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Soul Jazz Records" new 10th anniversary edition of their long-out-of-print Punk 45: There Is No Such Thing As Society. This is a one-off limited-edition heavyweight specialedition cyan Colored Vinyl pressing + download code. The album charts the rise of underground punk and post-punk in the UK from 1977-81. This album is fully remastered and relicensed and includes five new tracks from 23 Skidoo, Notsensibles, Pretty Boy Floyd, The Astronauts and The Impossible Dreamers.

"Re-release of this classic album. 1-sided vinyl with an etching on the b-side featuring artwork by Kyle Pellet (the etching is of the drawing pictured). 1000 copies pressed on black vinyl." - Asian Man

When it comes to classic Fat Wreck bands, No Use For A Name needs no introduction. Despite the tragic passing of singer and songwriter Tony Sly in 2012, their presence can still be felt today and their influence is evident in the work of so many other artists! Over their more than 20 year career, they amassed an impressive catalogue of albums all packed with hit songs. From their debut release of 'The Daily Grind' to their final studio album 'The Feel Good Record of the Year' in 2008, No Use For A Name have always been a Fat Wrecks staple. These recently discovered demo and early versions of some of their best songs are a must for any No Use For A Name fan. Includes tracks which have only ever been heard before on compilations and explores never-before demos from their classic album 'Hard Rock Bottom'.

Hailing from the fine city of Baltimore, MD, Angel Du$t brings their second LP of blissed-out, melodic punk/hardcore that brings together the worlds of Lemonheads and BAD Brains like nobody before them has, all brought to you by members of Trapped Under ICE and other freaks.

Helmed by notable producer Kris
Crummett, Divine Inner Tension finds
the veteran rock band HAIL THE SUN
questioning everything about what
it means to be here and to be alive,
on both a micro level—where the
importance of our existence is profound
and paramount—and on a macro one—
where our time on this planet is nothing
but irrelevant and insignificant. Across
its 12 stirring and intense songs, Divine
Inner Tension embarks on a journey that
takes the listener back and forth between
those two extremes as it tries to reconcile
that paradox of living intentionally, but
relinquishing control by taking your
hands off the wheel and letting the
universe guide you.
One of the main epiphanies the band
had when making the album was
understanding that inspiration didn’t have
to come from a place of despair, and
letting go of the idea that an artist needs
to be tortured in order to create. Instead,
the band—Donovan Melero (vocals),
Aric Garcia (guitar), Shane Gann (guitar)
John Stirrat (bass), and Allen Casillas
(drums)—looked beyond the viscerally
emotional to the more spiritual and even
enlisted the help of ICE NINE KILLS’
Joe Occhiuti, who is also involved with
Melero’s Kill Iconic Records, on a number
of tracks.

Record Store Day 2021 Release. Reissue for the 1984 mini LP by Stoke On Trent’s own Broken Bones, originally out on the AggressiveRockproduktionen label and collecting their first two singles. This enhanced 2021 edition also features the full 1985 ‘Live 100 Cub’ LP added as bonus.

After the chart-topping debut City Baby Attacked By Rats, Birmingham ‘uk82’ punk pioneers Charged G.B.H. cut City Baby’s Revenge, their second release for Clay Records, and even though a mere year had passed, City Baby’s Revenge showed significant progression, Jock’s guitar more obviously inspired by metal, the lyrics more explicit and the sound even rawer than before. With a cool take of the Stooges’ ‘I Feel Alright’ and the reggae/rockabilly-esque ‘Skanga,’ this acclaimed winner is the LP that broke the band in the USA and is arguably the best they ever recorded required listening for the band’s devotees and all fans of metal-edged hardcore.

Street punk pioneers Charged G.B.H. formed in Birmingham in 1978, the name referencing original bassist Sean McCarthy’s trial for grievous bodily harm. The in-your-face hardcore of EP “Leather, Bristles, Studs And Acne,” paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in 1982, as well as the mainstream top 20, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest.

The mysterious man behind the stamped 7 inch single returns with a full album of punk anthems "dubbed out to extended versions" for Cassette Week 2020. Misfits. Dead Kennedys. Stooges. Clash. Ramones. Sex Pistols. J card designed like a mixtape you would have made in high school!

Last House is the third album from Sacramento’s Th’ Losin Streaks. The album was recorded at Louder Studios in Grass Valley, California, with Tim Green behind the board. Green played piano on several tracks, and Anton Barbeau—a friend of the band since the beginning—plays organ on some cuts. All of the band members—Tim Foster, Stan Tindall, Mike Farrell and Brian Machado—contributed to the songwriting, and the album also features a cover of The Weeds classic “It’s Your Time.” The album cover and other photos were shot by their pal (and Bay Area punk legend) Al Sobrante. "This album is about true love and good times. And bad decisions. It’s about breaking down. It’s about coming apart. It’s about sleeping rough. It’s about Dyer Lane. It’s about shaking it til you make it. It’s about EKO, Silvertone and Supro, Vox (Super Continental) and the Hohner Marine Band. It’s about 2” tape. It’s about the plague, and politics, and war or hands of time. It’s about the ice cream man after the apocalypse. It’s a trans-world punk rave up. It’s about Link Wray, The Sonics and the Downliners Sect. It’s about The Rolling Stones covering Sam Cooke. It’s about Folk Rock. It was about time slipping away (but it’s not now). It’s about bullshit. It’s about being too late, always too late. It’s about getting old. It’s about those who never will. It’s about the person you dream about but never get. It’s about nothing in this world. It’s about surviving T-Minus self-destruction. And about the other side."

Street punk pioneers Charged G.B.H. formed in Birmingham in 1978, the name referencing original bassist Sean McCarthy’s trial for grievous bodily harm. The in-your-face hardcore of EP “Leather, Bristles, Studs And Acne,” paved the way for super-charged debut LP, City Baby Attacked By Rats, which hit the number two position on the British indie charts on release in 1982, as well as the mainstream top 20, despite being released by tiny independent, Clay Records. With a touch of Motorhead and Sabbath beneath their straight-up hardcore, City Baby is where the legend begins, capturing G.B.H. at their bloodiest.

"Old City, New Ruins" takes its title from Rome, the city where the band is based. It depicts the contemporary ruins of the capital, yet it's merely a pretext to expose the complexities of everyday life common to Western societies and their major cities, foremost among them. The album unfolds episode by episode, driven by the need to express anger and frustration, but also the antidotes to them. Social references abound, as well as intimate reflections and even profound investigations into the psychoses of the marginalized and abandoned. It tells the story of collective strength, musically expressed through a choral quality that runs deep in the band."Old City, New Ruins" is a unique hardcore album, inspired both by emerging currents of the genre - such as Comeback Kid, Turnstile, Trapped Under Ice - and by the European and Northern European heavy tradition - like Kvelertak, Turbonegro - to the pantheon of influences of Feldspar: Nirvana, Motorhead, Gorilla Biscuits, Slayer and everything in between. The album consists of ten songs, with bellicose episodes alternating with cathartic moments, explosions of energy accompanied by timeless slogans, songs for celebration and songs for war, moments for reflection, and others for denunciation. All of this alternates within the ten tracks preceding the instrumental that gives the album its title, also the final track of the record, a sort of Carpenteresque ballad that serves as the soundtrack to visualize the marvelous and creepy ruins Feldspar speaks of. Production note: for the album, Feldspar worked alongside Nick Terry, a legendary figure in the English music scene, known for his productions with Ian Brown/Stone Roses, The Libertines, Turbonegro, Simian Mobile Disco, Kvelertak, Peaches, and more. His involvement adds international depth to the project. The artwork was entrusted to Chris Wilson, an American illustrator renowned for his work on covers for bands like MindForce, Scowl, Combust, and Gel, essentially the cream of the crop of contemporary American hardcore.

News From The Front: Algara's First Lp Is Here. From Barcelona, The Land Where The Cnt-Fai Shined In 1936, Now The Anarchist Bombs Explode Again Through The Twelve Tracks Of "Absortos En El Tedio Eterno". Ever Wondered What Would Have Happened If The Rondos And Crass Had Joined Forces At The Conway Hall Or If Aviador Dro And Esplendor Geometrico Never Had A Couple Of Judo Kicks And The Four Started A New Band? Well, Then You Are Close To Imagining How Algara Sounds. At Times Sparse Militant Punk A La Crisis/ Fallout Filtered Thru The Kgb/ Siniestro Total Machine. At Times Minimal Synthetic Idealist Anthems, But Always Revolutionary, Forward Thinking, And Making The Sound Their Own. The Anonymous Collective Self Recorded "Absortos En El Tedio Eterno" In A Barcelona Squat While Engaging In Their Agitprop Campaigns. With Songs About Poor Working Conditions, The Constant Evictions, Youth Unemployment, And A City Consumed By Tourism And Other Forms Of Gentrification, The Lp Is A Cold Call To Arms For Today's Political Punk. The Lp Sleeve Shows Members Of The Collective At One Of Their Rendezvous Point Looking Cool. Comes With An A2 Double Sided Poster, 14 Page Manual For Sound Guerrilla Booklet And A Sticker. Ffo: Antorcha, Futurisk, Siniestro Total, Total Control, Aviador Dro, Crisis, Crass, Rondos.

20 years ago DISCLOSE released their response to the greatest hardcore 12" ever released: DISCHARGE's Why. At the time the band was at the peak of their DISCHARGE era and had perfectly crafted a trademark sound, which shows through on the recording. The chainsaw-sounding double-toned guitar, Kawakami's unmistakable vocals, and a rhythm section firmly based on the Stoke-On-Trent's beat melded together to create a repetitive mantra-like noise chant. Recorded at Grove Cargo and mastered at Studio D-Takt by Jan Jutila, the production is a perfect example of noise not music pressed into vinyl, with both high and low frequencies cutting through the mix without losing any power. Lyrically Nightmare Or Reality focuses on the tragic sights of war while aurally the record is a full-blown attack on all senses. D-Beat Raw Punk at its best. 20 years on and many times imitated but never duplicated. Originally released by MCR Company, this 20 year anniversary official reissue comes in a printed inner sleeve and heavy board outer sleeve.

Suicidal Tendencies's debut has been regarded by critics as one of the most influential punk rock albums of all time and has inspired an untold number of influential musicians. "Suicidal Tendencies" has also been cited as an influence or favorite album by each of the "big four" of thrash metal (Metallica, Megadeth, Slayer and Anthrax) as well as California punk bands such as The Offspring and Nofx. Red colored vinyl includes original lyric sheet. In 1982 Suicidal Tendencies emerged from Venice, CA, with a dedicated audience among area skaters and surfers. As they established themselves on the Los Angeles punk scene, the group released their self-titled debut on Frontier Records with songs like 'Institutionalized,' 'Fascist Pig,' and 'Suicide's an Alternative.' "Suicidal Tendencies" became the bestselling American punk album of all time and launched the band into their long-lasting career. 'Institutionalized' has been referenced in many other songs, mostly its quote "all I wanted was a Pepsi". It is referenced in the Sage Francis song 'Slow Down Gandhi,' Limp Bizkit also referenced it in the song 'Stuck', also the lines "All I wanted was a Pepsi " are also quoted near the ending of the Cypress Hill song 'How I Could Just Kill a Man,' and Body Count recorded a cover version of 'Institutionalized', with new lyrics written by singer Ice-T, called 'Institutionalized 2014.' Suicidal Tendencies became the chameleons of aggressive rock 'n' roll. Starting with their debut album on Frontier Records in 1983, the band progressed from the punk rock genre into heavy metal/thrash. Throughout this transformation, singer, founder, and leader Mike Muir broadcast his own message with wit and wisdom to anyone that would listen. After the video for 'Institutionalized' broke through the MTV airwaves as the first hardcore video for the channel, the song gained further notoriety on the soundtrack for the cult film "Repo Man" in 1984. The original album continues to be a perennial punk rock best seller due to its wide appeal and catchy tunes. Every song on it is great. It's a perfect crossover between hardcore punk and metal.

Cover with seam splits.
Includes original inserts.
Small light scuff on side B.
Record is slightly warped but still enjoyable.

Bay area punk wonder-boys No Use For A Name have begun pleading for your friendship. Show your love for the boys, who were each reared with the ideals of Boy Scout Troup #221, by giving ’em wet sloppy ones when they come to your town.

Recorded with producer Joey Sturgis (the Devil Wears Prada, Emarosa, Attack Attack) at his Foundation Recording Studio, the ten-song followup to their breakout EP, Dreams, finds the band expanding their blend of popinfused metal. Not unlike the EP, the lyrics on To Plant A Seed reflect WE Came AS Romans’ goal of spreading a positive message through their music. The band hopes, “when people hear the album, they might not change the way they think or the way they act right now, but hopefully we’ve planted that ‘seed’, that thought of love, and it can grow.” The theme of the album is carried through to the artwork. Painted by acclaimed artist Paul Romano (mastadon, Chiodos), the album cover depicts a “very innocent looking boy in which the ‘seed’ has been planted in his mind and it grows to his heart, out of his palms and becomes branches,” describes Moore.

After 2 years since the last The Sound of Revolution, the ninth and much-anticipated new Los Fastidios album is coming on may the 16th of may 2019 on Kob Records (Italy) in collaboration with Potencial Hardcore (Madrid) and Fire and Flames Music (Kiel) !!!! Titled JOY JOY JOY, the new full lenght of this italian band on the road since 1991, includes 13 tracks in the classic Los Fastidios style, that's a winning blend of street sounds...streetpunk, ska, oi!, rocksteady, reggae, melodic punk and a touch of pop, sung in italian, spanish, english, a touch of french and for the first time also one song in german !!! 10 new songs, 2 cover songs "Ellos dicen mierda" of Basque Country band La Polla Records and "Joy Joy Joy" popular song in a funny ska version and the old Los Fastidios song "Guarda avanti" arranged in a new version. Many important special guests in the Joy Joy Joy album: Dirk & Elf (from the german band Slime) on vocals and guitar in the song "Schönen Cafe", Dj Koma aka Mauràs (italian hip hop) on vocals in the the song "Il suono della strada", Elisa Dixan (tour manager of the band and co-owner of Kob Records) on vocals in the song "A message pour toi", Fulvio & Lorenzo (from the italian band Skassapunka) on backing vocals, De Veggent on the keyboards on 3 songs, Giotanni (of the italian band Ashpipe) on violin in the song "Marichiweu" and the really special guest Paul Heaton (singer of the legendary UK bands The Housemartins & The Beatiful South, relevant bands since ever for Enrico, singer of Los Fastidios) on vocals in the song "I have a dream". An album that captures attention from the outset, presenting various styles from the first track. The messages in the songs are easily understood but also deeply meaningful, familiar and enjoyable to long-time fans of the band, and which will hopefully capture many new fans to Los Fastidios. So, are you ready for 13 songs that's going to drive everybody insane over the next months? Move your feet, shake your legs and sing proud, Joy Joy Joy is coming !!!

Satya Sai Maitreya Kali aka Craig Smith was a successful singer-songwriter in Hollywood who wrote songs for the Monkees, Andy Williams, and Glen Campbell. With the royalties from his songwriting, Smith embarked on the famed Hippie Trail and somewhere along the way lost his mind to LSD. When he returned to the United States, Smith became highly introverted, filled with visions of grandeur, eventually getting a spider tattooed on his forehead. He would rename himself “Maitreya Kali” and record, compile, and custom-press these two LPs Apache / Inca documenting his musical journey from 1967-72, including tracks with the Penny Arkade. Combined into a double album set, Apache / Inca was given away or sold hand to hand on the street before Maitreya… and Craig… disappeared into the shadows. “Ice and Snow,” in particular, is a hauntingly beautiful song that captures a deeply lonesome feeling with its empty sounding reverb.

Sidetracked: Tacoma, WA frantic powerviolence champions deliver 14 exclusive tracks (recorded in 2018) of annihilating fast hardcore to leave you completely floored and devastated. Taking the best elements of fast US hardcore and powerviolence and blending them together in a grinding cyclone of rapid tempo changes, neck breaking blasts and raging vocals. Isolation AS Cult: 180 song pulverizing noisecore hecatomb at its fiercest degradation stage. Combining the old school extremism of 7mon, Fear Of God, VNA, AxCx, Crawl Noise with Japanese filthnoisepunk influences (Gai, Confuse, Toxo-Vomit, State Children). Featuring: GTB (Cripple Bastards) / HOD (Toxic Basement Studio). Get ready for a lethal overdose of micro-song nihilism! LP with insert and bonus I.A.C. sticker

With a mission in mind, Speed is setting out to put Australian hardcore on the map. Formed in 2019, the Sydney-based band has a no-holds-barred approach and enticing sound that makes them standouts in the genre. Composed of vocalist Jem, bassist Aaron Siow, guitarists Josh Clayton and Dennis Vichidvongsa, and drummer Kane Vardon, Speed showcases a tough exterior, but amplifies their sense of identity, and community in everything they do. Following the release of their demo in 2019, the band teamed up with U.S. label Flatspot Records for a two-song EP in 2020 and they joined forces again for Gang Called Speed. Recorded with Elliott Gallart at Chameleon Studios, the six songs on the EP are centered around recognizing who you are in this world, taking ownership of that identity and not letting anyone tell you otherwise. Drawing influence from old-school acts like Biohazard and Merauder just as much as bands like Trapped Under ICE, the band is putting forth pit-ready music.

Ozzy Osbourne, legendary Prince of Darkness, electrified Kemper Arena with his iconic presence on April 28, 1986. The roaring crowd bore witness to an unforgettable night of rock 'n' roll history.