Search "record store day" 13923 Items

Zake presents LL Random Colored Vinyl Edition

3LP | 2023 | UK | Original (Past Inside The Present)

42,99 €*

12" | 1993 | UK | Original (General Production Recordings (GPR))

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Another week, another new release from the unstoppable ambient powerhouse that is zake. His latest full-length LL has two new cuts by the American maestro with remixes from a hefty selection of equally prolific producers all served up on his home label Past Inside the Present and no fewer than six sides of vinyl. Across this immersive two hours of music, there is a mix of ambient, drone, drum & bass, electronica, and deep techno from Warmth, Aural Imbalance, ASC and Bvdub. It is yet another essential release from zake and co.

Go to Item

The 7th Plain

TRJ-Cendance

42,49 €* 49,99 € -15%

Release: 1993 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

Go to Item

4LP | 2021 | EU | Original (AVA. RECORDS)

10 Yahre

42,39 €* 52,99 € -20%

2LP | 2023 | US | Original (Important)

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

AVA. Records celebrates its 10th anniversary with 52 artists. “10 Yahre” is a 4LP compilation housing 22 tracks, a printed 30 pages magazine and a mixed CD. All wrapped in a custom made silkscreen sleeve, also including a textile keychain and stickers. Sonically spanning from ambient to techno, 10 Yahre carries new and exclusive material, all woven around the label’s decade focus on dance floor culture, started 2011 in Cologne, Germany. The 4LP vinyl includes music by: Am Kinem, Andy Hart, Axel Boman, Cinthie, Damiano von Erckert, Dman, Dogpatrol, форм, Jürgen Ratan, Jus-Ed, Lauer, Lowtec, Move D, Paingel, Paradise Grey, Retrogott, Robi, Ron Trent, Sinoesin, Tito Wun, U-I, Will Saul and Wolfey. The mixed version of the entire compilation is contributed by Sally C. The full color magazin and video includes works by: Alina Bader, Andy Kassier, Angel, Anna Beil, Ata Macias, Bailey Keogh, Damiano von Erckert, Dirk Jeans & Lou de Bètoly, Funkycan, Guido, Jana Marei, Jana Maria Dohmann, Joana Pratschke, Johannes Wohnseifer, Juri Bader, Kuchenbaum, Manuel Fischer, Maria Sécio, Martin Fengel & Public Possession, Mathias Schmitt, Maximilian Schweizer, Michael Satter, Naum Hirsl, Nicolas Wenz, Peter Wolff, Rein Vollenga, Rucksack Leer, Stelan Mergenthaler, Suzanne Caroline de Carrasco, Twit One and Yves Taron Harouche Compiled by Juri Bader and Damiano von Erckert, mastered by Enyang Urbiks. Design and concept by DVE 1989.

Go to Item

Pauline Oliveros

The Well & The Gentle

Every Day 20th Anniversary Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

If Oliveros had followed a more conventional path she may have, all social obstacles aside, been considered among the major composers of her time. However, Oliveros approached composition in a more egalitarian manner. She wrote music for musicians to interact with or, in the composers words, she wished to create "an inclusive and interdependent and unfolding world of relationships."

Oliveros' propensity towards inclusion is part of what makes this work so remarkably distinctive. The Well & The Gentle is carefully crafted, allowing performers to participate in the creation of the work. Players are asked to collaborate, focus, react and make imaginative choices. Only then can the performers "pass through stages of awakening to the possibilities inherent in making music, working together, leading to the essence of what can shape musical impulses and individual freedom simultaneously."

Unlike most major composers of the era, Oliveros' work focuses on collaboration and improvisation. For Oliveros, the processes involved in making music are as fundamental as the music itself. Oliveros creates, as Arthur Sabatini put it so eloquently in the liner notes, "A world in which sound and the practices entailed in making music merge; become, at once, source and atmosphere, energy and essence, presence and dynamic."

Pauline Oliveros was an electronic music pioneer, accordionist, composer and educator who resided in Kingston, New York. Her instrument was tuned in Just Intonation and she often included it in her meditative improvisational music. Her music is not meditative in the sense that it is intended for listening to while meditating, rather each piece is a form of meditation, such as her aptly titled Sonic Meditations.

A central figure in post-war electronic art music, Oliveros is one of the original members of the San Francisco Tape Music Center (along with Morton Subotnick, Ramon Sender, Terry Riley, Steve Reich and Anthony Martin), which was the resource on the U.S. West coast for electronic music during the 1960s. The Center later moved to Mills College, where she was its first director, and is now called the Center for Contemporary Music. Oliveros often improvised with the Expanded Instrument System, an electronic signal processing system she designed, in her performances and recordings.

Go to Item

The Cinematic Orchestra

3LP | 2002 | UK | Reissue (Ninja Tune)

Release: 2002 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Sonic Pieces)

To Move

Devotional White Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

To Move is a new project by the trio of Anna Rose Carter (Moon Ate the Dark), Ed Hamilton (Dead Light) and Alex Kozobolis. Four-handed piano meets analogue manipulations to absolute wondrous effect from the London based friends.

We´re carried into a time and place not afraid to embrace a sense of optimism - even if it comes wrapped in a certain distorted shape. Transporting, blissful tones emanate free of concerns from the unifying keys; at least until the melodies are pulled and dragged from purity to become something wholly else – their own lived life; fitted with obstructions and unpredictability. The intertwining pianos linger like lovers in unison, full of drift, rhythm and life; all while analogue electronics and tape manipulations degrade and move them from their original form and closer towards earth itself.

The album came to light while Anna and Ed were temporarily residing in the English countryside between 2016 and 2019. Musical weekend visits from Alex turned into the fruitful collaboration presented here. 'To Move' is a compelling musical storyboard with a name that captures the essence of their music better than any written essay could do. This is music to resonate to, music to dance to, music to engulf your being. As for fans of the Sonic Pieces sound – if there is one – this record hits as close to home as it could do.

Go to Item

The Lord & Petra Haden

LP | 2022 | US | Original (Southern Lord)

2LP | 2022 | EU | Original (3am)

Release: 2022 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Devotional is a new collaborative album with Greg Anderson (sunn O))), Goatsnake, Engine Kid) + vocalist and violinist Petra Haden, who first worked with Anderson during his time in Goatsnake, as well as on the second Sunn O))) studio album, OO Void. Devotional is a rapturous and heady offering of wordless vocalizations, droning guitars, and heaviness explored in unexpected and intoxicating ways. Inspirations came from deep listening to Indian classical music, as well as a fascinating look at the chaotic and unbelievable life of Ma Anand Sheela and the Rajneesh community. Through a haze of incense, flowing robes, and secret mantras, Haden's voice rings out over constant drones in ecstatic chants throughout this musical investigation into the myriad of ways in which worship can lure and intoxicate. This is a journey that Haden and Anderson go on together, the guitar and vocals combined like the call and response of a guru and their congregation. Greg Anderson comments on the album, "I'm extremely happy with the recordings we made together. Petra's vocals bring a whole new dimension to the heaviness."

Go to Item

Al Bradley

Little Treasures

Digital Stimulation Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3am Recordings brings you its debut album, from label boss Al Bradley. While it would be much easier to get some huge name in for this who is previously unrelated to 3am, it was never going to be like that here. Staying true to the ethos of the label, it was important that this milestone was a reflection of the label and what it has always stood for. The move back to vinyl in 2015 has firmly planted the label back in its place as one of the UK's most consistent for house music, retaining its value of working with artists who have been involved with the label over its 19-year history, or who have been firm supporters of 3am during its time. Over the 9 cuts there are a variety of vibes, 'Little Treasures' aims to cover a selection of sounds that represent Al's influences & styles, having been buying records since the mid-80s & playing vinyl as DJ since he got his decks in 1991. The past is important as it represents where we started, the future is equally important, as it's the area of the unknown & we have to embrace it... Covering deep house, dub techno, broken beats, raw machine funk, beatless ambience & more, the album is one that is dancefloor-aimed, but works beyond that area too. With support from the likes of Placid (We're Going Deep), Carlo Gambino (We_R_House), Lolu Menayed (Rawtrax), Lars Behrenroth (Deeper Shades of House), Loz Goddard (Oath), James Reid (Sonet), Moodymanc (2020Vision) & many more, the album reaches right across the spectrum of electronic music.

Go to Item

Units

LP+CD | 1980 | US | Reissue (Futurismo)

3LP | 2022 | UK | Original (Sushitech)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Futurismo have the privilege to be the first label to ever reissue one of the most sort out and revered electronic albums of the early 1980’s: Digital Stimulation by Units.

Inspired by punk in ideology, though not necessarily in sound, San Francisco’s Units were a young breed of dystopic visionaries art space prodigies and trash culture futurists set on reshaping sound for a new age. Leading the charge, along with only a couple of others such as Screamers and Chrome, they lit the touch-paper for a new sound, a new scene. A new approach. Equally as influenced by experimental cinema, performance art and Brechtian street theatre as they were the music of Suicide and Devo, Units offered a glorious glimpse into how and what pop music could be. Their influence has stretching all the way through synth punk and new wave pop into the most contemporary electro musicians.

Originally released in 1980, Digital Stimulation was Units true calling card and masterpiece. Containing the now famous opener ‘High Pressure Days’, this is a time capsule brought up from the dawn of the digi-age; all metronomical rhythms, wry lines and ice-cold delivery…part of a lineage that includes Neu!, Tubeway Army, ‘Being Boiled’-era Human League and Cabaret Voltaire, making this a vital recording for anyone interested in electronic music at all – past or present, with original copies selling at extortionate prices this is a release long overdue.

The remastered version of this out of print 1980 LP is presented here in a choice of ltd edition Colored Vinyl, alongside a CD of the album completely remixed in 2020 by Scott Ryser. This deluxe release also contains a 12pg art booklet containing rare imagery and new liner notes.

Go to Item

Sten Aka Lawrence

Earthshine

Other Colored Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dial's label boss Sten aka Lawrence presents his long awaited third album on the ever-classic Berlin based Sushitech Records. Earthshine is an extended journey of 12 tracks written and produced by Peter Kersten over the last 5 years. Atmospheric Ambient to deep Techno and everything in between put together by a true master of the craft.

Go to Item

Lustmord

2LP | 2008 | EU | Reissue (Pelagic)

Live At Reims Cinema Opera 1975 Record Store Day 2022 Picture Disc Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Electronic/Industrial music pioneer Lustmords tenth studio album [ O T H E R ], originally released in 2008 and to date the only Lustmord album with guitars on it, performed by Adam Jones (tool), King Buzzo (the Melvins) and Aaron Turner (isis). [ O T H E R ] originally came out on independent record label Hydra Head Records, founded by Isis frontman Aaron Turner and former home of bands such as Converge, Pelican, Jesu, SUN O))) or Boris. As one journalist put it at the time, [ O T H E R ] is a "grim example of a consummate artist who is working frmly within the parameters that he has laid out for himself over the years." This album shows Lustmord at his most characteristic, and the icy, ominous guitar playing of Jones, Turner and Ozborne resonates perfectly within the deep soundscapes that make up this frightening yet inspiring journey. As a matter of fact, the material on [ O T H E R ] is so powerful that it moved Williams to create two ambient remix versions of it, and one dub remix EP exploring the sounds of this record to the greatest extend of his ability. In 2022, and also available now, Lustmord further collaborates with artist such as Godflesh, Mono and Zola JesuS, to name but a few, for THE Others (Lustmord Deconstructed) on re-interpretations on [ O T H E R ] tracks. Lustmord is the artistic moniker of Brian Williams. Born in North Wales, he started his musical career in 1980 and soon became a pioneer in the early industrial music scene in the UK. He was a former member of SPK during arguably their most crucial era, and went on to work with Throbbing Gristle members Chris & Cosey as well as appearing on early albums by Current 93, Nurse With Wound and others. After relocating to Los Angeles in 1993, Williams worked on dozens of motion picture soundtracks including The Crow, Underworld and Paul Schrader's First Reformed. Additionally he created several video game soundtracks, television scores and solo albums, as well as collaborating with artists as varied as THE Melvins, Clock DVA, Jarboe, John Balance of Coil, Paul Haslinger (tangerine Dream), Puscifer, Wes Borland and more, including Grammy Award-winners Tool on their much acclaimed effort Fear Inoculum. To this day, Lustmord is actively recording and releasing music, his latest release being the collaborative album Alter with Karin Park of A°rabrot, and he is considered to be the founding father of the dark ambient music genre.

Go to Item

Tangerine Dream

2LP | 2022 | US | Original (Culture Factory)

Release: 2022 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Central Office Of Information

Shadow Work

LP | 2022 | US | Original (Subexotic)

Release: 2022 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Shadow Work is Alex Cargill's (The Central Office Of Information) debut solo album on Subexotic. Cargill is no stranger to the label, having previously released the co-written TV1 as Transient Visitor (subex 024lp, 2021), as well as the split release Passing Cars In The Rain with Hyacinth. With previous titles on such highly prized cult labels as Castles In Space, Woodford Halse, and Colander, Subexotic get in on some COI action with this intriguing new chapter in Alex's musical journey. Describing his current influences, Alex cites genres including synth wave, vaporwave, early '90s hardcore and techno, as well as recent work from the likes of Dalham, Plone, Moon Wiring Club, Polypores, Field Lines Cartographer, The Night Monitor, and the Clay Pipe Music label. Features Bob Fischer and DJ Space Terrapin.

Go to Item

3LP | 2020 | EU | Original (Analogical Force)

Remixes

2LP | 2017 | US | Original (Audika)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We're celebrating our 30th release and we have done it in a big way, gathering a handful of like-minded friends, close and far!. This triple vinyl album contains a selection of 12 catalog tracks, receiving free and stunning treatment from masterminds like Venetian Snares, Samuel Kerridge, OM Unit, DgoHn, Plaid, Etapp Kyle, Dwaallicht (wisp), Humanoid (fsol), EOD, Konx-Om-Pax, Radioactive Man and Anthony Baldino. Not many words are needed except this powerful release expands the AF sound palette from different approaches, making it, undoubtedly, in one of our essential records of the year. Packed in gatefold deluxe sleeve designed by Geometric Love studio.

Go to Item

Arthur Russell

Instrumentals

3LP | 2008 | UK | Reissue (Ninja Tune)

Release: 2017 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Before Disco, and before the transcendent echoes, Arthur wanted to be a composer.

His journey began in 1972, leaving home in Oskaloosa, Iowa. Heading west to Northern California, Arthur studied Indian classical composition at the Ali Akbar Khan College of Music followed by western orchestral music at the San Francisco Conservatory of Music, before ending two years later in New York at the Manhattan School of Music.

Traversing the popular and the serious, Arthur composed “Instrumentals” in 1974, inspired by the photography of his Buddhist teacher, Yuko Nonomura, as Arthur described, “I was awakened, or re-awakened to the bright-sound and magical qualities of the bubblegum and easy-listening currents in American popular music”.

Initially intended to be performed in one 48 hour cycle, “Instrumentals” was in fact only performed in excerpts a handful of times as a work in progress.

The legendary performances captured live in New York at The Kitchen (1975 and 1978) and Franklin St. Arts Center (1977) feature the cream of that eras downtown new music scene including Ernie Brooks, Rhys Chatham, Julius Eastman, Jon Gibson, Peter Gordon, Garrett List, Andy Paley, Bill Ruyle, Dave Van Tieghem, and Peter Zummo.

Pitchfork lauded “Instrumentals” Vol. 1 as a masterpiece and one of Arthur’s “greatest achievements”. Americana touching on Copeland, Ives, and maybe even Brian Wilson. “Instrumentals” Vol. 2 is a moving, deeply pastoral work performed by the CETA Orchestra and conducted by Julius Eastman.

Also included are two of Arthur’s most elusive compositions, Reach One, and Sketch For “Face Of Helen”. Recorded live in 1975 at Phill Niblock’s Experimental Intermedia Foundation, Reach One is a minimal, hypnotic ambient soundscape written and performed for two Fender Rhodes pianos. Sketch For “Face Of Helen” was inspired by Arthur’s work with friend and composer Arnold Dreyblatt, recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River.

For this remastered vinyl edition, a key part of Arthur’s musical life has been restored. The sparkling, multidimensional results take the listener closer to Arthur’s coast-to-coast journey: his iconoclastic determination to combine pop and art music; and his desire to make music that would resonate in the present and, ultimately, across time.

The remastered double LP comes with a 12-page booklet including liner notes by Tim Lawrence, Ernie Brooks and Arthur Russell.

Go to Item

The Bug

London Zoo

Silence Teaches You How To Sing Silencing The Singing White Bio-Vinyl Edition

Release: 2008 / UK – Reissue

Genre: Hip Hop, Electronic & Dance, Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

London Calling 2008: great dubstep, grime, digital dancehall tracks feat. Warrior Queen, Spaceape, Flowdan of Roll Deep Crew, Tippa Irie, ... highly recommended!

Go to Item

Ulver

2LP | 2024 | EU | Original (House Of Mythology)

2LP | 2024 | US | Original (In The Red)

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-06

Generally considered the most avant-garde and surreal auditory experience within Ulver's extensive catalogue. House of Mythology is thrilled to announce the exclusive 2024 reissue of Ulver's essential 2001 EPs, Silence Teaches You How to Sing and Silencing the Singing, now available together on one Double LP. This remastered (by Jaime Gomez Arellano) special edition boasts entirely new artwork by the highly talented + wolframgrafik aka Paschalis Zervas.Maintaining the high-quality standards you've come to expect, this release features two 180- gram vinyl records presented in a durable 350gsm gatefold sleeve. For added protection, each record is placed in white poly-lined disco bags and packaged outside the sleeve to avoid seam splits, with everything wrapped up in a plastic sleeve. As frosting, it comes with an insert and a collection of four postcards, containing original and new photography. 1A: Silence Teaches You How to Sing Pt. 11B: Silence Teaches You How to Sing Pt. 22A: Darling, Didn't We Kill You?2B: Speak Dead Speaker2C: Not Saved

Go to Item

Alan Vega

Insurrection

Inventions For Radio Record Store Day 2024 Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In The Red Records is proud to announce a previously unreleased new album by Brooklyn-born master of minimalism Alan Vega, Insurrection. The eleven songs here showcase the unparalleled vision and uncompromising force from one of the most influential artists of all time.

Alan Vega was born in Brooklyn in 1938. He co-founded the legendary New York City punk band Suicide with Martin Rev in 1970. Suicide’s groundbreaking 1977 debut is considered one of the most influential albums of all time. Vega considered his solo records the audio counterpoint to his visual art that reflected the world around him while simultaneously exploring universal themes. It makes his work as relevant today as it was when he created them. It was during his highly experimental period beginning in the late ’80s that he began working with Liz Lamere, who became the most crucial collaborator of his solo career until his death in 2016.

Lamere, along with Jared Artaud, resurrected these newly unearthed collection of lost recordings, which they co-produced and mixed. Lamere and Artaud spearhead the Vega Vault project, which aims to bring rare, unreleased and back catalog work spanning Alan Vega and Suicide’s career to the public for the first time.

On Insurrection, Lamere says: “Insurrection was created in the time period around 1997/98, after Mutator and prior to Vega’s 1999 release of 2007 and captures the intense energy of NYC in the ’90s rife with crime, killing, hate, fascism, racism, and moral bankruptcy. You can hear the tortured souls floating through this album. Post-Gulf War angst still enveloped Alan. He was having premonitions about a major terror attack in the US, well before 9/11. The upcoming birth of his son raised further awareness of the state of our world. All these emotions are mirrored in the sounds he magnetized. And true to Vega form, there remains hope and empowerment coursing through the tracks. In the almost three decades of going into the studio with Vega, we recorded significantly more material than the seven albums released. Vega’s intention was to experiment with sound which would become the canvas for the poetry that reflected his vision of the universe. Because the goal wasn’t to make albums, he had no timeline or constraints and would freely follow new paths uncovered along the way.”

Go to Item

Delia Derbyshire

6CD | 2024 | UK | Original (Silva Screen)

2LP | 2006 | US | Reissue (Kranky)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The BBC’s Third Programme aired four radio broadcasts between January 1964 and September 1965, collectively known as Inventions for Radio.
They were ground-breaking in both form and content, conceived by playwright Barry Bermange and consisting of the voices of the general public answering questions on four themes,
one for each programme: dreams, the existence of God, life after death and ageing. Delia Derbyshire was assigned by the Radiophonic Workshop to edit and add electronic music/ effects.
The collaborative result is dreamlike and mesmerising, an audial window to another era. For many years Derbyshire was not credited for her contribution, nor were the broadcasts available commercially,
although they still managed to acquire something of a cult following. This boxset duplicates the recent vinyl release on CD, with one disc for each broadcast and two further CDs of additional material.
The booklet includes notes by producer Mark Ayres on these extraordinary pieces which have been the most elusive of Twentieth Century classics until now.

Go to Item

Tim Hecker

Harmony In Ultraviolet

2LP | 2011 | US | Reissue (Kranky)

Release: 2006 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. "The whole album moves with a sort of barely-contained violence that threatens to disintegrate or burst tracks into flame outs at nearly any point. it's powerful and intense ambient music that really doesn't sound like anything else being created right now."—Almost Cool

Go to Item

Tim Hecker

Ravedeath, 1972

2LP | 2023 | EU | Reissue (Diggers Factory / Lone Figures)

Release: 2011 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

TIM HECKER’s classic Ravedeath 1972 approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine. While the title of the piece “Hatred of Music” might be a clue, the album is also partly an attempt to confront a pervasive negativity surrounding music. Historical rituals of destroying pianos, mountains of pirated CDRs pushed by bulldozers in Eastern Europe, or the melancholy of the digital music era began as sideline motifs which quickly informed the work on this record. They also really didn't at all. Despite that the context is wide open in such a form of musical abstraction, the substance of these immersive compositions showcases Hecker s continued mastery of organizing sound into a visceral near entity. It is an almost physical presence that the listener feels as much as hears. This work is a significant contribution to Hecker's oeuvre, one which spans over ten years of musical production. Ravedeath is an enigmatic document of beauty and force. The album was recorded mostly over the period of one day in July of 2010. Iceland-based musician BEN Frost assisted with the engineering and performs on this recording.

Go to Item

Hidden Orchestra

To Dream Is To Forget

Claudia Brücken/Jerome Froese

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hidden Orchestra is an imaginary orchestra by British multi-instrumentalist, composer and producer Joe Acheson. The releases - mostly on Tru Thoughts - feature a variety of guest musicians from different musical backgrounds, recorded separately and combined by Acheson in his studio to create an 'imaginary orchestra' that doesn't really exist. 'To Dream Is To Forget' is his new album, released for the first time on his own label, Lone Figures.

Go to Item

Beginn Limited Black Vinyl Edition W/ Poster

2LP | 2023 | EU | Reissue (Cherry Red)

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dial M For Monkey 20th Anniversary Clear Vinyl Edition

Bonobo

2LP | 2023 | UK | Original (Ninja Tune)

Alessandro Cortini of Nine Inch Nails

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ninja Tune blows the dust off an early classic with an enhanced reissue of Bonobo’s sophomore LP Dial ‘M’ For Monkey, featuring all new 20th anniversary artwork and sleeve with rotating view mechanism to boot. Classified (somewhat incorrectly) as chillout music at its initial summer of 2003 release, Dial ‘M’ For Monkey folds in jazz, electronica, soul, and folk for a beguiling sonic fusion that begs for deeper listening while setting the stage for a fruitful partnership between label and artist that continues two whole decades later. While Bonobo would go on to make records that leaned further into either outright dance music or vibes first downtempo from here, Dial ‘M’ is the moment that truly broke the project into the indiesphere. There’s still no denying the power of folktronica mini-epics like ‘Change Down’ and ‘Pick Up’.

Go to Item

Forse 1

2LP | 2013 | US | Reissue (Important)

Seventh Circle Of Litness

Release: 2013 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Alessandro Cortini (Nine Inch Nails/How To Destroy Angels) composed the Forse series using a Buchla Music Easel. Forse, meaning "maybe" In Italian, is a series of 3 double LP releases Cortini recorded for Imprec to release in 2013.

"All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the instrument offers sparked my creativity. Most pieces consist of a repeating chord progression, where the real change happens at a spectral/dynamic level, as opposed to the harmonic/chordal one. I believe that the former are just as effective as the latter, in the sense that the sonic presentation (distortion , filtering, wave shaping, etc) are just as expressive as a chord change or chord type, and often reinforce said chord progressions.

Of all the years with Nine Inch Nails the period spent writing and recording the instrumental record Ghosts I-iv is probably the one which changed my approach to music making the most. After that record I started getting more into instrumental composition, although I tried to approach it in a different way. While we had a vast array of tools and instruments at our disposal then, I decided to approach my pieces limiting myself to one instrument only, as I found myself being more decisive when faced with a limited creative environment."

Go to Item

Thugwidow

3LP | 2022 | EU | Original (Western Lore)

41,79 €* 43,99 € -5%

4LP | 2017 | US | Original (FXHE)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Seventh Circle Of Litness is a dizzying collection of rave inspired dance tracks that have no earthly business sitting together on a record. What started as a deep dive into old school rave ended up being the inspiration for a hellish cacophony of styles and themes.

Go to Item

Norm Talley

Norm-A-Lize

41,79 €* 43,99 € -5%

Hudson River Wind Meditations Black Vinyl Edition

Release: 2017 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Detroit producer Norm Talley shares his debut album, “Norm-A-Lise” on FXHE Records. Having started his career when disco was king, Talley’s real life influences over his 25+ year career have included the originations of house through various iterations. His reference points as one of the original members of the West 6 Mile Detroit crew and his dedication to his Analog only studio position him as one of the more dynamic Detroit artists who’s finally taking the time to release a complete project for his long awaiting fans. The album features 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. On top of all of that, the album includes a track written by FXHE label boss Omar S aka Alex Smith featuring L ‘Renee.

Go to Item

Lou Reed

2LP | 2024 | US | Original (Light In The Attic)

41,79 €* 43,99 € -5%

Release: 2024 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds freed from preconception. …over time, friends who heard the music asked if I could make them copies. I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation.” - Lou Reed

Lou Reed’s final solo album, Hudson River Wind Meditations, is one of his most personal musical works, combining Reed's love of creating drone music with his passion for Tai Chi, yoga, and meditation. The album's ambient soundscapes have been described as a counterpoint to his intense Metal Machine Music album—but they are similar outliers in Reed's 40+ year exploration of drone music and feedback harmonics. It's for a certain time and place of mind.

The album has been remastered by the GRAMMY®-nominated engineer John Baldwin with vinyl pressed at Record Technology Inc. (RTI). The Double LP and CD releases are designed by GRAMMY®-winning artist, Masaki Koike and feature new liner notes by renowned Yoga instructor and author, Eddie Stern, who guided Reed’s practice for years. Also included in the physical editions is a fascinating conversation between author/journalist Jonathan Cott (Rolling Stone, The New Yorker) and Reed’s wife, artist Laurie Anderson, who discusses the album, as well as her husband’s devotion to Tai Chi – one of the album’s primary inspirations.

Hudson River Wind Meditations marks the latest release in LITA’s Lou Reed Archival Series. Launched in 2022 in tandem with the late artist’s 80th birthday, the ongoing series has celebrated one of America’s most influential songwriters through such acclaimed collections as Words & Music, May 1965 featuring many of Reed’s earliest (and previously-unreleased) recordings, including the earliest-known versions of “I’m Waiting for the Man” and “Pale Blue Eyes.”

Go to Item

20 (Hotflush 20th Year Anniversary Compilation)

3LP | 2023 | UK | Original (Hotflush)

Those Who Do Not White Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hotflush Recordings celebrates 20 years in the game this year, with a triple pack vinyl compilation featuring some of the key musical events in the label’s catalogue.

Born in 2003, Hotflush stands as one of electronic music’s most influential labels. A multi-dimensional imprint that helped define the development of bass music throughout the mid-2000s, in the last decade it would evolve towards the liminal spaces between house, techno, and beyond - a journey which has given the dancefloor some of its true underground classics.

This celebratory release covers every era and stylistic area of the Hotflush output. 2005’s proto-dubstep face melter ‘The Knowledge’ by Toasty kicks off Side A, with the key sides of bass music development all covered with tracks from James Blake, Loefah, Sepalcure, and Scuba.

UK techno legend Surgeon appears with his seminal remix of Scuba’s ‘Ruptured’ (2008), while the early Paul Woolford classic ‘mdma’ reminds us of how ended up working with Diplo.

George FitzGerald and Recondite reprise some of their key formative material, while newer names Lawrence Hart, OR:LA and breakout Seoul artist Closet Yi also make appearances.

Canadian mastermind Jacques Greene rounds off the release with his slamming remix of Kiimi’s Breaking My Mind.

This is a compilation 20 years in the making, containing some of the key tracks from the electronic underground - curated and compiled by label boss Scuba.

Go to Item

Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

CD+Tape | 2022 | UK | Original (Past Inside The Present)

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

Go to Item

Zake / Ossa / Fax

Module

2LP | 2022 | US | Original (Gilgongo)

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Esteemed ambient auteurs, zake and ossa's collaborative output continues to soothe and delight in equal measure. After Syntheticopia in August 2022 and the dark long-player 'A Pale Shelter' in 2021 between zake, ossa, and City of Dawn comes Module, a collaboration that includes seasoned electronic producer Ruben A. Tamayo, under the alias FAX. The power trio brings forth an eight-track excursion into heavy ambient atmospheres with moody soundscapes and a real weight of melancholy. As always, the textures are grainy and lo-fi, the drones long-held, and the chords which poke through the clouds, bring subtle rays of hope and optimism. It is the latest and maybe the greatest chapter in this ongoing story from zake and ossa with featured collaborators.

Go to Item

Wasteland Jazz Enesemble

Departing In Descent Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wasteland Jazz Ensemble is a staple in the world of destroyed music. With countless releases cataloged by a literal who's who in the field, (cassettes, CDrs and records on American Tapes, Troniks, New Forces, Oxen, Torn Light, Nashazphone and of course—there was a split 7" w/ Tiger Hatchery on Gilgongo), the duo of JON Lorenz and John Rich occasionally expand their scathing, feedback-saturated reed work into a full ensemble. Here, as a 7 piece group including Dylan Posa (guitar), Edward Ricart (bass), Matthew Reis (electronics), Ryan Jewell (percussion), and Bret Nagafuchi (percussion), there are textures and fractured forms throughout this high-volume chaos which calls to mind the work of Hijokaidan, as broadcast through Borbetomagus. A heavy and delightfully excruciating listen! 2xLP, gatefold with extensive liner notes by Inzane JohnNY.

Go to Item

Bvdub / James Bernard

2LP | 2022 | UK | Original (Past Inside The Present)

Mk 3.5: Die Cuts / City Planning Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Anyone who's cast even the most casual eye over their ever expanding catalogue will have realised that one thing Past Inside The Present do best is bring artists together for unexpected and inspired collaborations. Departing in Descent is the first collaboration between James Bernard and Bvdub but their creative conversation effectively started as far back as 1994 when the latter bought Bernard's Atmospherics album in 1994 when it was "mistakenly stocked" in his local house music store. He says it was and remains his favourite ambient album, so when the pair found themselves crossing paths for one night in LA years later, a collaboration was the only logical conclusion. The results are more organic and friendly on the ear than some ambient offerings, with real instrumentation meshed with walls of woozy synths and delays, but no less fantastical and ambitious for it.

Go to Item

Mount Kimbie

2LP | 2022 | UK | Original (Warp)

Mk 3.5: Die Cuts / City Planning Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dom Maker and Kai Campos have always known how to masterfully synthesise their talents into one singular yet ever changing vision. Since beginning in 2009, their work has morphed from their distinctly British sound of dubstep and techno to the boundaryless and densely packed collaborations of Love What Survives. Five years after that scintillating record, the two take their talents as Mount Kimbie to new extremes by splitting them in half entirely.

Having walked separate paths musically and physically in the world over the years since Love What Survives, Dom and Kai took a literal approach to their latest record, separating it into two distinct, independently produced albums - but linked through shared senses of sonic haziness and melody. Die Cuts shows Dom Maker at a collaborative peak, interspersing vocal cuts, samples, and urban sounds in swiftly stitched vignettes with a slowed down, lo-fi flair. Meanwhile, the chugging beats of City Planning mimic train tracks, as Kai Campos’ album contains rhythmic paintings of urbanity with detailed sonic architecture. These two sides of Mount Kimbie are as different as day and night, yet they inform each other greatly, speaking a simultaneous message from separate locations.

The opening track ‘dvd’ on Die Cuts features a mystical siren song fading in, before slowthai and Danny Brown’s expressive vocals cut through on ‘in your eyes’, trading bittersweet and apoplectic verses. An eerie alarm echoes on ‘heat on, lips on', subsiding with punchy beat and skittering keys, and a scathing, mercurial spoken word spiralling to jazzy loops depicting intimate struggles. City Planning in similar fashion shifts from tense, burrowing bass rumbles to fluttering synth droplets forming rivers of sound. The molten underground beat of ‘Transit Map (Flattened)’ lurches and groans, with piano notes sprawling like the many-coloured intersecting lines of a subway map.

Even when split in two, Mount Kimbie provide yet another total upheaval of their sound, combining their individual strengths for a roaringly creative album on MK 3.5.

Go to Item

Mount Kimbie

2LP | 2022 | UK | Original (Warp)

Masayuki Takayanagi / New Direction Unit

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Eclipse

LP | 2022 | US | Original (Black Editions)

The Dark Places Of The Earth Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950s and '60s as a master of the electric guitar and jazz improvisation, Takayanagi was a restless spirit, deeply engaged with the era's new movements in contemporary art, music, literature, and philosophy. His work, beginning in the late 1960s placed him on the leading edge of these developments; he began expanding on the most radical elements of American and European free jazz, infusing them with the raw feedback and dissonance of electronic and avant-garde music. With his various New Direction groups, Takayanagi broke free of traditional structures and developed a new theory of music that embraced an aggressive and unrelenting style of playing that has remained almost completely unparalleled in its ferocity. Of all the albums to be released during Takayanagi's lifetime, 1975's Eclipse was perhaps the most enigmatic and sought after. Released in an edition of only 100, it almost immediately disappeared and became a holy grail for Japanese connoisseurs of adventurous music, and rightly so. It's first side contained a two-part realization of Takayanagi's "Gradually Projection" modality -- a searching interplay between instruments -- slowly emerging from a sparse open field and building with the tension of a looming thunder storm. The second side contains an epic performance of a "Mass Projection", a high energy, densely layered barrage of sound that in its 25 minutes, never once slackens its intensity. It would be another 31 years before this key album in Takayangi's oeuvre would finally have a (slightly) wider audience through a CD release by Japan's P.S.F. Records. Black Editions present a deluxe vinyl edition of this masterwork, revealingly remastered from the original tapes by Elysian Masters. The album is packaged in a heavy double tip-on gatefold jacket with matte black paper, second tipped-on metallic gold wrap and insert.

Go to Item

Lustmord

2LP | 2009 | EU | Reissue (Pelagic)

Beyond Colored Vinyl Edition

Release: 2009 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Electronic music pioneer Lustmord released an album titled [other] in 2008, to date the only Lustmord album with guitars on it, performed by Adam Jones (tool), King Buzzo (melvins) and Aaron Turner (isis). The albums The Dark Places of the Earth and Beyond, both released in 2009, areextensions of the ideas explored in [other] and are taken from the same recording sessions, but with the guitars removed and the essence of [other] distilled and reduced.[other] was a journey with friends, whileThe Dark Places of the Earth and Beyond take the concept and listener further, deeper, in-between and beyond. While is some ways [other] is as close to a "rock" album as Lustmord will ever make, The Dark Places of the Earth and Beyond are pure Lustmord, a sound that many others imitate but can never equal. Lustmord is the artistic moniker of Brian Williams. Born in North Wales, he started his musical career in 1980 and soon became a pioneer in the early industrial music scene in the UK. He was a former member of SPK during arguably their most crucial era, and went on to work with Throbbing Gristle members Chris & Cosey as well as appearing on early albums by Current 93, Nurse With Wound and others. After relocating to Los Angeles in 1993, Williams worked on dozens of motion picture soundtracks including The Crow, Underworld and Paul Schrader's First Reformed. Additionally he created several video game soundtracks, television scores and solo albums, as well as collaborating with artists as varied as THE Melvins, Clock DVA, Jarboe, John Balance of Coil, Paul Haslinger (tangerine Dream), Puscifer, Wes Borland and more, including Grammy Award-winners Tool on their much acclaimed effort Fear Inoculum. To this day, Lustmord is actively recording and releasing music, his latest release being the collaborative album Alter with Karin Park of A°rabrot, and he is considered to be the founding father of the dark ambient music genre.

Go to Item

Lustmord

2LP | 2009 | EU | Reissue (Pelagic)

Le Forte Four / Doo-Dooettes

Release: 2009 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Lafms Live At The Brand

2LP | 1976 | US | Reissue (Etats-Unis)

2LP | 2022 | UK | Original (By Norse Music)

Release: 1976 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Los Angeles Free Music Society (lafms) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, Lafms incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, Lafms self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians. Live At The Brand documents the second performance of newly formed Lafms core groups Le Forte Four and Doo-Dooettes on July 8, 1976 at the recital hall of the Brand Library in Glendale. Le Forte Four (now joined by Tom Potts) did not actually perform live, but rather created 44 pyramid-shaped headphone helmets with internal quadraphonic speakers and countless wires in order to share their latest tape assemblages with showgoers deprived of sight. The recordings delivered in this Fluxus-inspired manner feature the Buchla synthesizer at nearby CalArts, radio interpolations, group improvisations, addled outbursts and splices from source material lost to time. Doo-Dooettes – Tom Recchion, Harold Schroeder, Juan Gomez, Dennis Duck and Fredrik Nilsen – performed a series of alternately droning and chaotic duets with guitar, percussion, piano, tape loops and synthesizer, all improvised around loosely structured compositions and culminating in a spontaneous group composition at the end of the program. Originally released in 1976, the double LP would be Lafms' third release. This first-time vinyl reissue is limited to 500 numbered copies. Comes with inserts.

Go to Item

Jo Quail

The Cartographer

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jo Quail is an internationally acclaimed composer and virtuoso cellist from London, UK. Equally at home on stage solo, with bands – or in collaboration with choir and orchestra – she combines an eloquent mastery of her instrument with innovative looping techniques, to realise her complex, evocative music for audiences worldwide. Inspired by the visual arts as much as by fellow composers, Jo cites Barbara Hepworth and Georgia O’Keefe as key influences, alongside the diverse music of Debussy, Pärt, Tool, and Cardiacs. As a result, she freely crosses the boundaries between genres, awakening listener emotions, and taking audiences into uncharted territory with each concert. Her exuberant, celebratory performance style has won her a fanbase in the contemporary classical world as well as among enthusiasts of post-rock, metal and electronica. Now at a stage where she is touring throughout Europe and internationally, Jo enters 2022 with composition and performance uniting in her most ambitious project yet: April will see her take on the prestigious Roadburn Festival’s “Commissioned Music” project performing her new work The Cartographer – an honour bestowed only on artists who have the vision to create something truly unique. Jo received the PRS ‘Women Make Music’ award to record this work in Holland with the full ensemble at Groenland Studios, and, following the premiere, will release this in 2022. An incredible landmark, but one from which there is so much more coming into view for the future.

Go to Item

10 Years Anniversary Part 1 Dubplate

12" | 2022 | EU | Original (Out-Er)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Out-ER is delighted to celebrate ten years with a peculiar compilation featuring a group of artists who contributed to create the label crew and sound. For the last years, we have been a recurring platform for the music of the founders and few label adepts, welcoming old school overseas artists as well as talented ones. This will be the last release of the Out-er label.

We will continue our sound research, releasing electro- acoustic music and ambient albums with our sister label Pregnant Void. An heartfelt thanks to every artist, friend, supporter and promoter for supporting and believing in our vision and love for music during last 10 years. The compilation will be released in digital format with a single tracklist while on vinyl it will be split on two records.

Go to Item

10 Years Anniversary Part 2 Dubplate

12" | 2022 | EU | Original (Out-Er)

Gerd Janson, Mood Ii Swing & Armand Van Helden

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Nervous Records 30 Years Part 2 Black Vinyl Edition

4LP | 2021 | EU | Reissue (Nervous)

2LP | 2022 | UK | Original (Ninja Tune)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

Go to Item

Bonobo

Fragments Deluxe Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

clear deluxe double vinyl (140g) including 4 art prints and download code.

Bonobo will release his new album ‘Fragments' via Ninja Tune on January 14th, 2022. Fragments is the most emotionally intense record that he - aka Simon Green - has ever had to make. It’s no surprise that it’s also his masterpiece. The album features Jamila Woods, Joji, Kadhja Bonet, Jordan Rakei, O’Flynn and Miguel Atwood-Ferguson. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fuelled by both collaboration and Green’s escape into the wild. The artwork for ‘Fragments" is by Neil Krug who returns after creating the art for 2017’s 'Migration’. Krug has also made a visualiser for ’Rosewood”.

One of the biggest names in dance music, Green’s career includes 3 Grammy nominations and playing to over 2 million people for the tour supporting his 2017 album Migration. Migration was a top ten album in multiple countries, top five at home in the UK and a Billboard dance album number one in the US. He’s also a favourite mainstage performer at the world’s greatest music festivals. As part of the tour announced today Bonobo will play three dates at the legendary Royal Albert Hall in London in addition to dates in Brighton, Birmingham, Manchester, Leeds and Nottingham.

Fragments is a series of 12 sonic affirmations, featuring some of the hardest and most hip-shaking grooves that Green has ever created. The ballads are perfectly placed throughout; they capture a world in flux and glow with hope. Coaxing the ideas out initially took some hard work. The constantly-touring Green creates best while on the move; the global shutdown forced him to stand still.

Go to Item

Intenta Experimental & Electronic Music From Switzerland 1981-93

LP | 2020 | EU | Original (Décalé / Bongo Joe)

LP | 1983 | EU | Reissue (Sounds Of Subterrania)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Décalé. and Bongo Joe Records present an all new compilation placing the spotlight on the Swiss experimental and electronic scene of the ‘80s and the early ‘90s. The compilation Intenta assembles under-appreciated gems, sought-after titles and newly mixed versions. It places leftfield synth-pop next to otherworldly jazz, and joins the dots between lyrical post-punk excursions and proto-house experimentation.

The compilation covers a period of transition: When songs mutated into sounds. When synthesizers and samplers became the règle du jeu in DIY music-making. When a politicized youth movement slowly gave way to the hedonistic embrace of techno culture in Switzerland. Intenta mines the outer fringes of a scene yet to be. Many of these experimenters were pretty much on their own. Often the only way you would get in touch was at the local synth dealer.

A spirit of bold improvisation inhabited studios between Geneva and St. Gallen: these artists were articulating pop sensibilities (Air Project, Sky Bird, D-Sire, Peter Philippe Weiss), entering computer worlds (Claudine Chirac, Olivier Rogg, Carlos Perón), exploring exotic shores (Andreas Hofer, Bells of Kyoto, Fizzè), building future discothèques (Aborted at Line 6, Carol Rich, UnknownmiX) or finding glacial bliss (Dressed Up Animals, Elephant Château, I Suonatori).

The compilation was put together by Matthias Orsett and Maxi Fischer. Intenta unfolds as a sonic story that is laid-back yet energetic, sultry yet daring. The two crate diggers set out to meet with many of the artists arrayed here. Memories were shared, wine bottles opened. There were moments of sadness: Karl Lienert Löwenherz (Dressed Up Animals) and Claudius Scholer (Sky Bird) passed away during the making of this project. What remains of this journey into the backrooms of Swiss popular culture, is Intenta. If you listen closely, it will reveal a nation on the move. Beyond the Matterhorn, there is sweetness and light.

Compilation, concept and production by
Maxi Fischer & Matthias Orsett
Artistic supervision by Cyril Yeterian
Analog mastering by Tim Stollenwerk
Vinyl cut by Adi Flück
Editorial by Bjørn Schaeffner
Drawings and layout by David Mamie
Typeface (Office Grotesk) by Chi-Long Trieu
Leaflet design by Yanis Carnal
The gatefold cover illustration is the music sheet of ‘Mondtanz” by
Karl Lienert Löwenherz from Dressed Up Animals
Courtesy of the artist’s family

Go to Item

Lubomyr Melnyk

The Song Of Galadriel

LP | 1984 | EU | Reissue (Sounds Of Subterrania)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Reading Tolkein´s LORD OF THE RINGS saga was one of the greatest experiences of my life ... his amazing talent for words was mindboggling ... and the great topics he touched upon remain forever as the most important topics of life ... they are still most valid today .. and will be for all eternity. Everything he described through his magical words came to life before my eyes ! So it was most natural that he would inspire music within me ... music that I can not describe in words how it relates to the Saga .. but deep inside me, it all shines clear as a lamp-post on a dark street ... and it shines into my soul in many, many dimensions....." .... and on a technical note, this piece marked the first time I created Arpegge Melodies within Continuous Music !" In the ”Song of Galadriel” Lubomyr Melnyk has created one of the great epics of piano music in our century, a work of visionary character, filled with haunting and delicate melodies that evoke the mystical world of Tolkein's ”Lord Of The Rings”. Arthur Rankin Original Release: 1983 Limited All Analog Remastering Recording 29 min, per side

Go to Item

Lubomyr Melnyk

Concert-Requiem

2LP | 2005 | UK | Reissue (Warp)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited All Analog Remastering Recording This is one my most beloved albums ... it always reminds me of the horror that occurred in my homeland, Ukraine, in 1933. And I am always thankful when I hear it. It is good to remember the suffering of other people ! Otherwise, life is not worth living..... This album came about in an interesting way .... there came to me a melody at some point that year ... I was not even at the piano .... a melody that I just began to sing ... When I played it on the piano for my friend, the artist Dmitri Farkavec, he right away loved it and suggested that it would be a great opening for a piece dedicated to the multi-millions of Ukrainians who suffered a terrible and deliberate extinction at the hands of the Russians who had invaded my country. As he said to me, "1983 is the 50 year commemoration of the Terror Famine --- it would be a good year to make this piece." And so it came to be ! "CONCERT-REQUIEM" is dedicated to the over seven million Ukrainians who were killed by the Forced Starvation of 1933 who watched in agony as Communist police destroyed grain as they and their children lay starving to death. This album also contains "ISLANDS" for solo piano --- a remarkable bass-oriented piece depicting enormous masses of mystical and murky islands moving through an imaginary sea.. It was inspired by and created for a dance performance by Windwitches of Stockholm. Original Release: 1984 Limited All Analog Remastering Recording

Go to Item

Bibio

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Baxter Dury, Etienne de Crécy & Delilah Holliday

BED

LP | 2018 | UK | Original ([Pias] Le Label)

2LP | 2024 | EU | Original (A Strangely Isolated Place)

Release: 2018 / UK – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed.

Go to Item

Illuvia

Earth Prism

123 Opaque Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-19

Sure, plenty of modern drum & bass has a "heavenly" sound to it, but how many artists dare to follow the sonic logic of "heavenliness" to its conclusive ends? Illuvia (Ludvig Cimbrelius) is here to demonstrate, ironically, how few artists there out there are who have done just that - while also proving that he is one of said few, who have, indeed, gone and done it. This is his third full-length album for ASIP; surprisingly, they regard this record as a comedown from the "stratospheric heights" of 2021's Iridescence Of Clouds, and while we cannot claim to know what that one sounded like, we wouldn't hesitate to call Earth Prism stratospheric either. An unusually charged insight from the artist likewise bolsters its theme: "According to my lifelong research, Earth appears to be a modulation of light. It is said that what the eyes receive are rays emitted by a star, whose flow of photons is invisible to the human eye until they are reflected and modulated by matter." With that comes a miraculously ego-shredding collection of eight tracks, where in which every sound sacrifices its need to "stand out" in favour of being shot through what sounds to be the same ethereal effects chain, producing a mind-bendingly complex but yet, dialectically, simple ambient jungle record.

Go to Item

123

2LP | 2024 | US | Original (Mom & Pop)

Xenopocene Tri-Color Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-23

At age 18, the North Carolina-based producer and songwriter burst onto the scene with a complex, bombastic brand of electro-house. Following the major success of his 2014 debut album Worlds, Porter released the RIAA Gold single "Shelter" with Madeon in 2016, followed by a Shelter Live Tour spanning 43 dates and four continents. The following year, Porter began releasing music under a new alias, Virtual Self, which led to his first Grammy nomination for the BBC Radio 1 hit single "Ghost Voices." In 2019, Porter put on the first Second Sky Festival, which sold out all 30,000 tickets for the two-day festival in a single day. In both 2020 and 2021, Porter Robinson hosted editions of his virtual festival Secret Sky, amassing over 6 million viewers combined, and which came to be regarded as the most sophisticated virtual festivals of its time. Later in 2021, following the release of sophomore album Nurture, Second Sky Festival made its return to the Bay Area, selling out 40,000 tickets in a single day. Immediately following, the Nurture Live North American Tour sold over 150,000 concert tickets and was the highest grossing electronic tour of 2021. In 2022, in partnership with Riot Games, Robinson released “Everything Goes On” surpassing 100 million global streams. Later that year was his debut of one of two exclusive full live band performances, first at Second Sky 2022 and again in 2023 at the Coachella Main Stage.

Go to Item

Daedelus

LP | 2024 | US | Original (Dome Of Doom)

2LP | 2024 | EU | Original (Black Truffle)

Release: 2024 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Xenopocene means Alien Age. Some have theorized our current is the Anthropocene; however in an era where artificially generated and deep faked, what is terrestrial in origin vs u.f.o.? Daedelus’ latest LP ‘Xenopocene’, inspired by their artist-in-residency with S.E.T.I. follows a timeline from an extraterrestrial first contact thru to 10k days hence and spiraling towards the nearest exoplanet 6,000+ years away. Attempting to parse out science informed fiction from the fact that in an unfathomable universe life exists outside our confines. Actually there are guidelines in place for receiving such a communication. In S.E.T.I.'s Protocols for an ETI Signal Detection (which first line reads "Declaration of Principles Concerning the Conduct of the Search for Extraterrestrial Intelligence...") well measured steps from such an awesome event could almost be read as unexceptional. Hyperbole has little place in the sciences whereas music makes the most from. Daedelus across 11 tracks deftly deals with space inspired sounds pulling equally from Gustav Holst and Sun Ra as Alice Deejay and Amon Tobin. No techno-optimism here, ultimately this is Earth music made to dream upwards. Asking us to reckon with our humanity while daring us to envision a new epoch. Interlaced throughout are quavering violins by Vivek Menon. Featuring words from the singular R.A.P. Ferreira on "Starfire" and extra instrumentation from Eli Henry Goss of the Breathing Effect in "Float".

Go to Item

Richard Teitelbaum

Asparagus

Max Richter, Antonio Vivaldi, Daniel Hope · Konzerthaus Kammerorchester Berlin · André de Ridder

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black Truffle is thrilled to announce a major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt’s cult 1978 animation Asparagus. Best known to some listeners for introducing Europe to the Moog synthesizer as a founding member of Musica Elettronica Viva in Rome, Teitelbaum’s extensive and radically experimental body of work includes collaborative recordings with master improvisers like Anthony Braxton, Andrew Cyrille and George Lewis, intercultural experiments combining electronics with non-Western instruments such as the shakuhachi, works for computer controlled piano, and large-scale multi-media operas. Recorded at York University, Toronto in 1975–1976, ‘Asparagus (European Version)’ sprawls across both sides of the first LP. Discovered by composer Matt Sargent in Teitelbaum’s tape archive, this is a previously unheard major work for Moog modular and Polymoog synthesizers, unique in Teitelbaum’s oeuvre for its lushness and gently melodic quality. The music unfolds slowly, submerging lyrical melodies and burbling arpeggios into uneasy, glacially shifting harmonic swells, the luscious texture thickened with subtle changes of modulation and phase, calling up the shifting layers of Costin Miereanu’s classic Derives or the kosmische Musik tradition more than any academic synthesizer exercise. Teitelbaum incorporated much of this material into his soundtrack for Suzan Pitt’s Asparagus, which receives its first official release here. Asparagus, famously paired with David Lynch’s Eraserhead for a two-year run of midnight screenings at New York’s Waverly Theatre, uses hand-drawn and stop animation to unfurl an oneiric succession of images, beginning with a sequence in which the female protagonist defecates two stalks of asparagus, which multiply and float out of the toilet bowl to form the letters of the title. Teitelbaum’s soundtrack interweaves delicate drifting tones from the ‘European Version’ with contributions from Steve Lacy and Steve Potts on saxophones, George Lewis on trombone and Takehisa Kosugi on violin. Edited closely to the film, even without images the soundtrack proposes a surreal journey through floating synth tones, squealing horns, propulsive arpeggios, distant chatter, and an old-timey waltz. The final side of the set presents a new realisation of Teitelbaum’s text score ‘Threshold Music’, performed at a memorial concert at Roulette, New York in 2022 by Leila Bourreuil (cello), Alvin Curran (sampler and objects), Daniel Fishkin (daxophone), Miguel Frasconi (glass objects) and Matt Sargent (lap steel). The piece asks musicians to match their instrumental volume to that of the sounds of the environment in which they play, sometimes with the addition of recorded environmental sounds, reinforcing frequencies they encounter in listening deeply to their surroundings. Here the players use a field recording taken at Teitelbaum’s home in Bearsville, New York, their long tones and shimmering, glassy textures delicately emerging from the white noise of the location recording. Released with the full approval of both Richard Teitelbaum and Suzan Pitt’s estates, Asparagus is illustrated with striking images from Pitt’s film and accompanied by detailed liner notes by Francis Plagne. These previously unheard pieces shed new light on the work of a key composer in the American experimental tradition, offering up some of Teitelbaum’s most beautiful and engaging music.

Go to Item

Recomposed By Max Richter (Vivaldi · The Four Seasons)

2LP | 2012 | EU | Reissue (Deutsche Grammophon)

Drone Logic - 10th Anniversary Edition White Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Electronic & Dance, Classical Music

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: VG+

180gr reissue. Still sealed. Stuffed corners.

Go to Item

Daniel Avery

2LP | 2023 | Original (Because Music)

2LP | 2002 | DE | Original (STIR15)

Release: 2023 / Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.

"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.

Go to Item

Marvin Dash

Model Turned Programmer

3LP | 2023 | EU | Original (Monnom Black)

Release: 2002 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

Go to Item

Thomas P. Heckmann

Legacy

The Lower Lights Random Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Monnom Black presents Legacy, an introspective look through the storied career of legendary German electronic artist, Thomas P. Heckmann. For the 1st time ever, Heckmann pulls together a lifetime compilation looking back through his multiple alias' and timeless tracks in one release, including those of Knarz, Age, Heckmann, Skydiver, Spectral Emotions, Purple Plejade, and the infamous Drax (which celebrates it's 30th anniversary this year)

The release consists of a total of 23 tracks, 17 of them slated across 3 slabs of vinyl with 6 digital bonuses containing the best of Heckmann's underground hits like; Himmel Und Hoelle, Tanzmaschine, Teufelswerk and Ebm1, as well as his more unknown gems like Chiswick Days and Parnophelia.

Heckman has flexed his prowess across multiple shades of electronic genres throughout his career, but it's his contributions to Industrial, EBM-Techno, Acid, and Experimental that has earned him his notoriety, and it was in 1994 when he dropped an acid-tinged 'Amphetamine' as Drax LTD. II that shot him into being recognised as a global super power to be reckoned with.

The German producer released his latest studio album "Body Music" in 2018 on Monnom Black, and later featured on The World of Monnom Black compilations. He now returns to celebrate his Legacy with this special release!

Legacy will be made available on triple vinyl & digital in August 2023

Go to Item

2LP | 2023 | UK | Original (Past Inside The Present)

The Lower Lights Clear Red Vinyl Edtion

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Lower Lights is well known as one of the most emotionally potent ambient records of recent years. It is a collection of 10 tunes from a busy period in which 36 undertook a year-long 'Audio Diary' project. The sounds are immediate and direct, demanding of your full focus and a mix of dark and urgent, cyberpunk-inspired and emotionally charged ambient sounds that bring all new thinking to the genre. Nice work.

Go to Item

2LP | 2023 | UK | Original (Past Inside The Present)

The Lower Lights Opaque Red Vinyl Edtion

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

2LP | 2023 | UK | Original (Past Inside The Present)

Behind The Groove Present Victor Simonelli The Early Years Volume 2

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Victor Simonelli

2LP | 2023 | UK | Original (Unknwn)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the words of Bill Brewster - DJ History

‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ/producer delivered a string of underground club hits during the city’s early ’90s house boom.’

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol

Launching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 & 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and Ez-al, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.

Victor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage & Zanzibar/Wbls/Kiss FM respectively.

Revered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on Wbls, Wktu and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.

Graduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his Wbls/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.

In the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.

DJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall & Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M&S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.

In the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 & 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.

Behind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound. With Victor Simonelli Live in the UK on Sunday April 30th, please go to www.behindthegroove.co.uk for all the latest news and features.

Go to Item

2LP | 2023 | UK | Original (NTS)

Ascend

2LP | 2023 | UK | Original (Cambria Instruments)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the early 1990s, a handful of black metal artists were enticed by the possibility of conjuring new fantastical worlds from the deep isolation of their home setups. Rather than the dense metal sound of their existing projects, this new direction would be centred around intimate synth soundscapes: forlorn organs and otherworldly Midi theatrics.

The music on Ascend is predominantly from self-produced, self-distributed releases, typically manufactured in small numbers. Though some artists producing this style of music, most notably Mortiis and Burzum, gained wider recognition outside underground circles, it is only in recent years that the sound and its influence has really been appreciated. This is particularly the case with the late Matthew Davis and his recently reappraised Secret Stairways project, whose song ‘Lammas Tide’ (from the 1997 Enchantment of the Ring album) appears on Ascend. A simple home recording on a Yamaha Kx-w392 manages to be both elegant and tortured, ambiguously devotional and recalling latter years Popol Vuh.

This battle between dark and light is a constant thread through Ascend, with simple minimal synth lines that can be both delicate and menacing. Compilation opener ‘The Dark Dreamquest’ from Italian black metal group Evol is loaded with occult warning, and Finnish act Kadotus 609’s ‘The Summoning Through Crimson’ is languid, twisted and dark. In spite of the darkness, several pieces of the music on Ascend have formal similarities with the sometimes saccharine new age music that rose to prominence in that era: but to a rougher, darker ends. The closing song from Darkthrone icon (and past NTS radio host) Fenriz, under his Neptune Towers pseudonym, pulls us further out, with ‘To Cold Void Desolation’ — an astral synth project, akin to ’70s kosmische muzik masters Harmonia.

The gentler side can often amplify an uncannily sinister edge, heard in German act Dolch’s ‘Tumulus’, where orc marching horns contrast against delicate rompler harps and softly whispered chanting. It hammers home a deep loneliness and detachment constant throughout Ascend, made possible by these unusual contrasts, both unsettling and otherworldly.

Go to Item

Nathan Fake

Crystal Vision

3x10" | 2023 | EU | Original (Metaphysik)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On April 7th electronic luminary Nathan Fake presents the new longplayer ‘Crystal Vision’ on his own Cambria Instruments imprint, which features collaborations with Clark and Wizard Apprentice.

This is music for music’s sake – recorded without angles, agendas and themes – so Fake was free to simply continue honing his craft and express himself non-literally. Aptly titled, there’s a clarity of execution and ambition, and a peak effectiveness to the record that just sounds right.

Continuing to set a personal bar higher and topping his own best, the mark of master craftsperson is everywhere, but that doesn’t mean it’s polished; There’s plenty of rawness evident, with spiky sonics keeping ears on high alert – full of endorphin-flooded rave energy.

Following a short, scene-setting ‘Arrival’ – a simple major chord arpeggio played on a Jupiter 6 which sounds like curtains opening at dawn, things begin apace with ‘The Grass’, which hurtles like a precision-tuned bullet train through Arctic tundra. The undulating effect of compression is emphasised by the classic techno trope where 2 rhythms jar yet interlock, creating an exquisitely disorientating strobe-like flutter. On the track’s guest, Fake comments, “I fell in love with Wizard Apprentice's ‘I Am Invisible’ and felt our musical styles were similar. Their vocals are smooth and clear and sharp at the same time. They’re like a calm within the storm.”

Inspired by Italo disco but sounding wholly alien and futuristic, ‘Vimana’’s fizzing buzzsaw arpeggiated bassline, popping snares and bright whirling melody are equally an electro trance melange, with an effervescent major chord Arp that kicks in midway.

Reminiscent of what used to be called ‘funky techno’ but with sparklier sounds, ‘Boss Core’ blinds like sunshine bouncing off ice. Using his trusty Boss Dr550 drum machine, and inspired by Autechre's ‘Vose In’, the track peaks by reaching that melancholic/euphoric axis for which he is loved.

With chugging slow breakbeats not a million miles from Board Of Canada or trip hop, ‘Crystal Vision’ rolls along, with the melody opening up, revealing more hidden notes as it progresses, building into a fractal, kaleidoscopic mosaic.

An emotional outpouring with serotonin surging through the circuitry, classic breakbeats and layers of lazers, ‘Bibled’ has all the hallmarks of a classic. This is a bonafide festival-set closing, hugging-your-mates, moment – or, with its guitar solo, “a power ballad” – as Nathan calls it.

A minimalistic moment of calm midway through the album, ‘CMD’’s gently comforting dreamscape is conjured with FM stacked and detuned sine waves which are left to breathe, whilst the chunky Chicagoan house jack of ‘Hawk’ brings to mind classic Relief records, but even more detuned and wibbly, and laden with synths.

As the title suggests, ‘Amen 96’ is in Fake’s own words, “me having a go at jungle. I grew up listening to it, and I remember as a teenager it sounded like the most intense and otherworldly music ever. It still does. This track is an experiment to see how my melodic style works against amen breaks”. Closer to the braindance end of the spectrum than ‘proper’ jungle (and all the more interesting for it), Fake channels the spirit of Squarepusher but makes it his own, brimming with melodious twinkle.

A collaboration with Nathan’s close friend and genuine musical hero Clark. ‘Outsider’ finds this dream team alchemising pure gold that’s bigger than the sum of their parts. Skittering, intense, far-reaching end epic, the pair close proceedings on a grandly dramatic note. In 2020 Nathan released the album ‘Blizzards’, which was described by The Quietus as “his best work”, and “his best LP yet” yet by Resident Advisor. The equally well received ‘Blizzards Remixes’ EP which featured Afrodeutsche and Irene Dresel followed in 2021, as did a nationwide UK tour.

An in-demand remixer, Fake has added his magic to tracks by Radiohead, Clark, Perc, Jon Hopkins, GoGo Penguin, Dominik Eulberg, Christian Löffler and Damian Lazarus, working for labels including Ninja Tune, Domino, Warp, Blue Note and Kompakt.

Go to Item

Kalve - Colapso - Hæresi

Trinitas

Theme From Acid Pimp Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fellow Eerste Communie resident based in Amsterdam, Hitam will debut with a solo EP on Somov Records. With the trio of tracks, he is expertly showcasing his sound from the ethereal ambient scape to the signature floor cuts.

Go to Item

The Acid Pimp

3x12" | 2023 | EU | Original (Furthur Electronix)

Discourses Of The Withered

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Unreleased material from 90's mysterious underground legend Acid Pimp! Limited hand stamped copies..

Go to Item

Celer

3LP | 2008 | UK | Reissue (Two Acorns)

LP+Book | 2022 | UK | Original (Shelter Press)

Release: 2008 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of Celer's best albums, released on triple vinyl for the first time.

Go to Item

Joshua Bonnetta

Innse Gall

LP | 2022 | UK | Original (An'archive)

Release: 2022 / UK – Original

Genre: Electronic & Dance, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Shelter Press extend a quietly cine-poetic invitation to visit the Outer Hebrides via immersive sounds - field recordings of psalm singing and local dialect - collected and arranged by interdisciplinary artist Joshua Bonnetta, going hand-in-hand with Shelter Press’ core interests in the fading light of its 10th year in operation. A beautiful artefact - complete with 60 page photobook - Riyl Francisco López, Chris Watson, Salm.

Accompanied by an evocative photo study and access to an accompanying film and essay, Bonetta’s second release for Shelter Press following 2016’s ‘Lago’ imparts a real feel for the archipelago, off the north west coast of Scotland, where he was stationed during an artist’s residency during 2017-2019. Stitched together from observant field recordings and interviews with residents on the islands of Barra, Berneray, Harris, Lewis & North Uist, the work elicits a sense of timelessness in its slow drift between shores, hills, standing stones and the intimacy of its voices, including Gaelic spoken word, folk song and whistling. Save for the appearance of a plane overhead, the sounds of car and boat motors, plus a little bit of electronic disturbance that pull you into the modern era; the results practically imagine what it would have been like to visit the islands with a recording device at any point since the last ice age.

For Bonetta, who hails from rural Canada, the similarities between his formative landscapes and those of Scotland must have appeared familiar, perhaps a subconscious recall/reminder that the two places shared a landmass, albeit 425 million years ago. His sound sensitive subtlety and cinematic ear in arranging his collected sounds serves to highlight the way the modern world only just infringes on Innse Gall’s ancient landscapes and only relatively modern tongues (if we’re thinking in geologic terms of scale). We hear the sounds of its avian population seamlessly eliding its humans in the whistling of Alick Macauley, and the natural cadence of of its mild oceanic climate mirrored in lilting Gaelic folksong, here performed by Calum McDonald, Joey Morrison, and Maggie Smith, and more generally practiced by only a tiny percentage of Scotland’s population (some 1%) but still surely alive in its meridian isles where time moves much more slowly.

With the nuance and poetry expected of a Shelter Press title, ‘Innes Gall’ reflects on the area’s anglicised name, meaning “islands of the strangers”, with calming, soberly documentarian results as heartwarming and fascinating as a visit to the area, just without the effort of travel, and from the comfort of your own living space. Bonnetta is incapable of ignoring the cinematic frame, and intersperses each shot with enough poetry to keep you entranced.

Go to Item

Mai Mao

Ricshari

Cybernetic Defiance And Orgasm 2: Other Sides Of Henry Kawahara

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Japanese free improvising duo MAI MAO. Consisting of Shizuo Uchida of Hasegawa-Shizuo, Albedo Gravitas, Archeus, Kito Muzukumi Rouber, Terror Shit, UH, etc. on bass, and Kyosuke Terada, of HUH (who have their own release due on An’archives soon), Terror Shit, Bay City Rolaz, Praymate, The Obey Unit, etc. on guitar, they’ve previously released two wild cassettes, Curvature Improvement Plan (Haang Niap, 2020) and Folk Dope Rally (2021), both documenting one-take improvisations from live gigs. Ricshari was recorded by Nobuki Nishiyama in January 2021, and is proof, if any was needed, that this duo is one of the most fiercely unique, out-there units currently extant – in Japan, or anywhere, for that matter.

The music of MAI MAO seems to proceed by opposites and juxtaposition, shifting from frantic, hectic runs of splattering note spray to moments of granular stasis, where Uchida and Terada coax their instruments into and out of deep wells of silence, or rest, temporarily, in a lagoon of fermenting fuzz. Spiralling kinetics are largely the order of the day, though – the opener, “Chew a flying flash prayer”, skitters here and there, guitar and bass jumping over one another in games of leapfrog and Twister, finding new ways to perplex and puzzle the listener, and perhaps each other in the process, Uchida and Terada fully committed to the short-circuiting spirit of the moment.

The energy here is hyperactive, but it also speaks of a curious and committed attention to improvisatory responsiveness, one that’s just as likely to fork off into different directions in a split second – it’s real edge-of-the-seat stuff, as though the hands are moving too fast for the mind to follow. That’s all the better, then, to let the gush of genuinely free-thinking, devoted duo improvisation to fly at its most playful and intelligent. File next to the likes of Davey Williams & LaDonna Smith and their TransMuseq companions, or the wickedly perplexing bass-synth/trombone duets of Dave Dove Paul Duo, and you’ve some idea of what’s going on here, provisionally at least, ‘cos this one’s an enthralling, yet welcoming, head-scratcher of the highest calibre

Go to Item

Henry Kawahara

3CD | 2022 | JP | Original (EM)

2LP | 2016 | UK | Reissue (The state51 Conspiracy)

Release: 2022 / JP – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This anthology is the second compilation from EM Records of the works of the late Henry Kawahara, a media artist and electronic music producer who was particularly active in the Japanese cyber-occult underground of the 1990s, a scene linked with technologies such as 3D (binaural) recordings, brain machines, sound chairs, computer graphics and compact discs. These tracks, produced 1990-95, include a series of recordings described as “Parallel Data Sounds” and “Sound Lsd”, a “new language system that speaks directly to the cerebrum” using “frequency components that are not perceived by the conscious mind”, reflecting Kawahara’s interest in concepts such as astrology, love mantras, and astral projection. Also here are two pieces featuring dolphin sounds and human brainwave feedback, as well as pieces from a recording unit called H Music De-perception (hmd) and a group called Xiaoyun. The majority of tracks here were not originally released under Kawahara’s name, but this compilation is an essential key to decoding the Henry Kawahara saga, and also an unveiling of the secret we planted in the previous release, "Cybernetic Defiance and Orgasm: Essential Henry Kawahara," which Kawahara himself was involved in selecting before his death.

Go to Item

Steve Jansen

Tender Extinction

LP | 1986 | JP | Reissue (HMV Record Shop)

Release: 2016 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heavyweight double gatefold vinyl with remastered audio and new and updated artwork reworked by the designer of the original sleeves

Go to Item

Jadoes

It's Friday

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Computer Imagina Blue Vinyl Edition

B O D Y L I N E

LP | 2013 | CA | Reissue (Tiger Blood)

Release: 2013 / CA – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Metal Aether / Resonant Field

Lea Bertucci

LP | 2022 | US | Original (NNA Tapes)

Dream Waves Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Metal Aether': ‘Metal Aether’ continues to explore Lea’s acute interest in the nature of acoustics and the harmonic accumulation of sound, with it’s four pieces having been recorded in Le Havre, France in a former military base, and in New York City, at Issue Project Room. With her horn, Lea produces pulsing minimalist patterns, transcendent drones, and upper register squalls that envelop these spaces in waves of overtones, microtones, and psychoacoustic effects. ‘Metal Aether’ feels like the defining statement from an artist in elevated control of their form - a summary of concepts, ideas, and emotions given life from one’s mind and heart. Lea demonstrates the desirable ability to use her art to sincerely communicate in a language of one’s own personal invention, utilizing music and sound for their most meaningful and human purposes. 'Resonant Field': It is with tremendous pleasure that we announce ‘Resonant Field’, the brand new full-length album from New York-based sound artist and composer Lea Bertucci. Following up her critically acclaimed 2018 NNA full-length ‘Metal Aether’, Lea continues her devotion to the exploration of physical spaces by way of sound, channeled through her alto saxophone. Where her previous work investigated a variety of locations around the globe, ‘Resonant Field’ narrows her focus to one space in particular - the Marine A Grain Elevator at Silo City in Buffalo, New York. This formation of an intimate connection with her surroundings is both scientific and spiritual, putting Lea in a duality of roles as both an archaeologist of sound and as a sonic medium. The fact that these recordings took place during the partial solar eclipse of 2017 further contributes to the ceremonial, ritual quality of the work, making ‘Resonant Field’ a profound, industrial meditation on beauty, emptiness, and the deep melancholy of forgotten spaces.

Go to Item

From Tokyo To Honolulu

2LP | 2022 | EU | Original (Hiraeth)

LP | 1972 | JP | Reissue (P-Vine)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From Tokyo To Honolulu offers a balmy, joyous scene over the course of the album, using the release as an opportunity to push a new and unique sound. The listener will find that each track strives forward with a real purposefulness, substituting an often surreal style with a focus on glimmering synth riffs that stretch all the way toward the horizon.

Having progressed from a solely sample-based style in 2018, Dream Waves represents the artist at their creative pinnacle. From Tokyo To Honolulu glides through a number of styles over the 8-track runtime. Morning Dawn is a shimmering, chilled-out opener, fit with hypnotic melodies and floating synths. The percussion sets out a triumphant pathway upward into the sky, the repetition of the main melody is the pulsing heart of the track, willing it onwards as it takes flight. Transient Life treats the listener to deep and dulcet slushwave, snare drums are swept up in an ever-revolving filter as troubled chords give the song a morose aura. In many ways, Dream Waves could be considered an experimental album by the artist, showcasing a mastery over a number of styles, but actively seeking to push boundaries in each one.

Experience one of From Tokyo To Honolulu’s most daring albums to date. Wade through sparkling melodies and hypnagogic swirling drums. Surrender your sense of self, as the artist patiently leads the way, never more than a few feet ahead, not seeking to lose you, but to gently guide you through this beautiful world.

Go to Item

Anthony Moore

Reed Whistle & Sticks

2LP | 2005 | US | Reissue (Important)

Release: 1972 / JP – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reed Whistle & Sticks was released in 1972 in a decade of transition for experimental composer Anthony Moore. Two years after the the album, his bands Henry Cow and Slapp Happy would merge briefly for a run of cult-favourite avant-garde records and swiftly detangle. A year after that, in 1976, he released his fourth solo record Out - its pop sensibilities, albeit avant-inclined, a chasm apart from the raw experimentation of Reed Whistle & Sticks. P-vine is proud to be reissuing Moore’s experiment in texture and looping for the first time on vinyl format, and bring new accessibility to an album that has been almost impossible to source on vinyl for 50 years.

Go to Item

Coil

The Ape Of Naples

2LP | 2021 | EU | Original (Republic)

Release: 2005 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2018 re-cut from original Peter Christopherson approved masters.

The Ape of Naples is Coil's highly celebrated final album completed by Peter Christopherson following the tragic death of Jhonn Balance in 2004. Often noted for being a fan favorite, The Ape of Naples uses Balance's final recordings and material recorded at Trent Reznor's studio in New Orleans to create a deep, heavy masterpiece.

This re-press is packaged in a heavy duty jacket with Ian Johnstone's original artwork coated in a custom spot gloss. Each LP is housed in a printed inner sleeve and side D contains all three original etchings. Ape's lyrics are spread across the gatefold.

Go to Item

The Weeknd

The Highlights

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Soft Season & Meet Local Singles Pink Vinyl Edition

Lasership Stereo

LP | 2021 | CA | Original (Tiger Blood Tapes)

Release: 2021 / CA – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Trevor Miller & A Guy Called Gerald

Trip City (Book + Vinyl)

12"+Book | 2021 | EU | Original (Velocity Press)

LP | 2018 | DE | Reissue (Private)

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Book and vinyl will be in a special black Trip City tote bag exclusive to shops. Originally published in 1989, the book went on to sell 12,000 copies in a year before going out of print and becoming an underground cult classic. Includes a new introduction from author Trevor Miller and a foreword by Carl Loben (DJ Magazine). The book’s original soundtrack by A Guy Called Gerald is also being reissued and all five tracks will be available on vinyl for the first time.

In the summer of 1989, when Trevor Miller’s Trip City was first released with a five-track cassette EP by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn’t really been explored since Tom Wolfe’s The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as “the acid house novel” and an underground literary landmark.

But for 2021, Trip City is back and the original soundtrack by A Guy Called Gerald is also being reissued and all five tracks will be available on vinyl for the first time. The Trip City soundtrack on vinyl is only available as a bundle with the book in a special Trip City tote bag.

“I remember back in the 80s, in my hometown, Tony Wilson (of Factory Records fame) was fond of calling Shaun Ryder the WB Yeats of his day. In that vein, whether or not I like to see myself in the canon of Anthony Burgess and Clockwork Orange - with these five tracks, A Guy Called Gerald feels very much like the Ludwig Van to my Alex DeLarge.” Trevor Miller

Go to Item

R.E.K.

R.E.K. 1

Release: 2018 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Splattered Purple Vinyl.
Limited Edition.
Record is close to NM.
Small sticker stain on front cover.

Go to Item

2LP | 1996 | UK | Original (Shiver)

Dubhead Volume Three

Since I left You Black Vinyl Edition

Release: 1996 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Record has some hairlines and a few superficial scratches.
Records are close to VG+
Small sticker on cover.

Go to Item

The Avalanches

2LP | 2001 | US | Reissue (Astralwerks)

12" | 2012 | UK | Original (Text)

Release: 2001 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Avalanches' Downbeat milestone back in print!

Go to Item

Burial + Four Tet

Nova

Back 2 Life (The Dedication)

Release: 2012 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

Go to Item

12" | 1995 | UK | Original (Back 2 Basics)

12" | 2014 | SE | Original (G.A.M.M.)

Release: 1995 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: F

Record has many hairlines and surface marks and a small piece broke out of the edge, does not skip or affect play.

Go to Item

El Barrio Djs

El Barrio DJs

2x12" | 1997 | CA | Original (Stickman)

Release: 2014 / SE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+

Go to Item

The Stickmen

Afterhours

Dreamer's Blue's / Lost Angel

Release: 1997 / CA – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with creasing and small stickers.

Go to Item

Theo Parrish

12" | 2001 | UK | Original (Music Is...)

Release: 2001 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: Generic

Vinyl with many scuffs and hairlines, close to VG

Go to Item

The NID Tapes: Music From India 1969-1972

2LP | 2023 | UK | Reissue (The state51 Conspiracy)

2LP | 2024 | US | Original (Vhf)

Release: 2023 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The NID Tapes’ presents a collection of early Indian electronic music uncovered at the archives of the National Institute of Design in Ahmedabad. Recorded between 1969-1972 the compilation chronicles electronic works from the previously unknown Indian composers Gita Sarabhai, I.S. Mathur, Atul Desai, S.C. Shama and Jinraj Joshipura who worked at the nation’s first electronic music studio founded at the NID during the utopian years following India’s independence - a radical period of visionary experimentation and artistic freethought.

The studio was founded with support from the New York composer David Tudor who personally set up a Moog modular system and tape machine in the autumn of 1969, and The NID Tapes also includes an excerpt from Tudor’s work discovered amongst the collection of tapes. The release developed from a long-term research project by the British artist and electronic musician Paul Purgas who travelled to Ahmedabad over many years to explore the origins of electronic music in India. This resulted in the discovery of the electronic music archive at the NID and its eventual restoration and digitising, which featured in the acclaimed BBC radio documentary Electronic India.

The compilation presents excerpts from the 27 reels of archive tape spanning the three years of the studio's operational history, showcasing work from the pioneering electronic composers which included the musician and poet Atul Desai, NID teachers and technicians I.S. Mathur and S.C. Shama, Gita Sarabhai who had previously studied with John Cage in New York in the 1940's and the young architecture student Jinraj Joshipura who was just 19 years old at the time of first composing with the Moog synthesiser. The audio showcases their various visions for electronic music production, exploring analogue synthesis, tape collages, voice experiments and field recordings revealing a meeting point of Western and Indian avant-garde traditions, and offering a unique insight into South Asia’s post-colonial sonic imaginary. The vinyl and digital is a collaborative release by Strange Attractor Press and The state51 Conspiracy and has been mastered by Hari Shankar Kishore (hvad) with design for the release and a vinyl etching created by Shreya Aurora a recent graduate from the National Institute of Design.

Launching at the same time through Strange Attractor Press will be a book titled ‘Suncontentinental Synthesis: Electronic Music at the National Institute of Design, India 1969–1972’. Edited by Paul Purgas this collection of critical essays will reflect on the larger cultural and political dialogues surrounding the studio as well as written contributions by Geeta Dayal, You Nakai, Rahila Haque and Jinraj Joshipura the last surviving composer from the NID.

Go to Item

Mahti

Konsertti I

12" | 2002 | US | Original (7th City)

Release: 2024 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Third album from Finnish group Mahti, a collaboration between three members of stalwart avant-rock legends Circle and Hannu Saha. Saha plays the Kantele, a traditional Finnish acoustic instrument which can have five, ten, fifteen, or thirty-six strings, and which is plucked like a zither or harp, producing a delicate string sound. Following their two very limited studio albums on UK label Riot Season, Konsertti I is an excellent recording of the group in live performance, capturing their understated and beautiful mix of ambient, electronic, and string music. Saha’s Kantele centers the music, sometimes plucking out melodic arpeggios, at others blending in with the burbling-but-subtle electronic and electric guitar backdrop. Doesn’t really sound like anything else, but recommended to fans of AR & Machines, Ash Ra Temple, Richter Band, Durutti Column, etc. “These ancient musicians played their ‘mahti’…and the sound they produced was called ‘musiikki’.”

Go to Item

S-Max / Fym

Seismic-Stealth-Smurfz

Release: 2002 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

New Erotica Collection HHV Exclusive Red Vinyl Edition

System Olympia

LP | 2023 | UK | Reissue (Okay Nature)

CD | 1984 | JP | Original (Polydor)

Release: 2023 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

HHV exclusive vinyl edition on opaque red vinyl including 30cm artwork poster, limited to 200 copies.

All your favourite System Olympia songs in one vinyl record.

Go to Item

Tim Story

Untitled

Do We Become Sky? Cobalt Nebula Colored Vinyl Edition

Release: 1984 / JP – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Case has a few light scratches.

Go to Item

Slow Dancing Society

LP | 2024 | UK | Original (Past Inside The Present)

LP | 2024 | JP | Original (Rings)

Release: 2024 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Washington's Slow Dancing Society aka Drew Sullivan has gone long here: Do We Become Sky? is a deeply immersive 86-minute work that very much rewards being listed to in one sitting. It is "a spiritual successor" to his 2008 album Priest Lake that draws upon feelings of loss, mostly using the tonality of the Korg Wavestation as a foundational instrument through the work. It features well-balanced boiling of tension with subtle moments of release, swelling harmonies, plucked guitars and evocative synth progressions that always keep things moving both physically and emotionally.

Go to Item

Turn On The Sunlight

Ocean Garden

LP | 2023 | US | Original (Cibachrome Editions)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Ocean Garden" is the new release from Turn On The Sunlight, a collective that gathered its splendid members at the urging of Jesse Peterson and Carlos Nino, beloved by many musicians in the LA music scene. Seven selected songs from that album are being released on vinyl!! Featuring Musicians: Josh Johnson, Fabiano do Nascimento, Dwight Trible, Mia Doi Todd, Sam Gendel, Randal Fisher, Phil Ranelin, Anna Butterss, and more!

Go to Item

Lea Bertucci

Of Shadow And Substance

Accidental Music 1987-1991

Release: 2023 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Acclaimed NYC experimental musician Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion on Of Shadow and Substance. “More so than any of my other music, I don’t feel that these works belong to me,” Bertucci writes. “There is something about them that is beyond myself as an individual and provides, if anything, a brief glimpse into what it is to be human in what feels like these waning days of the Anthropocene.” Working with instrumentation in the ancient “just intonation” tuning structure (in which notes are spaced exclusively at whole-number ratios of frequencies) and a textural approach to composition, even commonly-heard timbres such as cello, harp and double bass in Of Shadow and Substance are afforded a sense of deep, ancestral knowing. The record opens with “Vapours”, whose contemplative, semi-improvisational, interflowing lines of acoustic instrumentation swell and expand like the passage of time, as if revealing an ancient, eternal memory, old as humanity itself. Its spacious, mutable open strings and droning harmonies do not favour a soloist or even any single melody, but instead blur and coalesce into one entity, drifting from consonance to discordance in harmonic clusters. A dizzying middle section gives rise to a sense of panic, pulling the strands of languid, drifting vapours into a volatile tumult before resettling into a misty, atmospheric trance-state. Bertucci writes: “A “vapor” is a molecule that exists on the verge between a liquid, gaseous or solid state, and the archaic term “vapours” was a pseudo-scientific term to diagnose types of hysteria in women.” The piece was commissioned and performed by Italy’s Quartetto Maurice, who were prompted to visualize vapours in air and to meditate on hysteric fits as they play, while Bertucci controls the sonic space with subtle processing and spatial mixing. The latter half of the album—just as moving and evocative—comprises the composition “Of Shadow and Substance” for double bass, cello, harp, percussion and electronics commissioned by the Philadelphia creative foundation ARS Nova Workshop and performed by Henry Fraser, Lester St. Louis, Lucia Stravros and Matt Evans. “This piece measures the accumulation of events over glacial periods of time as a metaphor for social and environmental shifts,” Bertucci tells us. “It is a meditation on time travel, asking the listener to consider the way events from the past propel themselves into the future.” Its construction reflects the strange concertina of time we find in recorded history, suspended densely in the moveable center of an empty space. Using experimental mixing techniques, Bertucci loops and layers fragments of the performance in real-time, resulting in a diffuse, swirling, self-referential mass of experience, both familiar and metamorphic.

Go to Item

Charles Esposito

LP | 2023 | UK | Original (Mid-Air Museum / chOOn!!)