Search "wood wood champion" 120 Items

Limited edition.

White vinyl.

Red Translucent vinyl. Cover with slightly bumped corner

close to NM

stamped white label

Eco-Wax Vinyl Edition. Cover with seam split on top spine

close to NM

Green Transparent vinyl

Clear vinyl. Cover with a very small spine damage, closer to NM

Still in shrink, but opened

CD comes in a soft case, instead of the original crystal case. All booklets included.

UK original.

With bonus CD

Very light shelf wear and slightly bumped corner, close to NM.

Few paper scuffs. Stickered PVC sleeve. Cover is close to NM. Limited edition.

Orange vinyl. Cover with slightly bumped corner, closer to NM.

Blue vinyl. Cover with tear on the back!

Red vinyl

Limited edition for Record Store Day 2016!

Brown vinyl and cover are close to NM. With insert.

Record has scuffs and hairlines.

Blue translucent vinyl. Original inner sleeve included.

Includes original inner sleeve.

Orange vinyl. Without insert

Factory sealed with hype sticker. Box with slightest edge wear.

Cloudy vinyl. Cover with slightly bumped corner

cover and vinyl are close to NM. With insert

Side B has some stains that are hard to remove on the first tracks, the other sides are clean and closer to VG+. Cover with light wear on the edges.

Includes original inner sleeves.

Vinyl with a couple of light scuffs

Blue Translucent vinyl. Still sealed. Tiny wear.

Sealed copy!

Cover as new with a dented corner.
Includes original insert.

Sleeve is a 24×36 inch double sided poster., close to NM

Record with just a few paper scuffs.
Includes original inner sleeve and poster.

Japanese pressing.

Still sealed with hype sticker. Orange vinyl Limited edition.

Still sealed with hype sticker. tiny wear. Green vinyl Limited edition.

Vinyl with a couple of light scuffs

Grey Marbled [Bay Fog] and Red Marbled [Golden Gate Sunburst] vinyl. Vinyl and cover are closer to NM. With original recycled brown paper bag ( without hype sticker)

The Quickening is an improvised work guided by emotional intuition and an ability to spin collective experience into music of potent and boundless beauty. Jim White and Marisa Anderson instrumental voices' are unmistakable and spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic percussion passage with its own distinct personality. Together their melodic flourishes cascade and twist upon one another, at times trading conversational exchanges, and at others drifting in unison as if lost in the same train of thought. White and Anderson share an abounding appetite for musical exploration. White, as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson's prolific output as a solo performer, her mastery of traditional folk and blues forms and her abilities to make them entirely her own has established her as one of the most exciting and forward-thinking guitarists of the last decade. White and Anderson's considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The duo' friendship and shared explorative nature inform these warm and daring improvisations. Their remarkable performances take the listener on a journey of exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70's that had been largely closed before some young engineers took it over. The "slight disorientation" of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of "The Lucky" and "The Quickening". The duo did not rehearse or perform together prior to the recording sessions; as White puts it, "it's good to suspend disbelief at this stage of playing."

Gold Marble vinyl is close to NM, the cover as well.

Mispackaged version. Side D has two visual marks, optically VG, but plays with almost no background noises. All 3 other sides NM

Vinyl with minimal scuffs and hairlines. Still in shrink, but opened.