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Featuring an impressive pedigree including members of Bl’ast!, Good Riddance, THE Distillers, and Fast Asleep, the band picks up right where they left off on their 2020, debut LP, Brace Yourself, with a ten-song barrage of relentless, uncompromising rage, touching on topics such as religion, self-medication, and survival in a—literally and figuratively—sick society. In between playing shows with legendary acts like Quicksand, Fear, R.K.L., and Propagandhi, the band got back together with Paul Miner at Buzzbomb Studios to lay down the follow-up to their explosive debut. All in all, it is a continuation of the band’s fast and hard approach in every way, and if anything, the band is more dialed-in and focused than ever. The songs on the record come from extremely personal and often dark places for singer and lyricist Clifford Dinsmore, such as the first single, “Hanging In The Balance.” He explains, “In the time period I was fighting cancer, I was shacked up, feeling like a prisoner in my own house. Living in a semi-purgatory state, I felt like I was looking at the world from an outside view.” Of the bleak, punishing “Omen Of Despair,” guitarist Danny B simply says, “Musically and lyrically, this is where we feel Seized UP is right now.” The band also re-recorded “Forum Of Decay,” from their 2021 7”, wishing for it to be featured on the album with the laser tightness the band is now playing with after five years as a unit.

Not much has been written written about the conceptual hardcore band inspired by and named after a 9th century antisocial loner monk-poet of China’s Tang dynasty. Han-shan [the band] existed from 1991 to ‘93 in California. Their lyrics covered themes of solitude, mystery, poverty, and discord, directly inspired by the verses of the titular poet. Han-shan’s music was psychopathic, with blood-curdling vocals, and messy but powerful, in the vein of Void, Siege or Septic Death. The band played to the absolute limits of their physical ability and then some, with a sound that complemented their West Coast contemporaries—bands like Heroin, Mohinder, Second Story Window, Antioch Arrow and Angel Hair. Recorded in San Diego by Matt Anderson in late 1993 and originally released posthumously in early 1994 on the tiny Soledad record label, Hans-shan’s eight song seven inch EP came packaged in a manila envelope, each one hand-printed with a woodcut block and roller, with the art and insert referencing both the poet and Tang dynasty China. LG Records has carefully reproduced this cover art and returned to the original multitrack tape. Tim Green has remixed the recording at Louder Studios for a significantly more powerful, and yes, Louder, 12” 45rpm release. Members of Han-shan had previously been in Suckerpunch, Brain Tourniquet, End of the Line, and John Henry West; and went on to play in Behead The Prophet Nlsl, Solid Gold, Drunk Horse, Astral, Tight Bro’s from Way Back When, Sex/Vid, Very Paranoia, Low Plateau and Nudity. For fans of fast, out of control hardcore with a raw emotional edge. And saxophone.

THE 1994 Debut Album BY Wisconsin Cheese-punk Legends Boris THE Sprinkler, Back ON Vinyl FOR THE First Time Since THE '90s! Featuring THE Early Hits “drugs & Masturbation”, “gimme Gimme Grape Juice” AND “the WAY IT IS!”. Also Featuring A FEW Early Misses, TO Amuse THE Cynical Consumer! Double-sided Lyrics Insert Included!

A 2xLP discography from the late 90s post-hardcore/early screamo band, The Red Scare. The band existed during an interesting period when hardcore music was evolving and splintering into various sub-genres. They perfected a blistering hardcore that will appeal to fans of Born Against, Heroin, and Universal Order of Armageddon, as well as fans of later hardcore bands like Saetia, Jerome's Dream, City of Caterpillar, and Ampere. This record comes on high end paper, custom gatefold packaging, and limited edition colored vinyl. "Smoky Mountain High" gathers both of the bands LPs, their singles, as well as 4 live songs from their session at Wnyu.

Vinyl closer to NM. Cover with slightly bumped corner

Confronting the dark corners of our world with unflinching defiance comes Austin, Texas’s own Starving Wolves to flip the sound of punk upside down with their new LP, The Fire, The Wolf, The Fang. The kickoff track, “Nothing More,” opens with guitars and horns paying homage to traditional Mexican and Latin American music, and is soon joined by militaristic drums, evoking images of a coming showdown in a spaghetti western film. Then singer and lyricist David Rodriguez kicks into a raging punk-rock fury by tearing his throat raw singing for the downtrodden of the world: “Raised in fear! Bathed in blood! Crucified, we are reborn!” It sets an apocalyptic tone for a raw, relentless punk-rock record that confronts widespread social issues like police brutality (“Burn The Stations”), support for those struggling with their mental health or facing suicidal ideation (“Please Listen”), and personal issues of cultural identity (“Mixed Blood”). In the latter, Rodriguez draws upon his Mexican-American heritage, singing in both English and Spanish to articulate his experience to speakers of both languages, connecting racism faced by young people to the brutal history of colonialism in the Americas. In releasing songs from the record, Starving Wolves have literally put their money where their mouths are, donating to efforts to support mental health for indigenous youth by building skate parks on reservation land, and providing a positive athletic and creative outlet for kids in vulnerable populations. Forceful and dark, yet with an undying spirit of resilience, the journey of The Fire, The Wolf, The Fang is ultimately a cathartic experience, and a scream of survival and hope for those left behind in a world that can feel bleak.

Deluxe 20th anniversary 2xLP edition of dorkrorckcorkrod.

Includes 2024 remaster by Justin Perkins and 20th anniversary remix by Steve Albini.

Extensive oral history of dorkrockcorkrod by Mike Faloon.

In 2017 Rolling Stone listed the album as #34 on their "50 Greatest Pop-Punk Albums" list.

"The three-song suite of "Most Violent Rap Group," "Pray For Rain," and "Saturday Night Crap-O-Rama" may be one of the best triple plays in all of rock music, let alone pop-punk" - The A.V. Club

Some records so perfectly capture an artist at a critical point in their creativity, and make such an impact, that they become not just synonymous with the band, but an essential piece of music history. Such is the case with Shock Troops, the album that not only became Cock Sparrer’s most acclaimed record, but a defining moment for Oi!, punk rock, and underground music in general! Originally released by Razor Records in 1983, Shock Troops proved to consist of song after song which would each become anthems of the burgeoning Oi! scene and far beyond. From the opening of “Where Are They Now?” on through “Take ‘Em All,” “We’re Coming Back,” all the way to the closing chords of “Out On An Island,” there isn’t a song in the bunch that any self respecting punk rocker can’t shout along to. These working class anthems are just as vital today, as proven by the crowds of beloved fans worldwide that continue to go wild at Sparrer’s live shows, where Shock Troops tracks still make up the heart of their setlists. For nearly 15 years, Pirates Press Records has made certain this classic stayed in print, in an absolutely stunning assortment of coloured vinyl pressings. In celebration of the band’s 50th year, we were proud to present a remastered version of Shock Troops, from the original 1⁄4” tapes, sounding better than ever! The 50th anniversary gold jacket versions are sadly all sold out but now we have the remastered versions on colored vinyl with the original artwork! Pure class. SIDE A:1. Where Are They Now2. Riot Squad3. Working4. Take 'em All5. We're Coming Back SIDE B:1. Watch Your Back2. I Got Your Number3. Secret Army4. Droogs Don't Run5. Out on an Island

Los Perros from Valencia (Spain) are Karuso (lead vocals), Gigante (bass), Sam (drums), Miguel and Joseber (guitars). They have only one direction to go in... straight to madness!!!

The album called "Fish Inn" was originallyreleased in 1984. The leader of the band Michiro Endo anticipated departing from punk rock and created this work, exploring a sound inclined towards psychedelic music, a challenging move that seemed to self-denounce The Stalin's previous style. Higo Hiroshi from Friction was also involved in the band as bassist during this recording. Endo reminisced later about the album as: "More specifically, the main theme was how to kill The Stalin." Following this release, The Stalin disbanded and marked it as their final album. Although the remix version produced by Bill Laswell released in 1986 is generally more highly regarded, P-vine focuses on the original version and reissues it on vinyl with the original artwork for the first time.

With all eyes seemingly on the international street-punk scene during a time of boundless creativity, Guadalajara’s Mess stands poised to make a global impact. Influenced by the classic sounds of Oi! and Uk82, the band brings a raw but catchy sensibility to their street-level, rock ‘n’ roll anthems, sung mostly in English, with a little Spanish. After making a huge impression with their opening salvo of singles and EPs, as well as a split with UK heroes THE Chisel, the 14-song LP Under Attack is Mess’s most fully formed creative vision to date, showcasing a timeless sound across songs like “Leave Me Alone,” “Fueled By Rage,” and the impossibly catchy, mid-tempo anthem “In The City.” Taken together, this is the sound of the streets, tough as nails, but with an appeal to the human spirit of survival in a bleak society. Under Attack is the world according to Mess.

“Here We Stand.” It is a phrase that means a lot to the legendary UK punk band Cock Sparrer. It was the title of the band’s 2007 LP, which announced their arrival in the 21st century. It cropped up again as a rallying cry in the lyrics to their 2017 anthem “One By One.” And now it is the title and chorus of a brand-new single off the band’s farewell studio LP, Hand on Heart.

From the moment the needle drops on Monster Squad’s 2007 album “Fire The Faith” with the title track’s scorching bass lines, the record serves as a time capsule for a tenuous moment around the world. Radicalized politics, a neverending war, and the onset of an economic depression characterize a period we’d all soon rather forget.All of that, however, served as the fuel behind arguably the band’s most recognizable and revered album from the northern California punk band. Monster Squad firmly entrenched themselves by crafting songs with breakneck speeds and wholly relatable lyrics that fans around the world would sing back as the band took the stage around the globe. “You Are Not Alone” is dedicated to their late friend Robbie Western, which has evolved into one of the band’s most anthemic and popular songs. Many fans credit this track with helping address mental health issues. As more members of the Monster Squad family like Travis ‘Bobby Hill’ Gustafson leave this world far too early, the line “And I ask - why? Our questions will never be answered” hits harder than ever before. The album's artwork, an oil painting by frontman Phil Geck, serves as a bold statement. Created during George W. Bush’s presidency in 2007, it is an anti-war piece symbolizing defiance against government and corporate greed. This reissue boasts a 12x24 double-sided gatefold insert , 18x24 poster of the cover painting, and a two-song flexi, featuring the rare gem “Leach" and the previously unreleased track “State Of Confusion.” Fans will also get a double-sided 11x17 poster, displaying the album release show at Gilman on one side and their 2008 European tour flyer on the other. Pick up a copy on 12" Red w/ Neon Yellow Splatter! SIDE A1. Fire The Faith2. Unmasked3. Force Fed4. You Are Not Alone5. All These Things6. DirtSIDE B7. Separate The Lines8. The Curse (Pay The Price)9. Pull Me Away10. Abrasive11. A Nightmare To Consume12. Reggae Jam13. UntitledFLEXI :1. State Of Confusion2. Leach

The 4 songs that make up Monster Squad’s “All Out Of Control” were written during extensive touring and shortly after the band released their influential 2004 LP “Strength Through Pain.” Monster Squad went to legendary Bart Thurber (Spazz, Capitalist Casualties, Neurosis) at House of Faith in Oakland to record the EP. These songs represented a slight departure from the speed that fans got to know on “Strength Through Pain.” The title track “All Out of Control” was a different side for Monster Squad, showcasing more anthemic (and much slower) songs than the breakneck, frenetic pace of their previous works. The band utilized ‘call and response’ vocal patterns which quickly became and remains one of the band’s most popular songs. The band continued to explore new ideas, such as incorporating a cowbell on “Church and State,” which talks about the overwhelming presence and oppression that organized religion has in politics. “Gotta Get Out” focuses on the ruts people find themselves in - nowhere to go to escape daily life with the inability to control anxious and hopeless feelings “All Out Of Control” has been out of print since 2006 and fans have been clamoring for a reissue for many years. This new 12” 45rpm version, remastered by Jack Shirley (Sweat, Deafheaven, Gouge Away) at The Atomic Garden, has a completely new layout. Monster Squad used images from the photo session of the original release and scans of the original lyric sheets written in 2005. The band also stumbled upon a collage from 1982 that the legendary collage maestro Winston Smith (Dead Kennedys, etc) made, titled “Security Control” which was a perfect fit, and is included in this new artwork. The record also includes a double-sided 11x17 poster of the MS/APG red skull image + a collage designed by the band’s long-time friend Amanda Chavez. Pick up a copy on limited edition 12” Magenta w/ Cyan Splatter vinyl! SIDE A1. Got No Time2. All Out Of ControlSIDE B3. Church And State4. Elitest

"Ketamine & Cola" is another extraordinary single from The Drowns’ newest album “Blacked Out.” Frontman Rev chalks this up as a personal favorite and describes the track as “a perfect blend of locked-and-loaded rock 'n' roll vibes with a hip-shaking sound.” The chorus, with its anthem-like quality, features a desperate cry for relief with the addictive pairing of "ketamine and cola" to mellow out the chaos.

10 Years Anniversary compilation LP.

Ten years ago, on 21 April 2014, Russian enclave of the Baltic Kaliningrad-based trio Blind Seagull started off its adventure in the soon to be known as Sovietwave aka Russian post-punk underground. Tean years later they have accomplished to release nine full-length albums on all sorts of limited edition formats such as LPs, CDs, tapes with most of them being sold out for years.

It was time to bring many of these tracks back to life, picking up the best among them and reissuing for the global post punk/darkwave niche. Fifteen cuts previously released by labels like Detriti, Sierpien, Pine Hill through which the band led by Denis Zarubin has shaped its own brand of icy coldwave, one pretty classic and extremely fresh and contemporary at once. On top of these we have one more track exclusive to this release which is a eurodance-oriented remix for their minor hit Animals Die in the Scaffolding. Think of a bunch of goth kids screwing around at the local carnival and you’ll get the vibe!

Decade Of Effort is due on April 21, 2024 on white vinyl LP limited to 300 with fairy-tale artwork by the band enhanced by the magical lettering of young Spanish artist Sara Fornés.

Before Circus Lupus landed on DC’s venerable Dischord Records, the group’s original Midwest lineup recorded a full LP's worth of songs less than a year after forming. With the demise of DC’s Ignition in the late 80’s, bass player Chris Thomson headed to Madison, WI for college. Before leaving DC, he dove headfirst into being a vocalist fronting the short- lived throwback punk/hardcore project Fury. Chris served up pointed and profound Tony Cadena-inspired screeds about betrayal, disappointment and poseurs all set to a soundtrack of furiously primitive and chaotic music supplied by members of the DC punk band Swiz. Brief yet influential, this band marked Chris’s switch to vocals, putting him on course to front Circus Lupus and claim a notable spot in the DC punk timeline of the late 20th century. Soon after arriving in Madison, Thomson was invited to join a new project started by friends Chris Hamley, Arika Casebolt, and Reg Shrader. Circus Lupus marked a change in direction from the familiar sounds of DC punk that Thomson had been associated with for years. The newly formed group looked to noisier Touch & Go and Homestead bands for inspiration, aligning themselves with bands from Chicago, Louisville and Milwaukee. One early supporter of the band described the new group as “profoundly familiar yet uncategorizable. Like if the Germs had gone to college and never got pulled into hard drugs and suicidal behaviors.” The original Circus Lupus lineup played a dozen shows and recorded these songs with Eli Janney at Inner Ear studios in August of 1990 while on a brief tour. Within a year, the band would decide to permanently relocate to Washington DC, where they felt they had more opportunities. Reg opted to move to Chicago and would ultimately join the Touch and Go band Seam. Old friend Seth Lorinczi (Vile Cherubs) would become their new bass player, forming the version of the band that most listeners are familiar with. While a few of these ended up on their first single, the rest were shelved, some later to be rerecorded with Seth and released on Dischord. LG Records is proud to have helped this notable recording see the light of day. The original tapes were recovered by Ian MacKaye and transferred by Darren Edwards. Tim Green remixed and remastered the original recordings at Louder Studios in California. 180-gram black vinyl with 28pt Tip-On sleeve and heavy printed inner jacket.

Young Ginns began in November 1991 when Unwound was staying at The Embassy house where Nation Of Ulysses guitarist Tim Green lived. Somehow around the coffee table, an idea was conceived to have a “jam band” in the vein of the instrumental songs of Black Flag and other SST artists. Brandt Sandeno stuck with the drums while Justin Trosper went back to his previous role as a bass player with Green on guitar. A couple fun sessions happened, that sometimes sounded like Black Flag but more like the guitar player from NOU and some Unwound dudes. A few days later Unwound went on their long way back home to Olympia, WA.

After NOU broke up, Green packed up, went west and settled in Olympia where Sandeno and Trosper lived. Sandeno had since left Unwound but he and Trosper were always looking for an excuse to play together. Since there was so much free creativity and time bouncing around in 1993 Olympia, the Young Ginns idea was easily reborn in the Red House basement where Green lived and was building up his next studio.

Teenaged San Diego transplant Brett Frost decided that the band needed a frontman after witnessing a few practices and wiggled his way into the fold. A couple of local shows and a recording session at the Red House led to a malt liquor and nyquil-fueled west coast tour with a 7-inch record fresh off the presses from Gravity records (release #3) of San Diego.

The return to Olympia saw the band writing and rehearsing a couple more new tunes and a recording with Pat Maley at Yo-Yo studios in the Capitol Theater in Olympia. The band split up shortly after as everyone decided to pursue other endeavors. Ironically, the band started as a pretty casual tribute jam band but it burned hotter and brighter like a typical hardcore band with Frost as the wild frontman. What began as a math rock fantasy transformed into a punk rock nightmare.

Unwound continued recording and touring throughout the ’90s and Green started several bands, most notably the Fucking Champs. He had a successful recording career with his own studio in Northern California that is still going strong. Frost moved on and around, ending up in Brooklyn, NY. Sadly, he died in 2023. Honeybear released a compilation of all the recordings on CD in 1998. This batch was freshly remixed and mastered by Tim Green at Louder Studios in the winter of 2023.

Rancid is without question one of the most successful and influential punk bands ever, not to mention being among the most prolific. Their nonstop songwriting and marathon studio sessions often result in far too many songs to fit onto their albums. True Rancid fans know that in addition to their classic long players, many of their finest tracks have been released as single B-sides, bonus tracks, on compilations, or in some cases have remained in the band’s vault. That is why B sides and C sides is no mere throwaway record, but an essential part of this classic band’s catalog. The songs collected here represent a cross section of everything that has made this band so beloved worldwide, including their creative genre hopping from blazing punk rock to danceable ska, to reggae, rockabilly, and more, all executed with some of the most impressive playing in the history of underground music. The songs range from fan-favorites like “I Wanna Riot” to obscure hidden gems from rare or hard-to-find compilations, and a handful of studio recordings that were completely unreleased before this album, several coming from the fertile recording sessions for the band’s sprawling 1998 masterpiece Life Won’t Wait. Originally released on CD in 2007, most of the tracks range from the band’s early days through their sixth album, Indestructible, although the 2012 track “Fuck You,” from the Pirates Press Records compilation Oi! This is Streetpunk! Volume 2 was added to place a definitive final word on the collection when it was pressed on vinyl. With the album being out of print and hard to find in its own right for the past ten years, Pirates Press Records is thrilled to partner with our friends in Rancid to remedy that situation, and make this essential piece of punk rock history available to their many fans across the globe - this time as an incredible double 12” with super deluxe Colored Vinyl and matching sleeve art!

To mark this milestone in their 20-year career Deecracks is releasing A Frantic Effort, a massive 3x10” colored vinyl retrospective compendium of their favorite songs from the past two decades. But don’t think for a second that Deecracks

would try to sell you a stodgy, frozen-in- amber “greatest hits” collection. “We decided

to revisit our career and re-recorded our favorites and what we think are the band’s classics, as well as two completely new songs,” says Mike. “This way, we have songs from 2003 up until 2023 on one album—and in one great sounding production.” “We decided to record some songs a little closer to how we would do them live but give them the studio treatment,” adds Matt. Indeed, the inspiration for the tracklisting is largely based on the band’s world-renowned live show, where the raw energy of seasoned punk rockers comes ripping out of every tune. And being able to revisit those tunes after road testing them for all these years inspired the band to add just the right amount of studio magic, including new vocal harmonies, guitar parts, or keys, while staying true to the live set. The pair of new songs, “Burnt Out” and “Where We Belong,” are a song about facing your demons and a straight-up love song, respectively—two sides of the Deecracks’ coin. They are certain to take their place in the band’s canon alongside this collection of revitalized classics for both longtime fans and newcomers alike. Or as Matt puts it, “I think if you don’t know what we are all about and you check out A Frantic Effort, you’ll get a clue.” Cheers to 20 years of Deecracks—and on to the next 20!

Pirates Press Records is thrilled to celebrate the long running California punk rock band Monster Squad with an extensive vinyl reissue campaign, starting from the beginning with their debut EP! The 6-song EP Not For Them is truly ground zero for Monster Squad, and a document of the band’s origins. In the summer of 2000, the band members moved in together in a shanty of a punk house with old gravestones strewn about the basement, across the street from their skate spot of choice in Vacaville, CA. These were heady times for young punks at the end of their teenage years. As their reputation as outspoken rabble rousers, grew, so too did the target on their backs, enduring fights with cops, jocks, and rednecks, and even having a Molotov cocktail tossed at their front door by a local neo-Nazi who apparently took issue with the band’s anti-racist and anti-fascist stance! Across six songs, the band members bashed out what could be considered a manifesto for what Monster Squad would be: shout-along choruses, pogo punk positivity, lyrics that stated in no uncertain terms their opposition to the Bush-era war machine & Proposition-8 era institutionalized homophobia. Perhaps most personally, the song “Pressure” featured an honest & relatable discussion of mental health issues that would become a recurring theme in the ensuing decades. Originally self-released via CD-Rs burned on the clock at Guitar Center on the band’s own Strength Through Pain Records, Monster Squad’s Not For Them is on vinyl for the first time ever! Pirates Press Records is proud to present this essential piece of turn-of-the-century California punk on 12” Magenta Vinyl with Black Splatter.

NOi!SE is a band that has always dealt in pure honesty at every stage, from songwriting to performance. The listener is always guaranteed the unvarnished truth as the band members see it. However, there are many truths in life, and some of the hardest to put into words can be the truths imparted to those closest in your life, such as from a father to a son. Years ago, while serving in the military, lead singer and songwriter, Matt Henson, set out to gather his thoughts to speak his truth to his son Liam, in the event that the worst came to pass, leaving the young man to grow up without a dad. It was a message to offer the fatherly advice and encouragement he feared he may not be present to give, a truth imparted the best way he knew how: through music. Matt recorded a demo with bass, guitar, and vocals, with the intent of circling back to the song when possible. About a year later, his bandmates surprised him with what they had added to his original recording. As moved as he was by the gesture, Matt remained uncertain about releasing it given the raw, emotional honesty of a song written for an audience of a single loved one, as well as its degree of departure when compared to a traditional NOi!SE song. Ultimately, the band will continue to speak their truth on all subjects. The raw honesty and intimate truths in this song, which will resonate with parental figures and children alike, will be shared with the world on a limited-edition picture flexi, featuring artwork by Liam himself!

“Billy Liar is one of my favorite songwriters. Powerful and honest.” - Tim Armstrong (Rancid) That’s one hell of a statement coming from Armstrong, a guy who knows his way around a tune as one of the most beloved songwriters in punk rock history. A single listen to Billy Liar’s new album “Crisis Actor” will have any listener agree with Armstrong. With this album, Billy Liar showcases his outstanding talent for storytelling and his ability to capture raw, unfiltered emotions that resonate with listeners on a deeply personal level. These songs are bold, brash, and destined to be played loud in any size venue Billy steps into, from a solo show at a DIY space to a full-band set on a giant festival stage and everywhere in between…all with fans screaming back every word! From the outset of “Crisis Actor,” Billy Liar commands the listener’s attention. From the opening track “Oblivion,” he pulls no punches when he sings “The only way I win is by not giving in to oblivion.” Throughout the album, Billy intricately weaves anecdotes, scathing social commentary, and self-realization to craft a record that will please old and new punks alike. Drawing the inevitable comparison to the legendary punk troubadour Billy, Mr. Liar shares Mr. Bragg’s ability to address society, politics, and the world at large through the lens of lived experience and deeply personal, confessional emotion. And just to put “Crisis Actor” over the top, a friend turns up to lend his familiar voice to one of the record’s highlights: the one and only Frank Turner joins Billy on “Negroni,” adding his trademark powerhouse grit to Liar’s boundless, exuberant energy. With “Crisis Actor,” Billy Liar is poised to step up as a central voice in a new wave of singer-songwriters ready to tell their tales to listeners across the world. Clocking in at just 28 minutes, this album is a proverbial uppercut to the jaw. It hits you hard and fast, but it is intricate enough to reward close repeat listens. This is fortunate, because you’ll find yourself dropping the needle on this one again and again! Whether armed only with his guitar or backed by a full band, Billy Liar will be traveling the globe, commanding stages of pubs, clubs, and arenas alike with this new set of tunes ready to catapult him into the hearts - and record collections - of punks worldwide!

With rabid audiences worldwide clamoring for a taste of Seattle rockers The Drowns’ latest album Blacked Out, a 7” single release was inevitable! This presented the band and Pirates Press Records with a unique conundrum, however: how do you pick a single with an entire album chock full of wall-to-wall rock ’n roll anthems and no “B-sides”? The only possible answer is this: the double A-side single “Just the Way She Goes” / “1979 Trans Am.” On an album of swaggering, glam-in- fused rock with punk heart, these two standout singles are bound to get fans’ motors revving and hips swaying, all the while building even greater anticipation for the forthcoming album! Both of these singles pay tribute to very different vehicles and the lifestyles that go with them. “Just the Way She Goes” examines the life of a rock band’s relationship with their cantankerous tour van, as a metaphor for perseverance and optimism in the face of life’s adversity. “We all break down from time to time,” relates singer & bassist Andy Wylie, while the music propels the listener forward with enough spirit and energy to overcome any setback. “1979 Trans Am” on the other hand, fronted by singer-guitarist Aaron Rev Peters, is The Drowns’ take on the classic rock ’n roll story of “boy-meets-girl, boy & girl go for a joyride in a classic muscle car,” with a steady backbeat that will get any listener moving!

Originally released by Hopeless Records in 2006, now remixed and remastered with love by Jeff Dean (the Bomb). Jeff truly ripped the lid off this record and brought a newfound clarity and immediacy! To all those who loved these songs already, allow us to reintroduce you. Includes a bonus song and shiny updated artwork by Sergie Loobkoff. Colored vinyl; includes download code.

Pirates Press Records is thrilled to welcome Santa Cruz, CA’s Northern Soul outfit THE Inciters to the Pirates Family! This ten-piece combo of veteran players has been filling dance floors globally since the mid ’90s, electrifying audiences across the spectrum of skins, rudies, punks, mods, and rockers alike. No strangers to playing side by side with ska, punk, and Oi! bands, they are a natural fit to help expand Pirates Press Records’ roster of soul artists. “We wanted to keep it feeling live, not a ‘live album,’ but our energy. We recorded as much as possible all together. We had the rhythm section in the main room, the horns in a booth (a big booth), but [there was] also a large window so the horns could see the rhythm section. All the horns recorded at the same time so we could capture the feel. The singers were in another booth.” says trumpeter Rick Kendrick. “There was the usual overdubbing and whatnot, but for the most part this captures our energy...I guess you could say our ‘soul!’” These recordings are by far the band’s best work - capturing the energy and spontaneity of their live show—11 tracks of upbeat, hard-partyin’ soul stompers! The band can also be caught doing what they do best, embarking on their first European tour in over five years following the release of the LP.

The ties that bind together bands know nothing of national borders or oceans between continents, and for punk bands on tour, these relationships run deep. The latest addition to American punk band THE Drowns (based in Seattle, WA) is guitarist Simon, who played for years with the UK's Wonk Unit. Simon and his former Wonk Unit bandmate Alex helped book THE Drowns on a UK tour, and when both bands met each other in full in London, they weren't just fast friends, but like family. On this release, each band contributes one brand new song. THE Drowns, armed with their sharp rock 'n roll sound, set their sights on a protest song about the state of the US in recent years, aptly titled "The Beast," while Wonk Unit opt for more personal territory with “Rebecca,” which deals with issues related to substance abuse, personal responsibility, and mental health. Taken together, the songs that comprise this split 7" represent two bands separated by geography, but united by friendship, mutual sonic admiration, and common purpose. Pirates Press Records is thrilled to bring them to the world on two colored vinyl variants, housed in an incredible spot UV jacket conceived by Zak Kaplan.

When Calgary, AB, punk rockers

Territories released their self- titled debut album on Pirates Press

Records in 2018, they were a new band with a lot to say and a lot to prove. What a difference five years, and a clutch of the catchiest,

best-written, and most thought- provoking punk rock songs, makes!

In the interim, the band kept busy with the six-song EP When The Day Is Done as well as a split with fellow Canadians THE Vicious Cycles. The band has truly outdone itself with the 11 songs on Colder Now, deftly navigating the waters of the so-called “difficult second record” with a collection of songs that will blow the minds of longtime fans and newcomers alike. This is a band that pours their hearts and their minds into both their music and lyrics, tackling big issues, but always articulated from a relatable, personal perspective that acts as a rallying cry and a beacon of hope for everyone who feels alienated by modern society. The world is unfortunately still a dangerous place, but for those who dare to dream of something better, there is solace in the fact that Territories is back to give voice to those dreams with Colder Now.

For over 30 years, THE Slackers have remained one of the most prolific musical combos in the game. In the course of drawing from a seemingly endless well of songwriting creativity, the band has released music on some of the biggest labels in independent music, as well as on much smaller boutique ska & reggae labels across the entire world, including NYC’s Special Potato, which has served as home to many of the band’s home-brew releases over the decades. 2008’s Self Medication LP was one of the latter releases, initially released on CD through Indication Records, and a single pressing on black vinyl from Special Potato/ Indication. The record has been out of print for the ensuing 15 years and a tragically overlooked chapter in the band’s history. In the spirit of the title, Self Medication reflects the band’s DIY roots. Recorded by a longtime friend of the band, King Django (skinnerbox, Stubborn All-stars), at New Brunswick, New Jersey’s Version City Studios, this record is primarily an in-house affair, with overdubs overseen by singer/multi-instrumentalist Vic Ruggiero & guitarist Agent Jay Nugent at their own Studio Slack & Crazy Baldhead Studios, respectively. The sound of this record is that of a band who have the talent and the confidence to chart their course. Experimenting with a diverse sonic palette including elements of ska, reggae, swing, rock, and a lot of psychedelia, that nevertheless feels distinctly and unmistakably like them. And, of course, the band’s combination of earnest humanity and wry humor shines through in the lyrics, right from the opening line, “Every day is Sunday when you’re unemployed…” Indeed, this is the sound of THE Slackers as dictated by THE Slackers.

LIMITED EDITION 7" BY LEEDS PUNK BAND CYANIDE PILLS!A-side from recent album Soundtrack To The New Cold War! B-side exclusive to this release!Tell us about your influences Phil_"Influences hmm well, we don't just listen to punk rock, neither did the early bands because there wasn't any. We like the usual suspects obviously, our favourites are the Belgian band The Kids, X-Ray Spex and Buzzcocks. We like Satan's Rats, The Tours, Knots, The Fingers, Panic, Kleenex, Crime, The Terrorways, Victims, Wipers, The Briefs, The Spits, The Plugz, Bad Nerves, Nasty Rumours, stuff like that, loads of stuff, Syd Barrett, The Kinks, MC5, Stooges, Bowie, Ruben and the Jets, Kim Fowley, John Lee Hooker, Howlin' Wolf. The list goes on and on and on."We love that you still release singles. Are they fun to do? Why do you keep doing them?"Ian and Duncan Damaged love singles. We love singles. Where else would you put a B side?"(As told to Bruce Turnbull from Vive Le Rock Magazine)

It is rare that any band displays the combination of talent and tenacity to continue connecting with audiences three decades into their career without becoming a cabaret show, but New York City ska/reggae institution THE Slackers continue to push boldly into the future with a fresh energy that belies their 30+ years! The band were on their creative rise during the mid-late ’90s explosion in mainstream interest in ska, but never lost a step when that bubble burst, emerging as a band that continually built up their fanbase the old-fashioned way: with relentless touring across the world and consistent recordings that always brought something new to the table. THE Slackers have pushed on long enough to be regarded as elder statesmen of a new era of interest in ska, but as always, rather than rest on their considerable laurels, this band is achieving new milestones on their own terms. One such milestone was the LP Don’t Let The Sunlight Fool Ya lighting up several Billboard Charts, including hitting #1 on the Current Reggae Albums chart. The album was the band’s first full-length since joining the Pirates Press Records family, a fruitful, creative relationship which has also yielded a slew of popular singles, as well as reissues of back catalog classics such as Redlight, Wasted Days, Peculiar, and the fanfavorite live album Live at Ernesto’s.

“It’s not the destination, it’s the journey” - Ralph Waldo Emerson If this famous quote is true, Kepi Ghoulie probably hopes never to reach the destination! On a musical journey now approaching 40 years, Pirates Press Records is proud to present Groovie GhoulieS’ Travels With My Amp!. Dating back to the year 2000 and out of print now for 20 years, this is the Groovie GhoulieS sixth official full-length studio LP… this would be the last album that the GhoulieS would record for the once popular, now defunct, Lookout! Records. Travels With My Amp! packs a few of the Groovie GhoulieS’ biggest hits: “The Highwayman” and “Bye Bye Brain,” along with perennial fan favorites “Hair Of Gold (And Skin Of Blue),” “(The Girl Is) An Unsolved Mystery,” and “Ghoulie Family.” The band returned for the third time to Sonic Iguana Studios in Lafayette, Indiana to have producer Mass Giorgini at the helm. The line-up consists of Kepi on vocals, Roach on guitar, B-Face on bass, and Amy on drums. The sessions were successful and the record was well received, but within a year the mismanagement of the label forced them to jump ship, and the GhoulieS, who did indeed love to travel, continued touring and found new homes for their new recordings.

The new EP from American Nightmare and their first 10" vinyl release. Dedicated To The Next World is AN refusing to rest on legacy. The legendary hardcore punk band returns with four new songs that sound like classic and future AN, stripped down and sped up to their trademarked urgency and live violence. With stream of conscious lyrics and existential dread, these are revival songs for the modern disenchanted. The band’s volatile mix of traditional American hardcore, dark aesthetics, and singer Wesley Eisold’s (cold Cave) emotional lyrical prose set a new creative standard for the worldwide hardcore community. "How I Got Away" recalls AN's anthemic hardcore sound a la tracks "We Are" and "The World Is Blue." "Self Check-Out" is a minute-long punk blister. "Real Love" flies like speed fueled Stooges and "Praying Hands..." nods to the influences of Bad Brains and Negative Approach. Having started in 2000 and initially breaking up in 2004, the band reunited in 2012 and subsequently launched a second life of lauded shows and records proving that there is life after youth. Recorded live to 2 inch tape by American Nightmare drummer Alex Garcia-Rivera at Mystic Valley Recording Studio in Boston. Mastered and cut for vinyl by Bob Weston at Chicago Mastering Service.

Who doesn’t love a split 7”? This limited-edition, oxblood vinyl highlights two exceptional new and unreleased songs from two bands gaining steam out of two different corners of the world, both with a ton of gas/petrol in the tank! Both songs exemplify why there is so much excitement and energy around these bands right now. Just a prelude of what’s to come, this little nugget of wax is sure to wet your whistle and leave you wanting more from ’em both! Be sure to pick up a copy now, as this is a one-time limited pressing, and you won’t want to miss out

At long last, the complete back catalog of influential UK political punks The Restarts will be widely available across the world, starting with their earliest recordings! Actively Seeking Work: 1996-1998 collects the studio recordings of the band from their very inception. It all began with a DIY cassette tape released in 1996, which was - to the band's pleasant surprise - reproduced around the Czech Republic and Poland, translated lyric sheet and all, by Malarie Records. Also included on this LP are the tracks from their debut 7" Frustration and the 1997 EP ...Just Gets Worse, both of which saw vinyl releases through Blind Destruction Records. The final batch of songs comes from State Rape, which was originally the Restarts' half of a split LP with London's Zero Tolerance, and was subsequently released on CD as a split with Holland's Fleas and Lice. Taken together, these recordings chart the early chaotic evolution of the band as they built the reputation and recognition they now enjoy among the international DIY punk scene. This collection has been out of print for over ten years after an initial Europe-only pressing, and Pirates Press Records is thrilled to present its first worldwide release as the opening salvo of a four LP Restarts reissue campaign that will bring their full discography back in print with wide distribution for the first time!

In celebration of the ten year anniversary of their seminal album, Seahaven and Run For Cover Records present WFX (Ten Years of Winter Forever). Newly remixed by Vince Ratti and remastered by Ted Jensen.On their debut full-length and follow up to 2010's amazing Ghost, Seahaven exude an effortless and expert musical control, toeing the line between post-punk, emo and post-hardcore styles, moods and atmospheres. The songs carry an ethereal, organic depth and expertise of the space surrounding the music, resulting in a moving dynamism. From airy, minimalist textures to catchy, upbeat pop-rock sections to fully overblown anthems, the band stitch cohesive songs together behind the weaving delivery of vocalist Kyle Soto. Soto moves between storyteller drawl, delicate melody and gruff yell, dripping a tortured sincerity. The delivery reflects the band's delicate musical balance, yet the lyrics paint pictures of a loss of control. Soto uses the musical canvas to try to make sense of love, God, abandonment; events outside of his control and how they affect what he can control. The heartrending stories, musical peaks and valleys, lows and highs, darks and brights push Seahaven in every direction, yet thread a needle that pulls Winter Forever into a cohesive, dynamic and incredibly impressive listen.

With 2007’s Here We Stand, legendary punk rockers Cock Sparrer moved into the 21st Century, and staked their claim on an exciting new era for the band. Never content to simply rest on the considerable laurels of their back catalog, the first Sparrer studio album since the 1997 not only put a new release into the hands of the old faithful and new fans alike, but kicked off a renewed period of active international touring and headlining festival appearances that has continued to this very day.

Born in the Basement, the 1994 second LP from horror-pop-punk mainstays the Groovie Ghoulies, in many ways marked a pivotal transition point for the band that would set the course for the rest of their career. After the first LP, the band had moved from Los Angeles to Sacramento, the city that would remain their home base for the duration of the band. The title of the record is more factual than one might assume: at the time, the Ghoulies' lineup of Kepi (bass/vocals), Roach (guitar), and Wendy (drums) were all co-habitating in a house by the city cemetery, practicing in the basement, where the record was indeed "born"! This lineup would remain together for the follow-up World Contact Day, which became the best-selling Ghoulies record! They also found themselves working with a prestigious new producer, recording at Seattle's Egg Studios with Conrad Uno (Mudhoney, The Presidents of the United States of America, The Ergs!). This relationship, too, would continue for World Contact Day. Fuelled by fan-favourite Ghoulies staples such as "The Beast with Five Hands," "I Wanna Have Fun," and "Back to the, Garage," the album was a self-released sell-out through two pressings, attracting the attention of legendary Bay Area punk label Lookout Records, who would work with the band through the year 2000, releasing 4 LPs and re-releasing 2, including Born in the Basement. Having already re-released the best-selling classic World Contact Day, Pirates Press Records is proud to present the album that paved the way for it and the long & storied career of the Groovie Ghoulies, Born in the Basement!

In 1997 Bad Manners released their 8th album of original studio material not including live recordings, comps and bootlegs. This album however, is none of the above. This is a compilation of demos, outtakes, remixes and rarities from the Bad Manners vaults.

Beyond, though short lived in the Nyhc scene (1988–1989), made an impact with their personal brand of Long Island metaltinged hardcore with intricate riffage. The Dew It! demo was supposed to be recorded for Schism but the label folded before it got off the ground. They sold their demos through Some Records on the Lower East Side until the store closed and the rest were sold through mailorder. Originally recorded on a 1” tape and mixed on cassette, Dew It! has been remixed to give it the sound that was previously intended. Backed with the demo is Beyond’s live set on WYNU’s legendary punk and hardcore radio show, “Crucial Chaos,” which was started in the late ’80s and still continues to this day, nearly 25 years later. Members of Beyond have gone on to bands like Quicksand, Bold, Inside OUT, Burn, Shelter, 108, and more. Revelation Records has combined these two gems on vinyl and paired it with a 20 page 12” x 12” booklet.

This album is arguably, at least for many, the crown jewel of the Kepi catalog. Undoubtedly the Ghoulie’s best selling album, “world contact day” fueled numerous worldwide pop punk escapades, and not only firmly put this band on the map, but made sure they would be a landmark for generations. From beginning to end, the album carries the passion, speed, silliness, and splendor, that so many have come to love from this band. Hearing these songs evokes that eternal 16-year-old in so many adults, many of whom are now bringing the next generation to Kepi’s never-ending tour. As this group of younger fans imbibes and creates their own memories around the super mega hits like “island of pogo pogo“, “when the kids go go crazy” and “ ghoulies Are Go!” this album is one that deserves to be available in any record store, anywhere, anytime. This one is truly a must-have in any Pop punk collection. Pirates Press Records could not be more proud to re-issue world contact day with that goal: to make sure that kids (and adults) all over the world can always get a beautiful copy of this spectacular pop punk living time capsule on vinyl!

What kind of image does “Full Moon Forever” invoke to you? Slightly gothic feels with a sense of timelessness? Good! Then Kepi Ghoulie and friends have succeeded! When Ara Babajian of the Slackers approached Kepi about having an all new challenge, Kepi jumped at the chance to work with his long time friend and drummer hero! Bass player? B-face!!!! With solid rhythm section secured, they started selecting songs that they loved! Years of long backstage chats revealed a common love of some of the “darker” songs of rock’s pop, goth, and new wave eras… the Cure, Cars, Lords of the New Church, Nick Cave all entered the conversation and a group of tunes was selected! Who would produce? Ara wanted to go somewhere new to him, so Kepi and Bface rounded up their old friend Mass Giorgini at Sonic Iguana studios in Lafayette, IN, a colleague who had produced some of Lookout records music in the 90’s and early 2000’s... With 10 songs, also including selections by Nick Cave, Peter Murphy, Lou Reed and Iggy Pop, this little project was actually taking shape! They realized that if they just added David Bowie’s “Heroes” and Trex’ “Cosmic Dancer”, they would have a personal ‘desert island disc’, so they did! The record includes contributions from Ian Fowles (Aquabats, Gerard Way), Prima Donna’s Aaron Minton and Kevin Preston (also currently playing in Green Day), and several other friends, with artwork by artist Tom Neely.

Screaming suburban blues straight from the pages of HeartattaCk magazine, Current exploded out of the early-'90s Midwestern emo scene in a fit of D.C. hardcore-inspired rage. Spread across three LPs, Yesterday's Tomorrow Is Not Today compiles the quartet's lone album, two EPs, split 7"s with Indian Summer and Chino Horde, miscellaneous compilation debris, and nine previously unissued alternates, including the infamous Klxu radio show. Remixed and mastered from the original tapes, Current's complete discography is annotated in Leor Galil's exhaustive survey, illustrated with period photos, flyers, and cut-n-paste sleeve art across 24 pages. - "Your parents would like this." _TimYohannan, Maximumrocknrol -

Screaming suburban blues straight from the pages of HeartattaCk magazine, Current exploded out of the early-'90s Midwestern emo scene in a fit of D.C. hardcore-inspired rage. Spread across three LPs, Yesterday's Tomorrow Is Not Today compiles the quartet's lone album, two EPs, split 7"s with Indian Summer and Chino Horde, miscellaneous compilation debris, and nine previously unissued alternates, including the infamous Klxu radio show. Remixed and mastered from the original tapes, Current's complete discography is annotated in Leor Galil's exhaustive survey, illustrated with period photos, flyers, and cut-n-paste sleeve art across 24 pages. - "Your parents would like this." _TimYohannan, Maximumrocknrol -

1970s/'80s San Francisco art-punk band 14-track collection includes remixed tracks and new unearthed, previously unreleased recordings!It's hard to let go of a good thing. More than four decades after The Mutants first appeared on the San Francisco underground music scene, four of the original members are still playing shows together under that name in 2022. After all, mutants are known to mutate, and that's what this colorful, energetic musical collective has been doing off and on since 1977.Perhaps even more surprisingly, the sessions for their lone album, 1982's Fun Terminal, continue to bring forth lost nuggets. In punk and new wave lore, Fun Terminal is considered a troubled project. Prior to the album's appearance, the Mutants had released only one 7-inch single -- 1980s' The Mutants EP -- and the band also had songs featured on two local compilations. Both the EP and one of the compilations were issued by 415 Records, the legendary Bay Area indie that made the jump from the new wave trenches to the majors when they signed a deal with Columbia Records in 1981. Many scenesters felt that the Mutants should have begun album sessions for 415 immediately after the EP, but that didn't happen.Each of the 14 tracks on the new collection, "Curse of the Easily Amused" has either been remixed, or sourced from previously unreleased tapes. "From the band's point of view, each cut is a substantially different version than what might have appeared before," explains current Mutants bassist and project producer Peter Conheim. Eight songs have never been officially released on vinyl or CD in any form. The versions of 'Think Think Think' and 'Tribute to Russ Meyer' feature radically different approaches than what was heard on the Fun Terminal reissue. We recently rediscovered a tape reel that included those songs. The Mutants discarded or forgot about a ridiculous amount of music during its first eight years. Audio quality for all the tracks here is superior to anything that's come before. No overdub...

Pirates Press Records are happy to announce the long overdue reissue of one of The Slackers most acclaimed albums, Wasted Days. Their fourth studio double album, originally released in 2000, hasn’t been available since 2013, and is an essential component to any Slackers collection! It showcases The Slackers' innovative incorporation of diverse influences to create a sound that is truly their own - from ska, reggae, rocksteady, and dub to soul, R&B, calypso, jazz, and rock ’n roll. Led by Vic Ruggerio's unmistakably Bronx accented vocal stylings, the band never lose touch with the scrappy energy of where they call home, New York City. With The Slackers continuing to tour the world throughout the end of 2022 and early 2023 in support of their recent full length “Don’t Let The Sunlight Fool Ya” it seems only right to get their back catalog back in press for the new fans they never fail to make at every single show. Be sure to catch them in a town near you!

“New York Berlin” is commentary on friendship during changing times in center cities. Both friends and neighborhoods were treasured despite their flaws but both ended up going away. The moral of the song is to remember to love everyone around you while they are around you. Meanwhile, “Tell Them No” is a song of empowerment and finding one’s inner strength through adversity. Based on trombonist and vocalist Glen Pine and his nephew’s real-life struggles with bullying, the song encourages its listeners to rise above the fray and not to let detractors get the best of you. Stand up for yourself, fight back, then allow yourself to heal.

Life Force is a straight-edge hardcore band primarily from Houston, TX. The group was formed in 2018 with a clear focus: the mission of paying homage to the sound, aesthetic, and spirit of classic youthcrew inspiration, albeit with a darker modern twist, while expressing pertinent socio-political themes and opinions through engaging lyrical content and a poignant on-stage message. The Impact is their debut 7” pre-dating the Hope And Defiance LP, which came out a year and a half ago. Fast forward to Summer ’22— remixed and remastered by Scott Crouse (earth Crisis), it sounds even better than the original.

Life Force is a straight-edge hardcore band primarily from Houston, TX. The group was formed in 2018 with a clear focus: the mission of paying homage to the sound, aesthetic, and spirit of classic youthcrew inspiration, albeit with a darker modern twist, while expressing pertinent socio-political themes and opinions through engaging lyrical content and a poignant on-stage message. The Impact is their debut 7” pre-dating the Hope And Defiance LP, which came out a year and a half ago. Fast forward to Summer ’22— remixed and remastered by Scott Crouse (earth Crisis), it sounds even better than the original.

Bent Blue is a melodic hardcore band from San Diego, California who first emerged in 2020 via their DC hardcore-inspired demo, Between Your And You’re. The band quickly made waves throughout Southern California, and signed to War Records, who would go to release their demo on cassette and later issue a remixed and expanded version of Between Your And You’re as a limited edition 12” vinyl EP. Written and recorded throughout the pandemic, Bent Blue’s new EP, Where Do Ripples Go?, is a showcase of the band’s artistic progression and determination to stand out among their contemporaries. Sonically eclectic and arrangements that keep you on your toes, Bent Blue leaps forward energetically with the kind of melodic hooks that are both alluring and timeless. Earnest, impassioned, and aggressive, no two songs on the forthcoming EP sound the same. And while Bent Blue maintain their empathetic and socially conscious approach to their lyrical work, this record introduces deeply personal and introspective themes that discuss topics like self-confidence and grief. Where the demo exhibited the band’s understanding of their roots, Where Do Ripples Go? finds Bent Blue broadening their songwriting scope into new and thrilling directions.

With all the rave reviews of volume two rolling in, so too are the demands from folks across the globe to make volume one available again. Rather than simply re-issue it again as a 7” series, this pressing gives you the opportunity to pick up a copy on 12 inch vinyl, with these Jamaican style versions of “London Skinhead Crew”, “Only Fools Get Caught” and “Leave The Kids Alone” sounding bigger and badder than ever! Remastered and recut, this version fits right alongside volume two; putting a classy Jamaican-style reggae backbone to these Booze & Glory classics. Now is the time, pick up a copy and drop the needle down!

If you had to characterize Raised Fist - one of Sweden's hardcore scene's longest-running and most vital acts - with just one word, respect would be it. Want proof? Lou Koller of Sick Of It All described Raised Fist as "one of the world's three most progressive hardcore bands", Bruce Dickinson of Iron Maiden fame played them on his radio show and Jona Weinhofen (I Killed The Prom Queen, ex-Bring Me The Horizon) cites them as a huge influence. Speaking of the album, front man Alexander "Alle" Hagman says, "this time, everything has connected, like pieces in a perfect puzzle. You know when you have a classic album recorded." He continues, "when you do something with your heart, and the timing is right, there is magic. That is what happened with 'From The North'. From The North is where we are from, and we do shit differently up here! We do it hard, whether it's on stage or in the studio."

In the summer of 2021, the ArOzA Crew released the tune "Asphalt" as single. Shortly thereafter, the then still unknown band was perceived as a promising newcomer in the HipHop scene. Interviews were given with BET, Urban Vault UK, Puls, and the Süddeutsche Zeitung and the record label Expanded Art Records also got in touch to license the song for a 12inch vinyl. Instead of just one single song for a 12inch, the band offered EAR an entire EP with more songs from the time Asphalt was created and fitting remixes. For remixes, Flip from Texta and Maniac from the Demograffics were won over. Flip, a rap star in his country Austria, remixed the song "For Da Nation" which features London rapper Rece Miller. Maniac from the Demograffics, known for his work with Liquid, Dexter and the Tribez, did the remix work for the title song „Aspahlt“. Also on the EP the joint "Roswell Incident", a bomb by 90Wyse from Buffalo in the United States on which the ArOzA crew gave a feature. The 12-track EP is rounded off with the instrumentals of the songs and remixes.

What's Realness? Realness is a lifestyle, an attitude towards life. It is the essence of what HipHop's all about. Unfortunately this realness has been nearly completly lost in the last few years and is only rarely found in recent productions. One whack song followed by another is released to generate plays and to enter the charts. The Realness, the values, the art and the soul of this African American culture is being sold for some small change. Marlonhil is now stepping into the ring to revive HipHop with realness.

Praise is made up of members Andy Norton, Anthony Dye, Austin Stemper, Chris Bavaria, and Daniel Fang, who have made themselves familiar by their playing in bands like Turnstile, Have Heart, Mindset, Angel Du$t, and many others. Following an LP and a 12” EP that explored their deep passion for classic melodic hardcore, All In A Dream is the band’s most skillful and creative release yet, reaching back to the era of Revolution Summer bands while always looking forward. Recorded throughout the pandemic in Baltimore, Maryland, with Kevin Bernsten and Brian McTernan, these nine tracks find the band artfully channeling their influences while fine-tuning a sound that is totally their own.

For the bands that really make a difference, there are releases that prove to be the proverbial ‘tipping point’ - taking them to another level, exposing them to giant new waves of fans… “Under Tension“ de¬nitely had it’s game changing moments - but ultimately was hampered by a pandemic hell-bent on preventing this band from taking those tracks across the globe with serious gusto! ….This record, oh, this record… an EP at that, is without a doubt the one that will prove to be that game changing moment for the vast majority within earshot. It includes epic ballads and heart wrenching, truly game-changing barn-burning life-altering tunes, for Today. This is the real deal. If you’re into Punk, you are into this band, and this record is just epic! The power and presence that this band will throw in your face in every way, at every opportunity is an extension of “Under Tension” - Profound, somewhat intimidating, and most importantly - overwhelmingly welcoming... and noble! Best get out of the way, or better yet, sign up and join the ¬ght!

It’s been a long time since the world felt normal. This album really makes you feel like the world hasn’t changed, somehow. This band has changed though, albeit subtly. Punk hasn’t really changed though. The reason why you love Punk, and the reason why this band matters and why we all love them so much is showcased by the four tracks on this record, absolutely! It’s an EP, but it says all that needs to be said. It makes you feel why being a part of punk is important. We are a family, a culture, or a subculture if you want to call it that… But to us, it’s just culture, family and where we all feel at Home. It’s just who we are. Booze and Glory exemplify that. These songs ring true, speak volumes, and show why this band is so important to a musical movement with such a diverse yet globally unified social fabric. Its unquestionable that the past two years have changed the world, changed music, changed punk, and changed how we all feel about everything… and this album will make you realize that the way you feel about Booze and Glory may have changed too - but only in a good way! From one end of the world to the other, these songs ring true, speak volumes, and symbolize and embolden the true values and love that exist within the greater punk community. Love the love. Booze AND Glory. Raise that proverbial roof, all the way up! Oi! Oi!

Originally released in 1994 by Photographer Murray Bowles and Filth bassist Lenny Johnson’s collaborative East Bay Menace label, this split combined two of New Mexico’s fiercest hardcore bands on one split LP. East Bay Transplants from Santa Fe, New Mexico GRIMPLE’s sound had become more harsh, caustic and acidic, retaining strong songwriting of their debut LP but shedding some of their pop sensibilities for quick metallic riffing. Their brother band, Santa Fe’s Logical Nonsense had also begun to leans heavier, creatively arranged songs which front harsh guttural vocals and brutal crushing riffs pointing to the sound of their raging follow up LP’s on Alternative Tentacles, and their influences of Extreme Noise Terror, Naplam Death and Neurosis. This album has not been repressed since it’s original pressing in 1994. It was been remixed by Noah Landis from Neurosis / Christ On Parade and re-mastered by BOB Weston at Chicago Mastering Service. The packaging is true to the original but has been painstakingly recreated with slight upgrades, including a new 11x22” insert with band photos and lyrics.

Jesus Was Born in a Mobile Home, a cassette release from the fall of 1984, represents Spike in Vain's first attempt at a second album. Recorded shortly after the release of Disease Is Relative in January 1984, the original group returned to The Island and laid down tracks for nine songs, with a focus on the band's earliest material. Most of these songs were written before those that appeared on the debut album, so the tape functions as a prequel to the debut even though it was recorded afterwards. Some of the tracks have a more traditional hardcore approach than the first album, but there is still the trademark coloring outside the lines for which the group is known. And of course it's mostly quite dark, with the majority of songs addressing death or paralyzing fear. Not long after recording basic tracks, drummer Bruce Allen announced his plans to cut ties and focus on his own group. It was decided to quickly finish the recordings anyway, release them on cassette, and try again later when another drummer was found. Since one of the songs was rejected and the rest only added up to 20 minutes, it was decided to include additional random material to fill out the tape. But what glorious "filler" that turned out to be! There's the very first performance of "Ugly and Damaged" from the band's first gig in early 1983. And "Love Isn't Hollow" from a 1981 rehearsal tape featuring Bruce completely shredding on guitar, the only known recording of this embryonic version of the band. Rounded out with rousing live takes of the Stooges' "Real Cool Time" and a newer song, "Deathstyle," what seemed like random extras at the time of release now seem like prescient grave-robbing. They would've been lost by now had they not been issued back then.