Search "de+la+soul" 918 Items

2LP | 2022 | EU | Original (Pelagic)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hailing from Kristiansand, Norway, In Vain has been a pioneering force in Norwegian progressive extreme metal since 2003. Founded by guitarist Johnar Haaland and vocalist Andreas Frigstad, the band's melodic extreme metal sound, set them apart early on. In 2007, In Vain released their first full-length album, "The Latter Rain", a collaborative effort with nearly 20 guest musicians, showcasing their prowess in diverse, progressive arrangements. Subsequent albums like "Mantra" (2010) and "Ænigma" (2013) continued to push musical boundaries. "Currents", a double-edition masterpiece exploring contemporary societal shifts was then released in 2018. Declared "Album of the Year" and garnered perfect scores from various publications worldwide, including 10/10 ratings from Metal Temple (uk), Metal Only (ger), and HeavyMetal.de (ger) to name a few. With a rich history of live performances, including European tours with Solefald, Borknagar, Vreid and Keep of Kalessin. In Vain remains a powerhouse in extreme metal, captivating audiences with their dynamic compositions, and their reputation as a force in progressive extreme metal is firmly established. The band's ability to seamlessly blend progressive drive, playfulness, touching vocals, and metallic hardness sets them apart, as attested by reviews such as “In Vain proves once again that they are masters of their art...” - Cultur Addict (fr). In Vain stands as a testament to the enduring innovation within progressive metal, shaping the future of the genre. Their upcoming album “Solemn” is set to release April 19th 2024. "Solemn" is showcasing exceptional musicianship across the board, and further elevating the experience with a resplendent, organic production, masterfully honed to perfection by Jens Bogren (Opeth, Dimmu Borgir, Katatonia, Devin Townsend, Kreator, etc).

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Lost In Kiev

Rupture Deluxe Edition

27,99 €*

Gnavhol Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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For over ten years French cinematic post- rockers Lost IN Kiev have been creating massive, narrative-driven atmospheric rock opuses that have brought them to play on renowned festivals like Dunk!festival and AMFest, as well as on tours with acts like Enslaved or Maserati. After three years of pandemic-induced inertia, the four gentlemen from Paris return with their new record Rupture which sees them turn the page to a new chapter in their considerable career. Being recorded in a live-setting, Rupture concerns the band's feelings about the drastic environmental changes that can be perceived all over the world. Casting their eco-angst into nine soaring and explorative tracks, Lost IN Kiev channel a sound that's raw and pristine, reaching an emotive power beyond anything they have done before. What sets Lost IN Kiev apart from their peers is not only the perfection of their produced sound but also their composition and musicianship_on Rupture their experience oozes through the cracks. With Rupture, Lost IN Kiev have delivered another tour de force that surpasses their previous outings in many ways. Every song is pure melancholic ecstasy and rapture, while it also sees the band tread new ground. Going through various layers of dynamic composition, these nine tracks easily suck you into the band's much needed narrative in which they lay bare their concerns and their anxieties. Rupture sees Lost IN Kiev at their most raw and authentic, and in a time where climate concerns need to be put back on the agenda, the album is a much needed experience: a gripping portrait of mankind's deteriorating relationship with its planet, this record will resonate with many fans of instrumental rock, both aesthetically and emotionally.

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Nordjevel

LP | 2022 | EU | Original (Indie)

58,99 €*

2LP | 2022 | UK | Original (Indie)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Conceptually, Nordjevel evolves further and ventures into even more sinister territories. Gnavhòl is driven by war, destruction and hellish esoteric beliefs, they have created an album that is even darker and more brutal than their previous releases. About the album Nordjevel states: “Gnavhòl is darker, more dynamic and tecnhically on another level than before. This is how we want Nordjevel to sound.” Nordjevel entered the international black metal scene in 2015 and spread like a plague, capturing audiences at festivals such as Inferno, Kaltenbach Open Air, Wacken, Hellfest, Bloodstock, Maryland Deathfest and In Flammen Open Air. The band was founded by Doedsadmiral, and consists of established musicians from bands such as Ragnarok, Myrkskog and Dark Funeral. Through distinctive vocals set to a brutal and instrumental sonic desert, Nordjevel leads the listeners into an empire of infernal rage filled with an obscure, barbaric darkness. Their self-titled debut album was released in 2016, and Nordjevel entered the field like a freezing storm, and quickly became a force to be reckoned with. Nordjevel`s brutal and true take on black metal impressed. The band’s atmospheric and committed sound paired with high technical finesse, unique interplay and raw, unfiltered imagery, has the power to give any black metal fan the chills. In 2019, Nordjevel released the follow-up album Necrogenecis, and in 2021 they released the EP Fenriir. Both releases show the hugeness Nordjevel is capable of, receiving raving reviews and top scores from press and fans all over the world. All of Nordjevel’s releases has made it to numerous “best of the year lists”, and they have quickly proved their position on the international black metal scene.

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Nordjevel

Gnavhol

44,99 €*

LP | 2024 | EU | Original (Non Serviam)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Ad Patres

Unbreathable

31,99 €*

Solemn Gold Vinyl Ediiton

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ad Patres, the French death metal band hailing from Bordeaux, has marked nearly two decades of existence. In 2010, the band released their first promo EP, featuring three intense and brutal tracks that drew inspiration from death metal giants like Morbid Angel and Suffocation. The EP laid the foundation for their unique sound, blending classic death metal standards with modern influences. After its first full-length offspring "Scorn Aesthetics" in 2012, the band quickly gained recognition for their brutal and uncompromising approach to death metal. The band is known for a style that seamlessly oscillates between melodic elements and unbridled aggression. Rejecting a calculated approach, Ad Patres focuses on crafting music that resonates with their personal tastes, involves meticulous refinement, and undergo extensive rehearsal. Describing their sound as clean, direct, and devoid of unnecessary frills, they aim for a music experience that is unequivocally "in your face." Following it’s 2019 release "A Brief Introduction to Human Experiments", the band is now ready to father it's new ill conception. Ad Patres will release its new album "Unbreathable" in 2024 through Non Serviam Records. Main composer Olivier's clear vision shaped the album. Fostering a suffocating and claustrophobic atmosphere, the album seamlessly integrates new technical horizons with the band’s signature sound, resulting in a work of heightened accomplishment. 1.Intro2.The Dream Chaser3.Versus4.Deserter5.Exodus6.Interlude7.Chapter X8.The Medium9.Rebellion Grief10.Deus Deceptor

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In Vain

2LP | 2024 | EU | Original (Indie)

50,99 €*

The Canadian Years White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Rhett Forrester

LP | 2024 | EU | Original (High Roller)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Canadian Years Black Vinyl

Rhett Forrester

LP | 2024 | EU | Original (High Roller)

26,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (M-Theory Audio)

Immortal Guardian

Psychosomatic

25,99 €*

2LP | 2023 | US | Original (Sentient Ruin Laboratories)

Release: 2021 / EU – Original

Genre: Rock & Indie

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After winning over new audiences with their acclaimed 2018 debut full-length “Age of Revolution” and touring relentlessly alongside fellow shredders such as Marty Friedman, Powerglove and Exmortus, Immortal Guardian gathered in Las Vegas at the beginning of 2020 to begin recording their second album. As the spread of Covid-19 and the subsequent pandemic began to ensue, each member of the band retreated to their respective hometowns. With shutdowns around the world being enforced, the band completely scrapped the record that they had been working on and were heavily inspired to write and create a new thematic record about their emotions surrounding current events. “Psychosomatic” is the next step in Immortal Guardian’s evolution while still capturing the band’s exhilarating trademark melding of melodic power metal with progressive/shred tendencies.

The group – founded by Gabriel Guardian, whose uncanny ability to play guitar and keyboard simultaneously has been showcased on MTV's “Amazingness” and on his unique dual-instrument covers of classics by the likes of Iron Maiden, Pantera and Guns N' Roses that have garnered hundreds of thousands of views on YouTube – began building their following through multiple self-released EPs before signing with M-Theory Audio for the 2018 release of their first full-length record, “Age of Revolution.” The band has also performed live alongside some of the biggest names in metal, including Judas Priest, Dragonforce, Kamelot, Symphony X, Sonata Arctica, Slayer, Metal Church, Soilwork and Steve Vai, and in countries such as Brazil and Russia, and during high-profile performances at ESPN's X Games, South By Southwest and the Fun Fun Fun Fest.

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Negative Vortex

Tomb Absolute

Musta Seremonia Transparent Red Black Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Brazilian US-based doomed death metal duo Negative Vortex rise from the depths of torment with their long awaited debut album Tomb Absolute, a fifty four-minute, nine-song double LP of absolute, towering atmospheric death metal oblivion. Years in the making, meticulously produced, and assembled from sheer pain and perfectionism, Tomb Absolute is a colossal slab of grim and hopeless death metal evoking bleak and pessimistic visions of a doomed future to come, and stirring with bitter reflections about mental illnesses, society's role in human failure, dysfunctions of the mind and spiritual hopelessness. Musically the album takes its life force and inspiration from the glory and timelessness of ‘80s and ‘90s death and doom metal (Cathedral, Nihilist, Autopsy, C.eltic Frost), wielding a death-bearing payload of intense, monolithic, gut wrenching death metal riffs alternated by ultra-depressing slow-paced doom sections to conjure an ultimate monolith erected to complete death, pain and suffering. The album's imposing and pessimistic aura is further enhanced by a dense and a multi-layered production, lengthly and trance-like compositions that drag the listener into a labyrinthine realm of utter darkness and despair, and synth-laden ambient dirges and spoken word passages that exalt the album's lightless depths and monstrous atmospheres. Completing and further adorning the massive hellscape are also illustrious guest appearances from veterans of the scene like Nick Holmes (paradise Lost / Bloodbath), KAM LEE (massacre), Moyses Koslene (krisiun), Leon DEL Muerte (impaled / Terrorizer L.A.), VIK (whipstriker), and Caleb Bingham (athanasia), providing additional guitars leads and vocal contributions.

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Rippikoulu

LP | 1993 | EU | Reissue (Svart)

27,54 €* 28,99 € -5%

LP | 2022 | US | Original (Sentient Ruin Laboratories)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Rippikoulu's Musta seremonia is both an international cult item and an integral part of the history of Svart Records as well - a reissue of the original 1993 tape was one of the earliest Svart releases back in 2010. Back then, this album was considered as one of the best kept secrets in the Finnish underground metal scene. Several quickly sold out reissues later, Rippikoulu's greatness is no longer a secret, and we are happy to bring Musta seremonia back on the market.

Rippikoulu began their musical endeavours back in the late eighties, and like so many of their contemporaries, evolved from primitive punk noise to death metal. However, while many bands played death metal with groovy riffing and overall headbanging attitude, Rippikoulu's choice of style was darker. Their downtuned metal is bleak and nearly unbearably heavy in its execution, dark and soul-searching in its themes, intertwining faster bursts of chaos with slow, doomy passages.

Rippikoulu released the Musta seremonia demo album on tape in 1993 and then disappeared. They never gained much popularity in their time, but their legacy has steadily grown in time. The album has been carefully remastered from the original DAT master tape, cleaned up and amplified.

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Apostasy

Death Return

28,04 €* 32,99 € -15%

LP | 2021 | UK | Original (Hells Headbangers)

Release: 2022 / US – Original

Genre: Rock & Indie

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Back after just a few years with a third album of arcane evil speed-metallic riffcraft, there is no questioning the apex of inspiration is still riding high beyond classic Chilean thrash metal band APOSTASY‘s return back in 2013. Driven by their own fiercely traditional conviction from the start the banners of this classic Valparaíso-borne forever underground entity still fly by a strong willed and highest standard. If we can consider their previous full-length, The Sign of Darkness, the band making good on their promised return with blazing and uncompromising evil thrash then we can view Death Return as further solidification of their legacy featuring prime works beyond 2018. The mid-to-late eighties are still in sight as these new pieces generally veer towards brutal South American thrash of that era but, this time around they’ve made some room for nostalgia including a few remade classics from Sunset of the End as well as the strongest tracks from EP and demo releases during the interim. The greater effect is a summary of this dark-souled thrash entity’s past and present self framed as one experience, a sustained continuum of steadfast ideals."—Grizzly

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Winter Eternal

Land Of Darkness

Symphony For The Lost Picture Disc Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Hells Headbangers is proud to present Winter Eternal's highly anticipated third album, Land of Darkness. Winter Eternal is the sole work of one Soulreaper, formed as a means to express his darkest side - indeed, a place where winter reigns eternal. It all started in 2002 in Athens, Greece where, under the name Unveiled Nightsky, the seeds for the Winter that was yet to come where planted. Nine years later, in 2011, Winter Eternal were officially formed, and a year later, the first demo was released. The band's first full-length, simply self-titled, originally saw release in 2013 as a limited cassette and, three years later, finally as a CD version. Eternal winter was raging throughout Soulreaper's long journey. The multitude of feelings captured in his lyrics and especially his music made Winter Eternal a unique entity within the modern underground: influences ranged from the '90s Swedish black metal scene (Dissection, Gates Of Ishtar, Vinterland etc) to both the early Hellenic and Norwegian scenes (Rotting Christ, Necromantia, Varathron, Ulver, Windir, Satyricon etc). Truly, this was the work of an old soul, and the results were but only building in strength and sweeping grandeur

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Paradise Lost

2LP | 2024 | EU | Original (Black Sleeves)

50,99 €*

Floating In Timeless Streams

Release: 2024 / EU – Original

Genre: Rock & Indie

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"Symphony for the Lost" is a live album by British gothic metal band Paradise Lost, released in 2015. It was recorded at the Plovdiv Theater in Bulgaria, accompanied by the Plovdiv Philharmonic Orchestra. This album features an epic performance of the band's hits, fusing dark metal with the majesty of a symphony orchestra. The unique atmosphere and powerful performance make "Symphony for the Lost" a memorable listening experience for fans of metal and classical music. Disc 1LP-Side A1- Tragic idol 5:102- Last regret 4:593- Your own reality 4:224- Over the madness 5:42LP-Side B 1- Joys of emptiness 4:042- Victim of the past 5:133- Soul Courageus 3:464- Gothic 6:224- The Black Token 5:19Disc 2LP-Side C1- The enemy 4:102- Erased 4:023- Isolate 4:134-Faith divides us, death unites us 5:00LP-Side D 1- One second 3:522- True belief 5:143- Say just words 4:464- The last time 3:50

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Lie In Ruins

LP | 2020 | Original (Dark Descent)

27,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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LP | 1986 | JP | Original (Warner)

David Lee Roth

Sonrisa Salvaje

37,99 €*

L'aube Des Anathèmes Half Opaque White Half Black Vinyl Edition

Release: 1986 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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Ende

LP | 2024 | EU | Original (Immortal Frost Productions)

Kuolleiden Laulu Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ende, a Black Metal outfit hailing from France are ready to unleash their 6th full length album: “L'aube des Anathèmes”. Previously signed to Obscure Abhorrence Productions, the band has released 5 solid albums in the past and continue to do so with their next opus. L'aube des Anathèmes offers a wide range of the mid 90’s Black Metal sound where you can hear undoubtedly the raw / old school black metal in their sound to a certain point where it gets mixed with the synth instrument (that is very present within the symphonic black metal genre) without sounding to symphonic, but rather haunted or vampiric. The guitars however deliver those vile raw and yet melodic riffs that directly make you forget about all the above and just take you on this wave of melodies throughout the album. The drums are pounding with variations between the old school blast beats and fast blast beats to even mid-tempo and thrash like tempos together with an overlay on low bass tones. The vocals can only be complimented for lifting everything up and finalizing that 90’s sound as a whole! Ende has delivered an album that is furious, relentless, melodic (with a touch of symphonic) and driven with the old school 90’s black metal sound and all in all managed to wrap it up in a solid production. L'aube des Anathèmes is a must have for the old school, melodic and even pagan fans of the Black Metal genre! 1. Lilitû (04:48)2. Union Triomphante (06:48)3. Cabale Nocturne (07:02)4. Indigent (06:14)5. Favete Linguis (06:11)6. Eclat de Marbre (06:55)7. Renaissance (05:55)

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Kuolemanlaakso

12" | 2023 | EU | Original (Svart)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Death doom metal group Kuolemanlaakso's most recent album Kuusumu, released to much critical acclaim in March 2022, will be followed up by a limited three song EP Kuolleiden laulu in December. Both the album and the EP were recorded in the same studio session in 2021, both share lyrical themes and cover art based on art by Evelyn De Morgan (1855-1919).

"We knew already when entering the studio that we're going to record more than an album, as we had plenty of material to work on. When all ten songs were done, it felt natural to compile the album of the heavier epic songs and put the more unusual and catchy tracks on the EP. These three songs have contagious hooks and clean vocals", comments guitarist-songwriter Laakso.

The title track on the EP is the band's most radio friendly track to date with a smoother production and an infectious chorus plus guest female vocals by Lotta Ruutiainen, who also performed on the album. The slow and menacing second track "Juuret jalkojeni alla" is a more complex composition, whereas the EP closing number "Rautasiivet" pays a visit to the same melancholic but catchy territory that Kent and Katatonia also inhabit.

"The three songs on Kuolleiden laulu differ from one another considerably, and they present new sides to the band. Lyrically all three songs are fictional stories based on the 10-year volcanic winter that begun in 535 and has been described by historical scholars as 'the worst time to be alive'", comments Laakso.

Aleksi Munter (ex-Swallow The Sun and Insomnium) plays keyboards on the EP, and it was produced, recorded, mixed and mastered by V.Santura (Triptykon), the man responsible for producing everything Kuolemanlaakso has released thus far.

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City Of Echoes Transculent Blue Vinyl Edition

2LP | 2007 | US | Reissue (Thrill Jockey)

35,99 €*

Release: 2007 / US – Reissue

Genre: Rock & Indie

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15 years after the album"s release, City of Echoes is now available in a deluxe 2xLP edition, newly remastered by Josh Bonati and featuring a full LP-worth of bonus material, including original album demos, alternate takes, and pieces originally only available on the rare Pink Mammoth EP. City of Echoes, originally released in 2007 by Hydra Head Records, marked a paradigm shift for Pelican. Coming off the heels of the glacial Australasia and their even more expansive and acclaimed follow-up, The Fire In Our Throats Will Beckon The Thaw, their third album is a study in precision. Inspired by their non-stop tour schedule following The Fire"s release, the quartet composed City of Echoes to be a lean powerhouse of non-stop melodic hooks and lurching rhythms that reflected the energy of live performance. With City of Echoes, Pelican defied expectations and set themselves apart from the single-minded thrum of retreading old ground. The more concise pieces trade breadth and rumination for a distinct clarity and a razor"s edge for hook-driven songcraft. Guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec trade crisp riffs that twirl in opposition before thundering together in monoliths. The sheer amount of potent interplay between the two, often borrowing from disparate edges of rock and metal at a whim before completely transforming, is mind-boggling. Bassist Bryan Herweg and rhythm section compatriot/drummer/brother Larry Herweg lock into a wider array of grooves than ever before. Their considered bedrock guide the band"s dynamics into some of the ensemble"s most tender moments as well as their most ferocious. City of Echoes stands as a testament to Pelican"s ability to reconfigure the grandeur and force of their sound without ever repeating themselves.

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City Of Echoes Black Vinyl Edition

2LP | 2007 | US | Reissue (Thrill Jockey)

Meridian Black Vinyl Edition

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Hippotraktor

LP | 2021 | EU | Original (Pelagic)

Detroit Multicolored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ever Since The Release Of Their Acclaimed Debut Ep P'eau (2018) These Mechelen-Based Musicians Have Been Honing Their Craft In Songwriting And Production, Building A New Home Studio To Record Future Material While Also Expanding From A Three-Piece To A Five-Piece Ensemble. By Adding Singer/Percussionist Stefan De Graef (Psychonaut) And Guitarist/Singer Sander Rom (L'itch) To Their Ranks, Hippotraktor Have Become A More Versatile Outfit Able To Employ A Broader Palette Of Sounds, Taking The Band's Earlier Instrumental Prog Metal Sound To New Heights.Taking Notes From The Best Moments In Contemporary Progressive And Post Metal, Hippotraktor Capture The Awe-Inspiring Power Of Nature_from The Delicacy Of The First Falling Leaf To The Massive Cosmic Energy Of The Sun. By Combining The Big, Catchy Riffs And The Rhythmical Prowess Of Gojira With The Relentless But Equally Groove-Loaded Complexity Of Meshuggah, Meridian Delivers An Overwhelming Experience Of Sound, Presenting The Listener With Sentiments That Are Recognisable, But With An Intensity That Seems Larger-Than-Life. "Meridian Tells The Story Of A Solitary Wanderer On The Earth In The Absence Of Other Beings," Explains Stefan. "Without Anyone To Share Knowledge And History With, The Protagonist Is Forced To Create His Own Truths And Stories About The Nature Of Life, Consciousness And The Universe. The Protagonist Begins To Personify And Deify His Surroundings, Assigning Sentience To The Trees, The Mountains, The Wind, The Waters Etc. For They Are His Only Companions In This Desolate World."Essentially, Meridian Is An Exploration Of The Evolutionary Theory Of Naturism, Which Was Put Forth By German Scholar Max Mu"Ller In The 19th Century, And Which Argues That Religion Finds Its Origin In The Deification Of The Forces Of Nature By Early Human Beings. By Juxtaposing This Sociological Theory With Seven Tracks That Unfailingly Conjure Images Of The Earth, Sea And Sky, Hippotraktor Have Created An Analogy That Enlarges The Imaginative Quality...

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Killer Boogie

LP | 2020 | EU | Reissue (Heavy Psych Sounds)

25,89 €* 36,99 € -30%

The Lurking Shadow Of Death

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Repress of the debut album in a new colored version. As much Detroit, the nine-track debut full-length from Italian three-piece Killer Boogie, boasts raw proto-punker tones, upbeat shuffle and relentless groove with just a touch of psychedelia in its scorch, even more pervasive throughout the Heavy Psych Sounds release is a sense of self-awareness. Led by guitarist/vocalist Gabriele Fiori, also of Black Rainbows, Killer Boogie come across as more geared toward the retro-style '70s rock currently holding sway on the European scene in the wake of Graveyard‘s blues rock supremacy, but their take is rawer than most, and that gives them an edge. An incredible debut album !! Biography Fuzz Fuzz Fuzz!!! Killer Boogie is band well versed in the making of ’70s riff making; a new machine in the retro ’n’ roll scene adept at mixing bluesy frequencies into an extremely fuzzy sound with psychedelic shades.The band is formed by Gabriele Fiori on guitars and vocals, Luigi Costanzo on drums and new bassist Nicola Cosentino who joined the band for the new album in early 2017. Their debut album "Detroit" in early 2015 surprisely recieved much attention and great feedbacks, who bring the band to play at Desert Fest Berlin and Duna Jam. After a split with other cool bands of the scene as Golden Grass, Banquet and Wild Eyes the band wrote a wonderful sophomore album in the spring 2017 and recorded in the summer. Acid Cream was released in March 2018 via Heavy Psych Sounds Records. Killer Boogie is a power retrofuzzriffprotopunkacidblues trio, obsessed by early fuzz pedals, catchy riffs, 60s and 70s iconography Killer Boogie grounds its roots in the sound of Blue Cheer, The Stooges, MC5 and Cactus.

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Ars Veneficium

LP | 2024 | EU | Original (Immortal Frost Productions)

37,99 €*

L'aube Des Anathèmes Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ars Veneficium, one of Belgium’s most prominent black metal acts is back with their 3rd full length album “The Lurking Shadow of Death”, 4 years after the release of their 2nd full length album “Usurpation of the Seven”. With their new album The Lurking Shadow of Death it is clear that Ars Veneficium has not taken the song writing for granted and managed to overthrow their previous work once more with delivering only the best of their best on this record. From the compositions to the production to the artwork, one can undoubtedly say that this is their best work thus so far. The lead guitars by Ronarg deliver some amazing melodies variated with some aggressive chords where the bass guitar (once again) plays some beautiful underlaying solo notes to create that extra atmosphere which is more or less the Ars Veneficium signature by now. The drum work has been delivered by no one else than Flo Musil (Theotoxin) who blasts his way throughout the album with some outstanding, highly skilled details giving the extra punch that this album absolutely deserves. The vocals by S. are more furious than before and deliver a much wider range and diversity which lifts the whole album to a new level. With The Lurking Shadow of Death, Ars Veneficium has delivered an absolute beast of a black metal album that every fan of old school, satanic or melodic black metal would appreciate! Raging black metal filled with atmosphere, melodies and pumping energy! A must have! 1. Death is Light2. Eye to Eye with the Devil 3. De Glorie van Dood 4. One with the Cosmos5. Into the Void 6. My Tomb Under the Stars7. Pale Image of I

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Ende

LP | 2024 | EU | Original (Immortal Frost Productions)

36,99 €*

12" | 2022 | UK | Original (Pirates Press)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bishops Green

Waiting

22,99 €*

LP | 1995 | US | Reissue (Hells Headbangers)

Release: 2022 / UK – Original

Genre: Rock & Indie

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For more than two years we’ve all been waiting and waiting and waiting for new music. And bands have been waiting and waiting and waiting to deliver it. For Bishops Green and their fans, it’s been even longer… These lovable canucks have been a tight unit throughout, and used the downtime from constant touring to pour their hearts and souls out into barrels of new songs that speak volumes about where they’ve traveled, who they are, and where they’re headed. Waiting to deliver it all to you has been excruciating! Well, we’ve all waited long enough! Pirates Press Records is incredibly thrilled to present “waiting”, a six song explosion of an EP - and another of many new releases in the pipe from this beloved Canadian powerhouse! Some of these tracks made their informal debut over the pandemic when the band played a livestreamed show and these songs instantly became fan favorites…so much so that fans are already singing the words! This is a testament to the connection that Bishops Green has with their fans and shows just how long they’ve been craving to hear something new from them. Bishops Green is locked and loaded, with their eyes on the prize! ...Waiting no more!

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Bestial Warlust

Blood & Valour

48,99 €*

LP | 2024 | US | Original (Profound Lore)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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At long last, a timeless classic returns: BESTIAL WARLUST's pivotal second album, Blood & Valour, now on Black Vinyl w/ Poster & Insert! Originally released in 1995, Blood & Valour was the crucial follow-up to the Aussie barbarians' legendary debut album, Vengeance War 'Til Death. That debut almost singlehandedly started war metal, but it was with Blood & Valour where BESTIAL WARLUST confirmed that their "Satanic war metal" was truly a viable, lawless outback all its own and that their over-the-top violent savagery was no mere fluke. The lineup may have shifted, but the iron fist remained bloody: Blood & Valour more than lived up to its title, then and especially now. Added as a bonus track on this long-overdue reissue is the studio cover of BATHORY's "Massacre" previously only heard by close contacts of the band. SATANIC WAR METAL...BESTIAL fucking WARLUST!!! 1.Blood & Valour 02:522.Death Rides Out 02:293.Prelude: Descention Hells Blood 05:284.Barbaric Horde 04:475....'till the End 03:446.Within the Storm 05:327.Legion of Wrath 03:008.Orgy of Souls (Hallowed Night) 03:479.I, the Warrior 03:11

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Mother Of Graves

Periapt Of Absence

LP | 2023 | UK | Original (Scheich In China)

Release: 2024 / US – Original

Genre: Rock & Indie

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After the success and lasting impact of their debut 2022 full-length, Where The Shadows Adorn, Indianapolis melodic death-doom purveyors Mother Of Graves return to the surface with a new and prolific dose of melancholy. The Periapt Of Absence, set to be unleashed by the esteemed Profound Lore Records, serves as a testament to Mother of Graves' evolutionary journey and steadfast dedication to crafting their profoundly personal and enthralling rendition of death-doom metal. Highlighted by Brandon Howe's soul crushing and poetic vocals, this offering transcends boundaries, delving even deeper into realms of melancholy and introspection than their past offerings. The album expands on the band's engrossing atmospheres, crushing passages that shine light on their death metal roots, monumental hooks, and melodies that will resonate for years to come. The pulverizing production, provided by the band's Ben Sandman with dynamic mastering by the legend Dan Swanö, amplifies the monumental rhythm section anchored by Don Curtis on drums and Corey Clark on bass, while illuminating the intricate guitar harmonies skillfully woven by guitarists Sandman and Chris Morrison. The Periapt Of Absence is without a doubt Mother Of Graves' most in depth and significant material to date. Each song provides a poignant exploration of the human experience, where moments of despair are illuminated by glimmers of hope and fleeting beauty. Through eight cathartic tales of heartache, love, and loss, Mother Of Graves beckons one to delve deep into the recesses of their dark and gloomy world.

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Scheich In China

Arschgesichter Des Todes

LP | 2013 | EU (Solo Vinili / Libri)

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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One of two hellish new Scheich in China albums, the malefic form of ‘Arschgesichter des Todes’
looms like a soundtrack to petrifying night terrors with a devil-baiting parade of ungodly
pleasures. The harder hearing among you may be familiar with Philipp Meiers and Alsen Rau’s
work in this guise from a number of LPs issued on local Hamburg labels since 2014, and should also
recognise this one as closest to source, mostly ditching the drone and technoid elements in favour
of pure death metal throttle and blizzard dynamics.
Riddled with dread and venom, the album shells a cavalcade of enslaved drum machine and wiry
guitars (ir)resplendent in typically lo-fi recording virtues and hungry to gnaw the nerves of any
poor soul in earshot. Of course it’s an outright buzz if you like this stuff, shy of the sort of vocal
theatrics that can put some heads off, but with steely, uncompromising focus on the textures,
energy and an end-of-earth primordial thrust that makes Death Metal, proper, such a uniquely
extreme proposition.
At its longest, ’Nosebleeding Diarrhea Pus Mucus’ sums up the sound literally and viscerally, while
the rest of it tends to more succinct assaults on the senses, spanning the heck-raising charge of
‘The Virgin Witch’ thru the inferno-in-the-next-room of ‘Deine Gebeine’, tape sodden squall of
‘Satan Needs no Forks’ and martial mini-epic ‘Postatomicwat Hookers’, with their sick sense of
humour epitomised in the title and grindcore flay of ‘The eBook of Dead’.

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Scena

Release: 2013 / EU

Genre: Rock & Indie

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The Fire In Our Throats Will Beckon The Thaw Metallic Gold Vinyl Edition

2LP | 2005 | US | Reissue (Thrill Jockey)

35,99 €*

LP | 2022 | EU | Original (Pelagic)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Pelican and Thrill Jockey are proud to present a deluxe edition of the band’s acclaimed 2005 album: The Fire In Our Throats Will Beckon The Thaw, newly remixed, remastered, and featuring special bonus rarities including an early version of “Red Ran Amber,” (previously only available on a split with Mono) and demos of “Autumn Into Summer,” “Last Day of Winter” and “Sirius” The Fire In Our Throats established Pelican as indisputable masters of their craft. Pelican’s ability to alchemize their influences into a sound so wholly original and then expand on that sound into a work of captivating beauty remains a marvel. The album indelibly shifted the paradigm of heavy music and the ripples of that shift can be heard in the countless bands that have risen to prominence since its release. The genre-busting nature of the album’s melodicism and refined dynamics was a harbinger of things to come in a genre whose strict boundaries were rapidly being shattered; a fact recognized and cemented by the album’s critical reception, which engendered everything from an Album of the Year nod from Decibel, to pontifications about Pelican representing a rising wave of intellectualism in metal from the New York Times. Nearly two decades since the album’s release on Hydra Head Records, The Fire In Our Throats has stood as not just one of the band’s most celebrated releases, but as a watershed work of avant-metal. The album arrives with a fresh mix by its original engineer Greg Norman and mastering by Josh Bonati, imbibing the songs with a new ferocity while also granting increased clarity, highlighting the developing interplay between each member The refreshed mix brings an additional punch to the rhythm section of bassist Bryan Herweg and drummer Larry Herweg, bolstering the brightened melodicism and interlocking riffing between guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec. The more articulate presentation of the album showcases the power of each individual player while buttressing Pelican’s distinct sound as a unified force.

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Astrosaur

Portals

2LP | 2021 | EU | Reissue (Atomic Fire)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Somewhere between the late 1990s and the early 2010s, the rif largely disappeared from mainstream rock & pop. Its transformative power - the rif as a means to transport the listener into another dimension - became an art cherished only in the underground of rock and metal. One of the strong proponents of that transformative power is ASTROSAUR, an overlooked gem in the international heavy psyche rock and post- metal scene. The Norwegian power trio has been employing the rif as their principal mode of transport since their 2017 debut album Fade In // Space Out. Now, with the release of their third album Portals, ASTROSAUR are sounding more expansive and convincing than ever, delivering an intuitive exploration of the infnite powered by soaring guitars and surging grooves.With their third full-length album, ASTROSAUR have delivered an incredibly diverse and musically challenging and satisfying experience, showing that this band is greater than the sum of its truly great parts. Over the course of fve tracks and 48 minutes, the band use the best traits of the aforementioned genres to take you on a sonic journey into the deepest caverns of space and time.First single «Black Hole Earth» is masterclass soaring post-rock guitars, with its magnifcent main melody, which is ofset against a blistering desert rock rif, like a star ship phasing in and out of hyperspace, alternating between crushing your guts and showing you the most marvellous views of deep space.From a compositional viewpoint, «Eternal Return» is a mind-blowing afair. This giant psychedelic prog epic has been built from diferent themes and motifs that take turns in appearing, shifting form and developing as they go along. Segueing into new themes or returning to earlier ones, «Eternal Return» gloriously comes full circle, ending the mind-boggling journey of Portals.With the addition of vibraphones, Moog and acoustic guitars, the sound of ASTROSAUR is fuller and more diverse than ever before. From the soaring overture of «Opening» to...

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Amorphis

Circle

25,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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In 2013, Finnish melancholic dark rock/metal masters AMORPHIS gave birth to their eleventh mind-child named “Circle” that instantly hit #1 in Finland’s album charts. The total of 9 tracks and 2 bonus tracks that are contained on “Circle” once more prove the musicians’ ability to intertwine new and established ingredients. “To put it in a few words, it’s compact, brilliant, fresh and still has all the elements you expect from AMORPHIS”, as guitarist Esa Holopainen points out. Lyricist Pekka Kainulainen, who has also worked for the band on previous albums, tells the story of an unfortunate man, who is invited to a circle and receives strength from the old Finnish gods. As the plot is set completely between dusk and dawn, “Circle” gains a dark yet yearning atmosphere. Produced by Swedish all-rounder Peter Tägtgren (HYPOCRISY, PAIN), AMORPHIS went to the Finnish countryside at Petrax Studio to work on “Circle”. The cover artwork was done by British artist Tom Bates who seems to share a common love for Alphonse Mucha with Esa Holopainen. Founded 1990 in Helsinki, AMORPHIS have become a globally successful act with 6 number 1 albums in their home country Finland and countless top 10 positions all over the world. DE 2013 brachten die finnischen melancholischen Dark-Rock/Metal-Meister AMORPHIS ihr elftes Album namens „Circle“ auf den Markt, das sofort auf Platz 1 der finnischen Album-Charts landete. Die insgesamt 9 Songs und 2 Bonustracks, die auf „Circle“ enthalten sind, beweisen einmal mehr die künstlerische Fähigkeit der Musiker, Neues und Bewährtes miteinander zu verbinden. „Um es in wenigen Worten auszudrücken, es ist kompakt, brillant, frisch und hat dennoch alle Elemente, die man von AMORPHIS erwartet“, erklärt Gitarrist Esa Holopainen. Texter Pekka Kainulainen, der auch schon auf früheren Alben für die Band gearbeitet hat, erzählt die Geschichte eines unglücklichen Mannes, der in einen Zirkel eingeladen wird und Kraft von den alten finnischen Göttern bekommt.

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The Fire In Our Throats Will Beckon The Thaw Black Vinyl Edition

2LP | 2005 | US | Reissue (Thrill Jockey)

LP | 2022 | UK | Original (Alone)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Orthodox

Proceed

Release: 2022 / UK – Original

Genre: Rock & Indie

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Orthodox was born as a trio in Seville, Spain at the end of 2004. Starting from doom metal and absorbing influences from drone, jazz, and extreme metal, the band represents one of the most relevant but unpredictable bands of the Spanish metal underground. After breaking through the international underground with their Gran Poder debut LP in 2006, Orthodox has released another six studio albums, multiple EPs, splits, singles, and more, released through respected labels like Southern Lord, Utech Records, God Unknown, and long-running allies, Alone Records. Since 2014, Orthodox has operated as a duo, with bassist/vocalist Marco Serrato and drummer Borja Díaz handling all recording and live performances. However, Proceed sees the return of guitarist Ricardo Jiménez to the lineup for the first time since 2011’s Baal. To capture this mammoth album, in November 2021, Billy Anderson (Sleep, Melvins, High On Fire, Om, Neurosis, EyeHateGod) was flown to La Mina Studios in Sevilla, Spain, and recorded the album with assistant engineers Raúl Pérez and Nacho García. Anderson mixed the record at his Everything Hz back in Portland, Oregon, after which it was sent to Justin Weiss at Trakworx in San Francisco, California for mastering. Proceed was completed with artwork and illustrations by Fernando Rivas and layout/design by José Postigo. Proceed represents Orthodox's return to its original essence, but also a step forward as a band. After a multitude of different projects around the band and a long way traveled, they are back to reel off heavy riffs like a three-headed juggernaut. Orthodox has performed at international festivals such as Hellfest, Roadburn, Supersonic, Amplifest, Primavera Sound, and many others, has collaborated with artists as diverse as Julian Cope and flamenco dancer Israel Galván, and has opened for Voïvod, High On Fire, Corrosion Of Conformity, and countless more.

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Tape | 2024 | US | Original (The Flenser)

Vida Blue

Release: 2024 / US – Original

Genre: Rock & Indie

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Time is a slippery fish.

Loss has inspired Mamaleek’s latest full-length album, titled Vida Blue. This marks the San Francisco Bay Area metal deconstructionists’ eighth album and their third as a full lineup.

Tragedy struck in March of 2023 when the band lost a longtime friend and member, keyboardist Eric Livingston, leaving the group, which began as a duo of two brothers and later expanded to a five-piece, now with only four members. Despite this profound loss, Mamaleek persevered, performing as a quartet at various festivals, including the 2023 edition of Tilburg.

The band returned to the studio to create new material that appropriately reflects their journey through loss and honors their fallen comrade. The resulting album draws inspiration from the legacy of Oakland A’s baseball legend Vida Blue, whose former team coincidentally announced its relocation to Las Vegas that same year. The band members themselves describe this poignant chapter in their own words:

“Time is a slippery fish. Maybe only someone like Vida could grasp it. Although he’s left time behind, his image and that lefty heat remain in the memories of many. Eventually they’ll be forgotten, and hopefully replaced with even more exultant ones. This musical recording is a reflection on loss and its acceptance. We explore several examples for each song, including the loss of pride, of money, of glory, of country, of sanity, of a favorite sports team, of significant others, and, every day, one’s self. It also explores various associated moods—fear, panic, reverence, stoicism, and steadfastness—to arrive at a resolution: Loss is only a test, the glue that holds and erodes each memory, the connection that binds and loosens us all, pitch by pitch, inning by inning. This is your celebration.”

Vida Blue is a person, moment, and memory, together the crystallization of apocalypse: “unveiling,” “disclosure.”

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Vida Blue Colored Vinyl Edition

2LP | 2024 | US | Original (The Flenser)

39,89 €* 41,99 € -5%

Release: 2024 / US – Original

Genre: Rock & Indie

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Vida Blue Black Vinyl Edition

2LP | 2024 | US | Original (The Flenser)

Vacuum Y Noise Transition

Release: 2024 / US – Original

Genre: Rock & Indie

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DSKNT

LP | 2021 | US | Original (Sentient Ruin Laboratories)

21,74 €* 28,99 € -25%

LP | 2024 | US | Original (Riding Easy)

Release: 2021 / US – Original

Genre: Rock & Indie

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Swiss black metal void sculptors Dsknt are back with their immense sophomore LP "Vacuum γ-Noise Transition," a devouring nightmare of omnipotent sonic annihilation conceived at the most liminal edges of sanity. The reality-destroying album takes shape as a dark and multidimensional hallucination deep into reality's most cryptic and terrifying truths, a place where entropy and chaos assume near-corporeal and hyper-realist forms, becoming empirical laws and axioms of all manifestations therein, with the music serving as the abhorrent mathematical key that allows the listener to unlock this realm beyond and "see" the horrors that populate reality beyond the reach of the five senses and of the terrestrial dimension. Harrowingly evocative and devastating beyond comprehension, "Vacuum γ-Noise Transition" assumes its hideous form through a ravaging maze of managed guitar fractals, eviscerating compositional deconstructionism and an inhuman event horizon of decaying soundscapes and oppressive atmospheres that dismantle the listener piece by piece, forcing mind and soul apart to disintegrate in each other's reflection. Somewhat claiming the torch of absolute avant-garde violence and abhorrence from bands like Deathspell Omega and Portal, the devastating album is an all-encompassing and sensorially annihilating masterpiece that transitions this heritage of aural abominations into its most unavoidable future and inevitable conclusions, reshaping the DNA of surrealistic extreme metal as we know it and pulverizing all its known thresholds through a hideous out of body experience ritualized through total aural abandon.

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Gary Del Vecchio

Buzzin'

LP | 2024 | EU | Original (Napalm)

Release: 2024 / US – Original

Genre: Rock & Indie

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The incendiary proto hard rock and ambitious epic journeys this album delivers are all the more uncanny and devastating when you realize Gary Del Vecchio was

a mere 16 years old when the title track Buzzin was unleashed! Even more astonishing is how far he travelled over the next five years, documented in this brilliant selection of nine tracks from the classic daze of early 1970s underground rock. Ohio was a hotbed for hard rock at the time with bands like the James Gang, Glass Harp, Poobah, Left End, Damnation Of Adam Blessing… what you get here matches the style any of those bands laid down. Gary's music grabs you immediately and grows over time. Grabber and Grower… best of both worlds style!

It makes sense that Gary later owned a recording studio, right out of the gate he was laser focussed on all the aspects involved in making music that stands the test of time. The guitar action is incredible, shards of sound flying free yet hitting the bullseye continuously, vocals confident with none of the macho posturing that ages poorly in much early hard rock. These tracks are all vividly recorded and meticulously mixed in a way that balances fiery performance and intelligent structure to maximum effect. The bass and drumming here are phenomenally inventive and propulsive, the several players involved across the album nail it in their support of Gary's vision. This is rock music born in the 'anything is possible' life affirming energy of the late '60s right on time with where the most enduring artists of the early '70s took it. Had he scored the major label deal he pursued with labels like Mercury or London at the time I am confident we'd be hearing his music on classic rock radio today! The music on this album is both uncompromising and accessible. In particular, the two long tracks Wasted King and Starman have all the moves needed to grab fans of Pink Floyd, Led Zeppelin and the likes by the throat and brain in the extended progressive epic department!

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As I Lay Dying

Through Storms Ahead

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2019 | EU | Original (Metal Bastard Enterprises)

Kam Lee / False Prophet

The End Devine Yellow

11,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Napalm)

As I Lay Dying

Through Storms Ahead

16,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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On Thorns I Lay Gold Vinyl Edition

On Thorns I Lay

LP | 2023 | EU | Original (Season Of Mist)

40,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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On Thorns I Lay Black Vinyl Edition

On Thorns I Lay

LP | 2023 | EU | Original (Season Of Mist)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cool World Colored Vinyl Edition

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

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Cool World Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (The Flenser)

Cool World

Impossible Light Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Uboa

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Uboa’s fifth album Impossible Light almost never made it out of the dark. From its initial conception in 2018, this record went to hell and back, dragging its immensity and too-big-to-hold emotion through the torturous process of translation to sound and returned triumphantly as a full-bodied record in a distinct new style.

Impossible Light begins where Uboa’s 2019 breakout album The Origin Of My Depression left off—and ends somewhere entirely different. The Origin stunned with its methodical use of doom, harsh noise, and ambient soundscapes while documenting a raw, unhindered account of Xandra Metcalfe’s experiences with her transition and her struggles with mental health. Over time The Origin steadily grew a cult-like following which developed into a full-fledged internet community focused around noise, neurodiversity and transness. While Uboa’s signature style of highly polished, cinematic “hypernoise” is front and center in Impossible Light, there is also a daring departure into the genres of industrial metal / rock, setting it apart from any other Uboa release thus far and distinguishing it from other contemporary noise records.

Metcalfe kept the lyrical content of this record as a time capsule of the catastrophic ups and downs and rapidly changing environments within herself and in the world from 2018-2023. Key collaborators include Blood Of A Pomegranate, Otay:onii, Charlie Looker and Haela Hunt-Hendrix of Liturgy. Impossible Light dives fearlessly into queer sexuality, trans embodiment, grief for those who couldn’t make it, solidarity for those facing unimaginable discrimination, the toxic spread of transphobic hatred and misinformation, and the ultimate hope of recovery from trauma and mental anguish. This is a record about the light at the end of the tunnel and the power it takes to keep moving towards it.

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Tape | 2022 | US | Original (The Flenser)

God's Country

16,99 €*

LP | 2017 | US | Original (Tee Pee)

Release: 2022 / US – Original

Genre: Rock & Indie

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There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.

Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.

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Ruby The Hatchet

Planetary Space Child

22,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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Living Is Easy / The Circle Chant Colored Vinyl Edition

Agriculture

Release: 2024 / US – Original

Genre: Rock & Indie

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The Flenser is pleased to announce the release of Living Is Easy, the latest EP from ecstatic black metal band Agriculture. This new EP will be paired with the band’s debut EP, The Circle Chant. For the first time, both EPs will be pressed together on a single 12-inch vinyl record as well as a cassette format

Living Is Easy represents a significant new statement from the band. With their debut self-titled, Agriculture embarked on a journey to explore how heavy music can provide insights into the joys of life, both everyday and divine. Their extensive touring with this material led to a profound experience of ecstasy, surpassing expectations as they shared the intensity and joy of these songs with audiences worldwide. This experience was a catalyst for the band, inspiring them to delve even deeper into the realm of “ecstatic black metal” music. They believes that with this release they have pushed this concept to its limit, resulting in a transformative explosion of sound and meaning.

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Tape | 2023 | US | Original (The Flenser)

This Dungeon Earth

15,29 €* 16,99 € -10%

Release: 2023 / US – Original

Genre: Rock & Indie

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In the summer of 2019, a newly formed, Oklahoma City-based rock band called Chat Pile would release its debut four-track EP, This Dungeon Earth. Little did anyone know at the time, but this initial taste of grotesque, confronting, and visceral noise rock courtesy of four slacker Okies would kick off the story of what would soon be one of the most widely lauded underground acts in years. Like the towering mounds of toxic waste from which it gets its namesake, Chat Pile’s body of work is emblematic of a distinctly midwestern flavor of American dread, with This Dungeon Earth being no exception to the rule. While raw in presentation, Chat Pile’s debut EP comes across as anything but a rough draft. Much of the band’s hallmark traits, spanning the unhinged vocals of frontman Raygun Busch, the grotesquely contorted guitar riffage, and the industrial smack of heavily processed percussion, appear as far back as this earliest chapter. If anything, the raw, DIY-rooted origins of these uncompromising thirteen minutes of sludged-out carnage make This Dungeon Earth all the more impactful. Between its biting social commentary and gratuitous grindhouse insanity, the unfiltered brutality of Chat Pile’s debut recording has seen tracks like “Rainbow Meat”, “Face”, and “Ratboy” become mainstays in its notorious live shows. Although it depicts the band’s monstrous amalgamation of noise rock, sludge metal, hardcore, and more as it is just beginning to congeal, This Dungeon Earth comes off as the furthest thing from a simple intro and more of an essential first chapter in Chat Pile’s story.

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Tape | 2023 | US | Original (The Flenser)

Remove Your Skin Please

15,29 €* 16,99 € -10%

Desolation's Flower Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Released only a handful of months following the band’s breakthrough debut EP, Remove Your Skin Please signaled that whatever Chat Pile was doing wasn't just a one-off novelty of Midwest metal nihilism. While the band’s foundational sound of caustic and cacophonous noise rock crystallized with its debut, the release of Remove Your Skin Please signposted the vast extent to which Chat Pile could stylistically tinker and conceptually iterate atop it. Heard in the gothy post-punk dirge of “Mask” and the dissonant extreme metal fervor of “Davis'', the more experimental ideas present on Remove Your Skin Please come off less like a selection of the band’s conceptual prototypes and more like fully realized reflections of its member's own tastes and preferences. That doesn’t mean Chat Pile’s noise rock foundation is diluted in the slightest as EP bookends “Dallas Beltway” and “Garbage Man” push its twisted take on the genre to new aural extremes in its instrumentation and subject matter spanning grisly serial murders to the slow festering death of the environment at the hands of mankind. For as ugly and unhinged as Chat Pile’s tales of 21st-century American dread are, Remove Your Skin Please asserts something that is somehow subtly even more terrifying: If a quartet of otherwise ordinary Okies can convey such apocalyptically bleak yet resonate messages in its music, that may mean we feel that same nihilism, too.

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Ragana

LP | 2023 | US | Original (The Flenser)

LP | 2024 | US | Original (Tee Pee)

Release: 2023 / US – Original

Genre: Rock & Indie

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Ragana is a duo whose members alternate duties on drums, guitar, and vocals to produce some of the most unique and affecting dark music in metal today. The two-piece came together in 2011 in the DIY punk scene of Olympia, WA and are now based in Olympia and Oakland, CA. In their time together so far, Ragana have self-released five albums and teamed up with genre-favourite Thou for a split release in 2018. The following year, Ragana released their heralded We Know That The Heavens Are Empty EP and have quietly been working on new music ever since. The band signed with The Flenser in late 2022 and now present their forthcoming debut album for the label, Desolation’s Flower. On Desolation’s Flower, Ragana draws upon a number of influences from the flora and fauna of their Pacific Northwest origins to the darkly nostalgic folk of Mt. Eerie and, yes, their Olympian forebears Wolves In The Throne Room, synthesising them into an experimental, highly idiosyncratic take on black metal. Held together by an intense focus on raw emotion and haunting atmospherics, Ragana shifts seamlessly from tender, mesmerising vocal harmonies to piercing, heart-ripping screams and back again, yielding music that is heavy, beautiful and punishing all at once. Written over the past few tumultuous years, Desolation’s Flower is the band’s most devastating effort to date, containing seven incantations of loss, rage, pain and hope. Expertly engineered by the masterful Nicholas Wilbur at the Unknown Studio in Anacortes, Washington (Planning For Burial, drowse, Divide and Dissolve, Have a Nice Life), the album serves as the culmination of the past decade plus of the band’s ethos and execution.

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Satan's Satyrs

After Dark

26,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Living Is Easy / The Circle Chant Black Vinyl Edition

Agriculture

27,99 €*

Impossible Light Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Uboa

Tape | 2022 | US | Original (The Flenser)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

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Scarcity

Aveilut

19,99 €*

LP | 2022 | UK | Original (Tee Pee)

Release: 2022 / US – Original

Genre: Rock & Indie

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There’s a real sense of loss on Brooklyn experimental black metalists SCARCITY’s debut album Aveilut, an inescapable presence of the realities of death. Multi-instrumentalist Brendon Randall-myers (conductor of the Glenn Branca Ensemble since Branca’s passing) wrote Aveilut while processing the sudden deaths of two people close to him, tracked it while caught in Beijing’s first lockdown of 2020, and finished it while surrounded by the overwhelming plague visuals of New York’s early Covid peak. Back in Brooklyn, vocalist Doug Moore (of Pyrrhon, Weeping Sores, Glorious Depravity, and Seputus) soon found himself in the midst of an equally bleak lockdown experience—living next to a funeral home when New York City was America’s Covid epicenter. From conception through development, tangible death surrounded Aveilut. The result of such a profound closeness with death is this grief-stricken release, which takes its name from the Hebrew word for mourning. 72-note octaves, alternate tunings, psychoacoustic phenomena and macro-phrases embody the hugeness of loss, the inexplicable space of death’s void that Randall-Myers faced both on a personal and existential scale. Together with Moore’s gripping vocal delivery and stark lyrics, the album takes the form of a hyperobject, an entity with such vastness and reach that it’s difficult for the human mind to comprehend. Consisting of one 45-minute composition, the music is black metal roughly in the vein of Jute Gyte, Krallice, Mare Cognitum, and Enhare—with hefty doses of post-Branca microtonal guitar abuse, and a cinematic scope that draws on Randall-Myers’ work with orchestras. Aveilut’s mathematical abstraction and lyrical focus on the greatness of the void breed raw emotion, attempting to represent a catastrophe, the vastness and inevitability of things outside one’s control, as well as a direct expression of grief, a kind of requiem. Though born of Randall-Myers and Moore’s intense intimacy with absence, Aveilut is an attempt to present a harrowing universal representation of death’s true form.

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Telekinetic Yeti

Primordial

20,24 €* 26,99 € -25%

LP | 2022 | US | Original (The Flenser)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Based out of Iowa, Telekinetic Yeti is a two-man band that delivers sonic brutality melded with psychedelic doom wizardry, forged by the worship of the almighty riff and honed by relentless touring and dedication to their craft. Creating music as cryptically enchanting as it is heavy, you wouldn’t guess that the impressive cacophony pouring out of the speakers like molten, metal syrup is being produced by only two people. Founder and guitarist Alex Baumann explains, “Originally I decided not to have a bass player purely for logistical reasons, it was just another schedule to work around, another person who’s boss could tell us we can’t tour, but then I started seeing it as a challenge, like let’s see how heavy we can make it with just two people.” That started grabbing peoples’ attention. Relentless touring and playing pretty much any club that would have them, the band set sail on their epic voyage, selling their debut album Abominable out of their van and cutting their teeth in the underground playing hundreds of shows. All the while receiving rave reviews of their live performance as well as their first release, which landed at #2 on the doom charts and stayed right there for months. The video for “Stoned and Feathered” quickly racked up a few hundred thousand views and counting. People were starting to catch on, and soon thereafter Telekinetic Yeti would be invited to tour extensively with some of the best heavy rock bands in the business, including Clutch, Black Label Society, Red Fang and Weedeater. Now the band finds itself in a much different, auspicious position, and with the help of famed producer Phillip Cope (Baroness, Kylesa, Damad, Black Tusk et al), Telekinetic Yeti returns with their eagerly-anticipated, second full-length album, Primordial. With this release, the band takes their game to a whole new level. Primordial explores themes as diverse as evolution, sorcery, black magic and the contradictions of the gloriously uplifting yet simultaneously melancholic human condition. “I wanted to write something that was an appropriate intro to the album, that brought to mind an early earth setting and featured atmospheric elements as well as some droning, sparse simplicity and lyrically, simple imagery regarding the dawn of humankind and creation of the first tools.” explains Baumann of the title track. As it unfolds, the album evolves into a cathartic exploration turning themes into tangible sounds and haunting fugues. Says Baumann regarding the inspiration behind “Beast”: “This song is about wanting to escape the societal constraints that keep us on the wheel, toiling away, indefinitely. It’s also about questioning authority figures, or really anyone that claims to have all the answers.” Matured songwriting, creatively brutal riffs and an exercise in monstrous tones make this listen an immersive experience taking you back to explore and appreciate the primordial ooze that we all came from.

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Scarcity

Aveilut

26,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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There’s a real sense of loss on Brooklyn experimental black metalists Scarcity’s debut album Aveilut, an inescapable presence of the realities of death. Multi-instrumentalist Brendon Randall-Myers (conductor of the Glenn Branca Ensemble since Branca’s passing) wrote Aveilut while processing the sudden deaths of two people close to him, tracked it while caught in Beijing’s first lockdown of 2020, and finished it while surrounded by the overwhelming plague visuals of New York’s early Covid peak. Back in Brooklyn, vocalist Doug Moore (of Pyrrhon, Weeping Sores, Glorious Depravity, and Seputus) soon found himself in the midst of an equally bleak lockdown experience—living next to a funeral home when New York City was America’s Covid epicenter. From conception through development, tangible death surrounded Aveilut. The result of such a profound closeness with death is this grief-stricken release, which takes its name from the Hebrew word for mourning. 72-note octaves, alternate tunings, psychoacoustic phenomena and macro-phrases embody the hugeness of loss, the inexplicable space of death’s void that Randall-Myers faced both on a personal and existential scale. Together with Moore’s gripping vocal delivery and stark lyrics, the album takes the form of a hyperobject, an entity with such vastness and reach that it’s difficult for the human mind to comprehend. Consisting of one 45-minute composition, the music is black metal roughly in the vein of Jute Gyte, Krallice, Mare Cognitum, and Enhare—with hefty doses of post-Branca microtonal guitar abuse, and a cinematic scope that draws on Randall-Myers’ work with orchestras. Aveilut’s mathematical abstraction and lyrical focus on the greatness of the void breed raw emotion, attempting to represent a catastrophe, the vastness and inevitability of things outside one’s control, as well as a direct expression of grief, a kind of requiem. Though born of Randall-Myers and Moore’s intense intimacy with absence, Aveilut is an attempt to present a harrowing universal representation of death’s true form.

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LP | 2011 | US | Reissue (The Flenser)

Kurdaitcha

LP | 2021 | US | Original (The Flenser)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Mamaleek’s Kurdaitcha is finally back in print! The San Francisco-based duo released their third album of weirdo black metal, Kurdaitcha, on the legendary cult label Enemies List Home Recordings (Have a Nice Life, Giles Corey), and it quickly sold out. For years the LP has been a hard to find collector’s item. Kurdaitcha finds the project in its initial period of creating music influenced by black metal, hip hop, jazz, and spirituals. Founded in 2008 in the Bay Area by two anonymous brothers, Mamaleek has explored a vast sonic territory on the edge of a genre renown for its aversion to change. Their expert utilization of left-field samples and unconventional instrumentation, and their insistent drive to experiment continues to set the band apart from their peers. This pressing of Kurdaitcha has been remastered and features a previously unreleased bonus track with a gold foil stamped jacket.

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Succumb

XXI

LP | 2020 | US | Original (The Flenser)

Release: 2021 / US – Original

Genre: Rock & Indie

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Plumbing the depths of modern death metal with primitive elegance, Succumb have returned with their sophomore release XXI. One of the strongest up-and-coming metal bands in recent years, what sets Succumb apart from their peers is vocalist Cheri Musrasrik; the juxtaposition of death metal riffing and propulsive drums with Musrasrik’s cavernous howl and sophisticated lyrics make a unique listening experience in today’s crowded landscape. Musrasrik cites authors and poets like Yeats, Genet and Zola as her primary lyrical influences. XXI sees an allegorical look at the elements and their related mythologies. Talks about Lilith, the Orphic poems, ocean and nature deities, Dionysus, Arthurian literature, fly agaric as soma, the cosmic egg, and the Boxer Rebellion. Succumb was formed in 2014 by a group of friends with diverse musical backgrounds who share a common love for Canadian death metal, war metal, and 1990s Napalm Death. The band released their self-titled debut album in May of 2017 and received praise from publications around the globe. Blocland called it “one of the year’s most intriguing metal listens” and PopMatters named it one of the best metal albums of the year, citing: “Musrasrik’s insane delivery makes Succumb one of the strongest metal debuts to come out in 2017.” The eight new tracks that comprise XXI are sure to continue this arc of praise.

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Botanist

Photosynthesis

Release: 2020 / US – Original

Genre: Rock & Indie

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Photosynthesis is a concept album about how plants convert sunlight into energy, how they transform carbon dioxide into the oxygen that all fauna need to breathe. The album’s eight tracks each deal with an aspect of photosynthesis, from the macro “Water” to the micro “Palisades,” which reflects the theme of botanical lungs on a microscopic level. The album culminates with “Oxygen,” holding high the imagery of “Verdant Alveolus Diaspora,” the album’s core visual theme, depicting the world’s forests as a functioning lung system’s individual cells, scattered throughout the globe. Photosynthesis is the fourth “collective” album in Botanist’s greater discography, meaning it is composed of a group of individuals. Band originator Otrebor (hammered dulcimers, vocals, keyboards) composed the music and lyrics to the drums of returning member Daturus (Botanist’s live drummer since 2017, who played on 2019’s Ecosystem) and new bassist Tony Thomas. Photosynthesis sees Botanist returning to The Flenser stable, whose partnership yielded three albums, including 2014’s VI: Flora, perhaps the project’s most noteworthy work. This release was recorded in the Verdant Realm in California. The album production was handled by Dan Swanö, a musician whose legend is equally for his enormous contributions to the Swedish melodic and progressive death metal scenes in the ’90s and ’00s, as he is for his output of top-shelf album productions from his Unisound studio. The application of Swanö’s creative genius in more artistic, avant-garde areas of the metal spectrum is a match of dreams for Botanist, resulting in an album that achieves a new level of the project’s expanding vision with production excellence.

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LP | 2020 | US | Original (The Flenser)

Come & See

LP | 2019 | EU | Original (The Sign)

Release: 2020 / US – Original

Genre: Rock & Indie

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Mamaleek seeks to weaponize the tropes of blues, jazz and black metal through an understanding of their respective formal structures. Known for flouting genre conventions, the band’s newest album Come & See, marks yet another degree of separation from their black metal roots. Here Mamaleek draws inspiration from post-war public housing—specifically Chicago’s notorious Cabrini Green housing project—seeking to analyze the emotional impact of the spaces one occupies, the surreal forces behind the appearance of physical reality, and the residues they leave behind. This is the band’s third full-length album for The Flenser, and their first release written and recorded with a full band.

Founded in 2008 in the Bay Area by two anonymous brothers, Mamaleek has explored a vast sonic territory on the edge of a genre often renown for its aversion to change. Their expert utilization of left-field samples and unconventional instrumentation, and their insistent drive to experiment continues to set the band apart from their peers.

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Grande Royale

Take It Easy

22,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (The Flenser)

Elizabeth Colour Wheel

Nocebo

LP | 2017 | US | Original (The Flenser)

Release: 2019 / US – Original

Genre: Rock & Indie

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Nocebo, the first full-length by the Boston, Massachusetts five piece Elizabeth Colour Wheel, is inspired by anxiety, the fear and the desire of being constantly overwhelmed. The album came to fruition over the summer of 2018, when the band embraced a heavy “kill your idols” mindset, crafting an album that is distinctly schizophrenic yet familiar, touching on ’90s heavy rock, shoe-gaze, and black metal influences.

Mixed and mastered by Seth Manchester of Machines of Magnets (The Body, Street Sects), Nocebo is a five-walled haunted house, constructed from the wild, chantlike vocals of Lane Shi, the heavy, reverberant guitars of Emmett Palaima and Alice Jackson, the sludgy, distorted bass of Billy Cunningham, and the powerful, aggressive drumming of Connor Devito. Inside these walls frequencies of spectral anger echo and resound, gathering into thunderous waves, which crash against the borders of the room before dying out into eerie silence.

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Sutekh Hexen / Hissing

LP | 2015 | US | Original (Tee Pee)

Release: 2017 / US – Original

Genre: Rock & Indie

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Hissing and Sutekh Hexen are two of the murkiest, most cacophonous groups operating in the margins of the contemporary metal underground. Now, these hellish projects come together to release a split album on The Flenser.

Since 2008, Sutekh Hexen have turned the paradigm of black metal completely on its ear. The group creates what can be described as a dense tapestry of black noise, or a wall of intricate tones deconstructing itself brick by brick. Their rich, unparalleled compositions cultivate further interest with each listen.

Founded in 2014 out of a mutual interest in deranged and punishing sounds, Seattle’s Hissing is often described as “blackened sludge.” This does little justice describing the harsh, dissonant soundscapes created by this trio. To date they have released two EPs through Disorder Recordings and Southern Lord, and have a full-length forthcoming.

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Death Alley

Black Magick Boogieland

17,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Tee Pee)

The Shrine

Bless Off

Tape | 2024 | US | Original (The Flenser)

Release: 2014 / US – Original

Genre: Rock & Indie

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Combines the hook-laden appeal of '70s garage rock & gritty '80s hardcore with a skate punk energy & attitude resulting in a sound the trio decribes as "psychedelic violence."

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Uboa

Impossible Light

Appeltradet Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Skraeckoedlan

LP (The Sign)

Genre: Rock & Indie

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Appeltradet - 10th Anniversary

Skraeckoedlan

LP (The Sign)

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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LP | 2021 | EU | Original (Da Music)

Redkey

Rage Of Fire

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Da Music)

Pink Cream 69

Games People Play

Release: 2020 / EU – Original

Genre: Rock & Indie

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Homecoming Marbled Vinyl Edtion

King Howl

LP | 2023 | EU | Original (Electric Valley)

18,04 €* 18,99 € -5%

Homecoming Black Vinyl Edtion

Release: 2023 / EU – Original

Genre: Rock & Indie

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King Howl's new album, titled "Homecoming" will be released by Electric Valley Records on June 9, 2023. The work represents a new chapter in the band's stylistic universe, spurring King Howl's trademark sound while mixing it with new compositional and sound influences. A mix of blues, stoner, psychedelia, and classic rock that paints the soundscape of an on-the-road story set in 1960s America, a narrative plot that permeates the entire work, accompanied by a constant sonic evolution, always on the road. Thus, King Howl returns to the theme of travel, the band's favorite concept from the beginning. In this story, a young protagonist escapes from a rural setting witnessed by the blues sounds of opener "The Rooster" and rock'n'roll anthem "From the Cradle," followed by the beginning of the journey on the Kyussian railroad of "The Train." This leads to the nineties echoed Spoken-word of "John Henry Days" to the classic rock sounds of "Motorsound," a true ode to the big truck engine's vibrations. Consequently, the sonic journey flows into the oblivion of "Slowly Coming Down." Here, doom and psychedelia carry a dark foreboding. "Tempted," on the other hand, is a successful mix of country blues and stoner rock, an influence more and more present in the desertic "Jupiter," a track inspired by one of the characters in writer James Anderson's novel "The Never-Open Desert Diner." At the album's heart, the theme of travel and change symbolizes the animal world with the powerful "The Great Blue Heron." This song is marked by the sound of the Hammond organ, which makes the piece even more granitic. "Homecoming" then pays homage to the great Rolling Stones with the sixties classic "Gimme Shelter." Then it concludes this incredible journey with "Home," an angry but hopeful homecoming. An epic in music, a round trip of growth and change, of damnation, redemption, and rebirth. The album was recorded in Sardinia by Roberto Macis and Willy Cuccu and mixed by Nene Baratto and Richard Behrens at Big Snuff Studio in Berlin, a key production hub for international heavy Psych (Kadavar, Samsara Blues Experiment, Elder, Wucan). A sound production focused on an "organic" analog sound, thanks to the use of vintage gear and a reel-to-reel master made by Nene Baratto at the Berlin-based Morphine Raum Studio.

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King Howl

LP | 2023 | EU | Original (Electric Valley)

18,99 €*

LP | 2022 | UK | Original (M-Theory Audio)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Guillotine A.D.

Born To Fall

LP | 2024 | US | Original (Sentient Ruin Laboratories)

Release: 2022 / UK – Original

Genre: Rock & Indie

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M-Theory Audio will be releasing “Born to Fall,” the second album – and label debut – from Southern death metal slingers Guillotine A.D. on vinyl. The band's music blends the sounds of old-school Florida death metal, Scandinavian black metal, and New Orleans sludge into a wholly unique brew. The Athens, GA-based brother duo of Adam Miller (bass/vocals) and Lance Miller (guitars/vocals) – joined by drummer Evan Posey – take inspiration from the classic death metal of Cannibal Corpse and Six Feet Under, the New Orleans sludge of Crowbar and Eyehategod, and the Scandinavian black metal of Mayhem and early Enslaved. The trio self-describes the motivation of their sound as wanting “to sound like if Obituary moved to New Orleans and tried to play down-tuned versions of Satyricon songs.” Since the October 2017 release of their self-released and self-titled debut album (originally under the name Guillotine), the group has taken their sound to live stages all over the Southeast United States, supporting bands such as Goatwhore, Cannibal Corpse, and Hate Eternal. The band also participated in Slaughter Que 2019, which was headlined by acts such as Exodus, Kataklysm, Exhorder, and more. The trio also shared stages alongside fellow rising extreme metal acts such as Cloak, Frozen Soul and Sanguisugabogg. The group officially changed their name to Guillotine A.D. in December 2021 and signed with M-Theory Audio to formally usher in a new era for the band along with the new album. “Born to Fall.” The new album was produced by Matt Washburn at LedBelly Sound Studio (Atheist, Mastodon, Withered), and features cover art by Eliran Kantor (Testament, Soulfly, Trivium, Crowbar).

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Maurda

Cultus Brachypter

25,49 €* 29,99 € -15%

Invocation Translucent Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Brachyptery, the condition in insects of having vestigial wings and having lost the capacity of flight. This is the cult of the dewinged, of the downcast and of the condemned. Now remastered (courtesy of Will Killingsworth at Dead Air Studios) and consecrated through its first ever vinyl edition and a graphic facelift, Maurda's catastrophic second short player "Cultus Brachypter" went largely ignored upon its original 2022 self-release, but its obscurity can be solely attributed to the hermetic extremism that defines it. In reality, a world is contained within these sixteen minutes and six movements of absolute eschaton. A world so impenetrable it takes complete sacrifice to enter it. With its ruinous sensorial assault, "Cultus Brachypter" initially evokes the war-torn bestial insanity of bands like Pseudogod or Teitanblood, but as the onslaught progresses the listener soon realizes they are being drawn into a desolate, void-like inner world of dehumanized alienation. The grim specter of Dsbm rears its head as the minutes pass and the sense of misery and isolation becomes suffocating and reaches its inevitable consequences and conclusions. This form of enigmatic, inward-vanquishing extreme metal appears inscrutable in its uncommunicative isolationism, and can be solely superficially interpreted as an unprecedented fusion of war metal and depressive black metal in which feelings of dread, melancholy and self-loathing are taken to their extremes and weaponized into an abstract white-wall representation of absolute nihilism and self-destruction that ultimately evokes the grim soul-tearing lineaments of pure noise. Limited edition silkscreened single-sided black vinyl inside a matte laminated sleeve with black flood inside the pocket, xeroxed insert and download card.

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High Priest

LP | 2023 | EU | Original (Prophecy Productions)

Invocation Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Brothers and sisters, we are gathered here to worship the gods at the altar of heavy metal. HIGH PRIEST have come forth from Chicago, Illinois in the United States of America to brighten your days with a message of hope and doom, one that is hammered into metal, stone and rock to assume the shape of their debut album "Invocation". HIGH PRIEST have taken the prophecies of the elders to their hearts. Their glorious harmonies and melodies bear the catchy mark of THIN LIZZY. There is dark heaviness foretold by BLACK SABBATH and renewed by ELECTRIC WIZARD, and even a touch of METALLICA's more classic riffs. From the scriptures of grunge comes an emotional force that has been received through prayers directed at ALICE IN CHAINS. All of this is set forth in a new testament of blues-laden guitar-riffs and soulful vocals. With the friends playing together in various bands and line-ups since their youth, HIGH PRIEST came into being with a clear vision in mind. While watching an ELECTRIC WIZARD show in 2015, they spontaneously and simultaneously concluded that they wanted to play doom and old school metal from that day on (all while transfixed by the performance and having to shout their agreement over the din of the PA). Their first public declaration of the metal gospel was the 2016 EP "Consecration", which got HIGH PRIEST much attention throughout the doom and stoner metal scene as well as a record deal with Magnetic Eye, which led to the release of second EP "Sanctum" in 2019. And now the time has come to rejoice: HIGH PRIEST deliver their eagerly anticipated debut full-length, and "Invocation" doesn't just live up to what the two EPs promised, but will carry you straight to the heavens on a chariot of fiery riffs. Amen!

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High Priest

LP | 2023 | EU | Original (Prophecy Productions)

Portals Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Astrosaur

LP | 2022 | EU | Original (Pelagic)

Ferocious Fellowman Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Somewhere between the late 1990s and the early 2010s, the rif largely disappeared from mainstream rock & pop. Its transformative power - the rif as a means to transport the listener into another dimension - became an art cherished only in the underground of rock and metal. One of the strong proponents of that transformative power is Astrosaur, an overlooked gem in the international heavy psyche rock and post- metal scene. The Norwegian power trio has been employing the rif as their principal mode of transport since their 2017 debut album Fade In // Space Out. Now, with the release of their third album Portals, Astrosaur are sounding more expansive and convincing than ever, delivering an intuitive exploration of the infnite powered by soaring guitars and surging grooves. With their third full-length album, Astrosaur have delivered an incredibly diverse and musically challenging and satisfying experience, showing that this band is greater than the sum of its truly great parts. Over the course of fve tracks and 48 minutes, the band use the best traits of the aforementioned genres to take you on a sonic journey into the deepest caverns of space and time. First single «Black Hole Earth» is masterclass soaring post-rock guitars, with its magnifcent main melody, which is ofset against a blistering desert rock rif, like a star ship phasing in and out of hyperspace, alternating between crushing your guts and showing you the most marvellous views of deep space. From a compositional viewpoint, «Eternal Return» is a mind-blowing afair. This giant psychedelic prog epic has been built from diferent themes and motifs that take turns in appearing, shifting form and developing as they go along. Segueing into new themes or returning to earlier ones, «Eternal Return» gloriously comes full circle, ending the mind-boggling journey of Portals. With the addition of vibraphones, Moog and acoustic guitars, the sound of Astrosaur is fuller and more diverse than ever before. From the soaring overture of «Opening» to the glorious fnale of «Eternal Return», Portals shows the next great post-metal band at their most accomplished. Fans of dynamic rifs and intricate compositions can once again rejoice as they're able to tune in and fade out once more with another wild ride courtesy of this exciting Norwegian powerhouse. Limited Eternal Return Vinyl Edition!

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Psychonaut

12" | 2022 | EU | Original (Pelagic)

18,89 €* 26,99 € -30%

Ancient Tomes Volume 1: Mother Of Light Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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After showcases at Roadburn Redux (2021) and Eurosonic (January 2022), already 4 (!) repressings of debut album Unfold the God Man within just a year of its release, and big gigs at Alcatraz Festival and supporting Amenra, we can safely say that there is massive buzz around this band. Psychonaut literally came from out of nowhere -Mechelen, Belgium, to be precise- but their sophomore album Unfold The God Man made waves in the post- and progressive metal scenes: an intricate concept album tackling philosophical and existential themes and ultimately exploring mankind's re-ascension to a higher level of consciousness, the nearly 70-minute-long Unfold The God Man contained material from over 3 years of incessant writing, arranging and recording. This spring, Psychonaut released a new split album with Oslo's Sa^ver, titled Emerald. The band premiered an in-studio play-through of their 16-minutes contribution The Great Realisation, a track about the start of both an individual and a collective awakening, at this year's digital edition of Roadburn Festival April - a full-on assault on the senses brimming with ingenuity, from the creative drumming to the amazingly talented Stefan de Graef's idionsyncratic guitar playing, all the way to the use of didgeridoos and tribal percussion, The Great Realisation showcased truly world class musicianship and songwriting abilities. Ferocious Fellowman, an EP originally released in 2016, is the band's 2nd release, tucked between 2014's debut album "24 Trips Around The Sun" and 2020's "Unfold The God Man". Long sold out and sought after, it was about time for a reissue of this seminal release, which paved the way for Unfold The God Man. Influenced by 70's bands like Led Zeppelin and Pink Floyd but also drawing inspiration from contemporary heavy artists like Tool or Amenra, the three-piece made themselves a solid name across the European underground with a raw and compelling live show, which merges their wall of sound with intense visual landscapes and moody lighting design. Contrast and variation are the two main anchors on which they base their musical and visual ideas, and watching the band perform live makes you wonder how they manage to pull of this immensely orchestral, polyphonic sound with just 3 players: Psychonaut are an absolute sight to behold on stage. Single Coloured Pastel-Turquoise Vinyl!

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Serpentent

2LP | 2022 | EU | Original (Svart)

38,99 €*

Eroded Colored Vinyl Ediiton

Release: 2022 / EU – Original

Genre: Rock & Indie

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Svart Records is proud to debut Mother Of Light, the epic first album by dark folk songstress Anne K. O’Neill, under her Serpentent banner. As Serpentent, multi-instrumentalist and visual artist Anne K. O’Neill weaves a deep cinematic spell of gothic folk, combining elements of European folk music and neoclassical influences. Transfigured by her extraordinary, evocative vocal style, Serpentent’s Mother of Light is a lush saga. Unfastening her industrial roots, Serpentent sees O’Neill conjure monumental sonic narratives that are magnificently visual but fiercely vulnerable, her voice commanding an unconquerable presence. Emotionally charged, Serpentent sets the stage with songs of love and grief, magically distilled through eloquent landscapes of sound. Gothic classical neofolk or 80s-tinged neoclassical dark pop, only the listener can experience for themselves. Serpentent are that unique paradox, almost beyond genre, leaving you speechless and struggling to find words that can describe sheer beauty.

With nods to Jung, Bataille, Camus, and Krishnamurti, Mother of Light’s themes serve as a rumination on the meanings of life and death making this debut Serpentent album an opus of philosophical observation. Featuring accompaniments by Joseph M. D’Auria on drums, Dylan Desmond on bass, and guest appearances from Lorraine Rath, Sasha taqʷšəblu LaPointe, Kakophonix, and Joy Von Spain, Mother of Light Together with artwork created by Anne K. O’Neill, Serpentent’s Mother of Light is an unflinching masterwork of artistry from cover to cover. O’Neill’s dark folk soundtracks, with her song-craft and voice bringing to mind Lisa Gerrard and Jocelyn Pook will appeal to fans of everything from Chelsea Wolfe, Darkher, Lindy-Fay Hella and Dead Can Dance to Emma Ruth Rundle, Enya, Mazzy Star and even Svart Records own Hexvessel. It’s hard not to believe that Serpentent is a prescient star whose moment has arrived. Mother of Light is a shining gem of darkness waiting to be discovered and explode into the mainstream. As explorer’s who have been there discovering many new artists as they emerge, take our word for it that Serpentent is one to seek out, to be there as the levee breaks. Allow Mother Of Light’s wave of life and death illuminate you.

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Lizzard

LP | 2021 | EU | Original (Pelagic)

Eroded Black Vinyl Ediiton

Release: 2021 / EU – Original

Genre: Rock & Indie

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In early 2021, Eroded comes as a strong, hopeful voice expressing the suppressed yearning for an end of this madness which we all carry inside.

Back in 2012 LIZZARD recorded with Rhys Fulber in L.A. (Paradise Lost, Fear Factory, Front Line Assembly...) who confesses his love for their "marvelous poly-rhythmical sound". It is true that LIZZARD's songwriting is distinguished by at times intricate rhythmical patterns, but these are always woven into the fabric of immensely catchy song constructs. The technical prowess here is well concealed behind the glaring allure of the immediacy of raw, in your face rock music.

Formed in 2006, when Katy Elwell (drums), William Knox (bass) and Mathieu Ricou (guitar & vocals) met and discovered that they shared a common vision in music, LIZZARD soon set out to work on their sound with a mission to find their own idiosyncratic approach to contemporary rock music – music that makes confident reference to the past without romanticising it. In many ways, Eroded is a trip back to the best parts of the 90's, but in the sound of 2020.

Sophomore album Majestic was released in 2014 and met with great critical acclaim: a more spontaneous and raw affair compared to its predecessor, recorded live and produced by the band themselves, the album captures the intense energy the band unleashes on stage. “We’re very much a live band creatively speaking”, says bass player Will Knox. “All of the writing sessions happen in our rehearsal space rather than at home. We believe that to capture any vibe, the chemistry between members needs to occur in real time... at least for us.”

Shift (produced, mixed and engineered by Peter Junge), released in 2018, opened new doors for the French trio: “Lizzard accomplish the perfect balancing act between music that is challenging and catchy in equal measure”, Metal Hammer raved. The band opened for Gojira and Terry Bozzio who invited them to perform on Drum Channel, and embarked on month-long European tours with the likes of HIGH ON FIRE, THE PINEAPPLE THIEF and the ADRIAN BELEW POWER TRIO.

Recorded during a long month of voluntary isolation at the legendary Castle Studios in Germany, Eroded brings a light at the end of the tunnel: “The vibe on the album is generally one of hope and an invitation to stay alert to the light within ourselves, and to keep moving towards brighter destinations.”

Bring on the future and for once, let it be the past, as we knew it before the pandemic.

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Lizzard

LP | 2021 | EU | Original (Pelagic)

18,99 €*

Land Of The Rising Spaghetti

Release: 2021 / EU – Original

Genre: Rock & Indie

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Raw Power & Ananas

7" | 2021 | EU | Original (Pig)

10,99 €*

Leaving None But Small Birds Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Raw Power was formed in 1981 by two brothers from Poviglio, Italy, Mauro on vocals and Giuseppe on guitars. Land of the Rising Spaghetti commemorates their 40th Anniversary release and their pre-Covid 19 tour of Japan with the Ananas opening. The line-up for Raw Power's side of the record includes Mauro Codeluppi on vocals, Marco Massarenti on bass, Paolo on guitars, Berta on drums and Giuseppe in spirit. Sadly, Giuseppe left the planet on October 6th, 2002 but his guitar can still be heard screaming from the gutters. He was with Raw Power for slightly over a quarter of a century and is the driving force between Mauro's desire to keep the band functioning until he too passes on. Executive producer, David Ulysses Portnow first saw Raw Power in 1986 at the Gorilla Gardens all-ages club where he worked until its closure. "Funny thing about that night, the opening band was Guns & Roses," he recalls. In 1987, Raw Power returned to the US and headlined a massive US and Canadian tour with the Dayglo Abortions and Dehumanizers in tow. Raw Power have also performed with the Ramones, Dead Kennedys, Circle Jerks, Adolescents, DOA, Agnostic Front, Suicidal Tendencies, Motorhead and a list of heavy hitters that goes on and on, including Japan's female fronted Ananas. PIG Records was searching for more female representation in punk and found it with the Ananas. PIG Records wants to emphasize the importance of women in rock. Mauro gave his full support to the concept and describes front lady Karina Friday as the modern-day version of Mr. Chi Pig from Snfu, may his soul rest in peace as well. The Ananas are from Kyoto, Japan and Karina is supported by Junichi on guitars, Awaji on bass and Kazu on drums.

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The Body & Big|Brave

LP | 2021 | US | Reissue (Thrill Jockey)

34,99 €*

LP | 2022 | UK | Original (Magnetic Eye)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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The Body has been an iconic force in heavy music for over 2 de- cades with a long history of collaborations. Recent collaborators include Bummer, Full of Hell, Thou, Uniform. Lee Buford from The Body is also in Manslaughter 777 and Sightless Pit. Big| Brave have a singular voice in heavy music, honed over 5 albums The Body and Big|Brave are both bands possessed with an unequaled ability to convey overwhelming weight with simplicity, repetition, and detailed sonic atmospheres; artists who continue to alter the definition of what it means to be a heavy band. The Body are consistently prolific while increasingly ambitious as untethered producers and collaborators. Big|Brave shape sound with dense waves of guitar and feedback, minimalist and hypnotic crashes, and emotionally exacting vocal melodies. In collaboration, The Body and Big|Brave shift the gravity of their compositions to woven layers of percussion and unspooling guitars that sprawl through stark frameworks of earthy folk. Their debut collaborative album Leaving None But Small Birds distills the two ensembles' pioneering approach to heavy music into psalms for the forgotten, threnodies of lost love, and odes to vengeance. Typical to The Body's creative process, Leaving None But Small Birds was composed almost entirely in the studio at Machine With Magnets with engineer/producer Seth Manchester. The Body and Big|Brave aimed to challenge themselves to craft a fully realized and cohesive work that strayed outside the boundaries of the music they make individually. The Body's Lee Buford set up the initial challenge: collaborating to make an album that evoked the country and folk roots of The Band. Big|Brave's Robin Wattie compiled lyrics and melodic lines from across Appalachian, Canadian, and English hymns and folk songs. Select phrases were then reworked and precisely arranged to center the experiences of marginalized characters, victims of hardship, and those yearning for love within each story. The despair and empowerment of these traditional tunes draw remarkable parallels with each group's focus on championing people often cast aside in history. The Body and Big|Brave, following a folk tradition, make each song their own through shifts in perspective and a synthesis of passages from kindred tales. Big|Brave's roots as a minimalist folk band and The Body's love of old-time, country blues, and folk music enable the quintet to strike a formidable balance between sorrowful lamentation and uplifting resolve to weighty effect. Leaving None But Small Birds thatches together two monumental innovative forces that render the emotionally profound with lucid, devastating vitality

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Besvärjelsen

Atlas

49,99 €*

The Last In Line Remastered Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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What to do when you like rock and doom born from the desert but your surroundings offer anything but arid lands? Besvarjelsen found an impressive answer in the grim forests of their homeland in Dalarna, Sweden. Having grown up in the far north at the meeting grounds of ancient Norse and Finnish cultures amongst echoes of runes and gods, shamans and spirits, the spellbinding five-piece crafted their name from the Swedish word for "conjuring" while drawing heavy inspiration from local lore, mysticism, and the dark, old musical traditions. Yet Besvarjelsen are anything but another "pagan" outfit longing for a time that never was. With its wistful melodies and towering riff-power their sophomore full-length "Atlas" represents a logical step along the course that Besvarjelsen charted from the start. The band was co-founded by guitarists and vocalists Andreas Baier and Staffan Stensland Vinrot in 2014 with a clear vision to channel the spirit and traditions of the vast Dalarna forests, a region otherwise famous for its painted wooden horses, into contemporary heavy music. Once vocalist Lea Amling Alazam arrived with a fiery passion for punk and stoner rock that had begun at the local skate park when she was just counting 13 years, Andreas and Staffan happily relegated their shared vocal duties to a supporting role – an easy choice as Lea's distinctive voice summoned the intimacy and charisma of singers like Nina Simone or AMY Winehouse. Besvärjelsen released their debut EP "Villfarelser" in 2015, which was followed quickly by the "Exil" EP in 2016. The Swedes' debut full-length "Vallmo" hit the streets of Stockholm and elsewhere in 2018. The album merged crushing riffs and storming drums with increasingly sophisticated melodies and thoughtful themes. With the mini-album "Frost", Besvärjelsen intended to crush stages all over Europe in 2019, before being forced into involuntary live performance hibernation for two years. Although compelled to write separately, the band used the spare time to compile a wealth of ideas, amassed remotely and shared across the miles and months of relative solitude, which would finally result in the recording of "Atlas" with producer Karl Daniel Lidén in 2021. Re-purposing melancholic harmonies that could have been derived from the playbook of Alice IN Chains, adding gravity that would make Windhand proud, and topping their upgraded sound with exciting yet intimate vocal lines, Besvarjelsen have carved a towering monolith from solid rock and planted it firmly into the magical woods of their homeland to send its heavy lay-lines around the globe that is burdening the shoulders of the titan "Atlas".

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Dio

LP | 1984 | EU | Reissue (Mercury)

16,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Holy Diver Remastered Vinyl Edition

Dio

LP | 1983 | EU | Reissue (Mercury)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Killing The Dragon 20th Anniversary Edition

Dio

LP | 2002 | EU | Reissue (BMG Rights Management)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Umbilical Gold Vinyl Edition

Thou

LP+7" | 2024 | US | Original (Sacred Bones)