Search "the+walkmen+heaven" 8624 Items

My Life In The Bush Of Ghosts

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Bruce Gilbert and Graham Lewis have always juggled darkness and light in their various collaborations (Dome, Cupol, etc.); Gilbert’s pointillist melodicism counterbalanced by Lewis’s menacing bass and sardonic lyrics. While the duo explores cinematic soundscapes on their album 3R4, here they return to more song-based territory with icy vocals, detached guitar lines and even a faint industrial vibe. Ends With the Sea provides a vital glimpse into the creative forces that even a band as daring and inventive as Wire could not contain. This first-time vinyl reissue is recommended for fans of SPK, Chris Carter, and Einstürzende Neubauten.

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

47,99 €*

LP | 1980 | DE | Reissue (Island)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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The B-52's

Wild Planet

Release: 1980 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | DE | Original (CBS)

Spliff

The Spliff Radio Show

12" | 1980 | DE | Original (PRT)

Release: 1980 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Original inner sleeve. Cover with sticker. Vinyl close to VG+

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The Real Thing

She's A Groovy Freak

Release: 1980 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | UK | Original (Rouge)

The James Asher Band

Impetus

9,99 €*

Release: 1980 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Golden Voyage Vol. One

Bearns & Dexter

LP | 1980 | US | Original (Awakening Productions)

Release: 1980 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1980 | UK | Original (Automatic Record Co.)

Eye To Eye

Am I Normal?

Release: 1980 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | JP | Original (GTO)

The Dooleys

Hello Welcome!

Release: 1980 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | DE | Original (Stiff)

Rachel Sweet

Protect The Innocent

2LP | 1980 | JP | Original (Eastworld)

Release: 1980 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM !

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The Ventures

Super Live '80

28,99 €*

LP | 1980 | EU | Reissue (La Scie Doree)

Release: 1980 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Without OBI and insert

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Mark Glynne & Bart Zwier

Home Comfort

24,69 €* 25,99 € -5%

CD+CD | 1980 | EU | Reissue (Fiction)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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First time reissue by Mark Glynne and Bart Zwier, originally self-released in 1980.

Maybe a bit of an unexpected title to appear in the LSD catalog but my love for this album goes back to my late teenage years and has had an addictive effect since, like a spleen infused magnet. With this album Glynne and Zwier (†), based in the Netherlands and connected to the Ultra scene, drew an insular blend of intimate post-punk and chamber (bedroom) songs with surreal scenic reflections.

Probably its naked singularity defying categorization has left it so unnoticed, even 43 years after the making. It also features a reciting Marlène Dumas still quite unknown at the time. With biggest gratitude to Mark Glynne who instantly felt confident with my proposal to reissue this silent witness of lasting beauty. My long-time Japanese friend You Ishihara (White Heaven, The Stars) who bought the LP when it came out in 1980 still considers it as one of his all-time favourites. This is what he writes about ‘Home Comfort’: “Resignation and fear in a desolate mental landscape. This album, which exists like a shelter for those who have quietly escaped through the backdoor of the world, vividly reflects the inner depths of the devastated Amsterdam of the early 80's. A beautiful and sad, unmistakable masterpiece.”

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The Cure

Seventeen Seconds

14,99 €*

LP | 1980 | UK | Reissue (Southbound)

Release: 1980 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

2CD in jewel case with booklet.

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Two Tons O' Fun

19,99 €*

Release: 1980 / UK – Reissue

Genre: Electronic & Dance

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LP | 1980 | EU | Reissue (Our Swimmer)

Alvin Curran

The Works

The Lund - St. Petri Symphony

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Works - one of the most famous pieces by brilliant American composer Alvin Curran - was not created by will and direct purpose but, as the composer himself states, as a “providential accident” which is to say quite organically. Combining piano and voice with found sound and a custom-built Serge modular synthesizer, “The Works” is a slowly developing piece where space and ambient tape are eventually overtaken by raga-esque chanting and frenetic piano playing, where synthesizer washes become full-on workouts all leading to a coda where the listener is “finally carried off on the wheels of the Berlin U-Bahn.” Curran - whose initial training and musical education was as a pianist - had been living in Roma, Italy, in the mid-‘70s returning to his roots and performing regularly in cocktail lounges on Via Veneto. It was this return to piano and vocals that became the genesis for The Works. In relearning the piano, a five-note “motive” took hold. Added to this was “a recording I had made of our 14 year old dachshund Caspar just before he died. It was, in fact, a love song which he persisted in singing all day after meeting a lovely bitch in heat in Piazza Navona. This I knew would be the beginning of the piece.” As the piece expands further the listener will hear “cows munching grass, the Rome-Florence express train, a horse-fly caught against a window pane, my footsteps approaching a Roman fountain and later going up the steps of my old studio, cicadas, an Amsterdam calliope, a tin can being kicked, and a series of sounds from La Serra di Lerici.” Though “The Works” has been performed in many incarnations over the years, it’s this performance - captured on February 24, 1980, and originally released that same year by the short-lived Italian avant-garde label Fore - that is the definitive version, and one of the finest recordings ever made by the celebrated composer.

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Lubomyr Melnyk

2LP | 1980 | EU | Reissue (Sounds Of Subterrania)

52,99 €*

LP | 1979 | US | Original (DrumDrops)

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Silk-Screen cover. In 1978 I arrived for my first time to Sweden, to the town of Lund .. and there I met a remarkable man named Jean Sellem who ran a tiny gallery in the middle of the town, "The Galleri St.Petri: Dedicated To Modern Art and Thought "... and he was one of the few and first people who saw the greatness and beauty of Continuous Music .. and since I was a complete "unknown" at that time, I really needed his moral support ! --- and he created with me, the idea of a huge work for multiple pianos ... three pianos .. in stages ... and it became as he had envisioned ! and was first performed on a small upright piano in 1978 in his gallery, and the piece was called THE LUND.St.PETRI SYPMPHONY .. because it was so symphonic in grandeur (once the three pianos came together ...) The Lund - St. Petri Symphony, from 1979, is the second album from Lubomyr Melnyk and the first composition for double piano which he released. In this work, the early minimalist tendencies which played such a major part in the emergence of Continuous music, are very significant and clearly evident. This Double LP set sold out within 1 year of production, Only 1000 copies were made. Original Release: 1980 Limited All Analog Remastering Recording

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Joey D. Vieira

DrumDrops® Volume Two

Release: 1979 / US – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: G+, Cover: G+

LP | 1979 | US | Original (Casablanca)

D.C. LaRue

Forces Of The Night

LP | 1979 | DE | Original (Arista)

Release: 1979 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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The Alan Parsons Project

Eve

Release: 1979 / DE – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1979 | DE | Original (CBS)

The Warlord

The Ultimate Warlord

19,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Journey Through The Secret Life Of Plants

Stevie Wonder

2LP | 1979 | JP | Original (Motown)

10,99 €*

12" | 1979 | DE | Original (Virgin)

Release: 1979 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: G+, Cover: VG

Embossed cover has slight wear, With insert. Japanese pressing, OBI is missing. Records need proper cleaning (foxing), probably a good VG afterwards

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The Flying Lizards

Money; Money

Release: 1979 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

The Fine Art Of Surfacing

The Boomtown Rats

LP | 1979 | DE | Original (Mercury)

Release: 1979 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Dream In The Street Pink Vinyl Edition

Noriyo Ikeda

LP | 1979 | US | Reissue (Tokuma)

69,99 €*

Bruce Woolley And The Camera Club

Release: 1979 / US – Reissue

Genre: Electronic & Dance

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This album, released quietly in 1979, is Noriyo Ikeda’s first and only album. The title track, “Dream in the Streets,” was written and arranged by Tatsuro Yamashita; he also plays guitar and sings on the chorus. A great CITY POP record with a strong following!

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Bruce Woolley & The Camera Club

LP | 1979 | US | Original (Columbia)

Release: 1979 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1979 | DE | Original (Virgin)

The Men

I Don't Depend On You

14,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

7" | 1979 | DE | Original (Decca)

Nick Straker Band

A Walk In The Park

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1979 | UK | Reissue (Finders Keepers)

Alain Pierre

Des Morts (Of The Dead)

24,99 €*

LP | 1978 | UK | Original (Mercury)

Release: 1979 / UK – Reissue

Genre: Electronic & Dance

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Expanded reissue of mega rare 1979 unknown vanity pressing LP that blends ethnological field recordings, musique concrète principles, and introspective synthesizer music from this cult European studio maverick and historic collaborator of COS, Philippe Druilet, Marc Moulin, and John Surman. Alain Pierre's Mondo movie soundtrack to the controversial Des Morts shares very few stylistic rivals, but fans of Jodorowsky's The Holy Mountain soundtrack and some of the more eldritch early sampling experiments of Jean-Pierre Massiera will certainly draw fragmented comparisons herein. Other listeners might file this album at the weirder end of your Smithsonian Folkways shelf, just before the Video Nasty soundtracks. Presented in remastered form comprising extra vintage studio outtakes (in accordance with the films morbid narrative), Des Morts serves as a would-be sequel to Finders Keepers' previous Ô Sidarta release witnessing Pierre balance his allegiance to the Belgian bandes dessinée scene and Thierry Zéno's shock cinema oeuvre from the heart of his uber-legendary Brussels based experimental recording studio through the 1970s. Presented in remastered form comprising extra previously unreleased vintage studio outtakes. Edition of 750.

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Pere Ubu

The Modern Dance

28,99 €*

Release: 1978 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1978 | IT | Original (Ariston)

Kim & The Cadillacs

LP | 1978 | DE | Original (RCA Victor)

Release: 1978 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Original inner sleeve is torn

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Vangelis

The Best Of Vangelis

16,99 €*

Sheila & B. Devotion = Sheila & B. Devotion

Release: 1978 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM.

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Singin' In The Rain = 雨に唄えば

7" | 1978 | JP | Original (Victor)

Release: 1978 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 1978 | DE | Original (Metronome)

The Ritchie Family

American Generation

Release: 1978 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | FR | Original (President)

The Spotnicks

Never Trust Robots

9,99 €*

Release: 1978 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | AU | Reissue (Left Ear)

Rainbow Generator

Dance Of The Spheres

24,74 €* 32,99 € -25%

On The Other Hand There's A Fist

Release: 1978 / AU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Limited to 500 units, includes a bifold insert with archival images and detailed liner notes.

Rainbow Generator are Australia’s first true experimental electronic music group. Consisting of David Labuschagne AKA Mojo, and Rob Greaves AKA Ras. Starting in the mid-70’s, the pair took it upon themselves to begin exploring the possibilities of the sonic dimension and with an ‘open mind’ began investigating the interface between psyche and sound.

In 1976 David established the ‘Lectric Loo’ studio in Woolloomooloo, Sydney. Known to the ‘heads’ as simply the “Loo”, the 3-story building was owned by the Department of Main Roads, and slated for demolition. So, it was that the entire block became a haven for squatters, and while Mojo had the main 3-story building to himself, the rest of the buildings were taken by a hotch-potch of people that included Anarchists, a Clown School and a collection of other random squatters. Recording in the ‘Lectric Loo’ provided them the ability to record freely. In 1975 they began to experiment, putting Mojo’s Fender Strat through effects pedals, playing with sounds while manipulating shortwave radio stations and also challenging convention by playing the insides of instruments. By 1976 they had built a kit synthesizer and shortly after purchased a full Roland 100 Synthesiser set-up and were on their way.

In 1978, with little resources, or any form of distribution they released their sole LP ‘Dance of the Spheres’. As Mojo puts it, “we were intent on making music with whatever we could beg, borrow, buy, and liberate. Albeit with scant regard for the rules or conventions or niceties of the game. Ultimately, it was all an act of love, of joy. Not just an adventure; it was a musical odyssey”.

This odyssey continued their exploration of the interface between psyche and sound. Fusing genres and boundaries, Dance of the Spheres incorporates elements of 70’s psych and folk with spoken-word and of course the emerging sounds of the synthesizer and drum machines. Furthermore, the addition of traditional instruments such as the didgeridoo and the classical Indian instrumentation technique of a Raga add a timeless layer, all seamlessly complementing the other elements and launching the album to another dimension.

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Jona Lewie

LP | 1978 | DE | Reissue (Stiff)

6,79 €* 7,99 € -15%

LP | 1978 | EU | Reissue (Superior Viaduct)

Release: 1978 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Early repress on green Vinyl!

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Harold Budd

The Pavilion Of Dreams

The Man-Machine English Version Translucent Red Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.” Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture. The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.

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Kraftwerk

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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I'm Just A Lonely Girl / The Groove I'm In

Florence Miller

12" | 1977 | UK | Reissue (P&P)

15,99 €*

The Hiltonaires, Orchester Udo Reichel

Release: 1977 / UK – Reissue

Genre: Electronic & Dance

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Two hidden gems from the P&P vaults courtesy of a scarcely known talent from Georgia, Florence Miller get an official reissue 'I'm Just A Lonely Girl' and 'The Groove I'm In'. With only two releases to her name, both of which came on Peter Brown’s P&P Records, ‘The Groove I'm In’ released around 1975 got the attention of the Northern and Modern Soul scenes in the mid ‘90s becoming a real star of the show. Since then, it’s maintained consistent demand on the second-hand market with originals selling for over £200. As with most of Peter Brown's artists, they briefly emerged on the sparsely distributed P&P label, for a brief stab at stardom only to disappear when Peter's attentions moved on to the next releases. Consequently, very little is known about the multi-talented and sadly ignored Florence Miller following her two releases on the Harlem label. Clearly though, the music speaks for itself with the quality of the P&P catalogue and this Florence Miller slice of magic shining through to this day.

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Explosion Hits №12

LP | 1977 | DE | Original (Sonic)

5,69 €* 5,99 € -5%

Release: 1977 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Out Of The Blue Picture Disc

Electric Light Orchestra

2LP | 1977 | EU | Reissue (Sony)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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All The Hits Of Monster Disco Sounds

LP | 1976 | JP | Original (Overseas)

39,99 €*

LP | 1976 | JP | Original (State)

Release: 1976 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI

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The Rubettes

The Best Of

31,99 €*

Le Forte Four / Doo-Dooettes

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert. Cover is close to NM.

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Lafms Live At The Brand

2LP | 1976 | US | Reissue (Etats-Unis)

40,99 €*

LP | 1975 | US | Original (Nemperor)

Release: 1976 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Live At The Brand documents the second performance of newly formed Lafms core groups Le Forte Four and Doo-Dooettes on July 8, 1976 at the recital hall of the Brand Library in Glendale. Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be Lafms' third release. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

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Jan Hammer

The First Seven Days

LP | 1975 | US | Reissue (Speakers Corner)

Release: 1975 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Writing on labels.
Writing on cover.

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Vangelis

Heaven And Hell

34,99 €*

LP | 1975 | EU | Reissue (Ment016)

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis

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The Nazgul

21,99 €*

LP | 1974 | US | Reissue (Fat Possum)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Lost-in-time Kosmische / Kraut / Avant-Garde artefact, produced by Toby Robinson aka The Mad Twiddler circa 1975 for his private Pyramid label.
Tolkien inspired dark ambient soundscapes with spooky / ritualistic atmosphere, treated percussions, gongs & guitars, trippy Hammond & Mini-Moog, tape loops, weird noises, drones…
File under dark ambient, proto-industrial, kraut, experimental...

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Ann Peebles

I Can't Stand The Rain

30,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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7" | 1974 | US | Reissue (Motown)

Al Green

Take Me To The River

11,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1974 | EU | Reissue (Real Gone Music)

Soul Searchers

Salt Of The Earth

33,99 €*

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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2LP | 1974 | EU | Reissue (Cat In The Room)

Kyriakos Sfetsas

Smog

19,24 €* 34,99 € -45%

Eldorado A Symphony By The Electric Light Orchestra Supervinyl Edition

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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The newly established label Cat in the Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work Smog by Kyriakos Sfetsas, one of the most important Greek contemporary composers. At the same time, in collaboration with the composer and The Hubsters, which is responsible for the digital distribution, it presents for the first time the majority of his discography in digital format.

Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine (Paris).

As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic & avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance.

A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover.

Smog will be released on December 9, 2022, on a 180gr. double vinyl edition

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Electric Light Orchestra

LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

89,99 €*

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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Schwingungen (Remastered By Manuel Göttsching)

Ash Ra Tempel

CD | 1972 | EU | Reissue (MG.Art)

19,19 €* 23,99 € -20%

Close To The Edge Atlantic 75 Series Sacd

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Yes

CD | 1972 | US | Reissue (Analogue Productions Atlantic 75 Series)

50,99 €*

Phil Ranelin & Wendell Harrison

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Yes' 1972 Atlantic Records masterpiece!

Hybrid Stereo SACD

Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.

The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.

Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle — perhaps even magic — that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history."

The album's centrepiece is the 18-minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru." Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.

Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and No. 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.

In 2020, Close to the Edge was ranked at No. 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.

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Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

30,99 €*

LP | 1972 | US | Reissue (Etats-Unis)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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The Taj-Mahal Travelers

July 15, 1972

37,99 €*

LP | 1972 | EU | Reissue (Wah Wah)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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For over half a century, Takehisa Kosugi was one of the most unique and enduring figures in the Japanese underground. With a penchant for long psychedelic jams (some lasting 12 hours or more) The Taj-Mahal Travelers lived up to their name. Touring in a Volkswagen van across Europe and Asia in the early '70s, they eventually reached the actual Taj Mahal in India. Upon their return to Japan, they held a concert to raise more touring funds and released their very first recordings. Their debut album, July 15, 1972, would extend the band's matter-of-fact titling: all the tracks were named precisely for the times they began and ended.

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Nik Pascal

The Sixth Ear

20,99 €*

LP | 1971 | EU | Reissue (Wah Wah)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions.

Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Never reissued before on vinyl format, the Wah Wah reissue features original sleeve artwork made of paintings and drawings by Nik himself and reproduction of the famous ironic "Do not listen if you are stoned" sticker. Limited edition, 500 copies only.

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Nik Raicevil

Beyond The End, Eternity

20,99 €*

LP | 1970 | EU | Reissue (Guerssen)

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

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The Glass Prism

On Joy And Sorrow

26,99 €*

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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Poe Through The Glass Prism

The Glass Prism

LP | 1969 | EU | Reissue (Guerssen)

26,99 €*

Release: 1969 / EU – Reissue

Genre: Electronic & Dance

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LP | 1969 | UK | Reissue (Trunk)

David Cain

The Seasons

18,99 €*

La Monte Young / Marian Zazeela

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

clear vinyl. 2012 reissue. With insert

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31 Vii 69 10:26 - 10:49 Pm / 23 Viii 64 2:50:45 - 3:11 Am The Volga Delta

LP | 1969 | US | Reissue (Superior Viaduct)

23,99 €*

LP | 1961 | JP | Reissue (P-Vine)

Release: 1969 / US – Reissue

Genre: Electronic & Dance, Classical Music

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La Monte Young was born in Bern, Idaho in 1935. He began his music studies in Los Angeles and later Berkeley, California before relocating to New York City in 1960, where he became a primary influence on Minimalism, the Fluxus movement and performance art through his legendary compositions of extended time durations and the development of just intonation and rational number based tuning systems. With wife and collaborator, artist Marian Zazeela, they would formulate the composite sound environments of the Dream House, which continues to this day. Seeing reissue for the first time since its initial 1969 release, Young and Zazeela's first full-length album is often referred to as "The Black Record" due to Zazeela's stunning cover design, complete with the composer's liner notes in elegant hand-lettered script. Side one was recorded in 1969 (on the date and time indicated by the title) at the gallery of Heiner Friedrich in Munich, where Young and Zazeela premiered their Dream House sound and light installation. Featuring Young and Zazeela's voices against a sine wave drone, the recording is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of the even larger work The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young group The Theatre of Eternal Music). According to Young, the raga-like melodic phrases of his voice were heavily influenced by his future teacher, the Hindustani singer Pandit Pran Nath. Side two, recorded in Young and Zazeela's NYC studio in 1964, is a section of the longer composition Studies in the Bowed Disc. This composition is an extended, highly abstract noise piece for bowed gong (gifted by sculptor Robert Morris). The liner notes explain that the live performance can be heard at 33 and 1/3 RPM, but may also be played at any slower speed down to 8 and 1/3 RPM for turntables with this capacity.

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Lightnin' Hopkins

Sings The Blues

36,99 €*

TKNOXTZ / Whatever You Feel

Release: 1961 / JP – Reissue

Genre: Electronic & Dance

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No one can doubt that Lightnin' Hopkins is the king of Texas country blues. P-vine is reissuing on LP for the first time in 35 years the classic album, which was originally released on Crown in 1961 and is a compilation of Modern/Kent recordings from 1950-51, one of the pinnacles of the Lonesome & Dirty Blues world. With its deep, withering vocals, which sometimes sounded even terrific, and a guitar that moved nimbly and uninhibitedly, this is one of Lightnin's top-class recordings in his storytelling style. No one can escape the devilish charm of these dense blues.

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T 4 II - Digital Kinki

12" | FR | Original (Pumpking)

The Ethics / Unknown Artist

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo copy

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Tatu

12" | UK | Original (Not On Label)

7,99 €*

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Writing on white labels

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Congo Man (Carl Craig Edits)

Genre: Electronic & Dance

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It has been over 2 years since Kellon (Spillway) ceased trading. He makes his return as Viewfinder, with a new label and a new approach. ‘The Second Phase’ is the first release on Rescan Records – it features 4 club-ready tunes, littered with analogue synths.

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The Congos

12" | UK | Reissue (Honest Jon's)

23,99 €*

12" | DE | Original (Jupiter)

Release: UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Generic label cover. Record is close to VG+.

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D-Train

Music

Release: DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

12" | UK | Original (Not On Label)

The Establishment

Untitled

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

The Best Mash Ups In The World Ever Vol 2

12" | UK (Not On Label)

Release: UK

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Strictly For The Klubheads Volume 3

12" | US | Original (Strictly Hits Vinyl Service)

9,99 €*

Release: US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | UK | Original (Detour)

Detour

Distance To The Ground

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | Original (Not On Label)

Unknown Artist

Why / Sign Of The Cross

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

The South Beach Banger / Technically Speaking

Romanthony

12" | UK | Original (Black Male)

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

12" | UK | Original (Not On Label)

Da Elephants

Volume 2 - Peach Trax

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Rub Ultra / Sunglasses After Dark

Wee Wee Pads 4 All The Lads

12" | UK | Original (Sunglasses After Dark)

11,99 €*

Release: UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Knights Of The Turntables

Fresh Mess

12" | US | Reissue (JDC)

14,99 €*

Release: US – Reissue

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | IT | Original (Endless Wave)

Roy The Boy

Ring My Bell

The Mururoa Movement Feat. Sasha Starr

Release: IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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F... Chirac

12" | Original (Not On Label)

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | Original (Not On Label)

Release: EU

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

includes a tri-fold brochure.

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Marvelle

All The Way

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Scott Walker

The Drift

2LP | UK | Reissue (4AD)

Release: UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Future Sound Of Holland

12" (Hospital)

12,99 €*

Genre: Electronic & Dance

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Limited red, white, and blue colored vinyl LP pressing. 2021 release. A stellar line-up of special guest superstars join Joey Molland's Badfinger to create a full-length album of unique twists on the band's all-time favorite hits. Includes performances by Matthew Sweet, Todd Rundgren, Rick Wakeman, The Legendary Pink Dots, Jethro Tull's Ian Anderson, Rick Springfield, Sonny Landreth and more. Revamped versions of the Paul McCartney-penned "Come And Get It" as well as the smash hit singles "Baby Blue," "No Matter What," "Day After Day" and the monster ballad (later covered by Mariah Carey) "Without You."

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Release: EU

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Björk

Utopia - The New Album

| Original

99,99 €*

Release: Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited Peach Vinyl. Cover has a little bit of edgewear, no splits or tears.

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The Future Sound Of Brazil

12" (Hospital)

13,99 €*