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In July 2019, eleven years after Jay-Z became the first hip-hop artist to headline Glastonbury, Stormzy became the first English rapper to follow suit. Wearing a customised stab-proof vest designed by Banksy, the South London rapper delivered an explosive performance and finished by thanking the “legends for paving the way,” name-checking Wiley, Dizzee Rascal, and Giggs. Despite how unlikely it seemed for decades, UK rap was now firmly a part of pop music and the greater hip-hop canon.

Rich, nuanced, and often misunderstood, the history of UK rap is a story of music that refused to stand still. Factoring in socioeconomics, gender, identity, music industry disruption, and innovation, What Do You Call It? charts the artform’s first four decades, beginning when rap landed on our island in the early 1980s. Shaped by sound system culture, inspired by punk, and accelerated by rave, it has evolved from Britcore, UK hip-hop, and trip-hop of the late twentieth century to garage, grime, and drill.

Through cultural theory, historical research, and original interviews with key figures and collaborators in the UK rap scene, from pioneers like Malcolm McLaren, Soul II Soul, Tricky, Roots Manuva, and Roll Deep to modern artists like Dave, CASISDEAD, Little Simz, Loyle Carner, and Skengdo x AM, adds a rich human dimension to the UK rap story — one that helped change British music and culture forever.

Cover design by Trevor Jackson.

“A long overdue exploration of rap music in the UK and its longstanding – albeit overlooked – legacy and influence. In an era when UK rappers dominate the charts, star in major movies and TV shows and front huge advertising campaigns for multi-national corporations, Kane traces back the arduous journey from maligned sub-culture to celebrated mascot of neoliberal capitalism.” Jehst

“David Kane writes with a deft touch and possesses a disarming and deeply insightful interview style. Sparking life, humour, and sorrow across every page of more than three decades of UK rap history.” Charlie Dark MBE

“Kane builds bridges in a rich musical universe full of heroes and villains—and plot twists. With an inimitable style, he merges culture high and low to bring new meaning to the music. What Do You Call It? is a landmark tome for UK rap music.” Brian DiGenti, Wax Poetics

“A mind rich in ideas” Stanley Ledbetter, The New Yorker

Weight: 0.4 kg
Dimensions: 23 × 3 × 17 cm

Are we not men? We are BOB 1! The new articulated, 3.75” scale DEVO ReAction Figure of Bob Mothersbaugh is inspired by his appearance in the 1980 music video for “Girl U Want” and features the lead guitarist in an iconic Energy Dome hat and metallic-silver naugahyde suit, and comes with a blue, cloud-shaped guitar with strap. Introduce your collection to “devolution” with this Bob Mothersbaugh ReAction Figure!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: blue, cloud-shaped guitar
• Package Dimensions (in): 9"x6"x1"
• Product Dimensions (in): 3.75
• Weight (lbs): 0.19 lb

Especially For Record Store Day 2013: A limited edition of 500 books, signed by the author, hand-numbered, stickered with RSD logo, and with a free gift in the form of a sheet of errata including a long-lost letter from Thurston Moore (providing the concluding piece of the SY controversy!)What they said about Ablaze!: "There are other people to condemn, Karren - aren't there?" - Morrissey. "I forgive and hope for Karren A" - Thurston Moore. "Fuck off!" - Ian Brown.And when you read the section of the book entitled Record Shop Skulkers, you'll know why The City Is Ablaze! And Record Store Day are a perfect match.Ablaze! fanzine was published in Manchester and Leeds in the late eighties and early nineties by Karren Ablaze! The best bits of this notorious and outspokenly passionately zine are now available in book format, to be published on 5th November 2012. Alongside hundreds of zine pages, The City Is Ablaze! features new writings by Karren and other members of the Ablaze! team, as well as interviews with fanzine writers John Robb (Rox), Dave Haslam (Debris) and Richard Johnson (Grim Humour), essays by DIY cultural commentators Lucy Cage and Deborah Withers, a re-examination of the Riot Grrrl movement, and an epilogue by Gary Jarman. This 320-page A4 book also covers other zines that Karren produced in Manchester and Leeds between 1984 and 1994, capturing an era where DIY was de rigueur and indie actually meant something. You'll be able to read original interviews with the following bands (in chronological order). Eyeless In Gaza The Membranes The Stone Roses The Inca Babies Tools You Can Trust The Bodines Inspiral Carpets The Pastels The Janitors Happy Mondays King of the Slums The Dust Devils The Shamen Cud Sonic Youth Dinosaur Jr The Pixies Throwing Muses The Sundays Thrilled Skinny Rapeman UT Dog Faced Hermans Edsel Auctioneer Mudhoney AC Temple fIREHOSE Band of Susans Henry Rollins Live Skull Kilgore Trout The Sun and The Moon The Breeder...

From the ashes of Nirvana, Dave Grohl rose as a one-man band with a self-titled album: The Foo Fighters. Now, 25 years on, and with a rock solid outfit that includes Nate Mendel (bass), Taylor Hawkins (drums), Chris Shiflett (guitar), Pat Smear (rhythm guitar) and latest addition, Rami Jaffee (keyboards) – The Foo Fighters are revelling in the success of their ninth studio album, Concrete and Gold. Paying homage to the band‘s enduring longevity, The Foo Fighters: The Band that Dave Made is a comprehensive look at a career that boasts six, million-selling albums, eleven Grammies and hit stadium rock anthems such as „Learn to Fly“, „Best of You“ and „Everlong“. Fully Illustrated, this handsome biography from acclaimed rock writer, Stevie Chick, is a fitting tribute to a band born out of the „nicest guy in rock‘s“ single-minded vision and now one of the planet‘s biggest rock groups.

In the early ‘70s, Detroit was the musical hub of America. Everything from the chart-topping sounds of Motown Records to the vicious proto-punk of THE Stooges and MC5 was being brewed out there and it seemed like there was no end in sight. But by the early ‘80s, the city was both a physical and cultural wasteland due to major-label buyouts of the artists as well as the crippling drug habits of some of the others. Detroit’s most known musical export at the time was the vapid sounds of new wave heartthrobs THE Romantics; this wasn’t good. It took a gaggle of suburban skateboarders, a grade school teacher, and a census bureau clerk to wake this city up from its slumber and start one of the first hardcore punk scenes in America. Why Be Something That You’re Not chronicles the first wave of Detroit hardcore from its origins in the late ‘70s to its demise in the mid ‘80s. Through a combination of oral history and extensive imagery, the book proves that even though the Southern California beach towns might have created the look and style of hardcore punk, it was the Detroit scene— along with a handful of other cities across the country—that cultivated the music’s grassroots aesthetic before most cultural hot spots around the globe even knew what the music was about. The book includes interviews with members of THE FIX, Violent Apathy, Negative Approach, Necros, Pagans, Bored Youth, and L-seven, along with other people who had a hand in the early hardcore scene like Ian MacKaye (minor Threat), Tesco Vee, and Dave Stimson (Touch & Go Fanzine).

The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.

Country of printing: Finland

Dave Lombardo, Paul Dunmall, Alison Cotton, Verity Susman, …

Titelstory: Depeche Mode Anlässlich des neuen Albums „Memento Mori“ widmen wir uns auf 46 Seiten der Welt der Synthie-Pop-Pioniere Depeche Mode. Es gibt einen großen Vinyl-Guide zu Studioalben und Live-Bootlegs, dazu Interviews mit Sänger Dave Gahan, Bandentdecker und Mute-Gründer Daniel Miller und Stammdesigner Anton Corbijn. Zudem haben wir einem leidenschaftlichen Depeche-Mode-Fan einen Besuch abgestattet und blicken in Form von Historys auf die New-Romantics-Bewegung der frühen 80er und auf die Entwicklung der Remix-Kultur, die Depeche Mode geprägt haben.

Frauen und Vinyl Warum sind Frauen in der Vinyl-Welt immer noch Ausnahmeerscheinungen? Wir haben Sammlerinnen quer durchs Land interviewt und nach Antworten gesucht.

Coturn Ein neuer Plattenspieler setzt Maßstäbe für die mobile Wiedergabe. Der Weg dorthin war weit. Wir haben den Erfinder in seinem Atelier besucht.

Musik zum Lesen Von Pink Floyd über Prince bis Rory Gallagher: sechs aktuelle Bücher, in denen sich Schallplatten- und Musikfans verlieren können.

Master Class Frank Wonneberg widmet sich in der Reihe zu Albumklassikern „Surfer Rosa“, dem einflussreichen Debüt der Indierocker Pixies.

Enthüllt: Prince Die Ideen hinterm Cover von Prince’ „Around The World In A Day“, einem psychedelischen Meisterwerk, gestaltet von Doug Henders.

Soundtrack Of My Life Garbage-Sängerin Shirley Manson über „The Scream“ von Siouxsie And The Banshees

Weitere Themen der Ausgabe Praxistests zu Plattenspieler, Phono-Vorverstärker und Regallautsprecher, über 100 LP-Besprechungen auf 50 Seiten, die Rubrik „33 1 / 3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Brand new edition of Soul Jazz Records" massive deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England"s Dreaming) and Stuart Baker (founder of Soul Jazz Records). This new edition comes with a new introduction from Bobbie Gillespie, founder of Primal Scream (who has recently also published his memoirs Tenement Kid). Contributors include Peter Saville, Richard Hell, Richard H Kirk, Seymour Stein, Geoff Travis, Martin Moscrop, Glenn Branca, Jamie Reid, Dave Robinson, Roger Armstrong, Martin Mills, Gee Vaucher, Savage Pencil, Dennis Morris and more. This book is a revelatory guide to hundreds and hundreds of original 7" record cover sleeve designs - visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century.

The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in conversation by Debra Richards, Tokyo Jazz Joints Vol. 3 by Philip Arneill, reviews, plus more.

Tyshawn Sorey
In the magazine: Tyshawn Sorey, Joyce, Horse Lords, Devin Townsend, Invisible Jukebox: Big Joanie, Andrew Poppy, Backxwash, Xhosa Cole, Camille Émaille, BLTNM, No Choice, Adrian Corker, Glasgow Improvisers Orchestra, OM, High Castle Teleorkestra, Dickie Landry, The Advisory Circle, Björk, John Carpenter, Eno, Charles Lloyd, Jessica Pavone, Senyawa, Can, Dead Kennedys, Gnawa Music Of Marrakesh, Main Source, Mal Waldron, Robert Fripp, Little Annie, Adam Rudolph, Alice Coltrane, Trevor Mathison, Cory Arcangel & Stine Janvin, Grimalkin festival and more.

On the CD: 16 new tracks by Lucrecia Dalt, Lady Aicha & Pisco Crane, Reiko & Tori Kudo, Balka Sound, OISEAUX-TEMPÊTE, Dave Clarkson and more.

Joyce
The Brazilian musical prodigy, a favourite of Antonio Carlos Jobim, enjoyed a stellar 1970s before her career was diverted by domestic political struggles and the disco era. As her 1977 New York album Natureza finally sees the light of day, she talks to Joshua Minsoo Kim.

Horse Lords
Baltimore’s rock trio put the ‘tune’ into ‘tuning’ through their mantric rock minimalism which collides Just Intonation harmonic systems and the energy of West African guitars. By Dan Wilson

Devin Townsend
The rogue operator of avant rock has forged a unique career as both first choice collaborator for metal groups and lone psychonaut exploring the outer corners of the guitar. He talks to Joseph Stannard about his new twin release Lightwork/Nightwork.

Invisible Jukebox
Radical punx and founders of London’s Decolonize festival Big Joanie take The Wire’s mystery record test.

Global Ear
Memories of a coastal town destroyed in 2011 by the Japanese tsunami live on through field recordings and songs in the hands of one of its former residents.

One page interviews with Backxwash, Andrew Poppy, Xhosa Cole and Camille Emaille.

Unlimited Editions: Ramallah based label BLTNM.
Unofficial Channels: DJ M-TRAXXX.

Epiphanies: Raymond McDonald of Glasgow Improvisers Orchestra.

Regardless if you’re doing it for the purpose of relaxation or for releasing a lot of stress, having a night out could have an almost purifying effect. Things then will certainly look even more peachy when your name is on the guest list. It’s just perfect in case you want to have a life but it shouldn’t be too real.
People who aren’t on the guest list are officially uninvited. At least that’s how you should feel when your name made it on one. You put so much energy, smalltalk, omnipresence and social media action into it, you deserve to be treated like royalty. If there’s one constant you can count on, then it certainly is that being on the guest list still is the ultimate status check.

For our GUEST LIST issue, Lodown was hanging out backstage, enjoyed private views, got drunk at uncountable vernissages, took a closer look at flyer culture, high-fived a few bouncers - and even let a few guest art directors take over a couple of pages.
All for the simple reason that you don’t have to queue. You’re welcome. Now let’s dance.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Highlights of our GUEST LIST issue include…

DAVE SWINDELLS… In the UK, some people refer to the London of 1988 as “Year Zero“, because it seemed to have kickstarted a club scene in a way that hadn’t existed before. It was the year Acid House was hitting England’s capital (and beyond) big time. It was the time of clubs like Future, Shoom and Spectrum. And luckily East London-based photographer Dave Swindells was there to capture it all.

CIVILIST… Everybody’s favorite Skate Shop in Berlin opened its diary for us. In the end, it basically felt like chronicling the last years of skateboarding of Germany’s capital. It’s a Lodown exclusive, by the way.

NIKITA TERYOSHIN… Berlin-based photographer Nikita Teryoshin invites us to visit the back office of war with him, as his awarded, ongoing project “Nothing Personal“ takes a look at global defence business. Shot (so far) at fourteen different defence exhibitions worldwide between 2016 and 2020 the images capture a parallel world unknown to the vast majority of us ordinary mortals.

DAN WITZ… Embracing the possibility of a collective high through clubbing or a proper show can have an almost cleansing effect - because letting loose within the community of kindred spirits is something very comforting. And there hardly is any other artist capturing these moments of crowds going blissfully berserk than Brooklyn-based genius artist Dan Witz.

- plus more elaborate features and visual awesomeness from the likes of: EIKE KÖNIG, KUEDO, MARCELOA CANEVARI, PVA, LISA WASSMANN, LYZZA, DAVID HENRY BROWN JR. and many others.

Vs. is the sound of a band on fire. The same confluence of talent, passion, timing, and fate that made “grunge” the world's soundtrack also lit a short fuse beneath Pearl Jam. The band combusted between late 1992 and mid-1994, the span during which they planned, recorded, and supported their sophomore record. The spotlight, the pressure, the pace-it all nearly turned the thriving act to ash. Eddie Vedder, the reluctant public face of the band, responded by lashing out lyrically. Jeff Ament, Mike McCready, and Stone Gossard, who beheld success with varying degrees of anxious satisfaction, attacked their instruments in solidarity. Dave Abbruzzese welcomed the rock-star lifestyle, and left his mark on the record with more than just potent percussion. Vs. roils with fury-and at times, gently steams-over the trappings of fame, human faults, and societal injustice. The record is a thrashing testament to Pearl Jam's urgent creativity and greater-good interests, and the band's logistical calculations behind it drew a career-defining line in the sand. It promised the world that Pearl Jam would neither burn out nor fade away. This book weaves research, little-known details, and band members' memories into a definitive account of how Vs. set them on a path toward enduring integrity and relevance.

“Vandals“ by Lodown Magazine is an artistic exploration of how to do things differently and civil disobedience.

Highlights include…

• JOHN DIVOLA... As he nears 70, the legendary LA-based artist might have quit spraying symbols inside abandoned buildings, but his artistic acts of vandalism still feel irritatingly fresh after forty years.

• DAVE RIMMER... The former British music journalist and Smash Hits! editor talked with us about his forgotten masterpiece “Once Upon A Time In The East“, in which he tells true tales about mischief in West/East-Berlin before the Wall came down - his classic “Eastie Boys“ prank included.

• HARIS NUKEM... The celebrated photographer just had a solo show titled “Humans“ at the NR Project art space London in late summer, proving once again that “good vibes“ is a very flexible expression, as the very majority of his stunning portraits capture individuals consciously on a collision course with society and its established norms.

- plus more elaborate features and visual awesomeness from the likes of: ERIC BRUNETTI, KIDULT, MATIAS AGUAYO, SUPER DARK TIMES, DANIEL BUREN, SpY, GHOST, JELLE KEPPENS, BOBBY HUNDREDS and many others.