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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

Flawless fern belly vinyl. Cover has a small seam split and storage wear.

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

2LP | 2021 | UK | Original (Weird World)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Richard Dawson & Circle

Henki

44,99 €*

Revival Vinyl Me, Please Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Exclusive limited light green double LP in spined gloss UV sleeve which comes with an exclusive embroidered Henki patch!

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Annahstasia

LP | 2024 | US | Reissue (Vinyl Me, Please)

Gypsy Punks (Underdog World Strike)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Revival is a folk EP showcasing Annahstasia’s uncompromising vision, recorded live by the artist and her band over a one-week period in a Joshua Tree Airbnb. She sought a DIY recording experience in order to center the ‘’human aspect'' of her music, something she was missing in her previous work — like the less stripped-back collaborative album Sacred Bull she made with Jay Cooper (which led to her opening for Lenny Kravitz throughout Europe in 2019).

‘’Folk as a genre is rooted around the essentials, there’s no fluff, there’s just the expression of your life experience in your standing and the world and your cultural viewpoint,'' Annahstasia said in an interview with VMP. ‘’I’m borrowing aspects from places that I might not even know that are just subconsciously in my space that to me elicit power, strength, this feeling of capability and warmth. All of those things symbolize power to me, so when I’m making my music as a folk artist, my folk music is directionally guided, inspired and motivated by making people and myself feel empowered.''

Each song on Revival, recorded in a single take, is driven by that self-determination and goal of empowerment. As the title implies, it’s a sort of rebirth for the artist, whose name even translates to ‘’resurrection'' in Greek. The result is a stunning and serendipitous project built to stand the test of time.

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Gogol Bordello

2LP | 2007 | US | Reissue (SideOneDummy)

Darol Anger / Barbara Higbie Quintet With Mike Marshall , Todd Phillips And Andy Narell

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Damaged top left corner. Reord is in fine conditiom, probably not played much.

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Live At Montreux

LP | 1985 | JP | Original (Windham Hill)

4,99 €*

Release: 1985 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Ananda Shankar And His Music

Ananda Shankar

CD | 2024 | UK | Original (Mr Bongo)

15,99 €*

Wonderland Strawberry Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.

Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.

First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting 40 years on.

Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.

A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.

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Holly Macve

LP | 2024 | UK | Original (Loving Memory)

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | Original (Single Lock)

Gravel Springs

Crow's Nest Meditations

Tape | 2024 | US | Original (Dear Life)

Release: 2024 / Original

Genre: Rock & Indie

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Luther Dickinson, 10-time Grammy nominated North Mississippi All Star, joins up with noted Bay Area mensch David Katznelson to chase the spirits and get weird. World Boogie is Coming!This is the debut project from Luther Dickinson and David Katznelson, who famously signed The Flaming Lips. It also features the last known audio of Jim Dickinson and is limited to 400 foil stamped numbered vinyl copies.

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Anne Malin

Strange Power!

16,99 €*

LP | 2024 | EU | Original (Gusstaff)

Release: 2024 / US – Original

Genre: Rock & Indie

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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...

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Gmm

Wesele

24,99 €*

Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

Release: 2024 / EU – Original

Genre: Rock & Indie

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The work of GMM carries the echo of folk wedding melodies inspired by Oskar Kolberg"s collections, interpreted in modern arrangements with electrifying sound.The trio, consisting of Michal Górczynski, Michal Marecki and Patryk "TikTak" Matela, explores the roots of the Mazovian tradition, translating them into the language of contemporary music. Oskar Kolberg"s descriptions and a collection of melodies specific to the Polish region of Mazovia give the GMM band a foundation for creative existence in this old world and transferring it to the modern world.The freshly recorded album opens the traditional wedding gates in an unexpected way, where folk nostalgia meets contemporary avant-garde. The contrabass clarinet weaves deep, warm sounds into the compositions, adding them mystery, while the spinet boldly carries a note of baroque sophistication, creating a pleasantly contrasting texture. The modernity of synthesizers and dynamic beatbox balancing between stillness and dense, dirty tones, gives the whole mix a modern touch.In this characteristic journey full of rhythmic complexity and harmonic discoveries, you will find depth, a cynical smile and plenty of room for your own reflections.

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V.A.

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

Hello, I'm Dolly Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Dolly Parton

LP | 2024 | US | Original (Vinyl Me, Please)

LP | 1981 | JP | Original (CBS/Sony)

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
'Hello, I'm Dolly' is Dolly Parton's debut album and the Vinyl Me, Parton Record of the Month for October 2023. It's pressed on 180g Flame Galaxy vinyl with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

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Albert Hammond

Your World And My World

9,99 €*

Tape | 2024 | US | Original (Jackpot)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Mustafa Özkent

Genclik Ile Elele

15,99 €*

LP | 2024 | UK | Original (Trapped Animal)

Release: 2024 / US – Original

Genre: Organic Grooves, Rock & Indie

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Originally released in Turkey 1973, Özkent’s masterpiece creation of an all instrumental Turkish Psychedelic Funk album filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ’s and music fans alike. The original concept was futuristic and eluded categorization: traditional folk songs mixed with rock, jazz, blues, funk and psych, reconstructed for the new “hip” generation. (The monkey on a microphone album jacket also eludes categorization too.... or comprehension). The album was recorded live in just one day with some of the best studio musicians in Turkey. Lacking a multi-channel recording deck, Özkent used microphone techniques to emulate a total stereo effect and capture the heavy psychedelic effects and close-miked beat breaks. Özkent created his own unique guitar sound by adding extra frets and a clutch of effect pedals in order to create quarter notes and emulate turkish traditional scales. Mustafa Özkent has since made arrangements for hundreds of other artists in Turkey, but this unique album documents his most revered work—and the world is still just discovering this gem. The fact that only a handful of copies from the original pressing are known to still exist partly explains why, making this reissue a welcome addition to any record collection.

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Cormorant Tree Oh

Moonish

The Houston Kid Vinyl Me, Please Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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We're proud to announce that Trapped Animal will be releasing the new album by Cormorant Tree Oh, Moonish! On 180 GSM Clear Vinyl with artwork illustrated by CTO. Since CTO's 2022 sophomore album, Swoontide, Mary has found herself supporting Lankum at Vicar Street, gracing a cover CD of Uncut, picking up new fans from all over the world. She will be performing songs from Moonish at this year's Quiet Lights Festival (w/e Nov 21) in Ireland and on December 7th in London at The Lexington.

Cormorant Tree Oh often gets labelled as folk horror and whilst there are still spooky elements, this album veers into new territory. With heavy use of drones and new instrumentation. Music tends to come out of CTO weirdly regardless of her intentions, so her innate oddness still shines through.. and this album embodies that oddness and beauty.

First single, Terror Of The Countryside, opens with a frivolous sounding catchy riff, until the dark drones of Terror drop in on the listener like a roar from a John Carpenter movie. The song moves with a dark, ominous groove that has become CTO’s trademark. Something about this new recording shows a maturity and confidence that has always been present in her previous work… but owns the tape it is pressed to in a new way. Terror is the opening track from Moonish, and like all great set ups, it embodies the tracks to follow.

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Rodney Crowell

LP | 2001 | US | Reissue (Vinyl Me, Please)

Superstar Vinyl Me, Please Edition

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.

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Caroline Rose

LP | 2024 | US | Original (Vinyl Me, Please)

Coat Of Many Colors Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
With one foot in a bucket of painfully earnest reflection, and the other in a pool of the sick, sunny oddball pop satire she does so well, Caroline Rose wrote, recorded and produced Superstar in her 10’x12’ home studio and on a portable rig she’d set up in green rooms while touring behind her 2018 album, LONER. The album’s first track finds its protagonist the recipient of an accidental call from Hollywood’s glamorous Chateau Marmont hotel, which they take as a sign to leave everything behind and pursue their star-studded destiny. What ensues is an indulgent, glistening sonic wonderland located at the crash site of innate personal aspiration and a bloated, absurd and fickle collective definition of success, fame and the artist in the era of late-capitalism. Superstar is a double-edge examination of the destructive and motivating forces of the human ego in a time and place that stokes its most aggrandizing desires, all wrapped up in brilliant, wonky modern earworms and a world as shiny as it is unsettling.

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Dolly Parton

LP | 1971 | US | Reissue (Vinyl Me, Please)

Buck Owens And His Buckaroos

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
What’s most apparent, though, across Coat of Many Colors — through the pain, the work, the heartbreak and even the cruelty — is Parton’s complete, undying adoration for life and the people in it. “Early Morning Breeze,” a track that subtly veers into psychedelic folk, is a spiritual meditation that observes and appreciates the simplicity of an early morning walk through a meadow and a moment of prayer. Album closer “A Better Place To Live” takes time to imagine what an actively kinder world would look like. Bold and brilliant “Here I Am,” in retrospect, serves as a much more definitive, and more fitting, introduction to her self-driven rise than a simple “Hello, I’m Dolly.” Sung almost exclusively in Dolly’s unhinged all-out belt, the song’s a pipe-showcasing testament to the simple power of showing up: lending a hand, offering an understanding ear, knowing how much love you’ve got to give and shelling it out indiscriminately.

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Carnegie Hall Concert Vinyl Me, Please Edition

LP | 1966 | US | Reissue (Vinyl Me, Please)

2LP | 2024 | US | Original (Mick Music)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“In the first 75 years of Carnegie Hall being in operation, country music was an intermittent guest in the hallowed hall. In March 1966, however, a country band from Bakersfield, California, took to Carnegie Hall’s stages at the peak of their powers, as only the second country band to headline a show there, and ultimately released — outside of At Folsom Prison — the most important live country album ever. An album that proved many things between its two sides: that country music had an audience around the world already, and that the artist behind the album’s gamble on himself and his sound proved that you didn’t need to go to Nashville and sell out to sell big. With Carnegie Hall Concert, Buck Owens and His Buckaroos entered the pantheon of country music, becoming part of its very fiber, and altered the way it was considered in big cities and at record labels.”

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Brett Dennen

If It Takes Forever

43,99 €*

LP | 1963 | US | Original (Liberty)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since debuting in 2004 with a self-titled album, Brett Dennen has established himself as the kind of singer-songwriter who finds inspiration by digging into the nooks and crannies of the human condition-exploring pain, joy, sadness, and all points in between. Along the way, Dennen has had multiple top 10 hits on AAA radio, with the keening title track of See the World, landing at No. 4 in 2021. Brett's touring plans have seen him alongside artists like John Mayer, Jason Mraz and G Love and Special Sauce, as well as landing multiple song placements in the hit TV show Parenthood. With "If It Takes Forever" (Mick Music), the California native's eighth solo album and first full-length since 2021's See the World, is no exception. The warm, immersive collection boasts deeply felt sentiments, underpinned by rich acoustic guitars and Dennen's earnest vocals, in the vein of dusky Americana ("Golden State of Mind"), harmonica-driven blues (the Tom Petty-esque "Careful What You Wish For"), rootsy indie ("Don't Go Talking"), and meditative folk-rock (highlight "Time To Wake Up"). If It Takes Forever emerged from a tough 2023 for Dennen, as he was dealing with the death of his dad. "He was such a strong figure in my life that I depended on so much as both a dad and a best friend," he said. "And I knew immediately in order for me to deal with his death, the best thing I could do was to make an album about it." Alongside the release of If It Takes Forever, Dennen plans to hit the road once again, but he possesses additional perspective on-and gratitude for-the solace provided by art and music. "To really boil it down, this is life," he says. "Life is full of things that get complicated and make you busy, and are really hard to deal with. But if you write songs about it, and put it into art, then it makes it a lot more relevant and meaningful and worthy of celebration."

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Timi Yuro

Make The World Go Away

16,99 €*

Release: 1963 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2024 | UK | Reissue (Talking Elephant)

David Carrol

Bold Reynold Too

Release: 2024 / UK – Reissue

Genre: Rock & Indie

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Tomorrow May Not Be Your Day--The Unissued Atco Recordings 1970-1971 Black Friday Record Store Day 2024 Edition

Jesse Ed Davis

2LP | 2024 | Reissue (Real Gone Music)

79,99 €*

Let Me Dream Black Friday Record Store Day 2024 Edition

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 1000

Native American guitarist Jesse Ed Davis was the “go-to” guy for a remarkable group of musicians. Starting in the mid-‘60s, he toured with Conway Twitty, then became a key part of Taj Mahal’s band, playing on several albums and tours including an appearance in The Rolling Stones Rock and Roll Circus, and, perhaps most famously, accompanied George Harrison during the Concert for Bangladesh, followed by work on various solo albums by John Lennon, Ringo Starr, Gene Clark, Leonard Cohen, and Jackson Browne (that’s Jesse taking the solo on his 1972 breakout hit “Doctor My Eyes”).
All this activity caught the eye of ATCO Records, who released his debut LP Jesse Davis in 1971. The album featured Leon Russell, Eric Clapton, Gram Parsons, Merry Clayton, Ben Sidran, John Simon (producer of The Band), Alan White (of Yes), and many others including Delaney Bramlett behind the mixing desk. A year later, Atco released Ululu containing some of the same all-stars, plus Duck Dunn, Jim Keltner, and Dr. John – and a version of George Harrison’s “Sue Me, Sue You Blues” before even George recorded it.
Of late, there’s been something of a Jesse Ed Davis revival. Besides Real Gone Records releases, Davis was a major figure in the documentary Rumble: The Indians Who Rocked the World…and now this fall comes a full-fledged biography, Washita Love Child: The Life and Times of Jesse Ed Davis, by Dr. Douglas Miller.
To honor the man and the occasion of the book’s release (and to slake guitar-heads the world over thirsting for more tasty Jesse Ed licks), Real Gone Music releases Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971, a double-LP collection consisting of, as the title says, all unreleased recordings taken from Jesse’s sessions for his two Atco solo records. Along the way you’ll find completely unreleased songs (“Slinky Jam”), unexpected covers of “Ain’t No Beatle,” “Kansas City,” and “Tracks of My Tears,” unissued instrumentals (including a version of Dylan’s “Love Minus Zero/No Limit”), and an entire side featuring alternate versions of Jesse’s masterpiece, “Washita Love Child.”
Remastered by Mike Milchner at Sonic Vision, and featuring notes by Dr. Miller festooned by photos contributed by Jesse’s son William “Billy” Noriega, Tomorrow May Not Be Your Day: The Unissued Atco Recordings 1970-1971 represents a major archival find from one of rock’s most intriguing characters, out on Cobalt “Blue Jean” vinyl limited to 1500 copies worldwide.

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Johnny Bragg

LP | 2024 | Reissue (Country Music Hall Of Fame & Museum / Org Music)

TBA

The final price is not yet known.

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Limited Run / Regional Focus, Limitation: 1000

Revered singer Johnny Bragg wrote and recorded classic 1950s R&B hits, such as “Just Walkin’ in the Rain” (as lead vocalist of the Prisonaires) and “Rollin’ Stone” (fronting the Marigolds), while serving time at the Tennessee State Penitentiary. For years, the recordings collected here lay dormant and unheard in a garden shed in Nashville.
Unearthed and assembled to coincide with the twentieth anniversary of the Country Music Hall of Fame and Museum’s acclaimed exhibit Night Train to Nashville: Music City Rhythm & Blues, these cuts are a rich trove encompassing previously unreleased songwriting demos, band rehearsals, and live recordings that, fortunately, Bragg preserved on tape in the 1960s and 1970s. It’s a time capsule of classic Nashville R&B, now available for the first time in any format, exclusively for RSD Black Friday.

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Drew & The Neighbors Holcomb

Strangers No More: Volume 2

LP | 2024 | US | Original (Magnolia Music)

LP | 2024 | EU | Original (Dial Back Sound)

Release: 2024 / US – Original

Genre: Rock & Indie

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This is a band at the peak of it's powers. Drew Holcomb and his Neighbors recorded 21 songs over a 2 week period of time, and split them into two volumes. Volume II features a breadth of genre defying recordings of songs about love, loss, betrayal, the passage of time, and the ties that bind and break us as humans. There are songs centered around specific human experiences like Suffering, Forgiveness, Imagination, and Shelter which take the listener through a rock n roll and soulful journey into the unanswerable questions of how to navigate the joy and pain that we all face. There is the classic heartbreaker of Burn, which features Holcomb's wife, Ellie's arena stomping soulful background vocals over guitarist Nate Dugger's wailing guitar solo. The highlights are Soul's a Camera which finds Holcomb taking lyrical photos of a lifetime's worth of memories, reminding us all that we are made up of our stories and experiences, and the soul is indeed a camera. Green Light is a rollicking ode to the band's wives putting up with their troubadour lifestyle. Easy Together is a classic soulful song in the Marvin Gaye family tree, a blatant attempt to help the world make love. Way Back When is a heartbreaking ballad about the passage of time from a father to a son, and the inevitable end that faces us all, while trying to find a legacy to leave behind.

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Taylor Hollingsworth

Yahola

LP | 2024 | EU | Original (Epitaph Europe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Taylor Hollingsworth, the fingerpicking songwriter hailing from the vibrant city of Birmingham, AL, is back with an electrifying, foot stomper of an album titled "Yahola." With his unique blend of folk, rock, and blues, Taylor has carved out a distinct musical niche that he calls "folk n' roll" or electric folk. In a world full of manufactured pop sensations and cookie-cutter artists, Taylor Hollingsworth stands apart as a true maverick of original music.Taylor's dedication to his craft has earned him accolades and recognition both within and outside the local music scene. His immense talent on the guitar, coupled with his remarkable songwriting abilities, has earned him a rightful place among music connoisseurs. Notable achievements in Taylor's musical journey include having his works featured in popular TV shows, podcasts, and movies, showcasing his ability to strike an emotional chord with listeners. Esteemed artists such as Conor Oberst and Phoebe Bridgers have recognized Taylor's songwriting prowess by covering one of his songs.

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Half Waif

See You At The Maypole

30,99 €*

A Girl Called Eddy 20th Anniversary Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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See You At The Maypole, the sixth full-length album in Half Waif"s prolific catalog, is a recognition of personal sadness, and a call to ecstatic togetherness. It"s gathering the colors of our spirit, in all its shades, and making something intricate and remarkable. The ceremonial folk dance performed around a maypole is filled with fauna and flora, with ribbons woven into complex braids incapable of unraveling; these dances are survivals of ancient ritual, honoring the living trees, and the return of Spring and fertility. These patterns -- this dance -- cannot be completed alone, and so, Half Waif welcomes others to join her, a collective of bleeding color. "We are so much stronger for the colorful experiences we go through," she says. "That"s where we find our humanity and find each other." While the seclusion of grief feels infinite, Rose brought the songs to her trusted friend and longtimecollaborator of the past decade, Zubin Hensler. The pair worked away from others for Mythopoetics, carefully crafting each note and flourish themselves but something else was needed for See You At TheMaypole. To that end, Hensler and Rose welcomed a wealth of players and friends into the world of the record: Jason Burger and Zack Levine on drums and percussion; Josh Marre (Blue Ranger) on guitar; HannahEpperson and Elena Moon Park on violin; Kristina Teuschler on clarinet; Willem de Koch on trombone; Rebecca El-Saleh on harp; and Spencer Zahn on upright bass. Andrew Sarlo (Big Thief, Bon Iver) lent hisdeft mixing skills to many of the tracks, including lead single "Figurine.""This wasn"t just my story, I wanted to say. It was every story of loss-the loss of a life, the loss of a dream, the loss of trust and hope and faith. A story of finding a way back again," Rose explains. "My own avenue back to the land of the living was through my relationships with people and with the natural world. It only seemed right that these songs would invite those people in to build the very heart of the sound."

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A Girl Called Eddy

LP | 2004 | UK | Reissue (Last Night From Glasgow)

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2024 | UK | Original (Veego)

Kolida Babo

Spirits Of Mauronoros

28,99 €*

Tape | 2022 | UK | Original (Kitchen Label)

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Kolida Babo is the collaboration between two Greek woodwind musicians from separate regions - Socratis Votskos is from Pella, and Harris P. is from Athens. Their self-titled debut album was recorded in improvised live-take sessions beginning on the night of the “Kolida Babo” folk rituals of music and dance in northern Greece in winter 2013. They explore the ancient music of Armenia and the folk traditions of northern Greece’s Epirus and Thrace regions alongside abstract electronics and free jazz. Their debut album was released by MIC Records (London) in 2019 to rave reviews. Other notable releases include the Jazzman Records jazz45 series and the soundtrack for the documentary ''Gospel of Michiel'' and "Loxy". Their music was supported by BBC 6Music, BBC Radio 3 - Late Junction, NTS, Soho Radio, WorldWide Fm as well as the Greek National Radio. Last but not least, they have performed in various places around Greece and Europe including festivals like CTM, Archipelago Festival and Vinterjazz Festival. In their second full-length album Spirits of Mauronoros set to be released in 27/09/2024 by Veego Records, Kolida Babo revisit an old forgotten place in northern Epirus Greece, near the Greek-Albanian borders. A spiritual music journey dedicated to the old village of Mauronoros (Black Mountain) and its people. This village is one of the many villages in Greece that is totally abandoned as a result of the economic crises and cultural changes that Greece faced in the last century. This profound depopulation of the area left behind ruins that echo its past trials and tribulations. However the traditional sounds of the village keep reappearing in urban centers like ghosts that haunt everyday life. This sonic dialogue between "modern" and "traditional", between "the peaceful countryside" and " turbulent urban centers" sometimes looks irrelevant and outdated but is of great consequence. It transports the listener in an unspecified time and place devoid of any cultural and geopolitical connotations and thus leaves them wondering for a freer and more authentic way of life.

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Aspidistrafly

Altar Of Dreams

15,99 €*

LP | 1971 | JP | Original (Ode)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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Carole King

Music

7,99 €*

Andrew Wasylyk & Tommy Perman

Release: 1971 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

Japanese pressing.
Record has some hairlines and a few superficial scratches.
Ships in a brand new plain sleeve.

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Ash Grey And The Gull Glides On

LP | 2024 | UK | Original (Clay Pipe Music)

24,99 €*

Gongs Of The Bahnar: A Buffalo Sacrifice Ceremony

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘Ash Grey And The Gull Glides On’ is the new album by Scottish composers Andrew Wasylyk and Tommy Perman.The pair have orbited each others worlds for a number of years through audio-visual collaborations spanning record releases, films and sound installations.

Wasylyk’s cinematic compositions have been nominated for the Scottish Album of the Year Award and been awarded BBC Radio 6 Music’s Gideon Coe’s Album of the Year. He has collaborated with former National Poet for Scotland, Liz Lochhead, and written soundtracks for Radio 4. Perman’s work as a musician and DJ has taken him across the world, with numerous record releases under his own name and with experimental group/arts collective Found, alongside visual works at the Sydney Opera House and National Museum of Scotland.

‘Ash Grey And The Gull Glides On’ is the pair’s first collaborative album as a duo.The record is rooted in Perman's ambient-acid-house grooves and multi-textural percussion built from sampling the knocks, clangs and creaks of Wasylyk’s upright piano.These are woven through a palette of drum machines, rolling transcendental piano motifs, fluttering synthesisers, saxophones swells and hymnal choral vocals.

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Vincenzo Della Ratta

LP | 2024 | EU | Original (Akuphone)

Gnonnas Pedro Et Ses Dadjes

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Buffalo sacrifice is a significant ritual among the Bahnar people, an ethnic group residing in the Central Highlands of Vietnam. It symbolizes a connection to ancestral spirits and the natural world. Prior to the sacrifice, the community gathers to prepare offerings and adorn the buffalo with symbolic decorations. The ceremony typically involves prayers, chants, and dances led by village elders. The sacrifice is performed with reverence and gratitude, honoring the buffalo's sacrifice for the well-being of the community. It's believed to ensure fertility, protection, and prosperity for the village. The ritual underscores the Bahnar people's deep-rooted spiritual beliefs and their harmonious relationship with nature. After the sacrifice, the buffalo's meat is shared among the villagers in a communal feast, fostering unity and solidarity within the community. This tradition serves as a cultural cornerstone, preserving the Bahnar's heritage and spiritual practices for generations. Recorded in the village of Plei Hven (Vietnam) in 2019 by Vincenzo Della Ratta, this unique album offers a deep immersion in this ancestral ceremony.

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The Band Of Africa Vol. 2 - "I Feel Alright"

LP | 1980 | NG | Original (World Wide Music)

LP | 1959 | US | Original (World-Pacific)

Release: 1980 / NG – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: G+

Original Nigerian pressing. There's a James Brown Cover on here! Cover has some discolourations and wear, close to VG.

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Ravi Shankar

India's Master Musician

Pak Yan Lau / Vica Pacheco

Release: 1959 / US – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Close to VG+

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Aquapelagos Volume 3 Pacífico

LP | 2024 | EU | Original (Keroxen / Discrepant)

Fabiano Do Nascimento & Shin Sasakubo

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Presenting the third thematic volume on the “Aquapelagos" series - a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities. After the initial release of the Anthology compilation Aquapelago in 2022 (Discrepant ,Crep91) and the split LP Atlantico by Lagoss & Banha da Cobra (Keroxen, Krxn027) as well as the direct collaboration LP Índico by Mike Cooper & Pierre Bastien we proudly introduce an the third volume in the series in the shape of no other than two inspiring artists, Vica Pacheco and Pak Yan Lau. Two different sound journeys inspired by the majestic and peaceful Pacific Ocean, the vastest, largest and deepest ocean of our planet. Vica Pacheco’s composition takes a calm meditation approach where water flutes and synths brush shoulders to cre-ate a ever expanding mind journey whereas Pak Yan Lau’s ambitions Neo classical piece, The Ocean in Us, talks about that grand overwhelming feeling, that vast space deep under, on the bottom of the Pacific. Both compositions were recorded and created with the particular wet acoustics of the Tank in Santa Cruz de Tenerife in mind. From Philip Hayward and Matt Hill’s liner notes: ‘’The Pacific is a complex space, comprising a third of the Earth’s surface. A cascade of islands runs along its eastern flank, down from the Kamchatka peninsula, through Japan, Taiwan, The Philippines, Melanesia and on to Australasia. In its watery heart the islands of Micronesia and Polynesia stretch across huge distances, north-east to the Hawaiian archipelago, south east to Rapa Nui and south west to Aotearoa and Chatham island. Closer to the shores of the Amer-icas lie Tierra del Fuego, the Galapagos Islands, Haida Gwaii and the Aleutians. This is a space that resists easy char-acterisation. The Pacific laps the shores of Japan and Chile, the beaches of Australia’s East Coast and the cold, damp coasts of British Colombia and Alaska alike. Indeed, the space is so vast that it is a world in itself and one rarely navi-gated in its entirety. In this manner, strands of genres and the songs that reflect them are components in an intricate mesh of associations.‘’ Philip Hayward and Matt Hill, April 2022

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Harmonicos

LP | 2024 | JP | Original (Rings)

Jalek Blount & Mali Obomsawin

Release: 2024 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Preorder shipping from 2024-12-20

Fabiano de Nascimento, a popular Brazilian guitarist in Japan, and Shin Sasakubo, a guitarist from Chichibu, Japan, who has been linked with South American music and other parts of the world, are releasing on LP a guitar duo recording that started when they performed together live in Japan. The three-day recording began four days after Fabiano do Nascimento and Shin Sasakubo's first concert together. Sharing the same space and time, the two guitarists, with their different styles and origins, explored sounds, let them resonate and repel, and engaged in a dialogue and exchange of ideas that shaped this music.

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Symbiont

LP | 2024 | US | Original (Smithsonian Folkways)

CD | 2024 | Original (Because Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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From the first notes of symbiont, the radical new collaborative album and document of Black and Indigenous futurism from Jake Blount and Mali Obomsawin, the listener is met with rising tidewaters, massive droughts, and the appearance of an iconoclastic uprising amidst the world's indifference. Questions of future or present tense swirl around the music as the duo unspools the intertwined threads of racial and climate justice. Amid rumbling synthesizer drones, the thrum of banjo, and the thwack of drum machines, a whisper of truth can be heard: this crisis has been unfolding for centuries.

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Manu Chao

Viva Tu

Wirlmarni Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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CD Digisleeve, 16 page booklet. "Viva Tu", Manu Chao's new album. Includes " Viva Tu ", "Sao Paulo Motoboy " and collaborations such as "Heaven's Bad Day" with Willie Nelson & "Tu Te Vas" with Laeti.

For years, Manu Chao has been travelling the world to meet his fans in unusual venues, villages and small festivals. Elusive, but always accessible to those who cross his path, Manu now presents his new studio album 'Viva Tu', a collection of songs written at the heart of daily lives and struggles, and a fresh take on the state of the world, singing sunny, universal songs in Spanish, French, English and Portuguese, painting an unforgiving picture of social imbalances.
The lead song 'Viva Tu', a heartfelt rumba dedicated to the daily life heroes, has already made its mark. The second single, 'São Paulo Motoboy', is a colorful, sunny ode to the two-wheeled delivery people venturing the Latin American metropoles every day.
The album, to be released September 20th, also features some memorable collaborations, including 'Heaven's Bad Day' with country legend Willie Nelson and 'Tu Te Vas' with rising French rapper Laeti.
Available now in preorder (CD/Vinyls/Digital).

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Kankawa Nagarra

LP | 2024 | US | Original (Mississippi)

LP | 2024 | UK | Original (Western Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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Aboriginal Australian blues, country, and gospel by the great Kankawa Nagarra, Queen of the Bandaral Ngadu Delta.These intimate recordings introduce the world outside Australia to Kankawa Nagarra, a beloved Walmatjarri Elder, teacher, human rights advocate, and environmental activist.Born in the traditional lands of the Gooniyandi and Walmatjarri peoples of North Western Australia, Kankawa grew up with the tribal songs at cultural ceremonies. When she was taken from her family to the mission, she was taught hymns and Gospel songs with the choir. On the pastoral lease where she was sent to work, Country music was everywhere. She first heard rock and roll on the station gramophone. But it wasn't until many years later her musical journey truly began, when she stopped to listen to a busker outside a shop in Derby, Western Australia. It was the first time she'd heard the blues, and it awakened something in her. Through it, she found a medium to express all her thoughts and feelings, and it inspired her to turn these into songs. The empathy of her message extends from those she sees struggling around her to the entire planet being ravaged for profit.These twelve tracks, recorded live near her home of Wangkatjungka, WA, offer a cross-section of Kankawa's entiremusical experience - shifting gracefully between musical styles, languages, and moods, backed by the buzz of night bugs and call of daytime birds. In turns humorous, warm, and real about the hardships of life and the pillage of the land she holds dear, the record is the closest thing you can get to spending time with the great Kankawa herself.We are extremely grateful to release this record alongside Flippin Yeah Records and in collaboration with Kankawa Nagarra. High-quality vinyl comes with a four-page booklet featuring translations, stories, and track notes by the artist.

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My Brightest Diamond

Fight The Real Terror

LP | 1967 | US | Original (World Pacific)

Release: 2024 / UK – Original

Genre: Rock & Indie

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A classically trained vocalist with a self-taught instrumentalist's spirit, Shara Nova has been releasing spellbinding music as My Brightest Diamond since 2006. Over the years, the band has released five groundbreaking albums, each showcasing a different musical landscape while always centering on Nova's distinctive voice.

Her journey took an unexpected turn in July 2023, when within hours of learning about Sinéad O'Connor's passing, a fierce storm plunged her Detroit home into darkness. As the city held its breath, Nova sat with her guitar, reflecting on O'Connor's iconic SNL performance where she repurposed Bob Marley’s "War" to address child abuse, urging viewers to “fight the real enemy.” Inspired by this act of artistic courage, Nova poured her emotions into a raw demo – the title track "Fight the Real Terror" – which opens the album in its original form.

Traveling from her home in Detroit to Chicago, Shara worked with Tom Schick at Wilco’s studio, The Loft, for five days. Initially expecting to re-record everything, she was surprised when Tom insisted on keeping the raw demo material. The week was spent overdubbing, with Shara playing bass for the first time, alongside pianos, guitars with gizmotrons, and re-amping some original guitar parts recorded in her studio. More than just a collection of songs; Fight the Real Terror is a call to action, and a testament to the transformative power of music. Nova's powerful vocals and genre-bending compositions are simultaneously intimate and expansive, urging listeners to confront their fears, embrace their vulnerabilities, and fight for a better world.

“Her wholly enveloping, finely tuned alto sounds by turns forceful, vulnerable, cooing, playful, and endlessly emotive.” NPR Music

“…percussive, jagged art-pop that explores themes of self- acceptance, sensuality, and community.” Pitchfork.

“...has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details.” The New York Times

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Ravi Shankar, Alla Rakha

Ravi Shankar In New York

8,99 €*

Release: 1967 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Wirlmarni Transparent Red Vinyl Edition

Kankawa Nagarra

LP | 2024 | US | Original (Mississippi)

Hunter Folk Volume 1: Tribute To Toumani Koné

Release: 2024 / US – Original

Genre: Rock & Indie

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Nfaly Diakite

LP | 2024 | EU | Original (Mieruba)

LP | 2024 | US | Original (Mississippi)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Born in 1989 in Bamako, Mali, Nfaly Diakité is a member of the Donsow, Bambara animist hunters from the Mandé region. Tribute to Toumani Koné' is Nfaly Diakité's first solo album, recorded in Bamako in June 2020. With this album, Nfaly wishes to pay tribute to the storyteller and poet Toumani Koné, who throughout his long career as a Donso has been a symbol of courage and honesty. The nine tracks on this solo album leave no room for hesitation. Three instruments (donso ngoni, voice and keregne) transport us into another dimension without ever tiring us. The rhythm is accurate and precise, creating a deep, melodious trance. All the power of a music that belongs not to a single musician, but to a long cultural tradition of which he is the spokesman, is expressed here. The young Nfaly alone succeeds in drawing us into this world without feeling the weight of tradition, only the liberation of a music that sounds all the more contemporary. This album is to be listened to in its entirety as one tight journey between repeated formulas, highlights and moments of rest within the same relentless rhythm.

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Johnny Coley

Mister Sweet Whisper

Old Five And Dimers Like Me Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Transcendental poetry meets Southern Nightmare Jazz on the third album by Alabama-based artist Johnny ColeyMister Sweet Whisper is the meeting of poet & artist Johnny Coley and the band Worst Spills, led by guitarist & arranger Joel Nelson. (Imagine "King Tubbys Meets Rockers Uptown," but more like "William Burroughs Meets Lounge Lizards in Ghost Swamp"). Joined by vibraphone player and recordist of the group, Jasper Lee, Mister Sweet Whisper centers Coley as a gifted writer and unique elder voice, supported by an eclectic cast of friends & collaborators.Tapping into French surrealism and transgressive American poets such as John Ashbery, the songs in Mister Sweet Whisper evolve, cinema-like, with Coley as an uninhibited, almost mystical, narrator. Textural, jazz-like playing complements Coley's decadent landscapes, which glide by like cigarette-inspired invocations. Echoing, and at times, dissonant notes of saxophone, crystalline tones of vibraphone, and jagged guitar arrangements punctuate Coley's dreamlike visions, populated by ballet dancers, haunting nightclubs, and ghostly car drivers. Wistful and expansive, the songs in Mister Sweet Whisper speak of Coley's talent and natural ability to channel his poetic world into songs.A remarkable follow-up to Coley's first two albums_Antique Sadness, from 2021, and Landscape Man, from 2022_which were praised as "exquisitely haunting, sublime, hilarious" and falling "somewhere between Robert Ashley, David Wojnarowicz, and Intersystems," Mister Sweet Whisper arrives in full form: unpredictable and brilliant.LP comes with a 4-page booklet featuring artwork and writing by Johnny. Pressed in black vinyl.

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Billy Joe Shaver

LP | 2024 | US | Reissue (Vinyl Me, Please)

Sweet Revenge Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
There are a lot of important records in this world, but what you hold in your hands is nothing less than the blueprint for outlaw country music. Old Five and Dimers Like Me is also the semi-secret classic that marked the debut of a true Texas legend. In 1960s and ‘70s Nashville, there was the commercial boom brought on by the “Countrypolitan” sound, those lush strings and angel choirs. And then there was the opposition party. It arrived in a pick-up truck and denim, and Billy Joe Shaver occupied the corner office.

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John Prine

LP | 1973 | US | Reissue (Vinyl Me, Please)

LP | 2024 | EU | Original (Howl)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
For all of its humor and goofiness, Sweet Revenge remains grounded in its observant reverence for humanity in all its contradictory and weird manifestations. The wild and wonderful products of Prine’s active imagination, after all, are just more ways to tell a story. Behind the self-assurance, the rock ’n’ roll attitude and the off-kilter punchlines, there’s still the same songwriter who captured the world with his debut: a poet who could build a world inside of a song, drop you inside of it, turn it upside down and, above all, make you feel like it belongs to you.

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Mighty Oaks

High Times

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

Joni Mitchell

2LP | 1970 | US | Reissue (Mobile Fidelity)

154,99 €*

LP | 1975 | WW | Reissue (La Munai)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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One Dee Group

Pop Sunda

30,99 €*

The Search For The Turtle's Navel - Guitar Solos

Release: 1975 / WW – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LaMunai Records is a record label from Jakarta that pays full attention to archiving Indonesian music. This time, there are proud to announce the release of an exclusive vinyl compilation from the legendary music group One Dee Group, led by the versatile musician, Wandi Kuswandi. The name “one dee” itself is a play on his name, “Wandi”. This vinyl is a tribute to the musical journey of Wandi Kuswandi, a musician, singer, band leader and songwriter who is widely known for his extraordinary talent and contribution to the world of Indonesian music. Wandi Kuswandi, born in Bandung to parents from Banten, began entering the world of music as a teenager by playing Rolling Stones songs. In 1974, he formed a band called ODALF, which stands for One Dee and Lady Faces. With ODALF, Kuswandi and his group managed to second place in the Festival Band Girls held by Top Magazine at Istora Senayan, Jakarta.

“One Dee Group” vinyl compilation features the best collection of One Dee Group songs, providing musicians with the opportunity to experience the beauty and uniqueness of their works. This Vinyl is not only a sweet memory for old fans, but also an introduction to a new generation to get to know one of Indonesia’s great musicians.

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William Ackerman

LP | 1977 | US | Reissue (Windham Hill)

8,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1983 | US | Original (Windham Hill)

William Ackerman

Past Light

14,99 €*

Release: 1983 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Childhood And Memory (Pieces For Guitar)

William Ackerman

LP | 1979 | US | Reissue (Windham Hill)

14,99 €*

Release: 1979 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1981 | US | Original (Windham Hill)

Alex De Grassi

Clockwork

9,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Caoimhín Ó Raghallaigh & Thomas Bartlett

2LP | 2019 | EU | Original (Real World)

Songwriter Clear With Black Splatter Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Used Vinyl

Medium: G+, Cover: VG+

Records are slightly warped but still enjoyable.
Cover as new with faintly worn corners.

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Johnny Cash

LP | 2024 | Original (Universal)

60,99 €*

Chris Corsano & Bill Orcutt

Release: 2024 / Original

Genre: Rock & Indie

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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

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Made Out Of Sound

LP | 2021 | US | Reissue (Palilalia)

LP | 2024 | US | Original (Thin Wrist)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Received an 8.1 rating from Pitchfork. "Sadly, many will hear Chris Corsano & Bill Orcutt's latest LP, Made Out of Sound, as 'not-jazz,' though it would be more aptly described as 'not-not-jazz.' In a better world, it would warrant above-the-fold reviews in Downbeat, or an appearance on David Sanborn's late-night show (if someone would only give it back to him). More likely, we can hope for a haiku review on Byron Coley's Twitter timeline to sufficiently connect the various improvised terrains trodden by this long-time duo—but if you've been able to listen past the overmodulated icepick fidelity of Harry Pussy, it should surprise you not an iota that Orcutt's style is rooted as much in the fractal melodies of Trane and Taylor as it is in Delta syrup or Tin Pan Alley glitz. As for Corsano, well, it may seem daft to call this particular record 'jazz' (because duh, it has a drummer), but to me Corsano is beyond jazz, almost beyond music, his ambidextrous, octopoid technique grappling many stylistic levers and spraying a torrent of light from every direction. Corsano's ferocity has elevated many 'mere' improv records to transcendence, but here he's crafted his polyrhythms within more narrative channels, bringing to mind his 'mannered' playing in the lamented Flower-Corsano duo. It's not 'groove' playing precisely, but it follows many grooves simultaneously, much like Orcutt's own melodic musings—which is why they're so naturally lock-in-key here. Which maybe makes it all the more surprising that Made Out of Sound was in fact recorded in different rooms on different coasts at different times, and stitched together by Orcutt on his desktop. Corsano recorded the drums in Ithaca, NY, and (as Orcutt states), 'I didn't edit them at all. I overdubbed two guitar tracks, panned left/right. I'd listen to the drums a couple times, pick a tuning, then improvise a part, thinking of the first track as backing and the second as the 'lead', though those are pretty fluid terms. I was watching the waveforms as I was recording, so I could see when a crescendo was coming or when to bring it down.' Fluidity ties the tracks together. With a little more groove and a little less around-the-beat maneuvering, one could almost hear the boiling harmonic layers as Miles-oid in 'Man Carrying Thing,' but with new-found Sharrockian modalities, Corsano accentuating the tumbling nature of the falling notes. The Sharrock vein continues with 'How to Cook a Wolf,' its Blind Willie-esque melodic simplicity and repetition extrapolated 360-style in a repetitive descending riff that falls into Cippolina-isms (by way of Verlaine ) until the end crashes upon the shore. Much like Orcutt's last solo album, Odds Against Tomorrow, there's a gentler, almost pastoral flow to some tracks ('Some Tennessee Jar,' 'A Port in Air,' 'Thirteen Ways of Looking') that calls to mind the mixolydian swamplands of Lonnie Liston Smith—but unlike Odds , other tracks ('The Thing Itself') smash that same lyricism into overdriven, multi-dimensional melodic clumps that push several vector envelopes at once in an Interstellar Space vein. With the help of Corsano, Orcutt has managed to slither even further out of the noise/improv pigeonhole lazy listeners/writers keep trying to shove him into. Looking at the back cover of Made Out of Sound , we should not see Orcutt hurling a guitar into the air with post-punk bravado, Corsano toiling behind him in the engine room—we should witness an instrument levitating from his hands, rising on invisible major-key tendrils of melody, fired by percussion, spiraling into an invisible event horizon..."—Tom Carter

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Michael Morley

Pushed Streets

39,99 €*

LP | 1972 | JP | Reissue (Super Fuji Discs)

Release: 2024 / US – Original

Genre: Rock & Indie

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Over the last ten years, Michael Morley has embraced the acoustic guitar as the means of channeling the darkest threads that have run through his work since the early 1980s. While he largely made a name for himself as a maverick of primitive electric guitar and electronics in The Dead C and Gate, Morley's love of song form has never been far from the surface. In recent years, chance discoveries of Spanish and classical guitar records languishing in the discount and free bins at junk shops in South Dunedin proved to be a revelation. These records, largely recorded in the 1950s and 60s, began to shift Morley's work and lead him to piece together a new musical language from elements completely removed from the rock and avant-garde underground from which he first emerged. Spanish, Mexican and South American composers such as De Fossa, Ponce, Lauro, Barrios, Pujol, Albéniz, Falla, and Villa-Lobos as well as more traditional classical guitar composers like Schubert, Haydn, and Scarlatti all began to etch themselves into his consciousness. Rather than emulate them, Morley "channeled the experience of listening to these strange guitar sounds" as he began to play the acoustic guitar for hours at a time every day as an almost meditative exercise and a way of discovering a new way to play. This new musical language is realized on Pushed Streets, a suite of 12 songs Morley recorded at home in Kōpūtai/Port Chalmers, New Zealand. The music is quiet, almost ephemeral. Chords and melodies are traced in a dark atmosphere with Morley's unmistakable voice almost imperceptibly double tracked, words softly sung and stretched, sometimes at a near whisper. There are no amplifiers, no effects, nothing to distract from Morley's words and the tone of his guitar. Recorded with two 1970s guild guitars, an orchestral six string and dreadnaught twelve string, the guitar sound is rich and dynamic, chords and melodic figures are struck with what sometimes seems the gentlest possible gesture, resonating and floating away into the night. The music and voice, the lyrics are all of that dark thread, distilled with frightening clarity. The music is intimate and fragile, unadorned and heartbreaking in a way that recalls the spirit of lonely and world-weary albums by Skip Spence, Bill Fay, and Loren Connors; yet against the backdrop of the absolute finality of today's culture, the album's alchemy of Spanish and classical influences with Morley's formative work avant garde work, Pushed Streets exists in its own hauntingly desolate realm.

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Osamu Okuno

Javelin Lemonade Colored Vinyl Edition (Defective Sleeve)

Release: 1972 / JP – Reissue

Genre: Rock & Indie

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Osamu Okuno's first album "Osamu Okuno", which was independently produced by Himico Record in 1972 in a limited edition of 100 copies, is now available on LP for the first time in 52 years, cut from 6mm open tapes owned by Mr.Okuno! This album vividly captures the impact of cutting-edge and unique alternative rock unique to Kyoto in the early 70's. It was released on CD in 2000, and was hailed around the world as a masterpiece of psychedelic folk music.

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Sufjan Stevens

LP | 2023 | EU | Original (Asthmatic Kitty)

28,49 €* 29,99 € -5%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Fuck You Bitch: All-Time Greatest Hits

Wheeler Walker Jr.

LP | 2020 | EU | Original (Pepper Hill)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1973 | JP | Original (CBS)

Lynn Anderson

Top Of The World

4,99 €*

What In The Natural World

Release: 1973 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Jake Xerxes Fussell

LP | 2017 | US | Reissue (Fat Possum)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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2LP | 2024 | Original (Hwy 87 - Thirty Tigers)

Hayes Carll

Flowers And Liquor

32,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Tape | 2024 | EU | Original (Spinster)

West Of Roan

Queen Of Eyes

14,99 €*

LP | 2024 | Original (Sunset Blvd)

Release: 2024 / EU – Original

Genre: Rock & Indie

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To write the songs on their second album, Annie Schermer and Channing Showalter, who record together under the name West of Roan (members of Doran), spent time in collective imagination, journeying to their respective inner worlds and under worlds. As they simultaneously discovered and created a psychic landscape of story, song, archetype, and image, a figure emerged: The Queen of Eyes.

Schermer and Showalter recorded Queen of Eyes themselves, in a small one-room, off-grid cabin on Waldron Island off the coast of Washington State. They ran their ear trumpet condenser microphone off an extension cord connected to the main source of solar power. This recording session—with one microphone, one computer, one cord, and one bench the two sat on—captures the emotional intimacy of their music, along with occasional pops from the fire that heated the cabin, instrument creaks, and breathing sounds. This feels especially fitting for West of Roan’s approach; when you hear them sing you get the sense that they are first singing for and to each other, and emboldened by each other’s presence, together they make their offering to you, the listener.

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Willie Nelson

Texas Willie

Tell Me Not Here Clear Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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2CD Set / 40 songs - Contains 20 Tracks not available on CD or Streaming. The breadth and scope of Willie Nelson’s career is staggering.
He first established himself as part of a new generation of progressive country songwriters in the early ‘60s. Here are the obscure and rarely heard demo recordings he made prior to signing to Liberty and before RCA. All of these recordings are both musically and historically significant. Includes "Man With The Blues," "Misery," "Undo The Right," "One Step Beyond," "Any Old Arms Won't Do," "Blame It On The Times," "The End Of Understanding," "Slow Down Old World," "A New Way To Die," "Home Motel," "Right From Wrong," "Slow Down Old World," "Happiness Lives Next Door," "I Feel Sorry For Him," "Where My House Lives," and more.

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Vanishing Twin

12" | 2024 | UK | Original (The state51 Conspiracy)

7" | 2024 | EU | Original (Majazz Project / Discostan)

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Vanishing Twin’s expansive and magical psychedelic epic with lyrics adapted from A.E. Housman’s 1922 poem, ‘Tell Me Not Here, It Needs Not Saying’ was initially commissioned by The Quietus for Sound + Vision subscribers before being released as part of state51's ongoing Singularity series. Here it's presented in transparent vinyl, over two sides.

Vanishing Twin fly deeper into their sonic universe, blending elements from an improvisational session, raw recordings of the natural world, and early 20th century poetry to create sublime, cosmic pop.

This twenty-minute piece has embellishments of sparkling synth and lyrical vignettes that are reminiscent of English folk melodies.

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Zeinab Shaath

Urgent Call Of Palestine

17,99 €*

My World / The Bee Gees Best Collections = マイ・ワールド / ビー・ジーズベスト・コレクションズ

Release: 2024 / EU – Original

Genre: Rock & Indie

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A Restored Piece of Palestinian Sonic History

More than 50 years ago, teenager Zeinab Shaath recorded a set of revolutionary folk music — the first English-language songs to lift up the Palestinian cause to the wider world. Inspired by Vietnam-era protest music from Bob Dylan and Joan Baez, “The Urgent Call of Palestine'' record was intended to share the stories and messages of Palestinian resistance to an international audience.

The first song Shaath composed in her parents home was the titular “Urgent Call of Palestine,” with lyrics from the Indian poet Lalita Panjabi. At just 16 years old, she began playing folk music on a guitar that her sister brought back from studies in the U.S. As young people across the West took to the streets to protest the American imperialist war, Shaath saw parallels in the fight for Palestinian liberation and set out to celebrate that struggle in her musical poetry.

Shaath’s stirring performances of “The Urgent Call of Palestine” song galvanized leading Palestinian artists, intellectuals and youth. In 1973, Shaath was immortalized in a starry film shot by exiled Palestinian artist Ismail Shammout in the mountains of Lebanon.

Shaath recorded three other songs that drew on the poetry of luminaries such as Mahmoud Darwish, Mueen Biseso and Abd El-Wahab Bayati. The resulting 7-inch album was designed to reach the global stage at a time when artists, writers and musicians across the Arab world created art highlighting the Palestinian struggle. Armed with a guitar and her dulcet voice, Shaath went on to perform across three continents, carrying her hopeful message to young people across the world.

Record labels Discostan and the Majazz Project are honored to reissue a lovingly remastered version of “The Urgent Call of Palestine,” bringing Shaath's songs of protest and solidarity to the ears of a new generation. Shaath’s place in a global history of anti-colonial protest music has until recently been overlooked.

As the world again turns to the liberation of the Palestinian people, we invite you to listen to an far-reaching voice for the humanity of a people long oppressed, until the Palestinian flag flies in Jerusalem again.

---

The album is licensed from artist Zeinab Shaath. Any profits from the sale of the record will be donated to the continuing efforts of Majazz to create an archive of Palestinian music as well as relief efforts for the Palestinian people.

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Bee Gees

2LP | 1972 | JP | Original (Polydor)

12,99 €*

2LP | 2009 | EU | Reissue (Supraphon)

Release: 1972 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with inserts.

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Karel Kryl

To Nejlepsi

43,99 €*

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | UK | Original (Fire)

Marina Allen

Eight Pointed Star

Hummingbird Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The third album of powerfully vivid songwriting from Marina Allen. Beautifully orchestrated, highly melodic and delivered with unrivalled lyrical perspective. Across two acclaimed records, the Los Angeles-based singer-songwriter has ripened a rare harvest, but her third studio album is an arrival home.Compared to the soaring and swelling compositions of Allen's second album Centrifics or the innocent tranquillity of Candlepower, the world of Eight Pointed Star is more deeply addressing and open-armed. Shimmer...

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Carly Pearce

2LP | 2024 | US | Original (Big Machine)

64,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Beliebte Russische Lieder

Karl-Heinz Hocke

LP | 1968 | DE | Original (Metronome)

11,99 €*

LP | JP | Original (Concert Hall)

Release: 1968 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Los Bohemios Paraguayos

5,99 €*

Release: JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Indecision Transparent Violet Vinyl Editoin

Franka Oroza

7" | 2024 | FI | Original (Timmion)

11,69 €* 12,99 € -10%

Indecision Black Vinyl Editoin

Release: 2024 / FI – Original

Genre: Rock & Indie

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The musical Oroza bloodline just seems to keep pumping soul music from Finland for the world to hear. Now it's time for Franka to step to the stage and she comes out from the gate swinging with a sublime beat ballad "Indecision". Backed by the faithful Timmion Records house band Cold Diamond & Mink, Franka's folk jazzy vocal stylings seep into fertile ground.Building from the intro drum roll to the rootsy organ-led groove Franka jumps on the beat with a Joni Mitchell twist and it's immediately apparent that we're in for a treat. The vocal glides effortlessly between firm and delicate tones, perfectly underlining the lyrical content. Franka takes her time in setting the scene, holding a veil before the fact that we're actually listening to a love song.If all you're looking for is good songwriting with a soulful backbeat, with Franka Oroza you'll get a unique voice to boot. This is another sure shot for all fans of independent downtempo soul from the Timmion stable.

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Franka Oroza

7" | 2024 | FI | Original (Timmion)

10,79 €* 11,99 € -10%

Свадебная Песня = Wedding Song

Release: 2024 / FI – Original

Genre: Rock & Indie

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Дос-Мукасан

7" | 2019 | RU | Reissue (Soviet Grail)

17,99 €*

Release: 2019 / RU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2024 | US | Original (Kranky)

Roy Montgomery

Temple IV

41,99 €*

Lifa Iotungard Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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This is the first vinyl issue of Temple IV, arguably Roy Montgomery’s finest solo album, originally released in 1996 on CD. The original album has been enhanced with two newer tracks that constitute side four of the album. Montgomery states: “The two new tracks recorded in 2018 were about asking the question “Can you step into the same river twice?” Heraclitus said you cannot. I say you can…”

From the original press release:

Few recording artists have aligned the quantity and quality of their releases as well as New Zealand singer /guitarist Roy Montgomery has in 1995. Beginning with kranky’s release of the soundtrack for an imaginary film That That Is...Is(Not) by Montgomery’s duo Dissolve early in the year, a series of superb albums and singles have been issued by a variety of labels across the world. Each one of them is a must have. Most recently, the Drunken Fish label released a collection of pastoral drones entitled Scenes From The South Island, singles have appeared on the Roof Bolt and gyttja labels, and further singles are scheduled with Ajax, Siltbreeze and others.

Temple IV is the first solo recording by Roy Montgomery on kranky. The album was recorded by Montgomery on a four-track tape deck and then thickened up with monophonic moog. The tracks on the album are thick with interwoven guitar lines and moog drone, inspired by the Guatemalan rain forests and the mysterious ruins of the temple and ruins Montgomery visited there.

Roy Montgomery spent the past year in New York, Chicago and London before returning to New Zealand. While in the UK he played live with Flying Saucer Attack and collaborated with spoken word performer Kirk Lake. A brief tour across the United States in September saw him performing before enraptured audiences in New York, Boston, Chicago, Detroit and Los Angeles.

The long overdue recognition of Roy Montgomery as a crucial figure in New Zealand’s musical history as a member of The Pin Group, Shallows and Dadamah, is now augmented by his new recordings. Temple IV will serve to extend and deepen that appreciation.

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Heilung

2LP | 2024 | EU | Original (Season Of Mist)

49,99 €*

2LP | 2024 | EU | Original (Season Of Mist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Heilung don’t play “shows”. They perform a ritual. Christopher Juul, Maria Franz, Kai Uwe Faust and their Nordic collective sweep audiences into rapture with throat singing, primordial rhythms, subtle electronic textures, a mesmerizing light show, an army of warriors and bursts of fire. What better place on earth to experience their ancient ritual than Red Rocks? The world-famous venue - which is located outside of Denver, Colorado, tucked between two giant sandstones - was once home to indigenous tribes. When Heilung performed on October 5th 2021, they recognized this history by inviting Natives to join the prayer that opens all of their rituals. “Remember that we all are brothers. All people, beasts, trees, and stones, and wind. We all descend from the one great being.” What followed was a night that no one would forget. Experience the magic of Heilung’s very first Red Rocks performance again and again on CD and vinyl. CD11. Opening Ceremony (01:03)2. In Maidjan (12:30)3. Alfadhirhaiti (07:23)4. Krigsgaldr (09:04)5. Hakkerskaldyr (03:33)6. Svanrand (03:31)CD27. Norupo (05:42)8. Othan (10:21)9. Traust (09:41)10. Elddansurin (07:25)11. Hamrer Hippyer (13:32)

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Heilung

Lifa Iotungard

46,99 €*

No Secrets Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Carly Simon

LP | 1971 | US | Reissue (Friday Music)

44,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Kapou Allou (Somewhere Elsewhere)

Bazooka

LP | 2022 | EU | Original (Inner Ear)

LP | 2023 | EU | Original (Inner Ear)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The world is falling apart but Bazooka are here with their fourth album. They take us by the hand on a journey to a world above the earth, a world somewhere else.

With 10 songs and their stories captured via the album artwork designed by Australian artist Montero, they transport us to the dreams and nightmares of modern life.

”Kapou Allou (Somewhere Elsewhere)” is clearly the band’s most entertaining and versatile album, their own truth. Bazooka’s craziness and instinctive energy of Bazooka are still there, but accompanied by a great appetite for experimentation and situations that lead the band to an absolute letting go without any restrictions. The final result is the closest that a studio album can get to the band’s live performing sound and that’s what makes this arguably their best album to date.

Recorded and mixed at Arkadikon Studios by Theodoros and Aggelos Bournas.

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Thee Holy Strangers

Diary Of Teh Shadow

LP | 2022 | EU | Original (Inner Ear)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Six years after their debut album, Thee Holy Strangers return with their sophomore LP “Diary Of The Shadow”. With a new line-up and a new sound design, they present seven testimonies of an uncertain era and trace its imprints. Drawing on the inexhaustible pool of rock’n’roll, soul and folk, they set up songs for today that speak of resignation and resilience, darkness and light, sadness and hope.

New members of the band are Andreas Lagios (Nightstalker) on bass and Kleon Antoniou (Mode Plagal) on guitar.

“Diary Of The Shadow” includes seven original compositions and was produced by Costas Chrysogelos (Digital Alkemist), Alexis Kalofolias and Dimitris Papanagiotou (Jim Spliff). It was recorded by Costas Chrysogelos and Philip Marinelis at DNA Lab studio in the spring-summer of 2021. The mastering was done by Giannis Christodoulatos at Sweetspot Studio.

The album also features Nikos Fysakis (electric guitar) and Giannis Houstoulakis (pedal steel guitar), members of the group’s previous line-up, Nikos Yousef (musical saw) and Kostis Zouliatis (piano, keyboards, synth).

Thee Holy Strangers are: Flora Ioannidi: Vocals, Alexis Kalofolias (Alex K): Vocals, guitar, Kleon Antoniou: Electric and acoustic guitar, Andreas Lagios: Bass, Costas Chrysogelos: Drums, percussion.

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Kristof

Psychagogia

Ballaké Sissoko & Derek Gripper

Release: 2022 / EU – Original

Genre: Rock & Indie

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(Psychagogia): 1. the recall of souls (from Hades) by magical means 2. the attraction of souls, the fun, the indulgence.

After 3 english-speaking albums, “Psychagogia (Entertainment)” is Kristof’s first album in his native language.

Associative writing, verses full of images from mythology, movements and sounds direct the listener to relaxation and emotional outburst. The ten pieces transport us to other worlds, interrupting contact with everyday and petty reality.

In combination with eerie vocals and prose, teased pianos and synthesizers, a pure fantasy of the dream is built, creating the impression that within us there is another part of existence, different from the body.

Most of the songs were written during the first quarantine period of 2020 and were completed at the end of it. The album was recorded in 2021 at Lotus studio with producer Vassilis Dokakis. The album’s artwork was art directed by Petros Aronis.

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LP | 2024 | UK | Original (Matsuli)

What In The Natural World

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kora’s most innovative modern exponent bathes in communion with a re-imagined classical guitar, unveiling a new and previously unsuspected musical universe. In a meeting between instruments, not traditions, these maestros emerge from quite different and distant musical worlds. Ballaké Sissoko’s kora tradition and lineage traverse the once powerful West African empire known as Kaabu. South African Derek Gripper’s roots are in European classical guitar but infused with a unique jeli music mastery that takes guitar’s modern history in a captivating new direction.

But we are not hearing these traditions in dialogue: these masters meet on the sonic groundings of the kora, instrument of the griots, resonant vessel of the sacred and profane, sound carrier of history and wisdom. Through two decades of commitment and study, it is to this terrain that Gripper brings his guitar to meet its multi-stringed cousin.

The two men do not share a spoken language, but if it is true that music speaks universally, then they were already involved in profound dialogue long before they met for the series of London concerts which yielded this recording session – a session which matches deep communion with sparkling improvisation, which pushes a living tradition into brand new sonic spaces, and opens a live and direct channel of communication between kora and guitar. In the complex web of theme and variations spun by Sissoko’s twenty-two strings and Gripper’s six, a new African string theory is elaborated.

“Musically we tested each other,” says Sissoko, explaining that the most magical aspect of their encounters are spontaneity. “We have the mastery of our instruments, the technique and a good ear. Derek is very curious, that’s very important.”

“He’s just such a good listener,” says Gripper about Sissoko. “It’s not what he plays, it’s how he plays it. He’s an amazing interpreter, the prime master of timbre.”

Recording by Taylor Pollock at Platoon Studios, London. Mixed, edited and produced by Derek Gripper. Mastered by Murray Anderson at Milestone Studios, Cape Town. Produced for vinyl by Chris Albertyn and Matt Temple at Matsuli Music. Mastered for vinyl and lacquers cut by Frank Merritt at The Carvery, London. Vinyl pressed at Pallas GmbH, Germany. Sleeve notes by Francis Gooding, French translation by Paulo Goncalves. Cover design by Toby Attwell at Twoshoes, Cape Town.

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Jake Xerxes Fussell

LP | 2017 | US | Original (Paradise Of Bachelors)

Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Citizen Bravo, Raymond Macdonald And Friends

Return To Y'Hup The World Of Ivor Cutler

LP | 2020 | UK | Original (Chemikal Underground)

Did You Give The World Some Love Today, Baby

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

UK original.

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Doris

LP | 1970 | UK | Reissue (Mr Bongo)

Three Queens In Mourning / Bonnie "Prince" Billy

Release: 1970 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2014 reissue.

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Hello Sorrow / Hello Joy

LP+12" | 2020 | EU | Original (Textile)

LP | 1966 | US | Original (World Pacific)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Overall close to NM.

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Bob Lind

Photographs Of Feeling

Solely Black Vinyl Edition

Release: 1966 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

seam wear. mono pressing

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Natalie Jane Hill

LP | 2022 | EU | Original (Dear Life)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | NO | Original (Heilo)

Ævestaden

Ingen Mere Gråter

Release: 2021 / NO – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2018 | US | Original (Jagjaguwar)

Lonnie Holley

Mith

LP | 2024 | US | Original (American Dreams)

Release: 2018 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Smoke vinyl and cover are close to NM.

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9t Antilope

Horro Vacui

19,19 €* 23,99 € -20%

LP | 2024 | CZ | Original (Dear Life)

Release: 2024 / US – Original

Genre: Rock & Indie

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In Horror Vacui, Paris-based, Iran-born 9T Antiope use a sparse palette of octave mandolin, violin and octave violin, synthesizer and vocals, to build a dynamic world that seems to exist outside of the bounds of time and place. Cinematic, spare, heavy, gossamer, and informed by the band’s work as sound designers and composers for theatre, film and performance art, Horror Vacui is a concept album that explores what sounds have been, what they’ll become, and the nature of memory, dementia and decay. As 9T Antiope attempt to reconcile different worlds, they create the sound of arriving in a new world all your own.

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Hour

Ease The Work