side is all Blaxploitation wah-wah, funky clav and heavy, heavy drums. It’s top-quality takes on the sort of hard-knocking psychedelic sleuth-funk that the library labels gave us in spades.

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Matt & Mark Thibideau

Transfer EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Vade Mecum returns with yet another amazing release by Matt & Mark Thibideau. "We dedicate this record to our late friend Mike Huckaby and his love for the Waldorf Wave synthesizer. Mark and I met Mike Huckaby back in the mid 90?s and instantly connected over our love of synthesizers, producing Techno, Deep House and Dub Techno. We performed together at parties throughout the 90?s and 2000?s. It was always a dream for us all to work with the Waldorf Wave. Mark and I both had experience using their other wavetable synthesizers. One day we received a surprise call from Mike, he had purchased the Wave. Mike wanted to complete an EP that he used the Wave to make all of the sounds. He started some ideas and drove the Wave up to our studio in Toronto to complete and mix the ideas with us. ?My Life with the Wave? was born. Mike continued this project to include an elaborate collection of samples that he made of his patches. We were shocked to learn of Mike?s passing and wanted to do something to keep the love and passion of his music alive. Transfer is a project that utilizes some sounds from the Waldorf Wave collection along with some of the other Waldorf synths Mike also enjoyed working with (Microwave, XT and Blofeld). Let Mike?s music legacy live on. " (Matt & Mark Thibideau)

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12" | 2021 | EU | Original (Wet Pak)

Wet Pak 01

12,34 €* 12,99 € -5%

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Weighty Ways)

Alfredo Romero

Retrain Station