Search "web+web+max+herre" 459 Items

LP | 2019 | EU | Original (Rebel Up)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Black Truffle is pleased to announce For McCoy, a new work by Eiko Ishibashi dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order. Following on from Hyakki Yagyō (bt064), For McCoy finds Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures crafted in her home studio, aided by a group of close collaborators.

Beginning with overlapping layers of descending flute lines, the expansive ‘I Can Feel Guilty About Anything’ (whose two parts stretch out over more than thirty minutes) unfolds with a free-associative logic, embracing dreamlike transitions and unexpected cinematic cuts. As a hovering cloud of synthetic tones and multi-tracked voices fans out from the spare opening moments, Joe Talia’s skittering cymbals settle into a gently propulsive groove, soon joined by melodic fragments performed by Daisuke Fujiwara on multi-tracked saxophone. As the drums cede to field recordings and ominous synth figures, the uncommon meeting of saxophone and electroacoustic techniques call to mind the more spacious moments of Michel Redolfi and André Jaume’s Synclavier-propelled oddity Hardscore or the early work of Gilbert Artman’s Urban Sax. As the piece continues on the LP’s second side, distant dialogue rumbles beneath a surface of processed flutes, blurring into a cavernously reverberant backdrop for stark ascending lines performed by MIO.O on violin. Eventually, the piece settles into a gorgeous passage of abstracted dream pop, where Ishibashi’s multitracked vocal harmonies glide atop synth chords, errant pings and snatches of outdoor sound.

Fragments of melodic material reappear throughout the spacious opening piece, finally stepping to the forefront on the closing track, ‘Ask Me How I Sleep at Night’. Here, over a shuffling groove supplied by Jim O’Rourke on double bass and Tatsuhisa Yamamoto on drums, layers of flutes, saxophones and guitars sound out melodies whose combination of twisting irregularity and soulful immediacy calls up prime Keith Jarrett, while their closely voiced harmonies suggest Kenny Wheeler or even Wayne Shorter’s Atlantis. In a classical gesture of closure, the web of melodic lines eventually leads back to the descending flute figures with which the record began. Presented in an immersive, impeccably detailed mix by Jim O’Rourke and arriving in a sleeve featuring Ishibashi’s beautiful drawings of Jack McCoy, For McCoy is an essential release for anyone following the enchanted and unique path being forged by Eiko Ishibashi.

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Susobrino

La Hoja De Eucalipto

21,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. Susobrino is one of Belgium's most talented electronic solo performers of the current crop.Being half Belgian and half Bolivian, he has a unique sound between both worlds, where electronic and acoustic sounds flow together with natural & shamanic influences.

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12" | 2023 | UK | Original (Constant Sound)

The Greater Good

Palette EP Oscar Mulero Remix

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Brazilian beat maker Fabe has emerged over recent years as one of tech house's most skilled groove smiths. His drums and bass are always seductive no matter their style. Here he links up with Burnski aka Instinct's Constant Sound label for four more irresistible nuggets. 'The Greater Good' is super quick as it glides over rippling bass with silky chords, then 'Newbie Bounce' has a more weighty groove. There is elastic funk and US swing in the shuffling goodness of 'Flow Groover' then 'On Edge' closes out with bulky deep house beats and late-night synth work of the highest order.

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Ribe

12" | 2021 | EU | Original (Warm Up)

16,99 €*

12" | 2023 | UK | Original (Drumcode)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Alberto Pascual, also known as Ribe is a well seasoned veteran in the Spanish scene. An expert synthesist and modular weirdo, his sound palette is amazing. If you have been so fortunate to enjoy his live PA before these turbulent times, you've got the precision and hypnosis he always provides.

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Wehbba

Premonition

The Blackest Orange Turns Purple Green EP

Release: 2023 / UK – Original

Genre: Electronic & Dance

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One of Drumcode's solid MVP's Wehbba comes strong with a sci-fi themed trio of tracks to kick off 2023.

The Brazilian enjoyed another stellar year in 2022, with highlights include the excellent 'Dynamo' EP on Drumcode in April, a contribution to A-Sides ‘The Next Step' and collaborating with Adam Beyer to remix the classic Planetary Assault Systems cut ‘In From The Night’.

He likewise played Drumcode's WHP, our NYC event at Avant Gardner and Drumcode São Paolo to round out the year.

His latest EP on Drumcode ‘Premonition’ is an atmosphere-rich, intergalactic-themed trip that plays out deliciously over three cuts. The title track is imagined as a kind of travel through space and time, propelled by sci-fi synths, Wehbba’s trademark full bodied basslines and a cleverly placed sample from a David Bowie interview.

‘The Message’ is a dynamic beast of a track driven by robotic synth stabs, a catchy melodic riff and memorable vocal refrain ‘Mars Needs Women’ sampled from a 1950s sci-fi film. It has all the ingredients to be another classic addition to Wehbba’s discography. ‘Inertia’ is led by a hypnotising riff that builds over six minutes.

“I love to play this track after a series of rave bangers to keep the energy levels up while taking people on a trip,” shares Wehbba.

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Albert Van Abbe

12" | 2022 | EU | Original (Danza Tribale)

LP | 1978 | UK | Original (Mercury)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Including Rrose and Adiel remixes. Albert Van Abbe signs to Danza Tribale with "The Blackest Orange Turns Purple Green"

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Pere Ubu

The Modern Dance

Release: 1978 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 2016 | EU | Original (Wake Up!)

Lerosa

Further Apart

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: G+

12" | 2016 | EU | Original (Wake Up!)

Ian Oakley

Rise and Fall EP

7,99 €*

Boiling Wells (Demos '10 - '22)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Includes inlay!

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Jabu

LP | 2023 | UK | Original (Six Of Swords)

24,99 €*

12" | 2022 | EU | Original (Local Talk)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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‘Demos/sketches/interludes from the hinterland between records. Drum machines and single take vocal sketches tied together with downtime synth experiments and recordings of local disappearing areas.’ True as it is, Jabu’s strap-line is a somewhat understated take on what also proved to be a transformative experience for them. The follow-up record to their 2020 sophomore LP ‘Sweet Company’ (and the ensuing ‘Versions’), ‘Boiling Wells’ weaves a smudged, group -mind spell. Originally released earlier this year without fanfare as a digital-only release, it now receives the proper release attention it deserves, issued in a neatly packaged vinyl edition of 300 copies. Dreamlike, woozy, raw and in dub, the album documents a blossoming process, and encapsulates a fragment in time - holed up in the country, soaking up the atmosphere in collective isolation, creatively embracing the limitations of a small recording set-up, and finding a new way to work as a band. “My mum had gone away so we’d decided to take the mixing desk and a couple of drum machines out to her house and set it up in the front room. We did it a couple of times to get the bulk of the tunes on 'Boiling Wells' done, one in summer and one boozy one around Christmas. I think we all immediately enjoyed working that way, sat around all together, more of an immediate thing. Jas started to play a lot more guitar, her and Al would write lyrics on the fly or be programming a drum beat in or something. We were all switching around and getting ideas down really quickly, not worrying too much if they were good or not. The music was limited by the stuff we had there, I didn’t bring a big desk so we only had six channels or so, and everything was basically just recorded in as a stereo take so we were more or less stuck with it after we’d laid it down - which was nice too. I don’t think we would’ve changed them anyway; it was the sound of the room and of us doing it together in the moment that was really important.” There has always been a collaborative heart to Jabu, though its nature has shifted and morphed over time. In their earliest incarnation, in after-school jams, Alex Rendall would rap over Amos Childs’ beats, but by the time they began releasing music in 2012, Al had found his singing voice – a sweet, soulful counterpoint to Amos’ increasingly dub-wise, experimental backing. Both are founder members of Bristol’s Young Echo, a collective of friends and musicians first operating loosely together on radio shows, artistic collaborations and events, and later on, running a record label. As expansive as their original remit was, Young Echo has steadily evolved since featuring in The Wire’s 2013 cover feature on Bristol’s new school of post-dubstep bass music. Of late, Seb (aka Vessel) has been working with violinist Rakhi Singh on string arrangements for Jabu, and the upcoming residency at Bermondsey’s MOT will showcase relative newcomers Birthmark and Intel Mercenary alongside the regular crew. Jabu’s debut album proper, ‘Sleep Heavy’, arrived in 2017 courtesy of Blackest Ever Black. A sublime, focused meditation on grief and loss written largely by Amos and Al, it marked the debut of Jasmine Butt (aka Guest), adding a further layer of vocal texture to their palette. ‘Sweet Company’, their first album written as a trio (released via their own do you have peace? label), drifted into lighter, more ethereal introspection. Featuring guest appearances by Sunun and Daniela Dyson, remixes by Equiknoxx’s Time Cow and Young Echo ‘s Ossia teased out the inherent pop and dub sensibilities respectively. Recent times have also seen remixes by kindred spirits Seekers International and Jay Glass Dubs, and a collaboration with the renowned T.S. Eliot Prize-winning dub Poet and musician Roger Robinson on a pair of plaintive, aching 7” singles. Jabu’s broad raft of inspirations can be experienced first -hand on their monthly NTS Radio show ‘Music 4 Lovers’, co -hosted by long-time friend and soul afficionado Andy Payback. A celebration of the endless tapestry of interrelated musical connections, it runs parallel to Jabu’s own reinterpretation of their influences. For ‘Boiling Wells’, Amos remembers a diet of “A.R. Kane, Cocteau Twins, DJ Screw, Southern/Memphis rap mixtapes, early 90’s jungle, Karen Dalton, Sybille Baier, Vashti Bunyan, Svitlana Nianio, a lot of soul, Armand Hammer & Alchemist, Grouper, Bobby Caldwell. Jazz was a constant, Japanese, Polish, Latin, American…”. And from those diverse strands, something new and singular has formed, to line up alongside them. ‘Boiling Wells (Demos ‘19-’22)’ is released by UK newcomer Six of Swords in a limited vinyl edition of 300 copies, pressed on black vinyl housed in full colour 270 gsm matt varnish sleeve and black paper inner, with full download coupon

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Wipe The Needle

Screwface & Smile EP

12" | 2021 | EU | Original (Up The Stuss)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lee Gomez aka Wipe The Needle has made music in many complimentary styles. His debut on Local Talk featured Alex Littmore's soulful vocals and took us on journey that goes beyond the house genre. This time his bruk roots are heavily featured, sprinkled with a touch of soul, jazz and boogie to create an impressive collection of songs. Fans of Bugz In The Attic and bustling West London broken beat mixed with grit, this one's is for you.

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Sota

Pelican Club

12" | 2015 | NL | Original (Quality Vibe)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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An artist at the heart of Berlin’s rich scene, DJ and producer Sota looks set to continue his sharp upwards trajectory as a name to know. Welcoming four intelligent, expansive cuts combining slinking low-end grooves, sci-fi electronics, and sweeping interludes, the Dutchman’s ‘Pelican Club’ EP showcases his take on house music for the early morning hours as he touches down on Up The Stuss for the label’s sixth release.

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Daniele Temperilli

Homemade Wine EP

8,99 €*

Release: 2015 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2004 | NL | Original (Wabi Sabi)

DJ Yoav B.

Boogie Down Saturn E.P.

Release: 2004 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2001 | UK | Original (Junior London)

The Obeah Men

Obeah Dance

Release: 2001 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2023 | UK | Original (PIV)

Piv Limited

12" | 2023 | Original (Kickin' Up Dust)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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After a two-year pause, the PIV label returns with a new release on its ‘Limited’ vinyl only sub label. This time in good company by two legends in the making: Fabe and Alexander Skancke. PIVLIM, as the sublabel is called, focusses on the more underground sound of house music. Fabe provides 3 original very unique sounding tracks, with Alexander showing off his skills on the high energy driving remix. The tracks have shown their effectiveness countless times on dancefloors around the globe, so be sure to get your copy now, as only a limited amount will be pressed on vinyl only.

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George Davis

Ona Ep (Part II)

Release: 2023 / Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Klasse Wrecks)

Amiga Demoscene EP

12" | 2024 | EU | Original (System Error)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Always exciting when Klasse Wrecks comes with a new label project!! This one they do together with Kid Who and is a series of records showcasing previously unreleased house, techno, acid and more from the 90s Amiga Demoscene. Created using early sample sequencers such as ProTracker, these tracks radiate the authentic energy of techno's golden era - and they've been hiding in plain sight in Demoscene web repositories for many years. It was during the long days of the 2020 lockdowns that Kid Who began to explore these archives, sifting through thousands of tracks to eventually amass a collection of several hundred of his favourites. Curated by Klasse Wrecks and Kid Who in close collaboration with the talented artists behind them, the .NFO project aims to bring some of these finds to the broader dance music community via a series of VA 12"s and mixes. Tip!! Vinyl comes with A4 insert and stickered sleeve.

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M. Weber

Soulacker EP

2LP | 2022 | EU | Original (Compost)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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We are pleased to present the 2nd installment on our new Haustiere series. By German DJ & producer M. Weber.

Taking inspiration from such legendary labels as Strictly Rhythm, Haustiere is dedicated to bringing you the deeper side of house, for the warm sunny days and hot sweaty nights. Kicking offwith some proper underground house feelings from Sisto...

All tracks written and produced by Manuel Weber. Mastered by Olo Mastering, Berlin.
Artwork by S/E-Studio, Berlin.

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Ströme

Nr. 2

25,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lust Özgur Can & Justus Köhncke Remix

Harald Björk

12" | 2021 | EU | Original (Kranglan Broadcast)

Don't You Remember The Future Record Store Day 2022 Red Transparent Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One of my first record releases was on Traum Schallplatten in 2007. I was living in Berlin and Traum was at its peak launching acts like Extrawelt, Dominik Eulberg, Gabriel Anada, Minilogue, Fairmont… The era of melodic minimal… The release of Luftlust hit the big DJ’s like Sven Väth etc. And I was truly overwhelmed by the support. But the version on the 12″ was actually pitched up 5 BPM. And in the end the mastering was not in my personal preference. Watering my feel of it, once or twice a year people actually ask me to do a remaster. Over the years it has been a track circulating the web and playlists, haunting me. Last year I dug in the past and actually wrote a masters exam in philosophy about being a youngster in the techno scene and how to keep up creativity while working with record labels. Somewhere in that process I decided to face the old ghost and make it happen. Time was ready for the re-release of Luftlust, on my terms on my own label Kranglan Broadcast.

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Jamie Jones

2x12" | 2009 | EU | Reissue (Crosstown Rebels)

33,99 €*

Release: 2009 / EU – Reissue

Genre: Electronic & Dance

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Having been previously released digitally and on CD back in 2009. We decided RSD 2022 was a great opportunity to release this seminal album on Red Transparent vinyl for the first time.

‘Don’t You Remember The Future’ is the debut artist album from Jamie Jones, peering into the coming apocalypse with a body-shaking, teeth-grinding, tripped out fusion of sound on Crosstown Rebels.

There are some talents that remain inconspicuous and then there are some you can’t ignore. Jamie Jones is the latter, quickly rising to superstar status in underground dance circles over recent years. Releases on Crosstown Rebels Hot Creations, Defected, Cocoon, Get Physical and BPitch have catapulted him to become a cult figure and he is widely admired for his true originality. From his debut single ‘Amazon’, to his albums' anthem ‘Summertime’, his unique sound has won him worldwide audiences and this album has been widely anticipated as one to change the face of current house music.

With ‘Don’t You Remember The Future’ Jamie Jones delivers an album of “intergalactic techno house, where old school prince meets cybertron.” A seamlessly blended up-tempo mix filled with eerie and energetic moments. Featuring ten brand new tracks from Jamie Jones, alongside this years dance floor anthem ‘Summertime’ and the current ‘Galactic Space Bar’ - which features the vocals of Egyptian Lover - the album’s twelve tracks are stitched together in an entangled web of beats and bleeps, available digitally as separate edits.

Cosmic cuts such as ‘Mars’ and ‘Deep In The Ghetto’ create a new dimension through soaring synths and idiosyncratic samples while the sonic dance floor weapons ‘Half Human’ and ‘This Is How’ release the lethal disco master within Jamie Jones. The jacking, peak time moments of ‘Summertime’ and ‘Sand Dunes’ produce a current take on the early acid house sound and each step of this peculiar story solidifies the strange notion of being within an undiscovered time and place. ‘Don’t You Remember The Future’ features the guest vocals of a variety of musical souls, checking off some of Jones’ remote influences and revealing the greater versatility of this skillful artist. Norwegian oddball duo Ost & Kjex feature on the anthem, ‘Summertime’.

The seductively charged ‘Absolute Zero’ unmasks the talent of London based DJ, producer and vocalist Alison Mars (aka Alison Marks), resulting in a beautifully epic and mysterious after hours track, and the toxic ‘Galactic Space Bar’ features live vocals from one of the creators of the electro scene, The Egyptian Lover, an old hero to Jamie Jones through early rap cuts like ‘Egypt, Egypt’ and ‘I Need a Freak .’ ‘Don’t You Remember The Future’ vinyl release is the album that brought the future into the present."

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12" | 2021 | EU | Original (Salty Nuts)

Out Of A Change Part 2

11,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Part 2 sees a rise in energy levels, with the German revealing four more cuts packed to the brim with quality. ‘Light Pink Bubblegum’ is a trademark Fabe cut combining up-tempo drum grooves alongside slinking basslines and resonant chords, while ‘Get Out To Paint’ and ‘From Top To Bottom’ both employ chunky bass and lush pads effortlessly. Title cut ‘Out Of Change’ once again showcases the ‘Fabe sound’ perfectly to close the B-side, fusing introspective melodies and heady drums with deep-lying, dancefloor-driven undertones.

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BKS-05 Clear Vinyl Edition

12" | 2023 | EU | Original (Brooklyn Sway)

12" | 2023 | UK | Original (Wilson)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Brooklyn Sway returns for its fifth release with another all-star cast of names drawn from the Brooklyn underground, as always vinyl only and with label art from NYC mural legend Cern.

Label regulars Vivian Wang and DeWinter lead off the A-side in a tough-but-dreamy style on 'What About Love', the heavily processed vocals of NYC house guru Kevin Williams giving the tune a true NYC afterhours flavor. Next up is David Paglia, also a frequent label contributor, whose 'Spellbound' toughens up the rhythm section with dub bass and a steady breakbeat backbone while liquid pads and the vocal hook hold dancers in their spell.

The flipside ups the ante for grime, leading off with label head Jay Prouty, DeWinter, and NYC OG Emma's 'What We Do', precision tooled for when the afterparty gets dicey. A hip hop acapella floats through a dense web of flutes, breaks, and a rugged house beat: smart DJs will sense main floor potential here, swaying halfway between gangster lean & proper house dancing. Charles Levine from Soul Clap needs no intro, and his 'Gimme A Break' is equally literal, a funky breakbeat belter with effortless vocal flourishes that balances perfectly between hard and smooth, just the way we like it in Brooklyn.

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Fabio Monesi

Devotion

12" | 2013 | DE | Original (Wake Up!)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Fabio Monesi is back on his own platform after 3 long years and he decided to celebrate his return with 2 solid dance floor house anthems that are ready to remain in our record bags for long! If you are an Omar s Fan then you cannot miss the A side: 'You are not supposed to know' .

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Achim Maerz

Long Time No See

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Joy In Fear Clear Vinyl Edition

Goat (Jp)

LP | 2023 | UK | Original (Nakid)

LP | 2022 | UK | Original (MAL)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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goat (jp) are renowned for two albums released in 2013 and 2015 that took Kraftwerk’s man-machine concept back to its roots with swingeing, inch-tight drums, bass and guitar patterns that needed to be heard to be believed. For their long-in-the-making new album ‘Joy In Fear’, band leader Koshiro Hino (ypy, Kakuhan) describes the process as “90 percent pain” - and we can well believe it - few other records we can think of transmute DAW-composed rhythmic precision into such an expressive instrumental performance. It really is a feat of determination, skill and execution that seems to defy human dexterity. Make no mistake - an academic exercise it ain’t - in the most visceral sense, goat (jp) make Body music, for dancing, flailing, for losing yourself in completely. As usual, Hino plays guitar, backed by bassist Atsumi Tagami, while Akihiko Ando joins on saxophone, while Takafumi Okada and Rai Tateishi step in to handle percussion, with the latter moonlighting on flute. Every sound is sculpted into a fragment of cadence: guitar and bass prangs alternately echo and dance between the drums, and Ando’s sax is mutated into a respiratory slobber of guttural smacks and phantom breaths. In some respects, it’s tempting to label it jazz, but the kind of jazz that Miles Davis spearheaded on the game-changing ‘On The Corner’, the blueprint for so much post-punk, electronic music and avant rock. goat (jp) take that raw alloy and sharpen it like a blade, mangling the template with the knotty metrics of Autechre or Ryoji Ikeda. The accuracy is galvanic; it’s almost impossible to comprehend each player keeping a mental note of the mathematical time signatures, and yet they floss them out with trills and icy stutters that seem to evaporate around the thick, taiko-like thuds. They practically get our teeth gnashing with the bruxist rictus chatter of ‘iii I Iiii Iii’ , before ‘Cold Heat’ introduces subtly harmonised, new aspects to their sound with slivers of Hassellian flute and ringing overtones of their percussion, while the winding sensuality of ‘Warped’ slips down very nicely. Their links to OG no-wavers like Glenn Branca & Wharton Tiers’ Theoretical Girls - is manifest in the 8 mins of chipping stop/start pulse and parry to ‘Modal Flower’, while a total left turn into Mark Fell-meets-Ligeti-esque messed up metronomics in ‘gmf’ ties it off with a properly beguiling flourish.

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FOQL

Wehikul

22,99 €*

Neotantrik (Andy Votel, Suzanne Ciani, Sean Canty)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Elle Andrews & Jon K’s MAL label pushes left with Foql’s new album of polyrhythmic sidewinders and blacklit electronics, edging into crankier spaces on a tense flux somewhere between Raime’s blasted-earth topographies and Anthony Manning’s crystalline FM sequences. Justyna Banaszczyk aka Foql was raised in the post-industrial decay of a city beloved by David Lynch for its abundant, knackered architecture (think ‘Eraserhead’, or run go check his warehouse photo studies). ‘Wehikuł’ translating to ‘Vehicle’, echoes its provenance and dark surreality across eight cuts of intricate post-techno pulses webbed with brooding synths that lend a fine new stripe of influence to MAL’s unpredictable ‘Rebel Music’ agenda, perfectly in step with its off-road vectors. Banaszczyk has been a part of her country’s grassroots underground for many years at this point, making music with a diverse cast of collaborators, co-founding the Oramics Collective and Radio Kapitał, running the Ignorantka space in Łódź, and helming the Pointless Geometry label. She brings this wide-ranging expertise and boundless motivation to her music, charging through her undulating productions with a rare sense of urgency and intensity. Foql patently has a taste for the tang of metallic tones too, coupled with a keen proprioceptive awareness of dubbed-out reverb in wide, vertiginous industrial space that manifests in her ductile, spatialised production. ‘Myrhh’ is a gummy introduction to her distinctive sound, a ruffled clash of bell-like synthesised sequences that harmonise with Anthony Manning’s brilliant (and still underrated) “Islets in Pink Polypropylene”. But Banaszczyk really lets rip with ‘Escapist Dubbbbb Machine’, building up from spliced drum hits into vaporous synth textures and pulsating electronics. Escapist dub is a good descriptor, finding a malleable mid-point that touches Tackhead to Sandwell District without treading into overused “dark” tropes. Her influences coalesce on the album’s title track, adding tense strings to jerky acidic dub, refining the rhythm into a disorientating, convulsive gallop. From here, Banaszczyk’s compositions hover around a similar thematic locale, interpreting her sense of turmoil but driving through it regardless with a relentless sense of purpose. ‘Twój Mózg’ adds fractal synth sequences over rolling loops and paranoid vocal snatches; ‘Shhhshh’ steps into the warehouse, syncopating industrial drums with a voice that’s begging for mental quietude; and ‘Divine Horseman’ dispenses with the rhythm altogether, connecting with Banaszczyk’s DIY noise roots and serrated foghorns over tape-saturated, microtonal rounds. Grim but not suffocating, “Wehikuł” is a flaming torch through inky black territory.

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241014 Clear Vinyl Edition

2LP | 2021 | EU | Original (Pre-Cert Home Entertainment)

30,99 €*

12" | 2024 | EU | Original (Stay Up Forever)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Synth legend Suzanne Ciani, Demdike Stare’s Sean Canty & Finders Keepers’ Andy Votel come together on this killer hour-long 2014 synapse popper of a collaboration pooling the occasional group’s esoteric collage-based approach into a remarkably foreboding session pregnant with a dread that’s never quite resolved. Think Vladimir Ussachevsky, Todd Dockstader, Spectre and Company Flow melted thru the Deutsch-Italo industrial DIY tape era and funneled thru an almost impenetrable fog of Ann Arbor basement noizze. Hustling some of Neotantrik’s most amorphous gestures, ’241014’ is a four-segment movement of reduced Buchla treatments, destroyed vinyl loops and scraping foley suspense; like a cosmic dream diary layered into a collage of drones and clatters. Little in Ciani’s extensive catalogue has hinted at what’s on display here; the joyful lullaby-pop of “Seven Waves” or metallic alien soundscraping of “Flowers of Evil” are only hinted at. She instead paints new sonic vistas, allowing space for her collaborators to make themselves known; Votel’s chiming toy autoharp and Bubul Tarang (a Punjab string instrument) add a distinctive flavor, while Canty’s grimy drones and noise-soaked textures drizzle pitch-black molasses into the cracks and crevices. Together, the effect is a bit like hearing Philip Jeck improvising over Popol Vuh’s peerless Moog-led debut “Affenstunde” or Demdike Stare knocking out impromptu reworks of Tangerine Dream’s abstrakt early run. Perhaps unusually, the trio have still never set foot in a studio together, exclusively maintaining their practice in-the-moment and on stage when schedules intersect. So it’s all the more remarkable that their improvisations naturally find a democracy of role and such a heightened level of intuition, beautifully converging their thoughts to mutual, open-ended conclusions that leaves billowing room for interpretation. In a most classic sense, it’s like the sensation of sleep paralysis or dream/nightmare ambiguity, with a level of suggestiveness that’s disorienting from end to end. For the first time the recordings are now available in high fidelity (there was a tape version a couple of years back) - now remastered by Rashad Becker to better represent the otherworldly scope of their actions on stage, from the NWW-like queues and drone of ‘Scanned Accents’ and keening silhouette of ‘Second Action,’ to new sections of subaquatic Porter Ricks-like murk in ‘Anti-Contraction’ and the levitating webs of synth and tactile, sampled textures in ‘Last Canción.’ Tape music and synth music have long shared a passionate embrace, and here turntablism coolly slides in on the action. Canty and Votel’s background in beat tape assembly and crate digging pays off: they’re keenly experimental creators but bring an unfussy sense of rhythm and performance that’s miles beyond any facile repetition of a nostalgia for vintage glory. Combined with Ciani’s delicate Buchla work - it’s a unique proposition.

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Krismix

The Pills Of The 90's

Captain Hollywood Project

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Stay Up Forever return with an E.P. From France's Krismix. Two classic old school Acid Techno stompers in 'The Pills Of The 90's' and 'Blast' from him, plus a rolling, menacing remix of 'Pills..' from the legendary Dynamo City, and a crisp Acid brain melting remix from hot acid producer of the moment Acerbic.

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All I Want (Remixes)

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2024 | UK | Original (Up In Her Room)

Ivan The Tolerable

Autodidact

24,99 €*

12" | 2019 | UK | Reissue (Rhythm N Vibe)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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We are delighted to bring you the first in the Ivan The Tolerable Archive Reissue Series, Autodidact! Originally released on a 10” lathe cut by Ack Ack Ack Records in February 2018, this has now been remastered and re-packaged, and will now be available on ltd edition khaki vinyl, with only 250 copies pressed. Here’s a bit about the rec-ord in Oli Heffernan’s aka Ivan The Tolerable own words- “I recorded the bulk of this record over a weekend in January 2018, in the midst of a very minor breakdown that was to last for pretty much the entire year. I was living in a big house all on my own, smoking too much and not really seeing any people. Happy days indeed. It was tracked in the back room of 97 Hambledon Road, Middlesbrough using two questionable microphones, a broken HH 100 amp, my friends drums and a Tascam Dp08 (that wasn’t to see the year out, RIP 2009-2018) When I was done, Robbie came round and recorded a ton of violin drones through my amp and i remember feeling like I’d gone into a trance a few times, then Ben recorded his parts at home and sent them over. Mixed and mastered the same night - I released it myself a month later as a lathe cut 10”and then promptly moved on. I listened to the album for the first time in years to write this sleeve note and I think it is possibly the closest I’ve ever got to capturing the sound I hear in my head - I love how grubby and cavernous it sounds, claustrophobic and swirling - the track Autodidact I have recorded 4 more times since this version and I’ve never got that sound back. I’ii keep trying.’’ “Oli Heffernan, June 2023’’

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DJ Perception

Phenomenal EP

I Have A Pessimistic Outlook Of Life E.P.

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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Here comes a welcome reissue of a rather in demand classic by the widely revered - and rightfully so - DJ Perception. Opener 'Reverse' taps into a US garage vibe - dusty low slung drums with a four to the floor pattern, plenty of swing and a well treated vocals all finished off with a melodic bassline. 'Flyby' (feat Opus) bumps along to a crips broken beat and sub bass that needs to be heard on a loud system. 'Loose Ends' is raw warehouse music with irresistible bounce and then the soulful vocal smoothness of 'Gonna Make You' might just steal the show at the end. Timeless tackle.

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J.P. Energy

12" | 1999 | EU | Reissue (Sound Migration)

12" | 2020 | UK | Original (Technicolour)

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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The second release to come out of Sound Metaphors’ collaboration with the Italian electronic music Don, Gianpiero Pacetti aka JP Energy. “I Have A Pessimistic Outlook Of Life E.P.” showcases a considerably more mature and polished sound relative to the previous release as the artist moves into the end of the 90’s and seems to shed the naive playfulness one could still hear in “Strano E.P.” with it's Italo-disco influences. Here things get more serious and even more “industrial” with a darker and perhaps more cynical tone, not unlike the title of the EP. A 3 track record, very much oriented towards the dance floor, “Fantastic Machine” comes in at over 130bpm with a very metallurgical flavour, something one could imagine hearing at a moving assembly line for car engine parts in a factory somewhere in Brescia, yet with an overlaying eerie nuance. “Automatic Sun” comes in with a very driving beat, the secret weapon of the release by all means, very effective employment of electronic percussive elements. And finishing the EP, Gianpiero’s Requiem to the format, a once record store owner who by 1999 might have already been feeling the tides of change brought in with the early CDJs (one could imagine) “The End Of Vynil” goes into full on electro territory with the beat and very much in tune with the title expresses a funerary darkness with the melodic elements. All in all, no need to put on sunscreen for this one. Remastered with new full cover artwork.

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Sofia Kourtesis

Fresia Magdalena

16,99 €*

Release: 2020 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (I Travel to You)

Nonna Fab

We Still Out Here

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2022 | EU | Original (Kompakt)

Kollmorgen

1243

12" | 2022 | EU | Original (Step Ball Chain)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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When we first heard from recent Kompakt signing Emma Kollmorgen, with 2021’s “You Are The”, she was hymning the complexity of romance: “Love is scary as fuck!”, she said. On her debut EP, “1243”, she’s built on that intensity and offered up a five-track suite of night-vision electronic pop, bristling with a stealthy sensuality. It’s a cinematic collection, building from the brooding “Escape”, through the drifting, tactile pulses of “Taciturn”, the gritty, bustling noises that run underneath the smoke-signal torch-song of “All The Wild Animals”, and the closing, tear-stained melancholy of “Home”. “You Are The” reappears here as well, settling in perfectly amongst new friends.

It’s a completely assured first EP from an artist who’s been slowly and steadily building her own sonic world. From her early days, when she busied herself by learning guitar and joining bands, Kollmorgen always had a vision of doing something “more independent”, to allow her to find her own sound and write her own songs. A brief creative alliance with the Berlin DJ duo Dole & Kom led to some recordings and live performances. All the while, Kollmorgen was carefully shaping her production and sound designing skills with Ableton Live, and exploring distinctive musical terrain in collaboration with co-producer and multi-instrumentalist Paul Seidel (The Ocean Collective, Fern, Nightmarer). She joined the Kompakt family after a recommendation by Patrice Baumel, who also remixed her debut single with typical flair.

On “1243”, though, Kollmorgen fully inhabits her songs, gifting each of them with a sweet, subtle sway, her vocal and lyrical openheartedness balancing the bluer hues of her production. Each song is confident and poised, Kollmorgen relying on cross-thatched patterns of texture as a web to support her melodies: “I like patterns,” she says, “they give me something to hold onto, something stable in an unstable world.” The songs feel as though they’re grappling with moments of revelation and experience in Kollmorgen’s world, which makes sense, given her approach to music: “I never had a diary,” she reflects, “so writing songs is my way of expressing and dealing with life.” On 1243, you’ll catch some glimpses of life lived, made sonorous through songs beautifully sung.

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Blu:sh

Lovebite

To The Stars And Beyond Yellow Vinyl Edtion

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Benoit B aka Terra Utopia breaks out into another auspicious alias for Step Ball Chain, Blu:sh - metamorphosed; coming in hot and heavy, sexy and sophisticated. Bass down, *ss up! The ambitious 6 tracker “Lovebite” fuses forms of dance; reworking elements from niche corners of the Step stratosphere that can result in freaky combustion. Breathing life and lust into every phrase, we are fortunate to be offered an intimate glimpse into a complex world of sound, filled with bold and brash inspired statements, rhythmically rolling the dice with snap lock precision. The cherry on top is served via a vocal collusion from fellow associate noff, the web expanding as the label delves deeper into futuristic tech territory, the prolific producer pushing their own boundaries and desires for new meticulous audio spectrum and ethereal realms.

The trio of flirtatious tracks laid bare on the A side read as a love letter to 4/4 naughty nocturnal testimonies. Opening auspiciously; Tighten Up dips into nasty grit, a sub centered excursion into the technological domain, sleazy and stripped back with modest tenacity. Candy Land sugarcoats the status quo of pumped up prog, playfully in the driver's seat and revving 100 miles per hour toward Hush highway; narrated by Greek cyber enigma noff.. An atmospheric deep trance kissed club chant. Opposites attract and find points of connection on the flip of Lovebite, the B side boasting a mutually slick sharpness permeating the record; blending sparse bass focused broken beat expeditions with liquid dnb; genially abstract mood boards of sampling mayhem; cut and spliced in addictive fashion. Flushes of gorgeous esoteric harmonic soundscapes fill out the rhythmical chaos, grounding and expanding the mind through a lush & plush tint woven in Recess and Heaven Spot alike.

A perfect prophecy destined for Step Ball Chain, Blu:sh’s first, yet expertly curated EP sets the bar high as hell. Divine dance music that can’t help but push boundaries; confronting and challenging our archival references and perceptions of genres and classifications, arguably the best kind of auditory statement.

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Paolo Rocco

12" | 2022 | UK | Original (Up The Stuss)

2x12" | 2021 | EU | Original (Up The Stuss)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Known for creating enriching house music, Italian Canadian DJ and producer Paolo Rocco is in fine form once again as he makes his first outing on Chris Stussy’s up the stuss imprint.

Delivering a selection of silky, classy, deep, and spaced-out trips his “To The Stars And Beyond” EP is an exemplary showcase of his vast talent in the studio.

The package comes reinforced with a stand-out remix courtesy of mandar member and Vigenere boss Malin Genie.

If you’re after a cosmic journey loaded with classic nuances, look no further.

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Locklead

Square One

22,99 €*

12" | 2019 | EU | Original (Drumcode)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One of the Netherlands most exciting rising names, Utrecht’s Locklead is emerging into the spotlight in style. Known for serving up heavy-hitting stabs of dancefloor driven material across SlapFunk, Pleasure Zone and Dungeon Meat, he now takes things deeper and brings his surging momentum to countryman Chris Stussy’s Up The Stuss imprint for the label’s first album release.

Stepping out into fresh territories, his eight-track debut LP ‘Square One’ showcases a previously unseen side to the Dutchman, revealing a collection of lush, deep journeys coupled with crisp house and vibrant, spacey cuts along the way.

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Wehbba & DJ Deeon

We Have Bass

12" | 1998 | DE | Original (Velvet Vibe)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.
Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.
A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’.
A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

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DJ Hitch Hiker

Brainticket (Remixes)

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Chris Liberator & Sam DFL

Acid Techno In The Modern Era: Queen Of Acid

12" | 2022 | EU | Original (Stay Up Forever)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Hitch Hiker & Jacques Dumondt feat. Abel & Kain

Genesis Chapter 1 & 2 (Remixes)

12" | 1999 | DE | Original (Velvet Vibe)

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Joey Anderson / Wendel Sield

Vanish EP

12" | 2024 | EU | Original (Obia)

19,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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New Jersey producer, DJ and Inimeg Records head honcho Joey Anderson takes on the role of Obiaman for Obia Records 005. Well known for his deep and intriguing records Joey Anderson takes the label far into the night sky with Vanish EP. Accompanied by label owner Wendel Sield the EP sets to serve a variety for all tastes.

Anderson’s style of hypnotic rhythm and cosmic synth work finds common ground with the labels African background in “Masked Ones”. With haunted vocal shots and elegant drum work. Minimalistic use of elements fill the track exceptionally well.

“Vanish”, the records main cut fills any ear with an astonishing panned bassline accompanied by loosely layered hihats. Strange and eerie pads float around the bassline, while piano chords give structure to the music. Followed by “Escape” this well-crafted jam explores the deep even further. Jumping synth lines that sound from another planet edge the depth of Anderson’s amazing musical ear. The track is layered by dirty low frequencies that suck you in with weird noises and atmospheric melodies.

Orbiting an icy moon Wendel Sield's “Cultivate” shows itself at the end of the EP. A pulsating synth line dominates the track main character. Intricate percussion patterns drag the track along to a dirty mono sequence. Big open snares makes this a track a slap in the face to its listener.

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12" | 2022 | EU | Original (Cécille)

Sober Up EP

13,29 €* 13,99 € -5%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Interpretations Of Web Web (HHV Ltd Edition)

Web Web

2LP | 2020 | EU | Original (Beat Art Department)

19,99 €*

Free Spirit (Remix By F.P.I. Project)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow-Black-Transparent-Splatter vinyl. Still in shrink, but opened, with hype sticker

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Orchestra JB

12" | 1990 | IT | Original (Beat Club)

Release: 1990 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Saddle Up 1990 (The Right Trip)

David Christie

12" | 1990 | DE | Original (Blow Up)

Release: 1990 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Now Let's Kill That F**ing Band

Abel & Kain

12" | 1998 | DE | Original (Velvet Vibe)

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

JB Dunckel & Jonathan Fitoussi

Mirages

LP | 2023 | EU | Original (Prototyp)

31,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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David Morales Presents The Face / Fpi Project

Needin U / Rich In Paradise (Going Back To My Roots)

12" | 2023 | UK | Original (Snatch!)

12" | 2023 | EU | Original (Butter Side Up)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A double shot of stone-cold classic remixes taking on two unquestionable anthems, David Morales Presents The Face 'Needin' U' and FPI Project 'Rich In Paradise (Going Back To My Roots)' available for the first time ever on vinyl via Snatch! Records.

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Liquid Earth

Deputy Dog EP

A.B. Free Feat. Linda Rocco

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Butter Side Up Records welcomes back Liquid Earth for Deputy Dog, his second EP on the label. It arrives in early May and once again explores a sublime and spaced-out club sound with original artwork by Cleymoore.

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Go Deeper

Impact Pink Vinyl Edition

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Sticker on cover.

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Bodeler Manu Desrets

12" | 2024 | UK | Original (Revival New York)

12" | 2024 | UK | Original (Up The Stuss)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Bodeler and Manu Desrets unite to deliver ‘Impact’ on Revival New York, with Romanian favourites Sepp and Nu Zau linking up on remix duties for a special vinyl drop. Two artists whose reputations are now elevating beyond South America and onto the wider global scene, Argentinian DJ/producer Bodeler and fellow countryman Manu Desrets have both been on a roll across recent years, with releases landing via the likes of Solid Grooves, tINI’s Part Of The Gang Records, Sanity and more between them. Linking up together for the very first time, the two now bring their combined talents to US shores as they make their debut appearance on Revival New York for the label’s second vinyl release, with Uvar head honchos Sepp and Nu Zau also joining proceedings on remix duties. A trippy cut fusing wistful melodies, hazy chords and hypnotic vocals before erupting into a punchy dancefloor driven anthem, ‘Impact’ does exactly what it says on the tin to serve up a track crafted for the late night hours. Offering their own take on the production, Sepp and Nu Zau go to work to weave a web of slinking percussion, glitchy grooves and heady arrangements across their ‘Epau Remix’, providing yet another killer cut from the Romanian maestros.

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Lee Burton

Sinewaves

12" | 2023 | EU | Original (Seismic)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lee Burton makes his debut on Up The Stuss with ‘Sinewaves’, a five-track collection of expansive house cuts representing his impactful sound.

With music released via Dorian Paic’s renowned raum…musik through to John Dimas’ Elephant Moon and Berlin’s Taverna Tracks, Greek DJ/producer Lee Burton has been a firm favourite for those in the know, having been embedded within the underground minimal/house scene for the past decade. A constant when it comes to providing ‘secret gems’, with his records in rotation amongst the record bags of leading names across the globe, Burton’s talent as a DJ has also seen him grace legendary parties and institutions from NYC’s ReSolute to Berlin’s Club der Visionaere. Next up, his latest studio voyage brings an impressive label debut on Chris Stussy’s Up The Stuss, opening the imprint’s 2024 schedule in style.

From the acid-electro fusion of opener Sinewaves’ and the breezy tones of ‘Burning’, through to the up-tempo and intoxicating sci-fi sonics of ‘iticf’ and the modulated, electro-funk of ‘Love Motion’, each track provides a unique slice of Burton’s vast sound palette, crafting an EP that covers all hours of the night. Sprinkle in the digital bonus ‘Oxytocin Overdose’, contrasting squelchy tones and classic chords with that infectious topline, and it’s another must-have record on the imprint.

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Spekki Webu

Kept In Reality

12" | 1998 | DE | Original (House Utilities)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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"This release is also a reflection of my musical past combined with lots of field recordings made in the last two years. But for this release I wanted to have a combination of deeper, more abstract dancefloor minded compositions and experimental rhythmic noise. A journey for that open minded people. Trying to blend a mixture of tribe, goa, techno but also rhythmic noise, ambient and drone.

The title name is based on this cycle of reincarnation, but getting back to earth again and starting a new life. So there is not a new entry into the next realm or dimension, hence the name "Kept in Reality". Also your soul wants to go at some point, somewhere it seems your are not ready or not allowed.”

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Whip Project

Let It Whip

Release: 1998 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1999 | DE | Original (Push Up)

Nudge & Shouter

Blue Lagoon

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1992 | DE | Original (Blow Up)

Nu-Matic

Spring In My Step

4,99 €*

Release: 1992 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1995 | IT | Original (Paradise Project)

FPI Project

Tell Me Why

4,99 €*

Release: 1995 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1990 | DE | Original (Blow Up)

Richard Brockwell

Prayer For The Nature

Release: 1990 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2024 | EU | Original (Aube Rouge)

Feral & Spekki Webu

Kentaga

Dynamo City (Chris Liberator) & D.A.V.E. The Drummer

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sonic shamans Feral and Spekki Webu team up for the third release on Aube Rouge. Straddling the boundaries between IDM and Techno, the duo traces their roots back to the forests of the Mo.Dem Festival, where they performed their debut live set in 2022. "Kentaga" is an invitation to embark on a mental journey infused with tribal rites and lysergic visions.

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One Night In Hackney Pink Vinyl Edition

12" | 2004 | EU | Reissue (Stay Up Forever)

12" | 2023 | EU | Original (Return Of The Vibe)

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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2023 pink vinyl repress

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Vinyltrixta

Fly Away EP

Space Teddy Collection 2024 Repress

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Vinyltrixta (who along with Jimmy J co-founded the Remix Records in Camden, London shop back in the mid 90s) - delivers a stomping 4 track EP in the 1992 breakbeat hardcore style on Return of The Vibe.

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Ebi

2LP | 2021 | EU | Reissue (Transmigration)

2LP | 2016 | UK | Original (Mule Musiq)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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No introduction needed here, the collectors version of 2 previously re-issued LPs on Transmigration no available as one double LP. Now complete with Obi strip and insert.
Susumu Yokota's vision of techno - house, lovingly collected in collaboration with Space Teddy and the Yokota family. Presented through linear notes in English and Japanese with archival photos from Uwe Reineke and Mijk Van Dijk. All tracks have been remastered by Steffen Müller.
Very limited quantities!

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FP-Oner

16,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2017 | IT | Original (Quality Vibe)

1st Crossroads

8,99 €*

LP+CD | 2013 | EU | Original (Disko B)

Release: 2017 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Ebow

19,99 €*

Release: 2013 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Albert Van Abbe & Jochen Paap

General Audio

LP | 2022 | EU | Original (Avian)

21,99 €*

12" | 1991 | UK | Original (O.B.E.)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Albert van Abbe & Jochem Paap join forces for General Audio. Recorded at Willem Twee studios in Den Bosch, General Audio explores a unique and esoteric approach to sound creation. Using test and measure equipment from the 1950’s, originally designed for the maintenance of various audio and radio transmitters, van Abbe and Paap create otherworldly walls of sound and dense rhythmic abstractions with an early form of synthesis. Rudimentary signals are combined and processed before being committed to tape via mic’s set up to capture the Willem Twee studio’s unique acoustics. The equipment itself predates the invention of the analog, modular synthesizers developed in the 70’s that are now commonplace in many studios. The record opens with 220Lock-in, a gently undulating drone composition. Effervescent at the top end and fathoms deep at the bottom, it shifts ominously with ring modulated tones that build and then give way to thick washes of white noise. A single synth flourish provides a surprising final moment. The record continues with WZ-1Wobbel Zusatz, a low-sunk percussive piece with an off-kilter rhythm and wet spring reverb doing the bulk of the sonic heavy lifting. Deep in the mix, delicate shifts in pitch and tone deliver a kind of arcane musicality, and as the recording approaches its final moments the piece descends into an exhilarating chaos, with sonic components falling slowly by the wayside. Pegelmesser riffs on a similar reverb characteristic, but this time a driven, arp-like lead propels the work forward. Crisp shifts in colour and distortion arrive unexpectedly, providing a curious musical sensation once more – and harsher moments of feedback break up the recording in its later stages. On Rel 3L 212c LC-pi the pair strip things back, with more present percussive components and subtle distortion lines, before Wandel ups the ante with a corrosive dirge broken up by sporadic submerged synth hits. The penultimate recording SR 250 Boxcar Averager shows off impressive pitch modulation, resulting in a variety of intriguing sensations. Cinematic and remarkably visual, it charts a strange and affecting course, the synth lead underpinned by a repetitive percussive motif and all manner of sends delivering fascinating details. Nim Bin closes the record and once more van Abbe and Paap invite that subtle musicality into the recording. A tight VCO modulation drives the piece while various percussive synth strikes provide a kind of rhythmic component, though they remain untethered to any time signature – a neat conclusion to an intriguing and exploratory record.

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Emmanuel

Release: 1991 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Hear Me Say (Things Are Gonna Change)

Cordial

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Have You Ever Retired A Human By Mistake?

Oscar Mulero

2LP | 2023 | EU | Original (Warm Up)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Stay Up Forever)

No Clue E.P

Dance The Night Away White Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The 303 acid bees are busy at the Hive producing another EP of dark, filthy Acid Techno. Sam DFL teams up with Dirty Stable for a throbbing, bubbling maelstrom of 303,s on the A1, 'No Clue', then again for further dancefloor acid mayhem on the A2 'Bad Time 4 Acid' with Hammermode. On the B1 'Da Track' he produces a more streamlined techno orientated thumper alongside talented new young producer Jack Majic, and finishes off the EP with another cracking collaboration with Martin Modulate on the stomping, 303 buzzing B2 'Monster' .

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DJ Jedi

12" | 2021 | EU | Original (Return Of The Vibe)

2CD | 2024 | Original (Permanent Vacation)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We are proud to welcome the man behind Cantina Cuts & JediRecordings - DJ Jedi himself onto Return of The Vibe with 2uplifting anthems in the breakbeat piano style - 135 ish bpmearly '92 speeds!

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John Talabot

Fin - Special Edition

CD | 2024 | Original (Permanent Vacation)

Release: 2024 / Original

Genre: Electronic & Dance

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If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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John Talabot

Fin

12" | 2014 | US | Original ([Parka Records])

Release: 2024 / Original

Genre: Electronic & Dance

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Abu Ashley

Asmaa

6,99 €*

Release: 2014 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Club Cute Black Vinyl Edition

Ben Hauke

LP | 2024 | EU | Original (Woop)

27,99 €*

Club Cute Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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South London producer/musician, Ben Hauke, is se tto release his highly anticipated debut album,"Club Cute," under forward-thinking London-based label Touching Bass, run by Errol and Alex Rita.The dynamic genre-blending artist known for his electrifying music production, has been forging a path of his own over the last decade, and now it"s time for him to unleash his debut full length project, "ClubCute". Hauke collaborates with acclaimed artists and local peers such as Goya Gumbani, Katy B, ShyOne, Brother Portrait, Jadadsea, and more, showcasing his remarkable ability to seamlessly blend diverse influences into a cohesive musical tapestry.

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Ben Hauke

LP | 2024 | EU | Original (Woop)

27,99 €*

Feels Good / Good Energy Feat. Amelia X

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Zensation

12" | 2019 | EU | Original (Return Of The Vibe)

LP | 1970 | EU | Reissue (Wah Wah)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Return of The Vibe does what it says on the tin and brings the uplifting '92 style old skool breakbeat hardcore vibes with this second installment from Zensation (AKA Vagabond formerley Next Generation Recs) who delivers 2 original and brand new tracks with big pianos, high energy vocals, old skool stabs and 4 to the floor beats.

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107-34-8933

Numbers

20,99 €*

12" | 1989 | DE | Original (Blow Up)

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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Yazz

Fine Time

12" | 2001 | US | Original (Funked Up)

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Blue vinyl.

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Expansion

Submerge Pt. 1

Release: 2001 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Voyage Sur Vinyl

Temporary Thing

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Where Has All The Love Gone?

Yazz

12" | 1989 | DE | Original (Blow Up)

4,99 €*

Release: 1989 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1994 | EU | Reissue (Mixed Signals)

Webb

Elevate

21,99 €*

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 1992 | US | Original (Interscope)

AB Logic

Get Up (Move Boy Move)

6,99 €*

Release: 1992 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2023 | UK | Original (Claremont 56)

Jpye

Bleu Your Mind

33,99 €*

Bigeneric (Marco Repetto Of Grauzone)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Jean-Philippe Altier’s first full-length excursion as Jpye, 2021’s Samba With You, was heralded a contemporary Balearic pop gem – a superbly summery, sun-kissed set full of atmospheric instrumentation, colourful synth sounds, strong songs and star turns from a wide variety of musical friends and guest performers.

Bleu Your Mind, his hotly anticipated follow-up, takes a similar sonic approach to its predecessor, with Altier being joined in the studio by friends old (vocalist e11e, keyboardist Michael T and fellow Twonk members Leonidas and Renato Tonini all reprise their roles from ‘Samba With You’) and new (Da Roc and Iamrobd) on a set that effortlessly mixes and matches elements of nu-disco, jazz-funk, laidback synth-pop, Italo-disco and Balearic beats. Those who savoured ‘Samba With You’ will feel at home right away, as e11e sings softly and sweetly atop the gentle Latin infused shuffle, dusk-ready instrumentation and chiming vibraphone solos of ‘Freedom Ain’t Free’. French composer and keyboardist Da Roc make’s his first appearance on the following track, the duelling electric pianos and synths of sun-splashed instrumental Balearic pop gem ‘You Freak Out’, before e11e returns on the throbbing and suspenseful ‘Shiver’– a re-imagined and genuinely glassy-eyed cover of Marie Laure Sachs’ sleazy 1978 Italian disco jam of the same name. So, it continues, with Altier and his collaborators painting scintillating sonic pictures in kaleidoscopic colours. Impeccable arrangements and pin-sharp instrumentation work in perfect harmony with seductive grooves that pack plenty of subtle swing. Even more impressively, ‘Bleu Your Mind’ is an album that genuinely rewards repeat listens, with each successive spin revealing more musical touches and cannily crafted melodic motifs. As a result, highlights come thick and fast throughout, from the delay-laden jazz-funk-goes-electrofunk fizz of ‘Xcuse My French’ (with Da Roc), and the humid afternoon heat of ‘Va Là-Bas’ – a gorgeous and immersive, sunset-ready affair produced alongside Renato and featuring dazzling kets from Michael T) – to the slow-motion Gallic/Italian reggae-pop of ‘Tutto OK’ (a nod to the tropical-tinged reggae sounds created in France during the 1980s), and the slap-bass sporting, smoothed-out (but low-down) grooves of Renato hook-up ‘Take Off’.

As ‘Bleu Your Mind’ progresses, the musical details become more refined, the grooves drowsier and the mood more horizontal. This subtle shift can be heard in Leonidas co-production ‘Lazyjack’ – all chiming lead lines, languid bass guitar, snappy drum machine beats and glistening guitar motifs – the vocoder-sporting stoner funk of ‘Spinnaker’, and the yearning brilliance of ‘Fingers Crossed’. The album’s most emotive and immersive moment by some distance, ‘Fingers Crossed’ sees Altier and collaborator Iamrobd (also a fellow Twonk member) tease out a slow-motion groove in combination with lilting Spanish guitar solos, ultra-dreamy chords, twinkling pianos and delay-laden drum machine hits. Bittersweet and brilliant, it’s a track guaranteed to send shivers down your spine. By the time it fades out, via a sustained piano chord, you’ll be sat or stood in wide-eyed, open-mouthed wonder.

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Helva

2CD | 2021 | EU | Original (Inzec)

18,99 €*

12" | 2019 | EU | Original (Quality Vibe)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty

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Bassa Clan

Caroline EP Swoy Remix

Release: 2019 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (Rhythm N Vibe)

The Rhythm People EP

12" | 2022 | EU | Original (Cocoon)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Rhythm N Vibe treats us to four different and equally brilliant garage cuts here from four different and equally brilliant artists. Marc Cotterell opens up with the slinky and dusty drums of '96 Is Back' powered by a rasping bassline. Jason Ward then brings some fresh 90s sounds with a neon baseline and diva vocals on 'The Meaning' while J Erazo keeps it deep and paired back on the sublime 'The Pulse' which is a real late night warmer. Paul French then layers up nice fresh and bumping drum funk on his lovely number 'Jump' (unreleased dub). There is lots to love here on a very useful EP.

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Harvey McKay

Black Spider

LP | 2020 | EU | Original (Morning Trip)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Harvey McKay makes a welcome return to Cocoon Recordings with the Black Spider EP, featuring three heavy-duty cuts that spin out in a variety of directions, constructing a formidable web of peaktime mayhem in the process. Black Spider bites hard from the get-go with a venomous bassline that pulses and mutates through a series of precision peaks and troughs. The track kicks repeatedly, drenching the dancefloor in washes of analog noise while McKay still finds space for a barrage of clattering percussion. Haunting ambient voices and a mysterious spoken mantra add yet more texture to the cavernous, gothic atmosphere it conjures. Next up, the disconcertingly titled Sticky Carpet utilizes a 90s hard house vibe complete with crunching, distorted beats, and a glistening octave-jumping synth pattern that slides and constricts around the chugging bassline. However, the track really comes into its own as alternating metallic patterns start to dominate in a homage to the hi-hat, whipping the dancefloor into shape as they switch in and out, jostling relentlessly for attention. Finally, hardcore junglist tendencies take center stage on Packed Lunch as another rasping, doomsday bass rides the sonic spectrum, simultaneously spitting sparks and shaking the foundations to the core. Scattered arpeggios add a certain discord to the fray as the pounding breakbeat hammers out a pathway to oblivion. Packed Lunch definitely packs a punch, adding extra spice to an EP that’s exclusively for the headstrong.

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Barry Cleveland

Stones Of Precious Water

27,99 €*