Search "Jessie+Ware" 417 Items

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Exaltation Of Tom Rapp

Pearls Before Swine

LP | 2022 | US | Original (Fire)

37,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The grand masters of acid folk, Pearls Before Swine outline the genius of leader Tom Rapp on an album created from a dusty box of tapes left behind by the incisive tunesmith. Never before heard recordings remastered to create the perfect route into the essential ‘Balaklava’ and ‘One Nation Underground’ albums that kick started a whole genre. This new double vinyl compilation was made in collaboration with, and fully endorsed, by the Tom Rapp estate.

Go to Item

Pedigo's Magic Pilsner

LP (State Fair)

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | EU | Original (Playing For Change)

Playing For Change

Songs For Humanity

60,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-15

LP | 2021 | EU | Original (Bastard Jazz)

Posy

Abroad

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Texas Tapes Purple Vinyl Edition

Rainer & Das Combo

LP | 2017 | UK | Reissue (Fire)

18,74 €* 24,99 € -25%

Release: 2017 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | US | Original (Royal Potato)

Rainy Eyes

Lonesome Highway

28,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Exit And Gaslight Years 1965-1969

Randy Burns

LP | 2023 | EU (Improved Sequence)

22,99 €*

Note To Self Smokey Clear Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

When it comes to post-Dylan psychedelic folk with acid-tinged dreams look no further than legendary 60s Greenwich Village figure Randy Burns. His beautiful string of albums released beetwen ’66 and ’71 on New York’s mythical ESP-Disk are all you need if you’re a loner folk fanatic.

‘Of Love And War’, ‘Evening Of The Magician’ & ‘Song For An Uncertain Lady’ are the source, eerie acoustic ballads, folk-rock that travels wide and distant over melancholy flute arrangements and country grooves. “The Exit And Gaslight Years 1965-69” collects all the best cuts from that an era, opening a crystal clear window on the inspiring work of Randy Burns.

Go to Item

Randy Houser

LP | 2022 | US | Original (Magnolia)

Rey Sapienz & The Congo Techno Ensemble

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Born and raised in Lake, Mississippi, a small town east of Jackson, Houser was the son of a musician and took to music himself at an early age. Picking up the guitar before his tenth birthday, he played in bands throughout his adolescence, sharpening his songwriting skills as he attended East Central Community College in Decatur, Mississippi. Prior to his success as an artist, Houser lived as a songwriter, co-writing singles including "Honky Tonk Badonkadonk" by Trace Adkins, "Back That Thing Up" by Justin Moore, and "My Cowboy" by country pop artist Jessie James.

Go to Item

Na Zala Zala Black Vinyl Edition

LP | 2021 | EU | Original (Hakuna Kulala)

Rey Sapienz & The Congo Techno Ensemble

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

When Rey Sapienz was eight years old, the Democratic Republic of Congo was plunged into the Second Congo War. The conflict last five years and was the bloodiest since World War II, leaving an indelible mark on East Africa and creating mass displacement and loss of life. But Sapienz endured, cutting his teeth as a young rapper at twelve, first performing to celebrate Congo's independence day. When he finished school, he headed to nearby Kampala to hone his craft and collaborate with local producers. But civil war broke out back home and he was forced to extend his stay in Uganda. Since then, Sapienz has established himself as a force to be reckoned with, co-founding the Hakuna Kulala label, teaching his Ableton Live skills to Kampala's young producers and releasing two acclaimed EPs. For his debut album, Sapienz embarks on an ambitious project that travels beyond the avant beatscapes of his early material. Alongside traditional percussionist, vocalist and dancer Papalas Palata and rapper Fresh Doggis, he has formed The Congo Techno Ensemble, utilizing their skills and experience to offer a statement that speaks to the past, present and future of the DRC. On "Eza Makambo", the trio channel rich musical traditions and historic tension, evolving electronic and traditional forms into boundless sci-fi mutations. The track breaks open the stories all three artists accumulated in the DRC, augmenting radioactive techno-dancehall beats with radical, open-hearted words and rhymes. "Eza Makambo" is a heady cocktail of stylistic futurism and harsh reality that could be compared with Zizou Bikaye's seminal "Noir et Blanc or Danis Mpunga & Paul K.'s genre-breaking electronic experiments. But marked by the DRC's recent scars, it's a critical work that stands painfully alone.

Go to Item

Na Zala Zala Colored Vinyl Edition

LP | 2021 | EU | Original (Hakuna Kulala)

LP | 2021 | Original (Free Dirt)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Ric Robertson

Carolina Child

Release: 2021 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | US | Original (Secretly Canadian)

Richard Swift

The Hex

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2014 | EU | Reissue (Ace)

Robbie Basho

The Voice Of The Eagle

12,99 €*

LP | 2023 | EU | Original (Habibi Funk)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

Go to Item

Roger Fakhr

East Of Any Place

LP | 2020 | EU (Fantome Phonographique)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"East of Any Place,” out December 1st via Habibi Funk, is a treasure trove of songs discovered alongside Rogér Fakhr's acclaimed 2021 album, "Fine Anyway." These tracks, hidden for decades and only passed between a handful of people, offer a glimpse into Rogér’s musical genius and the vibrant scene of Lebanon during a period marked by civil war and social upheaval. This release serves as a companion to "Fine Anyway," feat studio tracks that didn't make it into the previous album.

Go to Item

Roza Eskenazi

Rembetissa

14,99 €*

LP | 2021 | EU | Original (Husky Pants)

Release: 2020 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Roza Eskenazi was a giant of rembetika, the urban Greek music of Ottoman origin associated with the poor underclass. Eskenazi’s life was extraordinary: born Sarah Spinazi to a poor Sephardic Jewish family in Constantinople, probably in the mid-1890s, after an itinerant childhood, she began dancing at the Grand Hotel Theatre in Thessaloniki. She eloped with the wealthy Yiannis Zardinidis around 1913, with whom she bore a son, but after his untimely death in 1917, she placed the son in the care of an orphanage and moved to Athens, where she danced with Armenian cabaret artists. Eventually, the composer Panagiotis Toundas discovered her singing and arranged her first recordings for Columbia Records in 1929, which catapulted her to fame. Cutting over 500 songs in the 1930s, she became the leading exponent of the Smyrna school of rembetika. Running a nightclub in Athens during the German occupation of World War II, she hid resistance fighters and British spies and helped many Jewish families flee the country. She finally toured the USA in the 1950s, and though her career subsequently waned, a 1970s revival led to further work. The longevity of her output is such that her song Misirlu was included on the soundtrack of Pulp Fiction; the 21 gems collected here were recorded between 1931 and 1947.

Go to Item

Ryley Walker

Course In Fable

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | EU | Original (Danaya)

Sahra Halgan

Hiddo Dhawr

29,44 €* 30,99 € -5%

12" | 2018 | EU | Original (Boomarm Nation)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sahra Halgan is an iconic artist from Somaliland, a country in the Horn of Africa that has been independent since 1991 but is unrecognised by the international community. During the 1980s, when she is involved in the terrible war against the dictatorship, she earns the nickname "Halgan", the fighter, and her songs win the hearts of an entire people forever. Exiled to France, she starts her group in Lyon with Aymeric Krol, Maël Salètes and Régis Monte. Her third album is the fruit of a sincere search for authenticity and innovation, an unprecedented alliance between Somali song and original rock, thus enriching the most unexpected landscapes of the world music scene with her inspiration. It's called ‘Hiddo Dhawr’ (‘Preserve Culture’), which is also the name of the cultural centre that Sahra founded in 2013 in Hargeisa.

Go to Item

Saint Abdullah

Ta Tash

15,99 €*

Still Valentine's Day 1969

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"These sounds are accidents. There was intent only in so far as a simple idea, which is really around bringing together factions and forces in Iranian, Islamic culture, under one roof, to have them play nice together, to co-exist, float as one and to complete each other, in order to tell a story called Ta Tash, which is Farsi for To The End. There's definitely elements of devotional sounds that we weave into the tracks. Stories of the past. But whether this is devotional music, at large, I don't know about that. Like, you're not going to be hearing Vivid Persian Dreams blasting in a mosque anytime soon. But maybe devotional in a more personal sense. It captures the essence of a sentiment during the brutal 8-year war between Iran-Iraq. It is also defensive, and perhaps in response to existing in the US over the past 7 years. But also because of it. Therein lies the beauty of this country. Today, let's talk about this. Glass half full. This country. This beautiful, incredible, fucked up country. The artwork is part of an edited collection of images pulled together from the years of the Iran-Iraq war. A collection of 15 works of art titled Postcards from the Outer Boroughs. Some of these images belonged to our family, others we found by forming a dialogue with the actual men who fought in battle with our family members. Men who remember those last, precious moments of the lives of our loved ones. We were curious to somehow learn more about that moment from those who served. These Postcards are the culmination of the hard work and imagination of Ghalamdar, a wonderful Iranian visual artist based in the UK. In them, we explored how we could modify these quintessentially Iranian motifs to lift the weight of emotion, the weight of innocence, of loss, of blind faith, to the end? How do we connect an Iran of the past, Iran of the books, to the Iran of today? After all, we are of the same blood. As a by-product of mixing media, mixing contexts, we attempt to playfully bridge this gap, if ever so slightly." - Saint Abdullah

Go to Item

Sandy Bull

LP | 2024 | EU | Original (No Quarter)

33,99 €*

LP | 2021 | EU | Original (Three Four)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sandy Bull was an American folk musician who rose to prominence with a series ofalbums on the Vanguard label in the 1960's and 70's. Still Valentine's Day 1969 ispulled from two live shows recorded at The Matrix in San Francisco in 1969 with Bullplaying shimmering electric guitar and oud, accompanied by tape loops. Previouslyavailable on CD, but now out of print in all formats - this is the first ever vinyl pressingand includes the original liner notes from Byron Coley.

Go to Item

Sarah Terral

Le Morfil

16,79 €* 27,99 € -40%

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Scha Dara Parr / Konishi Yas

Oshare Middle / Tokyo No Yane No Shita

7" | 2024 | JP | Original (Nippon Columbia)

33,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Selda Picture Disc Edition

Selda

LP | 2022 | EU | Original (Pharaway Sounds)

LP | 2024 | EU | Original (Diggers Factory / Inasound)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First album by Selda Bagcan, originally released in 1976. A collection of well-known poems and folk-songs, recorded in cooperation with the most progressive Turkish musicians / arrangers of the 70s: Mogollar, Dadaslar, Zafer Dilek & Arif Sag, combining traditional instrumentation from Anatolia and Western psychedelic grooves.

Now available on a cool Picture Disc.

Go to Item

Serge Gainsbourg

A La Radio

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sergio Messina & The Four Twenties

Sensual Musicology

LP | 2022 | UK | Original (Hell Yeah)

19,99 €*

Archangel Hill Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Legendary Italian musician Sergio Messina serves up his 13 track Sensual Musicology on Hell Yeah this March. It comes a couple of years after he first released on the label's Buena Onda compilation and takes in everything from demented waltz to grown-up jazz, groovy beach music to heart-aching melancholia with artwork by virtuoso Italian AD DeeMo. Now based in Lombardy, Sergio was there at the birth of pirate radio in the mid-seventies and eventually produced Radio art for national broadcaster Rai. At the same time, his DJ career took off and he helped establish Hip hop in Rome before taking his own live show to the stage with a mix of PCs, samplers and tape recorders as early as 1989. Frank Zappa declared himself a fan and in the years since Sergio has done everything from radio art to producing Neapolitan reggae and hip hop band 99 Posse, producing his own solo albums and writing for monthly music magazine Rumore.

On top of this, he has both written books about and delivered lectures on the digital porno revolution, as well as teaching History of Pop Culture at the Istituto Europeo di Design in Milan. All this makes him a truly original creative thinking who has long been immersed in many niche facets of popular culture. Sensual Musicology took several years and four different locations to happen. Its release has been delayed by the pandemic, during which Sergio lost many friends and relatives close to him. As a result, the album is dedicated to all of them. It is a record that addresses many topics from economic migration to jazz piano, 60s blues motifs to corruption, pollution and racism via Michael Jackson covers, odes to West Coast guitar albums and spaced-out pieces of electronica. Opening with the beautifully delicate Mingus melodies of 'Goodbye Porkpie Hat' the album roams through the bluesy Italo-American-Jamaican groove of 'Amara,' slow melancholy of 'Sometimes Remember' with classy vocals from chanteuse Valeria Rossi and 'The Way You Make Me Feel', an acoustic rebuild of Michael Jackson's hit song. Then comes the serenade that is 'Just Because You're Dead,' and ‘Sono Stufa di Tutto’ which is based around a protest speech recorded from the radio in the 1980s. Jon Hassell Beach Bar' is a musical hybridisation for dancing pleasure. The second half of the album takes in 'Ouana Di lambo' which is the Four Twenties taking you to a cocktail bar in the tropics, 'Benjamino Placido' which is a melody for a man who inspired Sergio to start writing his columns, and 'Nowhere Special' which is a tribute to West Coast guitar albums. Closer ‘Switchblade Bolero' has a Zappaesque theme. Sensual Musicology is a rich and diverse musical world that is as thought-provoking and deep as it is emotionally rewarding.

Go to Item

Shirley Collins

LP | 2023 | EU | Original (Domino)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Archangel Hill Indie Exclusive Green Grass Vinyl Edition

Shirley Collins

LP | 2023 | EU | Original (Domino)

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heart's Ease Black Vinyl Edition

Shirley Collins

LP | 2020 | UK | Original (Domino)

Release: 2020 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Shirley Hurt Transparent Orange Vinyl Edition

Shirley Hurt

LP | 2023 | UK | Original (Melodic)

Shoukichi Kina / Asia Classics 2

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Temple, Bassey, MacLaine and now, Hurt; in a world of Shirleys, the name Sophia Ruby Katz has chosen for her music is perhaps prophetic as it captures her stunningly emotive vocal approach. And whilst Shirley Hurt might be the perfect nom de plume for the creative Toronto-based artist, it’s her self-titled debut album which positions her as protagonist of her own universe.

Traversing sonic landscapes, Shirley Hurt’s vocals ebb and flow like lyrical Ley lines tracking the contours of her own well-travelled map. By the age of 18, Hurt had travelled extensively, having lived in upwards of 20 different apartments and houses, as a result never really feeling “at home” anywhere. At this age was when Hurt found herself in New York, dipping her toes into various scenes and musical realms. The first and only place she ever felt at home, and a partial home-base for her, she travelled between Toronto and New York until the age of 26.When the project she was working on in New York reached a dead-end she returned West, moving in with musicians Harrison Forman (Hieronymus Harry, Zones) and Patrick Lefler (Roy, Possum). Being surrounded by their improvising at all hours, a new approach emerged. “Harrison is a virtuosic guitar player, and I hadn't picked up a guitar in any serious way since I was 16,” she says, “by osmosis I started playing again for fun.” Without agenda, the process grew organically from there.

Hurt and Forman decided to travel across the US and Canada in a trailer for half a year, with the entire album written in the final months of their trip. Hurt had been writing loose ideas here and there but felt blocked creatively. When the pair reached Berkley, they wound up house-sitting for a tuned-in friend who recommended she pray, in a very direct way, to remove the block. “I took her advice and to my surprise it worked. The album was conceptualized and finished within a couple of months.” Shapeshifting in tone and phrasing, Hurt’s music alchemizes the furthest corners of experimental indie folk, pop, and country into a singular sound with elegant unpredictability.

Whilst Shirley Hurt’s lyrical and structural ideas may have emerged on the road, the album was self-produced and recorded at Joseph Shabason (The War on Drugs)’s Aytche studio in Toronto’s West End. It was engineered by Nathan Vanderwielen and Chris Shannon (Bart), and Hurt enlisted collaborators Jason Bhattacharya, Nick Dourado, Patrick Lefler, and Harrison Forman to hone her vision. “I wasn’t sure what was going to happen with the songs until we returned to Toronto,” she recalls. “Joseph and I had been talking about working together after sending across some demos and Jason happened to recommend his studio at the exact same time, so everything came together naturally at that point.”

Whilst her most recent adventures may have seen Shirley Hurt bound for Texas as an official Sxsw artist (hand-picked by Gorilla Vs Bear to perform at their own showcase), she currently resides in her native Canada, more specifically rural Ontario, close to friends and family, and is already working on her second album. The ties to lineage are interwoven in the fabric of the music. Hurt’s mother, artist Leala Hewak, instilled a lust for life and innate value of creativity in her from a young age as she explored the role of gallery owner, vintage jewellery show host, mid-century modern furniture expert, real estate agent, painter. Hurt’s father, a civil litigation lawyer and new-wave obsessed music lover with an extensive vinyl collection, introduced Hurt to a wide-range of artists at a young age such as Nina Hagen, Laurie Anderson, Tom Tom Club, and endless others.

In her video for ‘Problem Child’ Hurt’s grandmother walks her through a generationally revered pie-making process. One would be tempted to hear this, and other songs, as autobiographical. Yet, Hurt’s lyrics are rarely pulled from her relationships or personal history––at least not consciously. Rather, they arise from somewhere less tangible or defined. “Lyrics tend to come to me when I am doing non-musical things - washing dishes, brushing my dogs, walking to the grocery store. I have a lot of voice memos on my phone and half-filled notebooks and when I hear something, I have to stop what I'm doing to get the idea down. Usually it’s bits and pieces. It's rare a full song comes to me in one go, but it's great when they do, and those are often my favourites.”

Carving out a space of her own in an all-encompassing universe, Shirley Hurt is the introduction to a long artistic story, and if the journey so far is anything to go by, it will be stippled with evermore unpredictable chapters.

Go to Item

Peppermint Tea House Punk Vinyl Edition

LP | 2023 | US | Original (Luaka Bop)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | EU | Original (BB*Island)

Simon Joyner

Coyote Butterfly

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-22

Pocket Moon Black Vinyl Edition

Simon Joyner

LP | 2019 | EU | Original (BB*Island)

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Darkness Brings The Wonders Home Black Vinyl Edition

Smoke Fairies

LP | 2020 | US | Original (Year Seven)

12,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Songs From East Africa 1952-7

Something Is Wrong

2LP | 2010 | UK | Original (Honest Jon's)

27,99 €*

Soul Jazz Records presents

Release: 2010 / UK – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Precious, stinging selections from an HMV run of more than four hundred 78s, recordings made in Uganda and Kenya from the mid-1930s till the mid-1950s.

Go to Item

Delta Swamp Rock - Sounds From The South: At The Crossroads Of Rock, Country and Soul

2LP | 2011 | UK | Reissue (Soul Jazz)

En Route To Thailand Repress Edition

Release: 2011 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This new edition of Soul Jazz Records" classic Delta Swamp Rock features a killer all-star line-up of seminal artists who all first blended rock, soul and country together to create a stunning new sound of southern American music in the 1970s.Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!

Go to Item

Sound Voyage

12" | 2018 | EU | Original (Free Soul Inc.)

18,99 €*

LP | 1969 | Reissue (We Are Busy Bodies)

Release: 2018 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Stunning LP fusing far-eastern field-recordings with modern electronic production techniques - a true Sound Voyage! This time as repressed basic editon without the golden bagde!

Go to Item

Stefan Gnys

Horizoning

Release: 1969 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-15

Stephen Stills & Manassas

Bananafish Gardens, NY

LP | 2016 | UK (Air Cuts)

17,99 €*

Jessie's Jig And Other Favorites

Release: 2016 / UK

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker. Vinyl is close to NM. With insert.

Go to Item

Steve Goodman

LP | 1975 | UK | Original (Asylum)

9,99 €*

LP | 2021 | EU | Original (Melody As Truth)

Release: 1975 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

close to NM

Go to Item

Suzanne Kraft

About You

22,99 €*

LP | 2022 | EU | Original (Inner Ear)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

About You is a set of hazy-haloed pop songs crackling with the flutters of fresh love amidst a mind full of memory flashes. Written in the whirlwind of a hopeful affair, instantly transformed into long distance romance, it’s a head rush of affection with the universe bending blurrily around it — an archive of yearning from a year that rifted warm bodies adrift; an outline of the in-betweens, the familiar and foreign, hopeful promise and heartbreak. Suzanne Kraft has shaved silver linings from cloud formations and ignited them into crackling flames. It’s a full circle journey that floats on shimmering guitar tones, fluid vocals, and gently persuasive drum tracks chugging towards their destiny while revelling in the unknown. About You is a folding of time and space in album form and stands aloft as Suzanne Kraft’s next big step in fully becoming himself.

Go to Item

Tango With Lions

You.Me.

20,24 €* 26,99 € -25%

Tejon Street Corner Thieves

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tango with Lions releases her fourth album entitled “you.me.”.

“you.me.” was created in Berlin and recorded in Athens, Greece, between September 2021-January 2022, at Lotus studios with producer Vasilis Dokakis. The nine songs of the album build a tale of reflection on heartbreak and significant life changes, written shortly after the artist’s permanent relocation in Berlin, amid the pandemic.

The lyrics express the need of introspection and of processing the impact of various interactions with different people, time passing and global events. The songs observe, address questions or come to realisations about a different “you”, from the perspective of a different “me” in each tale.

The arrangements are rich in synthesisers, nostalgic bass lines and distinct piano sounds. Some of the songs are built on outgoing beats and instrumentations, other songs are earthly, low-key and acoustic.

Go to Item

Juxtaposition

LP | 2023 | EU | Original (Liars Club)

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fruit Vinyl Me, Please Edition

The A's

LP | 2022 | US | Original (Vinyl Me, Please)

33,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Why you'll love it...
Amelia Meath and Alexandra Sauser-Monning have been sharing the stage for upwards of fifteen years; they have now come together for a new band called The A's. Their debut album, Fruit, shares a beautiful ten-song collection that features covers of folk songs, lullabies, ballads and more. The album includes their rendition of “He Needs Me,” the Harry Nilsson and Shelley Duvall classic from 1980’s Popeye along with standouts like the ballads “Swing and Turn Jubilee,” “Copper Kettle,” “Buckeye Jim” and others. Fruit is a glimpse a deep collaboration and friendship between the two artists and bandmates.

Limited to 400 copies, the VMP exclusive edition of The A's Fruit is pressed on 1LP Banana Yellow vinyl at Citizen Vinyl. The album will arrive in gatefold direct-to-board, hand-numbered jacket. It's mastered by Patricia Sullivan of Bernie Grundman Mastering.

Go to Item

LP | 1976 | JP | Original (CBS/Sony)

Grand Prix 20

Release: 1976 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

Go to Item

LP | 1962 | JP | Original (Columbia)

Song Book

The Brothers Four = The Brothers Four

Release: 1962 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

Go to Item

Ever Green = エバーグリーン

LP | 1969 | JP | Original (CBS/Sony)

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

The Brothers Four Greatest Hits

2LP | 1982 | JP | Original (CBS/Sony)

9,99 €*

Release: 1982 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

The Brothers Four Greatest Hits

LP | 1969 | JP | Original (CBS/Sony)

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Small writing inside gatefold.
OBI not included.

Go to Item

The Brothers Four In Tokyo

LP | 1965 | JP | Original (CBS)

Release: 1965 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2021 | EU | Original (DevilDuck Records)

The Dead South

Served Live

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Persian Girl Yellow Vinyl Edtion

The Engineers

7" | 2022 | EU | Reissue (Juzz)

20,99 €*

7" | 1958 | DE | Original (Capitol)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Engineers, Abas Miraftab and Reza Agah, recorded and produced this 7’ "Persian Girl" sometime in the late 60s or early 70s. The first edition was independently pressed outside of Iran and only a few copies exist today. Little else is known about the band's music or history.

This stereo recording by far is the best & strongest rhythmic Persian music ever recorded the power burned in the grooves is immense. Turn the volume up, it will make you feel happy to listen & dance to.

Go to Item

The Four Preps

Big Man / Stop, Baby

3,99 €*

Release: 1958 / DE – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

LP | 2021 | EU | Reissue (Bonfire)

Heaven / Earth

20,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Green vinyl. Cover with beginning of seam split on top spine. Still in shrink, but opened, with hype sticker

Go to Item

Heaven / Earth Black Vinyl Edition

LP | 1969 | EU | Reissue (Bonfire)

22,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A vocal band that made it through, the Free Design have been more than an exception in the glittering world of the psychedelic circus. That was the Age of Aquarius in the end, but in the long run the 4-piece had an enormous impact on the younger generation. Released in 1969 “Heaven/earth” is a cornerstone on its own and 30 years later the band had a sort of epiphany, thanks to the spanning interest of artists such as Cornelius, Beck, Stereolab and crate digger master Madlib. By now the Free Design are considered in the same league of The Beach Boys and The Carpenters. Under the influence of the Hi-Lo’s and Peter, Paul and Mary, The Free Design rose through the folk scene of the Greenwich Village coffee houses, achieving national prominence with the enchanting ‘Kites Are Fun’. They would prove to be at least the artistic equals of such popular contemporaries as The Association, The Mamas and the Papas, The Fifth Dimension and Harper’s Bizarre, but without quite matching their commercial success. Rather than be dictated to and diluted by the majors, they chose to commit to the artistic freedom and potential to develop offered them by the producer Enoch Light through his independent set up Project 3 Total Sound.

Go to Item

Heaven / Earth HHV Exclusive Green Vinyl Edition

LP | 1969 | EU | Reissue (Bonfire)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

LP | 2022 | EU | Reissue (Bonfire)

Kites Are Fun

Release: 2022 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG+

Limited Red Vinyl Edition
Still shrink wrapped but opened.
Record is slightly warped but still enjoyable.

Go to Item

Kites Are Fun Red Vinyl Edition

LP | 1967 | EU | Reissue (Bonfire)

22,49 €* 29,99 € -25%

The National Jazz Trio Of Scotland

Release: 1967 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition of 100 copies!

Go to Item

Standards Volme IV

LP | 2018 | EU | Original (Karaoke Kalk)

18,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2012 | US | Original (Run For Cover)

The Tower And The Fool

How Long

17,99 €*

7" | 2011 | US | Original (Run For Cover)

Release: 2012 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Swamp Green. The deluxe edition includes a 120-page booklet.

Go to Item

The Tower And The Fool

XIII

Release: 2011 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 2024 | UK | Original (Chrysalis)

The Wandering Hearts

Mother

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Wild Geese Folk Group

Songs For Tomorrow If Not Today

LP | 1973 | UK | Original (Sweet Folk And Country)

14,99 €*

Release: 1973 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 2023 | EU | Original (Honey Jar)

The Wood Brothers

Heart Is The Hero

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Honey Jar)

The Wood Brothers

Kingdom In My Mind

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Inner Ear)

Thee Holy Strangers

Diary Of Teh Shadow

LP | 1972 | ES | Reissue (Munster)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Six years after their debut album, Thee Holy Strangers return with their sophomore LP “Diary Of The Shadow”. With a new line-up and a new sound design, they present seven testimonies of an uncertain era and trace its imprints. Drawing on the inexhaustible pool of rock’n’roll, soul and folk, they set up songs for today that speak of resignation and resilience, darkness and light, sadness and hope.

New members of the band are Andreas Lagios (Nightstalker) on bass and Kleon Antoniou (Mode Plagal) on guitar.

“Diary Of The Shadow” includes seven original compositions and was produced by Costas Chrysogelos (Digital Alkemist), Alexis Kalofolias and Dimitris Papanagiotou (Jim Spliff). It was recorded by Costas Chrysogelos and Philip Marinelis at DNA Lab studio in the spring-summer of 2021. The mastering was done by Giannis Christodoulatos at Sweetspot Studio.

The album also features Nikos Fysakis (electric guitar) and Giannis Houstoulakis (pedal steel guitar), members of the group’s previous line-up, Nikos Yousef (musical saw) and Kostis Zouliatis (piano, keyboards, synth).

Thee Holy Strangers are: Flora Ioannidi: Vocals, Alexis Kalofolias (Alex K): Vocals, guitar, Kleon Antoniou: Electric and acoustic guitar, Andreas Lagios: Bass, Costas Chrysogelos: Drums, percussion.

Go to Item

Third Ear Band

Music From Macbeth

LP | 2023 | UK | Original (Rough Trade)

Release: 1972 / ES – Reissue

Genre: Rock & Indie, Electronic & Dance, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear. With insert. 2020 reissue.

Go to Item

This Is The Kit

Careful Of Your Keepers

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Sealed, Cover: Sealed

Tia Blake & Her Folk Group

Folksongs & Ballads

LP | 1971 | EU | Reissue (Ici Bientot)

LP | 2020 | EU | Original (Ajabu!)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first ever reissue on vinyl. When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community. There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah. Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs. Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

Go to Item

Tigana Santana

Vida-Código

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1963 | US | Original (Liberty)

Timi Yuro

Make The World Go Away

16,99 €*

Release: 1963 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

2LP | 2008 | EU | Reissue (Craft)

Aman Iman Water Is Life

20,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amatssou Black Vinyl Edition

LP | 2023 | EU | Original (Wedge)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amatssou White Vinyl Edition

LP | 2023 | EU | Original (Wedge)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2009 | EU | Reissue (Craft)

Imidiwan Companions

28,99 €*

Release: 2009 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Heart Of Saturday Nigh Remastered Edition

Tom Waits

LP | 1974 | EU | Reissue (Anti)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Go To The Railroad Tracks And Follow Them To The Station Of My Enemies

Tongo Eisen-Martin

LP | 2022 | US | Original (Rocks In Your Head)

20,99 €* 29,99 € -30%

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"I came across Tongo saying something in passing in an interview with Mayor London Breed. It was so insightful, poetic and deeply felt I wanted to know who he was. I devoured the poetry books that were available and then set out to invite him to make a recording. I had no idea what the session would be like. We were strangers. He showed up, there was no small talk, and he went to the microphone. He then created a 22 minute poem, no notes in his hands, and I looked at the engineer, and our minds were blown. It was flawless, and it was meaningful, and it was channeled from some other place. I said, do you have anything else to say? And he began another piece that lasted another 22 minutes or so. And it was also flawless,and incredible. And so I looked at the engineer and I said, 'I think we have a record.' Now I’ve never seen a record cut in one sitting, I figured it was reserved for geniuses like Thelonious Monk or Robert Johnson or something. And so I realized Tongo is a genius too. The poetry is so loud and crisp and clear and fueled with energy. It has a connection back to Gil Scott Heron, The Last Poets, Langston Hughes but it is also not derivative in the least, but new and of it’s own time."—Sonny Smith, Rocks in your head records “Tongo’s words are bricks-with which he builds houses, breaks windows, and - strangely- enticesyou to take a bath in. I first heard his poetry and got scared of dying. Like- I better figure shit out because this is the new shit and he’s on somethingI’m not. He’s noticing shit that I better notice if I want to experience life in color. He knows that to live- you gotta make shit aroundyou move. You can’t just watch. I’m thrilledthat this album is coming out so y’all can be scared of not living too.”—Boots Riley "Words are a kind of architecture – where the bricks exist on page or spoken into the either. A form is built and becomes a body that will not soon wilt… the spoken word is timeless and immortal. Here in this collection Tongo kicks the new jazz – a classic sense of form ad stylethat is dare I say it smolderingly masculine, drumming, with someone who clearly has an old ear for dialogue. This coolection read icadest and with a heavy hand in the past not withstanding, still boasts verbage that is very very fresh. Bravo."—Brontez Purnell

Go to Item

Tapestry 3LP Deluxe Boxset Edition

Box Set | 2023 | EU | Original (Cinedelic)

109,99 €*

2LP | 1992 | US | Reissue (Fat Possum)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed, until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

Go to Item

Townes Van Zandt

Rear View Mirror

30,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Overlander Orange Vinyl Edition

Trevor Lucas

LP | 1966 | US | Reissue (Fire)

24,74 €* 32,99 € -25%

Flûte Indienne - El Condor Pasa

Release: 1966 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ultra-rare 1966 solo album by singer/songwriter Trevor Lucas of Fairport Convention, Fotheringay, and Election. This Australian born folk legend recorded his own songs and a handful of covers – mostly solo acoustic, occasionally accompanied by bass, concertina, and fiddle. First ever authorized reissue (by his estate) of this gem.

Go to Item

Trio Los Andes

LP | 1971 | FR | Original (Music For Pleasure)

7,99 €*

Release: 1971 / FR – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

7" | 2021 | EU | Original (Saigon Supersound)

Trùc Mai

Sài Gòn

Dance Of Love Mixed Coloured Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Not many cities in the world are gifted with a timeless anthem of their own. We all know “New York, New York”, a song widely known across its city borders. For many Vietnamese, the beautiful Cha Cha Cha tune “Sài Gòn” has a similar reputation. The tune was written by Hanoi-born composer Y-Van. Like many of his generation, he moved to the South in 1954 after The Geneva Accords partitioned Vietnam temporarily into two states. There he became one of the most famous and prolifc songwriters in South Vietnamese pop music. His revered songs are still sung and covered to this day. “Sài Gòn”, which he wrote in 1965, was recorded for the frst time by Saigonese-born singer Trúc Mai for the Sóng Nhạc label. It is one of his most iconic compositions and has been recorded countless times since. Trúc Mai rose to prominence during the late 1950s as a popular headliner in the cabaret circuit of Saigon, earning her the title, "Nữ Hoàng Mambo" (the Queen of the Mambo). Her reputation helped make the 1965 recording of “Sai Gon” an instant hit. It was so successful that it was one of only a few songs to appear on multiple 7” vinyl releases. However, that same year, Trúc Mai took a seven-year hiatus from the music industry to take care of her family. But she returned in 1972 to record “Sai Gon” again, this time with another producer, Duy Khánh – also a successful singer and musician. They released this track on his “reel 2 reel” tape series, “Cỏ May”. After the war ended in 1975, Trúc Mai and her family left Vietnam to begin their new lives in the United States, where she continued her successful music career with the overseas community.The Sài Gòn sung about in the song refers geographically to today's Districts 1 & 3 in Ho Chi Minh City, the name given in 1975, after reunifcation. But colloquially, the city is still afectionately called Sài Gòn by many of its residents, and even the airport retains the ‘sgn’ designation as its abbreviation. Despite being recorded over 55 years ago, the unbroken popularity of this life-afrming ode to the city is proven when, whether in Sài Gòn or Hanoi; the south or north; whether young or old, when the song plays, everyone immediately joins in to sing along to the chorus…Saigon đẹp lắm Saigon ơi! Saigon ơi! (Saigon is so beautiful! Saigon oi! Saigon oi!) The two extensively restored mixes are supplemented with a 2021 edit by Saigon Supersound producer and DJ Jan Hagenkötter, who tries to preserve the vibes of the original and at the same time to wrap it in a contemporary garment.

Go to Item

Tucker Zimmerman

LP | 2024 | Original (4AD/Beggars Group)

27,99 €*

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Left Ear)

Twin Cosmos

Double Action

24,64 €* 28,99 € -15%

White Nights: Glowing Lights

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Twin Cosmos is not only the name of the musical output of fraternal twins Morihito & Yasuhito Ito, but more philosophically, an album that encapsulates, “the universe of twins”.

The pair were born 1953 in Yokkaichi, Mie Prefecture. A port city 50 kilometres west of Nagoya, famous for its chemical plants. Despite their surroundings, they grew up in an environment that fostered learning and self-expression. From an early age, they began to carve out their own paths.

Morihito was fascinated with scientific endeavours, space travel and spirituality. His father, an electrician by trade - motivated him to build his own musical equipment. This led him to attend an acoustic engineering school in Tokyo from 1972-1974, after which, Morihito returned to Yokkaichi where he worked in the instrument and audio section of a department store. This helped him keep up to date with the latest equipment, while allowing him to simultaneously work on his own musical endeavours.

Morihito’s side of the ‘Double Action’ LP is a cohesive piece, which effortlessly drifts from one song to the next through samples of flowing water and rockets launching into space ,that were recorded while visiting his brother in the States. His music is carried by flowing vocal harmonies, guitar strums, and floating synths to create an eternal dreamlike ambiance.

In contrast, Yasuhito gravitated towards philosophy and the arts and in 1976 followed his Englsih teachers’ advice and moved to the ‘foreign world’ of the United States. It’s here that he further explored his interests in Christianity, sadomasochism and poetry. He was exposed to artists like John Cage and Sun Ra, as well as a variety of ‘Do It Yourself’ recording techniques that enabled him to record remotely.

Using samples, poetry, and an original approach to traditional folk & rock songs, he recorded his side of the LP. The outcome being provocative, dark and confronting realisations, which solely used English lyrics to represent his experiences in the ‘Western world’. In 1980, Yasuhito was wooed back to Japan by his brother and the prospect of a combined record release.

The self-released album ‘Double Action’, was completed at Victor studios in Japan. Without a distribution network, the release was sold mostly to family and friends and fell into obscurity. Despite not reaching commercial success, the pair have continued to make music over the past four decades, crediting it as their driving force in life. This 2022 release includes an insert with archival images & liner notes in both English & Japanese.

Go to Item

Use Of Ashes

LP (Tonefloat)

11,99 €* 15,99 € -25%

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Steimles Weltmusik Nach Traumqouten Nun Traummusik

Uwe Steimle

LP | 2018 | DE | Original (BuschFunk)

17,99 €*

Release: 2018 / DE – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bob Stanley & Pete Wiggs Present Occasional Rain

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It’s the day after the 60s. You turn on the radio and there is news about John leaving the Beatles – or will Paul be the first to jump? There is insecurity and uncertainty. The rain filters into the post-psychedelic, pre-progressive sound; in times of upheaval, you always notice bad weather.

“Occasional Rain” is the sequel to Bob Stanley and Pete Wiggs’ highly successful “English Weather” collection (“Really compelling and immersive: it’s a pleasure to lose yourself in it” - Alexis Petridis, the Guardian). This is the sound of young bands experimenting in a period of flux, feeling for a new direction, exploring jazz and folk – as many songs are led by mellotron, piano and flute as they are by guitar. Lyrically, there are two themes that crop up regularly: the search for a home that isn’t there anymore – the certainties of the optimistic 60s, the physical reality of terraced streets – and the rain. For the former, there’s Cressida’s gentle, keening ‘Home And Where I Long To Be’, while Duncan Browne’s shape-shifting ‘Ragged Rain Life’ feels like a decent summary of Britain in both 1970 and 2020.

“Occasional Rain” puts the era’s bigger names (Traffic, Yes, Moody Blues) and the lesser known (Mandy More, Shape Of The Rain, Tonton Macoute) side by side. Like its predecessor “English Weather”, it evokes the turn of the new decade, a beautiful state of fuzzy confusion, and the feel of a wet Saturday afternoon at the dawn of the 70s spent flicking through the racks, wondering whether to buy the new Tull album or maybe take a chance on that Christine Harwood album in the bargain bin (go on, you won’t regret it).

Go to Item

Ecuatoriana - El Universo Paralelo

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

Go to Item

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

Go to Item

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

I'm Burning, I'm Burning Songs From The Greek Underground 1925-1940

LP | 2020 | EU | Original (Take It Acid Is)

14,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This compilation features some great examples of rebetika songs from the 20's and 30's including some well known artists like Rosa Eskenazi, Markos Vamvakaris, Anestis Delias, Rita Abadzi and others. An excellent overview of the phenomenon for anyone interested in southern European folk music history.

Go to Item

I'm Burning, I'm Burning Songs From The Greek Underground 1925-1940

LP | 2020 | IT | Original (Take It Acid Is)

9,99 €*

Release: 2020 / IT – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG

Record is warped but still enjoyable! Cover with storage wear and small seam split!"

Go to Item

Lift It Up! Volume 4: Global Players

LP | 2022 | EU | Original (Gutfeeling)

30,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

My Greatest Revenge: Flamenco Recordings, 1904-1938

LP | 2023 | UK | Reissue (Death Is Not The End)

30,99 €*

Release: 2023 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Death Is Not The End presents a limited LP pressing of their collection of haunted, brooding flamenco recordings taken from the early 1900s through to the late 1930s. Focussing in on the cante jondo (or "deep song") style, seen as the original manifestation of flamenco singing - from which other elements emerged, such as dancing and playing - this survey captures and documents tracks from the form's earliest recorded stars.

Go to Item

Tres Chic! More French Girl Singers Of The 1960s

LP | 2013 | UK | Original (Ace)

Release: 2013 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g Colored Vinyl! Hand-picked titles by Françoise Hardy, France Gall. Annie Philippe, Elsa, Violaine, Pussy Cat, Brigitte Bardot, Delphine and Liz Brady!

Go to Item

Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria

2LP | 2018 | UK | Original (Soul Jazz)

24,64 €* 28,99 € -15%