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Ozzy Osbourne's 1981 live performance in Montreal was a legendary show during his Blizzard of Ozz tour, featuring high-energy renditions of his solo hits and Black Sabbath classics. The concert is remembered for Osbourne's theatrical stage presence and the virtuosity of guitarist Randy Rhoads.

Green/Yellow Marbled vinyl . Copy n° 001155. With insert. Beautiful copy!

Hebi Katana, formed in February 2020 and known as "Tokyo Samurai Doom", has completed its second album, produced by Mr. Okazaki of Eternal Elysium/studio ZEN! The first album released in August 2021 attracted attention in the international scene and was released on labels in Italy, Argentina, USA, Poland, and other countries. Only half a year later, they have completed their remarkable second album. Limited edition colored vinyl with Japanese obi is now available for pre-order!!

Architects have delivered their 10th studio album; an arena-ready opus entitled, the classic symptoms of a broken spirit , the follow up to their 2021 breakout album For Those That Wish To Exist, which hit #1 on the UK sales chart. Finding yourself with a UK Number One album and selling out arenas is enough for some to repeat a winning formula. Architects however, are forever moving forward. "It was definitely validating and felt really cool for like a day," recalls drummer, producer and songwriter Dan Searle of hitting the top spot with For Those That Wish To Exist. "For a lot of the bucket list things you reach in any career, there's a momentary gratification then you're like, 'What next?' You just move on. By the time the album came out, my head was already in the mindset of 'broken spirit'. That was where I was at." Searle notes how it was their albums Lost Forever/Lost Together, All Our Gods Have Abandoned Us, and Holy Hell that really "cemented what the band was about" and "took them to a new level" as a rock powerhouse and leaders of the UK's metalcore scene - making it all the more "daunting" to reinvent themselves on the records that would follow. "I wanted to make this album with a different aesthetic. We were enjoying working with the synths and doing stuff that we hadn't done before." As a band who never stop writing, the kernels of the songs that make up the classic symptoms of a broken spirit were already in progress before the ink had time to dry on the artwork of their last record. Architects were on a creative roll, and the record was born of that creative freedom. Produced by Dan Searle and guitarist Josh Middleton, with additional production from frontman Sam Carter at Decon's Middle Farm Studios and their own Brighton Electric Studios before being mixed by Zakk Cervini, the band were buoyed by finally being back in a room together after their last album was made mostly remotely due to Covid restrictions. The result was something altogether more "free, playful and spontaneous," Searle explains. Carter agrees: "This one feels more live, more exciting and more fun - it has that energy. We wanted it to be a lot more industrial and electronic. That was the main mission. They can sit side-by-side: Mr. Electronic and Mr. Organic."

Architects have delivered their 10th studio album; an arena-ready opus entitled, the classic symptoms of a broken spirit , the follow up to their 2021 breakout album For Those That Wish To Exist, which hit #1 on the UK sales chart. Finding yourself with a UK Number One album and selling out arenas is enough for some to repeat a winning formula. Architects however, are forever moving forward. "It was definitely validating and felt really cool for like a day," recalls drummer, producer and songwriter Dan Searle of hitting the top spot with For Those That Wish To Exist. "For a lot of the bucket list things you reach in any career, there's a momentary gratification then you're like, 'What next?' You just move on. By the time the album came out, my head was already in the mindset of 'broken spirit'. That was where I was at." Searle notes how it was their albums Lost Forever/Lost Together, All Our Gods Have Abandoned Us, and Holy Hell that really "cemented what the band was about" and "took them to a new level" as a rock powerhouse and leaders of the UK's metalcore scene - making it all the more "daunting" to reinvent themselves on the records that would follow. "I wanted to make this album with a different aesthetic. We were enjoying working with the synths and doing stuff that we hadn't done before." As a band who never stop writing, the kernels of the songs that make up the classic symptoms of a broken spirit were already in progress before the ink had time to dry on the artwork of their last record. Architects were on a creative roll, and the record was born of that creative freedom. Produced by Dan Searle and guitarist Josh Middleton, with additional production from frontman Sam Carter at Decon's Middle Farm Studios and their own Brighton Electric Studios before being mixed by Zakk Cervini, the band were buoyed by finally being back in a room together after their last album was made mostly remotely due to Covid restrictions. The result was something altogether more "free, playful and spontaneous," Searle explains. Carter agrees: "This one feels more live, more exciting and more fun - it has that energy. We wanted it to be a lot more industrial and electronic. That was the main mission. They can sit side-by-side: Mr. Electronic and Mr. Organic."

Raw Power was formed in 1981 by two brothers from Poviglio, Italy, Mauro on vocals and Giuseppe on guitars. Land of the Rising Spaghetti commemorates their 40th Anniversary release and their pre-Covid 19 tour of Japan with the Ananas opening. The line-up for Raw Power's side of the record includes Mauro Codeluppi on vocals, Marco Massarenti on bass, Paolo on guitars, Berta on drums and Giuseppe in spirit. Sadly, Giuseppe left the planet on October 6th, 2002 but his guitar can still be heard screaming from the gutters. He was with Raw Power for slightly over a quarter of a century and is the driving force between Mauro's desire to keep the band functioning until he too passes on. Executive producer, David Ulysses Portnow first saw Raw Power in 1986 at the Gorilla Gardens all-ages club where he worked until its closure. "Funny thing about that night, the opening band was Guns & Roses," he recalls. In 1987, Raw Power returned to the US and headlined a massive US and Canadian tour with the Dayglo Abortions and Dehumanizers in tow. Raw Power have also performed with the Ramones, Dead Kennedys, Circle Jerks, Adolescents, DOA, Agnostic Front, Suicidal Tendencies, Motorhead and a list of heavy hitters that goes on and on, including Japan's female fronted Ananas. PIG Records was searching for more female representation in punk and found it with the Ananas. PIG Records wants to emphasize the importance of women in rock. Mauro gave his full support to the concept and describes front lady Karina Friday as the modern-day version of Mr. Chi Pig from Snfu, may his soul rest in peace as well. The Ananas are from Kyoto, Japan and Karina is supported by Junichi on guitars, Awaji on bass and Kazu on drums.

Classicks is a compilation album by Alice Cooper, combining studio material from his Glam period with live recordings of his classics. One of the highlights is the great duet with Soundgarden’s Chris Cornell “Stolen Prayer”. Other songs from the late-’80s and early-’90s studio recordings are “Poison,” “Hey Stoopid,” and “House of Fire”. The live recordings includes his real classics, like “Under My Wheels,” “I’m Eighteen,” “No More Mr. Nice Guy,” and “School’s Out.” The last track is “Fire”, a cover of the Jimi Hendrix song.

Illt is the alter ego of Norwegian composer and guitarist Roy Westad. It’s an uncompromising sandbox and a culmination of decades of passion and love for extreme metal as an art form. His debut album ‘Urhat’ features session musicians from Megadeth, Soilwork, Chrome Division and Nile. The album was mixed by Kurt Ballou @ Godcity and mastered by Grammy winning engineer Alan Douches. Roy started out as a guitarist before establishing himself as a film composer back in 2008. Since then, he has been involved in countless film and TV projects, and received the Norwegian Emmy for Best Original Score in 2014. But he always held extreme metal close to his heart. In some ways, things are now coming full circle. His background as a guitarist helped form his style as a film composer, and his film scoring career has helped in developing the form of Illt. Now he’s ready to unleash his debut 'Urhat' (meaning something like 'ancient hate' in Norwegian) on the world, and with him on the album he has Dirk Verbeuren on drums (Megadeth), Speed Strid on vocals (Soilwork), as well as lead guitarists Karl Sanders (Nile) and Mr.Damage from Chrome Division. The album is an eclectic yet seamless blend of groovy and blackened death/thrash/doom/rock. Brutal yet melodic, modern yet raw.

A Better Dystopia, die neue Platte von MONSTER MAGNET, lädt den Hörer direkt in die Gedankenwelt der Psychedelic-Rock Legende Dave Wyndorf ein und überzeugt mit einer psychotischen Auswahl aus Proto-Metal und späten Psych Songs, die breitbeinigem Hardrock mehr als nur Tribut zollen. Die exzellente und gleichermaßen obskure Songauswahl huldigt einigen bekannten All-Time-Favorites in neuem MONSTER MAGNET Gewandt und lässt vertraute Melodien neuen Spirit atmen. Das erste Cover-Album markiert eine weitere absolute Glanzleistung der Band und präsentiert Wyndorf’s Stimmkraft, die den Songs einen zweifelsohne, unnachahmlichen Stempel verleiht, in absoluter Höchstform,. Das Sound-Korsett von A Better Dystopia wurde von den Musikern Phil Caivano, Bob Pantela, Garrett Sweeney und Alec Morton geschnürt: Ein Feuer aus Vintage und Old School, brennenden Fuzz-Leads und stampfenden Bässen und Drums, ausgelöst durch den expressiven Stil der Formation, der in der modernen Musik fast verloren gegangen ist. Im Album Opener "The Diamond Mine" rezitiert Dave Wyndorf einen klassischen Monolog Dave Diamonds' - einem amerikanischen Radio-DJ, dessen Sendungen in den späten 60ern und frühen 70er Jahren vielen Psychedelic- und Acid-Rock-Bands zu steigender Bekanntheit verholfen haben.Mit den Anfangsakkorden das Hawkind-Klassikers “Born To Go” beginnt der eigentliche Trip der MONSTER MAGNET Platte. Tracks, wie das herausragende “Mr Destroyer” (Poo-Bah) rühmen sich durch wabernde Riffs und wirbelnde Vocal-Parts und führen mit beinah visionärer Wirkkraft die perfekte Mischung aus Hard Rock und Psychedelic herbei. Das fiebrig klingende “Motorcycle (Straight To Hell)” (Table Scraps) atmet die pure Punk Wildheit der alten Schule und Zeilen wie "I'm gonna drive it straight to HELL!" erinnern an eine stilistische Kreuzung aus Iggy Pop und Motörhead. Die tosende Version des Hardrock Klassikers “Learning To Die” (Dust) und die ausdrucksstarke Interpretation des Stooges-trifft-auf-Goth-Epos “Solid Gold Hell” (The Scientists) ziehen den Hörer vollends in die Tiefen des flackendernden Kaninchenbaus. Das Album schließt mit der explosiven Coverversion von Morgens “Welcome To The Void”, die in bissig und gleichermaßen ungezwungenere Manier dazu einlädt, die halluzinogene Fahrt immer wieder neu zu starten. Mit A Better Dystopia lassen MONSTER MAGNET den Hörer in einer anderen Zeit und einem anderen Raum erwachen, der trotzdessen eindeutig den klassifizierenden Magneten-Stempel an jeder Ecke widerspiegelt.

Even if this album has already been released 9 months ago, Heavy Psych Sounds Records had the guts to make another pressing cause fell in love with the album! Pink Cigs are truly inspired by the 70’s kind of sound and they can write songs like if they were living back in the 70’s. The sound is devoted to the low-fi, raw rock n' roll of the Freak Age, mixed with a lot of cool guitar riffs, and groovy drumming.The attitude is the one you could find back in the days, they play a unique sound of Acid Rock, Fuzz Rock, Heavy Blues, Garage Psych. They are sons of the magik trinity: Stooges-Blue Cheer-MC5 but also perfect for fans of early Pentagram, Witchfinder General, Black Sabbath. 10 incredible tracks will glue the listener until the end of the last song !! Biography: Pink Cigs is a fuzzy head band from the Lughole Sheffield, UK. They play unique sound of Acid Rock, Fuzz Rock, Heavy Blues and Garage Psych. For fans of: Stooges, Blue Cheer, MC5 but also early Pentagram, Witchfinder General and Black Sabbath!!

Even if this album has already been released 9 months ago, Heavy Psych Sounds Records had the guts to make another pressing cause fell in love with the album! Pink Cigs are truly inspired by the 70’s kind of sound and they can write songs like if they were living back in the 70’s. The sound is devoted to the low-fi, raw rock n' roll of the Freak Age, mixed with a lot of cool guitar riffs, and groovy drumming.The attitude is the one you could find back in the days, they play a unique sound of Acid Rock, Fuzz Rock, Heavy Blues, Garage Psych. They are sons of the magik trinity: Stooges-Blue Cheer-MC5 but also perfect for fans of early Pentagram, Witchfinder General, Black Sabbath. 10 incredible tracks will glue the listener until the end of the last song !! Biography: Pink Cigs is a fuzzy head band from the Lughole Sheffield, UK. They play unique sound of Acid Rock, Fuzz Rock, Heavy Blues and Garage Psych. For fans of: Stooges, Blue Cheer, MC5 but also early Pentagram, Witchfinder General and Black Sabbath!!

ARE YOU A Good Witch OR A BAD Witch?

Prog-metal pranksters Flummox are back with IN Hindsight, featuring the hit second amendment anthem "Trans Girls Need Guns" along with 4 heavy new cuts. IN Hindsight is Flummox at their most playful, a whirlwind of chaotic energy centered on the satanic personality of frontwoman Alyson Dellinger. "Good Witch" kicks off the set, backing rock and roll mayhem with big band jazz, while "Bad Witch" and "Holy Ejaculate" pay homage to Mr. Bungle's tongue-in-cheek bangers. "Excelsior" works nostalgic throwbacks to 70s prog virtuosity into the havoc, packing all the jaw-dropping goodness of a King Crimson epic into a bite-sized 4-and-a-half minutes. Everything culminates in Dellinger's manic, magnetic performance at the heart of "Trans Girls Need Guns," a finale as empowering as it is groovy. Miss the mosh pit? Just light your candles, draw you

Sonic's Rendezvous Band: Detroit 70s legends including Fred "Sonic" Smith
of The MC5 and Scott Asheton of The Stooges. Sonic's Rendezvous Band
recorded in 1978 only two studio tracks which are in this LP, including the mighty
"City slang" plus other tracks recorded live in Detroit in 1978 with excellent
quality of sound. A total must for all fans of The Stooges and The MC5 as well as
Bored!, Radio Birdman, The New Christs, The Hellacopters, etc. This album has
been previously released under the name "Too Much Crack".