Search "twit+one" 8989 Items

12" | 1995 | IT | Original (One Thousand)

Release: 1995 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover. Vinyl is close to NM. 2013 reissue.

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Joy Salinas

Deputy Of Love

Release: 1995 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

(You're My One And Only) True Love

Ann-Marie Smith

12" | 1995 | UK | Original (MCA)

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1995 | DE | Original (Key One)

Scrapper

Let The Music

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1995 | US | Original (SBK)

Jon Secada

Mental Picture (Remixes)

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

740 Boyz Feat. 2 In A Room

Shimmy Shake (Remix)

12" | 1995 | DE | Original (Motor Music GmbH)

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Unreleased Project Part 7

Todd Terry

2x12" | 1995 | US | Original (Freeze Dance)

"The Sound Design" Final EP (Double Pack)

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Todd Terry

2x12" | 1995 | UK | Original (Hard Times The Label)

Emergency (One More Time)

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Gold Mine

12" | 1995 | IT | Original (Ground Move)

9,99 €*

Release: 1995 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1995 | BE | Original (Satori)

Men In Black

Corcovado

Release: 1995 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1995 | NL | Original (Touché)

Tata Box Inhibitors

Protein

26,99 €*

Release: 1995 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1995 | US | Original (Cajual)

Johnny Fiasco

Conduction

Habits / Paradis Perdu / Insekt

Release: 1995 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Record has hairlines and superficial scratches.
Ships in a brand new plain sleeve.

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Human In Paradise

12" | 1995 | BE | Original (Promo)

Don't Laugh (Richie Hawtin Remix) 2024 Repress

Release: 1995 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with scuffs and hairlines

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Winx

12" | 1995 | EU | Reissue (Sorted)

12" | 1995 | UK | Original (Six6)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it!
The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking.
Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.

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Rhythm On The Loose

Break Of Dawn

41,99 €*

2LP | 1996 | EU | Reissue (Mo Wax)

Release: 1995 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Slightly bumped corners. Light damage in opening. Record looks barely played.

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DJ Shadow

Endtroducing

43,99 €*

2x12" | 1996 | EU | Reissue (Suction)

Release: 1996 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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One of those albums everybody is refering to! Classic beats by the one and only DJ Shadow!

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Lowfish

Test(E)

27,99 €*

12" | 1996 | EU | Reissue (F Communications)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Originally self-released as a tape under the artist name Pest(e), this 1996 collection of IDM and analog electronics is in fact the debut Lowfish album. Intended as a demo, it caught the attention of infamous UK label Skam —but after months of fruitless phone tag with the label, it was time for Gregory De Rocher to strike out on his own. Dropping his Pest(e) moniker in favour of Lowfish, in 1997 De Rocher co-founded Suction Records with like-minded producer Jason Amm, aka Solvent. While that Test(e) tape wasn’t technically a Suction Records release, it served as the impetus for starting the label, and we’ve always referred to it as catalog # suction000.
Fans of mid/late-90s Artificial Intelligence classics from Autechre, Locust, Aphex Twin, u-Ziq, and Bola will recognize those hallmark sounds here, alongside traces of formative influence from Skinny Puppy, OMD, and Tangerine Dream. Recorded live to DAT with a bedroom full of analog classics (Roland Jupiter 6, TR-808, TR-606, Arp Odyssey, Korg MS-20), a sampler, and an arsenal of cheap FX units, the melodies here are lush and addictive, with layers of warm, lo-fi-ish (get it?) grit - often intentional, sometimes just a product of the process. Although largely on the armchair techno tip, the dense drum programming also nods to the burgeoning drum and bass movement, which De Rocher was firmly (but only briefly) obsessed with.
For the first time on vinyl and rightfully re-branded as a Lowfish release, we’re thrilled to have Test(e) officially join the Suction Records catalog

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A Reminiscent Drive

Flame One

15,99 €*

12" | 1996 | EU | Reissue (Housewerk)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Limited edition remastered, originally released on F Communications 1996. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. Enriched with modal mutations, down-sampled drums and creeping tempos, created prophetic electronics by tapping into a giant jukebox, which served as its brain. Otherwise, simply caught up in the emotion, oblivious to references and obsessions.

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Reality Or Nothing

One Day Away

10,99 €*

2LP | 1996 | EU | Reissue (Music On Vinyl)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Pre curser to the infamous Sandwell District First release on Birmingham's Housewerks. Classic Stringy Techno. 2021 will see the re-release of all 6 releases on this classic timeless label. First 300 copies will be pressed on coloured or Clear Vinyl. Artwork by Silent Servant. Music Karl O’Connor and Peter Sutton.

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Archive

Londinium

35,99 €*

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Dub Narcotic Sound System

Boot Party Deep Red Vinyl Edition

LP | 1996 | EU | Reissue (Glass Modern)

26,99 €*

2LP | 1996 | EU | Reissue (Kontakt Audio)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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The classic debut LP by Dub Narcotic Sound System, originally released on K Records and unavailable on vinyl for 25 years. The oddball indie-funk collective Dub Narcotic Sound System was spearheaded by vocalist Calvin Johnson, the former frontman of the legendary Beat Happening as well as the founder of the famed K Records label. Named in honor of Johnson's own Olympia, WA-based basement studio Dub Narcotic, the project was begun in 1994 with a rapid-fire series of funk-, rap-, and reggae-influenced singles including "Bite," "Fuck Shit Up," "Booty Run," and "Shake-a-Puddin'"; from the outset Johnson was the group's sole constant member, although over the course of subsequent releases, including the EPs Industrial Breakdown, Ridin' Shotgun, and Ship to Shore, the revolving lineup grew to include Olympia scenesters like Lois Maffeo as well as Larry Butler, Todd Ranslow, and Brian Weber, all three members of the hip-hop unit Dead Presidents. The first Dub Narcotic Sound System full-length, Rhythm Record, Vol. One: Echoes From the Scene Control Room, appeared in 1995; later efforts included 1996's Boot Party and 1998's Out of Your Mind. Sideways Soul, a collaboration with Jon Spencer Blues Explosion, followed in 1999. Trouser Press wrote that "when not delving deep into the usual sorts of ambient studio trickery, the songs hit a '60s R&B stride, bathing in the stoned soul picnic ambience with uplifting spirit."

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Ihor Tsymbrovsky

Come, Angel

37,99 €*

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music – Ihor Tsymbrovsky – Come, Angel.

Recorded in 1995 in Ukraine and released in 1996 just as a small run on cassette on Polish label Koka Records, the album without any promotion little by little became legendary and madly wanted by many fans all around the world. And from the first seconds, you can hear why it is so. Pretty hard to explain what songs play Ihor, moreover that would be senseless. “Come, Angel” is one of those albums which are so unique that takes you in a vacuum of verbal forms in an attempt to describe the record. In a few words, this is definitely very intimate and deeply emotional music with an absolutely incredible voice. The first associations could forward you to Antony Hegarty from Antony And The Johnsons, Marc Almond, Arthur Russell, Baby Dee, Bjork. Experienced listener familiar with these great artist knows that all of them are inimitable and Ihor Tsymbrovsky is totally inimitable as well.

In 2016 well-known German label Offen Music published 3 tracks from the album “Come, Angel” which brought a lot of attention to Ihor’s music. This time we’re excited to announce the first full album reissue on CD, Double vinyl, and tapes. Beside the full version of the album, you’ll find an exclusive bonus song from the cult compilation “Music The World Does Not See” – Nefryt Records 2000.

~

“For me, music is a certain way of cultural survival. Here I do not set myself theoretical problems or experiments. The connotations of life are important: rhythms, melodies, their connection with language, poetry, real life, virtual or imaginary space. It is very important to me how the recitation of work sounds, how consonant and vowel sounds dissolve in singing, how they combine musically. I understand sound space as a field of my interpretations, preferences, priorities, and I do not use direct imitation. If I hear a melody or a musical phrase, and it is fixed in my memory, later I extract it in my own interpretation, as already formed by this field. In art, the goal is in the work itself, not outside it. For me, the expression “To be is to create a new reality” is another winged reality.” – Ihor Tsymbrovsky

~~

“Tsymbrovsky – an architect, musician, a poet, an artist; one of the most underestimated musicians in Ukraine’s artistic world. Many critics pulled their hair out trying to get to the bottom of Tsymbrovsky’s music. It has been inspired by jazz, minimal, modern, ethnic, and meditation music. Tsymbrovsky is not a virtuoso, however, he creates whole worlds with his astonishing falsetto. Although Cymbrovsky’s music is simple it is made of many elements. Filled with magic and unusual sensitivity and warmth it can be therapeutic for the listener. This is that kind of music, which can be listened to many times – in a different way each time.” – Koka Records.

~~~

“Igor Tsymbrovsky’s only album “Come Angel” (1995) still remains perhaps the most bizarre phenomenon in Ukrainian music since independence. The story of its author is a vivid example of cultural amnesia. In the pre-Internet era, Tsymbrovsky was a prominent figure in the Ukrainian underground, performed on the “Red Route”, went on tour in Germany. However, he left a minimum of evidence of his activity and became a silent legend for a few. We talked to Igor to find out where he came from and where he was going.

The album “Come Angel” is eight compositions performed with a falsetto to the accompaniment of a piano. (Tsymbrovsky’s falsetto is a legacy of the Lviv Dudaryk choir, where he sang as a child.) It would seem that it could be easier. But, despite such ascetic tools, Tsymbrovsky managed to create a phenomenon unique to Ukrainian culture. Some people compare him to Benjamin Clementine and Anthony Hegarty, but no comparison will be exhaustive. The lyrics of the songs attract special attention: two of them were written by Tsymbrovsky himself, the others demonstrate his remarkable literary knowledge. Here and Guillaume Apollinaire, and Mikhaijl Semenko, and even less obvious poets, such as Mykola Vorobyov or Jozsef Attila.

The young performer’s first performance took place in 1987 in the club of the Forestry Institute. It is quite symbolic that this room used to be a Jesuit church because such a chamber environment suits his songs about angels much better than the noise of big festivals. However, there were also many festivals in Tsymbrovsky’s career: in 1989, Chorna Rada and Chervona Ruta, in 1991, Kharkiv’s Nova Scena and Ukrainian Nights in Gdansk, Alternativa in Lviv. Ihor calls his first performances musical performances and notes that they sounded completely different. Unfortunately, we will never know exactly how.” – Amnesia

~~~~

“The magicians at Dusseldorf’s Offen Music pluck a madly beguiling pearl of late-night songcraft by Ukraine’s Ihor Tsymbrovsky to follow their vital releases by Toresch and Rex Ilusivii. Come Angel was first recorded in Lviv, Ukraine, in 1995, and issued on cassette by Poland’s Koka Records in 1996. There appears to be no prior mention of the release or artist on the internet and quite how it came into of Offen Music possession is not disclosed, and that only ratchets the record’s enigma to astonishing degrees once you’ve heard the music. In a quivering, high register, androgynous trill, Ihor Tsymbrovsky beckons heavenly beings in the remarkable A-side Come, Angel against a swirling backdrop of phasing, subtly delayed organ. It was recorded in one take (this is the 2nd version), and, if we’re not mistaken, you can hear the keys being pressed rhythmically in the background, which seems to be the song’s only tangible connection to this mortal world as Ihor vaults octaves high and close-in-the-mix with the sort of alien, dreamlike vocal that requires pinching oneself to make sure you’re awake. Spellbinding is definitely the word. On the other side he (we’re assured it is a ‘he’ in the promo text) sets two poems by Mykola Vorobyov and Mykhal Semenko, respectively, to emphatic piano keys, this time more shy of FX save for some delay, placing that willowing, avian vocal at a dreamy arms reach in Roses for the Poet, and with a sort of liturgical dark jazz feel, sorta like Lewis repenting his sins as a castrato monk, in the spare atmosphere in By the Sea. This is gold-seal business, we tell ya. Clock the clips and clear some swooning room.” – Boomkat

credits: Music By – Ihor Tsymbrovsky Lyrics By: Ihor Tsymbrovsky (tracks: C2, D1) Atilla Joszef (tracks: B1) Mychajl Semenko (tracks: B2, C1,C3, D2) Mykoła Worobjow (tracks: A1,A2) Engineer – Edward Hryhorjew Remastering – Ihor Tsymbrovsky

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Roach Motel

The Night

4,49 €* 4,99 € -10%

12" | 1996 | EU | Reissue (Space Teddy)

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Label cover.

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Jonzon

Testosterone EP

CD | 1996 | EU | Reissue (One Little Independent)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Re-issue from 1996 - essential! Special thanks to Uwe Reineke & Dr. Motte!

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Björk

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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2x12" | 1996 | EU | Reissue (Sounds.)

Modal

Lovers Remixes

27,99 €*

2LP | 1996 | EU | Reissue (Pixadelic)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Another one in the rebound! Sounds. presents "Modal - Lovers Remixes". This high demanded remix double pack was originally released in 1996. The re-mastered version will be soon available again.

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Etienne De Crécy

Super Discount

35,99 €*

12" | 1996 | UK | Reissue (Det 313)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Released in 1996, Super Discount is the debut album by Étienne de Crécy, one of the most influential figures on the electronic music scene and one of the most inspired producers. Over time, this record has become one of the pioneering records of the French Touch and a founding classic of electronic music, both in France and abroad. It was a critical and commercial success from the start, an icon of its time.

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Gary Martin

Interview With An Alien

15,99 €*

12" | 1996 | EU | Reissue (Rawax)

Release: 1996 / UK – Reissue

Genre: Electronic & Dance

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A hard to find sci-fi Detroit techno classic - it's featured everywhere from Marcel Dettmann to Zip's SW sets.- gets a timely reissue complete with a new, super solid Delano Smith remix. It's hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline - imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation. Take your pick according to mood, they both do the job admirably.

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John Selway

Real

11,04 €* 12,99 € -15%

12" | 1996 | UK | Original (Champion)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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RAWAX presents John Selway - Real. His most wanded release from 1996, originally released on Gyroscopic Recordings will be soon available on black gold again. Don't miss!

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Kristine W

One More Try

3,59 €* 3,99 € -10%

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1996 | EU | Reissue (Music On Vinyl)

Vangelis

Gift

33,99 €*

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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12" | 1996 | EU | Reissue (La Bella Di Notte)

Zero Origin

New Life

13,99 €*

Interview With An Alien Black Vinyl Edtion

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Following on La Bella Di Notte is a repress we are very proud of. Zero Origin, one of Nathanael Heres' monikers, techno music geek, and producer plus headliners behind Urban Sound Of Amsterdam, as well as the owner himself of Upcult Records, a tight but super sharp label from the mid-nineties, born in the backstreets of the Dutch capital. The original record here is "New Life". Last on the market as Zero Origin, but perhaps the finest on his chest. Three exciting tracks chase each other in a rhythmic crescendo and increasingly hypnotic decorations are ready to set on fire both the main room of bigger clubs and intimate dance floors of a smoky underground party. Forbidden to sleep.

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Gigi Galaxy

12" | 1996 | UK | Reissue (Det 313)

15,99 €*

12" | 1996 | UK | Original (Not On Label)

Release: 1996 / UK – Reissue

Genre: Electronic & Dance

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This is one of two reissues the excellent Det 313 label is dropping to start off its new year right. Gigi Galaxy's 'Interview With An Alien' dropped first ay back in 1996 and is an atmospheric bit of deep and pulsating techno with warm, surging basslines and sleek synth work that brings the machine soul as a vocal adds extra cinematic heft. On the flipside of this 12" is a Delano Smith remix that finds the Detroit mainstay sink into one of his seductive and deep grooves where techno and house combine. Swirling pads add extra scale to this most heady of rollers.

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Damian C.

The Nearly E.P. (Vol 1)

29,99 €*

Hexafunk / Nightmoves E.P.

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Writing on label. Closer to VG+.

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Diode / Grumptronix

12" | 1996 | US | Original (Erotic City Communications)

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Ashley Beedle Presents The Jamayka Boys

Dancehall Sessions

12" | 1996 | DE | Original (Phuture Wax)

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Generic label cover

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John Chevalier

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1996 | BE | Original (Bonzai)

Pop in Wonderland

Beautiful People Remixes

2x12" | 1996 | DE | Original (Space Teddy)

Release: 1996 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Price tag.

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Holy Language

Choose Your Own

55,99 €*

12" | 1996 | BE | Original (Bonzai)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Price tag.

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Pop in Wonderland

Beautiful People Remixes

12" | 1996 | UK | Original (Nukleuz)

Release: 1996 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on label.
Small sticker on back cover.

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Ann-Marie Smith

Stronger

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Do It Your Way 2024 Black Vinyl Repress

Mood II Swing

12" | 1996 | EU | Reissue (Groove On)

12" | 1996 | EU | Reissue (Delsin)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Re issued in conjunction with George Morel / Groove On. Re mastered for 2014 from original Mood II Swing dats.

Absolutely killer Mood II Swing from 1996...

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Ballet Mechanique

Embody EP

Instinctive Pleasure Remastered Edition

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

After shining a light on the rich history of Eevo Lute with two retrospective compilations of Wladimir M. and Florence earlier in the year, Delsin dives deeper in the Dutch techno archives once more by re-masterering, re-cutting and re-releasing Ballet Mechanique's Embody EP. A keystone release containing four tracks of tough, yet emotive electro jams, sounding fresh till the date of today. Originally released in 1996 on Eevo Lute Muzique and definitely one of the highlights when it comes to pure futuristic techno soul. The Embody EP from Jeroen Borrenbergs aka Ballet Mechanique and Eevo's in-house graphic designer at that time made his first public work on one of the most influential techno labels from the Netherlands.

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Brian Harden

12" | 1996 | EU | Reissue (All That Jelly)

12" | 1996 | EU | Reissue (Metroplex)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Brian Harden is a name that long time deep house heads will be familiar with. He has been crafting quality EPs for many years on a range of labels and this time it is All That Jelly who have put together a remastered reissue of his Instinctive Pleasure EP. The title cut opens up with quintessential deep house brilliance built on raw drums with bright synths bringing the soul. 'Bliak' gets buys with chattery percussion and zippy leads darting abut the mix. 'Wet Dreams' tips into hi-tek soul territory with its slightly more techno minded synth work and big drums and 'Suede Keys' shuts down with a heavy but emotive thump.

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The Vision (Robert Hood)

Spectral Nomad

13,99 €*

Hi-Tech Funk / Space Christ

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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As The Vision, Robert Hood provided Detroit techno a pinnacle of the artform. It may be justifiably best known for the lip-bitingly strong minimalist transport of Detroit: One Circle with its sparing central refrain "Detroit" and spine-playing riffage, or for the killer Explain The Style variant, but for us the EP's shortest and freakiest number Modern And Ancient is also one of its strongest, a mad, half-stepping slice of Afro-futurist electro encryption that still blows our mind today.

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Marco Bellini

12" | 1996 | EU | Reissue (Evasione Digitale)

19,99 €*

Booker T Presents Shawn Benson

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Evasione Digitale once again teams up with Italian techno legend Marco Bellini, an iconic figure in the vibrant Italian club scene of the ‘90s, renowned for his residencies in clubs like Aida and Area City in the northeast region of the Mediterranean peninsula. An extravagant and hypnotic character, he also became famous for his clamorous peak time drive-ins into the clubs on his Harley Davidson. Bellini, aside from djing at infinite nights and afterhours, produced a bunch of records, including one of his best collabs with the late Alberto Bertapelle on Mammut Records. Their partnership contributed to the label's unique style with distinctive dark arpeggiated basslines, metallic drum breaks, and dubbed-out excursions. We are glad to present the second split EP that explores the sound of Marco Bellini on Mammut Records. Carefully remastered by Manmade Mastering, they’re now ready to hit the dancefloors again.

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I Know You Want Me

12" | 1996 | DE | Original (Space Teddy)

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Dicabor & Dr. Motte

Cologne

7,99 €*

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1996 | DE | Original (Underdog)

Nomination One

Pipeman

Lost Recordings #1 - Why? And For Whom?

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Writing on label.

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Steve Bicknell

2LP | 1996 | EU | Reissue (System Revival)

26,99 €*

3LP | 1996 | EU | Reissue (Kompakt)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Steve Bicknell - Lost Recordings 1 This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996) from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series Lost Recordings Rich, raw and unpredictable - every single one of these tracks sounds Fresh as ever! In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series Lost)

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GAS

43,99 €*

CD | 1996 | EU | Reissue (Kompakt)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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Kompakt is proud to announce, finally, a reissue of the first, self-titled GAS album. Originally released on electronica imprint Mille Plateaux back in 1996, it’s been unavailable in its original form ever since – the version of GAS included in 2008’s Nah Und Fern box featured several different tracks. Here, however, GAS is restored in all its glory, the debut full-length from Wolfgang Voigt’s most enigmatic, quixotic project.

There had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation & Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.

But nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.

GAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.

In clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.

Text by Jonathan Dale

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GAS

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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X-Press 2

Tranz Euro Xpress

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1996 | UK | Original (Multiply)

Lil Mo' Yin Yang

Reach

7,99 €*

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Handyman's Unreleased Project: Basketcase Vol. 1

First Initiative

12" | 1996 | NL | Original (Not On Label)

Release: 1996 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1996 | DE | Original (Ultraphonic)

Jeyênne

Monopoly

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Elementz Of Noize With MC Det

Stick - Up

12" | 1996 | UK | Original (Sour)

9,99 €*

Seven Days And One Week Blue Vinyl Edtion

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

promo white label copy, Writing on label sticker.

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BBE

12" | 1996 | EU | Reissue (Dance On The Beat)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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10" | 1996 | UK | Original (TEC)

Jon The Dentist

France

12" | 1996 | NL | Original (Touché)

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Tata Box Inhibitors

Insane / Ribosomal

Release: 1996 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

The Message In Herbie's Shirts

As One

2LP | 1996 | UK | Original (Clear)

16,99 €*

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1996 | UK | Original (In The Air Records)

3-Play

The Custard Slice E.P.

19,99 €*

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Medium: VG, Cover: Generic

What Is Houze? / Chill In Spirits

Annie Way

12" | 1996 | DE | Original (The Same Hippies)

12" | 1996 | US | Original (Not On Label)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Generic label cover

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Flower

1 / 2

8,99 €*

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1997 | UK | Reissue (Warp)

Aphex Twin

Come To Daddy

24,99 €*

2LP | 1997 | UK | Reissue (Biophon)

Release: 1997 / UK – Reissue

Genre: Electronic & Dance

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Classic Aphex Twin 12" with four nice mixes!

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Biosphere

Substrata

30,99 €*

12" | 1997 | EU | Reissue (Temple Traxx)

Release: 1997 / UK – Reissue

Genre: Electronic & Dance

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One of the all-time classic ambient albums finally available on strictly limited edition 180gr vinyl.

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Jammin' Unit

Remote Car Babe EP

11,99 €*

Scalable Architectures Blue Vinyl Edition

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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“Remore Car Babe” was originally released on clear 10” via Temple Records NYC in 1997 and is now remastered by the man himself for our 2018 ears. Re-issued on 12” black vinyl for more gain and better audio quality. Jammin’ Unit is not only my brother but one of the most prolific producer of electronic music since the early days of techno. He is one half of legendary electronic super group Air Liquide and made his way into history books with tracks like “If The Was No Gravity” and “Revelation” lately featured on Nina Kraviz - Fabric 91 mix.

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Cron (Todd Sines)

12" | 1997 | EU | Reissue (Musique Pour La Danse)

10,99 €*

12" | 1997 | EU | Reissue (All That Jelly)

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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This is a 180g pressing on blue Colored Vinyl. Musique Pour La Danse presents Cron aka Todd Sines 'Scalable Architectures', the classic 1997 EP remastered. For fans of Dopplereffekt, Drexciya, Keith Tucker, Mid-West Electro.

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DJ Duke

Techdisco Ep Volume 2

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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12" | 1997 | EU | Reissue (Delsin)

Ballet Mechanique

Borrenbergs 12 Ep II

11,99 €*

Thomas Barnett Presents Subterfuge

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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Second Ballet Mechanique re-issue from the Eevo Lute archives. Originally released in 1997, it was his second appearance on the legendary Eevo Lute imprint. The Borrenbergs 12 EP II marks Jeroen Borrenbergs return with three jams of 90s feeling electro and half-stepping techno that easily passed the test of time. First track 'Where's The DJ (Pissbreak Mix)' counts over 13 minutes of gritty acid electro, making a halfway transformation into a moody two-step mover. The perfect two-in-one track gives you all the time to go for a toilet break while still being in the mix ;). On the b-side the emotive side of Borrenbergs returns to the surface, with 'Vinyl Voyage' being a spooky bleep jam and 'Diamond Cut' presenting his trademark bassline energizers. Fully re-mastered 2021 edition.

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The Foundation Series Volume One

12" | 1997 | EU | Reissue (Rawax Motor City Edition)

Close Derrick Carter Remix

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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Rawax welcomes Thomas barnett to the family! It was more than about time to invite this great artists to our label. We are very happy to present you a great treasure from the past back on vinyl. It's the "Foundation Series Volume One". Originally released in 1997 on Visillusion Records, Detroit.

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Chez Damier

12" | 1997 | EU | Reissue (Phonogramme)

LP | 1997 | EU | Reissue (Editions Mego)

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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New license with one of the pioneers of Chicago and of the house scene: Mr Chez Damier. Close is surely one of the hymns of house music. a timeless beauty with an unmistakable remix of one of the essential DJs of the House scene Derrick Carter.

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Fennesz

Hotel Paral.Lel

27,99 €*

Lunatic Harness 25th Anniversary Black Vinyl Edition

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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Hotel Paral.lel, released in 1997, marks the full length debut release from Austrian Christian Fennesz, originally released by Mego, following the twitching drone as found on the 1995 EP Instrument, also included in this deluxe 2LP reissue. Once launched, Hotel Paral.lel was to instigate a sublime exploration of a wide variety of forms, from formal abstraction to shimmering drone around to ground zero glitch pop. Recorded just before mobile computing devices became omnipresent it was an investigation into the sonic possibilities residing in guitar based digital music. Sz launches the career with a constantly buzzing sound that resembles a fax machine encountering a G3 laptop for the first time, realising the game is up. Nebenraum is the first foray into the style for which one would attribute to Fennesz. A glacial drone unexpectedly morphs into a gorgeous melody and microscopic groove. Adding pulse and melody was hearsay in the radical end of experimental music up until this point and with this single gesture, everything changed, for everyone. Blok M nails this trajectory home with a straight up 4/4 beat. Such rhythm also features on Fa with a euphoric mix of a thudding beat, sharp splinters of noise and a devastating exploding melody. Repetition plays heavily through this album as the hyper metronomic beat on traxdata lays a bed for all manner of buzzing electronics. On the closing “Aus” we see a glimpse of what was to come in the future works of Fennesz, an experiment in popping, bubbling pulse pop. A far more darker and experimental work than Fennesz’ subsequent work. This is an exquisite radical field of freeform noise, sliced techno beats and subtle ambient texture all coming together to create a timeless work. There’s little out there in the world of music, still to this day, that sounds remotely like Hotel Paral.lel. With a radical reinvention of music Hotel Paral.lel is an essential addition to collectors of pioneering music in the late 20th Century and sounds as enthralling today as it did to the shocked ears occupying 1997.

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µ-Ziq

4LP | 1997 | UK | Reissue (Planet Mu)

113,99 €*

Release: 1997 / UK – Reissue

Genre: Electronic & Dance

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Im The Baddest Bitch Moodymann Mixes Blue Vinyl Edition

Norma Jean Bell

12" | 1997 | US | Reissue (F Communications)

20,99 €*

LP | 1997 | UK | Reissue (Suction)

Release: 1997 / US – Reissue

Genre: Electronic & Dance

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Be Quick! Very limited repress of one of Moody's classic remixes from the 90's!

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Lowfish / Solvent

Suction001

17,99 €*

CD | 1997 | EU | Reissue (One Little Independent)

Release: 1997 / UK – Reissue

Genre: Electronic & Dance

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2022 marks the 25th anniversary of Suction Records, the Toronto-based electro/IDM label founded in 1997 by two emerging producers, Lowfish (aka Gregory De Rocher) and Solvent (aka Jason Amm), the latter still overseeing the label to this day. The label’s inaugural release was a split Lowfish/Solvent 12”, marking both artists’ debut vinyl appearance. Gregory and Jason had known each other since high-school, but a deeper friendship was forged during their university years, after Gregory introduced Jason to early Rephlex releases by Aphex Twin and µ-Ziq. Gregory had been making electronic music in his bedroom for more than a decade, but it was those Rephlex releases that ignited Jason’s passion to do the same. After several years of obsessive gear buying, music making, and playing tracks for each other, Lowfish and Solvent had hit their stride, and their demos even attracted the interest of legendary early IDM labels labels Skam (for Lowfish), and Isophlux (for Solvent). But things were slow-moving in those days — letters, faxes, phone calls… nothing was panning out. So that’s when they decided to start their own label, and put out 300 copies of this 12”, suction001. The label was heavily inspired by contemporary artists like AFX, Autechre, and Panasonic, but on suction001, those influences collided with their ‘80s synth-pop and industrial roots to create something unique. 25 years later, it still sounds fresh, and like nothing else out there. On suction001, 808 drum machines are run through distortion and breakbeats are chopped and mangled, contrasting with melodic OMD-style leads and catchy synth-pop basslines — a sound the label would refer to as ‘distortion pedal new wave.’ Over the past 25 years, Suction’s sound has morphed and evolved, but in recent years has shifted back to it’s original Rephlex-inspired roots. That makes 2022 the perfect year to revisit this wild, 1997 debut, now reissued in a new, expanded edition for it’s 25th anniversary. The reissue adds 2 bonus tracks — a 1999 remix by Detroit electro-punk duo Adult., along with a previously-unreleased version of Lowfish’s A1 cut, and also features new and improved artwork, including an insert with full label discography. Limited to 500 copies, and comes with a Bandcamp download card.

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Björk

Homogenic

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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Southern Soul Black Vinyl Edition

Norken

12" | 1997 | EU | Reissue (Only One Music)

13,99 €*

Memories / One Day In Paradise

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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Only ONE Music presents Lee Norris aka Norken "Southern Soul" This GEM came out originally on Reel Disc (uk) in 1997!

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Evangelia

12" | 1997 | DE | Original (Sodom Music)

1,79 €* 3,99 € -55%

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

12" | 1997 | UK | Original (Worx)

Ca$ino

Sound Of Eden

1,99 €* 3,99 € -50%

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1997 | NL | Original (Club Extreme)

Take One

Time On My Mind

2,79 €* 3,99 € -30%

12" | 1997 | EU | Original (Club Zone)

Release: 1997 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Ships in a generic sleeve with hype sticker.

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Wayne Samuels

I'm A Callboy

2,99 €* 3,99 € -25%

12" | 1997 | UK | Original (Swank)

Release: 1997 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Close to VG+

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John Truelove

Disco Revenge

3,39 €* 3,99 € -15%

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2x12" | 1997 | UK | Original (EMI United Kingdom)

Eternal

I Wanna Be The Only One

5,39 €* 5,99 € -10%

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

12" | 1997 | DE | Original (ZYX Music)

Juan C. Faxas

De La Cabeza

No One Can Hear Your Dreams

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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D-Trax

12" | 1997 | BE | Original (Zolex Records)

Release: 1997 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1997 | US | Reissue (Chicago Vinyl)

Tyree Cooper

Future Recooped

16,99 €*

12" | 1997 | NL | Original (Pegasus)

Release: 1997 / US – Reissue

Genre: Electronic & Dance

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Originally released in 1997, this 4 track EP is generally regarded as one of TYREE's best on DANCE MANIA. Reissued here for the first
time, featuring iconic tracks like "GIRLZ WITH BIG BOOTYZ," and "KAN I GIT HIGH." After years of crazy prices on the secondhand
market, here's your chance.

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Brothers In Charge

Let Me Do My Thing

Release: 1997 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 1997 | UK | Reissue (Swim ~)

Colin Newman

Bastard

21,99 €*

12" | 1997 | UK | Original (Not On Label)

Release: 1997 / UK – Reissue

Genre: Electronic & Dance

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It was four years into the swim ~ label’s history before Bastard arrived. Like my previous albums, it was another collaboration – although this time only with my partner in life and crime, Malka Spigel.

There was a point in the ’90s when British music journalists basically didn’t get dance music and would refer to it as “facelesstechno bollocks”. It was that very attribute that Malka and I felt most attracted to. In instrumental music, you could be anyone fromanywhere. The only thing that mattered was how good your tunes were. In fact, for the first Immersion album, we pretended to befrom Germany and were photographed in wigs and masks. This had the unexpected result of the album selling more copies in Germany than anywhere else!

With Bastard, it took a while to get to the concept, which was essentially this: What if we subverted the whole ‘bloke from Wire’thing and had a Colin Newman album without any actual songs on it? These days, this is not such a big thing, but it was hugelytransgressive at the time. The language of Bastard is house, techno, breakbeat, drum and bass, and doubtless post-rock. The onlysinging is a one-line Malka sample on ‘Turn’. Not only did the album not play by the rules of what would these days be called musicby a ‘heritage’ artist, but it didn’t play by the rules of dance music either. Back then, dance music artists didn’t mix up styles as theydo today. This is one of the reasons the album’s called Bastard.

Upon release, Bastard was modestly successful in comparison to the label’s other releases, although widely misunderstood. Thetitle is intentionally multifaceted, referring to several ways in which the album is a misfit – a cuckoo in the nest. But it never meant‘Colin Newman is a bastard’ – even if Malka’s toy finger gesture on the cover tempted fate on that!

Malka and I have done more work together on swim ~ – and, of course, there has been plenty of Wire activity after its second hiatus during the 1990s – but I never felt the need to do another solo album. I don’t crave attention and certainly don’t feel I lackways to express myself. In many ways, it’s more creative to collaborate with others.

There is joy and beauty in collaboration. And collaborating with Malka has become so effortless that we almost don’t know whodoes what in the work we create. This has led us to throwing open our partnership via Nanocluster events and albums where webuild musical bridges and make partnerships that transcend the art. Maybe that’s the point? Surely, art should be about human connection and diversity of expression?

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N.O.H.A.

Start

8,99 €*

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 1997 | DE | Original (Dos Or Die)

DJ Thoka

Party People / The One

2LP | 1997 | DE | Original (Pharma)

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Ships in a label sleeve.

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Zulutronic

Mission Zulu One

19,99 €*

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1997 | UK | Original (Dope On Plastic)

Kitachi

Spirit (The Remixes)

6,99 €*

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Mixmaster Morris, Jonah Sharp, Haruomi Hosono

Quiet Logic

2LP | 1997 | EU | Reissue (WRWTFWW)

33,99 €*