Search "the+soul+session+one" 752 Items

Me Without You, The Spring Without You

Release: 2022 / EU – Original

Genre: Rock & Indie

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One of the most proliftic and influential works within Iranian pop music. "Me without you, the spring without you" is a collection that is a refined and remastered version of Touraj's songs performed between 1973 and 1978. All songs were arranged and orchestrated by Eric Arconte.

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Touraj

2LP | 2022 | EU | Original (Fun In The Church)

16,99 €* 19,99 € -15%

Me Without You, The Spring Without You

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: VG+

Purple Vinyl Edition. Still sealed with hype sticker. Gatefold cover has seam split and slight corner wear.

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Touraj

2LP | 2022 | EU | Original (Fun In The Church)

15,29 €* 17,99 € -15%

LP | 2024 | EU | Original (Captain Pouch)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Purple Vinyl Edition. Still in shrink but opened with hype sticker. Gatefold cover has seam split.

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Touki

Plastic Man

LP | 2021 | EU | Original (Munster)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Touki, the collective created by British-Senegalese musician Amadou Diagne and Franco-American Cory Seznec - is back with the release of their second album Plastic Man. Like their debut Right of Passage, this album was made possible by an Arts Council England grant and recorded at the renowned Real World Studios with final touches performed at producer Oscar Cainer’s London studio. For this new adventure, however, they brought on board virtuosic American cellist/violinist Duncan Wickel to help arrange the music.Plastic Man focuses on climate change, environmental activism and spiritual matters—weaving together West African fables, personal stories and large social, economic and political questions facing our world. The photography for the album, taken by Italian photo-journalist Giulio Piscitelli in the Libyan desert, harks both to the continually unfolding human tragedy of displaced populations, and the plague of plastic pollution.About the music:Touki’s sound infuses East and West African styles and traditions with Appalachian banjo, folk motifs, and orchestral arrangements. Diagne’s powerful percussion, Seznec’s muted guitar-picking, and Wickel’s cello-grooves provide a rhythmic foundation, while vocals, kora and violins add beautiful texture and emotional depth. The scorching sounds of Endris Hassen’s masenqo (one-stringed bowed lute) are peppered throughout the album, providing punctual pitstops at an Ethiopian azmari-bet. The songwriting is steeped in stories and parables. The title track is an mbalax-inspired homage to climate activist Modou Fall, who dresses up as a plastic kankurang (a Mandé protective spirit) to draw attention to the plastic pollution overtaking Senegal’s coastline. Tunes like “Wounded Bird Fly Again” and “God Among Men” are inspired by western Kenyan omutibo acoustic guitar music - the latter a song that rails against society’s obsession with “titans of industry,” pointing out that many who claim to be changing the world for the better are actually responsible for environmental devastation. “Don’t Look Away” is a haunting song about migrants and refugees inspired by the book At Sea There Are No Taxis by Roberto Saviano (in which the artists discovered Piscitelli’s work). “Harit” is a rollicking Malinké-inspired tune about trying to find common ground in a time of bitter divisiveness. The soulful “Yirmane” admonishes political corruption in Senegal. On a lighter note, “Fula Cowboy” puts a West African spin on the American western. Here the Nomadic Fula pastoralists are portrayed as zen cowboys governed by a moral code in which the absence of physical, material and social needs, and the mastery of self are paramount. “Diallo Djeri” is about these same pastoralists and the challenges involved in sustainable livestock farming and keeping their families healthy.Instrumental tunes like “Mabrat Allé” (Is There Light) and “Wenchi Breakdown” are references to Cory’s stint in Ethiopia, where, despite some difficulties - power cuts were a regular occurrence and car troubles in the countryside proved disastrous - he had an intensely rich, unforgettable experience. “La-Hi-La-Ha” and “Tellem Dreams” wed Malian grooves with Appalachian fiddle, while “Djarama” is an up-tempo thank you to hardworking women in Senegal, from rural cultivators of rice in Casamance to Dakaroises mothers raising kids and scraping by making beignets, food and clothing.As they sail through the crosscurrents of our complex world, Touki, which signifies “journey” in Wolof, Amadou’s mother tongue, understands that the musical voyage itself is the destination.

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Toti Soler

17,99 €*

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 2021 / EU – Original

Genre: Rock & Indie

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Like A Long Drag Of Hashish In The Morning When The Alarm Clock Rings In The Open Air, The Synthesis That Works In This Album Is Aromatic, Hypnotic, Luminescent_ Somewhere Between Hispalis And The Catalan Mediterranean. Spanish Guitar And Flamenco Metonymies Flourish On This Transitional Instrumental Work That Ablutions In Flamenco Waters, Scented With Folk-Blues Salts. This 1973 Album Is Seminal In Creating Flamenco Fusion. The Arid But Magnetic Notes Of The First Track On The Album, 'Sardana Flamenca' Delve Deeper Into The Subconscious, Which Soler Recorded On His Own With His Spanish Guitar, Except The Electric Pieces Where Members Of The Band Om Helped Out. Reissued On Vinyl For The First Time. Includes An Insert With Notes And A Rare Toti Soler Photo. * * * Detailed Description:Toti Soler's Self-Titled Second Album Together With Sabicas, Smash From 1971-72 And The Recording Paco De Lucía Made With Jazzman Pedro Iturralde, Were Seminal In Creating Flamenco Fusion, A Blend That Has Travelled Far. They Altered The Perception Of Said Music Redefining Its Limits And Possibilities. Soler's Syncretism Between Hispalis And The Catalan Mediterranean, Another Form Of Fusion, Was Released Perhaps Paradoxically By Edigsa, The Label That The Guitarist Worked With The Most, The Founding Spirit Of Which Was To Safeguard The Local Language, Catalan. In 1972, The Ancient Call Of Flamenco Took Soler To Andalusia, Where He Studied Under The Renowned Guitarist Diego Del Gastor. When He Returned To Barcelona, He Commenced A Long Parallel Chapter As Acoustic Accompanist For The Singer-Songwriter Ovidi Montllor From Alcoy, Leaving Rock And The Electric Guitar Behind. However, Watts And Rock Still Pulse Through In His Second Lp (Self-Titled But Also Referred To As "El Gat Blanc"), 1973, But Play A Minor Role. Spanish Guitar And Flamenco Metonymies Flourish On This Theoretically Transitional Instrumental Work, Which Would Become One The Most Popular Of His Discography. The Arid But Mag...

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Tapestry: Koto & The Occident Hillside

LP | 1976 | EU | Reissue (Cinedelic)

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Tapestry: Koto & The Occident Country

LP | 1976 | EU | Reissue (Cinedelic)

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Tapestry 3LP Deluxe Boxset Edition

Box Set | 2023 | EU | Original (Cinedelic)

109,99 €*

I Go To The Railroad Tracks And Follow Them To The Station Of My Enemies

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed, until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Tongo Eisen-Martin

LP | 2022 | US | Original (Rocks In Your Head)

20,99 €* 29,99 € -30%

Tommy Peltier & Judee Sill

Release: 2022 / US – Original

Genre: Rock & Indie

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"I came across Tongo saying something in passing in an interview with Mayor London Breed. It was so insightful, poetic and deeply felt I wanted to know who he was. I devoured the poetry books that were available and then set out to invite him to make a recording. I had no idea what the session would be like. We were strangers. He showed up, there was no small talk, and he went to the microphone. He then created a 22 minute poem, no notes in his hands, and I looked at the engineer, and our minds were blown. It was flawless, and it was meaningful, and it was channeled from some other place. I said, do you have anything else to say? And he began another piece that lasted another 22 minutes or so. And it was also flawless,and incredible. And so I looked at the engineer and I said, 'I think we have a record.' Now I’ve never seen a record cut in one sitting, I figured it was reserved for geniuses like Thelonious Monk or Robert Johnson or something. And so I realized Tongo is a genius too. The poetry is so loud and crisp and clear and fueled with energy. It has a connection back to Gil Scott Heron, The Last Poets, Langston Hughes but it is also not derivative in the least, but new and of it’s own time."—Sonny Smith, Rocks in your head records “Tongo’s words are bricks-with which he builds houses, breaks windows, and - strangely- enticesyou to take a bath in. I first heard his poetry and got scared of dying. Like- I better figure shit out because this is the new shit and he’s on somethingI’m not. He’s noticing shit that I better notice if I want to experience life in color. He knows that to live- you gotta make shit aroundyou move. You can’t just watch. I’m thrilledthat this album is coming out so y’all can be scared of not living too.”—Boots Riley "Words are a kind of architecture – where the bricks exist on page or spoken into the either. A form is built and becomes a body that will not soon wilt… the spoken word is timeless and immortal. Here in this collection Tongo kicks the new jazz – a classic sense of form ad stylethat is dare I say it smolderingly masculine, drumming, with someone who clearly has an old ear for dialogue. This coolection read icadest and with a heavy hand in the past not withstanding, still boasts verbage that is very very fresh. Bravo."—Brontez Purnell

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Chariot Of Astral Light

LP | 2017 | EU | Original (Mapache)

Play One More - The Songs Of Ian & Sylvia

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tommy Peltier was born in New Orleans and came out to Los Angeles with his mom on his 13th birthday. A decade later he was a regular playing cornet with his group the Jazz Corps at the famous jazz club, The Lighthouse. In 1966 the Jazz Corps cut an album for Pacific Jazz and featured the fantastic Roland Kirk. In 1970, due to an injury, Peltier could no longer play the horn and looked for other means for expression.

Not one to be undone, he took a few chords that he had learned from friends like Jude Sill - who became occasional collaborator, sometime lover, and lifelong friend - and set out as a singer-songwriter. None of that music saw the light until It was collected together as Chariot of Astral Light. They worked together on a lot of Peltier's material, and Judee pops up on half of the disc handling backing vocals, guitar and organ lines.

He had a house in Echo Park where he held weekly Saturday recording sessions in his front room that a number of peripheral scenesters would attend (Lynn Blessing, Wolfgang Melz, Dave Parlato, and Barry McManus - all of whom appear here). Aside from the few takes done at actual studios, the bulk of the stuff was recorded in that tiny room.

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Tom Russell

CD | 2017 | CA | Original (True North)

9,99 €*

Release: 2017 / CA – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

The Radio Tisdas Sessions White Vinyl Edition

2LP | 2001 | EU | Reissue (Wedge)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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The Radio Tisdas Sessions White Vinyl Edition

2LP | 2001 | EU | Reissue (Wedge)

27,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2009 | EU | Reissue (Craft)

Imidiwan Companions

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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2LP | 2008 | EU | Reissue (Craft)

Aman Iman Water Is Life

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Association Mix'arts)

Tigadrine

Tazana

20,29 €* 28,99 € -30%

LP | 2016 | UK | Original (Discrepant)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The group Tigadrine - which carries the soul of the desert where it goes - releases its first album Tizana, in the continuity of its EP Dahamis. The group deals through its songs with various universal subjects, such as love, loyalty, attachment to the customs and deep traditions of the desert and history.Musically, this album is a sublime blend of the musical heritage of southern Morocco, with its traditional rhythms and melodies, and modern Rock/funk techniques and rhythms.Tazana is, to conclude, a rich and eclectic work, both in terms of texts and music.

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Tiago Sousa

Um Piano Nas Barricadas

14,99 €* 19,99 € -25%

Tia Blake & Her Folk Group

Release: 2016 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Discrepant presents Tiago Sousa's brand new LP with collaborations from Tó Trips, Ricardo Ribeiro, Balthazar Molina and Rebecca Roth.
Expect a unique work by one of the most interesting and intriguing musicians to come out of the burgeoning Portuguese music scene.

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Folksongs & Ballads

LP | 1971 | EU | Reissue (Ici Bientot)

Three Queens In Mourning (Alasdair Roberts/Jill O'sullivan/Alex Neilson) / Bonnie 'Prince' Billy

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Folksongs and Ballads by Tia Blake & Her Folk-Group, is more than just a “lost classic”. As clear and honest as can be, Folksongs and Ballads is a magnetic record, a refuge like only Nick Drake, Nico, and a few others have been able to create. A graceful, delicately minimalist approach to classic Appalachian and British folk songs.The perfect balance between melancholy and daydream. Originally released only in France in 1971, Ici Bientôt is very pleased to present the first ever reissue on vinyl. When she recorded her only album, Tia Blake was nineteen years old and had just arrived in Paris a year and a half beforehand. She spent most of her time at Disco’Thé, a record shop in the Latin Quarter, a free space, peaceful and inspiring, a hub for students as well as the local artistic community. There, Tia would occasionally sing—when she managed to overcome her shyness. Two young guitarists who were passionate fans of folk music and regulars at the shop began to accompany her, forming “Her Folk Group.” One year later, they cut 11 tracks at Pierre Barouh’s Studios Saravah. Folksongs and Ballads is composed of traditional tunes that have been covered many times, but they’re not the best known folk standards. A collection of stories ranging from the Middle Ages to the 1960s, bringing together sublimely doleful ballads, lamentations for a lost lover, and an unexpected, brilliant version of the road anthem “Plastic Jesus.” Tia Blake's haunting, unaffected voice captivates and comforts us, wrapping us in its cool embrace. Meanwhile, the tasteful, stripped-down, mellow acoustic arrangements provided by the guitarists, reminiscent of Bert Jansch and John Renbourn, occasionally supported by a kena flute, have created the space Tia Blake needed to reinvent these traditional songs. Folksongs and Ballads is a timeless record, deep and unique, a longtime companion for repeated listening, in the vein of works by Sibylle Baier, Bridget St. John and Vashti Bunyan.

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Hello Sorrow / Hello Joy

2LP | 2020 | EU | Original (Textile)

LP | 2023 | EU | Original (Inner Ear)

Release: 2020 / EU – Original

Genre: Rock & Indie

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"Three Queens in Mourning first gathered in summit to sing celebration of the publication of Will Oldham’s book of collected lyrics, Songs of Love and Horror. Alasdair Roberts (Appendix Out) , Jill O’ Sullivan (Jill Lorean), and Alex Neilson (Trembling Bells, Alex Rex) each arrived provisioned with a small armful of selections nearest and dearest from Bonnie Prince Oldham’s far-reaching catalogue. On this back to back records, The Bonnie ‘Prince’ Billy LP is a collection of three cover versions from Ali, Jill and Alex directory and one original track." (label info)

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Thee Holy Strangers

Diary Of Teh Shadow

LP | 2020 | EU | Original (Honey Jar)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Six years after their debut album, Thee Holy Strangers return with their sophomore LP “Diary Of The Shadow”. With a new line-up and a new sound design, they present seven testimonies of an uncertain era and trace its imprints. Drawing on the inexhaustible pool of rock’n’roll, soul and folk, they set up songs for today that speak of resignation and resilience, darkness and light, sadness and hope.

New members of the band are Andreas Lagios (Nightstalker) on bass and Kleon Antoniou (Mode Plagal) on guitar.

“Diary Of The Shadow” includes seven original compositions and was produced by Costas Chrysogelos (Digital Alkemist), Alexis Kalofolias and Dimitris Papanagiotou (Jim Spliff). It was recorded by Costas Chrysogelos and Philip Marinelis at DNA Lab studio in the spring-summer of 2021. The mastering was done by Giannis Christodoulatos at Sweetspot Studio.

The album also features Nikos Fysakis (electric guitar) and Giannis Houstoulakis (pedal steel guitar), members of the group’s previous line-up, Nikos Yousef (musical saw) and Kostis Zouliatis (piano, keyboards, synth).

Thee Holy Strangers are: Flora Ioannidi: Vocals, Alexis Kalofolias (Alex K): Vocals, guitar, Kleon Antoniou: Electric and acoustic guitar, Andreas Lagios: Bass, Costas Chrysogelos: Drums, percussion.

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The Wood Brothers

Kingdom In My Mind

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sirens Opaque Jade Vinyl Edition

The Wild Feathers

Release: 2024 / US – Original

Genre: Rock & Indie

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How would you define The Wild Feathers? Some may immediately check a box for Americana – and they wouldn’t be wrong. Others may lean on a version of rock: Country-rock, folk-rock, heartland rock. They’d all be right, too. Blues? A Southern flare? Occasional punk attitude? It’s all in there. Now, it’s time to hop on the bus and sing along.

The longtime Nashville band returns this year with Sirens, a new LP of road-worn, sharply-woven tales chronicling a life worth living, love worth holding and the hard-earned lessons found along the ride. To cut the follow-up to 2021 album Alvarado – the band’s debut on independent label New West Records – The Wild Feathers decamped from Music City, U.S.A., to Los Angeles for sessions with producer Shooter Jennings (known for his work with Brandi Carlile, Turnpike Troubadours and Tanya Tucker, among others) at Dave’s Room in North Hollywood.

Listen intently and without genre in mind. Because when the so-called Sirens make their sound on this new album, don’t worry about how to define it. Just enjoy the ride.

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The Wild Feathers

Sirens

LP+2x7" | 2022 | US | Reissue (Mississippi)

Release: 2024 / US – Original

Genre: Rock & Indie

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The Weeds

Just Colour

44,99 €*

LP | 2022 | EU | Original (Rabble Rouser)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Fred Cole’s legendary 1961-1966 band. The 12" is a straight reissue of the 1968 LP (unfortunately originally released as "The Lollipop Shoppe" but now returned to the real name of the band). One 7" features artwork from the Weeds' 1971 single and contains the 4 songs released as The Weeds (originally on separate 7", one released 1971 and the other 1966 which includes cover of Them's "Little Girl"). The other 7" features artwork from the 1968 Lollipop Shoppe 7" but since those two cuts were included on the LP, this features 4 other songs, "Someone I Knew" and "Through My Window" from the 1969 single, and "Who's it Gonna Be" and "Mr. Madison Avenue." Instead of pressing a double album that could have provided more material, this package was done intentionally to house all the essential cuts (and all the original artwork of the LP and 7" releases)."

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The Unthanks

Sorrows Away

Release: 2022 / EU – Original

Genre: Rock & Indie

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Perhaps you heard. The most important and best loved British folk group in the last 20 years have been on the road since April 2022 showcasing Sorrows Away. The anticipation for the delayed record release is all the greater, after nights like the London Palladium show, which climaxed with a mass sing. On many other nights too, in Edinburgh and Dublin, Newcastle and Nottingham, sold out audiences already on their feet for a standing ovation, would sing the album title, sonorously, defiantly, again and again, while the band presided silently, with wide smiles and the odd tear, before rejoining in chorus for one last time. On the one hand, it shows that a band who have been making us cry for nearly 20 years, have done the unthinkable and made some music of joy and light! Inviting us after two years of Brexit, Covid and no live music to banish our 'sorrows away', The Unthanks have turned two simple words into a prayer - a cathartic incantation to sing at the top of our voices, from the depths of our souls - SORROWS AWAY! - sending us home feeling like we have seen off the past, welcomed in the new and reconnected with one another. Sorrows Away is perhaps the most complete Unthanks album to date, showing greater contrasts between light and dark, joy and sorrow, intimate and epic, bitter and sweet. There is also archetypal Unthanks territory - rich, tender, exploratory and long-form. 180g Gatefold Vinyl LP

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LP | 2012 | US | Reissue (Dead Oceans)

There's No Leaving Now

23,99 €*

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP version comes with download of the album."There's No Leaving Now", the newest record from Kristian Matsson's aptly titled moniker, The Tallest Man On Earth, finds the Swedish troubadour trading in the sense of urgency that fueled his first two records for a confidently relaxed approach. The results are paralyzing. Drums, piano, baritone guitar, woodwinds and pedal steel layer this collection of songs that never compromise virtuosity for immediacy. The songwriting is every bit as detailed and captivating as his previous work, but this time around, Matsson is showing a few more cards. The music of the Tallest Man on Earth has traditionally centered around the power of performance and has served as a reminder that directness is the best course of action. However,...

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LP | 2012 | US | Original (Dead Oceans)

There's No Leaving Now

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened, with hype sticker. Cover has tiny corner wear. Vinyl is close to NM.

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LP | 2011 | US | Reissue (Dead Oceans)

Shallow Grave

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The Tallest Man on Earth released one of 2008's most powerful records, one that Pitchfork praised, calling Kristian Matsson "a natural-born folksinger, earnest, clever, and comforting." Shallow Grave could not have been more simple, just Matsson's commanding vocals with an acoustic guitar or banjo, recorded at his home in Dalarna, Sweden. Although the album was released on the Swedish label Gravitation without the help of widespread distribution, the story of The Tallest Man on Earth spread far and wide through word of mouth. In April 2010 The Tallest Man on Earth released the critically acclaimed album The Wild Hunt and has played dozens of sold-out shows on both sides of the Atlantic. Now, Gravitation is pleased to make Shallow Grave widely available on vinyl for the first time.

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7" | 2012 | US | Original (Dead Oceans)

1904

8,99 €*

Cuba 35th Anniversary Special Edition

Release: 2012 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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The Silos

2LP | 1987 | EU | Reissue (Hanky Panky)

34,99 €*

Mind, Man, Medicine Jade Vinyl Ediiton

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the Rolling Stone magazine critics' poll in 1987 after the release of Cuba. The album has since been considered a stone-cold classic, being hugely influential in the so-called Americana or alternative country scene that followed in its wake. “Cuba is one of those albums that has become a kind of talisman among true music fans. Because you know that Cuba exists inside everyone, and this extraordinary album can take you there. It's a journey filled with longing and loss, warmth and wonder”. (Anthony DeCurtis) This gatefold double LP 35th anniversary special edition, includes the additional album The Bird Album Live On Kcrw. Recorded on April 18, 1990, shortly after the release of their self-titled third album for RCA Records, The Silos performed about 75 minutes of music for the Snap alternative music radio program. Broadcast on Kcrw in Santa Monica, California, near Los Angeles, it features versions of all but one song from that third album. Both of the singer-songwriter-guitarists from the band's early days, Walter Salas-Humara and Bob Rupe, were in the line-up for this broadcast which also included Graham Maby on bass, Brian Doherty on Drums, and Kenny Margolis on Keyboard. Salas-Humara’s legacy would seem secure; his name is on 24 albums, his Horse Paintings hang in homes and galleries around the world, and his WaltersDogs portraits even appeared in the film “Get Him to the Greek” (Nicholas Stoller, 20210). but he’s hardly ready to call it a day: The Silos have a new album out now called Family and are currently touring the world.

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The Secret Sisters

30,99 €*

Through The Deep, Dark Valley 10 Years Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Our fifth chapter is the one where we seek, savor, and settle. The muse found us in the depths of raising children, nurturing relationships, surviving a world-changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we’ve learned. We’ve learned to be space-holders and defenders of the people we hold close. We’ve learned from deep, steady love in various forms. We’ve learned to let go of people and perceptions and priorities that just didn’t make the cut as we weighed what is right and important and worth keeping. We’ve learned how all the things we’ve always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you’re on target-we have found calm waters, for now. - The Secret Sisters (2023)

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The Oh Hellos

LP | 2012 | EU | Reissue (No Coincidence)

27,99 €*

The Master Musicians Of Joujouka

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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To celebrate the 10th anniversary of the band's first full-length studio album, The Oh Hellos present a special re-mastered LP reissue of Through The Deep, Dark Valley on black 180g vinyl.Remastered for the occasion, the reissue offers fans a chance to hear the music in a new light, and refresh their relationship with the album.Through The Deep, Dark Valley is a self-contained concept album, so for best results should be listened to in its entirety, in order, in one sitting."When we first wrote Through the Deep, Dark Valley, we wanted the album to flow like a narrative," says Tyler Heath. "Ever since, it's been a pattern we've found ourselves leaning into more and more with every record. To celebrate that original narrative spirit a decade later, we wanted this anniversary reissue to feel a little like a pop-up storybook that draws you in for the journey. We also enlisted the talented Charlie Kramsky to shine up our old recordings into a new Ten Year Anniversary Remaster."

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Live In Paris

2LP | 2021 | EU | Original (Unlistenable)

13,99 €*

LP | 2021 | UK | Original (Outernational)

Release: 2021 / EU – Original

Genre: Rock & Indie

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50 years since their first LP “Brian Jones presents the Pipes of Pan at Joujouka” was released, The Master Musicians of Joujouka are releasing a stunning double LP recorded live at Centre Georges Pompidou, Paris in 2016. The recordings are a full immersion into the Joujouka sound with disc one featuring hypnotic flutes and drum and a side of songs with mountain violin played by virtuoso Ahmed Talha with lead vocals by the late Abdeslam Boukhzar. Disc two features the truly hypnotic rhiat suite of Boujeloud, recorded in its entirety for the very first time. The Master Musicians of Joujouka have been known since Brian Jones publicised this amazing music in the 1960’s and of course also to those who are fans of William S Burroughs. This is a live recording from the Centre Pompidou in Paris in 2016. Which offers a chance to listen to the music without the usual background detritus provided when they are recorded in their homeland. The concert was part of the Beat generation exhibition. Gatefold double LP, the first time it has been released on vinyl.

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The Mallory-Hall Band

The Last Special

LP | 2021 | UK | Original (Outernational)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Outernational Sounds very proudly Presents The Mallory-Hall Band "Song of Soweto" & "The Last Special". Limited, fully licensed digital and vinyl reissues of two crucial South African sessions led by Charles Mallory and Al Hall, Jnr., featuring Kirk Lightsey, Marshall Royal, Rudolph Johnson, Billy Brooks and more! Essential companion pieces to Kirk Lightsey’s legendary ‘Habiba’. Featuring tracks: Song Of Soweto: Side A – ‘Song of Soweto’, ‘Hamba Samba’; Side B – ‘Cape Town Blues’, ‘Moroka Rock’, ‘The African Night’ The Last Special: Side A - ‘The Last Special’, ‘Princess of Joh’Burg’; Side B - ‘Amafu (Clouds)’, ‘Blue Mabone’ Never released outside South Africa, and out of print since 1974, Outernational Sounds presents two long-lost Johannesburg sessions from the Mallory-Hall Band – an all-star review of West Coast jazz stars who toured apartheid South Africa in the mid-1970s. Sanifu Al Hall, Jnr. is a musician’s musician. During a storied career stretching across six decades, Hall has recorded with the greats of the music including Freddie Hubbard, Doug Carn, and Johnny Hammond, and leads his own Cosmos Dwellerz Arkestra. But until recent years, the only records on which he had appeared as leader were a brace of rich, funky LPs, Song Of Soweto and The Last Special, issued only in South Africa under the moniker of The Mallory-Hall Band (named for Hall and his co-leader, guitarist Charles Mallory – musical director for Martha Reeves and the Vandellas, Mallory was conductor for Dusty Springfield touring bands, and had worked with John Lee Hooker, Stevie Wonder, and many others). Neither LP had any wider release, and both have remained out of print since 1974. How did a young stalwart of the Los Angeles jazz scene end up in a recording studio in apartheid South Africa? Al Hall, Jnr. and Charles Mallory had arrived in South Africa as part of the touring band for the singer Lovelace Watkins. Sometimes billed as ‘the Black Sinatra’, the Detroit-born Watkins sang standards and ballroom classics on the Las Vegas circuit. He never made it big in the US, but in his 1970s heyday he was a huge star in southern Africa, and 1974 he hired a jazz big band to accompany him on a tour of South Africa – Hall and Mallory were part of the line-up, alongside Mastersounds bassist Monk Montgomery, pianist Kirk Lightsey, tenorist Rudolph Johnson, drummer Billy Brooks, and Marshall Royal, musical director of the Count Basie band. The tour was a huge success, and during downtime from performing, members of the group managed to independently record no fewer than three albums. Lightsey and Johnson’s stunning Habiba was the first (reissued as Outernational Sounds OTR.013), and it was followed by two crucial sessions led by Hall and Mallory – Song of Soweto and The Last Special, issued on the local IRC imprint. Visiting apartheid South Africa in 1974 was a controversial choice for any artist. Numerous artistic and cultural bodies around the world had already announced that their members would boycott the country in solidarity with the struggle against apartheid, and working in South Africa was severely frowned on by anti-apartheid activists everywhere. For a Black band, touring the country to play to mostly white audiences could have been seen by many both inside and outside South Africa as a questionable decision. ‘It was a batch of mixed reactions when I choose to visit South Africa whilst apartheid policies were in place,’ Hall recalls. ‘To me the choice was a simple one – “I wanna see for myself!” I also wanted to be a part of breaking down racial barriers, having been down some of the same roads in my own country.’ The albums were recorded by a twelve-piece band at Johannesburg’s Video Sounds Studios in December 1974, and feature the legendary pianist Kirk Lightsey, Black Jazz recording artist Rudolph Johnson, and the rest of the touring band. Both records are superbly arranged slabs of peak 1970s funky big band soul jazz, with tasteful Latin inflections and more than a nod to South Africa’s upful township jazz sound. They are the sonic traces left by a seasoned African American band who were touring South Africa in the depths of the apartheid era, and who immediately moved beyond the segregated hotels and ballrooms to build links with local South African players and audiences. Never previously available outside South Africa, Outernational Sounds’ new editions of Song of Soweto and The Last Special (alongside our edition of Kirk Lightsey’s Habiba) represents the first time these albums have been in print for nearly fifty years. Fully licensed from Gallo Records and pressed at Pallas in Germany from Gallo’s original masters, they feature new sleeve notes from Francis Gooding (The Wire) based on interviews with Al Hall, Jnr., and a reminiscence from pianist Kirk Lightsey.

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The Mallory-Hall Band

Song Of Soweto

CD | 2008 | US | Reissue (Not On Label (The Low Anthem Self-released))

Release: 2021 / UK – Original

Genre: Rock & Indie

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The Low Anthem

What The Crow Brings

14,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Handpicked Songs 1955-1962

The Louvin Brothers

LP | 2011 | US | Original (Light In The Attic)

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

CD | 2005 | Reissue (Castle Music)

The John Renbourn Group

Live In America

5,99 €*

CD | 2020 | DE | Original (MIG)

Release: 2005 / Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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The John Renbourn Group

A Maid In Bremen

16,99 €*

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | EU | Original (Sublime Frequencies)

The Handover

LP | 2022 | EU | Original (Low Company)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In The Handover, Aly Eissa, Ayman Asfour and Jonas Cambien explore the common and uncommon senses of Egypt's ritual music. It is clear that Aly Eissa's original composition is deeply rooted in Egyptian and Arabic traditions. At the same time, this band is one of the most progressive coming out of Egypt today. This is in big part thanks to Eissa, who has proven time and again to be not only an extremely skillful composer, but also a real visionary, combining tradition with modern experimentation.

A performance by The Handover is typically one stretch without break: a long build-up that lasts for the duration of the concert. Towards the end of the performance, all the tension is released in an exuberant, joyful climax, when wild improvisations are driven forward on top of exciting dance-rhythms from rural Egypt. The Handover elegantly combines the delicacy of classical Arabic music, the raw expressiveness of Egypt's countryside music, and the spontaneity of free improvisation, carefully obliterating the artificial separation between acoustic and electronic instruments. Despite the remarkable absence of any percussion or drums, The Handover is an extremely groovy band, with an ability to slow down and accelerate the tempo in almost telepathic synchronization at exactly the right moments.

Alongside the tight ensemble playing there is plenty of room for individual expression as the oud, synthesizer and violin take turns playing solos on top of repetitive riffs. Throughout the album, native Alexandrian Ayman Asfour plays the violin with breathtaking beauty, while not being afraid to make the violin buzz, squeak and rattle at times. Belgian/Norwegian keyboardist Jonas Cambien makes the synthesizer a melodic instrument in its own right, at times evoking almost classical Maqam, while in other moments it seems like he comes straight out of an Egyptian wedding. The oud forms the backbone in the composition's structure, as Aly Eissa's solos guide the listener from minimalist, meditative drones, to a compelling climax, and back to earth.

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The Doozer

Convalescence

Roll It Out Vinyl Me, Please Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Just another album by The Doozer. One concerned with illness (no, not that one) and recovery. Inside to outside. Darkness into light. A way through the woods. The Doozer aka Simon Loynes is now seven LPs into a subterranean solo voyage begun in 2007, and to those of us who have followed it, the songs that make up Convalescence could be seen to embody a kind of late style - ultra-lucid, pared-down, precise; seemingly simple in form, richly complex in effect. Where The Doozer's last outing, 2018's Figurines (FTR360), showcased his songs at their most propulsive and and electrified, Convalescence is a more hushed, hermitic, even claustrophobic affair - dispensing with percussion almost entirely, the focus is tight on Loynes' voice and plangent acoustic guitar, with occasional daubings and interludes of wheezing keyboard, all recorded to Tascam 246 4-track cassette in Edinburgh, Summer 2019. For a considerable chunk of time, health issues had left Loynes unable to sing. On this record you can hear him rediscovering his voice: its unique grain, its responsiveness, its capacity for creating and sustaining emotional ambiguity, for oscillating elegantly between whimsy and woundedness. As with previous Doozer albums, there's an arcadian impulse at the heart of Convalescence: a sense of exile, or withdrawal, from 'The Garden' - and the need to return. The idea that, in your lowest ebb, you might recover your sense of self somewhere in the pastoral landscape of your memories. We're told the shadow of Malcolm Lowry looms large over the record - Lowry the void-chaser, the great misadventurer. Does Convalescence report from the abyss? If so then it's with a coolness and control, a lightness of touch, that conceals as much as it reveals. But beyond the neurosis, the ironic deflections, the flashes of matter-of-fact bleakness ("there isn't time / there isn't love"), there lies a deep, Lowry-ish romanticism, and a rejection of pessimism: even at its lowest ebb, Convalescence gestures towards an immense and lovin...

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The Deslondes

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

Roll It Out Black Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-13

The Deslondes are a five-piece group of dudes from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Now, with their latest record, Roll It Out the band continues to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records. The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray, and others but Roll It Out is the sound of a band that understands the history of American music, while embracing their own contemporary approach.

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The Deslondes

The Country Side Of Harmonica Sam

Release: 2024 / US – Original

Genre: Rock & Indie

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The Deslondes are a five-piece group of dudes from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Multiple members have released solo recordings between their sophomore release, Hurry Home (2016) and their previous release Ways & Means (2022). Now, with their latest record, Roll It Out the band continues to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray, and others but Roll It Out is the sound of a band that understands the history of American music, while embracing their own contemporary approach.

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Back To The Blue Side

LP | 2023 | EU | Original (Sleazy)

The Butterfield Blues Band

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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This album sound like a top of then line country music record for one reason only: The Countyry Side Of Harmonica Sam play their music that way. Harlan Howard famously stated that "all you need write a country song is three chords and the truth". Although he said that right, I believe that delivering the song also takes personality, musicanship, style, and other traits of that nature. In the case of these five Swedish honky-tonk heroes, they have it all. This band is bringing quality back in style, and I don't know about you, but I sure have missed it. Their work is characterized by the high standarts that used to be the very essence of recordings made for Decca Records in Nashville, or Capitol in California, but that somehow got more and more scarce as country music's path went on. I'm sure you will agree that these guys really have a way with a sad song. Their music rings with the sound of heartache, loneliness, and love. It is the kind of love that, whether it is faded, unrequited, or burning with desire, can make one lose his mind and stay out late wandering the streets after closing time. After listening to this record, you might catch youself thinking that being blue might be the most beautiful feeling in the world. Or at least it is when you have such a fine soundtrack to cry along to. Harmonica Sam and his team might be on the "Country Side", but they can't seem to shake off that lonesome feeling called the blues. Theo Lawrence

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Live At Woodstock

2LP | 2020 | US | Original (Run Out Groove Vinyl)

45,99 €*

LP | 2014 | US | Reissue (Light In The Attic)

Release: 2020 / US – Original

Genre: Rock & Indie

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First time that Butterfields incendiary live set at Woodstock is available on vinyl
Remastered for maximum fidelity with lacquers cut at Sam Phillips Recording Studio
Features all new artwork, pressed on 2-140g records and comes in a deluxe gatefold tip-on jacket

Paul Vaughn Butterfield was an American blues harmonica player, singer and band leader. After an early training in classical flute, he developed an interest in blues harmonica and explored the blues scene in his native Chicago.

Butterfield met aspiring blues guitarist Elvin Bishop in the early 1960s and with bassist Jerome Arnold and drummer Sam Lay (both from Howlin Wolfs touring band), the new group secured a highly successful club engagement at Big Johns Folk Club in Chicago which brought them to the attention of producer Paul A. Rothchild. During their engagement, Butterfield met and occasionally sat in with guitarist Mike Bloomfield. Rothchild was impressed with the chemistry between the two and persuaded Paul to bring Bloomfield into the band and eventually signed them to Elektra Records in 1964. Rothchild assumed the role of group manager and used his folk contacts to book them at the Newport Folk Festival in 1965. The band added keyboardist Mark Naftalin, and its debut album, The Paul Butterfield Blues Band was finally successfully recorded in mid-1965 and released later that year. The album reached number 123 in the Billboard 200 chart, but its influence was felt way beyond the sales figures. In July 1966, the sextet recorded their second full length album, EastWest. The album consisted of more varied material and reached number 65 on the album charts. With Bishop and Naftalin remaining, the band added bassist Bugsy Maugh, drummer Phillip Wilson, and saxophonists David Sanborn and Gene Dinwiddie. This lineup recorded the bands third album, The Resurrection of Pigboy Crabshaw in 1967. The album cut back on instrumental jams and focused more on an R&B influenced horn-driven sound. It was Butterfields highest-charting album, reaching number 52 on the chart. On the next album, In My Own Dream, the band continued to move away from its roots in Chicago blues towards a more soul-influenced, horn-based sound. The album reached number 79 on the Billboard chart and by the end of 1968, both Bishop and Naftalin had left the band.

The band was invited to perform at the Woodstock Festival on August 18, 1969. They performed seven songs, and although its performance did not appear in the film Woodstock, one song, Love March, was included on the original album release Woodstock: Music From the Original Soundtrack and More, released in 1970. In 2009, Butterfield was included in the expanded 40th Anniversary Edition Woodstock video, and an additional two songs appeared on the box set Woodstock: 40 Years On: Back to Yasgurs Farm. Finally, in August 2019, Rhino Entertainment released the web-only, 38 CD/blu-ray, numbered and limited box set: WoodstockBack to the Garden: The Definitive 50th Anniversary Archive which included Butterfields complete set. Run Out Groove will issue this incendiary live set on vinyl for the very first time with new artwork and deluxe packaging!

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The Brothers & Sisters

Dylan's Gospel

Release: 2014 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Been Here And Gone Gold Vinyl Edition

Thalia Zedek

LP | 2021 | US | Original (Thrill Jockey)

LP | 2024 | EU | Original (Dial Back Sound)

Release: 2021 / US – Original

Genre: Rock & Indie

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In celebration of the 20th anniversary of the release legendary singer/ guitarist Thalia Zedek's Been Here and Gone, Thrill Jockey is proud to present the album unlike it has ever been heard before: on vinyl, re-mastered by Sarah Register. Thalia Zedek has been one of the most enduring rock musicians of the past four decades. From her auspicious beginnings in bands Uzi, Live Skull, and Dangerous Birds to her wider recognition in Come, Zedek established herself as a singular voice accruing accolades from critics and contemporaries including J. Mascis, Kurt Cobain, and Bob Mould. Been Here and Gone, her debut solo release originally released on Matador in 2001 on CD, marked a turning point in Zedek's music. As Come was coming to a close, Zedek began exploring writing and performing as a solo artist, eventually backed by violist David Curry, pianist Mel Lederman (both of which went on to perform with Zedek for two decades), as well as former Come bandmates Chris Brokaw and Daniel Coughlin. The idiosyncrasies of her voice were laid bare for the first time, revealing an even greater depth to her unique songwriting. The more spacious and rich arrangements sprawl and whisper with powerful vulnerability. "There was definitely something magical about the making of Been Here and Gone," says Zedek. "I'm not sure if it was because it was made at a studio called Higher Power in a recently desanctified church in Stuyvesant, NY, or if it was because it was the end of a century, not to mention a millennium, the end of a decade of being in Come, the longest running band I'd had up to that point, and the end of 5 years of unhappy breakups and tumultuous relationships in my personal life." The eleven tracks that comprise Been Here and Gone embody that tension of uncertainty with a hopeful edge of renewal. Zedek's indelible resilience lifts even the somberest laments into triumphs. Even on the album's three cover tunes, including a haunting rendition of Leonard Cohen's "Dance Me to the End of Love," Zedek's voice and guitar color every note with raw emotion, making each passing gesture personal. Been Here and Gone channels the thunder and roar of Zedek's past into a fragile magnificence.

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Taylor Hollingsworth

Yahola

LP | 2023 | US | Original (Signature Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Taylor Hollingsworth, the fingerpicking songwriter hailing from the vibrant city of Birmingham, AL, is back with an electrifying, foot stomper of an album titled "Yahola." With his unique blend of folk, rock, and blues, Taylor has carved out a distinct musical niche that he calls "folk n' roll" or electric folk. In a world full of manufactured pop sensations and cookie-cutter artists, Taylor Hollingsworth stands apart as a true maverick of original music.Taylor's dedication to his craft has earned him accolades and recognition both within and outside the local music scene. His immense talent on the guitar, coupled with his remarkable songwriting abilities, has earned him a rightful place among music connoisseurs. Notable achievements in Taylor's musical journey include having his works featured in popular TV shows, podcasts, and movies, showcasing his ability to strike an emotional chord with listeners. Esteemed artists such as Conor Oberst and Phoebe Bridgers have recognized Taylor's songwriting prowess by covering one of his songs.

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Taylor Ashton

Stranger To The Feeling

Tatiana Dordzhieva & Maria Beltsykova

Release: 2023 / US – Original

Genre: Rock & Indie

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Recorded over the course of a 4,000-mile cross-country roadtrip, Canadian Taylor Ashton’s new album is a sonic odyssey through the heart of America, one that works its way geographically from coast to coast as it meditates on the meaning of closeness and connection. The performances are warm and inviting, anchored by Ashton’s deft guitar and banjo work and rich, easygoing melodicism, and the recordings—helmed by producer Jacob Blumberg and captured with a broad range of collaborators including Courtney Hartman, Big Thief’s Buck Meek, Lake Street Dive’s Rachael Price, Vulfpeck’s Theo Katzman, and Late Show bandleader Louis Cato—are alternately sparse and lush. From a blanket in Brooklyn’s Prospect Park to a spiritual vortex in Sedona, AZ, the settings are inextricable from the songs, and the result is a moving collection that evokes both the gentle virtuosity of Nick Drake and the buoyant wit of Paul Simon.

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Kalmykian Archaic And Soviet Folk

LP | 2019 | EU | Original (Sub Rosa)

Divine Reeds / Obscure Recordings From Special Music Recording Company (Athens 1966-1967)

Release: 2019 / EU – Original

Genre: Rock & Indie

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In early November 2014 we went to Kalmykia. Our goal was the local “Dzhangar” epic. The epic genre, as one of the most archaic, can be called a basis for Kalmyk music culture. Not so long time ago among Kalmyks there were their own professional epic storytellers - Dzhangarchi who as a socio-artistic institute today are practically absent: repertoire of modern folk singers mostly consists of late folk art of the Soviet era.

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Tassos Chalkias

LP | 2021 | EU | Original (Radio Martiko)

LP | 2022 | US | Original (Impatience)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Includes 12 page booklet. This ancient psychedelic folk with jazzy improvisations from the North West of Greece is unique and will touch your soul so deeply that epirotika aficionados always remember the place and the moment when they got to know this hypnotic and mes-merising music. In a similar way to the music of Alice Coltrane or Mulatu Astatke, it can take you out of the here and now - the pure beauty of the magical epirotika sound can make your mind drift off to otherworldly places.

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Tarotplane

Light Self All Others

Tapan Meets Generation Taragalte

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Tarotplane offers up a new portal of possibility, entitled Light Self All Others, on the Impatience label. An unshackled mind melt of amorphous Berlin School electronics, glistening guitar tones, snatches of disembodied voices and rumblings of percussive melody, Light Self All Others is an invitation to introspection, turning Tarotplane’s sky seeking kosmiche towards a resonant, contemplative core. Drifting between dreams, the record is infused with an emotional ambiguity that veers from foreboding to catharsis via pointed sonics of often unplaceable origin.

Light Self All Others emerged from a wealth of material collected over the period from 2019-2021. In a self-described “haphazard” process, Tarotplane throws down hundreds of loops, riffs and samples, intuitively collaging disparate nuggets into form which the self-taught guitarist can riff over. Following some heavy-handed post processing, the emergent sound is too busy to be strictly ambient, too zonked to be considered rock, instead resting on a modern psychedelic perch of it’s own somewhere in between.

Light Self All Others seamlessly cycles through ten tracks over the course, each piece constituting a beguiling, valuable piece of a vibrant whole/hole. From opener Pedestrian To Freeze Frame’s gently pulsing pads and soaring lead lines a feeling resembling optimism emerges, while Supermarket Tropicals could be a call to prayer from a utopian future, or equally hold music at the local ketamine clinic. A Fraught Parallel’s hazy urgency seems to foreshadow an imminent demise, cryptic effected samples attempting to get a warning through but thwarted by an engulfing hum and swooping guitar, and Portals Of Possibility’s ritualistic drone is anchored to a gently beating morse code rhythm while the thunder cracks and threatens to capsize the ship. Album closer Paradise Adjacent scrambles the signal one last time, a slo-mo showdown from a sci-fi saloon. With acoustic guitar, an idealist monologue and some fx pedals it closes the curtain with the kind of lonely, disorienting cosmic koan it’ll take a lifetime to answer.

Light Self All Others offers Tarotplane’s most complete work, a thrilling, expanding head trip from a parallel future.

Tarotplane is PJ Dorsey, from Baltimore, Maryland. He’s previously released records on 12th Isle, Lullabies For Insomniacs, Noir Age and VG+.

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Atlas

12" | 2019 | EU | Original (Soundway)

13,99 €*

Tani Allen And His Tennessee Pals

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Soundway presents the unique results of a one-off 2018 meeting in Marrakech between Belgrade-based tribal/techno/industrial outfit Tapan and the nomadic Touareg electrified desert-blues group Generation Taragalte.
Tapan is not an ordinary “techno” project, rather it escapes easy categorization. It is the Belgradebased production duo of 20/44 club resident Nebojša Bogdanović (Schwabe), and Goran Simonoski, a producer behind music projects such as Belgradeyard
Sound System, Piece of Shh and more. Both have been active in the Belgrade music and nightlife scenes since the 1990s, and since 2015 have brought together their diverse musical experience under the collaborative moniker of Tapan.
While performing at the Atlas Electronic festival in Morocco in 2018, they encountered Generation Taragalte of southern Morocco, and recorded the initial music for the Atlas EP in an improvised studio on the festival grounds, followed by final production
on returning to Belgrade. The result was the 4-track EP “Atlas”, a dark, desolate and potent collision of the electronic drone-jazz of Belgrade and the windswept, desiccated psych-guitar riffs of the Moroccan Sahara.

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Complete Recording

LP | 2021 | EU | Original (Doghouse & Bones)

Water Cycle Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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After the very successfull "jimmy Widener" first issue on the label dedicated to Hillbilly musice: "red Barn Record", We had dig a little more into our personnal shellac collection to offer you the complete Bullet sessions, 1950-52 of this obscure but very talentful "proto" rockabilly band. Two year before Elvis recordings at SUN, you already feel the wind of musical change' a coming!

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Taner Öngür & 43,75

2x10" | 2021 | EU | Original (Tantana)

36,99 €*

Stand By Your Man Vinyl Me, Please Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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As we continue our half-joke-verbal agreement of "one album per year" with Taner Öngür, here we go with "Water Cycle". Like many musician in the world, lock down home, early 2020 Taner Öngür got back to his own song books and merge them with some new ideas and brought us this exceptional instrumental album. It's quite hard to classify it within one genre but we can say it takes off from progressive sounds and explore around Öngür's latest band 43,75's own swing-surf-rock style (of course with some little psychedelic touches). These 14 tracks consist 3 special covers such as the Beatles' "I am the Walrus", Bollywood's famous "Mera Joota Hai Japani" and "Ya Mustafa" which featured in various works of middle eastern cinema. Taner Öngür, the legendary bass player of Moğollar (the iconic group of 1970’s Anadolu Pop movement), is producing solo projects since 90's. "Water Cycle" is his 4th opus of his collaboration with his latest band 43,75 and Tantana Records. During lockdown days of 2020, Öngür got back to his own song books and surfed between UK and India -and of course over fly central Asia- got together this very special instrumental guitar trip. Considering he is the "baptist" of the "anatolian rock" movement of 70's, his beyond-genres-eclectic view to the music fits perfectly to the swinging guitars, progressive touches, tribal beats, melancholic moments of “Water Cycle"... It's also a great "introduction to Taner Öngür's universe". Back in 2016 he formed this project: 43,75. Their first album “Elektrik Gramofon” (2017) was a beautiful selection of 20's - 50's Istanbul songs, distilled by Öngür's surf-swing-rocknroll appoach (it's LP's sold out within 48 hours!). Nowadays, most of the vinyl collectors knows about Anatolian Rock; but not many knows that Taner Öngür was on many cult records of the era and the definition of "anatolian pop" and "anatolian rock" are actually Taner Öngür's own wording, that became the name for it - since 70's. So, on "Sayko Ana” (2018) Öngür did not hesitate to have fun with it; browsing between forgotten Turkish folk songs and psych them. In 2019, he got back into archives, to dig "strange stories" from newspapers and vintage novels of 1930's-1960's, which gave birth to "Asrî Sadâ" album, that its LP consisting a superb - rich contented 16 pages tabloid newspaper; with "news" and "articles" related to the songs... and many other bizarre details of our "dusty days”. So, please welcome to Taner Öngür's own psych-surf-swing flavored universe!

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Tammy Wynette

LP | 1969 | US | Reissue (Vinyl Me, Please)

LP | 2022 | EU | Original (Nonesuch)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”

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Taj Mahal & Ry Cooder

Get On Board

23,99 €*

LP | 1983 | US | Original (Flying Fish)

Release: 2022 / EU – Original

Genre: Rock & Indie

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“They were so solid. They meant what they said, they did what they did… here’s two guys, a guitar player and a harmonica player, and they could make it sound like a whole orchestra.” – Taj Mahal

“It was perfect. What else can you say?” – Ry Cooder

Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE, on Nonesuch Records.

With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo – joined by Joachim Cooder on drums and bass – the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.

Explaining where Terry and McGhee took him musically, Cooder says, “Down the road, away from Santa Monica. Where everything was good. ‘I have got to get out of here,’ was all I could think. What do you do, fourteen, eighteen years old? I was trapped. But that first record, Get on Board, the 10” on Folkways, was so wonderful, I could understand the guitar playing.”

Taj Mahal adds, “I started hearing them when I was about nineteen, and I wanted to go to these coffee houses, ‘cause I heard that these old guys were playing. I knew that there was a river out there somewhere that I could get into, and once I got in it, I’d be all right. They brought the whole package for me.”

Taj Mahal and Ry Cooder originally joined forces in 1965, forming The Rising Sons when Cooder was just seventeen. The band was signed to Columbia Records but an album was not released and the group disbanded a year later. The 1960s recording sessions, widely bootlegged, were finally issued officially in 1992. GET ON BOARD is Taj Mahal and Ry Cooder’s first recording together since then.

Harmonica player Sonny Terry and guitarist Brownie McGhee, both originally from the southeastern United States, had active solo careers as well as collaborating with some of the most celebrated musicians of their time. But they were best known for their forty-five-year partnership, which began in 1939 and included mesmerising live performances around the world and numerous acclaimed recordings.

Their Piedmont blues style became popular during the folk music revival of the 1940s and ’50s, centered in New York City’s flourishing club scene for jazz, boogie-woogie, blues and folk music. Terry and McGhee traveled in the same circles as Woody Guthrie, Pete Seeger, Leadbelly, and Josh White, among others in a rich mix of writers, actors and musicians. As a new generation emerging in the 1960’s drew inspiration from folk and blues, Terry and McGhee toured the world as the foremost exponents of the acoustic music of the Piedmont. They were named National Heritage Fellows in 1982 in recognition of their distinctive musical contributions and accomplishments.

“You got the south on steroids, when you got the music of the south, the culture of the south, the beauty of the south, through Brownie and Sonny,” Taj Mahal says. He describes McGhee as a “solid rhythm player. To really play behind the harp like that. He would set stuff up. He wasn’t making many notes. Sonny had all the notes, running around. But Brownie, he laid it down.” Cooder adds: “This thing of squeezing the thumb and first finger and a little bit of the second finger, which I still do. I’d forgotten where it came from. That’s what Brownie did. I saw him do that and said, ‘I think I can do that.’”

Taj Mahal calls Terry “a wizard harmonica player”. Cooder says, “Sonny had incredible rhythm for one thing. Making sounds with his voice and the harmonica so you couldn’t tell quite which was which. He was good at that.”

“We’ve been doing this a while,” Cooder says. “Perhaps we’ve earned the right to bring it back. Taj Mahal concludes. “We’re now the guys that we aspired toward when we were starting out. Here we are now… old timers. What a great opportunity, to really come full circle.”

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Sweet Honey In The Rock

We All...Everyone Of Us

3,39 €* 3,99 € -15%

Release: 1983 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1976 | US | Original (Flying Fish)

Sweet Honey In The Rock

4,24 €* 4,99 € -15%

Release: 1976 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | US | Original (Flying Fish)

Sweet Honey In The Rock

Good News

3,99 €* 4,99 € -20%

Release: 1981 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Transilvania Smile (1994)

Svitlana Nianio

12" | 2023 | EU | Original (Shukai)

2LP | 2022 | US | Original (Spiritmuse)

Release: 2023 / EU – Original

Genre: Rock & Indie

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(First official release) Original soundtrack for the dance-theatre performance 'Transilvania Smile' by Svitlana Nianio recorded in phantonstudio, Cologne, 1994-1995This album is one of the most personal and insightful works of Svitlana Nianio from the 90s, which you can now get to know in its original form and sound.

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Surya Botofasina

Everyone's Children

49,99 €*

Greetings From Michigan: The Great Lake State

Release: 2022 / US – Original

Genre: Rock & Indie

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The phenomenal debut album by an extraordinary keyboardist and composer Surya Botofasina. Surya was taught in the tradition of Alice Coltrane, by Swamini Turiyasangitananda herself, at her Ashram in California where he grew up. Produced by and co-performed with Carlos Niño in Los Angeles, this is a unique, deep listening masterpiece of spiritual jazz and meditative sounds from a progressive Sonic Artist devoted to: "OneLove. Family. Music."

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Sufjan Stevens

2LP | 2004 | US | Reissue (Asthmatic Kitty)

LP | 2013 | EU | Reissue (Drag City)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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A collection of songs for his birth-state, Michigan, “The Great Lake State.”

Composed as a geographical tone poem, Michigan follows a metaphysical expedition through the idiosyncrasies of middle America. Drawing from personal anecdote, regional history, and state heritage, Stevens mixes social and political grievances with songs about snowmobiles, Henry Ford, the Detroit race riots, and love.

The songs on Michigan resonate with a range of sources-Vince Guaraldi, Terry Riley, and Nick Drake as accompanied by Stereolab and The Sea & Cake-in executing Stevens’ peculiar palette that is simultaneously rock and blue-grass, jazz and pop, a style The Village Voice appraises as “Arthur Lee meets the Book of Psalms.”

In Michigan, Stevens combines intimate, soft-spoken songwriting with the dense compositional complexity displayed on his previous release Enjoy Your Rabbit, which XLR8R called “…a transgressive, majestic album conjuring an academic jam session of Stereolab and Luke Vibert conducted by Steve Reich.”

Guest artists include Elin, Megan, and Daniel Smith (of The Danielson Famile), and John Ringhofer (Half-handed Cloud). Album art features original hand-paintings by Martha Stewart crafts editor Laura Normandin.

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Suarasama

Timeline

42,99 €*

More Pages Black Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2023 marks the twenty-eighth year of Suarasama; it is also the first year for this reissue of their 2013 masterpiece, Timeline. Irwansyah Harahap and Rithaony Hutajulu, Ethnomusicology lecturers at University of Sumatera Utara, founded Suarasama in 1995 after graduating from the University of Washington Ethnomusicology program. Their music, as expressed on both Timeline and Fajar Di Atas Awan (first issued in 1998, reissued by Drag City in 2008) is hypnotic and joyful; progressing ancient North Sumatran music concepts while referencing the music of adjacent ethnic traditions. "Dukkha," for example, was written combining Mandailing and Eastern European musical inspirations. Playing this song on African jembe, Indian sruti box and a European lute known as the mandolin, Suarasama instigate a musical synesthesia in the listener that may honestly earn and truly deserve the title of "world music." Throughout Timeline, this is largely due to Irwansyah Harahap"s master playing on a variety of stringed instruments including acoustic guitars, Malaysian gambus, mandolin, and an invention of his own design, the saz-guitar. Suarasama"s spirit and intention is further elevated by Rithaony Hutajulu"s vocals, as well as the skilled rhythm playing of Muhammad Amin and Horas Panjaitan, with additional percussion and singing from several others. The sound of Suarasama is the sound of people engaged in a deeply spiritual, constantly moving recital in open space. Suarasama"s conception of Timeline was a multifaceted one from the start. It grew from the concept of hemiola, a metric rhythmic structure involving the juxtaposition of a 2-beat time signature upon 3-beat time within the same line. The song "Timeline" itself addresses the history of musical lutes around the world as a means of debuting their custom-made lute, the aforementioned saz-guitar. Finally and perhaps most significantly, a "timeline" charts the passage of time, and therefore references Suarasama"s musical path over the years of their existence. This is especially significant since founder and leader Irwansyah Harahap passed away in 2021 at the age of 60. As difficult as this loss is for his family, friends and fans alike, the reissue of Timeline is seen as a celebration of the vitality and importance of his music career and journey.

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Storyteller

LP | 1971 | EU | Reissue (Svart)

LP | 2020 | UK | Original (From Here)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Storyteller's two albums were released by Britain's then foremost folk label, Transatlantic, their eponymous debut LP in 1970, and their last will and testament, 'More Pages', in 1971. This Svart reissue of 'More Pages' comes after the successful reissue of the band's debut album last year, and this one is likewise restricted to 500 copies on black vinyl.

'More Pages' has been hard to find as a full album, because the Storyteller CD reissue consists of the full first album and only a portion of the second.

No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

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Stick In The Wheel

Hold Fast

Steve Wynn & The Miracle 3

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Neon Yellow vinyl. Seam split. Limited edition.

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...Tick...Tick...Tick

LP | 2005 | DE | Original (Blue Rose)

48,99 €*

Steve Wynn & The Miracle 3

Release: 2005 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

7" is missing. Vinyl is close to NM. With insert.

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Static Transmission

2LP | 2003 | DE | Original (Blue Rose)

60,99 €*

LP | 2023 | EU | Original (Watusi)

Release: 2003 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Steve Gunn

Nakama

A World Of Peace Must Come Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Steve Gunn has always had one foot in indie rock and the other in an expansive improvisational scene. His songwriter albums alternate with freewheeling jams, most notably in his Gunn-Truscinski Duo, but are not confined to that. So when Gunn decided to revisit Other You, it made sense that he brought in some guests from the far side of the commercial/experimental spectrum to reimagine his songs. Nakama presents five tracks from that last album, reshaped by artists that Gunn admires. The process loosens the songs up considerably.

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Stephen John Kalinich

LP | 1969 | US | Reissue (Light In The Attic)

12,99 €*

Steep Canyon Rangers & Asheville Symphony

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition for Record Store Day 2014!

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Be Still Moses Transparent Blue Vinyl Edition

LP | 2020 | US | Original (Yep Roc)

Live At Record Plant Los Angeles 1974

Release: 2020 / US – Original

Genre: Rock & Indie

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Steep Canyon Rangers are Asheville, North Carolina's GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. The Rangers can now add their hometown Asheville Symphony to their long list of musical companions on the new album Be Still Moses. Each track on Be Still Moses features the Rangers and symphony breathing new life into signature Steep Canyon Rangers songs through newly inspired orchestral arrangements.The album's title track features what is perhaps their most singular musical partnership to date ' Steep Canyon Rangers teaming with not only the Asheville Symphony, but also Philadelphia soul legends Boyz II Men to completely overhaul the Rangers' original 'Be Still Moses,' which was first recorded on their 2007 breakout album Lovin' Pretty Women. The collaboration was recognized for its 'sublime harmonies and soulful ad-libs" by Rolling Stone and resulted in both the Rangers and Boyz II Men performing the song live together in October 2019. The First Edition LP arrives on translucent blue vinyl.

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Steely Dan

LP | 2024 | EU (Whp)

LP | 1975 | EU | Reissue (Guerssen)

Release: 2024 / EU

Genre: Rock & Indie

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Donald Fagen and Walter Becker are two of the most sophisticated minds in the American Pop idiom. Originally broadcast live on Kmet FM, the famous Record Plant Studio concert was part of the 1974 promotional tour for the band's third album "Pretzel Logic". In front of a small audience and backed by a stellar band featuring classy session players like drummer Jeff Porcaro and keyboardist Michael Mc Donald, Fagen and Becker deliver immaculate versions of classic songs including "Do it Again", "Rikki Don't Lose That Number", and "Reelin' In The Years'' and other gems like "Bodhisattva", and "The Boston Rag".

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Spriguns Of Tolgus

Jack With A Feather

Spiritczualic Enhancement Center

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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UK psych-folk private press mega-rarity, originally released in 1975.

“Jack With A Feather” was the first vinyl album (after the private cassette only release of “Rowdy Dowdy Day”) by Spriguns OF Tolgus, just before they shortened their name to Spriguns and signed to Decca, recording two classic progressive folk-rock albums.

Recorded in a cottage in the middle of nowhere, the album offers mostly traditional songs with charming homemade atmosphere, psychedelic touches, male / female vocals (by Mandy Morton), acoustic/electric guitars, mandolin, dulcimer, fiddle… One of the tracks, “Seamus The Showman”, originally written by Tim Hart of Steeleye Span (future Spriguns producer), landed the band a deal with Decca Records.

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Who Corrupted Our Wave, Back In 1969?

Tape | 2019 | EU | Original (Kinship)

17,99 €*

This Old House Without You

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Who Corrupted Our Wave, Back in 1969? is composed of tracks recorded live during a Sunday confusion at Berlin’s Klunkerkranich. Aimed at transferring the dub-laden substance of their debut at Fusion Festival, one week earlier, this sunset-session is a drive through dense traffic in psychonautic space. Hypersonic textures arise from layers of transmutative dialogues between seven instrumentalists. These musicians have gathered in the exiled Spiritczualic Enhancement Center, geared towards spontaneous pre-temporal alignment. A collective channeling of Free Beat sonic-organisms born from the ether, “Who Corrupted Our Wave, Back In 1969?” is a b-rave album producing an inter-era entanglement, empowered by the portals of a caravan traveling outside of time.
" If Woodstock had happened in an alien, technological advanced universe, this is probably how it would have sounded like but we might’ve never got to experience it. Fortunately, it was recorded this year in Berlin by seven illuminated musicians that created a timeless dialogue of textures, grooves and beats, which you can use as a post-hippie spaceship to take you wherever the fuck you want."
Gabriel Leașcu - The Attic
Downloadcode + sticker included.

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Spencer Burton

7" | 2024 | CA | Original (Dine Alone)

LP | 2023 | Original (Rumi Sounds)

Release: 2024 / CA – Original

Genre: Rock & Indie

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Limited 7" vinyl single pressing. These two songs were written and abandoned. Songs that didn't make the cut for my album "North Wind". That album, in it's entirety, was written alone in the north woods of ontario. The two songs on this seven inch were written out behind my house at the campfire. Both, one after the other, on the same night. If I was to ever release them, it only seemed natural to release them together.

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Sousta Politiki

Ondamania

Soul Jazz Records presents

Release: 2023 / Original

Genre: Rock & Indie

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Between tradition and contemporary aesthetics, Sousta Politiki forcefully and uniquely revisits the repertoire of Smyrneiko (Greek rebetiko from Asia Minor) and the songs of Istanbul, adding their own compositions.
Formed in Strasbourg in 2016, Sousta Politiki is a Franco-Turkish music group that draws inspiration from various urban and marginalized music genres of Greece and Turkey. The repertoire they explore is diverse, including Smyrneiko from Asia Minor, Kanto from Istanbul, rebetiko from Athens or Piraeus, and traditional songs from Thrace. However, they all share a common connection to the post-Ottoman traditions of the early 20th century. These songs primarily consist of vocals, and their themes often touch upon of daily life such as alcohol, drugs, prison, and prostitution.
The songs are approached with a sense of irony and celebration. One can find both joy and melancholy, as in Argentine tango or American blues. The five members of Sousta Politiki come from diverse musical backgrounds, including rock, Ottoman music, opera singing, rebetiko, and improvised music. The process of creation and reinterpretation knows no limits, and the unique instrumentation of the group (cello, Ottoman tanbur, accordion, bouzouki, percussion, and vocals) allows for surprising and unprecedented rearrangements.

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Delta Swamp Rock - Sounds From The South: At The Crossroads Of Rock, Country and Soul

2LP | 2011 | UK | Reissue (Soul Jazz)

12" | 2017 | EU | Original (Akuphone)

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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This new edition of Soul Jazz Records" classic Delta Swamp Rock features a killer all-star line-up of seminal artists who all first blended rock, soul and country together to create a stunning new sound of southern American music in the 1970s.Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more!

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Sothy

Chansons Laotiennes

16,99 €*

Enter The Mirage Colored Vinyl Edition

Release: 2017 / EU – Original

Genre: Rock & Indie

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Rare cosmic Lao synth pop recorded in Paris 1980. This 12" includes the original remaster and edited versions by Parisian producer Shelter. Everything comes with a reason: the record was edited in 1981 under the title Sothy Productions yet produced in France by the Parisian label Oxygène (famously known for its unforgettable first French punk compilation '125 grammes de 33 1/3 tours'). 'Chansons Laotiennes' still remains hard to classify. And then who's Sothy? Along with the unverifiable identity of the seemingly Laotian singers, skepticism gains ground concerning the man behind the pseudonym. Is he an escaped musician from one of the first Cambodian rock bands of the 1960s? A surviving producer from the 1980s Paris? Or a composer in transit in one of the many places of the Laotian diaspora? Sothy eludes any researches and disappears behind his numerous homonyms.

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Sonic Dawn

LP | 2020 | EU | Original (Heavy Psych Sounds)

Enter The Mirage Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Enter the Mirage is arguably the most blazing and powerful album yet by The Sonic Dawn. It has an unusual live feel for a studio album, packing much of the raw energy and electricity that has made The Sonic Dawn’s psychedelic concerts famous in the rock underground. Enter the Mirage’s overall theme is freedom. It is about visions that may seem too distant to be real, but only those who take the trip will ever really find out. Frontman, Emil Bureau, explains about the album’s inception: “First I lost my father, then I lost my job and finally I lost my will to be a servant of anything that isn’t peace, love and freedom. It should be simple, but in this world it isn’t. Instead of getting back on the so-called career path, which is generally a dead end, I took a leap of faith, with the band’s support.” Bureau spent half a year in a songwriting frenzy, spawning not only Enter the Mirage by The Sonic Dawn, but also a solo album in the folk genre (available via Heavy Psych Sounds). To give form to these song ideas, the Danish trio rented a space in the gloomiest part of Copenhagen, set up a studio there and rocked out for two months. You hear that roughness, present as a determined attitude from a tightly knit band. With three past albums and some 200 shows under their belt, The Sonic Dawn is a psychedelic group to be reckoned with. However, at the end of their long and laborious creative process, the band was completely broke. Fortunately, friend and former producer, Thomas Vang, allowed them to mix the album in The Village Recording at night, after his own sessions. Thanks to this, and a skillful mastering by Hans Olsson Brookes (Graveyard et al.) Enter the Mirage puts the HIGH back in high fidelity. Turn up the volume and experience The Sonic Dawn.

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Sonic Dawn

LP | 2020 | EU | Original (Heavy Psych Sounds)

2LP | 2020 | EU | Original (Gated)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sol Seppy

I.A.A.Y.A Part One

19,94 €* 20,99 € -5%

LP | 2012 | US | Reissue (Light In The Attic)

Release: 2020 / EU – Original

Genre: Rock & Indie

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What Sophie Michalitsianos has created, using barely more than her voice, piano, and cello, is magical, defying labels. Originally released as a private-press CD for her fans, I.A.A.Y.A, or I Am As You Are, is sublime, intimate, weightless, and comforting. The album takes its time yet feels urgent, like you need this music, this moment. This is the first time it's been available on vinyl. If the name Sol Seppy sounds familiar, it's because Michalitsianos had one groundbreaking album in 2006, The Bells of 1 2, which for those that heard it became one of the most important albums of the 00s. From it came the track Enter One, which has been used on numerous high-profile TV shows and has a silly number of views on YouTube. Most of I.A.A.Y.A was recorded and mixed in Knoxville, United States. Now, though, Michalitsianos lives in a small Greek village, hoping to make it her home while she works on the next two records. Yes, this is just the first part of a trilogy. In Sophie's own words: "Deep within these songs is a meeting place. It's an old home of everyone's and I hope for it to be an anchor whilst we bob up and down in chop." This is rare, this is real, this is true.

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Sixto Rodriguez

Coming From Reality

44,99 €*

LP | 2024 | EU | Original (Kryptox)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover is close to NM.

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Sissi Rada

Demeter In Aexone

LP | 1968 | EU | Reissue (Bonfire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Toy Tonics sublabel Kryptox comes with a new album by Greekharpist SISSI RADA. "Demeter in Aexone" is a 45" pure soloimprovisation on harp. Using no post production techniques and nooverdubs, the album was recorded one afternoon in her studio inVoula, Athens, overlooking the ancient demos of "Aexone". It is atribute to the ancient myth of Persephone, the daughter of thegoddess Demeter, to whom the Eleusinian Mysteries were dedicated.

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Siren

Shirley Hurt Transparent Orange Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Siren was the debut album by Kevin Coyne with Siren, the band he founded with former Bonzo Dog Band bassist Dave Clague and pianist/guitarist Nick Cudworth. The album was originally issued on John Peel’s Dandelion label in 1969. An artist who would later inspire John Lydon, Sting, Ben Watt and Will Oldham and would collaborate with Robert Wyatt, Andy Summers, Dagmar Krause, Brendan Croker, Gary Lucas and The Mekons’ Jon Langford, Kevin Coyne deserves a royal place between the likes of Syd Barrett, Peter Hammill and Daevid Allen. Standing on the verge of british blues, folk and rawk’n’roll Siren could have been easily labeled as the british answer to Canned Heat, but there’s even more. ‘And I Wonder’ is clearly an anticipation of what would happen next, with the solo career of Coyne, more focused on acid folk songwriting. “Most of the album is good time rock-on-out-music a la the Flamin’ Groovies… one of those (albums) you keep coming back to when the night gets cold and the wine is almost out. I play it a lot, and that’s the nicest thing I can say about an album.” Ed Ward – Rolling Stone “Siren just came as a breath of fresh air really, in the same way that like a generation later The Ramones did. When you just thought ‘Thank God for that!’ You hadn’t realised how bored you’d become…” John Peel.

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Shirley Hurt

LP | 2023 | UK | Original (Melodic)

23,99 €*

The Line Of Time And The Plane Of Now Silver Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Temple, Bassey, MacLaine and now, Hurt; in a world of Shirleys, the name Sophia Ruby Katz has chosen for her music is perhaps prophetic as it captures her stunningly emotive vocal approach. And whilst Shirley Hurt might be the perfect nom de plume for the creative Toronto-based artist, it’s her self-titled debut album which positions her as protagonist of her own universe.

Traversing sonic landscapes, Shirley Hurt’s vocals ebb and flow like lyrical Ley lines tracking the contours of her own well-travelled map. By the age of 18, Hurt had travelled extensively, having lived in upwards of 20 different apartments and houses, as a result never really feeling “at home” anywhere. At this age was when Hurt found herself in New York, dipping her toes into various scenes and musical realms. The first and only place she ever felt at home, and a partial home-base for her, she travelled between Toronto and New York until the age of 26.When the project she was working on in New York reached a dead-end she returned West, moving in with musicians Harrison Forman (Hieronymus Harry, Zones) and Patrick Lefler (Roy, Possum). Being surrounded by their improvising at all hours, a new approach emerged. “Harrison is a virtuosic guitar player, and I hadn't picked up a guitar in any serious way since I was 16,” she says, “by osmosis I started playing again for fun.” Without agenda, the process grew organically from there.

Hurt and Forman decided to travel across the US and Canada in a trailer for half a year, with the entire album written in the final months of their trip. Hurt had been writing loose ideas here and there but felt blocked creatively. When the pair reached Berkley, they wound up house-sitting for a tuned-in friend who recommended she pray, in a very direct way, to remove the block. “I took her advice and to my surprise it worked. The album was conceptualized and finished within a couple of months.” Shapeshifting in tone and phrasing, Hurt’s music alchemizes the furthest corners of experimental indie folk, pop, and country into a singular sound with elegant unpredictability.

Whilst Shirley Hurt’s lyrical and structural ideas may have emerged on the road, the album was self-produced and recorded at Joseph Shabason (The War on Drugs)’s Aytche studio in Toronto’s West End. It was engineered by Nathan Vanderwielen and Chris Shannon (Bart), and Hurt enlisted collaborators Jason Bhattacharya, Nick Dourado, Patrick Lefler, and Harrison Forman to hone her vision. “I wasn’t sure what was going to happen with the songs until we returned to Toronto,” she recalls. “Joseph and I had been talking about working together after sending across some demos and Jason happened to recommend his studio at the exact same time, so everything came together naturally at that point.”

Whilst her most recent adventures may have seen Shirley Hurt bound for Texas as an official Sxsw artist (hand-picked by Gorilla Vs Bear to perform at their own showcase), she currently resides in her native Canada, more specifically rural Ontario, close to friends and family, and is already working on her second album. The ties to lineage are interwoven in the fabric of the music. Hurt’s mother, artist Leala Hewak, instilled a lust for life and innate value of creativity in her from a young age as she explored the role of gallery owner, vintage jewellery show host, mid-century modern furniture expert, real estate agent, painter. Hurt’s father, a civil litigation lawyer and new-wave obsessed music lover with an extensive vinyl collection, introduced Hurt to a wide-range of artists at a young age such as Nina Hagen, Laurie Anderson, Tom Tom Club, and endless others.

In her video for ‘Problem Child’ Hurt’s grandmother walks her through a generationally revered pie-making process. One would be tempted to hear this, and other songs, as autobiographical. Yet, Hurt’s lyrics are rarely pulled from her relationships or personal history––at least not consciously. Rather, they arise from somewhere less tangible or defined. “Lyrics tend to come to me when I am doing non-musical things - washing dishes, brushing my dogs, walking to the grocery store. I have a lot of voice memos on my phone and half-filled notebooks and when I hear something, I have to stop what I'm doing to get the idea down. Usually it’s bits and pieces. It's rare a full song comes to me in one go, but it's great when they do, and those are often my favourites.”

Carving out a space of her own in an all-encompassing universe, Shirley Hurt is the introduction to a long artistic story, and if the journey so far is anything to go by, it will be stippled with evermore unpredictable chapters.

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Shira Small

LP | 1974 | US | Reissue (Numero Group)

27,99 €*

The Line Of Time And The Plane Of Now Black Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Real people music recorded at a Quaker Boarding school in the mid-'70s. Mixing soft psych, vocal jazz, and sunshine soul, Shira Small and her high school music teacher Lars Clutterham created a peerless artifact of outsider magic. Imagination, wonder, the existential dread of Vietnam and math class and getting caught smoking weed in Nixon's America... it's all here. Is your life alright?

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Shira Small

LP | 1974 | US | Reissue (Numero Group)

LP | 2024 | US | Original (Palilalia)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Shane Parish

Repertoire

LP | 2021 | US | Original (Unrock)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Imagine: It’s sometime in the back half of the 19th century, America. You’re sitting in the parlor of your mansion, or in the only room of your shack; things are dusty and smell like sweat and hair, no matter how wealthy you may be. You don’t own a phonograph, and you don’t know who Tony Hawk is, but you have an inkling of how good the word 'shred' is going to feel when it enters the local slang. Suddenly, a tall, elegant figure with beautifully maintained fingernails emerges from some corner of the room, carrying a guitar. He says in a soft voice, 'I have a transmission for you, from the coming few centuries. Would you like to hear it? I figured you wouldn’t have a dongle, so I brought my guitar.'

You may be apprehensive, but you shouldn’t be. Shane happens to be an internationally renowned virtuoso of the guitar. Specifically, he’s the kind of virtuoso who is as deep on style as he is on technique. His technical prowess is almost maddeningly complete; aiming paradoxically for the yards-long target called “breadth” he’s somehow hit all of it, 500 arrows piercing every pore of the landscape. He has that much technique not for the sake of guitar worship but to best bring the music forth clearly and in his own hand, like a pearl formed in a specific sea. I know this because I’ve sat next to him in multiple countries and American states and seen him deliver transmissions of that extreme honesty, with that extreme capability.

Like Derek Bailey’s 'Ballads,' this record brings you into the room and the breath of a true musician whose mastery does not overshadow his appreciation of the music that inspired it. The title, 'Repertoire,' underscores the beautiful songs he chose to perform, all standards of 20th century musical excellence. The in-time persistence of his blues-walked 'Lonely Woman.' The grand registral descent he performs on 'Pithecanthropus Erectus,' like a rare document of the trip down from Everest. Dig how 'Better Get Hit in Your Soul,' emphasizes the folk blues water coursing through Mingus’s Ellingtonia, how Aphex Twin’s 'Avril 14' and the Minutemen’s 'Cohesion' sound so much older than Cage’s 'Totem Ancestors.' 'Repertoire' puts forth the idea that time is arrangement: time and arrangement are each only as successful as they are faithful to their origins and expansive in their style.

Again, lest you fear the alien smoothness some associate with the concept 'virtuoso,' remember here we’re dealing with a time- traveler. His virtuosity is home grown, born of human work rather than some abstract or divine touch; the aim is not to go beyond the realm of human technical possibility but to expand it in the direction of human, meaning, timely. This guy can play anything, and for you, for this record, which sounds intimate and as present as a transmission from a time-traveler, he chooses to."—Wendy Eisenberg

Member of the Bill Orcutt Quartet and Tzadik Recording Artist

Solo guitar arrangements of various jazz /avant garde/electronic/etc. tunes.

Edition of 500 copies.

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Shalabi Effect

Freinds Of The Prophet 6

Love & Algorhythms Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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"Follow up to their 2012 "Feign To Delight, Gaiety Of Gods" on Beirut's Annihaya Records, the long history of the band continues. An eclectic multi-instrumentalists delight from Will Eizlini, Anthony von Seck, Alexandre St-Onge and Sam Shalabi. Features the centerpiece "Det. Nussbaum's Worst Case" with the formidable Manuela Giron's vocal-performance, telling a wonderful weird story of true life. . El burro sabe mas que tu...Nadietequiere.. A grown band on the peak of their power on a roundtrip through their extensive musical world, adding analog electronica, echoing guitars, notes from oriental landscapes, Mariachi adaptions and grand piano. Robotic player piano homunculus of Bach - If he was build by Bedouins in Upper Egypt ..and ketamine, cannabis and mushrooms. A Middle-Eastern Frankenstein. Limited edition one time pressing of 300 copies" (label info)

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Seratones

LP | 2022 | US | Original (New West)

2LP | 2015 | TR | Original (Majör Muzik Yapim)

Release: 2022 / US – Original

Genre: Rock & Indie

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Love & Algorhythms is an interstellar synthesis of astral Soul, R&B, and sci-fi Funk. Working with producer Paul Butler (The Bees, Micheal Kiwanuka, Caroline Rose, Hurray for the Riff Raff), Seratones have taken the invitation to knock at the door of the cosmos. A.J. Haynes's voice dances with soul-stirring devotion at the altar of Black Feminisms: weaving the words Toni Cade Bambara, Octavia Butler's Xenogenesis multiverse, echoes of bell hooks, and Audre Lorde's Power of the Erotic. With drummer Jesse Gabriel's machine-like precision and the transcendental touches from guitarist Travis Stewart, the album oscillates between Alice Coltrane-inspired bliss & Giorgio Moroder's ecstatic release. Each song hovers and pulsates in the wide, dark matter'constellations guiding a journey through the subtle body, the vast fullness of the human experience and the irresistible potential of liberation.

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Selda

40 Yilin 40 Sarkisi

Shine Baby Blue Vinyl Edition

Release: 2015 / TR – Original

Genre: Rock & Indie

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This vinyl compilation consists of 26 tracks not 40. Selda is the most well-known Turkish female singer and folk guitarist in the world. Her voice is coming out of this world. You feel how deep, how soulful voice even though you don’t understand any single Turkish word. Her vibing vocals makes the song more dramatic. You may regret why you have not listened to this legendary vocal so far. This compilation will be an exciting experience for you.

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Sean Nicholas Savage

LP | 2022 | US | Original (Arbutus)

Tape | 2023 | US | Original (Deathbomb Arc)

Release: 2022 / US – Original

Genre: Rock & Indie

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Canadian cult songwriter Sean Nicholas Savage is renowned for his bitter sweet ballads, and beautifully raw live performances, his singing delicate and brave, full of energy and space. Each new record is an adventure in sensitivity and nuance.Shine is a record about recapturing the will to live after a period of sadness and stagnancy, and the return to positivity and hope wrapped up in music that adds a sense of rhythmic guitar-based folk intimacy to Savage's hallmark ebullient avant-pop. Savage says he was leaning into his "Tatsuro Yamashita and Elliott Smith fandom" for Shine, a mix that immediately comes through vividly on opener "Feel Like A Child," which was the first song he wrote for the record. The pandemic had taken both an emotional and artistic toll on Savage, sapping his ability to be creative. It was after a long stay spent alone on the island Crete, sitting and staring at the sea that he felt a spark coming back to him. He sang "a long joyful memo" into his phone as he fell asleep one night, transcribing the words upon return to his home in Berlin and putting them to music.This reaffirmation of love and healing is at the heart of all the songs that make up Shine, not only thematically but sonically as well. Shine was recorded in Los Angeles with Savage's longtime friend Mac DeMarco, who produced the record. "With [2020's] Life is Crazy, I was delving into the overwhelming emotional experience of life and with Shine, I just wanted to dive in and be more healing," he says. The difference is apparent in Savage's vocals, which have a raw and intuitive feel to them. Instrumentally, Shine differentiates itself from Savage's past records through the use of the guitar as the primary instrument. While these are not straight-ahead folk songs, they do borrow from that genre's sense of closeness. On the title track, Savage sings of a place at the end of the world where one can find the seed of an entirely new universe within the gleaming eye of a seagull, and how that can expand one's sense of existence within something greater - "Every night we're still alive/ The moon sighs over you and I," he sings.

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Scott Thiessen

An Indifferent Sea

LP | 1968 | US | Reissue (Earth)

Release: 2023 / US – Original

Genre: Rock & Indie

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Returning with his second solo album, Scott Thiessen continues to explore the space where ambient and country coexist, showing this is an ever-expanding horizon. The lonesome cowboy sound of his previous release, 'toy', plays a crucial part in the new 'An Indifferent Sea' as well, but here is a starting point for surprising routes through pop melodies, clattering rhythms, and most importantly, balladeer vocals. These elements never dominate though, carried in on an ocean swell and then leaving again just as mysteriously, creating a sense of songs almost heard. Creating what the artist calls his version of a surf record. Not one that sounds like a party on the shore, but one translating the feeling of Thiessen experiences being in the ocean. Where once deserts were seas, here the sea is not yet a desert. 'An Indifferent Sea' is a surf album, cowboy songs, spread as wide as the eons of time it takes for water to turn into land and back again. The resulting record delicately defies category; a true poetry of the West Coast. Thiessen was a member of the noise rock group rRope. Featuring beats by Back To The Future The Ride. This album was recorded and produced at his home studio in Berkeley, CA.

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Scott Fagan

South Atlantic Blues

LP | 2021 | US | Original (Mississippi)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. 'South Atlantic Blues' will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. "His songs embrace a broad sonic fantasia, swirling in '60s New York R&B and '40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga." New York TimesScott Fagan's story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building's Doc Pomus and Mort Shuman, and feted as the next big thing. "Forget Rodriguez, forget Searching for Sugar Man," says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. "Scott was so much more. He was cut from a different cloth."'South Atlantic Blues' is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan's dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works - the never-recorded soundtrack to 'Soon', the 1971 Broadway rock musical he co-wrote and starred in - and a documentary 'Soon: the Story of Scott Fagan' currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.Classic Black Vinyl + DLC

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Sávila

Mayahuel

LP | 2024 | EU | Original (Futura Resistenza)

Release: 2021 / US – Original

Genre: Rock & Indie

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Sávila is a medicinal plant that grows wild in tropical climates all over the world as well as the name of cumbia/latin/world/r&b project by guitarist Fabiola Reyna, vocalist Brisa Gonzalez and percussionist extraordinaire Papi Fimbres. Mayahuel is the follow up to their stunning self-titled debut, and further explores their singular melding of cumbia, dream-pop, spirited vocals, hallucinatory riffing and driving percussion. "Mayahuel is based on time spent before the pandemic immersed in the music, traditions, people and environment of Oaxaca. Lots of these songs are integrated with field recordings from musicians we met along the way, incorporating pre-hispanic percussion elements and field recordings taken from the streets during our time there. Meant more as a reflection on what we encountered though some songs evolved into something more elaborate as we explore the genre of ancestral club. Music for our ancestors made for the club.”—Sávila. Mastered loud at 45 RPM, and packaged in special soft-touch matte finish tip-on jackets printed by Stoughton with one page color insert.

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Sarine

Asas Terrenas