Search "the+soul+session+one" 8713 Items

Yiannis Eliades & Panayotis Mina

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Yiannis Iliakis is a multi instrumentalist and composer from Athens. He is mainly known as a drummer. As such he is a member of the free jazz band Outward Bound as well as a member of the successful Greek progressive rock band Ciccada. However, that’s only one side of Iliakis’ creative efforts. In April 2021, he released his first full length electronic album entitled Vertical Horizon on the Submersion Records, which mostly is an ambient work. Now, with Mountainmouth he opens another chapter for his musical talents. The EP is one of the most thrilling and adventurous takes on what the IDM term usually would suggest. The key song might be the title track “Mountainmouth” – an extremely energetic composition which won’t leave you unaffected. As per most of Iliakis’ songs it is based on originally recorded drums that were heavily edited. In the next step, these were combined with chords, melodies, bass and harmonies on top. The musical result is simply breathtaking - one might even call this track electronica for prog-rock heads. Surely a perfect opener for the release. The next song is Carbonated Soap on which Iliakis is going straight forward. The catchy melody and a fresh uptempo beat are offering something that could even fit well into a club-friendly DJ set. Next up, comes “Infected Walkman”. According to Iliakis, it was the first one he made for this project when he participated in an art exhibition. This track, as well as the following “Sad Plants”, are both down tempo and chilled, yet keeping an experimental vibe without loosing a soulful and human touch. Coming closer to the end, “Exodus Denied” is a brilliant experimental ambient piece, more similar to the works on the Vertical Horizon LP. Finally, the EP ends with a short edit of “Carbonated Soap” that jumps right to the more energetic parts after the first break. Mountainmouth may not be an easy listen at start – but we are sure the music has the power to be another classic release from our catalogue. The EP will be released in July 2022 on a very limited 12" vinyl as well as digitally. The cover artwork was done by Iliakis himself. We are very excited to present a new artist to you on Equinox with so many different talents.

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Brigitte

LP | 2021 | EU | Original (Honest Electronics)

14,49 €* 28,99 € -50%

Jin 06 EP Cleveland & Eden Burns Remixes

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This album was originally composed in October 2017, performed and recorded live in Kasteliotissa Medieval Hall, Nicosia, on the 19th of November 2017 as an accompanying soundtrack to Fritz Lang's two hour-long edit of the film Metropolis (1927). Commissioned by the the curators of the 'German expressionism in Cinema exhibition' to compose and perform a live soundtrack, Panagiotis and Yiannis employed a hardware heavy arsenal to produce one of their longest pieces. modular synthesizers, guitars, drum samplers and drum machines are all protagonists. The performance lasted for two hours and was recorded in its entirety. It was later edited down to preserve all sound design qualities and a somewhat live feel. The title is an homage to the main actress of the film.

Panagiotis Mina and Yiannis Eliades, longstanding members of 'do it together' collective Honest Electronics and producers of their own material as Panayotis and Isel respectively, often collaborate on projects such as Brigitte. Panagiotis Mina is a producer, musician and visual artist. He lives and works in Cyprus from Pyrgatory studios, his out in the country home diy studio project. Yiannis Eliades produces and performs music using a blend of analog and digital synthesizers, drum machines and twisted recordings, on his own or as part of duos (myhn, Carnal Throes).

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Yetsuby

12" | 2022 | EU | Original (Jin)

LP | 2024 | UK | Original (All My Thoughts)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Taiwanese label JIN records enters autumn 2022, with a new promising release by South Korea’s Yetsuby. As always searching for gems in the pan-Asian domain, JIN is delighted to have Yetsuby for its latest/6th release. On this EP, one-half of the ambient duo Salamanda, Yetsuby showcases her expertise in mood setting soundscapes, taking listeners on a sound journey across a wide array of musical spectra. Opening on A1, Yetsuby reinterprets a traditional Korean folk story of a bear devouring garlic and green onions, transforming the animal into a human being. Aptly named ” Bear Becomes The Human,” she transforms the transformed, turning the bear into a buzzing modern drum & bass-fused energetic tune. It turns out garlic is a powerful source after all. B1’s “Jelly” showcases Yetsuby’s talent for stripped-back glitch music: With a minimal bass and drum pattern, the track gently muddles along and presents itself as well suited warm-up track for the earlier hours of any party. For the remix sides, Cleveland delivers a vinyl only remix of “Bear Becomes The Human” with a futuristic house tune filled with jungle like drum pattern and techy yet smooth atmosphere on A2. On B2, New Zealand’s Eden Burns takes an entirely different path on his reinterpretation of Jelly. Embarking from the original pattern, he turns the original into a slow brewing psychedelic trance cracker that seems most suited for the early morning after hours that need an energy boost.

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Yetsuby

B_b

12" | 2024 | UK (Further)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Prolific visionary Yetsuby makes her debut on all my thoughts with a celestial concept LP that chimes into the deeper, inner emotions.

Yetsuby is the solo project of South Koren artist Yejin Jang. Since 2019 she has carved out a reputation as something of a prolific visionary, with 6 albums, 7 EPsand a flurry of singles between her two projects to date. Her recent album “My Star, My Planet Earth” received the “best electronic album of 2023" award at the KoreanMusic Awards.

Beyond her solo work Jang is also one half of the critically acclaimed electronic duo Salamanda, which has been featured in Pitchfork, Crack Magazine, and Dj Mag. The duo also host a residency called “shadow dance” on NTS radio. Yetsuby’s debut release on Seb Wilblood’s all my thoughts label is a heartfelt and forward thinking mini LP.

Yetsuby’s debut release on Seb Wilblood’s all my thoughts label is a heartfelt and forward thinking mini LP. The 6 track release effortlessly chimes into the deeper, inner emotions whilst providing a window into her abundant breadth of skills through tantalising themes of sonic alchemy.

“I want to put comfort into the music and give some message to people who blame themselves” - Yetsuby

The resulting effect is a release that feels sincere and deeply personal but has a celestial magic about it that feels both kaleidoscopic and transcendent. It effectively creates a world for the listener to inhabit, whilst inviting them to connect with the album’s themes on a personal level.

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Yeti Mind Tricks

We Ain't Like Them

13,59 €* 16,99 € -20%

7" | 2024 | EU | Original (Meakusma)

Release: 2024 / UK

Genre: Electronic & Dance

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The king is dead, long live the king, as they say - except in this case the late king is DJ Bone's legendary Subject Detroit label, which has now been shuttered after 25 years, and the newly anointed king is his new outlet Further, taken from his Amsterdam parties of the same name. It kicks off with a pair of new EPs on the same day and this is the first from Yeti Mind Tricks. 'We Ain't Like Them' is a hammering Motor City techno cut for the peak time which Bone remixes into a more stripped-back but no less edgy and potent cut. On the flip are 'Bimini Road' and 'Vandelay,' both of which bring stylish techno drenched in machine soul.

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Yes Indeed

King Of Blue

12,79 €* 15,99 € -20%

Time Is Now White Volume 13

Release: 2024 / EU – Original

Genre: Electronic & Dance

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King Of Blue by Yes Indeed sees Laurie Tompkins and Otto Wilberg take their eclectic stance on cosmic jazz and electronics to further uncharted and dreamlike territory, encompassing a unique logic of what is harmoniously absurdist.

King of Blue by Yes Indeed sees members Laurie Tompkins and Otto Willberg further dive into their melismatic take on cosmic jazz and new electronics, by way of their highly eclectic and at times nonsensically sensical modus operandi. Their work is defined by an eloquent flurry of ideas, spheres, and signifiers, creating a musical universe of surprising longevity and depth. Treating musical convention with gentle disdain, Yes Indeed take on a variety of genres and moods and switch them around into a beautifully melismatic and dreamlike state of being. King Of Blue is a mini- album of fragmented beauty and warmth. It puts the illogical center stage and gives space to abruptly miniaturist musical ideas, allowing them to take on a meaning bigger than one would expect. It is cosmic music for modern times. A brazen descent into the execution of a fundamentally diversified musical stance.

'Yes Indeed' are Laurie Tompkins & Otto Willberg. Live, they play keys, bouncy bass and sing over tactile, emotive samples. Their music is epic and also somehow wrong, with space for delicacy, straight-up joy and soaring licks. Since 2022’s ‘Rotten Luck’ - their first proper album, on Bison - YI have played across the UK and Europe. Solo, Laurie co-ran the Slip label and has put out CDs on Entr’acte, 33-33 and Hyperdelia. Otto is a roaming bassist in groups like Historically Fucked and Abstract Concrete and his LP of “wildly singular, wickedly trippy and sensual set of fusion jams” (Boomkat) was recently out on Black Truffle.

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Yemi

12" | 2022 | EU | Original (Time Is Now White)

Yellowtail Feat. Mark Murphy

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Emerging DJ and producer Yemi brings the soulful groovers to the Time Is Now white label series.

Having already received support from the likes of UKG mainstays Sammy Virji, Conducta and Smokey Bubblin' B during his relatively youthful career, Yemi is certainly an artist to watch. For justification, look no further than the vibrant, uplifting 6-track EP which combines luscious vocals and blissful piano chords to create a sound which is at once nostalgic and fiercely forward-facing.

Its two opening tracks get things off to a buoyant start, with a bouncing 4x4 rhythm and the syrup-smooth vocals of emerging artist and long-time friend, Bria Keely. Pair these with rattling bongos on "Never Let You Go" and the gleeful trumpets of "Smooth Talkin" and you have two tracks which make it impossible to keep still.

"My Heart" welcomes a change in mood with a loose two-step swing and moody vocals: a track made for the feels. But before you get too self-indulgent, the deep bass grooves of "Soul Food" bring the energy right back and "Tension"'s euphoric piano chords leave things on an ecstatic high.

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Seasons In My Mind" (Remixes)

12" | 2024 | EU | Original (Right Tempo)

25,19 €* 27,99 € -10%

Suicide Disco Volume 2 2024 Repress Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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RT PRO is the new Right Tempo line “for professional use”, addressed to a discerning audience and released on 12” Single housed in a curated packaging. This first instalment is a follow-up to the internationally acclaimed "The Congregation - Jazz Alliance International" compiled by Jazzcat. It features never previously released remixes of the slammin’ "Seasons in My Mind" track by Japanese producer Yellowtail feat. legendary jazz singer Mark Murphy. In addition to the Original, come remixes by Further Out Recordings’ head Richard E feat. saxophonist/flutist Jake Telford, by Frankson (one half of the British electronic duo Part Time Heroes), and by all-round musician and producer Emanative, who invited his longtime friend and collaborator, keyboardist Jessica Lauren, to join him for this special project.

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Years Of Denial

2LP | 2024 | EU | Original (Veyl)

30,99 €*

12" | 2022 | EU | Original (Tresor)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

Years Of Denial is back on Veyl with their second LP 'Suicide Disco Vol. 2'. The follow up to 2019’s 'Suicide Disco', the duo makes a triumphant return, elevating their distinct sound which fuses dark wave, goth, newbeat, post-punk, EBM, and techno. The LP features 12 tracks all written and produced at Ark of Noisevstudio, located miles away from the polluted noise of social turbulences, immersed in isolation, creative indulgence, and poetic writing.
From the start, 'Art Break' provides the perfect warm-up, gently cleansing the palette and re-introducing us to Barkosina’s lustful vocals with a slow-burning pace that only marks the beginning. 'Wrong' picks things up, injecting a dose of body music for an infectious piece that bleeds into 'La Pendue' which keeps the energy rising. Next up, 'Mr. Guillotine' delivers a razor sharp edge, carving out a fresh post-punk feel which then brings us to the brooding, 'Never Satisfied'.
'Lover’s Crime' marks the halfway point of the record and one of the album’s standout tracks. Undeniably seductive with an ominous feel, the pair keep this mood going with 'City Lights' and then smash things open with 'Dancing With Demons'. After the devious message sent with 'The Letter', we are submerged in the romantic melancholia of 'Death Of A Lover' and 'Regarding the Pain of Others' before closing things out with 'Social Anxiety' which features vocals by longtime collaborator Broken English Club. The result is an immersive journey through the pair’s self described, Suicide Disco sound, and further builds on the Years of Denial form and legacy.

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Yazzus

Black Metropolis

12" | 2024 | EU | Original (Minor Notes)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Yazzus follows up her appearance on the Tresor 30 compilation with a new EP named Black Metropolis. Within its, at times, rough-hewn textures lies a core that explores joy and energy within the roots of black techno. In her words: “I want this release to be black and beautiful, to be queer, and playful, a nostalgic nod to the 90s but also reimagining it in the current times.” The Ghana-born, London-bred, now Berlin-based producer’s research into afro-futurism, envisaging a path forward for science, technology and culture through the black experience, has impressed a deep vision on this EP. Yazzus sets like a cartographer, using her tracks to explore a technologically advanced world, each representing dierent regions and environments. Human Error Processor introduces an ear-worming percussion pattern nearly swamped by distorted bass drums and a vocal sample screwed just beyond recognition. Perforated leads with a 150bpm four to the floor stomp, infectious and supercharged. Gluey synth motions soak in an otherworldliness, where industrious, mechanical rhythms map out futurist structures in all directions. Metro City Bay Area exhibits a ghettotech soul, lean and bouncy - this part of the galaxy is an infinite source of fun, with the heart of groove at it’s core. Three Deities brings adventurers of its region towards higher powers, its ravey synths and an engulfing bass provoke a complete NRG release, ascending into a spiritual trance where dense melodies bubble and fizz. Digital-only track United By Fate meddles busy vocal samples with searching melodies, a fitting end to the kaleidoscopic that is Black Metropolis.

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Yatut

Vahue EP

14,24 €* 14,99 € -5%

12" | 2023 | EU | Original (Genie In A Bottle)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dance culture has always gone side by side with hip-hop. Another proof of this is the new solo project YATUT (translated as «I’m here») by the legendary beatmaker Boora, originally from Kaliningrad, and now based in Los Angeles. His Debut EP called Vahue (translated as «I’m shocked») on Minor Notes is a collection of reflections on life changes, moving to another country, and the difficulties that accompany migration at all. Musically, this release is woven from a variety of samples and breaks combined with the analog sound of the Roland JV-1080 synthesizer and MPC One. This music is at the junction of house, electro and breakbeat. And we «Vahue» how cool it turned out.

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Yate & Badmango

GIABR005

Cosmic Suite 2 - New Beginning

Release: 2023 / EU – Original

Genre: Electronic & Dance

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So A - This song, written during the Covid-19 pandemic, carries a distinct Ghetto House atmosphere and reflects my dreams of freedom. It contains elements of utopia and was created in a dawless mode, like a timeless song. It's a solo creation. "Jakivgusto" - Another solo song of mine, composed during the pandemic, also carries the spirit of the ghetto. This song reflects my contemplations about the moment and our inner strength during challenging times. In collaboration with Yate, we crafted the songs "Black Camel" and "Sun Day." "Black Camel" is a musical journey that narrates a cosmic rally, bringing excitement and energy to the listener. "Sun Day" is a musical message about a bright future before the onset of wartime events, reminding us of peace and harmony.

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Yasushi Ide

LP | 2022 | EU | Original (Grand Gallery)

24,99 €*

LP | 2023 | UK | Original (Lips & Rhythm)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Japanese street music icon, Yasushi Ide released new album featuring Don Letts, Josh Milan, Jeff Mills, DJ Krush and more.

"This is a sound track for rude, underground adults! Amazing mixture of reggae, dub, funk, jazz, rock, afro, house. Masterpiece that goes beyond genres of music created by great producer, Yasushi Ide who has relentless motivation and global network of talents." - Shuya Okino (Kyoto Jazz Massive / Kyoto Jazz Sextet)

"Great album! It is amazing to finish such a big project involved many collaborators at this high quality only in a year and 4 months. The magic of Cosmic Suite is there are variety of styles, and it makes you feel deep and spiritual at one point, but at the same time you can feel relaxed. Also, I have to say that the sound quality is great. It sounds very clear and it can only be done with top level recording and mixing professionals." - Ken Ishii

Yasushi Ide is the Japanese street icon. In the 90's he was called "the Guru of Shibuya-kei" which was the movement of Shibuya style of eclectic pop by the artists such as Cornelius, Pizzcato Five, or Original Love who is once again recognized in City Pop revival of recent years. (Yasushi Ide was a manager of Original Love, and also Kenji Ozawa)

Through his works, he has been creating the global network of musicians such as Josh Milan of the Blaze, house music icon, Don Letts, the pioneer of connecting punk rock with reggae, and Jeff Mills, Detroit techno legend, and released a great amount of hi-quality music on his label, Grand Gallery.

The Cosmic Suite project started in 2020, during the pandemic. It started as a project to reconstruct the parts of music Jeff Mills created for Chieko Kinbara, a violinist which Mills produced. However, it turned out to be 36min of spaced themed original track = Cosmic Suite. (There are few phrases of Jeff Mills music left in the final version) This masterpiece created a buzz in the music scene in Japan and overseas, and became Yasushi Ide's new beginning.

In June, 2022, Ide released "Cosmic Suite 2". Originally, Cosmic Suite was an instrumental. "Cosmic Suite" is the reconstruction of "Cosmic Suite 2" with the element of vocals. In this project, Don Letts, Josh Milan, DJ Krush are featured as guest musicians. Moreover, drums of Tony Allen, the legendary Afrobeat drummer, and Style Scott, a drummer known for his works in early days of On-u label, and Gota Yashiki, a Japanese drummer known for his works with Soul II Soul are featured in this album. Also, Japanese brightest talents such as Kan Takagi of Major Force, Kaoru Inoue aka Chari Chari, Tomoyuki Tanaka aka Fantastic Plastic Machine and Calm are featured as artists and engineers. This is the true dream team of the Japanese underground music scene.

The artwork is done by Josue Thomas, the founder of popular fashion brand, Gallery Dept. He is also featured as poetry reading artist in track 1 of "Cosmic Suite 2." Ide and him collaborates in various projects under the concept of "Universal Music Connection."

Yasushi Ide's also well received as a dub artist. (beside his wide range of musical styles) His dub cover of Bill Withers' "Ain't No Sunshine (Space Dub Mix)" is selected for "Late Night Tales mixed by Don Letts" in 2021.

Highlight of "Cosmic 2" is the unique dub sound in tracks such as "Lava" feat. UA, the Japanese singer often described as "Japanese Bjork", and "Sumimasen Suite" feat. Rebel Dread (= Don Letts).

Tokyo is the melting pot of street music from all around the World such as Dub, Jazz, House, Hip Hop, Afrobeat, Punk rock, Techno,,, You can see the influence of all spectrums of rebel music in this album. This unique avant-garde music can only be created by Yasushi Ide, who has been heavily involved in this truly unique music scene for a long time.

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Yasin Hazim

In Current

18,99 €*

LP | 2023 | JP | Original (Zouenkeikaku)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A delightfully dislocated & melody rich affair from newcomer Yasin Hazim. Reminds us of lo-slung Detroit house in places, with a side order of spacious and immersive downtempo jams. Props for the pared down production on this one, giving the cuts room to breathe. A bit of a hidden gem we think !

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Yaryu

Bongaku

53,99 €*

12" | 2023 | EU | Original (Hypnohouse)

Release: 2023 / JP – Original

Genre: Electronic & Dance

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An autoharp tone reminiscent of Laraaji and the elegance of Kuniyama Yamamoto. Psychedelic direct spirituality meets Asian physicality. The first album "Bongaku" by Noryu, a group of amorphous musicians, is now available on vinyl.

A fluid community for people to meet, weave sounds, and converse, formed in 2022 and currently led by Hyozo on keyboards/harp, Hajime Orikawa on Indian flute/harp, Shota Mizuno on bass, Kousuke Sasaki on koto/guitar, and Soma on piano/percussion/photography/engineering. As a session community, the group performs mainly in Tokyo and Chiba. Its activities include improvisation workshops with people who have no experience with instruments, session events, live performances at galleries, and the creation of ambient-based music.

In June 2023, he released a cassette tape of his first album "Bonraku" from Zoukei Project, an independent label organized by Obika, a rock band that continues to work with a force-world sensibility, which was instantly sold out.

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Yaroslav M

Memories Of The Future

8,39 €* 13,99 € -40%

12" | 2022 | EU | Original (Same Mind)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Almost one year after the previous release, Hypnohouse is back with a new record! This time around, the EP is produced by none other than the label’s co-founder Yaroslav M and a rising star of the underground electronic music scene victor.b on remix duties.

Even though it was produced during tragic times, this EP is a reminder that light always wins over darkness!

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Yaroslav Kinsky

Alt EP

12" | 2022 | EU | Original (Zeena)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The story of Same Mind begins with the first release by Yaroslav Kinsky, who brings us an atmospheric audio journey formed by 3 original tracks and a remix by Pablo Bolivar. In recent years, Yaroslav has been exploring synthesizers and other electronic music hardware, focusing more on recording than releasing. Now it's time to bring ideas to life. The A-side starts with the title track 'alt' which stands for 'After Long Time'. The mysterious synth sounds over a groovy bassline make the listener sail above the clouds and get a bird's eye view of the beauty of nature. 'Enduro' continues the storyline with a dreamy atmosphere, warm synths and enigmatic vocals. The B-side starts with trippy 'Moons' and definitely sounds and feels more dancefloor-oriented and while listening you could easily find yourself dancing in the middle of your room. The release ends with a dubby remix of 'Moons' by one half of Pulshar duo, Seven Villas founder and AvantRoots co-founder Pablo Bolivar, which goes in a more hypnotic but equally mysterious direction. Do you also believe that quality is above trends? Then we are of the Same Mind.

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Yaron Amor

Zeena

LP | 1992 | JP | Reissue (P-Vine)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Well known as the Deep’a half of Deep’a & Biri, and a huge influential source of energy and innovation in Tel Aviv’s house and techno community, Yaron Amor goes solo for the very first time with an incredibly personal project. Introducing Zeena… “The decision about the solo project was made during a visit to Morocco, in the main city square of Marrakesh I came across an improvised jam of 20 drummers from all over the country, the crazy rhythms they played together spontaneously amazed me and made me realize that the perfect beat I've been looking for, for so many years, was under my nose. In Arabic and Moroccan music that was constantly played in the house where I grew up…” Home is where the soul is… Zeena translates to beauty in Moroccan and this label exists wholly to celebrate and push cutting edge Arab electronic music. It starts here with Yaron’s first solo EP. The result of an inspired creative series of recordings with drummers and musicians from Israel, Algiers, Morocco, and Berlin, across three tracks we’re taken on a beautiful excursion of emotions, tension and introspective places. “I tried to merge together influences from the world of techno which I have been active in for almost 20 years along with the rhythms of Arabic music while paying respect to each of the genres.” From the tension and powerful emotion of ‘The Pain Body’ (a mesmerising kick-less tableaux that would work perfectly for an intro or mid-set game-changer) to the powerful synth-laced Detroitian drive and thump of title track ‘Zeena’ via the wild rolling toms of ‘Omipresence’, this is Yaron Amor as we’ve never heard him before… Raw, honest, direct and totally at home. The middle east has played a huge role in so many inspirations, influences and sample sources since the very start of electronic music. Now its time to bring that to the fore and celebrate it on a whole new level. Zeena is that level. Stay tuned…

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Yapoos

Dadada Ism

12" | 2021 | EU | Original (P-Vine)

Release: 1992 / JP – Reissue

Genre: Rock & Indie, Electronic & Dance

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Dadada ism, as with all of Jun Togawa’s projects, is another bestseller in the P-Vine catalogue and was the followup to Dial Y wo Mawase! released in 1992. On Dadada ism, the band began to experiment more with electronic production, and the underlying industrial spirit behind tracks on here could have seamlessly found their way into cyberpunk film soundtracks at the time. As an artist Jun Togawa, to this day is comparable to no one, but we can only hope that in time some may draw comparisons between her work ethic to push the limits of pop, and western artists such as Bjork and Kate Bush.

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Yapoos

Cd-Y

28,99 €*

12" | 2021 | EU | Original (SK_Eleven)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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A record made when Yapoos supposedly weren't making music, this latter career EP first materialised on their Tokyo and Osaka 1999 tour, and is a must have for any Yapoos enthusiast. Fresh from the aftertaste of drum&bass records reaching Japanese shores in the late 90s, this collection of tracks veers even further in the direction of electronic than those that came before it doing away with guitars and acoustic drums altogether. The unmistakable vocal arrangements of Jun Togawa however assure the listener that these were never core elements, and as the case with all Yapoos records the beating heart follows on the heels of Togawa and the rallying cries from the underlying industrial production.

This EP would also see Togawa's developing interest in spoken word with the floating poetry of second track "Hamushi" and the final track "(something else)" - a tribute to Togawa's love of radio drama series and in particular the one-person-three-roles performances that grant its narrator the chance to roam free from the constraints of a single body.

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Yant

Contravention EP

Avant La Chute Limited Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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One per customer only!

"Contravention" is the second EP from Yant on Setaoc Mass's SK_eleven imprint. Yant, The Mancunian wonderkid makes the style of techno which is pushing boundaries with each release. This particular EP features four fast paced tracks with distinct personality. Contrasting solid drums, spiralling synths and psychoacoustic elements that makes Yant's sound so distinct and recognizable.

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Yann Tiersen

12" | 2022 | EU | Original (Ici D'Ailleurs)

12" | 2024 | UK | Original (Glbdom)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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1997, the label Ici d'ailleurs was taking off and preparing to publish Yann Tiersen's " The Lighthouse", the third album which was going to be the one of his general recognition. In order to promote him, we decided to release a small off-the-shelf compilation intended for people working in the music industry, with tracks from the three albums and two tracks not included on any of his albums, one, "avant qu'ils arrivent", from the Ici d'ailleurs compilation, and the other, "la vie rêvée", created for the soundtrack of "La vie rêvée des anges." With the catalogue number IDA 000, "Avant la chute" had remained in the hands of a limited number of people. To celebrate the 25th anniversary of the label, we wanted to show with this brief compilation the extent of Yann Tiersen's talent, which today with the album " Kerber" still demonstrates his insatiable creativity, which is constantly evolving. The perfect moment it seems to us to release it in vinyl and in digital and to make it available to the numerous fans of Yann Tiersen. This limited edition 6-Track EP is available on transparent blue vinyl 12"!

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Yann Polewka

The Light EP

LP | 2022 | EU | Original (Editions Gravats)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Yann Polewka is the man in charge of the Glbdom label's fifth outing and a fine one it is too. He brings plenty of timeless house vibes to the opener 'Keep On' with its Kerri Chandler style bumping kicks and feel-good piano chords next to subtle vocal chops packed with soul. 'Oblivion' is another upbeat, uplifting house cut with a classic underbelly and rich chords to get those hands in the air. 'The Light' once again layers up well-crafted chords, irresistible drum funk and nice analogue percussion. Last of all, Jesse Bru's Sea Of Change remix of the same tune brings a more deep and late night feel to close out a top EP.

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Yann Dub & Explore Toi

Nation De La Boue

23,99 €*

12" | 2021 | EU | Original (Emotsiya)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Brittany’s fabled Frenchtek rave scene is subject to a long overdue retrospective, spanning 10 frazzled hardcore techno oddities produced by key players Yann Dub & Explore Toi plus pals, made in the ‘90s and into the ’00s - Massive Riyl La Peste, Nomex, Praxis! The sound of choice for spangled refuseniks in north western France; Frenchcore is the hardcore techno subgenus notorious for soundtracking 100,000+ crowds at Teknivals - Europe’s answer to the UK’s free parties - as well as scuzzier, smaller raves in the region since the ‘90s. ‘Nation De La Boue’, or ‘Nation of Mud’, is among the first excavations for this pivotal era of contemporary French counterculture. Focussed on the work of two wayward players in the late, great Yann Dub and spar Explore Toi, their uncompromisingly weird and psychoactive rave music is held up as emblematic of French traditions of protestation and celebratory expression, and resonates heavily with Editions Gravats’ remit to highlight vital undercurrents of French music to the wider world. Yann de Kéroullas, pseudonymously known as Yann Dub, was a french sound engineer, founder of Reverse-Primecut mastering studio, and leading proponent of frenchtek’s weirdest sounds. He passed away in 2013, but not before driving myriad minds to delirium with his experimental strains of speedcore for long over a decade via his Reverse Records label. Yann’s work accounts for about half of ‘Nation De La Boue’ - a worthy posthumous testament to his wayward style, characterised by its raw concrète-mechanical textures and the kind of pelting kick drums that drive K’d out ravers to trample puddles in the mud. His wickedly unyielding ‘Untitled’ is a case in point, while ‘Bruit Blanc’ shares a more psychoactive sound design with his peer, La Peste, and the radioactive abstraction ‘Brest sa plage son port industrial et sa base atomique’ channels the region’s mix of rugged beauty and industry into pure noise grot. But if you want the full frontal experience, we’d advise downing a bucket of cheap red wine and rail a line of K the size of your middle finger before submitting to the 10 minutes of his ‘Untitled (Bonus)’ for optimal frenchtek effect. Explore Toi accounts for the other half of madness here. The wind-tunnel triplet coefficients of his ‘Kilos d’Huitres SVP Madame’ jam with Yann speaks to their shared, unhinged sidespin on hardcore techno, while the welting pulses of ‘Flamings Terminal’ gives a more personalised take on frenchtek standards, and the blasted 909 of his ‘Urban Groove’ follows a more psychedelic hunch to tonal paintings such as ‘Face Ambiance (Outro)’ and the monotonic structure of ‘Motherf#cker’s And Fatherf#cker’s (Bonus)’ that hail his background as a visual artist. ’Nation De La Boue’ renders a definitive cross-section of France’s alternative rave scene, one effectively light years away from more popularised strains of French touch filter house and electro-rock that paralleled the years covered inside. It’s an intriguing snapshot of a largely undocumented scene and a vitally unhinged - and largely forgotten - cog in the rave continuum.

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Yaniel

Walk The Walk

LP | 2024 | JP | Original (P-Vine)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Just what do you do with talent from the coldest corners of the world? Perhaps it’s not entirely surprising that such warmth resonates in Yaniel’s musical outlet, given his connection to Funk runs deep. Transcending genre limitations, he belies any classifications with a significant piece of equipment, the electric guitar. Yaniel successfully blends streetwise entertainment with a lasting message: A man’s gotta do what a man’s gotta do to save his soul and come out of this madness alive. Just real musicians, real moments, and real feelings. He controls the steering wheel and smiles with confidence on the way to his destination.

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Yanaco

Leaving / Arriving

34,99 €*

LP | 2023 | JP | Original (P-Vine)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Following his debut EP tttwoface from the Belgian label Urban Waves in 2022 and 1st full album from P-vine in 2023, Tokyo based electronic musician Yanaco has released his 2nd full album! He has defined their sound, focusing their wide range of influences into what is no doubt one of the finest ambient albums to come out of Japan in recent years.

Samples, programmed electronics, and synth pads are layered with care and precision to create an ineffable serenity that calls to mind the works of both Hiroshi Yoshimura and Aphex Twin, while still being distinctly Yanaco. The album vividly expresses the theme of life from 'Leaving' to 'Arriving' through expressive songs, and is a complete album in itself, not to mention the quality of each song.

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Yanaco

Colors

34,99 €*

LP | 2019 | EU | Original (Wah Wah)

Release: 2023 / JP – Original

Genre: Electronic & Dance

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Following his debut EP tttwoface from the Belgian label Urban Waves last year, Tokyo based electronic musician Yanaco has defined their sound, focusing their wide range of influences into what is no doubt one of the finest ambient albums to come out of Japan in recent years.

Samples, programmed electronics, and synth pads are layered with care and precision to create an ineffable serenity that calls to mind the works of both Hiroshi Yoshimura and Aphex Twin, while still being distinctly Yanaco. Look no further than opening track “Colors”, with its lush production and downtempo beats, to see what Yanaco does best. The beats and relaxed vibe are reminiscent of the best electronic music to come out of the 90’s, during the golden age of ambient house.

Yet the opportunity provided by a full length album sees Yanaco stretch out into other forms of ambient music, such as on “Kidou (Orbit)”, which takes inspiration from new age music with its use of harp and strings; or “Dawn”, in which a clarinet and saxophone play lines that could have been taken from an R&B track over a chorus of gently looping electronics and warm synth pads. You can even hear traces of the ever-popular “Lo-Fi Hip-Hop beats” in the slinky guitar tone of “When”. Despite the broad range of influences, these 12 tracks flow seamlessly into each other, achieving a level of cohesion that few musical projects ever reach. All you need to do is put down your needle, close your eyes, and you’ll find yourself in ambient analog bliss.

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Yan Tregger

To The Land Of No Return

18,69 €* 21,99 € -15%

12" | 2019 | EU | Original (Arts)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Best known to funk / groove collectors for his 70's library efforts (Freezing Point, The Pop World Of Yann Tregger, Schifters, Catchy, Ducks & Drakes) on such cult labels as L'Illustration Musicale, MTS or Montparnasse 2000 or his late funky disco output via projects like Major Symphony or M.B.T. Soul; french trumpet player / composer /arranger Yann Tregger also devoted time and efforts to delve into electronic sound abstraction when needed. Based around the possibilities of the legendary ARP 2600 synthesizer, To The Land Of No Return was an outrageous and nightmarish collection of sound vignettes that pushed the instrument's capabilities to the limit. Thrilling, uneasy, surreal, spellbinding or just plain spaced out - an album "whose theme is the departure of a psychedelic train on a trip with no return to a lost world, leading its only passenger to unreal adventures" according to composer's words. An essential slice of musical lunacy coming from the most experimental fringes of the french library world!

First time ever reissued on vinyl, remastered from the original tapes in a gimmick cover and a limited edition of only 500 copies!

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Yan Cook

Hammerhead

LP | 2022 | EU | Original (Umor-Rex)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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2022 repress

Yan Cook join the Core of the label with a release that confirms one more time his amazing technical skills, Hammerhead is a non-stop heavy punding release that relocates Yan experience on high levels, for a sure-shot result on any rave dancefloor.

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Yamila

Visions

25,99 €*

12" | 2023 | UK | Original (Will & Ink)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Yamila reveals her most intimate catharsis in Visions, an album that brings together and provokes the hallucinatory powers of music. Like an ancient herald, she announces the profound feminine mystique while crossing epic melodies full of pleasure and pain. This album is a journey that prodigiously unites baroque accents, Spanish folklore – such as flamenco – and contemporary electronic music. Her voice and music – sometimes torn and others buoyant – could resemble the score for a biblical passage (ie. visions of the Apocalypse), for they are overflowing with physical ecstasy and sounds that one can touch. Visions is composed of different forms and rhythms. Pieces like "Visions V" evolve intensely with sharp and systematized hits –– powerful layers that bring us closer to Alessando Cortini's Forse era. "Visions II", for its part, shares intensity and power with flamenco ritual patterns, as if it were an old Andalusian scene dripping with oscillations and electric shocks. Yet there are luminous vocal pieces such as "Visions I" (featuring Rafael Anton Irisarri), inspired by Manuel de Falla's Suite Española composed in 1922. Here, an aural chiaroscuro with beautiful voices and choirs is deeply fused with daring drones. And it is in the ensemble of moments of Visions where Yamila's conceptual axis is rendered solid. Pain and glory, lacerating religiosity, feminism cauterized by power, and hallucinations as a source (or pretext/tool) to be heard. Yamila exhibits a profuse aesthetic with her music that calls for a look at the far-past with romanticism and nostalgia. Visions is radiant, intense. A unique album. All songs written and performed by Yamila Ríos (Spain), except “Visions I”, which features Rafael Anton Irisarri. Recorded between the Swedish winter and the Belgian countryside. Additional musicians: Simbad guitar on V-iv and V-I, Vera Cavallin harp on VIV. Mastered by Rafael Anton Irisarri at Black Knoll Studio. NY. Photos by Virginia Rota in Madrid. Design by Daniel Castrejón in Mexico City.

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Yaleesa Hall

Cullen EP

12" | 2024 | EU | Original (Under The Radar)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A quick five-year jump from 2018 takes us to the long-awaited comeback of the Will & Ink imprint. The Amsterdam collective was inaugurated exactly 10 years ago and has since gained fame for its exciting catalogue of forward-thinking, wonky techno experiments. One of their mainstays for years, Yaleesa Hall, now presents (drops) a fresh batch of absolute dance floor madness with the Cullen EP. The EP features four experiments in highly energetic stepping electro, broken techno, and rumbling subs. It marks an exciting return and serves as a promising taste of what's to come.

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Yagya

Coconut Rice

EP 1+2 Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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From the old demo music vaults of Yagya, we found this amazing dub techno track dating back 15 years to the summer of 2008! Directly at the first listen we knew that this had to be fully released, Yagya was quick to agree, and also delivered 2 remixes himself and added another one from Octal Industries which resulted in a dub techno jam made in heaven!

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Yaeji

LP | 2022 | UK | Original (Yaeji)

Y2C, Curses & Younger Than Me

Release: 2022 / UK – Original

Genre: Electronic & Dance, Pop

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A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding herpath as a cross-disciplinary artist and collaborator.Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online.

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Still There

12" | 2022 | EU | Original (Live At Robert Johnson)

12" | 2022 | EU | Original (Time Is Now)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Are you still here? Or are you still there? Berlin-based/Italian warehouse-rave warrior, Younger Than Me, and Italo-American romantic goth-wave prince, Curses are There. They're there where it's at! It was the bond of bold friendship that brought these guys together - and of course a shared history of subgenre juxtaposition and meshing. Both grew up on Punk, Rap, and of course the early days of Techno. »Still There« is their first EP together and thus of course their first for Live At Robert Johnson. It's a venture into the euphoric, psychedelic power of early Trance and Breaks mixed with the attitude and energy of EBM and Electro. Starting with the moody slow beats of the title tune »Still There«, Y2C takes you on a journey to a faraway chill-out room in some dark yet warm and cozy cellar. Or is this place to be found in synth heaven? It could well be if you listen to those dreamy melodies. Melodies as beguiling as the song of the Sirens that seduced good old Ulysses. Y2C pick up on that dreamy vibe but throw in that slight and subtle Trance-factor, taking up speed with »Romantic Squat«, dragging you into their very own romantic squat. Next up is »Love Your Enemy« - oh yes, shouldn't we all? Icey claps with lots of reverb and a bass line draw you onto the dry ice flooded aluminum floor and there's no way back - especially when that strange break with that crazy sound makes you stop for a second and think, why did I stop dancing? Get back on the floor y'all! The last track »Lullapaluza« is indeed some kind of a lollapalooza ride, a very special ride. And no, it does not lull you to sleep because the beat created by Y2C here is a demanding one, a special which gets you going all over its eight and a half minutes. It's sheer bliss, you gotta believe it. This is not a one-off novelty EP, it's a kinetic collaboration. Y2C is a force of nature, a force of Rave/wave energy, with many more to come, a force to reckon with.

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Y U QT

Sweet Fantasy

12" | 2000 | EU | Reissue (Dance On The Beat)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Y U QT are back on Time Is Now, and with them they're bringing the sun. "Sweet Fantasy" EP sees the Leicester duo return to what they do best: capturing UKG at its least po-faced, and most energetic.

And who better to help kick off proceedings than the one of the most recognisable voices in today's UKG revival? Ell Murphy's smooth-as-syrup vocals add another level of dynamism to the already-buoyant 4x4 garage banger "Fantasy", coming complete with a hook just as irresistible as the ones which shot their previous releases to success. "Buss Down" picks up the energy with propulsive kickdrums and old school MC vocal chops before "Leaving All Your Cares Behind" follows suit, adding a feel-good vocal melody for an extra serotonin hit. It's up to the more light-footed "Just Be Friends" to leave a sweet taste in our mouths. Euphoric Korg organ stabs give a sense of nostalgia whilst a meandering bassline lends it plenty of swing.

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Y.O.M.C.

Oasis / Wiedergeburt

LP | 2022 | EU | Original (Pingipung)

Release: 2000 / EU – Reissue

Genre: Electronic & Dance, Pop

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Y Bülbül / Yumurta

Not One, Not Two

27,99 €*

Y-Bayani & Baby Naa & The Band Of Enlightenment, Reason & Love

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Y Bülbül is back on the controls accompanied by Yumurta, a percussionist from Istanbul. Pingipung introduced the London based artist in 2020 with his psychedelic, synth-laden debut “Fever”.

“Not One, Not Two” is based on a one-way transmission of improvised drum recordings from an industrial estate in Maslak, Istanbul to another one in Tottenham, London, where Y Bülbül laid down fragmented layers of bass, synths, guitars and field recordings over Yumurta’s singular drum takes. The result is a free-form deep listening album for fans of dub, ambient and kosmische music, where the groove and harmonies are mystically interwoven, yet somehow manage to stay on the brink of collapse. Although the sessions were non concurrent and scattered over two continents, the collaboration evokes scenes of a telepathic communion where individual perspectives, circumstances and stories are exchanged between the two.

Resembling Moondog, Holy Tongue or Luis Paniagua in the sense that they favor the raw over the polished, holistic presence over conceptual perfection and questions over answers, the duo’s focus on bare sounds and repetition guides the listener throughout the album. The ride cymbal opening the minimalistic “I’m This”, for instance, briskly disarms the listener who might have been looking for more traditional songwriting or production clues. There are plenty of immediately rewarding moments too in “Not One, Not Two,” like the organic acid bassline in “Maurin Quina”, the euphoric drum fills of “Big K” and the intoxicating groove of the hypnotic vibe-setter “Jah Oto”.

Bülbül is Turkish for a singing bird while Yumurta simply means egg. Which one is first? Who is to follow? It’s this enigmatic entanglement between the two artists which creates the lurking tension, emphasized by the Zen Kōan-like title. The beauty in this album is a peculiar one, and it certainly is a rabbit hole too. Dissonance is fluid as everything moves, and whenever two sounds collide, a third one emerges.

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Asembi Ara Amba

7" | 2019 | EU | Original (Philophon)

LP | 2024 | Original (Energy Exchange)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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With his third single release, Y-Bayani (pronounced like Why-Bayani) shows clearly that he is the most intriguing roots-reggae sensation coming out of Ghana. He is backed again by the lushly grooving Band of Enlightenment, Reason and Love.
Asembi Ara Amba, sung in Fanti language, is an old Fanti story about having bad luck if you see a vulture up in the sky. As Y-Bayani sees one suddenly and for no reason he gets in trouble with the police. Being hold back in the police station he finally takes his chance to escape into freedom while the police men taking a nap.
On We Are The Band of Enlightenment, Reason And Love the group presents their personal anthem. The song is a cinematic journey starting with a mighty horn theme, followed up by a mantric chant and enters finally into a wall of sound in double time. It's a small symphony for sure.

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Xpress Point

Been Remindin' Me

24,99 €*

Tape | 2023 | UK | Original (Evar)

Release: 2024 / Original

Genre: Electronic & Dance

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After a string of ambient and experimental releases across labels such as Bedroom Suck, Best Effort, Ken Oath and Analogue Attic, Matthew Hayes - veteran bassist of Z*F*E*X, welcomes his latest project Xpress Point, designed to keep your hips moving rather than kicked back on your couch. Born out of jam sessions and collaborations with artists such as Dreamcastmoe, Jitwam, Ziggy Zeitgeist, Finn Rees and Allysha Joy and an obsession with reclaiming the nostalgic sound sounds of the Korg M1 and Yamaha DX7, Xpress Point, which takes Its name from a local surf break off the coast of Phillip Island, draws heavily from the boogie tradition with a nod to vapourware, downtempo, balearic and funk breaks.
Assembled in 2023 across Melbourne/Naarm, London and Berlin, from surf breaks to crusty drum breaks, Xpress Point is a vehicle for Hayes to search for the perfect bass line, explore funk minimalism, continue nurturing longtime musical relationships with close friends and offer his own take on music to make you move.

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Xl Order

International Waters

I Can't Believe It / Get It Together

Release: 2023 / UK – Original

Genre: Electronic & Dance

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On their debut album International Waters [evar Records], French duo XL Order dive into an aquatic underworld of futuristic trance, brutal bass and tingling techno, exploring the paradoxes between dystopia and utopia. Feelings of melancholia and nostalgia ripple throughout, alongside dark and moody textures, reflecting their ability to conjure sinister soundscapes and hazy melodies.
Due to drop onNovember 10th, the album ebbs and flows between futuristic trance, brutal bass and tingling techno that pens a story of a new world, resulting in a paradox between dystopia and utopia. Feelings of melancholia and nostalgia ripple throughout the album alongside dark and moody textures, reflecting their ability to conjure sinister soundscapes in tandem with hazy melodies.
Drawing influence from the metaphysical painter Jean-Pierre Ugarte and the sci-fi film Blade Runner, as well as the aesthetic of Cyberpunk, XL Order produce sonic elements aligned with each multimedia source. Fusing themes of unity between the ecosystem and mankind, International Waters tells a tale of biodiversity and the perpetual renewal of nature, with or without humanity.
Chilling, cinematic and captivating, the album begins in a mirage of ambient tones, evolving into a trance and techno-flecked collection culminating in ten tracks. With a combination of chuggy rhythms, eerie sound FX and resounding kickdrums, an impression of a new world order gurgles beneath the surface while a shimmering utopia remains just beyond reach.
"Realm" opens the album on an angelic note with spine-tingling chords potent enough to make your eyes water before a flash of AI-like noise ends the track abruptly, catching us off guard. "Ode" follows suit with sombre pads and choppy breaks while a bewitching melody swirls in the atmosphere — a myriad of heart-melting frequencies.
On "Ava", XL Order collaborate with Paris-based vocalist Dovae, whose mechanized vocals simmer between rapid-fire hi-hats and breaksy-percussion. Layered between a succession of claps and alarm-like noise, Dovae's lyrics hypnotize and haunt."Hybride" is a storm of staccato synth notes and metallic percussion, working in symbiosis to create an enticing patchwork of grooves, pulling us towards cyberland. It's a contrast to "Cleanse," which is a thunking trip of cow-bell noises and a doom-inducing bassline, whipping up a frenzy that's apt for peak-time raving.
The hint is in the name on "Clubbing Planet." A robotic vocal echoes in the soundscape as a wonky bassline punctuates the mood. Deconstructed breakbeats add a foreboding feel, alluding to the presence of AI. "Industrial Dance" switches pace to a frantic level as mutant kickdrums pulverize the vibe alongside a corrosive melody. Not for the faint of heart.
"Reef Breaks" takes us underwater with a beautiful trance-flavoured melody, coming up for air with a succession of siren-like notes. Pure, unadulterated euphoria bubbles on "Seamulation," evoking pleasure-filled chaos. It's a contemporary tune down to the last beat, with a confetti-cannon synthline and Eurodance melody.
Closing out on the album with "Digillusion", XL Order focus on natural themes, including the sky, clouds and thunder. They run their own vocals through a vocoder, amplifying the hands-in-the-air vibe that dominates. The idea of the final track is to reflect three emotions that they feel resonate with the vision of XL Order: happiness, melancholy and renewal. It couldn't be more accurate.
XL Order display their idea of the future on International Waters — one that is equally intriguing and terrifying. Merging sci-fi-inspired breaks, AI-shaped techno and classic trance with a nu-skool twist, the pair know their sound and deliver it with panache.

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Xl Middleton / Moniquea

7" | 2022 | US | Original (Mofunk)

13,49 €* 17,99 € -25%

Xl Middleton & Delmar Xavier VII

Release: 2022 / US – Original

Genre: Electronic & Dance

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The boss and first lady of MoFunk Records take it back to their street funk roots with this split 7” & double single release. XL Middleton’s “I Can’t Believe It” & Moniquea’s “Get It Together” are two variations on one vibe - that uptempo, synth heavy modern boogie sound that feels right at home whether you’re cruising the boulevard with it or getting down to it on the dance floor. XL’s “I Can’t Believe It” may come across like a dedication to a shady lady but is really a larger meditation on the world we live in, while Moniquea’s “Get It Together” is an exhortation not to pass good love by. Vinyl pressing limited to 300 copies.

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On Repeat

LP | 2022 | EU | Original (Mofunk)

28,99 €*

12" | 2021 | EU | Original (Comic Sans)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moniquea’s latest, On Repeat, takes its name for a reason. The modern funk songstress has put in work internationally, lending her signature vocal style to releases from Michele Manzo, Amadeo 85, Ivan Makvel, Sair, Throwbakk, & others. Now, MoFunk Records has bundled some of the highlights from these collaborations into a compilation album, along with previously unheard songs and remixes by Mofak, Ghost, & XL Middleton. From the street-savvy electro funk of the Amadeo 85-produced “Galaxy Dance'' to the moody downtempo shuffle of “Movin On” (prod. by Michele Manzo), Moniquea’s ability to glide over any soundscape becomes clear - whether you’re talking about a rough-edged modern boogie slap or an intergalactic invitation to meditate and relax. Mofak’s track for “Hate To See It” channels the frenetic energy of the former, while Ghost’s remix for “A Certain Way” takes cues from UK street soul and maintains a chill vibe with the tickbox sounds of 808 percussion and icy DX7 chords. XL Middleton’s remix for “Who Is That Girl” unexpectedly harkens to days of early garage house, nodding less at palm trees and gold daytons and more towards sweat-drenched nightclubs of a bygone era, their images likely obscured through VHS distortion.

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Xl.Iks

Eobseubnida EP

11,69 €* 12,99 € -10%

12" | 2022 | EU | Original (Lobster Theremin)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The virgin idealist bedroom producer is buried, now make way for the 4.0 romantic sound designer! After some appearances on various artists, xl.iks unearths his long-time working debut EP and is ready to win the he@rts all around the world with a stunning piece of corrosive-but-sentimental IDM. Entitled "eoseubnida", this record is the result of all the contradictory passions the Grenoble based producer is crossed by. His bad boy tastes for dark, harsh and noisy stuff coexist in harmony with his emo soul interested in flowers, love and birds. In 5 tracks xl.iks expresses this inner duality : tortured beats are enlightened by mellow synths, outdated video games references are bundled up in HD sound design and the whole piece describes the thin line between reality and virtual world. xl.iks definitely belongs to our hypermodern era except the fact that, facing our uncertain future, he prefers to unsheathe the final fantasy sword of poetry rather than the cyberpunk cynism.

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Xiorro

Enter The Zone

12" | 2022 | EU | Original (1ø Pills Mate)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following an outing on DJ Mag nominated breakthrough label of the year 10 Pills Mate in October, Atlanta-based and NYC-born producer Xiorro readies his Lobster Theremin debut with four cuts of heavy yet varied techno, heavily influenced by the sounds you might hear at Alkhemy - a collective co-founded by the artist, whose genesis is dedicated to spreading diversity within techno and making space for marginalised, people of colour and women to play - their The Black Hole parties helping to re-shape the NYC soundscape. 'A Quien No Le Gusta Duro?' - 'Who Doesn't Like It Hard?' - attempts to answer its own question across six minutes of ravey hardcore and industrial techno before diverting to a more soulful vibe on 'Get Down To This'; it's choppy vocal samples and groove giving off the energy of an NYC ballroom. 'Shock To The System' is trance-techno without the cheese; ethereal malfunctions and transcendental atmospherics create something that feels spiritual in its release, while 'Say It With Your Chest' closes with a deafening cry of protest on an uncompromising and inspired cut of concrete.

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Xiorro

Chromatic Meteor Shower

LP | 2021 | EU | Original (Traumgarten)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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ATL via NYC producer Xiorro follows up his killer release on Brooklyn based label Sorry Records with four slabs of ravey industrial concrete on 1O Pills Mate. Co-founding Alkhemy - a collective whose genesis is dedicated to spreading diversity within techno and making space for marginalised, people of colour and women to play - their The Black Hole parties have helped to re-shape the NYC soundscape.

Xiorro's moniker is a reference to his Puerto Rican heritage and to African revolutionary Marcus Xiorro. Touted as one to watch by DJ Mag and Magnetic Mag, he has played Tresor;s New Faces and Berlin party Staub, co-hosting nights with Discwoman and Arts on both sides of the atlantic. 'Zemi Of A Riot' begins with a surprisingly familiar sample before diving straight into a bass-driven, unrelenting groove. An instant curve-ball designed to delight and startle, it's an off-road space jam hurtling through a multi-verse of dark clubs and asteroid fields. 'Pa' Que Brinquen' turns the space rocks to goo with its frantic, melting analog patterns and hardcore aeshetic, striking a perfect balance between otherworldly and organic.

'Tooth and Nail' is an evocative cut of heads-down energy; a total surrender to the mundane that exists outside the walls of right now, hypnotic, groove-focused techno that's as bassy as it is heavy. Belgium based French producer Julian Muller caps the release off with a punchy remix of 'Pa' Que Brinquen', pushing the tempo slightly higher with a piece of trance-licked techno.

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Xingu Hill

Strange Echoes 95 - 99

12" | 2022 | EU | Original (MIHN)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Strange Echoes 95 - 99 is music that woke up yesterday bearing a message for tomorrow. Excavated from the late-90s and largely rematerialising for the first time on vinyl, the album carries a selection of sonic diamonds by bona fide sound experimenter Xingu Hill (John Sellekaers). The fully remastered tracks pull the curtain back two decades to offer a snapshot of a prolific five-year period in Sellekaers' expansive soundverse, which runs the gamut from brain-bending, emotive ambient outings to driving, acerbic industrial experiments. Timeless music for keeps in the age of disposables; a reference to early rave and trip-hop aesthetics that could just as very well be one music clairvoyant's nostalgia-inspired preview of things to come.

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Xiaolin

Tower Moment EP

LP | 2023 | UK | Original (Principe)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A wise character once reminded her to tread the heavy ground with light feet. After a whirlwind two years since moving back to Hong Kong and starting from scratch, Xiaolin has re-emerged from the depths of her studio stronger than ever with a second EP - her first vinyl release to date.

Inspired by the Tower card from the Tarot, Tower Moment EP is a cosmic journey through four stages of healing: darkness, acceptance, transformation and freedom.

The record begins with “Dark Night” (of the Soul), followed by the gentle comfort of “Safe With Me”, a nostalgic electro ballad. On Side B: a chuggy tune layered with textures and samples, “Lemuria”, transports listeners to a surreal land of self-discovery, while Blue Hour completes the experience with his anthemic “Elevator” remix.

With her signature mix of 909 kicks and 808 breaks blended with acid bass lines, subtle percussion and ethereal melodies, Xiaolin’s organic approach to techno and electro showcases her colourful palette and sensitivity as a musician, along with a love for jazz and warm synth sounds from the early 90’s era.

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Xexa

Vibrações De Prata

12" | 2024 | UK | Original (Pariter)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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This is a presentation of Xexa's different sensibilities as a composer, musician and sound designer, mapping what are in effect her initial explorations with voice, rhythms, synths, ambience, ever searching for an organic final result. As a student at the Guildhall School of Music and Drama (London) between 2019 and a still fresh 2023, she presented in her third year a portfolio that included what we can now listen as "Clarinet Mood", the final track on "Vibrações De Prata". Her intention was to «study the feeling of listening to music as an environment one inhabits and not as a sound that follows you throughout the day. Walk into, instead of listening to, an ambience». With no previous clarinet training, Xexa explores its palpable sound as a physical doorway to this realm.

Four other tracks ("Assim", "Nha Dêdê", "Fragmented Breath" and "Prendes Nh'Alma") formed part of what she named the 2021 Sound Calendar. Out of a (natural) total of 12 compositions, these four connect with other intimate moments to tell a broader story, one of fragility, «like a flower about to bloom, we can detect first glimpses of colour and form but can't yet divine its final form».

This sort of imaginative sonic micro-management can also be found on "Libelula", where the synth attempts to recreate the beating of a dragonfly's wings. Minute details are a major feature in jewelry, an art Xexa studied in her native Lisbon's António Arroio school. Free spirited as she is, Lisbon is merely a geographical location where she was born, no particular feeling of being Portuguese attached to her position in the world. So far, Xexa's origins in São Tomé and Príncipe and a prolonged stint in London (it feels prolonged, at such a young age) are the two other major environments that form her experience as a human being but also as an artist. We are extremely proud to have been able to access truly special creative, intimate moments and help bring out into the world this physical manifestation of beautiful contemporary music.

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XDB

Chicago At Midnight

LP | 2022 | UK | Original (C.A.N.V.A.S.)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Goettingen's long standing dub techno servant XDB takes us to Chicago At Midnight with this new 12" on Pariter. 'Fenders' is one and is a deliciously elastic rhythm with rolling kick drums setting a hypnotic groove as the bubbly synths rise up through the mix. 'Cagomi', more edgy and amped up with gritty hits and swaying bass, gets a new lease of life after first surfacing on XDB's Metrolux Music back in 2009. The same cut gets a remix from Delano Smith that's more rooted to the floor in the Detroit man's usual textbook style. A classy outing from all, then.

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Xao

Wirehead

12" | 2018 | EU | Original (ABCD)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Chrome-plated sound design and bristling textures frame the latest speculative sci-fi experiment from Xao, meshing sonic concepts inspired by Rabit, Visionist and Lotic into the cybernetic scapes of Hyph11E or Algorave proponent Renick Bell.

Xao has been working alongside the C.A.N.V.A.S. label since the beginning, and his second album builds on the promise of 2019's Astral Black-released "Eternal Care Unit", by burying some of his most recognisable inspirations into an algorithmic shimmer of vaporous sound design and cyborg percussion. The roots of ‘Wirehead’ can be traced to the mid 2010s obsession with shaping global club echoes and videogame FX into music that accurately scored our descent into digital dystopia, but Xao makes a clear link between those ideas and the brain-fried cyberpunk vistas of William Gibson. His guiding theme is the idea of the contemporary digital attention economy with its algorithmically-powered tidal wave of content, and the mental states that follows - employing procedural and algorithmic compositional methods to shatter this status quo, reaching in the direction of a proposed "digital spirituality" in the process.

On opening track 'Bone Theory', he burns fragments of death metal into warped airlock club stumbles, welding evocative, clanging sound design to tempered forms of weightless grime and gravel-throated trap. 'Aqua Tofana' is more fucked, sounding like a frosted-glass take on Autechre's latter day post-electro rhythms, or an algorithm-warped AI rendition of Lanark Artefax's 'Touch Absence', while 'Hyperfixate For Me' stutters barely-audible vocals beneath cracked Vladislav delayed percussion and the corrupted data throb of guitar noise and loopy synthesis.

The rest of the album plays like a Johnny Mnemonic-style braindump: the last few years of underground electronic music melted into a frayed patchwork of textures, rhythms and sonic signifiers. It comes to a head on 'I Wed My Shadow', when opera singer Marie Requa Gailey's voice just about cuts through the static like a candle in the dark, making the escape route from the techno dystopia just about visible. Moments later we're exposed to the corrosive 'Ophanim Plushie' - all jazz clatter and anodised rolls, accompanied by drones and squashed breaks that barely make it off the surface. By the time we reach the album's final track 'Threnody for the Child of Omelas', it’s all repair and recovery, twisting beatless echoes from strangled neural networks into blankets of aesthetic warmth.

Wirehead is a smart album that fits well into the deconstructed club/post-club lineage, deploying hyperkinetic sound design and a whelming flux of feelings echoing contemporary classics in its progressive field by TCF or Lee Gamble or indeed the same algo-powered artificiality as James Ferraro, or even the hyperpop set, fused with nu-metal and dembow somewhere between Arca and Oxhy.

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Xan / Honeälome

Abcd001

12" | 2022 | EU | Original (Amen Brother)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Russia's underground party and podcast series ABCD (Any Body Can Dance) have decided to launch their own label and geo-referencing has become a major aspect in the choice of artists for the first release. Xan and Honeälome are from one provincial town of Votkinsk, which character left a solid imprint on the work of both musicians. Experimental yet atmospheric house grooves with electronica influences and leftfield breaks for your listening pleasure!

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X-Plode

Re-Blasted EP

12" | 2021 | EU | Original (Amen Brother)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lee X-plode is one of our artists from Vinyl Fanatiks who released an EP back in 1992 that was Huge! Over the years this self-funded white label grew in popularity, with copies fetching over £200. He joined the family in 2020 when we re-released this monster, selling out instantly.

Lee is back on the hardcore hustle once again, bringing his 3rd EP onto Amen Brother, this time incorporating a more melodic piano vibe into his raw to the core 91 hardcore sounds. You will find yourself raising your hands in the breakdowns before going straight into the pumping 4/4 breakbeat roll outs. Music to move to!

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X-Plode

Obliterated EP

12" | 2022 | EU | Original (Lucid)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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X-Plode is a master of the 1992 rave sound. Listening to any one of his tracks, you could easily imagine them being part of a Top Buzz set back in the early 90’s. Hailing from Bolton, Lee aka X-Plode self-released his debut EP on white label in ’92, which would go on to be a highly collectable item and in turn would prompt Vinyl Fanatiks to track him down, which was not easy I can tell you, in order to repress it in 2020.

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X(Exptional Vs. Morphid

Dark Dessert

2LP | 2022 | EU | Reissue (Curb)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Morphid and x(eptional signed to Lucid Recordings in quick succession back in the day, their complementary styles helping to establish the label as a purveyor of pioneering and divergent quality techno sounds. They often worked in the studio together, and now they’re gleefully doing it all over again with this perfectly pitched platter of originals and remixes from the two duos.

x(eptional’s epic breakbeat techno sound always went down a storm at the original Lucid events – live and on disc – and second-hand prices prove their Lucid releases have lost none of their dancefloor appeal.

Morphid’s sparse, offbeat sound was always different, otherworldly. Delightfully strange while always warm and witty – and a little bit spooky!

Side 1 presents two classic originals, one by each duo: x(eptional’s a-whole-night-in-one track classic Dark Waves, a ten-minute-plus banger of epic proportions and soaring highs, followed by Morphid’s ethereal Gezouten Dessert, with its pared down bare breaks and brooding tones.

Side 2 sees x(eptional and Morphid switching roles to present radical and thrilling reworkings of each other’s tracks. Morphid strip down x(eptional’s Dark Waves into a cut-up of eerie, angular funk rhythms, voices and sounds, while x(eptional extract the beats from Morphid’s Gezouten Dessert and transpose it into a whirlwind of jazz-tinged breakbeat techno that gets a grip from the get-go and just won’t let go.

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Wyn Starks

Black Is Golden

Tape | 2022 | US | Original (Dome Of Doom)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Black is Golden is a rallying cry for people of color, as well as an inclusive call to the dance floor for all races. There are gospel ballads, progressive pop anthems, soul songs, and R&B bangers, each song wrapped around the dazzling delivery of Starks' multi-octave voice. Call it a celebration of diversity and individuality, delivered by a musician who's proud to highlight the very things that make him different.

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Wylie Cable

Warmed By The Sun

18,99 €*

Release: 2022 / US – Original

Genre: Electronic & Dance

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Los Angeles based electronic artist and songwriter Wylie Cable presents his ninth full-length album, Warmed By The Sun. Scheduled for digital and limited edition cassette release via Dome of Doom on September 23, 2022, the 21-track and 51-minute mixtape presents one of the widest arrays in their catalog. From riveting beat mantras soaked in the hazy aftermath of LA nightlife, to the bespoke fertile grounds of unique lyricism and folklore, Warmed By The Sun travels across multitudes of sounds with constant environmental change, bridged by the unmistakable presence of Cable as an artist. The music itself has a full circle feeling, running back a decade or more through the artist's personal history to Cable’s formative days activating the Dome of Doom label and the art scenes of both Los Angeles and San Francisco that surrounded its inception. Features include virtuosic drummer and LA resident Gene Coye, Norwich U.K. based electronic producer Clyde, and Mexico City's resident lyrical assassin, Speak. The conceptual energy behind the creation of the music and its inherent interconnectedness rests on the influence upon Cable's own creative spirit by Russian-American novelist Vladimir Nobokov. Cable was directly inspired by Nobokov’s later writings when the novelist and poet was residing in Montreux Palace Hotel on the shores of Lake Geneva, going for hikes in the alps, collecting butterflies, and writing. With this album, Wylie attempts to capture that feeling of creative freedom and bliss, a sonic journal, a collection of thoughts, feelings and experiences that the artist savored and with each song tries to provide a small glimpse into the life of its creator.

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Zamaru Ultu Qereb Ziqquratu Part 1 Side A/B Black/Red/Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After two years in the making, Wyatt E. seals their long-awaited return in 2025 with the highly anticipated narrative sequel to “āl bēlūti dārû”: zamāru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.

Featuring contributions from 7 international collaborators, zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds.

The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem’s choir conductor, Tomer Damsky delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch.

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Zamaru Ultu Qereb Ziqquratu Part 1 Gold Nugget Vinyl Edition

25,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Zamaru Ultu Qereb Ziqquratu Part 1

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exile To Beyn Neharot Yellow Solid Vinyl Edition

25,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into 2 parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the Doom/Drone scene. It was first released by Jerusalem's label Shalosh Cult.

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Exile To Beyn Neharot Transparent Black/Orange Splatter Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exile To Beyn Neharot

LP | 2024 | UK | Original (Discrepant)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Wukir Suryadi

Siklus Dan Doa

20,99 €*

12" | 2018 | EU | Original (Ascetic Limited)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Born in 1977, in Malang, East Java, Wukir Suryadi began playing music for theatre at the age of 12 with the Idiot Thea-ter Studio, and later with the Rendra Theater Workshop. In his solo work, and as a member of Senyawa, Error Scream, Bendera Hitam Setengah, Potro Joyo and other groups, Wukir breaks the boundaries of traditional music, death metal and avant-garde performance. On this new release, “Cycle and Prayer,” recorded in 2023, he expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java. These recordings vibrate inwards, toward the microcosmic ecolo-gies of forests and rivers; they distort outwards, resonating with global waves of apocalyptic change that are forcing all living beings to the edges of existence on earth. The result is a meditative poem that moves, as its titles announce, from phenomena to phenomena, praying that humans find a way out from the depths of the depths to the light that illu-minates the soul.

An essential mode of creative work for Wukir is the creation of unique instruments, using these sound sources as “bul-lets of expression.” In addition to the spear-like tube zither Bambu Wukir, he has created the Solet, Enthong, Garu, Luku, Arrows, and Industrial Mutant instruments, which in addition to being used in live performance, have been ex-hibited in the Instrument Builders Project and the 2017 Jakarta Biennale. In the past few years, Wukir has begun to collaborate with local guitar makers, carpenters, and suppliers of native endemic wood in the mountain region of Salati-ga. Using earthen bricks along with local woods (suren, coconut, mindi, and waru lengis) as building materials, he con-structed a new studio and workshop space in Tingkir, where this album was made. The trees, water and air of the local environment have exerted a powerful influence in Wukir’s documentations of instrumental sound. On this recording, he uses the simple Cetta guitar, an instrument designed in Bali and made for Indonesian children and local communities of folk and popular musicians, in order to explore the different sonic characteristics of a more “normal” instrument built from local wood.

The themes of the album -- cycle and prayer -- arise from a foreboding series of meta-events that shook Indonesia and the world over the past years, following one after the other: the Covid-19 pandemic, the Ukrainian-Russian war, the Kanjuruhan Stadium tragedy in which football supporters were gassed and killed by police, revelations of government failures and corruption, the rise of personal vehicles, the increasing disturbance of natural patterns of the rainy season and other ecological cycles. “In these waves of technology and narratives of truth made for certain interests, playing a sound at a certain frequency and repeating can try to bring images and feelings to a certain point of consciousness,” Wukir told me. “Sound is a prayer that creates a change, whether gradual or rapid, in the behaviour of living things, to face the demands of the time, as humans struggle to live according to what they believe.” The drawings and sketches used for the cover spontaneously emerged alongside the recordings, as an instinctive depiction of “time and sound, nature that is outside of oneself, and nature that is within.”

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Wrong Assessment

8th Floor EP

12" | 2024 | EU | Original (Distangled)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Ascetic Limited is shifting gears, focusing on solo EPs dedicated to the artists that form the collective. To kick it off they present an EP from renowned Milanese techno producer Wrong Assessment, who throughout his career in techno has proven himself to be one of the most interesting producers coming out of Italy. From his collaborative works with the late Max_M as Overall Severity to his solo works as Wrong Assessment, his tracks are always unique. Influences ranging from minimal to hard pounding techno bangers, through house grooves and ambient arrangements, he still is able to transmit his sound and vision with his music.

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Wringler

Barfly

12" | 2022 | UK | Original (Wrekin Havoc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Distangled brings you another gem of a re-issue. Barfly, a one-off by Wringler, is a little known and obscure Dutch release from the mid 90's and changes for quite some $ among those who know. Six cleverly produced house and techno tracks, raw and sometimes even with a hint of disco too. Including 3 previously unreleased tracks found on the original session tapes. Big tip!

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Wrekin Havoc

Wrong Numbers EP

Wrekin Havoc Feat Greg Bird

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Havoc guys have been on an enforced hibernation through the winter due to a lurgy that had been affecting the planet. They have remained in the cave throughout this time huddling up to keep warm and exploring what had become their home away from home for months on end. One night, whilst lighting a fire, trying to find motivation for the next release (basket weaving had lost its appeal) they spotted a glint across the way – On further inspection, it was a small bottle and had a label of sorts – It looked to be medicine or smelling salts – Liquid Gold. Curious creatures they are they all took a long good sniff of this elixir. And just like that, they rummaged around the records stacked in the corner put some more coal in the old computer and began their work. Soon the A-Side of the new EP was born. Most certainly a step up in the BPM from the previous A-Side off EP1. A1 kicks off with a Germanic Proto Throb Job, that's sure to cause errr...Havoc on the dance floor. Whilst A2 is a Bassline Driven, Reconstructed Austrian Euro Pop Monster. One for late-night Discos. After a while they had stopped sweating, hearts had stopped beating quite so quick. Whilst the creative juices were flowing a few more records were dug out and a log put on the fire and a cup of fungus juice imbibed. B2 came rattling out the speakers in no time at all in all its chugging glory, the vocals take in a nod to god after the devil has done his dirty work. At this point, the sun was starting to peek through the mouth of the cave and a new day was upon them. One last record had been found, earlier, that was decided would work at this time, actually after consideration, any damn time... B2 Is like a familiar Balearic Back rub with pop-infused French vocals and beats for days...So now EP2 is complete. Back out into the world our intrepid or is it tepid threesome went... Let's only hope their wives haven't left them after all this time locked away.

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Vapour Trails

12" | 2024 | UK | Original (Is It Balearic)

LP | 2022 | EU | Original (Dugnad)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Wrekin Crew is back for a seance outing on the peerless Is It Balearic? This new offering rather continues where the first one left off with two tracks of immersive sonics for sunny days. First up is 'Vapour Trails' which melds lush Italo disco melodies and nice emotinoal pop of the sort you would expect to hear in this duo's DJ sets. Goldsuite also step up with a remix to smooth the edges and lay down moon-lit Balearica then closer 'Broken Wings' has more meaningful vocals but this time over grooves more suited to a late-night setting. Cosmic arps finish it in style with plenty of dubby undercurrents.

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Wow Sailor

Happy Fear

21,99 €*

Tape | 2023 | UK | Original (Lbd Sounds)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ranging from sanguine emotional clarity to distortion and unrest, Wow Sailor voyages through sunlight and storms in this mindful and explorative album. Happy Fear is an intricate tapestry of emotional experience, where fear and joy clash heads in the pursuit of self-understanding. Scattered field recordings of literature, ambiance and chance encounters provide atmospheric depth to enrich a resonant and meditative soundscape.

This tale begins with fond yet powerful nostalgia, before segueing into a range of hybrid instrumental explorations in which guitar, voice, violin, and trumpet blossom alongside refined electronic foundations. The album closes off with indulgent melancholia reminiscent of the opening, providing lifelike circularity to the album.

All songs remain connected; one leading into another without pause or silence. This urges the listener to digest the work in a single sitting as elements of the story seem intrinsically connected.

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World Wild Web

Microcosm

9,59 €* 15,99 € -40%

World, Sky & Universes (Ron Trent)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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LBD Sounds present the new album from World Wild Web. Based in Berlin, this one man band machine from France offers up a beautiful collection of balearic jams, soaked up with instrumental psychedelic keyboards, influenced by traditional music from all over the world. 10 organ-based tracks sound like a dreamy new age voyage from the 70s, yet this music is very here and now.

All the little live jams that this album comprises of have been tweaked and edited, some more and some less, but the feeling of raw improvised music has remained untouched. These don't mean to be no chart hits, actually quite the opposite. It may almost be called a set of B-sides and it would still carry this badge as proud as it gets. It's simple and complex at the same time, this collection has a potential to suck you in, take you for a ride through places unknown and spit you out at the other end.

Was that a dream?

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The Answer

12" | 1999 | EU | Reissue (Only One Music)

Get On The Floor/Welcome To The Underworld

Release: 1999 / EU – Reissue

Genre: Electronic & Dance

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Only One Music proudly presents another classic release by the Master Ron Trent! This time it's the former Prescription 5018 from 1999 called "The Answer". The re-issue contains on the b side for the first time the unlereased extended version of the Brookly World Mix Instrumental!

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World's End

12" | 1993 | UK | Reissue (Liquid Wax)

2LP | 2023 | EU | Original (Sonig)

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on Colored Vinyl.

This is one of Phantasy’s many aliases. ‘Get On The Floor’ is a jungle-techno stomper, created in the same studio that invented that genre. Where as ‘Welcome To The Underworld’ has very strong Liquid Aliens vibes about it.

As always with anything on Liquid Wax, these tracks are big club releases as Phantasy was testing them out at all the raves in the early 90’s. But Phantasy always has a trick up his sleeve that makes his music sound incredibly original and still fresh to this day, 31 years later!

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Workshop

1987-2004

34,99 €*

2x12" | 2022 | EU | Original (Must Make Music)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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God knows enough has been written about Workshop. Surely you haven't read it, but this group has been around since 1985, and what they did was this: musically quite limited, they made the music they wanted to hear, but in an ingenious way. Some played the instruments skillfully and others not so much. Something came out of it! One says: that's just the way I like it. The other one boasts: yes, I understood everything how you play here, sometimes you hit it, or sometimes you play so that the parents cry with joy. In fact, seven records were recorded, which, with the exception of the second LP, are still more than worth listening to today. Are they in danger of being forgotten?

Yes and no. What is worth listening to here has often been banned. One must bring it out again. Make attentive. Against the forgetting. These impetuous songs - just let them get close to you again and listen to them in a new context and forget all the smart-ass talk that was said about them. That means to put the self with all its reality entanglements in the pillory. This is of course not only pleasant. Bravo!

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Workforce

Set & Setting

27,99 €*

Iperborea Laertes & Scope Remix

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Workforce presents his debut album ‘Set & Setting’ on his own imprint Must Make Music. This body of work marks a significant new chapter for Jack as he continues to re-establish himself as a solo producer, DJ and label owner after 16 years as one half of the celebrated Drum & Bass duo Spectrasoul.

As an album, ‘Set & Setting’ is an absolute focussing of the Workforce sound. It’s the coming together of his influences and human experience to form the basis of the work - frenetically varied in both sound and feel, but held together by an overarching aesthetic and sonic palette.

'Set & Setting’, a phrase I’ve co-opted from the context of psychedelics, refers to the physical, mental, social, and environmental context that an individual brings to an experience.

The making of the music was the codifying of my ‘reality’. Experiencing the music is the decoding; altered by ‘Set’ and ‘Setting’.” Workforce

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Worg

12" | 2021 | EU | Original (Artscope)

12" | 2022 | EU | Original (Nocturbulous)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Iperborea (in English Hyperborea) is a legendary land, home of the also mythical people of the Hyperboreans. In the myths of Greek religion, the Hyperboreans were a people who lived in a distant land to the north of Greece. This region was a perfect country, illuminated by the shining sun for six months of the year. The Ep opens with the track "Nuda Veritas", characterized by sound textures that recall an aquatic and evanescent environment, giving the track a charge of mystery and the unknown. Then the Journey goes to "Iperborea", which gives the album its title, there are strong references to the power of the Sun and the mythical people of the Hyperboreans. The first is given by the constant presence of a modulated niose that simulates the solar wind, that is a flow of particles emitted by the Sun. On the other hand, the reference to the mythical people is made through a pressing and epic groove, and by the contrast of these two elements with a pad/stab synth that transits in the middle of the track. The latter outlines a dreamlike and suspended atmosphere that praises this distant and legendary land that was Iperborea (Hyperborea). Among with these original tracks, the EP also containes remixes by Scope and Laertes. Laertes? rexmis is focused on soft and gentle mysterious mood while Scope's one is more focused on mysterious but powerful which makes audience imagine somewhat aspects of a destructive god. Together they are making a perfect pair match for this EP.

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Woody McBride

Basket Ball Heroes 2022

Paradise In Pimlico Remixes

Release: 2022 / EU – Original

Genre: Electronic & Dance

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8th release on Nocturbulous records, and third of the “Classics” Division. Woody McBride – Basketball Heroes is a reissue of the classic ep”, remastered for vinyl and repressed for the first time since 1996. An all-time groundbreaking acid bomb, features all the original tracks + a Remix by one of the most talented artist of the new generation : Jacidorex.

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Woo

12" | 2023 | EU | Original (Altrimenti)

LP | 2022 | EU | Original (Quindi)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Following the partnership between Altrimenti and Quindi for a suite of remixes of Cabaret du Ciel, the two Italian labels collaborate once again to explore three vivid versions of tracks from Woo's exquisite album Paradise In Pimlico. The verdant, delicate musicality of Woo's original material offers an abundance of riches for remixers, and the results are true to Altrimenti's stated purpose to explore and experiment in the fusion of different approaches to electronic music.

On the A side, Joseph Tagliabue offers up a snaking, psychedelically charged dancefloor vision of 'Cadenza d'Innocenza'. Milan-based Tagliabue has developed a potent sonic signature across releases for labels like Invisible Inc. and Sound Metaphors before starting his own Blue Sea Studio as an outlet for his expanding work into the field of contemporary soundtracks. That cinematic sensibility comes through in waves on this subtly trance-licked epic - a soaring set piece for the most dramatic of party situations.

On the B side, Leeway opens proceedings with his remix of 'Even More Notes'. As the founder of Wain Records and the Scram club night, the London-based producer is fostering a culture of leftfield dance music with an organic sensibility. On his interpretation of Woo, he offers up a more experimental, dub-informed strain of 4/4 club rhythms.

Completing the set, Other Lands & Linkwood join forces for their approach to 'Gold Star'. Other Lands is also known as Fudge Fingas, and alongside Linkwood he helped shape the warm, deeply rooted house sound of seminal label Firecracker Recordings. The duo's affinity for soulful musicianship and the disco roots of house music comes through in this spiralling, hazy rendition perfectly pitched at moments when a softer, more spiritual approach is needed without losing the guidance of an insistent groove.

Once again the overarching theme on this collection of remixes remains quality - a pursuit of meaningful expression, originality and open-hearted musicality. From the source material to the resulting remixes, the pursuit was a successful one.

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Woo

Paradise In Pimlico

22,99 €*

Transdimensional Fuunk (Transposed For Human Consumption)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A download code is included. After their celestial Arcturian Corridors opened proceedings on Quindi, London-based brothers Clive and Mark Ives are back with a new record. When Woo first began recording at home in the early 70s, Clive and Mark were the embodiment of furtive genius. Since re-emerging in 2013, they've released scores of albums, collaborated with Seahawks, and have now struck up a productive relationship with Quindi.

On Paradise In Pimlico, you're hearing a very different sound to the one gently creaked out on early classics like Into The Heart Of Love. This is fulsome, contemporary production rich in detail and artful sound design, but crucially, Clive and Mark's gorgeously melodic approach remains open and inquisitive, even with the sheen and shimmer of modern studio techniques.

Woo sound more confident than ever in their composition, too. The crystalline, fragile tones of 'Cadenza D'Innocenza' glide through key changes that spell out an engrossing narrative, while the cascading melodies on 'Moment To Moment' pirouette across the space between notes with masterful poise. 'Paradise In Pimlico' is an illustrious suite of orchestral composition played out with the lightest touch, framed by the slightest of synthesized fauna and topped off with tender sax and flute. Album closer 'In Case Love Fails' takes on a subtly cinematic urgency with its undercurrents of walking bass and the strike of the string section (synthetic or otherwise).

There's space for markedly new approaches, too. The rhythm section on 'The Motorik Mirror' clunks and pops with a tactile, high-definition quality which teeters between electronic sculpture and clockwork, organic machination. The deft, lightly-brushed drums coursing through 'Even More Notes' see Clive and Mark step into a different mood, celebrating the beat as another fluid, tonally-rich texture in the mix and adding a smoky, jazzy hue to the Woo repertoire.

It's far from a drum-focused exercise though. At every turn, you're confronted with aching beauty and timbral surprises. If there's one constant throughout Paradise In Pimlico, it's the omnipresent chimes. These twinkling drops of light scattered throughout are something of a hallmark of Woo, ensuring the lilting, lullaby-like magic of their music persists whichever direction they head in.

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Wonky Logic

LP | 2021 | EU | Original (Super-Sonic Jazz)

21,99 €*

LP | 2023 | US | Original (L.I.E.S.)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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London based multi-instrumentalist and beatmaker Wonky Logic drops 6 track EP “Transdimensional Fuunk (Transposed for Human Consumption)”, on July 30, 2021, marking the 14th release of Super-Sonic Jazz Records. Also, save the date for the first two singles on May 21 and June 25, 2021. Last year, producer and multi-instrumentalist Wonky Logic released his debut album “0113”. Now, he continues to showcase his passion for wonky beats and swirling synths with his follow up “Transdimensional Fuunk (Transposed for Human Consumption)”. As a service to clubbers and dancers of Planet Earth, he translated his banging space funk for human needs. From steamy and dangerous to subtle and soulful, it’s all on his extraterrestrial palet. Ain’t no denying that, with these 6 tracks he establishes himself as one of the more rebellious beatheads in the UK Jazz scene, with strong connections to Super-Sonic Jazz and Summer Dance Forever. Wonky Logic started out at the age of 11 on his mum’s computer and made his journey onwards from Leeds College of Music to jamming with Nubian Twist and GEO, into becoming a founding member of Steam Down. He collaborated with Nubya Garcia, Theon Cross, Wiyaala, Afla Sakey, K.O.G., and broken beat icon I.G Culture, for which he did Musical Direction of “Earthbound” (Super-Sonic’s ninth release). His current projects include his own band with Nache (Sons of Kemet) as well as The General Elation Soundsystem, alongside Brother Portrait and Nadeem Din-Gabisi. He plays keyboards for Bryony Jarmon-Pinto, synth bass with afrofuturism band Onipa and has recently played on Emma Jean Thackray's project Um-Yang alongside Soweto Kinch. However, this Summer will be all about his own brand new EP, which will be warmly welcomed by beatmakers, clubbers and dancers alike. Hopefully, they can do so in the freshly reopened clubs across the globe, where this piece belongs.

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Women's Hour

24,64 €* 28,99 € -15%

LP | 2022 | EU | Original (Fragile)

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance

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"A brittle metronome in a delirious tension landscape, Women's Hour are a Glasgow based experimental post-punk duo featuring Contort Yourself head honcho Murray CY and artist Jenny Wicks. Creating noise, harmony and disquiet washed in synth and repetitive guitar, rough beats and distorted vocals, Women's Hour are constantly trying to embrace the shouting in their heads." On this, their debut release, a 12 track lp, a true to form jagged 80s post-punk affair, the two piece bring to life the day to day in the grim North through their music. One can almost feel the chill coming from the brittle window panes of the dank drafty flats, filled with asbestos paint, busted heaters, and no hot water flowing for who knows how long. Desperate, urgent, coming close to falling apart, yet pulling it together to make it through to the next song...this is as "British" as it gets (yes we know Scotland is its own thing guys, don't shoot) The sun hasn't shown its face for many months, wind blows through the deserted streets, change jingles around in your pocket, a hungry dog barks. This is the music of Women's Hour. Limited to 300 copies, one time pressing. Includes insert and art by Jenny Wicks of Women's Hour.

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Wolfgang Tillmans

Moon In Earthight

CD | 2024 | EU | Original (Karl)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moon in Earthlight describes the phenomenon one can see in the first few days after a New Moon, when the slim crescent of the moon is completed into a full circle by a faint light that is not lit by sunlight but by the light reflected from Earth. It is also the apt title for the first album from an artist whose first love was astronomy. After 6 EPs over the course of 5 years, Wolfgang Tillmans now releases his first album, Moon in Earthlight, a singularly plural 53-minute piece comprised of 19 tracks. Opening with more that connects us than divides us, ‘Celloloop / More That Connects Us’, a looped cello sets out a discursive path for a bright keyed melody to flirt with while the sounds of the organ and synthesizer build their supporting roles, all along a bouncing four-to-the-floor beat punctuated with bright electronic chimes and the rhythmic tempo of a shaker. The invitation is hard to resist as a yearning voice opens up to let us know he’s left his “place in security.” And, “you’re shining … All the way down to this glittering place … you’re shining.” Where voices and laughter are then overheard in the background of another field recording sounding water dripping from a ‘Rain Gutter’ later caught by the soft, warm rhythmic bounce between two synth notes on ‘Fourth Floor’ where chime-like and percussive timbres resonate from the metal tine keys of the kalimba creating a meditative acuity

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Wolfgang Seidel

Friendy Electrons

12" | 2020 | GR | Original (Echovolt)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Friendly Electrons” presents the electronic side of the original TON STEINE SCHERBEN
drummer, book author and longtime CONRAD SCHNITZLER friend / collaborator
WOLFGANG SEIDEL.
Born in winter 1949 in a grey and gloomy post-war Berlin, WOLFGANG SEIDEL’s first encounter
with electronic sounds was at the cinema: the music for “Forbidden Planet“ by LOUIS and BEBE
BARRON sounded like the promise of a bright, exciting future ... but in the 1960‘s, the biggest
thing for young musicians was to play in a rock band, and as the friends around him all already
played guitar, SEIDEL chose the drums and later co-founded TON STEINE SCHERBEN, the
legendary German anarchist band. Around the same time, SEIDEL regularly attended the Zodiak
Free Arts Lab, the birth place of so-called “Kosmische Musik / Berliner Schule“ (TANGERINE
DREAM, CLUSTER, MANUEL GÖTTSCHING etc), and became close friends with CONRAD
SCHNITZLER. Realizing how much more artistic freedom electronic music offers, he grew tired of
playing the same songs night after night, left the band after their debut album had been released
and started experimenting with contact microphones and tape delay (and later, when he could
afford one, with a Buchla synthesizer). SEIDEL joined SCHNITZLER’s group
ERUPTION and
worked with him till his death in 2011 (sometimes credited as WOLF SEQUENZA) on several
albums, and also toured some art institutions presenting SCHNITZLER’s “cassette concerts” (who
had dropped his suitcases with the tape machines in front of SEIDEL’s flat door and appointed him
the “future conductor”).
In the 2000s, SEIDEL started playing drums again, this time in the free jazz / improv scene (a.o.
others with ALFRED A. HARTH and HANS JOACHIM IRMLER), wrote books about his former
band (“S
cherben – Musik, Politik und Wirkung der Ton Steine Scherben“) and Krautrock („Wir
müssen hier raus! Krautrock, Free Beat, Reeducation“) ... and continued his sonic explorations
with his Buchla in his studio in Berlin-Wedding.
When we met at a birthday party, Wolfgang told me about his electronic pieces - I was interested
right away – so he browsed his archive and sent me a selection of tracks. These are often based
on older ideas and sketches that he had completed during the pandemic when there were no
concerts to play. The result is „Friendly Electrons“ – a collection of 18 tracks, inspired by
SCHNITZLER’s collage technique and SEIDEL’s own experiences with improvisation. With the
exception of 2 pieces that are actually composed there were no fixed ideas – simply start from
KR114_W.SEIDEL_infosheet.pdf
scratch and see what happens, review the result from different angles and refine the tracks where
necessary. Whereas electronic music is often considered dystopian, the album title mirrors
SEIDEL’s positive attitude towards modernism, so his electrons are of a friendly kind!

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Wolfey

Powell St. Blues

7,79 €* 12,99 € -40%

LP | 1982 | EU | Reissue (Soave)

Release: 2020 / GR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Appearing on Echovolt for the very first time, Vancouver-based producer Wolfey offers up a four-track excursion that draws direct inspiration from the often-rainy climate of his sleepy home city.
"Powell St. Blues" E.P. is a dance record of rare emotional depth that sees the Canadian bring out an impressive amount of warmth and soul from the machines he uses to make music. Drawing inspiration from early house and techno producers out of Chicago, NY and Detroit, Wolfey likes to work with a small selection of synthesizers, drum machines and outboard effects processors - only using the computer to record, edit and mix-down long multi-track takes and improvised jams. The resultant tracks bristle with vivid detail and texture while evoking distinctly hypnotic and alluring atmospheres.
Side A opener “Powell St. Blues” is a bittersweet melancholic chunk of deep house with spacey chords and subtle acid style motifs slowly undulating over dusty drum machine rhythms. Wolfey’s deep and emotive electro influences come to the fore on “No Fun City”, where tech-jazz style electric piano motifs, bleeping lead lines and dubby rhythmic delays dance around a tactile 808 groove. On languid B-side opener “Overcast”, aural storm clouds gather menacingly above a moody bassline and the crunchiest of machine rhythms. S.M.P (Slim Media Player) guests on the EP’s lusciously loved-up conclusion, “Southlands Transmission”, where morphing synth arpeggios, rich sunrise-ready chords and swinging skittering hi-hats recall the pitter-patter of rain on the windows of Wolfey’s Vancouver studio. It’s a fitting conclusion to an atmospheric, mood-enhancing EP.

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Wolf Vostell

De-Coll/Age Musik

23,99 €*

LP | 2022 | EU | Original (Siluh)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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A seminal figure in the history of 20th century avant-garde, yet sinfully overlooked, Wolf Vostell unleashed ideas - those running wild through his debut LP "Dé-coll/age Musik", which remain a slap to the face, more than half a century after they were set into play. A founding member of Fluxus, an early instigator of Happenings, an innovator of video art, Vostell was equally one of the most radical and irreverent practitioners in sound that the world has ever known.

First released in 1982, "Dé-coll/age Musik" draws from material dating between the late 1950’s and early 80’s - the results of Vostell’s application of décollage, the near perfect inversion of collage. Rather than gathered and assembled sounds - as with Musique Concrète, these are the result of subtractions from a former whole - the death of one, giving life to the next.

Swelling from the past, Vostell’s efforts pull the rug from beneath the common history of structured sound. A singular body with no loyalty, producing shocking results. A grinding confrontation - an intoxicating immersion in sound - as brutal as it is ecstatic - an exercise in joy. "Dé-coll/age Musik" assembles the essence of a creative spirit which is rarely known. Each work as radical and fresh today as the moment it was made.

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Wolf Lehmann

Lucid Living

12" | 2025 | UK | Original (Constant Sound)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Wodda

Changing Faces

Tape | 2021 | EU | Original (Amicimiei)

Release: 2025 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-01-31

Constant Sound is one of the very many labels that is headed up by Burnski and one that he reserves for club-ready tech house and minimal. Wodda steps up for the latest outing and brings some future garage energy to the opener, 'Reggae Fusion' (Deep mix) which is lit up with lithe synths and smart vocal samples. 'On My Way' has more infectious garage vibes to it with the squelchy drums and hits and some nice heady melodies up top. 'Changing Faces' gets more twisted and brings intergalactic drama to the ass-wiggling cyborg tech beats and last of all, a Tuff Mudda mix of 'Reggae Fusion' shuts down with a silky thump and throwback UKG bass.

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Wladimir Schall

42'37''

Leaves Fallin' Recklessly

Release: 2021 / EU – Original

Genre: Electronic & Dance

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AmiciMiei is very proud to announce the release of 42'37'' composed by Wladimir Schall 42’37’’ is forty-two minutes and thirty-seven seconds long Track 7 is named Sept 42’37’’ is filled with sounds and silences Track 4 is named Quatre 42’37’’ is an imaginary musical seascape where time floats One can listen to 42’37’’ for 34’22’’ or any other length

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Wladimir M.

2LP | 2020 | EU | Original (Delsin)

Stonework: 1000 Metres Down

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Delsin turns its attention to the archives of one of the great early pioneers of Dutch techno - Eevo Lute Muzique. The label was founded in 1991 by Wladimir Manshanden and Stefan Robbers (who was already recording seminal early techno records as Terrace for Djax-Up-Beats). Channeling the inspiration of the Detroit originators and mixing it up with their own synth pop and new wave influences, Manshanden and Robbers (adopting the Florence alias) forged a bold aesthetic with Eevo Lute, both musically and visually. This was an early iteration of techno as listening music, with an emphasis on expression and narrative over dancefloor functionality, helped in no small part by Manshanden's striking poetry. This double set of remastered, reissued tracks gathers together the earliest Florence and Wladimir M. material, largely recorded between 1991 and 1994, across five discs - the definitive document of a treasured piece of Dutch techno history. Comes with inlay and liner notes by Oliver Warwick.

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Wishmountain

LP | 2022 | EU | Original (Accidental Jnr)

12" | 2022 | EU | Original (Local Talk)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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10 years since the consumerist musings of Tesco, Matthew Herbert reanimates his Wishmountain project and heads deep underground to find the source material for Stonework: 1000 metres down.

Like many of Herbert’s projects, Wishmountain releases revolve around specific, material sound palettes, and for this latest album he’s drawn from a sample library created as a commission for the Stone Techno festival, which took place at the Unesco World Heritage Zollverein mine in Essen, Germany. Working with sound recordist Lorenzo Dal Ri, Herbert and Dan Pollard captured a varied and wide variety of hits, tones, textures and one-shots from the frozen-in-time remnants of the Ruhr region’s coal-mining industry and from specific materials in the nearby Ruhr Museum and Mineralien-Museum. A sample library created by Matthew and Dan of the recordings was also used for the Stone Techno series, from which tracks have been commissioned by the likes of Luke Slater, Megan Leber, Ben Sims and KiNK drawing from the same sounds heard on this album.

These stone-cast sounds lend themselves to the Wishmountain framework – skeletal, quasi-industrial techno with an angular impulse and a subtle swing. Much like the breakthrough hit, 1996’s ‘Radio’ (made using samples of a broken radio), the limitations on the source material sharpen the focus of the music. What started out as a practical hardware restriction in the early 90s became a purposeful way of working for Herbert – one which carried through the 1999 album Wishmountainisdead to 2012’s Tesco with its sampling of the British supermarket chain’s 10 most popular products.

Musically, Stonework is consistent terrain for Wishmountain – austere and forbidding in one sense, playful and irreverent in another. But from a club music perspective, which Wishmountain absolutely is, it offers DJs a variety of rhythmic formations within the tool-like minimalism of the arrangements, opening up intriguing possibilities for mixing into, out of, or somewhere in between. For every 4/4 thrust and jerk there is a fractured, snaking meditation pivoting around other time signatures.

Crystal clear in its creative intention and simultaneously successful as surface-level club music, Stonework: 1000 Metres Down is a natural continuation for one of Herbert’s most celebrated, albeit intermittent, aliases.

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Wipe The Needle

Screwface & Smile EP

Don't Laugh Richie Hawtin Remix Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lee Gomez aka Wipe The Needle has made music in many complimentary styles. His debut on Local Talk featured Alex Littmore's soulful vocals and took us on journey that goes beyond the house genre. This time his bruk roots are heavily featured, sprinkled with a touch of soul, jazz and boogie to create an impressive collection of songs. Fans of Bugz In The Attic and bustling West London broken beat mixed with grit, this one's is for you.

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Winx

12" | 2017 | EU | Reissue (Sorted)

Don't Laugh (Richie Hawtin Remix) 2024 Repress

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it!
The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking.
Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.

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Winx

12" | 1995 | EU | Reissue (Sorted)

LP | 2001 | US | Reissue (Kranky)

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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Windy & Carl

Consciousness

29,99 €*

12" | 2022 | UK | Original (Soul Jazz)

Release: 2001 / US – Reissue

Genre: Electronic & Dance

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The fourth album from Michigan’s premier space duo, again delivers their shimmering trademark wall of sound, beautiful vocalization, and delicate songcraft. Six sweet and easy new tracks recorded in their home studio in Dearborn, that drift and dream with layered guitars, keyboards, bass and a love-arsenal of delicious effects and distortion.

“These two won’t be happy until they find a combination of sounds that encompasses all feeling, at which point they will then stretch that chord to the vanishing point.” —Pitchfork

“Perhaps it’s a prayer, perhaps a blessing, perhaps a poem full of questions—it hardly matters. Humble, moving, and brilliant.” —All Music

“The Windy & Carl listening experience is akin to the period of peace when one is about to succumb to slumbering; the body is hypnotized yet the mind becomes more and more lucid.” —Tape Op

“There is an airy shaft of light that extends straight through these six extended pieces, offsetting the density of sound with a breezy loveliness that’s almost impossible to articulate, towering on a floating sea of mesmerising, sub-level sounds.” —Boomkat

“Genre descriptions such as ‘ambient guitar soundscape’, ‘wall of sound’ and ‘drone’ fail miserably to capture the astonishing, magical emotional beauty of their pieces.” —Cyclic Defrost

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Willie Williams

No One Can Stop Us Now

21,99 €*

Nothing Here Now But The Recordings Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Willie Williams" seminal "No One Can Stop Us Now" is a cover of Ashford and Simpson"s soul/disco classic "Ain"t No Stopping Us Now", and is simply one of the greatest, most soulful reggae/disco cuts ever made and is the latest in the series of Limited Edition 12"s of all-time Classic Studio One party bombs available on super loud 12". First released on Studio One in 1979, this party anthem features the sublime keyboards of Jackie Mittoo alongside the awesome studio group, The Brentford All Stars (here working under the name The Brentford Disco Set).

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William S. Burroughs

LP | 1981 | US | Reissue (Dais)

Nothing Here Now But The Recordings Black Vinyl Edition

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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In 1980, Genesis P-Orridgeand Peter "Sleazy" Christopherson of(then-)Throbbing Gristle travelled to New York City to meet up at thefortified apartment, known as The Bunker, of famed beat writer andcultural pioneerWilliam S. Burroughsand his executor JamesGrauerholz. Genesisand Sleazy started the daunting task of compilingthe experimental sound works of Burroughs, which, up until that point,had never been widely heard.During those visits, Burroughs would play back his tape recorderexperiments featuring his spoken word "cut-ups", collaged fieldrecordings from his travels and his flirtations with EVP recordingtechniques, pioneered by Latvian intellectual Konstantins Raudive. Overthe following year, P-Orridge, Christopherson and Grauerholz spentcountless hours compilingvarious edits, each collection showcasingBurroughs sensitive ear and experimental prowess for audio anomalywithin technical limitations. In early 1981, Burroughs had relocated toLawrence, KS to escape the violence and manias of New York City life.There, P-Orridge and Christopherson put the finishing touches on therecord that would be known asNothing Here Now but the Recordings.Released in Spring 1981, the album would end up as the final release onIndustrial Records, brought about by the dissolution of Throbbing Gristle.It was quietly out of print until 1998, when John Giorno and the GiornoPoetry Systems included the album on a retrospective CD box set, whichcompiled the majority of Burroughs's seminal recordings. In 2015, DaisRecords worked closely with the Estate of William S. Burroughs to finallyre-release, for the first time in 36 years, a proper vinyl reissue of WilliamS. BurroughsNothing Here Now but the Recordingsto celebrate thecentennial anniversary of William S. Burroughs. For the2023 edition, Daishas remastered the audio with renowned engineer Josh Bonati, andrestored the original artwork with a new dedication to Genesis Breyer P-Orridge and Peter Christopherson.

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William S. Burroughs

LP | 1981 | US | Reissue (Dais)

LP | 2022 | EU | Original (Nation)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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William Kincaid

Altered Ground

23,99 €*