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Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is closing its Makoto Kubota reissue series with the release of "Dixie Fever" recorded in Hawaii in 1976 and co-produced by Haruomi Hosono. Like its predecessors, 'Sunset Gang' and 'Hawaii Champroo', 'Dixie Fever' continues to explore American and Island music through a Japanese prism with a skilful mix of blues, swamp funk and America adding an exotic edge to the whole. It is the first time the album is released outside of Japan and the LP features original artwork with OBI and insert plus remastered audio by Makoto Kubota himself.

A year after the release of their highly-acclaimed album 'Hawaii Champroo' in 1975, Makoto Kubota and The Sunset Gang reunited at Sounds of Hawaii studios with co-producer Haruomi Hosono to record a new album, 'Dixie Fever'. They used pretty much the same ingredients that had made the success of Champroo - an effortless mix of Japanese folk and american roots music with some tropical influences. The same mix that Haruomi Hosono was applying to his own albums, especially ''Tropical Dandy which was experimenting with the same ideas - In fact the front cover of both 'Tropical Dandy' and 'Dixie Fever' are illustrated by Yasuo Yagi. ?As per 'Hawaii Champroo' and 'Sunset Gang', 'Dixie Fever' includes a mix of original compositions and covers. On the album, you spot The Lovin' Spoonful's 'Wild About My Lovin' and a funked up version of UK singer songwriter Ralph McTell's song 'When i Was a Cowboy'. They feature the Gang's usual musicians (Keni Inoue on guitar, Yosuke Fujita on slide guitar and Takashi Onzo on bass and keyboards) complemented by a handful of guests including Tin Pan Alley drummer Tatsuo Hayashi, Motoya Hamaguchi on percussion and New Orleans pianist and Dr. John friend, Ronnie Barron. Together they play a superb brew made of blues, soul, Hawaiian music and southern swamp rhythms. One of the highlights of the album is undoubtedly 'Hoshikuzu' (Stardust) which has become a cult classic over the years on the international City Pop scene and whose sunshine mid-tempo vibe is the perfect reflection of the group's musicianship. The track perfectly adds to the album's charm which Wewantsounds is happy to release for the first time internationally.

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Joni Mitchell

4LP | 2024 | Original (Rhino)

124,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (MCA)

George Strait

Cowboys And Dreamers

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

The Houston Kid Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Rodney Crowell

LP | 2001 | US | Reissue (Vinyl Me, Please)

33,99 €*

Warte Mein Land, Warte Black Vinyl Edition

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.

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Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Bob Dylan & The Band

Before The Flood

88,99 €*

American IV: The Man Comes Around

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl, numbered limited edition!

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Johnny Cash

2LP | 2002 | US | Reissue (American)

48,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin!

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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The Monsters Burn In Hell

LP+CD | 2016 | EU | Original (Voodoo Rhythm)

16,99 €*

LP | 2003 | US | Reissue (Fat Possum)

Release: 2016 / EU – Original

Genre: Rock & Indie

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A variety of Voodoo Rhythm artists pay tribute to The
Monsters! Featured acts include Urban Junior, King Automatic,
The Devils, Roy And The Devils Motorcycle, Delaney Davidson,
The Seniles, Rolando Bruno, Sudden Infant and others.

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Townes Van Zandt

In The Beginning

33,99 €*

Release: 2003 / US – Reissue

Genre: Rock & Indie

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LP | 2024 | Original (Relapse)

De Mannen Broeders

Sober Maal

Release: 2024 / Original

Genre: Rock & Indie

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3LP | 2018 | EU | Original (Sony Music)

Christy Moore

On The Road

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2024 | US | Original (Sony Legacy)

Alan Jackson

Don't Rock The Jukebox

32,99 €*

Free The Witch Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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ALAN JACKSON - Don't Rock The Jukebox - Don't Rock the Jukebox is the second studio album from country music superstar Alan Jackson. It was released on May 14, 1991 and produced three Number One singles on the Hot Country Songs charts - "Someday," "Dallas," and "Love's Got a Hold On You."

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Green Lung

LP | 2022 | EU | Original (Svart)

LP | 2007 | UK | Reissue (4AD)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Black vinyl, insert

Green Lung are “Britain’s finest folk horror -indebted heavy metalers” (The Guardian), and this is where it all started for the band in 2018. The five track demo recording Free The Witch, including the bonus track When The Axe Comes Down, now reissued on standalone vinyl.

Remastered for vinyl by the spectacular John Davis (Lana Del Rey, Led Zeppelin, Royal Blood…) at Metropolis Studios in the UK and adorned by striking covert art by the band’s perennial collaborator Richard Wells.

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Bon Iver

For Emma, Forever Ago

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | EU | Original (Proper)

Joan Baez

Whistle Down The Wind

17,99 €*

LP | 2024 | US | Original (Sony Legacy)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Marty Robbins

Return Of The Gunfighter

25,99 €*

LP | 2012 | Reissue (The Spheres)

Release: 2024 / US – Original

Genre: Rock & Indie

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On this 1963 release, well-known country singer, Marty Robbins, continued to showcase his love for cowboys and six-shooters with a "sequel" to the successful 1959 album, Gunfighter Ballads And Trail Songs. The Return of the Gunfighter album even propelled Robbins to pursue acting just 2 short years later.

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Myrninerest

"Jhonn", Uttered Babylon

LP | 2024 | Original (American Dreams)

Release: 2012 / Reissue

Genre: Rock & Indie

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MYRNINEREST is the new Hallucinatory Cartoon channelled by David Tibet in order to work, outside of CURRENT 93, with some of the artists and friends he admires the most. ""Jhonn," Uttered Babylon", their harrowing and haunted debut, featuring James Blackshaw and David Tibet, is centered on Davids friendship with, and love for, the late Jhonn Balance of COIL as well as Jhonns death and how it affected the circle of friends around Jhonn. With all lyrics by David and all music written by James, the album was recorded during February 2012 with James Blackshaw on classical guitar and harmonium and David as vocalist. Both LP and CD formats contain the same songs, but with very different mixes by different artists, and the tracks on the 2 formats have also been given different names.The vinyl version is mixed by The Bricoleur and comes in a full-colour, reverse-board, sleeve with a 4-page insert containing the albums text and reproductions of two charco...

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Shovel Dance Collective

The Shovel Dance

Dancing In The Dark Random Colored Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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The Shovel Dance is the most powerful release to date from nine-piece folk group Shovel Dance Collective, bringing studio fidelity and trickery to the rich arrangements and soaring vocals of their concerts. Their new album revolves around the group’s interplay and close listening, no matter how many members of the band play on a given song or how many instruments feature (there are twenty-five instruments and eight voices). With production by Mike O’Malley (caroline) and mastering by Matt Colton (Thurston Moore, Laura Marling), they give their arrangements an experimental edge—as close to Scott Walker or Swans as Shirley Collins or Bert Lloyd—that situates them on the bleeding edge of folk music, with unique beauty, force, and political charge.

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Ziggy Alberts

LP | 2023 | EU | Original (Commonfolk)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Water Is The Shovel Of The Shore

Shovel Dance Collective

2LP | 2022 | UK | Reissue (Memorials Of Distinction / Double Dare)

LP | 1992 | EU | Reissue (Sony)

Release: 2022 / UK – Reissue

Genre: Rock & Indie

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The latest release from nine-piece folk group Shovel Dance Collective, orbiting around the concept of water. Combining on-site documentation of traditional songs, folk tunes and field recordings in long-form sound-collages. The results lie somewhere between folk music, music concrete and acoustic ecology. Released collaboratively by Memorials of Distinction and Double Dare.

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Leonard Cohen

The Future

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Trio Da Kali And Kronos Quartet

Ladilikan

LP | 2017 | EU | Original (World Circuit)

LP | 2011 | UK | Original (4AD)

Release: 2017 / EU – Original

Genre: Rock & Indie

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You take a trio of the fnest traditonal griot musicians from Mali and put them in a studio with Western music's most revolutonary string quartet - and the resultng album is one of the most richly rewarding musical collaboratons you are likely to encounter. Together the Kronos Quartet and Trio Da Kali have created an album that is rich in texture, hauntngly melodic and strikingly inventve as violins, viola and cello combine with balafon, ngoni and the powerful female voice of Hawa 'Kassé Mady' Diabaté in transcendental style. David Harrington, who founded the Kronos Quartet in 1973, describes the album as one of the most beautful Kronos has done in forty years.' All three Da Kali members come from hereditary musical families, Balafon player and musical director Lassana Diabaté was a long-tme member of Toumani Diabaté's Symmetric Orchestra and has recorded with Salif Keita, Taj Mahal and many others. A musician of great subtlety and inventon he has honed a virtuoso two-balafon technique to perfecton. Bass ngoni player Mamadou Kouyaté is the eldest son of the instrument's greatest exponent, Bassekou Kouyaté and he holds down the groove in his father's band 'Ngoni Ba'. Singer Hawa 'Kassé Mady' Diabaté is the daughter of Mali's greatest traditonal singer, Kassé Mady Diabaté, and the power, range and phrasing of her voice led David Harrington to compare her to the late queen of American gospel, Mahalia Jackson.
Kronos Quartet have earned an enviable reputaton collaboratng with contemporary composers such as Steve Reich, Philip Glass, Terry Riley and Laurie Anderson and with world music icons from Argentnian tango hero Astor Piazzola to Bollywood singer Asha Bhosle.

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Bon Iver

Bon Iver, Bon Iver

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Lucy Kruger & The Lost Boys

Sleeping Tapes For Some Girls

LP | 2019 | EU | Reissue

17,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Boo! The Early Recording 1971-73

Juliet Lawson

LP | 2024 | UK | Original (Soul Jazz)

31,99 €*

LP | 2007 | US | Original (Ba Da Bing!)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Singer/Songwriter Juliet Lawson"s album, "Boo", was released on the Sovereign label in the UK in 1972. The album was the confident debut of a young British artist and featured twelve of Lawson"s own compositions.In the same wave of early 1970s English singer-songwriters such as Nick Drake, Vashti Bunyan, Christine McVie and despite being described at the time as "Britain"s answer to Joni Mitchell" "Boo" was to prove her only major label release with limited commercial success.Over the next 50 years the album"s reputation has slowly grown and is today an expensive and collectible item. "Boo" is presented here in its entirety.The first pressing of the vinyl edition of the album also come with a bonus 7-inch single featuring two early demo tracks.

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Beirut

The Flying Club Cup

44,99 €*

G.Rag + Die Landlergschwister

Release: 2007 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs

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Schwung

LP | 2015 | DE | Original (Gutfeeling)

13,99 €*

G.Rag + Die Landlergschwister

Release: 2015 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, record looks unplayed. Comes with insert.

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Neue Stadt

LP | 2018 | DE | Original (Gutfeeling)

G.Rag Y Los Hermanos Patchekos

Release: 2018 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, seems unplayed. Original inner sleeve and insert included.

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How Sweet The Sound

LP | 2018 | DE | Original (Gutfeeling)

Nick Castro & The Young Elders

Release: 2018 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, looks unplayed.

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Come Into Our House

2LP+7" | 2006 | NL | Original (Daffodelic)

LP | 2024 | Original (Les Editions De La Dernière Pluie)

Release: 2006 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new condition. Comes with bonus 7". Records seem unplayed.

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Emily Loizeau

La Souterraine

40,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Dance Of Love Mixed Coloured Vinyl Edition

Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (WEA)

The Pogues

The Best Of The Pogues

21,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Bonnie Prince Billy & Salsburg, Nathan & Trotter, Tyler

Hear The Children Sing The Evidence

LP | 2024 | Original (No Quarter)

LP | 1993 | UK | Reissue (Charly)

Release: 2024 / Original

Genre: Rock & Indie

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When Nathan Salsburg's daughter was a baby, he often sang her to sleep ina rocking chair. At one point, he remembered a song he had taught himselfas a teenager: "The Evidence" by Lungfish, the Maryland band who coined asingular brand of post-punk in the 90s and 00s. Salsburg realized he could playthe guitar part with one hand, singing while holding Talya in his other arm. Though theoriginal version of "The Evidence" is only five minutes long, it's essentiallya repetitive mantra, so Salsburg could extend it as long...

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Townes Van Zandt

The Nashville Sessions

29,99 €*

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Gillian Welch & Rawlings,David

All The Good Times

LP | 2022 | EU | Reissue (ADA)

29,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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The American Clavé Recordings

Astor Piazzolla

3LP | 2022 | EU | Original (Nonesuch)

81,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Look At It In The Light Black Vinyl Edition

Kate Bollinger

LP | 2022 | US | Original (Ghostly International)

The O-Zone Percussion Group

Release: 2022 / US – Original

Genre: Rock & Indie

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Kate Bollinger's songs tend to linger well beyond their run times, filling the negative space of ordinary days with charming melodies and smart phrasings. She writes them at home in Richmond, Virginia, letting her subconscious lead, an open-ended process she likens to dreaming. From a chord progression appears a line, maybe a syllable will start to stick, enough to pursue, but she says sometimes the words don't feel likeher own, more like shapes that form in the mind's sky. Bollinger's musical universe is relaxed, tender, and unassuming; within lives a timeless sensibility, a songwriter's knack for noticing the little things and their counterpoints. Darkness and light, pain and pleasure, reality and escape. Her new EP, Look at it in the Light, her first project on Ghostly International, is collaborative; she shoots music videos with her friends and colors each of her folk-pop songs with musicians in her community. The title Look at it in the Light is a reference to the aspects of Bollinger's life that she knows need examining. For one, there's her persistent resistance to change _ she chooses to ignore it on the title track ("I try not to notice / I deny my fate"), as wiry strums sync with crisp drums. She surrenders to comfort on "Who Am I But Someone," a light and softly psychedelic number. "Yards / Gardens" finds Bollinger in full swing, skipping verses of uncertainty above a bright and nimble bassline and kick. Guitar riffs unravel across the bridge, trailing her lines like ellipses. The string-backed "Lady in the Darkest Hour" is the set's most luxuriant statement, recorded during a session at Matthew E. White's Spacebomb Studios with in-house arranger Trey Pollard (Natalie Prass, Helado Negro). Here her lines ring bittersweet yet reassuring, uplifted by swells of golden-hued instrumentation. From the hushed abstractions of "I Found Out" to the biting suspicions of closer "Connecting Dots," Kate Bollinger uses every inch of this dazzling EP to find her footing amidst the ever-present sways of life

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The Percussion Record

LP | 2022 | EU | Original (Clearaudio)

29,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Banjodad)

Trampled By Turtles

Blue Sky & The Devil

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | Original (Bella Union)

Emmy The Great

April / 月音

Release: 2020 / Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Michael Nesmith & The First National Band

Loose Salute

LP | 1970 | US | Original (RCA Victor)

Release: 1970 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1969 | US | Original (Elektra)

David Ackles

Subway To The Country

9,99 €*

Release: 1969 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Rachel Unthank & The Winterset

The Bairns

2LP | 2023 | EU | Original (Rabble Rouser)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | UK | Original (R Coup D)

Fink

Resurgam

LP | 2024 | US | Original (New West)

Release: 2017 / UK – Original

Genre: Rock & Indie

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Resurgam– meaning “I shall rise again” – is the hotly-anticipated sixth studio album from Fink: UK-born, Berlin-based founding singer-songwriter musician Fin Greenall, alongside long-time bandmates Tim Thornton (drums, guitar) and Guy Whittaker (bass). It continues an acclaimed and distinctly adventurous catalogue, from the sample-splicing debut Fresh Produce (2000), through to the beautifully heady expressions of their last album, Hard Believer (2014). Greenall has also earned global props as a film music composer, songwriting collaborator (including works with John Legend and Amy Winehouse) and solo innovator, with recent side-projects spanning the electronic Horizontalism (2015) to Fink’s Sunday Night Blues Club Vol.1 (2017). Fink have never been afraid to experiment; on Resurgam, they arguably sound more fearless than ever.

Resurgam derives its title from a Latin inscription in a 900-year-old church in Greenall’s native Cornwall. Its vital, insistent spirit pulses through the entire album, which was recorded with ground-breaking producer Flood (PJ Harvey, U2, Foals, Warpaint, The Killers) at his Assault & Battery studios in North London. Its ten new tracks were created over two months, a relatively luxurious stretch of time compared to previous Fink albums, resulting in a collection that is both assertive and richly immersive.

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The Wild Feathers

Sirens

Mind, Man, Medicine Jade Vinyl Ediiton

Release: 2024 / US – Original

Genre: Rock & Indie

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How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.

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The Secret Sisters

LP | 2024 | US | Original (New West)

30,99 €*

LP | 2022 | UK | Original (Bella Union)

Release: 2024 / US – Original

Genre: Rock & Indie

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Our fifth chapter is the one where we seek, savor, and settle. The muse found us in the depths of raising children, nurturing relationships, surviving a world-changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we’ve learned. We’ve learned to be space-holders and defenders of the people we hold close. We’ve learned from deep, steady love in various forms. We’ve learned to let go of people and perceptions and priorities that just didn’t make the cut as we weighed what is right and important and worth keeping. We’ve learned how all the things we’ve always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you’re on target-we have found calm waters, for now. - The Secret Sisters (2023)

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Warmduscher

At The Hotspot

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Silver Tongued Devil And I Vinyl Me, Please Edition

Kris Kristofferson

LP | 1971 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 2024 | EU | Original (Sony Music)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Kris Kristofferson was the true country outsider, a man who single-handedly pushed the genre leftward, changing forever the perception of its songwriters, its performers and its message. He was long-haired, anti-war and sang songs with drug use, sex and violence always lurking as dangers in the margins, at a time when Waylon and Willie were wearing sweaters and playing golf on their album covers. He was the outlaw, in a genre that would soon have people recording his songs, and co-opting his vision for a new version of country, to much greater financial success.

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The Highwaymen

Live At Nassau Coliseum

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Times They Are A-Changin'

Bob Dylan

LP | 1964 | EU | Reissue (Columbia)

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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2LP | 1982 | EU | Reissue (Columbia)

Bob Dylan & The Band

Before The Flood

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The Cutting Edge 1965-1966: The Bootleg Series Volume 12

Bob Dylan

3LP+2CD | 2015 | EU | Original (Columbia)

66,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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Dance Of Love Black Vinyl Edition

Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

Release: 2024 / Original

Genre: Rock & Indie

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Mary Lattimore And Walt Mcclements

Rain On The Road Blue Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

34,99 €*

2LP | 2020 | EU | Original (Sony)

Release: 2024 / US – Original

Genre: Rock & Indie

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Mary Lattimore and Walt McClements are two of contemporary music"s most renowned innovators. Each has managed to expand the perception of their instrument"s capabilities. Lattimore inventive harp processing and looping has brought the instrument to a new audience. Her prolific run of celestial solo albums and evocative film scores have redefined the instrument in the modern consciousness. Her genre-agnostic collaborations include work with Kurt Vile, Steve Gunn, Jeff Zeigler, Meg Baird, and Thurston Moore. McClements, who tours as a member of Weyes Blood, is an acclaimed composer in his own right, sculpting glacial atmospherics from the accordion. The Los Angeles based duo became quick friends on overlapping tours, sharing both a drive to push the sonic possibilities of their instruments and roots in North Carolina. Mary Lattimore and Walt McClements debut collaboration Rain on the Road blossomed out of that time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements" apartment during a rainy December in LA, Rain on the Road unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on "Stolen Bells" that glisten like lights on wet pavement, or the stately piano figures on "The Top of Thomas Street"; their pastoral pieces manage to paint vivid images.

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The Chicks

The Essential The Chicks

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (New Friends Music)

Orla Gartland

Woman On The Internet

Release: 2021 / EU – Original

Genre: Rock & Indie

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Pat Garrett & Billy The Kid

Bob Dylan

LP | 1973 | US | Reissue (Sony Legacy)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Original (Barbes)

Wembler's De Iquitos

Ikaro Del Amor

20,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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A Cat In The Rain Opaque Tan Vinyl Edition

Turnpike Troubadours

LP | 2023 | EU | Original (Bossier City)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Rules Of Fire - The Live

Sophie Hunger

2LP+CD | 2014 | EU | Original (Two Gentlemen)

21,99 €*

Jimmy Carter & The Dallas County Green

Release: 2014 / EU – Original

Genre: Rock & Indie

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Contains 12 live recordings including tracks like "Das Neue", "Citylights Forever", "LikeLikeLike" and much more! This deluxe set comes in a gatefold sleeve plus CD added!

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Summer Brings The Sunshine Green Vinyl Edition

LP | 1977 | US | Reissue (Numero Group)

Tape | EU | Original (Relax-In)

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Don't let the postcard-generic cover art fool you, Summer Brings The Sunshine stands head and shoulders above nearly any major label country rock album crowding mid-'70s record bins. Next to the hundreds or even thousands of slick productions flowing out of Nashville and Los Angeles, Jimmy Carter scoured his rural Missouri surroundings for farmhands and semi-pros alike to lay down eight farm-isolated originals in 1977. Tasty female backing vocals, languid pedal steel, and feisty guitar licks abound on this exalted and near-peerless slice of Cosmic American Music.

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Magida El Roumi

And The Children

Release: EU – Original

Genre: Rock & Indie

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Tape | EU | Original (Relax-In)

George Wassouf

Release: EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Sahel Sounds)

Etran De L'Air

Agadez

Gongs Of The Bahnar: A Buffalo Sacrifice Ceremony

Release: 2022 / US – Original

Genre: Rock & Indie

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Etran de L'Aïr (or "stars of the Aïr region") welcomes you to Agadez, the capital city of Saharan rock. Playing for over 25 years, Etran has emerged as stars of the local wedding circuit. Beloved for their dynamic repertoire of hypnotic solos and sun schlazed melodies, Etran stakes out a place for Agadez guitar music. Playing a sound that invokes the desert metropolis, Agadez celebrates the sounds of all the dynamism of a hometown wedding. Etran is a family band composed of brothers and cousins, all born and raised in the small neighborhood of Abalane, just in the shadow of the grand mosque. Sons of nomadic families that settled here in the 1970s fleeing the droughts, they all grew up in Agadez. The band was formed in 1995 when current band leader Moussa "Abindi" Ibra was only 9 years old. "We only had one acoustic guitar," he explains, "and for percussion, we hit a calabash with a sandal." Over the decades, the band painstakingly pieced together gear to form their band and built an audience by playing everywhere, for everyone. "It was difficult. We would walk to gigs by foot, lugging all our equipment, carrying a small PA and guitars on our backs, 25 kilometers into the bush, to play for free_ there's nowhere in Agadez we haven't played." Whereas other Tuareg guitarists look to Western rock, Etran de L'Aïr play in a pan-African style that is emblematic of their hometown, citing a myriad of cultural influences, from Northern Malian blues, Hausa bar bands, to Congolese Soukous. It's perhaps this quality that makes them so beloved in Agadez. "We play for the Tuareg, the Toubou, the Zarma, the Hausa," Abindi explains. "When you invite us, we come and play." Their music is rooted in celebration, and invokes the exuberance of an Agadez wedding, with an overwhelming abundance of guitars, as simultaneous solos playfully pass over one another with a restrained precision, forceful yet never overindulgent.

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Vincenzo Della Ratta

LP | 2024 | EU | Original (Akuphone)

25,99 €*

Marjaa: The Battle Of The Hotels

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Buffalo sacrifice is a significant ritual among the Bahnar people, an ethnic group residing in the Central Highlands of Vietnam. It symbolizes a connection to ancestral spirits and the natural world. Prior to the sacrifice, the community gathers to prepare offerings and adorn the buffalo with symbolic decorations. The ceremony typically involves prayers, chants, and dances led by village elders. The sacrifice is performed with reverence and gratitude, honoring the buffalo's sacrifice for the well-being of the community. It's believed to ensure fertility, protection, and prosperity for the village. The ritual underscores the Bahnar people's deep-rooted spiritual beliefs and their harmonious relationship with nature. After the sacrifice, the buffalo's meat is shared among the villagers in a communal feast, fostering unity and solidarity within the community. This tradition serves as a cultural cornerstone, preserving the Bahnar's heritage and spiritual practices for generations. Recorded in the village of Plei Hven (Vietnam) in 2019 by Vincenzo Della Ratta, this unique album offers a deep immersion in this ancestral ceremony.

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Mayssa Jallad

LP | 2023 | CA | Original (Ruptured)

LP | 1990 | EU | Original (WEA)

Release: 2023 / CA – Original

Genre: Rock & Indie

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“Marjaa: The Battle of the Hotels” is a concept album born of the idea of merging singer/songwriter Mayssa Jallad’s two vocations: music and urban research/architectural history. Written in collaboration with producer Fadi Tabbal, the music builds upon Tabbal’s spatial approach to sound and Jallad’s research on Beirut’s Hotel District.

The album is a reference to Jallad’s Historic Preservation master's thesis, in which she detailed the history of the “Battle of the Hotels”, a 5-months battle that took place in Beirut at the beginning of the Lebanese Civil War, from October 22nd, 1975 to March 29th, 1976.
Jallad saw architecture as a main protagonist of the battle, as she discovered it was the first high rise urban battle in the world. The close of the battle resulted in the 15-year Green Line, an urban rift which split Beirut into “East and West”, restricting movement and communication and creating a violent divide that still resonates today.

The album comprises two parts. Part A: Dahaliz, is a stroll in the city, where Jallad tries (and fails) to follow an old map. Musician Youmna Saba is a companion in this journey of remembering the once winding corridors (“Dahaliz”) of the city, destroyed by new developments since the 1960s. Empty skyscrapers propel her onto a past filled with the violence of snipers, and a present filled with the glamorous injustice of empty luxury real estate endorsed by powerful warlords-turned-politicians.

In Part B: Maaraka, Jallad inhabits the building of the Battle of the Hotels, as its events unfold. She calls the fighting militias the Blues and Reds, respectively the Lebanese Front (Christian Nationalists) and the Lebanese National Movement (Pro-Palestinian leftists), leveling the playing field, and drawing a map of the battle through songwriting. Sary Moussa produces the conclusion of the battle in “Holiday Inn (March 21 to 29)”, which ends with the ultimate severance of the city of Beirut.

The music caters to post-war youth who have never been taught this difficult history. Once we consider the “Battle of the Hotels” as our common heritage, it provides an opportunity to teach the value of civil peace. It is also a call to protest for the renewal, rather than the recycling of the political class that has once destroyed the country and holds us, to this day, hostage of its violence.

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Tanita Tikaram

The Sweet Keeper

6,99 €*

Release: 1990 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. Sticker on front cover.

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2LP | 1973 | DE | Reissue (Warner)

Live/Dead

34,99 €*

LP | 2023 | US | Original (Psychic Hotline)

Release: 1973 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Slight crease close to bottom right corner. Light edge wear. Records are close to NM.

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The Dead Tongues

Unsung Passage

Release: 2023 / US – Original

Genre: Rock & Indie

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The long-awaited reissue of The Dead Tongues' beloved third album, Unsung Passage, a profound reflection on the emotional architecture of love, loneliness, and life at large. The Dead Tongues is songwriter Ryan Gustafson's long-evolving vehicle for a beautifully fractured vision of folk, country, blues, and cosmic American rock, and Unsung Passage is a first-person reckoning with the things Gustafson, a chronically peripatetic adventurer, has seen enough to sing about. The ten remarkable tracks of Unsung Passage are long-distance distillations of events lived and places seen and pondered and ultimately poured into reflective anthems for our harried times. During "Like a Dream," a gentle gallop of grinning harmonica and trickling guitar, Gustafson explores the balance of existence from a hillside vantage. He sees the curveof the earth while pondering his need for a paycheck, a moment that eternally pits the banal against the beautiful. "The Broken Side of People Everywhere" is a gorgeous love song written with the wisdom of someone who knows that nothing is forever or perfect, that there's no real risk in a life where everything ends, anyway. There are meditations on mortality and devotion (the flute-laced dream "My Other"), on money and temporality (the banjo trot "The Giver"), and on impermanence and acceptance (the achingly gorgeous "Pale November Dew"). This isn't Gustafson's idle speculation about life and the world: these are the realizations of a restless mind, of a songwriter who sings "this old town ain't gonna watch m edie" and means it.

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2LP | 1981 | DE | Original (Arista)

Reckoning

22,99 €*

The Reconstruction Of “Na Mele A Ka Haku"

Release: 1981 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Records are close to NM.

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Compuma Meets Haku

12" | 2015 | JP | Original (EM)

14,99 €*

Release: 2015 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | UK | Original (Mooncrest)

Sandy Denny

The Original Sandy Denny

16,99 €*

At Pioneer Works Black Vinyl Edition

Release: 1978 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

UK original.

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Les Filles De Illighadad

LP | 2021 | US | Original (Sahel Sounds)

Release: 2021 / US – Original

Genre: Rock & Indie

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The first new album from Les Filles de Illighadad in four years At Pioneer Works is the highly anticipated new album by the Tuareg Avant-rock group. Les Filles de Illighadad recorded the album in Brooklyn at the tail end of a two-year-long world tour. At Pioneer Works finds Les Filles at the height of their powers, creating a sound that transcends all known genres. This is a heavy and meditative set of music from one of the world's most exciting bands. "If you listen long enough, and make yourself open enough, it is possible to reach a kind of holy place while experiencing the music of the Tuareg quartet." - The New Yorker // "Les Filles de Illighadad are taking the world by storm" - The Guardian // "Les Filles de Illighadad is Revolutionizing Traditional Tuareg Music" - She Shreds

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2LP | 1971 | DE | Original (Warner)

Grateful Dead

35,99 €*

LP | 1982 | US | Reissue (CTI)

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has some lamination peeling, but overall is in great conition. Records have very light scuffs but much play wear.

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George Benson

White Rabbit

Release: 1982 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

V.A. - A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

A Country Christmas With Jimmie Davis - Roy Drusky - Red Foley - Bobby Helms - Jimmy Martin - Bill Monroe - Jimmy Newman - Webb Pierce - Ernest Tubb - Kitty Wells - The Wilburn Brothers

LP | 1962 | US | Original (Decca)

18,99 €*

Release: 1962 / US – Original

Genre: Rock & Indie, Christmas

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Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

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3LP | EU | Reissue (Warner)

Europe '72

35,99 €*

LP | 1977 | JP | Original (CBS/Sony)

Release: EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Small sticker ripoff on front cover. Records close to NM.

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The Surf Break Band

Surf Break From Jamaica

7,99 €*

Bob Dylan & Tom Petty With The Heartbreakers

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing without OBI!

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Live At The Entertainment Centre In Sydney 1986

2LP | EU (DBQP)

Release: EU

Genre: Rock & Indie

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Cisco E La Casa Del Vento

900 Orange Vinyl Edition

LP | 2024 | EU | Original (The Saifam Group)

45,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | CA | Original (Constellation)

ALL HANDS_MAKE LIGHT

Darling The Dawn

Hayday Black Vinyl Edition

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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Feeble Little Horse

LP | 2023 | UK | Original (Saddle Creek)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Now-Again)

Paul Ngozi

The Ghetto

The Man Who Hated Mornings

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Celebrated Zambian guitarist and bandleader Paul Ngozi’s concept album about the stuggles of those living in Africa’s 1970s townships Includes Oversized 8 Page Booklet That Details Paul Ngozi and The Ngozi Family’s Arc, Including Rare Photographs, Discography And Annotation The third entry in an era-defining reissue series on Now-Again centered around this Zamrock legend and his band - previous entries include Day Of Judgement and 45,000 Volts "Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere.

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Michael Chapman

LP | 1977 | EU | Reissue (Mooncrest)

25,99 €*

LP | 2021 | EU | Original (Morphine)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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The Classic 1977 Folk album .and follow up to Savage Amusement. Feat: Mick Ronson, Andy Latimer & Keef Hartley. Recorded at Sawmills Studios, Cornwall, Tapestry Studios, London and Fairview Studios, Hull. Incl. Extensive Sleeve Notes from Andru Chapman & Marc Higgins With bonus track: Steel Bonnets (Instrumental) Limited Edition on 180 gram vinyl

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Gordan

Down In The Meadow

20,99 €*