Search "the+soul+session+one" 160 Items

Black w/ Tangerine & Silver Swirl Vinyl.
Includes original inner sleeve.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

sealed, but one corner has a small ding.

Critically-acclaimed, criminally-overachieving Glasgow-based singer and guitarist Alasdair Roberts is known as a superlative original songwriter as well as an interpreter of traditional songs from Scotland and beyond. For the past twenty years, his recordings have alternated between these two complimentary poles, with "pop" records such as The Amber Gatherers and A Wonder Working Stone nestling in his expansive back catalogue alongside "folk" albums such as No Earthly Man and What News (with Amble Skuse and David McGuinness). Additionally, all of these records possess a further dimension, derived from their collation of songs together into one album-length statement. This is part of Alasdair"s great achievement in his career - for him, this thing of music and song hasn"t come the eons it"s travelled to simply entertain.These impulses fully present and well honed, Alasdair returns to his roots with Grief in the Kitchen and Mirth in the Hall, his fifth full-length collection of traditional song. Recorded live in the studio, it is an entirely solo collection of twelve traditional ballads and songs sparsely arranged for acoustic guitar, piano and voice. The majority of the songs originate in Alasdair"s homeland of Scotland, with a couple from Ireland and one from Prince Edward Island on Canada"s eastern seaboard too.The record takes its title from a line in the final verse of one of its songs, "The Baron o" Brackley" - a ballad of feuding clans and matrimonial betrayal from the north-east of Scotland. Grief in the Kitchen and Mirth in the Hall: it"s a title which goes some way towards encapsulating many of the record"s themes. Collectively the songs treat of various conflicts and tensions - those of gender; of class, status and position; and of geography and tribal belonging - and the roles and responsibilities expected at the various intersections of these constructs. That we should never forget!As with many of Alasdair"s recordings, Grief in the Kitchen and Mirth in the Hall contains ballads aplenty...

Cover with beginning of seam split on top spine and stuffed corner.

Returning for the third time to the studio of Speedy Wunderground’s Dan Carey, Hebden Bridge’s The Lounge Society are back; this time, with the mindset of crafting a debut album conceived out of desire, raised by collaborative muscle-memory, and kept beating, by the sacred-heart of emotional-spirit.

Recorded over two weeks in November 2021, Tired of Liberty is a stunningly ubiquitous snapshot of instrumental meltdown, and timeless adolescence. Keen to uphold the manipulated elasticity of a recorded event, the majority of the eleven tracks that make up the record (with the exception of ‘Generation Game’, which saw its beginnings as part of the Speedy Wunderground 7” series, and was subsequently re-recorded), were written either just before, or throughout the duration of those fortnight sessions.

Clear vinyl. Still sealed with hype sticker.

Flawless Orange Transparent With Black And White Splatter Vinyl. Cover has one corner bump.

I had this idea that—I’m not a religious person, but I do believe that there’s a spirituality to a lot of people and they’re not religious. You don’t have to be religious to be a spiritual person, right? You just don’t have to. There should be an acceptance, or a way of recognizing spirituality without it being overtly religious.

The only prophets worth a shit are the reluctant ones, and so it was that right before he started working on what would become his new album, The Bible, Lambchop’s Kurt Wagner found himself at the proverbial crossroads. Nearing the end of Lambchop’s third decade as a recording artist, Wagner felt musically isolated. He questioned whether continuing to make music even made sense. “I feel weird because I’m going to be 64, dude,” he says on the phone in between drags of a cigarette. “What the fuck am I doing?”

The Bible is the sound of Kurt Wagner asking big questions, like that one, and all the other ones.

Purple Vinyl Edition. Still sealed with hype sticker. Gatefold cover has seam split and slight corner wear.

Purple Vinyl Edition. Still in shrink but opened with hype sticker. Gatefold cover has seam split.

Still shrink wrapped but opened.
Cover as new with faintly worn corners.
Records are slightly warped but still enjoyable.
Includes original inner sleeves.

Cover has one ding bottom right corner.

Three Years Have Passed Since The Last Hysterese Record, And These Last Years Brought Change To The Band. All Grew Older, Some Got Babies And Some Went Their Different Paths. So 2021 Is A Bit Of A New Era For Hysterese, Person...

Golden vinyl. cover is close to NM.

Sealed copy!

Vinyl 2 ONLY (the Gold one, Side C and D). Vinyl 1 is missing. Cover closer to NM. With insert.

Record has one light scratch

Yellow vinyl!

Neon Yellow vinyl. Seam split. Limited edition.

Limited Edition.
Clear Vinyl.
Record is close to NM.
Includes original inner sleeve.

The Quickening is an improvised work guided by emotional intuition and an ability to spin collective experience into music of potent and boundless beauty. Jim White and Marisa Anderson instrumental voices' are unmistakable and spellbindingly lyrical. Anderson unravels global guitar traditions into atmospheres all their own through improvisations and transforming melodic lines. While White implements an array of sticks, brushes, and techniques that imbue each rhythmic percussion passage with its own distinct personality. Together their melodic flourishes cascade and twist upon one another, at times trading conversational exchanges, and at others drifting in unison as if lost in the same train of thought. White and Anderson share an abounding appetite for musical exploration. White, as a member of Venom P Stinger, Dirty Three, and Xylouris White, is well known for his creative and idiosyncratic drumming. His singular abilities have also led to collaborations with Cat Power, PJ Harvey, and Bill Callahan among others. Anderson's prolific output as a solo performer, her mastery of traditional folk and blues forms and her abilities to make them entirely her own has established her as one of the most exciting and forward-thinking guitarists of the last decade. White and Anderson's considerable technical skills are used in the most inventive and unconventional manner on their debut duo recording, The Quickening. The duo' friendship and shared explorative nature inform these warm and daring improvisations. Their remarkable performances take the listener on a journey of exuberant discovery. The idea of a collaboration developed while on the road together in 2015, Anderson playing solo and White playing with Xylouris white. The Quickening began at the Portland studio Type Foundry in late 2018, where the duo initially agreed to meet and improvise and record. Happy with the recordings, the duo headed to Mexico City and into Estudios Noviembres, a time capsule of a studio from the 70's that had been largely closed before some young engineers took it over. The "slight disorientation" of working in less familiar environments mirrored their willingness to plunge headfirst into exploring new sonic territory together. Anderson purchased a new nylon string Ramos-Castillo guitar from a Mexican luthier just ahead of recording which leant to the spontaneity of "The Lucky" and "The Quickening". The duo did not rehearse or perform together prior to the recording sessions; as White puts it, "it's good to suspend disbelief at this stage of playing."

Copy closer to NM

Yellow vinyl. Still in shrink, but opened, with hype sticker (without the RSD one). With bonus CD.

OBI is missing!

Numbered. White Vinyl. Cover has one small corner bump.

Clear w/ Black & White Splatter vinyl version! Cover with slight wear. Original inner sleeve is damaged on one comer!

Clear/Gold vinyl. Still in shrink, but opened, with hype OBI

Green translucent Vinyl. One single sdied vinyl with art etcheing in one side. Original inner sleeves. Vinyl seems unplayed. Limited edition.

Limited Edition.

Small light scuffs on side both sides.
Includes original inserts and booklet.

Complete box set with coke bottle clear and black records, bonus 7", CD and inserts!

Bone / Black With Bone Splatter Split

OBI is missing! Record with scuffs and slight scratches!

Cover has one small corner bump.

Cover has one tiny corner bump

Cover has one 2cm split upper seam.

Pink Frost and Sea Foam Blue vinyl. Still sealed with hype sticker on front, barcode sticker on back cover. Cover has one stuffed corner and one bent corner.

Turquoise Blue Vinyl close to NM

Triple gatefold cover. Without OBI. One record has light hairlines, besides that vinyl is NM. Limited edition.