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The tenth and, at over 200 pages, largest issue of Carhartt WIP magazine to date is published with two different covers. While the first shows the New York musician CLIP, the second depicts an excerpt from the dossier 'Clockwatchers', which deals with the future of work in the context of the looming climate crisis. One of the two covers is selected at random when purchasing.

For Magazine Issue 10, Carhartt WIP spoke to Nourished By Time from Baltimore, Congolese sound and performance artist Cõvco, Brooklyn-based artist Diamond Stingily as well as skater Maria Navarro. In Cameroon, the Carhartt WIP editors observe how Jail Time Records is redefining how a label can function and in Taipei we meet Grillz artist Shiningmaker. Meanwhile, in Reading, Cieron Magat documents teenage boredom in England's inner cities. In addition, artist Anthony Coleman invited Carhartt WIP into his warped world populated by pop culture references, and with photographer Robert Leblanc, Carhartt WIP traveled to the most remote corners of the USA.

Meanwhile, the S/S24 collection is photographed by Catherine LoMedico, Den Niwa and Tolya Titaev. The Carhartt WIP Magazine Issue 10 ends with a conversation between author Geoffrey Mak and Hua Hsu, as well as an interview with Tokyo-based writer and theorist W. David Marx.

This is the story of streetwear. Authors King ADZ and Wilma Stone recount how a long line of subcultural movements have taken over both the high street and high-end fashion, and explore just how a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all.

The story begins in 1972, in Jersey City, USA, with the birth of the first ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the Paninari scooter-brats of Milan, and much more. Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future.

Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of the fastest-growing and most influential movement in contemporary clothing.