Search "john+roberts" 678 Items

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Road Home White Vinyl Edition

Yoon Ji-Young

LP | 2021 | JP | Reissue (Beat Ball Music)

17,99 €* 23,99 € -25%

Mount Matsu Black Vinyl Edition

Release: 2021 / JP – Reissue

Genre: Rock & Indie

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This is the vinyl reissue of the second album by folk singer and original composer of 'If I Had Wings on my Song', Yoon Ji-Young. After having released his debut effort, Yoon turned to Oasis Records for his second album. This work was undertaken with the wholehearted backing of musical partner and legendary Korean folk singer/songwriter Kim Min-ki. This album is unique in that it features an unlikely pairing of the socially critical metaphors of Kim's earlier works against the lush instrumentation of the Oasis studio session musicians. The album, with its arrangements incorporating chamber pop vibes as well as folk-rock elements, has a well-crafted quality to it that sets it apart from most gayo albums of its time. Perhaps due to Kim's outspoken lyrics, only small promotional batches of this album were produced at the time of its release. It soon faded into obscurity, going on to become a 'holy grail' rarity among collectors.

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Yin Yin

LP | 2024 | EU | Original (Glitterbeat)

LP | 1982 | TR | Reissue (Dogan Music Company)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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YĪN YĪN, the highly touted Dutch quartet from Maastricht, returns with a sonically expansive third album Mount Matsu. Recorded collectively in their own studio in the Belgian countryside, the album is a kaleidoscope of sounds and influences, occupying a no man's land between Khruangbin and Kraftwerk, surf music and Southeast Asian psychedelia, Stax soul and mutant 80s disco, City pop and Japanese instrumental folk (sōkyoku). Mount Matsu sees YĪN YĪN at their most mature and adventurous stage yet. Infectious pentatonic melodicism calling for multiple rewinds.

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Yeni Türkü

Akdeniz Akdeniz

LP | 2022 | UK | Original (Ici D'Ailleurs)

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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2020 Re-mastered, reissue, 180g black vinyl, in gatefold cover. Originally released in 1982 by the Turkish band Yeni Turku. Their musical style is characterized by a combination of traditional Turkish bağlama, kemenche, oud, guitar and bass. This album guaranties the relaxing, mediterranean mood and will definitely satisfy if you like ethnic music.

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Yann Tiersen

Avant La Chute

17,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Words Don't Fit The Picture Translucent Blue Vinyl Edition

Willie Nelson

LP | 1972 | EU | Reissue (Music On Vinyl)

28,99 €*

2LP | 2000 | US | Reissue (Island)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
FEATURING NELSON’S FIRST SOLO RECORDING OF “GOOD HEARTED WOMAN”
LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT
BLUE COLOURED VINYL

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Willie Nelson

Milk Cow Blues

49,99 €*

December Day Willie's Stash Volume 1 White Vinyl Edition

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Milk Cow Blues is the 48th studio album, released in 2000, by American country music singer Willie Nelson. It contains several duets and musical collaborations with artists such as B. B. King and Dr. John. Available for the first time on vinyl. 180-gram 2 LP.

Tracklisting

Side A: 1. Milk Cow Blues 2. Outskirts Of Town 3. Black Night 4. Funny (How Times Slips Away) Side B: 5. Rainy Day Blues 6. Crazy 7. The Thrill Is Gone 8. Wake Me When It's Over Side C: 9. Kansas City 10. Fool's Paradise 11. Ain't Nobody's Business 12. Night Life Side D: 13. Sittin' On Top Of The World 14. Lonely Street 15. Texas Flood

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Willie Nelson & Bobbie

2LP | 2014 | EU | Reissue (Music On Vinyl)

22,39 €* 31,99 € -30%

LP | 2021 | US | Original (Half A Million)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Talk about a talented family: Willie Nelson and his Sister Bobbie Nelson each achieved massive success in country music. Even in their late 80’s, the Nelsons continue to make music and their influence can be heard through many artists in the genre. December Day, Willie’s Stash Vol. 1 is a collaboration album between the two, and upon release in 2014 it was met with positive reviews from music critics. The album spawned three singles: “Who’ll Buy My Memories”, “Laws of Nature” and “Summer of Roses / December Day”. The liner notes were written by Willie’s frequent collaborator Mickey Raphael. This record comes as a limited edition on snowy white vinyl.

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Wes Buckley

The Towering Ground

LP | 2023 | US | Original (Bloodshot)

Release: 2021 / US – Original

Genre: Rock & Indie

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Wes has been working in and around the Berkshires for some time, performing solo, duo, or with full band. His music stretches out quite a bit, sometimes offering a more homespun, traditional mountain bus folky type feel, other times extending outward toward Dead spaces or even Arkestra-esque freakouts. He’s released records with Michael Hurley, self released CDs, and been collected on CD by the wonderful Mystra label. His record with us, The Towering Ground, will be his first LP and we’re very excited about it. The songs collected here maintain a bit of his folky character, but they offer something more in the way of a hazy, If I Could Only Remember My Name / Fred Neil’s 'The Dolphins' languor. The songwriting chops Wes displays are strong, and while he’s a New Englander, there’s a California sunset melancholy running through these tunes, recalling a bit of FJ McMahon’s mournfulness or John Wonderling’s knack for somehow still chilled-out grandiosity..."—Half A Million Records

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Wayne Hancock

A-Town Blues

28,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Hometown Caravan)

Wayne Graham

One Percent Juice

19,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Tape | EU | Original (Relax-In)

Walid Toufik

11,99 €*

Release: EU – Original

Genre: Rock & Indie

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Vladimir Misik, Radim Hladik A Jan Hruby

S Nebem To Mam Dobry White Vinyl Edition

LP | 2023 | EU | Original (Indies)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Victoria Liedtke And Jason Ringenberg

More Than Words Can Tell

LP | 2024 | UK | Original (Judee Bop / Tmr)

Release: 2024 / UK – Original

Genre: Rock & Indie

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More Than Words Can Tell is the new duets album from Victoria Liedtke and Jason Ringenberg. The project sees the duo deep dive into the early songwriting partnership of Dolly Parton and Porter Wagoner, cherry-picking musical gems and little heard tracks from their expansive back catalogue. Coined the “Godfather of Americana” by Mojo magazine, the former Jason and The Scorchers frontman Jason Ringenberg was awarded a ‘Lifetime Achievement Award for Performance’ by the Americana Music Association in 2009 and was intrigued when Liedtke approached him with the project idea. As Ringenberg states, “When Victoria contacted me about being the ‘Porter’ in this project, I was super excited. The Dolly-Porter duets are some of the finest duets ever recorded in country music history. I am a huge fan of them. Once we dove into the project, I was supremely impressed by the production ethic and creative ambition that Victoria brought to the table. She didn’t slavishly copy the originals. In fact, she and her team created entirely new interpretations of those classic songs.” Victoria and Jason recorded the album at Vale Studios in Worcester, UK in the Summer of 2022 with a predominantly UK based band. The band features CJ Hillman on electric guitar and slide guitar (Billy Bragg/Yola), John Parker on double bass (Nizlopi), Lewis ‘Burner’ Pugh on acoustic guitar and Tim Protey-Jones on drums (First Time Flyers) as well as a plethora of guest musicians throughout. Originally from Oklahoma, Victoria moved to the UK eight years ago and now resides in the Yorkshire Dales. “What made this project so fun was being able to bring together these incredible UK musicians that come from the worlds of Americana, Country, Folk and Pop and inject these 50 year old classic American country songs into this musical melting pot.” Liedtke continues "Both Jason and I don’t traditionally sit in that world either, so all of that combined has resulted in a colourful and beautiful collection of songs.” The album was produced By Victoria Liedtke, co-produced by Elliot Vaughan and mixed by Liedtke & Vaughan. More Than Words Can Tell is due for release on April 5th.

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Where Rock 'N' Roll Was Born: Celebrating 100 Years Of Sam Phillips

2LP | 2023 | US | Original (Sun)

49,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Where Rock 'n' Roll Was Born: Celebrating 100 Years of Sam Phillips[2 LP] Determination and passion drove Sam Phillips to create Sun Records and change music forever, and Sun is celebrating his 100th birthday with a 2-lp anthology of songs he brought to life. The gatefold features archival photos and liners from Grammy-winning writer Robert Gordon about Phillips' legendary legacy. Known as "The Man Who Invented Rock 'n' Roll," tracks from artists like Johnny Cash and Jerry Lee Lewis remind listeners what the Big Bang of rock and roll sounded like in 1950s Memphis.

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LP | 1972 | IT | Original (Not On Label)

W Frelimo

22,99 €*

Release: 1972 / IT – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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LP | 2015 | US | Original (Light In The Attic)

This Record Belongs To

49,99 €*

Release: 2015 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Cool-Aid Benefit Album

2LP | 2012 | US | Original (Light In The Attic / Lion Productions)

Release: 2012 / US – Original

Genre: Rock & Indie

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At the end of the 1960’s, there was a house in Vancouver that was a home solely for Hippies and homeless youth; it was known to locals as "the Cool Aid House." When the Canadian government withdrew funding in 1970, the house was in danger of closing. All of the top bands in the Vancouver area offered to record songs for a benefit album—and since the local music scene produced some of the best bands in Canada, the album that resulted was stunning; it has long been a much sought-after collector's item. What no one knew until recently was that the original “Cool Aid Benefit Album” was intended as a two-record set: contractual problems with Capitol Records forced Cool Aid House founder John Walsch to drop tracks by Mother Tucker's Yellow Duck—tracks that are now restored to this package. Other cuts include the strange proto-electronic burbles of Mock Duck (quite unlike almost everything else they ever recorded) on ‘As the Bullet Enters Anton’ and ‘Pointillistic Scherzo’; the vicious snarl of Black Snake’s ‘Carousel,’ and the strange Spalding Grey-ish acoustic song/poem ‘The Planet Man.’ Hydro Electric Street Car have left little behind them, but their lovely ‘High Memory’ sounds like a lost Grateful Dead track from their early, dreamy period. A terrific discovery!

The end result of the joint efforts of Light in the Attic and Lion Productions is this deluxe 2xLP package, jam-packed with stand-out music by Vancouver’s top bands of the day: Mother Tucker's Yellow Duck, Papa Bear's Medicine Show, Mock Duck, Hydro Electric Streetcar, Route Nine, Blacksnake Blues Band, Nancy, Spring, and Greydon Moore and Leo Jung. Obscure cuts available nowhere else, in a wide variety of styles: weird electronic sounds, heavy garage fuzz guitar freakouts, stoner rock, and acoustic folk.

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The 78 Project Movie - Special Edition DVD

DVD | 2015 | US | Original (The 78 Project)

Release: 2015 / US – Original

Genre: Rock & Indie

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The 78 Project is on a journey across America to make one-of-a-kind 78rpm records with musicians in their hometowns using a 1930s Presto direct-to-disc recorder. With one microphone. With one blank disc. In one 3-minute take. Along the way, a kaleidoscope of technologists, historians and craftsmen from every facet of field recording—Grammy-winning producers, 78 collectors, curators from the Library of Congress and Smithsonian—provide insights and history. In Tennessee, Mississippi, California, Louisiana, the folk singers, punk rockers, Gospel and Cajun singers in the film share their lives through intimate performances, and find in that adventure a new connection to our cultural legacy. With musical performances by: Reverend John Wilkins (Como, MS), Louis Michot, Corey Ledet & Ashlee Michot (Arnaudville, LA), Victoria Williams (Los Angeles, CA), John Doe (Fairfax, CA), Dawn Landes (Brooklyn, NY), Holly Williams & Chris Coleman (Nashville, TN), John Reilly & Tom Brosseau (Pasadena, CA), Gaby Moreno & Adam Levy (Los Angeles, CA), Jaron Lanier (Berkeley, CA), Ella Mae Bowen (Franklin, TN), Dylan Leblanc (Franklin, TN), Coati Mundi (Murrieta, CA), The Bo-Keys with Percy Wiggins (Memphis, TN), John Paul Keith (Memphis, TN), Ben Vaughn (Wonder Valley, CA), Sea Of Bees (Sacramento, CA), The Easy Leaves (Santa Rosa, CA) and Little Wings (Topanga Canyon, CA). Special edition DVD with over 30 minutes of bonus materials including complete musical performances and never-before-seen interview footage.

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2LP | 2024 | EU | Original (Efficient Space)

Someone Like Me

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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CD | 2024 | EU | Original (Efficient Space)

Someone Like Me

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Restoration: The Songs Of Elton John & Bernie Taupin

2LP | 2018 | EU | Original (MCA)

9,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy with slightly stuffed / bent corners!

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Native North America Volume 1: Aboriginal Folk, Rock And Country 1966-1985

2CD | 2014 | US | Reissue (Light In The Attic)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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2016 Grammys Best Historical Album Nominee
34 tracks newly re-mastered
Deluxe 3xLP set includes 60-page book housed in a “Tip-On” slipcase with three “Tip-On” jackets
Both 2xCD and 3xLP editions include comprehensive liner notes, artist interviews, unseen archival photos, and lyrics (with translations)
Vinyl pressed at RTI
Liner notes by Kevin “Sipreano” Howes

Largely unheard, criminally undocumented, but at their core, utterly revolutionary, the recordings of the diverse North American Aboriginal community will finally take their rightful place in our collective history in the form of Native North America (Vol. 1): Aboriginal Folk, Rock, and Country 1966–1985. An anthology of music that was once near-extinct and off-the-grid is now available for all to hear, in what is, without a doubt, Light In The Attic’s most ambitious and historically significant project in the label’s 12-year journey.

Native North America (Vol. 1) features music from the Indigenous peoples of Canada and the northern United States, recorded in the turbulent decades between 1966 to 1985. It represents the fusion of shifting global popular culture and a reawakening of Aboriginal spirituality and expression. The majority of this material has been widely unavailable for decades, hindered by lack of distribution or industry support and by limited mass media coverage, until now. You’ll hear Arctic garage rock from the Nunavik region of northern Quebec, melancholy Yup’ik folk from Alaska, and hushed country blues from the Wagmatcook First Nation reserve in Nova Scotia. You’ll hear echoes of Neil Young, Velvet Underground, Leonard Cohen, Creedence Clearwater Revival, Johnny Cash, and more among the songs, but injected with Native consciousness, storytelling, poetry, history, and ceremony.

The stories behind the music presented on Native North America (Vol. 1) range from standard rock-and-roll dreams to transcendental epiphanies. They have been collected with love and respect by Vancouver-based record archaeologist and curator Kevin “Sipreano” Howes in a 15-year quest to unearth the history that falls between the notes of this unique music. Tirelessly, Howes scoured obscure, remote areas for the original vinyl recordings and the artists who made them, going so far as to send messages in Inuktitut over community radio airwaves in hopes that these lost cultural heroes would resurface.

With cooperation and guidance from the artists, producers, family members, and behind the scenes players, Native North America (Vol. 1) sheds real light on the painful struggles and deep traditions of the greater Indigenous community and the significance of its music. The songs speak of joy and spirituality, but also tell of real tragedy and strife, like that of Algonquin/Mohawk artist Willy Mitchell, whose music career was sparked by a bullet to the head from the gun of a trigger-happy police officer, or those of Inuk singer-songwriter Willie Thrasher, who was robbed of his family and traditional Inuit culture by the residential school system.

Considering the financially motivated destruction of our environment, the conservative political landscape, and corporate bottom-line dominance, it’s bittersweet to report that the revolutionary songs featured on Native North America hold as much meaning today as when they were originally recorded. Dedicated to legendary Métis singer-songwriter and poet Willie Dunn, featured on the anthology but who sadly passed away during its making, Native North America (Vol. 1) is only the beginning. A companion set featuring a crucial selection of folk, rock, and country from the United States’ Lower 48 and Mexico is currently in production.

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12" | 2007 | UK | Original (Honest Jon's)

Migrating Bird Sampler

12,99 €*

Release: 2007 / UK – Original

Genre: Rock & Indie

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6 tracks feat. Alasdair Roberts, Michael Hurley, James Yorkston ... heavy stock sleeve with beautiful screen print !

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LP | 2020 | UK | Original (Laura Lies In)

Laura Lies In

17,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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‘A celebration of the ever-expanding and evolving label family, Lli008 comprises an LP, a fifty-odd-page booklet (and eight page photobook and insert), further digital tracks and some web-based stuff contributed by friends new and old from far and wide.’

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2LP | 2022 | EU | Original (Efficient Space)

Ghost Riders

29,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.

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Future Nuggets Volume 4 Colored Vinyl Edition

23,39 €* 25,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Future Nuggets Volume 4 Black Vinyl Edition

22,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Country Funk Volume 3 1975-1982 Orange & Blue Vinyl Edition

2LP | US | Reissue (Light In The Attic)

Release: US – Reissue

Genre: Rock & Indie

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Country Funk Volume 3 1975-1982 Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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2LP | 2024 | EU | Original (Music On Vinyl)

Country Collected

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bob Stanley & Pete Wiggs Present Occasional Rain

2LP | 2020 | UK | Original (Ace)

Utah Phillips And Ani DiFranco

Release: 2020 / UK – Original

Genre: Rock & Indie

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It’s the day after the 60s. You turn on the radio and there is news about John leaving the Beatles – or will Paul be the first to jump? There is insecurity and uncertainty. The rain filters into the post-psychedelic, pre-progressive sound; in times of upheaval, you always notice bad weather.

“Occasional Rain” is the sequel to Bob Stanley and Pete Wiggs’ highly successful “English Weather” collection (“Really compelling and immersive: it’s a pleasure to lose yourself in it” - Alexis Petridis, the Guardian). This is the sound of young bands experimenting in a period of flux, feeling for a new direction, exploring jazz and folk – as many songs are led by mellotron, piano and flute as they are by guitar. Lyrically, there are two themes that crop up regularly: the search for a home that isn’t there anymore – the certainties of the optimistic 60s, the physical reality of terraced streets – and the rain. For the former, there’s Cressida’s gentle, keening ‘Home And Where I Long To Be’, while Duncan Browne’s shape-shifting ‘Ragged Rain Life’ feels like a decent summary of Britain in both 1970 and 2020.

“Occasional Rain” puts the era’s bigger names (Traffic, Yes, Moody Blues) and the lesser known (Mandy More, Shape Of The Rain, Tonton Macoute) side by side. Like its predecessor “English Weather”, it evokes the turn of the new decade, a beautiful state of fuzzy confusion, and the feel of a wet Saturday afternoon at the dawn of the 70s spent flicking through the racks, wondering whether to buy the new Tull album or maybe take a chance on that Christine Harwood album in the bargain bin (go on, you won’t regret it).

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The Past Didn't Go Anywhere

CD | 1996 | US | Original (Righteous Babe)

3,99 €*

LP | 2020 | EU | Original (Foam On A Wave)

Release: 1996 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Ultramarine

Folk

21,99 €*

LP | 2022 | EU | Original (Left Ear)

Release: 2020 / EU – Original

Genre: Rock & Indie

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For their first outing, new London-based reissue label Foam On A Wave resurface the remarkable debut album from one of the UK's foremost artists of 'ambient techno', Ultramarine's 'Folk'. Like the surrealist collage of the sleeve designed by Benoît Hennebert, Ultramarine weave together unique instrumentation and sonic influences into rich, ethereal soundscapes, now fully remastered for its 30th anniversary. Ian Cooper and Paul Hammond admitted they weren't totally sure what they were doing when they signed a record deal with the famously bohemian label Les Disques du Crépuscule and found themselves on their way to Brussels. There, over a two week stint, the Essex duo recorded the album - drawing on a kaleidoscopic palette influenced by both the Canterbury scene's jazz-infused psychedelia, as well as the contemporary Benelux scene, with particular nods to the likes of Benjamin Lew, The Durutti Column and Anna Domino. Conceived at a time when technology began reshaping the process of recording and production, the band's interest in fusing the organic and the electronic is apparent, and one that has remained with them throughout their career. 'Folk' both sits apart from and serves as a precursor to the 'pastoral techno' sound Ultramarine went on to pioneer. Following US and European tours alongside Orbital and Bjork, a few more albums and collaborations with the likes of Robert Wyatt and Kevin Ayers, plus remixes for and by Everything But The Girl, Carl Craig, Luke Slater and more, they folded the project for a number of years. Last year the band returned to their inaugural imprint with the ethereal 'Signals Into Space'. Albeit somewhat sparser, more sedate, it is in some ways a coming full-circle to the jazz-laden, analogue sound of their debut, which makes reissuing 'Folk' feel all the more timely.

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Twin Cosmos

Double Action

24,64 €* 28,99 € -15%

Herculean House Of Cards Fools Gold Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Twin Cosmos is not only the name of the musical output of fraternal twins Morihito & Yasuhito Ito, but more philosophically, an album that encapsulates, “the universe of twins”.

The pair were born 1953 in Yokkaichi, Mie Prefecture. A port city 50 kilometres west of Nagoya, famous for its chemical plants. Despite their surroundings, they grew up in an environment that fostered learning and self-expression. From an early age, they began to carve out their own paths.

Morihito was fascinated with scientific endeavours, space travel and spirituality. His father, an electrician by trade - motivated him to build his own musical equipment. This led him to attend an acoustic engineering school in Tokyo from 1972-1974, after which, Morihito returned to Yokkaichi where he worked in the instrument and audio section of a department store. This helped him keep up to date with the latest equipment, while allowing him to simultaneously work on his own musical endeavours.

Morihito’s side of the ‘Double Action’ LP is a cohesive piece, which effortlessly drifts from one song to the next through samples of flowing water and rockets launching into space ,that were recorded while visiting his brother in the States. His music is carried by flowing vocal harmonies, guitar strums, and floating synths to create an eternal dreamlike ambiance.

In contrast, Yasuhito gravitated towards philosophy and the arts and in 1976 followed his Englsih teachers’ advice and moved to the ‘foreign world’ of the United States. It’s here that he further explored his interests in Christianity, sadomasochism and poetry. He was exposed to artists like John Cage and Sun Ra, as well as a variety of ‘Do It Yourself’ recording techniques that enabled him to record remotely.

Using samples, poetry, and an original approach to traditional folk & rock songs, he recorded his side of the LP. The outcome being provocative, dark and confronting realisations, which solely used English lyrics to represent his experiences in the ‘Western world’. In 1980, Yasuhito was wooed back to Japan by his brother and the prospect of a combined record release.

The self-released album ‘Double Action’, was completed at Victor studios in Japan. Without a distribution network, the release was sold mostly to family and friends and fell into obscurity. Despite not reaching commercial success, the pair have continued to make music over the past four decades, crediting it as their driving force in life. This 2022 release includes an insert with archival images & liner notes in both English & Japanese.

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Trey Gruber

2LP | 2019 | US | Reissue (Numero Group)

35,99 €*

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

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Me Without You, The Spring Without You Purple Vinyl Edition

21,59 €* 26,99 € -20%

Release: 2022 / EU – Original

Genre: Rock & Indie

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One of the most proliftic and influential works within Iranian pop music. "Me without you, the spring without you" is a collection that is a refined and remastered version of Touraj's songs performed between 1973 and 1978. All songs were arranged and orchestrated by Eric Arconte.

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Me Without You, The Spring Without You Black Vinyl Edition

LP | 2022 | EU | Original (Fun In The Church)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Me Without You, The Spring Without You

16,99 €* 19,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Purple Vinyl Edition. Still sealed with hype sticker. Gatefold cover has seam split and slight corner wear.

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Me Without You, The Spring Without You

15,29 €* 17,99 € -15%

I Go To The Railroad Tracks And Follow Them To The Station Of My Enemies

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Purple Vinyl Edition. Still in shrink but opened with hype sticker. Gatefold cover has seam split.

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Tongo Eisen-Martin

LP | 2022 | US | Original (Rocks In Your Head)

20,99 €* 29,99 € -30%

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 2022 / US – Original

Genre: Rock & Indie

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"I came across Tongo saying something in passing in an interview with Mayor London Breed. It was so insightful, poetic and deeply felt I wanted to know who he was. I devoured the poetry books that were available and then set out to invite him to make a recording. I had no idea what the session would be like. We were strangers. He showed up, there was no small talk, and he went to the microphone. He then created a 22 minute poem, no notes in his hands, and I looked at the engineer, and our minds were blown. It was flawless, and it was meaningful, and it was channeled from some other place. I said, do you have anything else to say? And he began another piece that lasted another 22 minutes or so. And it was also flawless,and incredible. And so I looked at the engineer and I said, 'I think we have a record.' Now I’ve never seen a record cut in one sitting, I figured it was reserved for geniuses like Thelonious Monk or Robert Johnson or something. And so I realized Tongo is a genius too. The poetry is so loud and crisp and clear and fueled with energy. It has a connection back to Gil Scott Heron, The Last Poets, Langston Hughes but it is also not derivative in the least, but new and of it’s own time."—Sonny Smith, Rocks in your head records “Tongo’s words are bricks-with which he builds houses, breaks windows, and - strangely- enticesyou to take a bath in. I first heard his poetry and got scared of dying. Like- I better figure shit out because this is the new shit and he’s on somethingI’m not. He’s noticing shit that I better notice if I want to experience life in color. He knows that to live- you gotta make shit aroundyou move. You can’t just watch. I’m thrilledthat this album is coming out so y’all can be scared of not living too.”—Boots Riley "Words are a kind of architecture – where the bricks exist on page or spoken into the either. A form is built and becomes a body that will not soon wilt… the spoken word is timeless and immortal. Here in this collection Tongo kicks the new jazz – a classic sense of form ad stylethat is dare I say it smolderingly masculine, drumming, with someone who clearly has an old ear for dialogue. This coolection read icadest and with a heavy hand in the past not withstanding, still boasts verbage that is very very fresh. Bravo."—Brontez Purnell

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Tom Rush

16,99 €*

Tini Trampler & Playbackdolls

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

180g vinyl.
Copy is close to NM.

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Chansons 2084

LP | 2022 | EU | Original (Medienmanufaktur Wien)

21,24 €* 24,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tia Blake & Her Folk Group

Folksongs & Ballads

LP | 1971 | EU | Reissue (Ici Bientot)

24,99 €*

Three Queens In Mourning / Bonnie "Prince" Billy

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first ever reissue on vinyl. When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community. There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah. Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs. Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

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Hello Sorrow / Hello Joy

LP+12" | 2020 | EU | Original (Textile)

Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM.

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Hello Sorrow / Hello Joy

2LP | 2020 | EU | Original (Textile)

Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy

Release: 2020 / EU – Original

Genre: Rock & Indie

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"Three Queens in Mourning first gathered in summit to sing celebration of the publication of Will Oldham’s book of collected lyrics, Songs of Love and Horror. Alasdair Roberts (Appendix Out) , Jill O’ Sullivan (Jill Lorean), and Alex Neilson (Trembling Bells, Alex Rex) each arrived provisioned with a small armful of selections nearest and dearest from Bonnie Prince Oldham’s far-reaching catalogue. On this back to back records, The Bonnie ‘Prince’ Billy LP is a collection of three cover versions from Ali, Jill and Alex directory and one original track." (label info)

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Hello Sorrow / Hello Joy

2LP | 2020 | EU | Original (Textile)

28,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2012 | US | Reissue (Dead Oceans)

There's No Leaving Now

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP version comes with download of the album."There's No Leaving Now", the newest record from Kristian Matsson's aptly titled moniker, The Tallest Man On Earth, finds the Swedish troubadour trading in the sense of urgency that fueled his first two records for a confidently relaxed approach. The results are paralyzing. Drums, piano, baritone guitar, woodwinds and pedal steel layer this collection of songs that never compromise virtuosity for immediacy. The songwriting is every bit as detailed and captivating as his previous work, but this time around, Matsson is showing a few more cards. The music of the Tallest Man on Earth has traditionally centered around the power of performance and has served as a reminder that directness is the best course of action. However,...

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LP | 2012 | US | Original (Dead Oceans)

There's No Leaving Now

18,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened, with hype sticker. Cover has tiny corner wear. Vinyl is close to NM.

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LP | 2011 | US | Reissue (Dead Oceans)

Shallow Grave

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The Tallest Man on Earth released one of 2008's most powerful records, one that Pitchfork praised, calling Kristian Matsson "a natural-born folksinger, earnest, clever, and comforting." Shallow Grave could not have been more simple, just Matsson's commanding vocals with an acoustic guitar or banjo, recorded at his home in Dalarna, Sweden. Although the album was released on the Swedish label Gravitation without the help of widespread distribution, the story of The Tallest Man on Earth spread far and wide through word of mouth. In April 2010 The Tallest Man on Earth released the critically acclaimed album The Wild Hunt and has played dozens of sold-out shows on both sides of the Atlantic. Now, Gravitation is pleased to make Shallow Grave widely available on vinyl for the first time.

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7" | 2012 | US | Original (Dead Oceans)

1904

8,99 €*

LP | 2021 | UK | Original (Outernational)

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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The Mallory-Hall Band

The Last Special

LP | 2021 | UK | Original (Outernational)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.

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The Mallory-Hall Band

Song Of Soweto

CD | 2008 | US | Reissue (Not On Label (The Low Anthem Self-released))

Release: 2021 / UK – Original

Genre: Rock & Indie

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The Low Anthem

What The Crow Brings

14,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Handpicked Songs 1955-1962

The Louvin Brothers

LP | 2011 | US | Original (Light In The Attic)

33,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

CD | 2005 | Reissue (Castle Music)

The John Renbourn Group

Live In America

5,99 €*

CD | 2020 | DE | Original (MIG)

Release: 2005 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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The John Renbourn Group

A Maid In Bremen

16,99 €*

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Butterfield Blues Band

Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

45,99 €*

LP | 2014 | US | Reissue (Light In The Attic)

Release: 2020 / US – Original

Genre: Rock & Indie

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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

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The Brothers & Sisters

Dylan's Gospel

29,99 €*

Release: 2014 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2017 | US | Original (Gnomosong)

Tara Jane O'Neil

21,24 €* 24,99 € -15%

LP | 1983 | US | Original (Flying Fish)

Release: 2017 / US – Original

Genre: Rock & Indie

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Tara Jane O'Neil describes her latest album "Self Titled" as a "singer songwriter" endeavor.

At the invitation and by the design of Mark Greenberg (The Coctails), half of this record was recorded mostly live at Wilco’s Loft Studio in Chicago with a band that included James Elkington, Gerald Dowd, Nick Macri, and Greenberg himself. Another half was made in TJO’s home studio in California with Devin Hoff, Wilder Zoby, Walt McClements and string supervisor Jim James. This album also features the voices of Chris Cohen, Carolyn Pennypacker-Riggs and Joan Shelley. Tara Jane ONeil plays guitar, bass, keyboards and percussion.

As a solo artist she has released eight full-length albums internationally. O’Neil was a founding member of Rodan, the Sonora Pine , amongst other ensembles. She has collaborated on recordings and stages with Papa M, Michael Hurley, Little Wings, Marisa Anderson, Catherine Irwin, Mirah, Mount Eerie, and many many others. She has also performed at clubs, galleries, and DIY spaces around the world and venues such as the Centre de Pompdou, the Whitney Museum of American Art, and All Tomorrow’s Parties. She starred in the cult classic film Half-Cocked. Her visual art work has been shown in cities including London, Tokyo and Portland and has been published in three monographs.

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Sweet Honey In The Rock

We All...Everyone Of Us

3,39 €* 3,99 € -15%

Release: 1983 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1976 | US | Original (Flying Fish)

Sweet Honey In The Rock

4,24 €* 4,99 € -15%

Release: 1976 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Flying Fish)

Sweet Honey In The Rock

Good News

3,99 €* 4,99 € -20%

Release: 1981 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Espiritu Vivo 20th Anniversary Edition

Susana Baca

LP | 2023 | US | Original (Luaka Bop)

Greetings From Michigan: The Great Lake State

Release: 2023 / US – Original

Genre: Rock & Indie

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The tracks on this album may arouse a number of emotions; they were not sung purely for the pleasure of making music, but to convey, with drama and joy, that life is stronger than ever and continues with a live Spirit... Recorded in New York after 9/11 in front of a small audience, Espíritu Vivo marries Susana Baca"s wonderful vocals and Peruvian backing band with the downtown sounds of John Medeski and guitarist Marc Ribot-for a recording that transcends time and place, with Baca giving every iota of herself to the music. This is the 20th anniversary edition, on vinyl for the very first time.

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Sufjan Stevens

2LP | 2004 | US | Reissue (Asthmatic Kitty)

33,99 €*

LP | 1989 | US | Original (MCA)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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A collection of songs for his birth-state, Michigan, “The Great Lake State.”

Composed as a geographical tone poem, Michigan follows a metaphysical expedition through the idiosyncrasies of middle America. Drawing from personal anecdote, regional history, and state heritage, Stevens mixes social and political grievances with songs about snowmobiles, Henry Ford, the Detroit race riots, and love.

The songs on Michigan resonate with a range of sources-Vince Guaraldi, Terry Riley, and Nick Drake as accompanied by Stereolab and The Sea & Cake-in executing Stevens’ peculiar palette that is simultaneously rock and blue-grass, jazz and pop, a style The Village Voice appraises as “Arthur Lee meets the Book of Psalms.”

In Michigan, Stevens combines intimate, soft-spoken songwriting with the dense compositional complexity displayed on his previous release Enjoy Your Rabbit, which XLR8R called “…a transgressive, majestic album conjuring an academic jam session of Stereolab and Luke Vibert conducted by Steve Reich.”

Guest artists include Elin, Megan, and Daniel Smith (of The Danielson Famile), and John Ringhofer (Half-handed Cloud). Album art features original hand-paintings by Martha Stewart crafts editor Laura Normandin.

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Strength In Numbers

The Telluride Sessions

53,19 €* 75,99 € -30%

LP | 2020 | UK | Original (From Here)

Release: 1989 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

US original.

Record close to near mint, faint surface noise audible in the run-ins of the first track on both sides but just for a few rounds.

Cover close to VG+ with just a small seam split at the lower edge.

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Stick In The Wheel

Hold Fast

18,99 €*

Steve Wynn & The Miracle 3

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Neon Yellow vinyl. Seam split. Limited edition.

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...Tick...Tick...Tick

LP | 2005 | DE | Original (Blue Rose)

48,99 €*

Steve Wynn & The Miracle 3

Release: 2005 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" is missing. Vinyl is close to NM. With insert.

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Static Transmission

2LP | 2003 | DE | Original (Blue Rose)

60,99 €*

LP | 2013 | US | Reissue (Paradise Of Bachelors)

Release: 2003 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Steve Gunn

Time Off

A World Of Peace Must Come Orange Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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- Steve Gunn's first album with a band, featuring John Truscinski and Justin Tripp- His most affecting, accessible, and articulate work of pure songcraft to date, with a new emphasis on vocals- Available on virgin vinyl, in a deluxe, limited edition, as well as on CD and digital formats- Vinyl edition features matte, tip-on jacket, full-color inner sleeve, and digital download coupon- CD housed in heavy matte gatefold wallet- Package features artwork by Anthony Campuzano, Constance Mensh, and Justin TrippIn the city we're all angling for Quittin' Time, laboring along and among the hours, searching and scheming for the sweet sound of those two easy words: Time Off. It's something you take-or sometimes steal, like a thief or a baserunner-but seems you can never get enough of it. It's regulated, rationed, and billed by volume, like water or electricity or ice cream. Sometimes you have to beg the boss for more, or even for a trifling taste. So let's make time! Let's roll the dice and get these old bones out on the road again. Steve Gunn's new album imagines the fugitive moments afforded us during time off, out, and away as occasions for dilatory investigations into our immediate environments and interiors. Time Off (PoB-08) showcases the virtuosic guitarist and songwriter's oblique character sketches and story-songs, some of which, like "Lurker" and "Street Keeper," portray specific denizens of his Brooklyn neighborhood. "Old Strange" celebrates Jack Rose, a dear and departed friend and muse. Those contemplative studies frame Gunn's most affecting, accessible and articulate work of pure songcraft to date. His definitive statement as a songwriter, Time Off represents the culmination of nearly fifteen years of stylistic experimentation as a solo artist, a member of GHQ and the Gunn-Truscinski Duo, and more recently, as a guitarist in fellow Philadelphia-bred troubadour Kurt Vile's touring band the Violators. Gunn's first eponymous album with a full band, Time Off harnesses a core trio format to...

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Stephen John Kalinich

LP | 1969 | US | Reissue (Light In The Attic)

12,99 €*

Bells, Boots And Shambles Neon Green Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition for Record Store Day 2014!

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Spirogyra

LP | 1973 | EU | Reissue (Klimt)

24,99 €*

Baby Magic Transparent Red Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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An essential dark progressive folk re-issue. Initially formed by duo Martin Cockerham and Mark Francis in Bolton in 1968, the band expanded when Cockerham was a student in Canterbury at the end of 1969. In 1973 the band recorded their third album, released on Polydor Records. By this time Spirogyra had become a core of Martin Cockerham (guitar, vocals) and Barbara Gaskin (lead vocals) with Steve Borrill (bass) and guest musicians Dave Mattacks (drums), Julian Cusack (violin, keyboards), Henry Lowther (trumpet), John Boyce (cello), Stan Sulzman (flute) and Steve Ashley (whistle).

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Sofia Mills

LP | 2022 | EU | Original (Sofia Mills)

LP | 2012 | US | Reissue (Light In The Attic)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The debut album from 19-year-old artist Sofia Mills, Baby Magic intimately details the most pivotal moments in her coming-of-age experience: breakups with toxic boyfriends, coming out as queer at age 16, a longtime struggle with mental illness. As shown on her breakthrough single "Coffee Breath" (a self-produced track that's amassed over 100 million streams on Spotify to date), the Massachusetts-born singer/songwriter/multi-instrumentalist imbues her storytelling with both startling clarity and profound sensitivity, an element echoed in her warmly textured brand of indie-pop. Written entirely by Mills and co-produced with John Mark Nelson(Taylor Swift, Allison Ponthier), Baby Magic arrives as a complex and captivating body of work, built on a potent tension between her dreamy romanticism and intense self-awareness.

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Sixto Rodriguez

Coming From Reality

44,99 €*

LP | 1968 | EU | Reissue (Bonfire)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM.

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Siren

21,99 €*

Simon Nicol & Ric Sanders, Iain Matthews & Ad Vanderveen, Little Johnny England

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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Folk Grolloo 1 March 2003, Zaal Hofsteenge Grolloo The Netherlands

2CDr | 2003 | NL | Original (A Harry Production)

120,99 €*

Arrogance Ignorance And Greed

Release: 2003 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

with booklet

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Show Of Hands

CD | 2009 | UK | Original (Hands On Music)

6,99 €*

Release: 2009 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

A La Maison De La Radio Pink Vinyl Edition

Serge Gainsbourg

LP | 2020 | EU | Original (Diggers Factory / Ina)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Thrill Jockey)

Sally Anne Morgan

Carrying

30,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2023 | US | Original (Thrill Jockey)

Sally Anne Morgan

Carrying

Hundred Acres Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Multi-instrumentalist Sally Anne Morgan, known for her work as part of The Black Twig Pickers, and half of House and Land (with Sarah Louise), cultivates seeds sown by folk musics and psychedelia. Carrying tills the rich soil of Appalachian traditions and her rural North Carolina surroundings into warm, reflective songs about the weight people carry with them, as well as Morgan"s own pregnancy and the birth of her first child. Bridging the more freeform, expansive leanings of 2021"s Cups and the lucid beauty of her acclaimed 2020 debut Thread, Carrying finds Morgan imbuing her masterfully crafted songs with more subtle and intricate arrangements. The album"s exploratory nature is anchored by a full band comprised of some of the most thoughtful players in the psychedelic folk and "cosmic country" spheres, including a guest appearance by Ripley Johnson (Rose City Band, Wooden Shjips, Moon Duo), and the foundational rhythm section of fellow The Black Twig Pickers collaborators: drummer Nathan Bowles (Steve Gunn Band, Pelt), guitarist Andrew Zinn, and bassist/engineer Joe Dejarnette. Morgan finds unity in the burdens and joys, tensions, and releases of modern living as a common thread that people bear in their day-to-day lives. "So much of what we accumulate and carry around with us burdens us, but we also can"t or don"t know how to let go," says Morgan. The profoundness and mundanity of that weight ran parallel for Morgan as she literally carried her child to term: the utter commonality of enduring what billions of parents before her had, and the awesome power of the human body and spirit, the complicated and unpredictable wash of emotions that come with nurturing and nourishing another life.

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S. Carey of Bon Iver

LP | 2018 | US | Original (Jagjaguwar)

Release: 2018 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Husky Pants)

Ryley Walker

Course In Fable

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Tompkins Square)

Russell Potter

Neither Here Nor There

LP | 2021 | US | Original (Tompkins Square)

Release: 2021 / US – Original

Genre: Rock & Indie

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“The two latest reissues to spin off from our acclaimed Imaginational Anthem Volume 8: The Private Press feature the solo guitar compositions of Russell Potter, recorded in the last waning days of the initial American Primitive explosion. A then obsessed teenaged devotee of John Fahey, Robbie Basho, and Leo Kottke at a time when Punk and New Wave were ascendant, Potter harnessed a similar DIY ethos to his own ends by starting his own label & self-publishing his first record, 'A Stone’s Throw’, while a freshman enrolled at Goddard College in Vermont in 1979. Assembled at the legendary Boddie Records in Potter’s hometown of Cleveland, Ohio, and sprinkled liberally with references to his heroes, from the initial record label name of Fonytone (which more than a little recalls Fahey’s earliest record label, Fonotone), to the arcane song titles and references to obscure rags. Even as he looks to his elders, Potter’s debut release nimbly evinces a complete mastery of his form and is all the more remarkable for one of such tender years, as only the chutzpah of youth can account for such moves as successfully grafting one of your own composition to one of John Fahey’s, as he does here. There’s a very immediate, lovely, and real homespun quality to Potter’s chiming twelve-string compositions that puts it in the realm of those classic records that seem to simply exist outside of time. Shortly after ‘A Stones Throw’, Potter produced & released a 45rpm single by an Ohio bluegrass band featuring the cult singer songwriter Bob Frank performing a cover of Devo’s ‘Mongoloid’, before moving on to his second (and sadly final) album the following year, ‘Neither Here Nor There’. Following an independent study with a Goddard College ethnomusicologist, Potter’s compositions and performance only deepened on his second release — the recording quality steps up a little but loses none of the immediacy, the playing gets more exuberantly virtuosic —but then more reflective too, particularly on the tunes that are influenced by the gorgeous traditional Irish slow airs. He’s still tipping his hat to Fahey occasionally as well, this time with an audacious electric guitar setting of the classic “Dance of the Inhabitant of the Palace of King Philip XIV of Spain.” Though these albums landed at a time when American Primitive guitar music’s 1960s & 1970s heyday was in the rear view mirror, they absolutely look ahead to the genre’s eventual 21st Century resurrection, anticipating both in form & content many of the same concerns you find in the great contemporary work of the last two decades by Jack Rose, Glenn Jones, Daniel Bachman, et al., and as such provide about as fine a stepping stone between these two eras as you’re likely to find.”—Michael Klausman

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Russell Potter

A Stone's Throw

3LP | 2018 | EU | Original (One Little Independent)

Release: 2021 / US – Original

Genre: Rock & Indie

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Ruby Throat

Stone Dress

22,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Roger Saloom & The Vest Pocket Players

The City In An Owl's Eye

LP | 1967 | US | Reissue (Void)

18,74 €* 24,99 € -25%

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Legendary and rare folk-psych private press record from 1967 that holds up well. Furthermore, the LP is legendary in a literal sense: until recently, few collectors really even knew it truly existed. And Roger Salloom? imagine Jack Kerouac, John Belushi, Lord Buckley, and Lenny Bruce, then throw in Leadbelly, Jimmy Reed, Lonnie Johnson, and Geoff Muldaur… all rolled into one person, and you have a glimpse of poet, singer-songwriter Roger Salloom. Salloom was in the center of the 1960s San Francisco psychedelic scene, playing the Fillmore with Santana, Van Morrison, BB King and Procul Harum. In the 1970s he moved to Nashville to pursue songwriting, then disappeared for two decades to raise a family as a single parent and draw a syndicated cartoon. There is a story here. A story so intriguing that it enticed an award-winning filmmaker to make a film about the subject. So Glad I Made It, the Saga of Roger Salloom, America’s Best Unknown Songwriter, won six awards, was on the 2006 Grammy ballot, and received rave reviews across the U.S.

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The Other Side HHV Bundle

CD | 2011 | EU | Original (Project: Mooncircle)

10,99 €*

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

Go to Item

The Other Side HHV Bundle

LP | 2011 | EU | Original (Project: Mooncircle)

18,99 €*

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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CD | 2011 | EU | Original (Project: Mooncircle)

The Other Side

6,99 €*

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Go to Item

2LP | 2011 | EU | Original (Project: Mooncircle)

The Other Side

15,99 €*

2LP | 2019 | EU | Reissue (Music On Vinyl)

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Robert Cray

Collected

35,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2020 | EU | Original (Nozzle)

Robert Cray Band

That's What I Heard

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1968 | DK | Original (Metronome)

Robert And Iain

Alliance

33,99 €*

Release: 1968 / DK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | EU (Alternative Fox)

Ricotti & Albuquerque

First Wind