Search "fettes brot:" 429 Items

A vinyl 140gram with Jerome.c and with a Christine Benz remix. With sunny and bright positive vibes & grooves.

For summer mood and perfect for club feeling or openair.

Eastenderz welcomes French party starters Oden & Fatzo and Thurman for a double dose of debuts on the label, with this funk-fuelled, punchy, summertime house four tracker. Part feel-good, part hazy deepness, part heads down heat, there’s a cut here for every occasion, giving a glimpse into why these two acts are on the trajectory they are. Essential business as always from Eastenderz.

Die ’’Kontor Sunset Chill’’-Reihe ist seit Jahren die beliebteste und erfolgreichste Serie in ihrem Segment und verfügt über eine feste Fangemeinde. Das 20jährige Jubiläum der Serie wird daher mit einer extra fetten 4cd- & 4LP-Jubiläumsbox für alle eingefleischten Fans und auch Neueinsteiger zelebriert! Ein gechillter Mix aus 80 Deep House & Chillout Perlen sowie dem Besten aus 20 Jahren „Sunset Chill“ lässt garantiert den Alltagsstress vergessen und entspanntes Urlaubsfeeling aufkommen. Insgesamt ein Soundcocktail der für jeden Geschmack etwas bereithält und in keinem Urlaubsgepäck fehlen sollte. Die streng limitierte 4 LP-Box enthält einige echte Raritäten und Tracks die erstmalig auf Vinyl erscheinen werden.

The next installment of Vatos Locos features none other than the legendary Luciano in collaboration with Dani Ramos. This quintessential summer sizzler ‘How Soon is Now’ showcases intricate textures and warm blooded melodies weaving in and out of sultry vocals courtesy of Dani Ramos. Titled "UFO's Call" on the other hand, rolls bald and groovy, surfing on dubby yet fluffy synths blended with a rolling bassline, along with compelling shakers and congas. Adding to this stellar offering is a special two headed remix package from the master of contemporary minimal music - Dewalta. The ETH Remix is a dance floor orientated mind melter that has been battled tested against backdrops like Sunwaves and Off-Sonar. The Metaverse remix creates its own rules with breakbeat lineage and chunky ambitions. No matter what variety of poison you prefer, “How Soon Is Now” will satisfy your deepest curiosities.

"Take A Break" is the second reference of our kitchen. For this occasion the artists Sergio Parrado and Jee Bear make their debut with us. We have great remixers from Sascha Dive and Danny Serrano and a special bonus tracks from Scoom Legacy. We hope you enjoy this vinyl on the dance floors.

Persistence of Sound presents a new solo LP from one of the world’s leading voices in electroacoustic music. Natasha Barrett is known internationally for her intense explorations of the movement of sounds through space. Whilst studying with Jonty Harrison at the University of Birmingham, Barrett worked with Beast (Birmingham ElectroAcoustic Sound Theatre), which led to a doctoral composition degree supervised by composer Denis Smalley.

Barrett has since established an international reputation as a composer of 3D audio and ambisonics. She treats spatialisation as a musical parameter, and told the New York Times, “I’m really concerned with the idea of tangibility. Sound is invisible, but we can do things that make you want to reach out and touch it.”

Barrett describes her inspiration as coming from the immediate sounding matter of the world around us, as well as the way it behaves. Barrett's works are performed and commissioned throughout the world, and have received a long list of prizes, including the Giga-Hertz Award and the Bourges International Electroacoustic Music Awards.

Persistence of Sound was founded by composer Iain Chambers, of the musique concrète ensemble Langham Research Centre. Its releases span electroacoustic music, field recordings, and the unclassifiable music between these genres.

The new storming 7 inch from Cedar Room Party, bring us the best of uplifting disco- house. Usual quality, providing two floor-focused tracks, perfect for many situations…

Bleep was the hype par excellence at the beginning of the techno movement in 1990/91. Bleep – inspired by the beeping sound of small toy robots – stood for a phase of good mood and sounds that had never existed before. LFO with their groundbreaking track of the same name and Tricky Disco were two protagonists of those happy days.

More than 30 years later, Jürgen Laarmann (editor of the legendary Frontpage Magazine 89-97, promoter of Love Parade and Mayday 91-97, Bash Rec. 91-94) had the thought that nothing is missing in current electronic dance music as much as bleep.

The idea came about when discussing how to create a soundtrack for the art and techno hype of the day and the crypto art moving currenting stirring up the art market. The comeback of bleeps in a new guise is surely a tried and true remedy: the Bleep Gigaverse makes the blockchain shake.

With his old friend and Bash Records buddy Mijk van Dijk, Laarmann developed the NFT anthem with the striking Fazer bullet intro and a fat 2022 bleep that has been extensively tested on post-Corona dancefloors. Club legend Justus Köhncke (Whirlpool Productions among others) himself a big Bleep fan and Laarmann’s neighbor, contributed a house mix. Most recently, they managed to bring the great Michael Wells – the Godfather of Bleep into the Bleep Gigaverse. He contributes as Tricky Disco with all new bleeps and also with a Hardstyle mix, so the EP offers a spectrum with really different mixes.

May it bleep forever now!

By Mijk van Dijk & Jürgen Laarmann

International Feel founder and guru of the sunset soundtrack, Mark Barrott returns with a new EP entitled Travelling Music. After spending the last few years writing & producing for other people, Mark is focusing his creative efforts inwards & rediscovering his own musical compass, calling it ‘the best medicine and therapy there is’. It’s this energy he looks forward to sharing via a number of releases over the coming months, including a new La Torre compilation, a series of Bandcamp only releases (Bandcamp Editions), the soundtrack to a new Japanese documentary (??) and this new vinyl release, Travelling Music.

He refers to the title track as Balearic trance. Not in the overblown Dutch sense, but trance as a metaphor/mechanism for an altered state, through hypnotic unraveling synth lines and a dash of wonkiness thrown in for good measure . Elsewhere on the EP, Arcade Scene flexes its melodic Italo dance moves with a slight nod to New Order, but a version of the group that’s beamed in from an alternate reality, where The Haçienda was called Il Tesoro and relocated to Ancona via a Gerd Janson DJ set circa 1991.

Chillin’ 4 work channels Aphex Twin from his easy listening Gentle People remix era, with added Sketches from an Island / Ry Cooder-esque guitars and the reprise of Travelling Music already feels like a La Torre sunset classic, bouncing with sequenced polyrhythmic arpeggios, before gently evaporating into a Vangelis-meets-Edgar Froese heat haze.

As with most of his work, Barrott calls this folk music…the telling of stories from everyday life and being Ibizan in origin, there are always a lot of varied & crazy stories to tell, but this chapter in particular feels like a deep burnt therapeutic transmission straight from the heart.

It's always a huge pleasure to have him back. Lewis Fautzi's astronomic ascension is well known and we are delighted that he decided to 'play home' one more time.

Although the years are passing by, Lewis is faithful to his principles. His personal style is almost a trademark and impossible not to recognize. Techno scene has evolved and he has evolved with it but always in a straight line, adapting himself perfectly to the new tendencies and keeping his touch and his vision.

This new ep is full of trippy pads and powerful bass lines. Mesmerizeng techno as its finest and with a small cherry on top of the cake: a remix by Rødhåd. His first time with us and there is no greater feeling, specially knowing the huge artist he is. Established nowadays as a techno force, the german producer combines the hypnotic with different theatrical approaches and came a long way demonstranting the uncontainable nature of his brand of shadowy dance creations, as someone once described his work. We couldn't be happier with the result.

In summary, the first ep by Lewis Fautzi on his own imprint with a remix by Rødhåd.

Lewis, welcome back home!! And thank you for bringing such an illustrious guest.

Remastered and back on vinyl for the first time since being released by Mute in 2005. Tapete rearranged the tracklist together with Andreas Dorau. With production by Justus Köhncke, Marcus Rossknecht and more.