Search "airhead+wait" 4978 Items

12" | 2024 | EU | Original (Furthur Electronix)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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RT PRO is the new Right Tempo line “for professional use”, addressed to a discerning audience and released on 12” Single housed in a curated packaging. This first instalment is a follow-up to the internationally acclaimed "The Congregation - Jazz Alliance International" compiled by Jazzcat. It features never previously released remixes of the slammin’ "Seasons in My Mind" track by Japanese producer Yellowtail feat. legendary jazz singer Mark Murphy. In addition to the Original, come remixes by Further Out Recordings’ head Richard E feat. saxophonist/flutist Jake Telford, by Frankson (one half of the British electronic duo Part Time Heroes), and by all-round musician and producer Emanative, who invited his longtime friend and collaborator, keyboardist Jessica Lauren, to join him for this special project.

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Jodey Kendrick

Sr 71

2LP | 2024 | EU | Original (Something Happening Somewhere)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ultra limited Jodey Kendrick of fierce Acid Electronix! 100 copy pressing on hand stamped black vinyl..

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Far Out Radio Systems

Mariana No Death

24,99 €*

U Can See Alex Park From Ere / Picky Eater

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Far Out Radio Systems, the musical project by Thomas Neyens, is set to make waves with the release of his anticipated second album, "Mariana No Death." This transformative musical journey invites listeners to explore the depths of the Mariana Trench, where the protagonist seeks solace amidst the chaotic realities of our world. Drawing inspiration from the roots of early techno and lo-fi electronica, Thomas Neyens showcases a unique sound palette, embracing a DIY and raw production style. "Mariana No Death" is a testament to pure machine music that delivers a powerful message of honesty and a hopeful outlook for brighter days ahead.

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Rat Heart

7" | 2024 | UK | Original (Modern Love)

14,24 €* 18,99 € -25%

12" | 2024 | EU | Original (Wicked Wax)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tom Boogizm’s Rat Heart has already given us AOTY-worthy excursions into fizzing ambience, fritzed Arthur Russel-esque scuzz, flipped neo-soul and bleary-eyed bangers, always with those timeless hooks and wild-but-insular production. Never one to care much about fitting in with any one thing or another, Rat Heart evokes that golden stretch in the mid-late 80’s when heads got past the shine of new technology and started getting deep into the thing - you know the stuff - Thomas Dolby, Prince, Prefab, Scritti. In other words, Rat Heart is supremely well suited to the 45, giving sharp focus to his pop instincts, tightening the screws in a way that echoes contemporary work by Dean Blunt or Vegyn, you can imagine his thing properly going off too. In fact, you don’t really need to stretch the imagination too much with this one, the A side guided by the spirit of Sade via Prince in a slow love mode, Ben Vince’s Saxophone providing an added layer of moody romance. On the flip, it’s all Spanish guitar and broken (heart|)strings, just a solitary synth and that gutted vocal for company.

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Mo Wrights

Things2proof

19,99 €*

12" | 2024 | EU | Original (Nous Klaer Audio)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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With his debut EP Mo Wrights delivers a jazz-focused and narrative-driven record navigating the inner dialogue of a creative struggle of inferiority, abstraction and commitment. The story finds him enlisting some friends along the way to advance from one act to the other.

With the title track - ‘things2proof’ - Mo tries to combine his myriad of influences in a 6-minute record that weaves together elements of jazz, broken beat, acid jazz, fusion, hip-hop and hints of rock. The coherence comes from his poignant narrative, which resembles a four-act structure, telling the story of alienation and his internal experience of inferiority, creative frustration, and his eventual recognition of a solution, concluding by finally permitting himself to simply ‘be’. And for that we thank him!

The b-side ‘proof of concept’ follows the title track, Mo embraces a more laid-back approach, sitting sonically closer to his beloved broken beat sound. Amsterdam-based pianist Misto Kay delivers a long soul-felt piano solo that carries the track into untold dimensions of groove. With this offering the soul feels both heard and yearned for. It’s as if desire and satisfaction are in conversation with one another. You can’t help but be gripped, pay attention, and listen.

As a co-founder of the Amsterdam-based music platform Steppin’ Into Tomorrow, whose ethos is anchored in the principle of collaboration and unification of the Dutch scene is a deeply felt sentiment throughout Mo’s EP. He enlists a slew of emergent local legends, such as Quanza, drummer Jamie Peet, flutist Han Litz, bass player kotokid and pianist Misto Kay to embellish and remix his creation. The remixes also illuminate other bright creatives the local scene has to offer, with remixes by the likes of - Kofi the Unknown, Lyma, Misto Kay and Jazz n Dance.

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Konduku

Ebedi

LP | 2024 | EU | Original (A Colourful Storm)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Konduku returns to the nest for the fifth and final installment on his Nous'klaer Audio K-series. A diverse four tracker embodying Konduku's signature style of poly grooves and vibrant euphonies. A flow from dark to light that marks the end of this special series of releases.

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Unchained

Gabbeh

20,39 €* 23,99 € -15%

12" | 2024 | Original (What If It Works)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis who was last seen on vinyl in the final Blackest Ever Black release. Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davis's guitar-based instrumental musings and represents a stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby. The psychogeography of Grenoble, Davis' home since 2018, played a conscious role in the weaving of Gabbeh's fabric: "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city… 'Dru' is the name of a well-known peak near Chamonix". Opener 'Largo' sets the mood, its primitive samba rhythm concealed by a cloud of saudade. The bebop sensibility follows suit, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of 'Rambler' is perhaps the most poignant expression of longing and loss we've heard in recent years. Highly recommended for fans of Durutti Column, Maurice Feebank, Toninho Horta.

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11:68pm

Wide Screen Narrow Mind

Release: 2024 / Original

Genre: Electronic & Dance

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11:68PM returns to What If It Works with a 4-track EP dubbed wide screen narrow mind.

You were handed a myriad of tools before, but these are designed as perception devices discerning between simulation and reality. Even if you can't tell the difference you might sense it. Confront yourself with what you are handed, a sonic cross section of sun drenched synth contours and sub surface movements. This is a real-time report on inner screen time, carved out of the depths of the human mind.

11:68PM's second runny faced outing on What If It Works is pure technology for a reality that does not yet exist, you must decide for yourself how to proceed.

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11 Years Voodoo Down Records

2x12" | 2024 | EU | Original (Voodoo Down)

LP | 2024 | EU | Original (Cavalcade (Airfono))

Release: 2024 / EU – Original

Genre: Electronic & Dance

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11 Years Voodoo Down Records celebrates a decade-plus milestone of music from the
titular label, which was launched by three friends in Brooklyn in late 2012 and later split
across both sides of the Atlantic.
Their 17th vinyl release is their first double 12”, compiling tracks from a selection of the
artists that helped them hone their sound: STL, who featured on the first release on the
label; October, a recurring favorite who came out of a techno hiatus to cut demos for this
release; Tobias., who first appeared on the label in 2015; JXTPS, the recent roster addition
from Melbourne; MadderModes, the Manchester duo who debuted on the Empirical
Evidence EP; and as always, the label founders themselves: L’estasi Dell’oro, 12 x 12, and
N’conduit.
These tracks run the gamut of sounds that have been a staple of the label over the years:
upbeat drone techno from L’estasi Dell’oro leading off the release with “Get GOO ing”,
dusty dub techno courtesy of STL on “Dungeon CeLL”, head-trip hypnotic techno from
Tobias. on “Public Eye”, downtempo melodic from 12 x 12, punchy peak-time techno from
JXTPS and N’conduit, and a raw acid techno groover from October.

This release celebrates a decade plus of music on the label. It also marks the return of STL, Tobias., and
October to the label with all original material. October coming off a long hiatus, and will follow up with a
mini-album later on the label.
The first 2x12” compilation released on the label, and along with the release we will be adding the label’s
back catalog on major digital streaming platforms.
Touring by 12 x 12 and L’estasi Dell’oro planned in Sydney and Melbourne, Australia during the last
weeks of 2024, and in LA, NYC, Denver following later in the year.

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Turfu

Sous Rosée

32,99 €*

12" | 2024 | EU | Original (Koi Series)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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On the eve of the party, the first showers break out. It's fusion. At the heart of the dancefloor, water turns to smoke - evaporation. Then, as dawn breaks, it liquefies. Early in the morning, just before the first rays of sunshine, on a club outing or a hike, dew condenses and settles on flowers and people. It's a concentrated broth of warm bodies after dancing. Will we continue to get drunk? Or will we dream horizontally? Either way, it's a pivotal moment, a beginning, made of the salty tears of joy from the night before, and recipes for wild, early-morning cocktails. This EP was born from the track Se-ul, a meeting between Turfu and Yolande Bashing, an emerging artist on the Lille electro-pop scene. Although the two groups might seem to be placed in rather different boxes, they discovered they had much in common, such as three-digit chords, melancholy synthesizers and bus-shelter parties. From this sultry collaboration came a video (directed by Sihem Kerkeni) and new tracks such as "Maison", an ode to the poetry of kick, and "Tendresse", an urgent need to navigate at 150bmp. Since its creation in Portugal 6 years ago, Turfu has been plying the roads of France and beyond. Surveys prove it: the audience is so varied that it includes seasoned teuffeurs, SVT teachers, enfants terribles and certified night owls. Eternal union between boxes

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S.O.N

Distance Problems

11,04 €* 12,99 € -15%

12" | 2024 | EU | Original (Jack's House)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The harmonious nature of creation, the search for symmetry, the perpetual motion of bodies. Characteristics that amplify the sensations when we face something bigger than ourselves. In the same way, the lake reveals itself as a mirror for the soul, and the carp begin to flow into our soul, bringing out some "Distance Problems", able to be filled only with music. Koi008 is brought to you by the enigmatic yet oniric outer-world creator S.O.N. with three mesmerizing original tracks. On the remix duties, Romanian superstar Sublee delights us with his take on "Vanessa", in front of which we must only surrender.

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Alex Arnout

Burn EP

9,59 €* 11,99 € -20%

12" | 2024 | EU | Original (Faut Section)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jack's House Recordings favourite (Alex Arnout), is back with another 4 track solid EP. This is the 3rd EP with Alex signed to the label. Alex was the first artist to release on the imprint back in 2016 with sell out Confirmation Bias ep followed by the Sync Jam release and further productions on some of the Jacks Tracks VA series. This latest offering with the new Burn EP does not disappoint â€¨ This limited vinyl press offers 4 distinctive tracks showcasing Alex's ability and talent to seamlessly blend influences from different genres making his production unique creating his staple sound. â€¨ First up is Burn which kicks of with tough tech beats quickly followed by some punchy chords before it develops into a beautiful fusion of an energetic original tech house sound merged with what can only be described as a pure soulful touch with the vocal snippet which occasionally and simply sings the the title track lyric (Burn). You could describe it as Tech soul if that were a thing. Punchy, warm and energising with a touch of a romantic notion in there while maintaining the techy roots, you will have this on repeat. â€¨ 2nd up is Tribespeople, which takes you into Alex's tougher side. Leading with a full on kick and rounded sound, it is perfectly suited for true underground dance floors at the height of their energy, or to wake it up, this track is made for the committed clubber that really likes to go for it ! The track is laced with subtle fills that will jog your memory and take you back to the original days of rave. This is pure underground bliss. â€¨ On the flip side, is the popular Punkadelic. This was originally released back in 2022 on Jacks Tracks VA Vol 5 alongside tracks from Terry Francis, Lex & Legit Trip. It was always intended to be a vinyl release, so by popular demand, it is finally going onto wax, where it deserves to be. Punkadelic is dark with a real techno vibe, but even in here, if you have a good ear, you can hear subtle touches of Jazz in the percussion, which yet again showcases Alex Arnout's unique talent to fuse elements of different genres in an especially classy way. â€¨ Last but by no means least, is a slightly different flavour with the track Recall. This is a slightly more laid back number, but still punchy with a good chug to it, and keeping within the sounds of the underground. Vocal snippets are spoken and broken throughout the track laced over some ghostly chords accompanied by swinging hats, claps and a fierce bassline.

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Space Program

Scientific Side EP

12" | 2024 | UK | Original (Take It Easy)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lewis Fautzi's new alias, Space Program, debuts in the scene with a deep dive into the edge of his creative and artistic mind, where new visions and ideas have been boiling for so long. A futuristic and spacial sound, emerges from psychedelic soundscapes and places the audience in an expedition to unexplored galaxies and alternate realities.

Scientific Side EP is the first outcome of years and years of methodic experiences in his studio and awakens a profound sense of vitality that goes beyond the basic comprehension of music.

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Wema

Kiherehere Bugsy Redrum

LP | 2024 | EU | Original (Language Of Sound)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Take It Easy label returns with a red one and limited edition one-sided 12" that features a Bugsy 'ReDrum' of Wema's 'Kiherehere' cut. The original artists are a five-piece Tanzanian outfit founded on community and they have a global approach to sound that plays out here. In Bugsy's hands, it becomes a club-ready cut that fuses house and techno with the original's traditional Tanzanian instrumentals and Afro-Latin rhythms. Add in a fiery vocal and the sort of unrelenting drum funk that sends crowds mad and you have another standout from this fledgling label.

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Leonardo Heiblum

Encyclopedia Sónica

18,74 €* 24,99 € -25%

12" | 2024 | EU | Original (Bordello A Parigi)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Recorded in the past 25 years in different parts of the world, Encyclopedia Sónica Vol. 1 compiles the music and sounds of Leo Heiblum. Comes with insert.

Since Leo Heiblum was a little boy, he always found music everywhere. Listening to the engine of his mother's car and hearing incredible rhythms. He always thought every sound we hear can be made into music, every sound that we hear can be heard as music and it can be felt and understood as music. Every sound has an attack, a decay; some have a pitch. What is more beautiful, the sound of a flute, a bird, a trumpet, a car horn, a violin or a mosquito buzzing? They can all be used to make music.

Leo Heiblum believes that If we learn to hear all sounds as “musical” or at least to have the potential to be used to make music, we might look at the world and listen to the world more lovingly. That car passing by had a beautiful crescendo. That dog barking in the distance created a fantastic melody with an impossible-to- transcribe rhythm. Is there no creative intention behind those sounds? Can the listener give them an intention, can the listener transform them into art? Leo Heiblum is trying to organise them and use them in a way that will be musical for us. He hopes that the next time we hear an ocean wave breaking a bond, fire crackling, or a fly flying, we can enjoy the notes and the rhythms they are making. They are being created by something; who knows what the intention is, but some of the most unique beats he's heard come from rocks falling in cenotes or ice breaking down in a glacier. And the melodies he's heard from bats, dogs fighting, or a newborn dog are both haunting and beautiful. The timber from sounds such as the thorn of a cactus, the voice of a homeless person in the street or a mosquito buzzing can be used to create instruments as beautiful as any instrument. And they have a new sound or a familiar old sound used differently. A way that invites us to hear the music created by this planet.

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Armonics

Future Echoes EP

14,39 €* 15,99 € -10%

12" | 2024 | UK | Original (White Peach)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Four years ago, Francesco Strippoli debuted on Bordello A Parigi with Universal Oneness followed by the analogue rich Prison Planet EP. Once again, donning his Armonics alias, the Bari based producer returns with four tracks for Future Echoes. The synthesizer warmth that has characterised past releases is immediately present. At the heart of “Floating High” is Strippoli’s keyboard work. Beats are crisp and understated as waves of melodic murmuration bob and weave to perfectly complement each other. A steady kick introduces the textured title work. Warbling notes give way to bolder chords, chords that are blurred by shimmering arpeggios as layers of harmony expand and unfold. Nostalgia meets the needle on the flip. “Retrospectiva” blends subtle shades with brassy extravagance, the sun and romance of southern Italy radiating in tempered brilliance. The energy of “Music and Lights” closes. Throbbing keys are further fortified by swirling synth stabs, the intensity being ratchetted up to boiling point in this dancefloor delight. Quality through and through.

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Moreofus

Likesss

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Central Processing Unit)

Karsten Pflum

Liars

12,99 €*

10" | 2024 | UK | Original (Foundation Audio)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In a convergence of two of the most celebrated names in contemporary electronic music, Karsten Pflum steps out on Central Processing Unit with the Liars EP. As anyone who has followed either Pflum's work for labels such as Worm Interface/Furthur Electronix or the Sheffield imprint's recent run of top-quality electro joints will have expected, this coming together proves to be a match made in heaven.
What we have here is a tour de force of modern machine music. With Liars, Pflum achieves that rare feat of making something that is at once boundary-pushing yet also thrillingly immediate, his attention to detail shining through with each well-placed snare hit or leftfield structural choice. Equally apt for home listening or dancefloor deployment, Liars is a delight for heads and hedonists alike.
Constantly evolving while also cleaving to a relentless groove throughout, opener 'wan1' is a brilliant scene-setter for Liars. The track slinks between sections of seething post-Drexciyan acid and eerie vignettes which balance out haunted house synth licks with the sort of punishing bass blasts that recall early grime classics like Youngstar's 'Pulse X'. A sly shift of key halfway through the track only serves to redouble 'wan1's restless brilliance.
After 'wan1', 'lola' represents something of a gear-switch. The track's wiggly opening bassline is a red herring - make no mistake that we're fully into braindance territory on this one, the drums skittering across the mix as Pflum fills the track out with jungle-adjacent delays and softly insistent synth pads. As 'lola' goes on, blurts of synth and some stiffening in the drum work pushes the track into pure rhythm workout territory.
First B-side 'mousfolk' somewhat splits the difference between Liars' A-sides. This track has 'wan1's unyielding stomp and prominent acid bass line, but the helter-skelter drum breaks and wandering keyboard lines are very much pulling from 'lola's zanier energy. As with the other joints here, 'mousfolk' is elevated by Pflum's composerly touch, the Dane frequently throwing in new sonic tidbits - a skippy snare tattoo, a single-note synth loop which sounds like a hovering spaceship - that reinvigorate the mix.
Pflum's musicality is at the fore once more on closer 'balm'. For the first section of 'balm', a rich and sombre keyboard fugue, you'd be hard pressed to say whether you're listening to a producer of club music or a contemporary classical maestro. The way Pflum builds this central motif up with deft broken-beat drum programming, a wheezing synth countermelody and distant vocal sighs is equally delightful, the whole track coming off like a kindred spirit of the electronica-infused experiments on Radiohead's 2000 masterwork Kid A.
A brilliantly unorthodox collection of electro-braindance hybrids, Liars is a barnstorming Central Processing Unit debut from the seasoned Karsten Pflum.
Riyl: AFX, Silicon Scally, DMX Krew, Matmos

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Chad Dubz & Lotu

Amplify / Raze

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Keraw Feat. Dusty Fingers And Mario Liberti

In My Soul EP

12" | 2024 | EU | Original (Addictive Pleasure Real Healing - Aprh)

16,99 €*

LP | 2024 | UK | Original (Weltschmerzen)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mark your calendars and prep your dancing shoes!

Keraw, the Parisian powerhouse duo, is dropping their hot new EP in March 2024 on the swanky Aprh Records from Switzerland.

Picture this: 90s NYC House vibes, a musical time machine back to the golden era, and a contagious energy that’ll have you grooving non-stop.

If Kerri Chandler and Masters At Work are your groove gurus, Keraw’s EP is your next obsession. It’s not just a release; it’s a love letter to House Music’s glory days.

Get ready to dance like nobody’s watching – this is your invitation to the ultimate house party, and you won’t want to miss it.

Trust us, Keraw’s bringing the beats, and Aprh Records is turning up the heat. Let the good times roll!”

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Ondrej Zajac

I Will Be Forgotten

14,24 €* 18,99 € -25%

12" | 2024 | EU | Original (Berg Audio)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Ondrej Zajac doesn't practice. Neither does he play his guitar with as little as a hint of striking technical prowess. Despite this, he makes music with the confidence of a master instrumentalist who doesn't let their chops get in the way. This is because Ondrej Zajac understands that the point of playing an instrument is to transcend it.

Such principles have been the source of pride for the idioms of experimental and free music, but these suffer from the chronic peddling of artistic narcissism. Ondrej Zajac works in the confines of these genres, but impressively avoids all their pitfalls. His music is almost pure content, as straight as a line, and so immediate and so fucking honest it leaves you wondering.

I Will Be Forgotten offers plenty of opportunities for such wondering, regardless of whether the composition is sixteen minutes or sixty seconds long. The structure of the whole thing, the appreciation of all properties of sound without indulgence in any of them, the playfulness and composure beyond it all, not even the beautiful sonic grain of the guitar itself, none of this does dwarf the most remarkable accomplishment of this record // its utter artistic integrity.

Recorded live at Divadlo 29 in Pardubice and co-produced and mixed by Václav Šafka, I Will Be Forgotten is the second solo release by Ondrej Zajac (Banausoi, Data Koroptev) and the 19th release by the sincere label Weltschmerzen.

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Jay Bliss

Neuromancer

2LP | 2024 | EU | Original (Oath)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After being featured on Berg AUDIOs >Horizons< compilation, Bucharests Jay Bliss is back on the label with his first solo release in more than seven years. What to expect? A delightful blend of deep, dub, minimal & even a disco influence for the highly awaited track >Neuromancer< ? Artwork by Juli Jah

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Moonee

Sandquest

30,99 €*

Marco Fratty, Marco Flash & Alex Time

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2024 gets underway, Oath are thrilled to share the imprint’s latest long play, which comes courtesy of rising star Moonee – and you better believe its a solid gold stunner…

Francois Lefevre, the producer behind the Moonee name – alongside his group projects Twice Movement and Simple Request (with French House royalty Tour-Maubourg) – really optimizes all that is bold and beautiful about the House genre. The release of ‘Wabi Sabi’ on Groovence in 2022, then ‘Primal Groove’ on Slothboogie last year, has already helped Lefevre craft a significant space for himself under the Moonee name. His sound is one of tremendous melodic feel, with a plethora of rhythmic patterns and atmospheres being utilised to help create a bountiful sonic universe. His attention to how the groove unravels and how progression can be used softly but subtly really comes over strong, immersing the listener in a very warm place indeed. As beginnings to discographies go, this start is immensely strong, and one which provides a rock solid basis for all sorts of excellence to come forth.

‘Sandquest’ provides the next step in the journey for Moonee, and as LPs go it contains the same kind of depth as his first two EPs, but on display is a kind of magic that producers really harness on long plays. The record is encapsulated in the fundamentals of house, but to say that it sticks to a singular formula would be to do it a massive disservice – Moonee leaves nothing unturned when it comes to serving up the goods. Broken Beat and skippin’ rhythms play a big part in breaking up the uptempo numbers, as as a balancing act its handled very well indeed. The melodic usage is expertly handled on all tracks, and when breaking down the record you can feel that the journey from track to track has been considered superbly – be it in the club or at home.

‘Ouzo’ kicks the album off, and this number helps the listener land with two feet in the experience. The broken drums are spacious, allowing for all manner of wondrous melodic lines to drift in and out of view – delicately poised, numerous and effective, everything you could wish for from an opener. ‘Balagne’ then lands, and this one moves into familiar territories as we sweep through into a beautiful house cut, with the drums ringing true alongside some inspired key work. ‘Light on Earth’ keeps the vibes going on strong, with an expressive opening salvo opening up into a similar atmosphere that grows and grows, sweeping across the horizon line with delight. ‘Black Roses’ is next, and this one presents a warped yet beguiling shift through an intriguing atmosphere – drifting along, not a care in the world, glorious.

‘Arcadie’ then lands, and this one speaks softly but beautifully. The drums cast a long shadow, swinging along with plenty of room for the glorious keys to come into view, and its a track you will want to dip your head into time and time again. The title track then arrives, which immediately places the listener in a fast paced, emotive soundscape, one which bubbles along the top ends and gives such feels, no matter what context. ‘Evening World’ perfectly captures the feeling of that late evening early morning sway, with deep set drums being served under a gorgeous repeating chordal arrangement. To wrap the experience up, we have ‘Abundance’, and this track is 7 minutes of acid-y, grooving excellence – a perfect ender to a truly wicked album.

Two EPs down, and now this fantastic long play. Moonee really flexed his style and craft on this record, one which constantly delighted at every turn, providing an enriching spectrum of sounds that stick true to his production technique and to his craft. Not for one second do you stand still, but merely carried along on a wave of melodic euphoria, simply pleased to be along for the ride. The dips from heavy hitting though to softly spoken at handled so well, and as a result we are left with a pretty damn good way to enter in 2024. Winter has arrived, but warm your heart with this stunner.

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EP Volume 2

12" | 2024 | EU | Original (Audio Music World)

18,04 €* 18,99 € -5%

2LP | 2024 | UK | Original (Groove Culture)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Here is the new “EP Volume 2” by Italian dj producers Marco Fratty (fpi Project), Marco Flash and Alex Time. After achieving an excellent result with the EP Vol. 1 the three DJ producers create this new album with 2 tracks super Afro on Side A, the first is the cover of "Happiness" by Fuhrs Frohling and the second also on Side A is an unreleased modern Afro Beat entitled "om" already released digitally on their label Audio Recordings. Side B is instead markedly Funk, with the first track “Ultrafunk” inspired by a song from the 70s and the second, “Excellent Funky”, with a more pronounced dancefloor beat.

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Gianni Bini

The House Of Glass

LP | 2024 | EU | Original (Edelfaul)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Legendary Italian producer Gianni Bini Debuts on Groove Culture with 'The House Of Glass' LP. With an inimitable CV and discography that includes over a thousand production credits to his name, hundreds of singles under renowned pseudonyms including Bini & Martini, Fathers Of Sound, The Goodfellas, Subsystem and two Worldwide hits as Eclipse and House Of Glass, Gianni is one of the most revered producers of disco-house, defining each genre with a signature sound. Always looking to push the boundaries of what it means to make music, his latest project sees Gianni return to deliver an epic disco record that takes the sound back to its roots in every way possible. Backing up live drums, live bass, live guitars, live strings with catchy vocals and enough groove to level a discotheque, it’s this Disco-Pop energy that Gianni has captured and expertly delivered with 'The House Of Glass'LP.

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Stumpf

Sand

19,99 €*

12" | 2024 | UK | Original (Drumcode)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Stumpf is what Ilia Gorovitz (drums) and Sun Ra Bullock (bass) like to call their regressive rock duo. It was founded in 2019, shortly after Gorovitz’ arrival in Berlin.

What started out as improvisational routines during lockdown days became a steadily regressing concept band: There would only be drums, bass and the real time mutations of their respective sounds by way of distortion, delays and no-input mixer feedback loops. Also all titles would consist of one syllable words beginning with an S.

With their first digital EP “Start” Stumpf laid also the foundation for Edelfaul Recordings. Now, after 4 ½ years of releasing their own music – as Stumpf, solo or collaborational – and a few albums by friends and likeminded musicians, Stumpf are coming full circle with releasing the first ever vinyl album on Edelfaul Recordings: “Sand”

The four tracks are based on four photos by Mexican artist Lina Bailón that also became the cover artwork. While the titles simply refer to what can be seen on the pictures – pebbles, sand, waves and light reflections – it was the grainy texture of natural wave patterns frozen in a moment that inspired the album sound and all further regressions.

After some performances and rehearsals, Stumpf recorded the album in two days at U.F.O. studios, playing strictly full takes. All effects and noises were created during these takes without any overdubs. Best performances were picked for only the slightest edits and further mix treatment. Again, during mixing no additional tracks were added, but some nasty effects came into play.

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Drumsauw

Focus

2LP | 2024 | EU | Original (Wake Dream)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Drumsauw announced debut release 'Focus' on Dcltd.

Drumsauw, the rising techno prodigy also known as Joseph Sutherland, is gearing up for his highly anticipated debut on Dcltd. With a rapid ascent since 2017 and support from industry titans like Adam Beyer and Ritchie Hawtin, Drumsauw's arrival on the label promises an electrifying fusion of driving beats and impeccable production finesse.

'Focus' fires like a jackhammer, a piercing slice of percussive techno that reveals an atmospheric side as metallic synths enter at the mid-way mark and the momentum into dreamier territory.

'Set Back' is a highly effective cut built around ultra crisp drum work, shuffling kicks, a mind warbling vocal and menacing synth line.

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Ruutu Poiss

23,99 €* 31,99 € -25%

Two Sides Of The Same Coin

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ruutu Poiss with his second album “ii” after his 2021’s debut full length “Palav Aed“, a welcome return to Wake Dream. Recorded in a concentrated period of time during the dark winter days of late 2022 and early 2023, “ii” now finds it’s way to the public’s ears in the brighter days of the year.

An album as conceptual as it is emotional, with feelings of transformation and dreaming, hope and arrival, and an aesthetic that is both cinematic and hypnagogic, nostalgic and futuristic, it turns contradictions into harmonies, brings together the dark and the light, spinning and whirling freely around a steady core.

Recorded mainly with one synth and a collection of old drumcomputers, Ruutu Poiss once again shows his futuristic sonic virtuosity within the boundaries of a compact studio setup.

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Mata Disk

12" | 2024 | EU | Original (Nous Klaer Audio)

10,49 €* 13,99 € -25%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Rotterdam DJ producer Mata Disk returns to Nous'klaer with 4 equally more demented slappers that hew the tightness of UK broken beat with that Dutch west-coast devil-may-care playfulness. Opener "Icon" is the most straight down the middle of the bunch with a blisteringly bouncy kick drum and percussive melody that's swung by outre hats, squeaks and beeps all punctuated by a simple melodica tinged stab. "Diffusion" spins a minimal dub bass with an aggressively swinging UK beat lushed out by crystalline pads, pushed harder with a staccato vocal chop and ever evolving sound effect flourishes.

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12" | 2024 | UK | Original (Sweat It Out)

Sampler

12" | 2024 | UK | Original (Duca Bianco)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Our very own Sweat Sampler has landed and Vol. 1 kicks things off with four exceptionally Sweaty bops. Firstly, Grammy award-winning producer CID joins forces with Italian DJ duo Havoc & Lawn for an epic rework of America's 1972 hit 'A Horse With No Name'. Followed by ‘Come Out’, a product of the new project Saturday Love from Fiorious and Boston’s Kon, fresh off The Vision’s instant-classic Defected LP and 9 million streaming anthem ‘Heaven’. Flip the vinyl and you’ll then find the mastermind who seamlessly combines the underground with a house twist, Marco Lys, as he teams up with Sweat homestay Ben Miller for the funky crowd-pleaser ‘Give It To Me’. Top it off with one of Australia’s most adored dance acts, with over 100 million streams, Platinum and Gold plaques and numerous triple j ‘most played’ hits, Set Mo gives us the feel-good ‘Could I Be’.

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Casinoboy

Db12 014

18,99 €*

12" | 2024 | EU | Original (Bordello A Parigi)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

Casinoboy makes a triumphant return to Duca Bianco with a sparkling EP that once again shows his studio mastery. Previously featuring alongside luminaries like Rune Lindbaek and Khidja on a well-received compilation, Casinoboy's latest kicks off with 'Honesty' which is a blend of Balearic and breaks that brings a shuffle-and-wiggle experience with uplifting samples and an old-school UK rap edge. 'This Feeling' has a catchy Street Soul feel, while 'Searos' mixes up ambient sounds and Spanish Guitar to evoke the essence of the White Isle. Closing with 'Astral Go Go,' really pumps the party in ways only he knows how.

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Hey Cabrera!

Italo Void

LP | 2024 | EU | Original (M-Plant)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Here at Bordello, the hot season has already arrived. Championing this warmth is Italy’s very own Hey Cabrera! The Turin based dynamo melds elements of electro disco, italo and house to create a uniquely aromatic blend of dancefloor joy. Clean drum patterns, claps and hi-hats are at the foundation of “Italo Void”. From these percussion points, a bold and ensnaring melody takes flight; glimmering synthlines shining from beginning to end. Fellow Bordello mainstay, Lauer arrives to bring his own analogue sound to the title piece. Accentuating that irrepressible tune, piano keys give extra ballast with a touch of late evening romance as we wait for the sun to come up. The flip transports us to Scandinavia for some unrequited love. Although “Forelskelse” may mean unexplored passions, this track is brimming with emotions. Burning with a smouldering energy, ingredients from disco to house combine to produce a wonderfully uplifting work. David Bay, of Zissou Records fame, closes with his interpretation of “Forelskelse”. A measured introduction gives way to those addictive notes of the original, Bay stripping back the samples to allow the instruments to sing. A soundtrack to see us into a magical summer.

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Robert Hood

Alpha Key EP

Kiko Navarro Feat. Concha Buika

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following on from the special release of Robert Hood and Femi Kuti's live jazz set "Variations", Robert Hood delivers his latest Techno EP for M-Plant. This is the first new solo music from him since 2022's "Hectic / Amazon Dust" double-header.

Although Robert Hood should need little introduction, with his and his daughter, Lyric's Floorplan moniker riding high with a new album forthcoming on Classic, his Techno legacy should not be forgotten. Throughout the '90s, he helped pave the way for Techno to flourish - giving birth to minimal techno with his seminal album "Minimal Nation". Since then, he has been consistently forwarding electronic music culture with ground-breaking productions, sensational performances and his M-Plant label. His style is characterised by minimalist and experimental tones with an assertive groove.

His "Alpha Key EP" features four driving cuts of characteristically Hood music that prove when it comes to Techno, he's still a high-ranking master. The EP is out on vinyl and digitally 12 April.

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Soñando Contigo Remixes Lillac Transparent Vinyl Edition

12" | 2024 | EU | Original (Afroterraneo)

12" | 2024 | EU | Original (Liquid Earth Physical)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Afroterraneo Music founder Kiko Navarro joins forces with old friends and fellow Balearic heroes DJ Pippi and Willie Graff for the 'Tempistica Mistica EP', comprising two percussive, Afro-Latin flavoured prime cuts of dancefloor-ready House music.

Kiko Navarro met DJ Pippi and Willie Graff in the early 2000's, when he was resident at Pacha Mallorca. Making a pilgrimage to Pacha's Ibizan mothership to make sure two venues were musically aligned, he quickly became friends with Pippi, who was resident at the club, and Graff, who was hosting the Funky Room upstairs. Unbelievably, the three had never collaborated together before until December 2022, when Graff and Pippi finally visited Kiko's Mallorca studio and 'Tempistica Mistica' was born.

Heavily inspired by Cuban conga rhythms, opening track 'N'Fumbei' deftly blends live percussion, horns and vocals with pristine rhythmic synths and warm electronic touches to summon up a cosmic carnival taking place somewhere between the past and the future...

The floaty, piano-led 'Esanah' raises the tempo into timeless Latin House territory, paying homage to the fusion sounds pioneered by the likes of Julien Jabre & Dj Gregory in the late 90s, while updating the sonics and arrangements to sound completely fresh.

Finally, 'N'Fumbeats' strips 'N'Fumbei' down to bare bones and lets the percussion ride out, making an essential DJ weapon for those serious dancers.

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Liquid Earth

Three Dimensional Rocker

Future Buddha Aka Riccardo / Cosmic Jd

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The third in a series of self-released Liquid Earth Physical Records, “Three Dimensional Rocker” is a sonic cheese plate for the dedicated dancer. The 12” navigates through four robust club tunes, surely an expected outcome from the seasoned Californian producer. From Aside titles’ full throttle funkery to the equally nauseating floor fillers on the flip, Lep003 is one big kahuna.

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Padalog Fighters EP

12" | 2024 | EU | Original (Binarysound)

2LP | 2024 | EU | Original (Marionette)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Introducing BinarySound's 8th vinyl release, a sonic journey into the dimension of analog machines mastery. On the A side, Future Buddha, the latest alter ego of the renowned Italian artist Riccardo, now weaving sonic tales from the mystical landscapes of India. On the B side, hailing from the vibrant Canadian scene, Cosmic JD brings his soundscapes, steeped in the raw essence of analog synthesis, promising an interstellar voyage for the listener.

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Khora

Gestures Of Perception

31,99 €*

LP | 2024 | EU | Original (Reliefs)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Khôra is the medium Matthew Ramolo uses to delve deeply into initiatory world-building by way of sound, image, and lyrical prose. Figuring wholly realized art-myths which distill and rouse the numinous while provoking the visceral and cathartic, Khôra intricately collages studio documents of ritualized instrumental performances, introducing overdubs by transient, heteronymic personae which dismantle stable points of reference in the music and open uncommon planes of consciousness.

"Gestures of Perception" is Khôra’s first double album with a supporting artbook and features a fascinating array of sources subjected to patterned assembly, poetic layering, and the elevations of the heart. Deft handling of modular synthesis is palpably central, while feedback, erhu, keys, flute, contact electronics, guitar, field sounds, and various percussion objects (rattle and frame drums, seed pod sticks, random metal objects, meditation bowls, kalimbas, bells) all serve to provide breathing structures and energetic contours that guide and scaffold inner and outer journeys into the far-near. Prominent across the record's span is a home-built, solenoid drum machine, responsible for the alive and askew techno-archaic flows and conceived as the album’s "rhythm seed”. The music on Gestures is teeming with organic and alien textures, soaring drones, inter-dimensional noises, and emotionally resonant melodies; balanced on the fringes of exotica and meditative trance, with capacities that untether the listener from the ballast of limited reality.

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Abran

Doppler

17,99 €*

12" | 2024 | EU | Original (Exarde)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Abran, the young French electronic music producer, presents 'Doppler'. This new EP is the fruit of new experiments in the studio. He has found a way to distort the sound and spatialise the instruments so as to immerse the listener in a unique sensory journey. The aim: to translate the famous scientific phenomenon of the Doppler effect into sound and image. Embark on a journey that combines space observation, underwater movements, interstellar travel and extraordinary sensory phenomena... 'Doppler': new EP soon available in Dolby Atmos!

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Muten / Flhez

Buscando El After

13,29 €* 13,99 € -5%

LP | 2024 | EU | Original (World Wide Web)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“In search of an afterparty” the name of this split EP we are witnessing coming straight from a miraculous country called Uruguay. The story of a teacher and a student, the tale of different senses and perspectives, the dance of elusive, fictional Jair himself and the spies of the afterparty which can be on either way of self-data collection or when levels of paranoia have come to a boiling point and sense that the eyes are watching doesn’t go away that easily. The A side is taken by Muten, an artist who has already made a lot of noise not just in his native country but all over the world too whether it’s with an outstanding liveset, flawless dj set or a timeless record that he has crafted. The B side is a story of a rising and promising producer Flhez, and his quest of frequency manipulation + sound perfection. True honor to have these Uruguayan performers to join Exarde and deliver this outstanding body of work for it.

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Popshop

Lonely Modern Truth

11,24 €* 14,99 € -25%

LP | 2024 | Original (Permanent Vacation)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Pop

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Popshop – a kind of music which doesn't just fit in one category because it's a mix of many different styles like electro, pop, house, digital funk, techno, post wave, indie and which has always a special personal flair because of the voices, vocals and lyrics.

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New Jackson

Oops!... Pop

16,14 €* 18,99 € -15%

12" | 2024 | Original (+98)

Release: 2024 / Original

Genre: Electronic & Dance

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New Jackson marks his long awaited follow-up to 2017’s From Night To Night with its successor OOPS!... POP for long-time collaborators Permanent Vacation. A concise triumph in techno pop, its 9 tracks elevate his signature electronic sounds into anthemic new heights.
David Kitt is a prolific sonic polymath who’s enjoyed a colourful career making whatever he likes.
While releasing music under a vast array of aliases and collaborations for close to two and a half decades, New Jackson has remained his irregular home since 2011 for when ‘at one with the machines’. It offers a kaleidoscopic window into his love of dance music, and on his debut album under the alias From Night To Night (released in 2017 on Dublin’s All City label) he unfurled his singular vision; a dilated suite of nocturnal soul coaxed from his beloved electronic equipment with songwriter’s nous, sonically etched as blunted whispers coalesced from the dusky billows of Dublin bay. Further EPs and singles followed, alongside a beloved live show he toured globally, plus detours with his critically-lauded Garies duo (with Lumigraph) and a David Kitt solo album.
In the time since his New Jackson debut, he’s slowly distilled his studio methodology to help mine the true core of his musical self. Within this experimentation, he has stumbled upon the bounty that is OOPS!... POP, his most direct and euphoric body of work to date. Recorded across the span of five years and three different countries, Kitt has managed to transform his beloved alias into a leaner beast, tightening the screws around arrangements and songwriting to inspire an album sonically effortless in demeanour and spontaneously playful in structure and form. Aided by a stacked cast of collaborators including Rita Lynn, Donnacha Costello, Riche “Jape” Egan, Yenkee, Kean Kavanagh, Margie Jean Lewis, Meg Cronin and Fehdah, it bears the hallmarks of the studio albums of yesteryear in its dynamism and gratification while drawing on his rich bouquet of influences across a century of recorded music.
Opener SI SI SI lulls you in with its smothered vocoder’d croons and patient groove, BURNT DEEP next yields a surprising deep house turn, lit gently with casual hedonism. LIKE rewires the playbook entirely, shuffling along its minimal 80’s boogie groove with a cheeky grin, before lead single OUT OF REACH further mines the golden pastures with its glorious stuttering techno power-pop fit with that anthemic chorus. DAY IN SHOCK digi-dubs around the wonderful vocal turn of Fehdah in purest heads-down manner, then THE OK HOLE and STROBE both descend the psychedelic wormhole of anaesthetised breaks and electro with its entranced dancefloor gaze. I WANNA BE ADORED, the Madchester anthem from The Stone Roses, is then surprisingly reimagined as a lost kraut-pop robo sung classic while WITH THE NIGHT AT OUR FEET is our climactic conclusion, a mechanised symphony of dual proportions; a humane core of angelic harmonies chugging along in electro rhythm before soaring strings take us on our way.
New Jackson’s oeuvre, indeed David Kitt’s musical world, is vast; OOPS!... POP then might just be his opus across it all, a towering achievement of soaring catharsis in melody and song that soundtracks the most direct transmissions from his heart to yours.

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Lavan / L&F

Can't Wait Ep

Poised Over Pause Buttons

Release: 2024 / Original

Genre: Electronic & Dance

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For our 7th vinyl release, we welcome 'Lavan' to +98.
Producing music for over a decade with a vast musical knowledge spanning funk, garage, house, hip hop to name a few. His sound is a unique blend of tastes for all ears.
Born out of East London and now living in Berlin, the talented Lavan delivers a variety of House & UKG Club tracks that will guarantee to move hips and feet on every occasion its played.
And finally, we have L&F stepping up on remix duties and hits the spot with a House & Garage romper stomper.

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ADSR

2LP | 2024 | EU | Original (Aural Medium)

35,99 €*

LP | 2024 | EU (Favorite)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Late 80s / early 90s body music

Label text

" Attack Decay Sustain Release, or Adsr, was the name of Todd Nickolas and Dominic Paterson's high school synthesizer group, an outlet for their electronic music experiments recorded on Todd’s parents’ farm in Southwestern Ontario, Canada.

In the idyllic rural setting of the Nickolas' dairy and crop farm, the juxtaposition of natural ambience and the repetitive rhythms of the machinery merged within their youthful music- saturated subconscious and found its way into their recordings. This bucolic environment also inspired the teenagers to channel their restless energy into endlessly experimenting with whatever gear they could get their hands on and listening to a steady diet of new music.

A big part of that exposure to non-mainstream sounds came via CBC Radio's Brave New Waves program — a saviour for adventurous and curious listeners living outside of major urban centres. The title "Poised Over Pause Buttons" is directly borrowed from a live studio broadcast by Severed Heads, where host Brent Bambury introduced the set by saying, "Do you know how many fingers are poised over pause buttons right now?" The title is also a head nod to those early processes of recording onto cassette decks or 4-track tape recorders, and to the tape culture of the time, capturing favourite songs off the radio with precision and making mixtapes from owned or borrowed record collections.

Todd was constantly seeking new electronic music through those formative years — whether it was the futuristic space rock of ELO's “Time” in grade school, Skinny Puppy’s blistering electronic body music in high school, or the ambient bliss of Aphex Twin in university. The tracks coming from their studio in those early days were inspired by a steady diet of these new discoveries. They were rapidly devouring a wide variety of acts from 4AD and Wax Trax!, “indie” artists like Husker Du, Chicago house to Belgian New Beat, the On-U Sound label to Public Enemy, and all points in between.

The unreleased cassettes that Todd recently rediscovered (some of which are included on this release) are a flashback to that era of pure discovery but also a reminder of the explorations and achievements accomplished by the confidence of the fearless amateur. Over the past three years, Todd and Linus Booth have compiled their favourite glimpses from that '87-'91 period and present them to you as a personal reflection of that time and place."

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Lucas Arruda

Ominira

26,99 €*

Release: 2024 / EU

Genre: Electronic & Dance

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5 years after his last and 3rd album, Lucas Arruda finally presents his long awaited new LP on Favorite recordings: Ominira. Lucas turned more deeply into his native influences when composing this new beautiful album, aiming to capture the true essence of Brazilian Funk and AOR tradition.

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12" | 2024 | UK | Original (Live History)

Lhrv07

17,99 €*

Shoresy / New Sky White Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After the highly acclaimed first release Serenity Now is back presenting the debut EP by OP Boombox. An electronic duo formed by brothers Orion and Phoenix Jarvis out of Dharawal Country on the East Coast of Australia. The new EP Initial Artifacts is an honest and unique collection of raw, yet grounded, dancefloor tracks performed and recorded live through their vast collection of hardware synths, drum machines and FX pedals. Expect a deep journey through breezy coastal house landscapes with slight nods towards dub and trance where bass is absolute key. A versatile EP for every mood of the night, taking it all the way from downtempo chuggers to peak time hard hitters making this a longtime “stay in the bag” sure shot.

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Gremlinz & Jesta

12" | 2024 | UK | Original (Shark With Laser On Head)

19,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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House of Prince Purple Vinyl Edition

Unknown

12" | 2024 | EU | Original (Tech-Nology)

12" | 2024 | EU | Original (Litiege)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

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Überkeine

LTG-01

10,39 €* 12,99 € -20%

12" | 2024 | UK | Original (White Peach)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Überkeine sets the tone of his own record label with four esoteric tracks, designed for the club. An obvious intention to establish a radical style with conceptualized sonorities, is revealed throughout the Ep. The sound materials are elaborate, and go straight to the point. Obsessing over the flow of creativity offered by his modular synthesizer, he delivers a very dense techno and already affirms a well-marked identity. Powerful and textured kicks, intricate synthetic sounds contained in an arrangement reduced to the essential. The tracks come to life as the forthright reflection of the thoughts of the producer. Guillotine Whistle instantly plunges into the unbridled world of the Ep. An ominous atmosphere hovers over our heads as it reveals organic and disconcerting tones. A gentle brutality emanates from this whistling guillotine that awaits to cut you up in two. Leading the way towards Drifting Data, a track inspired directly from Jungle Patterns. Überkeine is humbly trying to render DnB to a techno format. The dense, saturated Bassline sustains the idea of breaking the dancefloor in pieces. A hard hitting, broken beat environment accompanied by heavily filtered synthetic chaos. Third track’s the charm, the B side starts with Mirror Moist. A drop-down, wet and straightforward techno track with a carnal Bassline. As sensual as it gets, this track conveys a kinky loop urging intimacy and blasting heat throughout the club. Last but not least, Shaney’s remix of Mirror Moist. Picking up core elements of the original vibe and translating it into the off-beat techno nightmare it deserved to be. Full-on obscure dancefloor piece of equipment.

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Kali

Scurvy

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Interdimensional Transmissions)

Neel

Disco Quarantine EP

11,89 €* 13,99 € -15%

David Shire / Manfred Mann Chapter Three

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Neel is about as much of an Interdimensional Transmissions person as you can get. Co-founder of Voices From The Lake, a powerful and sensitive DJ from an early age, mastering engineer at Enisslab in Rome, he even is a partner in a record pressing plant. He does everything yet still finds the space to get specific in his internal investigations for the Disco Quarantine EP. Exploring the boundaries between genres, simultaneously pure deep techno and disco, he continues to explore the edges with the ever propulsive title cut, and further connections with each song. Psychedelic, propulsive, subtle, perfectly produced gems ranging from hedonistic underground moments where time ceases to exist to moments of exploration throughout the cosmos. It feels like the B side opener Deep Quarantine was composed for the environment at No Way Back, though it is equally eternal and available to any floor anywhere in the world.

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Main Title (The Taking Of The Pelham One Two Three) Edit / One Way Glass

7" | 2024 | US | Original (Solo 500)

12,99 €*

White Light / Black Noise

Release: 2024 / US – Original

Genre: Electronic & Dance

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Main Title (The Taking Of The Pelham One Two Three) (Edit) by David Shire b/w One Way Glass (Edit) by Manfred Mann Chapter Three | Galaxy Sound Company, Solo 500 — Solo500-502 | I am excited to share a sneak peek test pressing of the third & latest entry in @galaxy_sound_company’s Solo 500 series, which digs deep in the jazz-funk crates for killer breaks ya need in yo bag.

Side A is an edit of the jazz-funk intro track “Main Title” from the original soundtrack of 1974 gritty subway hijack film The Taking Of The Pelham One Two Three. The soundtrack with its funk, jazzy score has been a well that hip-hop artists have repeatedly drawn from. Most notably, “Krazy Kings Too” by Company Flow, “Suprize Packidge” by Mix Master Mike, & “I’m Set” by Goodie Mob.

Side B is a subtle edit of “One Way Glass” by Manfred Mann Chapter Three, which is taken from their self-titled 1969 LP. Manfred Mann Chapter Three were a British experimental jazz rock band, 1969 to 1970, founded by South African keyboard player Manfred Mann & long-time partner Mike Hugg, both former members of the group Manfred Mann. The track was sampled by many, most notably by The Prodigy for their 2009 track “Stand Up” & on “Headbanger” by Krafty Kuts in 2011.

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Fake Youth Cult

12" | 2024 | EU | Original (Shipwrec)

13,59 €* 15,99 € -15%

LP | 2024 | EU | Original (Play It Again Sam)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Shipwrec have delved into the underbelly of electronics for their latest discovery. Fake Youth Cult is the brand new project of Richard van Kruysdijk, an artist who has been integral to the Dutch music scene. Following releases on Delsin, as well as founding his own Music for Speakers label, this latest undertaking explores the darker hues of Kruysdijk's audio creations. Across six tracks, a realm of shadows and steel is constructed. From the murky tones of "Visitor" to the industrial and blackened "Scorched", a towering sound of punishing percussion looms over the listener. Techno is central message. Despite this, the piercing coldness of electro rises in the incising and stark "Messing." The influence of punk comes to the fore in racing rhythms and lean strings that make up "Smear." BPMs drop in the slow burning EBM stained "Management." The machines take control for the finale. A relentless kick is the motor that drives this seven minute juggernaut to the close. Broad and brutish brilliance from a prodigious talent.

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Porij

Teething

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (4Bit Productions)

Ulrich Troyer

Transit Tribe

23,99 €*

LP | 2024 | UK | Original (Rene Koala)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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*** LP with CD in cardboard sleeve & 8 page CD booklet incl. liner notes by Steve Barker & DL Code ***

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album Transit Tribe can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!
Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.
So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, marimba, djembe, contra-alto clarinet, Farfisa - all bound together by organic live-drums and dub effects.
Liner notes by Steve Barker
(DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Mamadou Diabate: vocals (3) & talking drum (3)
Osman Murat Ertel: electric saz (6, 7) & guitar (7)
Reinhilde Gamper: zither & bass-zither (9)
Susanna Gartmayer: contra-alto clarinet (8)
Diggory Kenrick: flute (2)
Didi Kern: drums (1, 2, 5, 6, 7, 8), percussion (3, 6)
Hamidou Koita: vocals (3), djembe (3)
Lukas Lauermann: cello (1)
Martin Mallaun: zither (9)
Wolfgang Pfistermüller: trombone (1)
Flip Philipp: c-marimba (1, 9), percussion (6)
Roger Robinson: vocals (4)
Ulrich Troyer: analog synthesizers (1-9), analog drum-machines (1-9), e-bass (1, 5, 7), sampler (1-9), prepared zither (1), field recordings (3, 6, 8), dub effects (1-9)
Kwame Yeboah: rhodes (5), vox (5), farfisa (5)

Written & arranged by Ulrich Troyer except 2 written by Diggory Kenrick & Ulrich Troyer / 3 written by Mamadou Diabate, Hamidou Koita & Ulrich Troyer / 4 written by Roger Robinson & Ulrich Troyer / 5 written by Kwame Yeboah & Ulrich Troyer / 6 & 7 written by Osman Murat Ertel & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except: electro saz on track 6, 7 & guitar on track 7 recorded by Osman Murat Ertel at Saniki Studio, Istanbul / flute on track 2 recorded by Diggory Kenrick at Holloway Studio, London / vocals on track 4 recorded by Roger Robinson at Dog Heart City Studios / c-marimba recorded by Ulrich Troyer at Konzerthaus, Vienna / rhodes, vox & farfisa on track 5 recorded by Kwame Yeboah at Kwashibu Music Studio, Accra

Mixed by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna
Produced by Ulrich Troyer & Osman Murat Ertel / kindly supervised by Diggory Kenrick
Cover Artwork: Ink drawings & design by Ulrich Troyer / kindly supervised by Eva Kelety
Mastering & Laquer-Cut: Kassian Troyer at Dubplates & Mastering, Berlin

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Jnn Aprl

Gift N Curse Principle

19,54 €* 22,99 € -15%

LP | 2024 | UK | Original (Alter)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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On Gift n Curse Principle, Jnn Aprl puts forth her own signature interpretation of “techno”, relying on her art school drop out sensibilities and analog ear. After spending the better portion of the last decade immersing herself in the heartland of electronic music, The Seoul by way of Chicago by way of Detroit by way of Seoul again producer and DJ is proud to present the debut of her new EP as well as her new label, Rene Koala. Find on the record a set of tracks spanning the gamut, made with the assistance of a MPC 1000, a Prophet Synth, vocal effect and some grit. For the dancers and for the artist alike, each song represents a journey. 'Gift n Curse Principle' employs a minimal beat with raw intention. ‘Freedom Bondage’ taps into a low frequency and steady modulation, emulating a heartbeat. All tracks ask to be heard in their entirety. This EP was made with support from Piranhahead of Rustbelt Studios and Bill Skibbe of Third Man Records.

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Container

Yacker

22,99 €*

12" | 2024 | UK | Original (Cold Blow)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Ren Schofield’s long running electronic project Container returns with his first release since the Creamer EP in 2021. Rolling straight out of the pandemic Schofield has since played a large number of live shows all over the planet, rilling up audiences with a heady mix of method and mania. Now is the time to unleash a new studio offering.

Yacker presents what is undoubtedly an electronic record but one imbued with a spirit more aligned with rock music. Always hijacking the electronic music scene for his own unique and twisted path here we see a further extrapolation on his original blueprint for DIY noise techno adding a more physical and muscular edge to the standard hysterical proceedings. The drums retain an almost human, somewhat muscular feel with a sweaty and suggestive ‘real drums’ feeling.

Schofield cites inspiration on Yacker as the Nirvana song ‘Oh, The Guilt’, the Mindflayer album ‘It’s Always 1999’, and the Rah Bras song ‘Sooop Toe Pump Girls’. Container has always danced the absurd space between serious and stupid, with Yacker all elements are turned up to eleven as he delivers a pristine field guide to furious frenzied fun.

Yacker strikes an even balance between heavy, relentless, joyful, silly, and sloppy. Think Lollapalooza 1996 held at Berghain 2006 and you are somewhere on the way to formulating this fresh new insanity from one of the contemporary electronic music scene's more playful pioneers

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Otto Taimela

Sunflower Seeds

17,99 €*

LP | 2024 | UK | Original (Motion Ward)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Finland's own Otto Taimela, a pro-skateboarder-turned-producer-pianist, makes his Cold Blow debut with "Sunflower Seeds”, merging jungle breaks with Boards-of-Canadaesque nostalgia with mesmerizing results. Led by the streaming hit "Sunflower," the EP feels like a hazy, late spring morning sun filled with childlike energy, abandoning the roots of its inspirations in favor of his native landscapes.

Limited to just 175 copies, this release is bound to be in high demand. Don’t miss out on the vinyl-only B3 track; grab your copy while you can!

Looking at Otto's discography, he could be described as one of the most versatile and prolific contemporary artists in Finland. His debut vinyl, "Kimmeltie," launched in 2020 under the famous avant-garde label Ultraääni Records. Word spread globally, and records sold out quickly, making Kimmeltie a rare collectible among experimental music lovers. Since then, Otto's cassettes and vinyl records have been distributed, sold and played all around the globe.

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Ulla & Ultrafog

It Means A Lot

24,99 €*

Sunburned Dreamlike Safari

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Two individuals from faraway journeyed the world together, and were given many tiny gifts from the surroundings. Then the music came out as a matter of course, as if a thing was being put in its right place.

Releases on April 12th, 2024, on Motion Ward

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Lay Llamas

LP | 2024 | EU | Original (Black Sweat)

18,99 €* 19,99 € -5%

Toolate Groove / Bass Toast

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A floating drift toward a mysterious reality, between Nature and Cosmos, poised between sleep and wakefulness, temporal co-presences and impossible spatial ubiquities. In this phantasmagorical saga, inspired by TV science-fiction as well as 60s and 70s horror movies, Nicola Giunta/Lay Llamas creates a miraculous balance between original inserts and retrievals of freely chosen fragments from old audio documentaries on vinyl, perfecting the art of sound collage in an absolutely psychedelic way. Nonlinear dream textures become labyrinths of sudden openings, empty rooms, interstellar platforms, narrating voices from other worlds or ghostly churches from beyond the grave. A piercing electronica of cosmic synths, dense with the mists and dusts of distant times, past and future at the same time, where lysergic percussions merge with echoes of flutes vibrating in endless tropical forests and natures. Until the final awakening, in the reality of the first light of dawn.

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The Long Way Up EP

12" | 2024 | EU | Original (Cosmic Breeze)

12" | 2024 | EU | Original (Tech-Nology)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Cosmic Breeze Records is happy to announce “The Long Way Up”, the second record from our label, featuring a split format showcasing the latest works of Toolate Groove and Bass Toast. As purveyors of soulful music, we pour love into every release, cohesively blending different genres such as House and Broken Beat creating music that speaks to our souls.”The Long Way Up” shows our belief and curiosity in blending both club-oriented and laid-back soulful music. We believe that through music, we can unite and express ourselves in the most true and transparent way, while revealing the depths of our souls. “A lot of people run to see who’s fastest. I merely run to feel the breeze.” Greetings from Brussels, Alex & Seb

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The Unknown Artist

House Of Prince

12" | 2024 | EU | Original (Attention Management)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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There is no in-between, neither is it only black or white - it is always, also, a question about contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

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Rekk&Kutoboy

16,99 €*

12" | 2024 | Original (Toy Tonics)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Live electronics duo Rekk&kutoboy provides raw electronic manipulations, femme noise, and off-kilter dance extravaganza for a self-titled EP on Attention Management.

Katya Rekk and Ilya Kutoboy have been playing live shows for years and cut their teeth on the local improv, noise, and experimental scene in several projects and collaborations. Ranging from unholy fx-scape crackers to haunted lullabies but mostly striking as kinetic grooves, the band embodies a heavy, amplified synth sound, sitting somewhere between machine sequencing, processed vocalizations and use of DIY electronics. The enfant terrible of Katya's grrrl high-energy and improvisational tactics paired with Ilya's mutant beats blends into an idiosyncratic sonic realm that empowers you in its own way.

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Gee Lane

Synesthesia EP

12,99 €*

The Fields As She Left Me

Release: 2024 / Original

Genre: Electronic & Dance

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A new Toy Tonics EP. It’s the second by Venezuelan house DJ and producer Gee Lane. Including amazing remixes by NYC mainstay musclecars!

Gee Lane’s debut EP Metamorphosis (with remixes by Demi Riquísimo and Divorce From New York Remix & PIEK ) came out last October.
But as Virginie (her real name) is a steady name of tue Toy Tonics crew now and plays almost every weekend at one of the worldwide Toy Tonics Jams it makes sense to put out a follow up fast.

Gee Lane originally from Caracas now in Barcelona is a passionate DJ and vinyl digger with an extraordinary positive energy and attitude. A DJ diva in a positive way. A unique personality with a very strong style (in music but also as a person) and very elaborated ability to read and play with the dancers. Like the first EP also this one was recorded in Barcelona and Berlin with a little help by Robin Braum from Athlete Whippet. The music reflects well her roots and passion for everything what came out from New York’s dance culture. You can hear influences from the 80‘ promo disco scenes as well as the 1990 Body & Soul/ Francois Kervorkian / Joe Claussell universe. In fact Gee Lane after being raised in Caracas and musically educated by her father from a very early age, (a composer and musician) she moved to New York at a very young age in the late 90's where she fell in love with the HOUSE scene. And especially everything that happened at the famous and influential ’Body & Soul’ club.

This culture increased her curiosity to become a DJ (and vinyl digger herself) who is not just interested in house music but wants to explore other genres such as funk, Hip-Hop, jazz and Latin sounds and include these vibes into her DJ sets. A vinyl collector (and long time record shop employee) since then, she is known for her musical eclecticism that leads her to mix everything what she wants ...

Gee Lane now is a steady member of the Toy Tonics Krew and is already playing the Toy Tonics Jams all around Europe.

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Dominik Krammer

12" | 2024 | EU | Original (Weird Mouth)

20,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mind Against Feat. Tsha & Nimmo

Onlyl

12" | 2024 | UK | Original (Habitat)

23,99 €*

12" | 2024 | EU | Original (Arts)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Italian electronic duo Mind Against pull out all the stops on a new interpretation of Tsha & NIMMO’s hit single “OnlyL” (Ninja Tune, 2021). Maintaining the integrity of NIMMO’s mesmerizing vocals, the long-awaited new version takes “OnlyL” from artful dance pop to a rich and layered cinematic piece that blends deep, resonating bass with a soaring, crunchy arpeggiated synths to take it to a new dimension. It’s the perfect balance of restraint and exuberance, allowing NIMMO's vocals to soar while wrapping them in a lush, vibrant soundscape that highlights the duo’s signature mastery of texture and depth. One more to highlight the strength of Mind Against and their new label Habitat.

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JudaΣ

INTENΣE

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Ransom Note)

Wave Arising

The Rooted Sky

30,59 €* 35,99 € -15%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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To be released on Ransom Note Records and marking the debut album of Wave Arising project , "(The) Rooted Sky" is an invitation to an initiatory journey where intuitions are channeled into grooves and otherworldly sonic landscapes . A sound where intense rhythms meet circular expansions .

From various improvisations, the experienced & avant-garde musician Sebastian Vaughan decided to take a fresh look and avoid the use of sampling third parties by crafting compositions. An approach to music as a spiritual path driven all the way long by psychedelic dubby vibes , acidic frequencies & hypnotic repetitions coming from his sound-system culture heritage .

While the tracks "It Comes and Goes" , "Ronde Cinétique" , "Electric Shrine" and "Golden Black" draw contemporary almost cinematic ambiences with vibrant and spacious feelings , "Monin Yiri" , "Sound Loves Dance" & "Grow with the Flow" represent a series of energetic deconstructed leftfields , with the omnipresence of a singular tribalism that emphases the african side of Wave Arising .

On its own "Music without chains" is , as the title underlines , a joyful jam free from any boxes or attempts at confinement .

Finally "Subconscience" arrives like a probe , a dreamlike piece full of endless reverbs from Kynsie's voice ; generating mysterious environments and resonating directly with "Soul Whispers" .

Taking on the challenge of fusion , "(The) Rooted Sky" asks the listener to open up through a collection of progressive tracks reflecting the core of Wave Arising’s spirit : Music & Body as a portal . Through this consciously chosen wide range of dynamics , the producer shows his musical ability to create an unique sonic palette yet staying true to his own personality .

Regarding the cover, the outside is a minimalist yet symbolic photograph of the duo’s hands. As for the interior, Wave Arising is very grateful to welcome primitive artworks by the talented artist Rapoon , one of the founder members of the legendary group Zoviet*France . Continuing with this global vision of intertwined arts, the videos accompanying this record are created by Wave Arising .

Ultimately , the recurrent animistic vibes of "(The) Rooted Sky" give to the album a spiritual ethos directly driven by the book of Nature reminding us that, we are all connected to the Source .

Whatever the "Source" means for each one . . .

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12" | 2024 | UK | Original (Big Love)

A Touch Of Love Ep5

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Big Love guru Seamus Haji commits four of the label’s freshest funk, disco and groove-laden releases to wax for the fifth edition of ‘A Touch Of Love’. Who else to open up the compilation but the label boss himself with ‘Dance With Me’, his funky, feel-good collaboration with prolific dance vocalist and friend Kathy Brown. Glaswegian production duo Illyus & Barrientos bring their genre-crossing disco and house vibes with ‘Wait’, featuring soulful Big Love returnee Phebe Edwards. Up next, a collaboration between two house masters, the multi-faceted Richard Earnshaw and Sole Channel founder Mr. V unite for funky release ‘This House Is Yours’. Closing out this tight and groovy vinyl collection is Rio De Janeiro’s premiere producer DJ Meme with ‘Century’, utilising a classical piece of music from Strauss synonymous with the sound of the future.

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Museum Part 1 EP Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Marbled Vinyl Version! Subtle and hypnotic grooving 4 tracker. Longtime friend and partner in crime Markus Suckut is back on Andre Kronerts very own Odd Even. Part 1 of his Museum Series.

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Museum Part 2 EP Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Eco Wax Repress. Vinyl Only! Strong Andre Kronert remixes from Robag Wruhme s Track Wadd Bodun. Heavy 190g Marbled pressing.

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Museum Part 1 EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Subtle and hypnotic grooving 4 tracker. Longtime friend and partner in crime Markus Suckut is back on Andre Kronerts very own Odd Even. Part 1 of his Museum Series.

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Museum Part 2 EP

7" | 2024 | EU | Original (TAX FREE)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Amazing mixup between Techno and Dub. Hypnotic grooving banger. Part 2 of his Museum Series.

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Mantua

Slot Machine / Paradiso

10,99 €*

12" | 2024 | UK | Original (Sushitech)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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" North Italian low ways from sport casino gold members. Including digital bonus!" comes with a download code giving access to an extra track..

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Dexter

Past Moves II

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The second part of Sushitech's three-part vinyl-only series looking at the work of Dexter is another 12" doozy. The UK underground mainstay has been behind many cult and much sought-after records over the years and they all fuse obscure dub and acid tech house in smart ways. They were recorded between 1997-2004 and if you can find any OGs then you will be paying upwards of 100 quid for them. This slab has three driving but deep sounds carefully detailed with wispy pads and filtered vocals for perfect backroom deployment.

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12" | 2024 | EU | Original (Angatu)

Tupã

12" | 2024 | EU | Original (The Comfort)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Angatu001 music has been supported by prominent figures in the scene, including Claus Voigtmann and tINI. This release introduces a handful of emerging and talented Brazilian producers. Lucas, with over 10 years of experience in the scene, has carved out his niche in this underground realm. Minority Retort, a seasoned duo, made waves on Brazilian dance floors last year, and they're set to make their way to Europe soon. To Criminal Issues, Tupã marks his inaugural vinyl release with Nxt2Me(A3), garnering attention on the dance floor.

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Siegmar Fricke

Commercial Breakdown EP

12,59 €* 13,99 € -10%

12" | 2024 | EU | Original (Punctuality)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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From home recorded tapes in the 90s to a newly released vinyl record in 2024, The Comfort is happy to present our third release, Siegmar Fricke’s Commercial Breakdown.

Back in the year 1990, the working method of Siegmar Fricke and his contemporaries was one best described as a DIY recording process. With spare tapes, glue, scissors, and sheer determination, Siegmar sought to share his music with an audience hungry for adventurous electronic music. In an era of limited access to labels and platforms, those not conforming to commercial trends had little choice. Thus, tapes like this one, dubbed simply as “home-recordings,” circulated among DJs and friends, embodying the playful experimentation of musicians exploring unconventional sounds and even dabbling with mainstream pop sounds.

Yet what makes this record so special? Beyond its long confinement to obscurity? Quite a lot, actually. It stands as a crazy discovery that is nearly impossible to come by.

The record kicks off with “Commercial Breakdown”, an extremely layered acid house track that fills the soul with more emotion than we know how to describe. Traversing through gentle piano chords, intimate and eerie synths and the type of groove that just doesn’t stop, it’s beautiful, affective and most importantly: highly experimental in a lot of ways. A track that you simply can’t crack, place to a certain time or vibe, it’s truly a singular piece of music, one that we are so happy to release.

On the B side, the first track “Turn on the tap”, words fall short as it’s the type of true hypnotic dance music created during a time, when there was nothing to reference, nothing to copy. You either had something to say or you didn’t, and this track says a lot.

B2, Geriatrics, takes more influence from the motherland of Siegmar, more wave’y, more in line with the zeitgeist of the time, yet still retains a unique edge that is hard to find. Pitched vocals, an extremely consistent rhythm that is layered with spaced out sounds and just turns into a piece of bliss in the half-way with soft pads and angelic vocals.

Finally, “Interfax” closes the EP with a punchy house groove reminiscent of UK and US sounds, infused with the essence of German experimentation. It’s a fitting conclusion that leaves a lingering vibe long after the music fades.

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Blu:sh

U Is For U And Me

12" | 2024 | EU | Original (Ad Sol)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Spray retires the eponymously, to instead seek Punctuality; a new label for ‘dastard club elegies in the dark’ hosted by the maestro himself. Blu:sh clocks in to provide the imprint’s inaugural extended player with U is for U and me, a pentagonal suite of nocturnal seductions for ‘U’, our dear listener, from ‘he’, its rosy-cheeked conductor.

B is for Blu:sh (sometimes Benoit B and Terra Utopia), a froward node in the artist’s trilateral soul whose previous charm offensives for Roza Terenzi’s Step Ball Chain and Rey Colino’s Kalahari Oyster Cult under the alias signalled the arrival of a new challenger to the ‘hits parade’. U is for U and me provides distinct variations on the theme of ‘club allure’, five tracks of sparkling body music that captivate in its relentless drive for kinetic salvation.

“A quick glance at the watch, and they’re off!”
AM PM strikes first more night than day, its throbbing bass line locks shoulders with precision rhythms within its psychedelic landscape. Whirlwind Mindsets is sassier, opting for more bump while the track’s aural mesh is grazed by sharp textures of live wires and melodious bleeps.

“... and they get back under way!” Magnetized Your Soul soundtracks the self-actualisation of sonic sophistication, applying the rave pressure with a current of discordant pads and haunted vocals bound by twisted attraction. Pixelated Pleasure Dome is pure sleaze, a wiggle-fested romp of leering subs and thunderous groove of pure self indulgence. High In Cloud City offers the finale of heads-down speedy exuberance with faint breaks and non-stomp pump right up until curtain call.

Written & Produced By Blu:sh
Mastering & Cut: Marco Pellegrino Distributor: One Eye Witness Artwork: Lucia Dominguez Release Text: Nevan Jio

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Ellaxation EP

11,19 €* 13,99 € -20%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Rotorelief)

Nurse With Wound

Bar Maldoror

42,74 €* 44,99 € -5%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Gyllenskold Geijerstam And I At Rydberg S

Nurse With Wound

2LP | 2024 | EU | Original (Rotorelief)

39,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | UK | Original (Ghost Box)

Pye Corner Audio

The Endless Echo

23,74 €* 24,99 € -5%

2LP | 2024 | EU | Original (Nakid)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Endless Echo is the fifth album on Ghost Box for the highly prolific Martin Jenkins. Pye Corner Audio cinematic electronica shifts effortlessly between brooding ambience and menacing dance floor grooves. It evokes awe-inspiring vistas and moments of sublime spine-tingling wonder. This time around Jenkins draws inspiration from scientific and science-fictional notions about the nature of time and the idea that it may be entirely unreal.

Pye Corner Audio’s discography includes eleven full length albums and many more singles and EPs across several labels. There are also remixes for John Foxx, Mogwai, Ride’s Andy Bell, Mark Lanegan, Maps, Apta, Alice Hubble, Stealing Sheep, Knightstown, Dolphin Midwives and Japanese Television.

Pye Corner Audio’s music appears in the soundtracks to Adam Curtis’s 2016 film HyperNormalisation, the 2018 Shudder TV series Deadwax, Sky TV’s 2019 sci-fi drama series Curfew and 2022 Netflix documentary Slay.

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Nsi.

A Day Or Two

34,19 €* 37,99 € -10%

LP | 2024 | UK | Original (Castles In Space)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Nakid presents the first album in years from Max Loderbauer (Sun Electric) and Tobias Freund’s cult Non Standard Institute. Delving deep into the aether with a double LP - almost an hour and a half in length - featuring ruined, vaporous and engrossing ambient variations on a theme.

Planing axes between iridescent new age ambient, sublime folk and avant-classical, to miasmic drone and plangent shoegaze; ‘A Day or Two’ charts the Non Standard Institute’s first actions in 6 years and serves as a compelling reminder of their intuitive work in abundance. Expanding and contracting their sound across 18 parts, they arc from heaving, oddly-tuned drones to smoggy, surreal soundscapes, bringing a wealth of fine-tuned instincts to the table. With Max Loderbauer’s 35+ years as Berlin ambient pioneer with Sun Electric, jams with Villalobos, and roles in Vladislav Delay Quintet and the Moritz von Oswald Trio, he’s matched by Freund’s 40 years of deep engineering expertise embedded in the experimental industrial and techno trenches.

The melancholy, Satie-laced piano meditations that grounded 2018's '5863' are gone, and the human touch that's been present since their very first collaborations is placed under the microscope, enhanced by their use of the Haken Continuum Fingerboard, a gestural synth that was developed to open up new modes of playing. Loderbauer's experience with the piano helps him make the most of the instrument's touch-sensitive 3D surface, while Freund uses two multi-channel loopers, piping the sounds through his arsenal of pedals.

The 18 tracks are billed as "unplanned atmospheres" that arc from sombre, drone-heavy material to humid, tape-saturated imaginary-island jams such as 'Listening To Cells' and 'Are You One Of Them'. On the latter, the duo work patiently, letting dusted string plucks tumble across each other while warbling pads hum below, bending like flutes. On 'Unlikely Events', anxious didgeridoo-like wails are ruptured by environmental rattles, before ominous voices lead us into a pocket of industrialised resonance. In time, the skies open up and the sounds morph into pastoral song, the drone blurring into hopeful pads almost as lucid and eloquent as AFX's 'saw Vol. II', with sonorous synths that float over formless strings. Reflective, cinematic arrangements for flute and silvery ambient give way to diffusions of denser, resonant polychromatics and pucker up in outernational, alien ambient impulses recalling Connor Camburn jamming with dirashe folk pipes.

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Kinbrae

Cryptophasia

27,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cryptophasia is the third album from Scottish twin brothers Andy and Mike Truscott under their Kinbrae moniker.

Shifting focus from their previous landscape-based releases, Cryptophasia sees the band explore their relationship growing up as twins and how this has shaped and formed them as people both individually and collectively. Reflecting on experiences across their lives, the album deals with themes including family dynamics, lived experiences and memories, identity, sibling rivalry, isolation and battles with mental health. Looking at these aspects allowed the band to see how they have supported each other over the years and consider the way their relationship as brothers has developed across their lifetimes.

Working with producer and frequent collaborator Ben Chatwin, the band were awarded a Jerwood Bursary to initially experiment and improvise with new instruments and techniques, with these early drafts used to then structure fully formed pieces. At its core, the record incorporates modular and analog synthesizers that are intertwined with brass layers and melodies. These sounds are further developed with the use of field recordings, piano, live percussion and bass guitar to both further establish and build upon the band's signature ambient and melancholic sound.

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Venus Rising From The Sea

LP | 2024 | EU | Original (Doyenne)

25,49 €* 29,99 € -15%

2LP | 2024 | UK | Original (Spare Thought)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Commissioned and curated by Flora Yin Wong for her label and publishing house Doyenne, ‘Venus Rising From The Sea’ is a collection of love-themed cover versions featuring Teresa Winter, Susu Laroche, Alex Zhang Hungtai, aya, Maria Minerva, Christina Vantzou, Spivak, Salamanda, clare rousay, Wild Terrier Orchestra, Dania and Flora Yin Wong herself covering songs by The Cure, Robert Wyatt, Mariah Carey, The Cranberries, Pentangle, The Carter Family, Spiritualized, Debussy and more.

‘Venus Rising From The Sea’ takes its cues from the classical deity Aphrodite - whose name literally means “sea foam” - for an ever necessary expression of love in the modern age. The label asked friends and collaborators to interpret “love” in whichever way they saw fit, be it obsession, self-love, unrequited, unconditional, whatever. But despite the open brief, and the vastly different modes of execution, all the artists involved somehow ended up linking hands with a shared determination to smudge the original songs into bleary-eyed, uncanny traces of the originals.

To open, Pentangle's jaunty 'No Love is Sorrow' is puffed into stormy clouds by Teresa Winter, who retains the original’s unmistakable bass twang and teases Jacqui McShee's siren song into a saturated buzz of layered, obfuscated words. Verses twist into verses, lines into echoed-out lines, capturing the song’s boundless yearning, rather than tracing its exact contours. Next, Susu Laroche yields one of the set’s highlights on a brilliantly nuanced, highly impactful version of Nina Simone’s take on folk standard ‘Black is the Colour of My True Love’s Hair’, turning the original’s multi-faceted Appalachian/Scottish routes into a heart-stopping, Nico-esque fuzz we haven’t stopped playing for weeks. Christina Vantzou (the CV ov CV & Jab) is joined by pianist Ezra Fieremans in the absorbingly filmic scenes of ‘Hot Springs’, while Maria Spivak's interpretation of Robert Wyatt's 'Just as You Are' finds her singing Brazilian vocalist Mônica Vasconcelos' words with reverence, smearing them into a hypnagogic fantasy.

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Adult Jazz

So Sorry, So Slow

30,39 €* 31,99 € -5%

LP | 2024 | EU | Original (Ad 93)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.

Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.

“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”

Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.

“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”

“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”

“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”

So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.

Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.

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Lanark Artefax

Metallur

24,99 €*

LP | 2024 | EU | Original (Meakusma)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Emerging from a generative paradox of laser precision and fluid dynamism, Metallur fuses percussive, metallic force with warping tempos and a field of ethereal resonance and debris.

The result is an insurgent, elemental, time-smearing of hyperspace, where "tellurian beats merge with alien glossolalia and vocal samples blip tesseracts of human affect into a ghostly, melodic aether". Music for a crushed infinity.

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Manuel Troller

Halcyon Future

27,99 €*

LP | 2024 | JP | Original (Jet Set)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A bit more than half a decade on from his widely acclaimed debut Vanishing Points from 2018, Swiss guitarist, composer, and improv musician Manuel Troller releases his new record Halcyon Future. A rhythmically dense and ambiguous, yet joyful ride for unstable times, a plea for warmth and hopeful resistance.

Troller’s mode of incorporating, zooming in, and expanding on small elements from improvised sessions creates a multilayered work of driving rhythms and abstract, vibrating textures. Opening with Halcyon Future I’s distinctive open pulse, this first piece guides us through subtle harmonic shifts that are almost unrecognizable as they take place over extended time, overlapping and creating a sense of ambiguity until the piece reaches an almost optimistic level with Mario Hänni’s unexpected introduction of driving acoustic drums. Relentlessly and with increasing excitement, heavy electronic 80s bass drums and an armada of layered hi-hats push them on, leading to the all-incorporating melodic finale.

The two long pieces Halcyon Future I and Halcyon Future II focus on forward momentum. In between them stands DNA, a purposely directionless contemplation on emotion as such. It is raw, naked, and confrontational, with a tender and subtly changing chord progression creating intimacy and proximity, abstraction and warmth, like a beautifully vibrant hologram for the listener to walk around in.

The B-side with its 20-minute Halcyon Future II features playful futuristic guitars, enhancing and challenging the stereo image that Troller is already well-known for. As it’s given time to develop and take root, the ever-varying guitar interactions densify and the staccato patterns jump out of the speakers with joy, creating excitement and building momentum. Compared to Side A, things turn to a slightly more complex rhythmical, melodic, and harmonic feel here. There are easy references, such as Manuel Göttsching’s E2-e4 or Pat Metheny performing Steve Reich’s Electric Counterpoint, but Troller goes a different and very much more concrete way. Although the piece has been recorded in various places and through a long process of overdubbing, there is an astonishingly strong live feel to it, from beginning to the end, from the slow rise to the full spectrum and the almost krautrock-like finale. Improvisers Hans Koch on soprano saxophone and Michael Flury on heavily fuzzed trombone join in, while Troller and Mario Hänni on many guitars, bass, drum machines, and acoustic drums provide a joyous driving entity, not giving up until it all breaks down again. There is overkill and brute force, though never without depth and a vision of future.

In the musical scope of Halcyon Future, there is no need for an absolute definition of things. A continuously changing interpretation of repetitive and variable elements fading in and out of focus tells a story of an excited sense of acceptance. Feelings of transcendence stem from Troller’s layering of constantly shifting rhythmic structures with unforeseen improvised harmonic changes. Drum machine parts overlayed with acoustic drums shift between musical modes, anchoring the album on the verge of a jazz-influenced, motorik, post-ECM balearic plateau. Abstract textural elements gently swirl around and behind all that is rhythm, providing a submissive counterpoint. As with much of Troller’s work, Halcyon Future is an album that unfolds slowly, revealing more of its richness, detail, and subtle beauty at each listen.

Halcyon Future is a joint release by three:four records and meakusma.

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Harikuyamaku

Denshi Kacharsee

43,99 €*

Release: 2024 / JP – Original

Genre: Electronic & Dance

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#Technohasleftthebuilding - The Aftermath

Rico Puestel

2LP | 2024 | Original (Exhibition)

31,99 €*

LP | 2024 | EU | Original (Byt')

Release: 2024 / Original

Genre: Electronic & Dance

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Rico Puestel always has a surprise in store: #technohasleftthebuilding ain't finished yet! We've come a long way baby... The original recording sessions has been more extensive than previously known of, based on the incentive question: If Techno has left the building, what is actually left of it?

In the aftermath of it all, Rico Puestel bounces back to the true-bred heart of Techno and its traits that really made him fall in love with it in the first place. He initially kept these additional and special tracks to himself throughout the first album part, but the time has come to deliver them subsequently now.

Literally point by point, Rico Puestel designes a mesmerizing trip into the greater depths of early club nights, thinking of a world without any trials and tribulations of smartphones or the internet - just dancing and loosing oneself in the magic of the the 4/4-impulse and a tapestry of sound woven around our being.

In times, when people felt as a unit-of-one movement on the dancefloor, with Techno being its undeniable soundtrack and moment of truth, diversity was no issue, so #technohasleftthebuilding's aftermath also dives into the realms of Trance and beyond, because way back: Techno was just Techno and it's all about the music in the end.

Starting with a warning from a dystopian point in time, this further album part is an admonition and a refined view back from outside the building...

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Telva

Revelation

26,99 €*

Bodeler / Nicola Brusegan & Camilo Gil

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Having worked silently in her sonic philosophy for almost a decade, vocalist, music producer and Dj Telva has launched her music label byt’, starting with the publication of her debut album. The album, ‘Revelation’, opens with an unusual and experimental offering, which sets the tone for the label's subsequent eclectic and unexpected releases. The compilation of 10 tracks, has been documented for 5 years through an experimental vocal, instrumental sonic journey, that is composed of Telva's life experiences during this period.

Telva is a vocalist, producer and only vinyl Dj based in Berlin. Defining her path through art in every sense of it by turning passion into a way of life, she has been playing and collecting records as main craft since 2016. Followed by uninterrupted hours in the studio, her creations and sonic philosophy, aka record label byt’, have been materialized by the wide range of influences she’s been absorbing along her way as an artist, where different cultures, scenes, and places have shaped and influenced her understanding and projection of her musical vision. Her love for the underground movement and the deep work in silence have made her music shows special and respected. For listeners and dancers, her well-chosen exposure is an unexpected experience. Her purpose is to offer quality music based on eclectic diversity, that surprises the audience with the love it spreads through sound, aiming to touch their hearts. ‘Music is a channel of transmission in where to materialize one’s lifetime vision’

Byt' (быть in Slavic meaning 'to be' / pronounced 'beat') is a music philosophy, also known as a record label, focusing on the connection between music and artist as a primary form of communication and source of expression. It represents 'the music of the being'.
The meaning and purpose are to comprehend the concept of musical interpretation through the artistic vision of the person behind it, by appreciating the significance of conveying a life experience through sound, making a recognition on what is behind the music we listen to. The label will be composed of solo releases, sonic cinematic experiences, collaborations and other archives, spanning an unlimited wide range of genres, yet rooted mainly in electronic music.

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Mbk002

12" | 2024 | EU | Original (Minimal Brooklyn)

16,99 €*

12" | 2024 | EU | Original (Step Ball Chain)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A1. Renowned producer, Bodeler, showcases his mastery in the minimal genre with his first contribution to the MBK collection. Combining intricate rhythms with subtle variations, he crafts a hypnotic sonic journey that expresses his signature techie groove while still capturing the essence of minimalism.

A2. Franco Cinelli, another accomplished Argentinian DJ and producer, lends his unique touch to Bodeler’s minimal masterpiece in an exceptional remix. Cinelli’s interpretation provides us with an immersive experience, with every beat and sound thoughtfully placed to convey a distinct musical narrative. With this submission, Side A displays the seamless synergy between two influential figures in the global minimal scene.

B1. Flip to the B-side and you will find an incredibly soulful composition from Nicola Brusegan and Camilo Gil. These two join forces to create a sublime deep house track that transcends boundaries, featuring a familiar sample of an iconic hip hop group from Brooklyn’s past. Lush chords, pulsating basslines, and ethereal textures create the ideal dance floor tune.

B2. ’Take A Groove’ is paired with a remix that has quickly worked its way through clubs around the world. Jorge Caiado shares his perspective of dance floor atmospheres, demonstrating his ability to craft a remix that stands as an artistic statement in its own right. When the acid hits, you’ll know why this track is creating such a buzz!

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Trickpony

Pillow Talk

LP | 2024 | UK | Original (First Word)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Step Ball Chain’s unconventional prototype band trickpony is the 11th release on the ever evolving imprint. An assortment of sensual cyber jams collaged together by the trio over timezones, birthed in Perth, Australia by Mike Midnight and Roza Terenzi; old friends joined by Helsinki’s visionary songstress Maria Korkeila. A trinity of alchemy blossomed into an audio rendition of exquisite corpse, layers of each entity glistening through amongst a united cosmos; trip hop atmospherics and downtempo drippings. The five track EP reveals a metamorphosis of nostalgia, a foot in the ever present and daydreams of future. A subconscious deep dive into lustful pop, guided by spine tingling vocal fantasies; textural hallucination, harmonic odes to the golden era underground and a flirtation with drum and bass, tribal percussive freakouts and dream tinged lyrics of desire. Pillow talk is a timeless exhibit of esoteric treasures, a portal to a private world of modern enchantment that reveals itself in new ways each listen, music for lovers created by a supergroup of innovators to be digested, shared and cherished.

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Quiet Dawn

Celebrate

26,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Art Of Dark)

L'escucha

Top Secret I

13,49 €* 14,99 € -10%

12" | 2024 | EU | Original (Zingiber Audio)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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L'Escucha lands on AOD to celebrate Record Store Day with 4 high-octane dancefloor hitters.

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Cor100 & Acanalar

Split Ep #001

Estrellas Remixes EP Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Zingiber Audio unveils his next vinyl release #12 with a split VA by label boss Cor100 and UK duo Acanalar. Donâ€™t sleep on this one ! Only a few limited copies of this exclusive ep.

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Guts

2x12" | 2024 | EU | Original (Heavenly Sweetness)

23,99 €*