Search "the+black+keys" 1855 Items

Release: 1973 / NL – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1973 | EU | Reissue (The Saifam Group)

Rocky's Filj

Storie Di Uomini E Non

35,99 €* 47,99 € -25%

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The Wild, The Innocent & The E Street Shuffle

Bruce Springsteen

LP | 1973 | US | Reissue (Sony)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Storia Di Un Impiegato Edizione Way Point Black Vinyl Edition

Fabrizio De Andre'

LP | 1973 | EU | Reissue (RCA)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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The Byrds Audiophile Violet Vinyl Edition

The Byrds

LP | 1973 | US | Reissue (Friday Music)

44,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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L'orso Bruno Black Vinyl Edition#

Antonello Venditti

LP | 1973 | EU | Reissue (Saifam)

39,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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2LP | 1973 | JP | Reissue (Liberty)

The Ventures

On Stage '73

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. 1976 reissue.

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Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

125,99 €* 139,99 € -10%

The Wild, The Innocent & The E Street Shuffle Sacd

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

44,99 €*

Ekseptional Classics - The Best Of Ekseption

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Ekseption

LP | 1973 | DE | Original (Philips)

4,99 €*

Release: 1973 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | DE | Original (EMI)

Cockney Rebel

The Human Menagerie

14,99 €*

LP | 1973 | US | Reissue (Riding Easy)

Release: 1973 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

vinyl is close to NM. small seam split

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ODA

31,99 €*

Lady Killer Black Vinyl Edition

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Of the plethora of touted "private press hard rock monsters'' out there, very few live up to the swaggering riff-fury of west coast blasters ODA. Commonly known as the "Black Album," the first clobbering platter by the quartet was released on their own tiny Loud Phonograph Records imprint and now commands large sums—but is actually worth the heavy hype. The band naturally centered around Randy Oda, a multi-talented ax shredder and keyboardist, and the lineup was filled out by his brother Kevin on drum assault, Art Pantoja on lead bellows and rhythm guitar, and galloping bassist Kyle Schneider.

The Oda brothers were born in Alameda County, California, attending Kennedy High School in Richmond, and started the band while still teenagers at the beginning of the '70s. ODA was influenced by hard UK rockers like Deep Purple, Zep, Free, and the Who, and they gigged all over the Bay Area, with Randy garnering comparisons to Jeff Beck's molten six-string mastery. This 1971 self-titled LP (aka the Black Album) fully displays their blistering talents, but despite some local airplay on Ksan radio, the band packed it in by '73.

This would not be the end of the Oda story, as Randy joined CCR's Tom Fogerty in the outfit Ruby afterwards, laying down his licks on two LPs that flirted with the mainstream, while staying true to his highly electric guitar muse. In 1983, ODA actually reformed for one more LP on Loud Phonograph, entitled Power Of Love. The comeback album delves a little deeper into radio friendly power pop, which makes sense, as in '82 Oda co-wrote "Think I'm In Love" with Eddie Money (which, let's face it, is Money's best song by like a mile). Randy would also collaborate with Fogerty as a duo, and the posthumous Sidekicks album (released after Fogerty passed) listed the clearly-integral Randy Oda as "arranger, composer, guitar (acoustic), guitar (electric), keyboards, primary artist, and producer.” In the 2000s, Randy would start another band with his brother called OPO which means "to lay a foundation" in Hawaiian, and ODA would reform to play a benefit in 2015 along with other obscure and heady/heavy Bay Area rockers like Savage Resurrection and Country Weather (some live footage of the event shows the band still rocking hard).

At last, Riding Easy is legitimately reissuing ODA's first smoking, gargantuan LP with bonus tracks, so crank this one up in the '70s Camaro with the windows open, and some dirt weed joints a-blazin'.

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Mouse

LP | 1973 | EU | Reissue (Sommor)

Bolex Dementia Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Led by legendary prog-fusion / session guitarist Ray Russell (John Barry Seven, Graham Bond, Georgie Fame, Running Man…) and bass player Jeff Watts (Steel Mill), Mouse released their only album in 1973 for the short-lived Sovereign label. An eclectic mix of progressive sounds, hard-rock, psych, blues and glam with stunning acid lead guitar. Includes their celebrated cover of Medicine Head’s “All the fallen teen-angels”. Remastered sound, original artwork in gatefold sleeve just like the original, insert with liner notes and pictures.

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Hard Stuff

LP | 1973 | EU | Reissue (Sommor)

LP | 1974 | EU | Reissue (Sony BMG)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Second and last album by Hard Stuff, originally released in 1973 on Purple Records. This time, the three-piece hard-rock group led by John Cann (Andromeda, Atomic Rooster…) and featuring John Gustafson on bass and Paul Hammond on drums, incorporate some cool funk-rock and experimental touches to their powerful sound. After touring with Deep Purple, Uriah Heep and Captain Beefheart, Hard Stuff started recording their second album at A.I.R studios with a few songs actually registered at De Lane Lea. Sadly, just before the LP was released, tragedy struck and Cann and Hammond were badly injured in a car crash in Belgium. Hammond took the worst part, having to stay for two months at the hospital. That was the end for Hard Stuff. “Hard Stuff’s second album, the underrated 1973 platter Bolex Dementia is perhaps a more accomplished and varied studio effort.” -Plastic Crimewave

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Bob Dylan

Blood On The Tracks

LP | 1974 | EU (Vinyl Lovers)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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180 gram vinyl of Rolling Stones number 9 ranked best album ever.

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Nico

The end

Release: 1974 / EU

Genre: Rock & Indie

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LP | 1974 | UK | Reissue (Back On Black)

Judas Priest

Rocka Rolla

LP | 1974 | US | Reissue (Discipline Global)

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Colored Vinyl

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King Crimson

Starless & Bible Black

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | US | Reissue (A&M)

Supertramp

Crime Of The Century

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Alejandro Medina Y La Pesada

LP | 1974 | EU | Reissue (Svart)

20,99 €*

It's Only Rock 'N' Roll Half Speed Remastered Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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A Svart Mondo release. Black vinyl, 500 copies.
Alejandro Medina Y La Pesada was recorded in 1974 and is the only solo vinyl album released by Alejandro Medina. Born on 1 November 1949 in Buenos Aires, Medina had been in big bands since he was a young teenager, joining Le Pasada del Pock and Roll who included some of Argentina’s finest musicians, such as Billy Bond (who handles the production on this album), Jorge Pinchevsky (who plays Violin on this record) and Pappo, among others. Medina recorded four albums with Le Pasada del Pock and Roll who also played at the third Buenos Aires Rock Festival in November 1972, which was recorded in the movie ‘Rock until the sun goes down’. On this, his solo album, he mixes delta style blues, progressive rock and bluesy style experimental ballads that feature sublime guitar work. Eclectic hard-rock guitar journeys with lush violins and powerful vocals. A deep collectors bounty, Alejandro Medina Y La Pesada is a rare Argentinian heavy rock milestone. La Pesada (which means “The Heavy” in English) gives us a good idea of what to expect with this exceptional heavy jewel.

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The Rolling Stones

LP | 1974 | EU | Reissue (Polydor)

27,54 €* 28,99 € -5%

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Svart)

Virtanen

Hal-00

21,99 €*

Emerges Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Svart Mondo presents a limited edition of 500 copies on black vinyl. Highly influential debut album of raunchy and energetic psychedelic early garage punk by Finnish legend Virtanen, originally released on the infamous Love Records label in 1974 and now presented as a first ever vinyl reissue. With a reputation of having wild stage shows, Virtanen’s Hal-00 was touted as the first Finnish punk rock album not only for the raw music but also for the band’s scruffy, outsider image. If Virtanen’s music needs classification, it is a brand of early garage rock, with proto-punk influences, inspired by Bowie, The Who, T-Rex and The Kinks. Ahead of their time in sound and style, Virtanen’s showmanship was unseen for a rock group at the time in Finland, and Hal-00 is nothing short of a timeless classic. Revitalised for a new era, with photo and lyric booklet with extensive liner notes.

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Stone Harbour

LP | 1974 | EU | Reissue (Out-Sider Music)

Eat A Peach Colored Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The absolute king of lo-fi basement psychedelia, originally released as a private pressing in 1974 by this duo from Ohio. From dreamy melancholic tracks to insane fuzzed-out heavy psych ones.

“Two multi-instrumentalists creating a melancholic dreamlike state with songs fading in and out of the speakers, cavemen drums, primitive electronics and murky fuzz lurking in the background. The best tracks go into places no other albums reach” Patrick Lundborg (Acid Archives). " ‘Emerges’ as in slowly from the primordial sludge of the universe. 'Emerges' like a slow, slouching spectre hauling itself out of the swamps. But then what's a boy to do?

It's 1974, you're young and have a head full of Hawkwind and Roky and the Elevators, old brutalist blues in the Hound Dog Taylor / Fred McDowell backwoods whisky-fucked mode, freakfolk and LSD; you're stuck in Hicksville, USA - that's Youngstown, Ohio to you lot; the music scene sucks; glam's dead or dying slowly; punk a good year of so from even starting to get itself born. Town's too damn small to even muster up a band in. It's just and your buddy and that's it, man.

So you grows your hair and wear satin, wander wide-eyed and tripping across small town railway tracks and hang loose at the weekend in your basement. You gather a bunch if cheapo instruments on the never-never and you start cutting low-fi bedroom demos. Slowly, slowly Stone Harbour emerge.

Stone Harbour were Ric Ballas - electric, acoustic and slide guitars; organ; piano; synthesizers; bass guitar percussion and voice - and Dave McCarty - lead vocals, drums and percussion... and out of nowhere and nothing, at entirely the wrong time, they cut an LP that will blow your head clean off. This is a trip into the true dark heart of psychedelia.

The music? What can I tell you? ‘You'll be a star’ shimmers and aches in the midnight; cymbals wash over you, Dave McCarty's vocals emerge from some subterranean cave and the keyboards flicker, flicker, flash across the periphery of the song; ‘Rock & Roll Puzzle’ is dark, twisted fried garage punk blues brutality in the same mould as 'White Faces' or 'Cold Night for Alligators', pre-empting The Gories and Pussy Galore by a good ten years!!

"Who invented rock & roll? And who invented soul? Was it you or was it me?" Indeed. Songs fade in and out; finger-picking blurs into screaming squeiching synths; guitars melt in the mid-summer heat. ‘Grains of Sand’ frazzles like The Stooges through a fucked-up amp and filtered through a transistor radio with the valves burning out.

‘Thanitos’ is the freak-out ending of ‘Julia’s Dream’ lost in suburban downtown US of A with the taillights cutting on the freeway... whilst ‘Summer Magic is Gone’ is the most haunted, haunting song I've heard in many a long strange moon. Shimmers like stars in the 2am fug and haze and bleeds lost and lonely and bruised into the heat-warped dawn. You're still awake though the brain don't work like it used to. Blurred and bleary and exhilarated and stoned the very core of the soul. Best record I've heard all year." Hugh Dellar (Shindig!)

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The Allman Brothers Band

2LP | 1974 | EU | Reissue (Vinyl Lovers)

34,99 €*

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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reissue with original insert on 180g vinyl plus three bonus tracks

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Eagles

On The Border

89,99 €* 119,99 € -25%

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Kosmische Kuriere)

Sternenmädchen

Gilles Zeitschiff

Eldorado: Sym By The Electric Light Orch

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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180g, black vinyl. Comes in a standard sleeve.Re-release of the original 1974 album by Gille Lettmann aka Sternenmädchen / Star Maiden.Live in the Quadro Studio: Gille and Klaus Schulze. Music inserts from the LPs "Seven Up" (Ash Ra Temple & Timothy Leary), "Lord Krishna von Goloka" (Sergius Golowin), "Tarot" (Walter Wegmüller).Statements by Sergius Golowin, Timothy Leary, Brian Barritt, Walter Wegmüller, Liz Elliot, Rolf-Ulrich Kaiser.Recorded at the Zeitschiff Studio Dierks. Carefully transferred and remastered from the original analogue master tapes by HaGü Schmitz at Dierks Studios in Pulheim-Stommeln in 2022.

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Electric Light Orchestra

LP | 1974 | US | Reissue (Mobile Fidelity)

119,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Black Sugar II Black Vinyl Edition

Black Sugar

LP | 1974 | EU | Reissue (Discos Monterey)

22,49 €* 24,99 € -10%

I've Got The Music In Me Half-Speed Master

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Released in 1974 with a "quadraphonic" sound. Brilliant songs by a cohesive band that knew how to materialize a memorable and original fusion project at an international level.

If Latin funk exists, it's thanks to pioneering bands like Black Sugar, a Peruvian group created in the early seventies that recorded two fundamental albums for the Afro-American and Latin genre. A pair of albums that are now re-released by the Valencian label Discos Monterey with the usual sound and visual quality to which we are accustomed. The roots of this band come from the Far-Fen (syllables for Farfisa and Fender), formed in the late sixties by guitarist Víctor "Coco" Salazar and Miguel "Chino" Figueroa on keyboards. One night they were spontaneously joined by the sensational voice of Carlos "Pacho" Mejía. In the seventies, in the Peruvian capital there was a shortage of "white" sugar and the darker cane sugar was consumed. Hence the group's name. Peru was in the midst of a dictatorship and the military were against music that did not come from Peruvian folklore.

Rock and roll with foreign roots languished due to the imposition of the established power, and Black Sugar emerged, whose main skill was to mix, with enormous passion and fascinating ability, Latin sounds and the funk that came from the United States.

The result is two memorable albums, with a large part of their own songs and most of them composed by Pacho. The first, with an eponymous title, was released in 1971 by Sono Radio, whose musical director Jaime Delgado Aparicio was in charge of the fiery arrangements with generous brass and energetic percussion. Released with the credits in English, they managed to break into the Top Ten of the Miami charts with the song "Too Late". They even received an offer to record their next album in the United States, but decided to stay in their country. That second album was released in 1974 with a "quadraphonic" sound, taking advantage of the label's magnificent studios. From the mid-seventies onwards the desertions began and it would not be until 2010 that the project would be recovered with some historical and younger musicians.

To listen to Black Sugar is to go back to the Peruvian night of the seventies with fiery music, full of sensuality and rhythm. Brilliant songs by a cohesive band that knew how to materialize a memorable fusion project, very original and at an international level. Two unique albums reissued by Monterey that will delight all lovers of Afro-Latin sounds and good music in general. Alex Magic Pop

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The Kiki Dee Band

LP | 1974 | UK | Reissue (Demon)

39,99 €*

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Niente Da Capire Black Vinyl Edition

Francesco De Gregori

LP | 1974 | EU | Reissue (The Saifam Group)

21,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | DE | Original (RCA International (Camden))

Everly Brothers

The Everly Brothers

3,79 €* 3,99 € -5%

Release: 1974 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

7" | 1974 | UK | Original (Bus Stop)

Paper Lace

The Black-Eyed Boys

3,99 €*

Release: 1974 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: Generic

The Power And The Glory 40th Anniversary Steven Wilson Remix Edition

Gentle Giant

LP | 1974 | EU | Reissue (Alucard)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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7" | 1974 | US | Reissue (Just Add Water)

Shakane

Gang Man / Gang Bang

Poder Del Alma II Black Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Heavy 1974 Junkshop Glam cruncher “Gang Man” available again for the first time in nearly 50 years. B-side is the unreleased original version entitled “Gang Bang” with the tawdry lyrics that could not be released in any way, shape or form back in the 70s. Produced by Miki Dallon who also worked with The Boys Blue, The Sorrows and early Billy Murcia-era New York Dolls. Edition of 300 copies on black vinyl.

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Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

Poder Del Alma Black Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Impossible to find second album by this band from Nicaragua, 1975. A cool mix of Latin funk, jazz, salsa and psychedelic grooves. Including some of their most sought after tracks like ”Bacanal’ 76”, “Mimo” or the antiracist statement “La Conga de las Dos Razas”. After recording their first LP in Guatemala, Nica supergroup Poder del Alma travelled to Costa Rica to register their second album. This time the recording studio and equipment (including Mini-Moog) were better and the band featured a new line-up. The result was a powerful album which is now one of the holy grails of Latin funk worldwide.

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Poder Del Alma

LP | 1974 | EU | Reissue (Pharaway Sounds)

24,29 €* 26,99 € -10%

Assim Assado Purple Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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First ever reissue!! Psychedelic Latin-funk holy grail from Nicaragua, 1974!! Poder del Alma (“Soul Power”) was a supergroup formed by some of the best musicians from the Nica scene. This all-star band of nine members was assembled to play at the famous free concert of Santana in Managua in benefit for the 1972 earthquake. After that successful gig supporting the Latin-Rock superstar, what was to be a one-night stand became the seed of the most loved Nicaraguan act from the 70s. All the members had already played an important role in the history of the Nica music / hippie scene in the 1960s. Among them, we can find Román Cerpas (previously on Bwana), René “Chapo Domínguez (Los Rockets), Edgar “El Gato” Aguilar… A few months after the Managua concert with Santana, Poder del Alma traveled to Guatemala to record their first long play for Dideca (Discos De Centroamérica, S.A.) in just one week of recording sessions. Despite the low budget and precarious recording equipment, the band managed to obtain a powerful psychedelic / afro / funk-rock sound full of electric guitar, heavy drums, hot, percussion, horns, Spanish male/female vocals…featuring titles like “El Valle del Ayatimbo”, “Ia-Taa Yo”, “Zúmbale”…

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Assim Assado

LP | 1974 | EU | Reissue (Groovie)

26,59 €* 27,99 € -5%

2LP | 1974 | JP | Original (Asylum)

Release: 1974 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The name of the band and the cover of the disc explicitly reveal the influence: Secos&Molhados. Investing in androgenia, progressive rock and samba-soul, Assim Assado tried to be a response of the small CID label to the enormous success that the Secos&Molhados did to the young public.

Led by Miguel de Deus (formerly Os Brazões), who signed most of the compositions and assumed the guitar and vocals, the group never took off, leaving only this LP, now almost forgotten. Curiosity: in 1977 Miguel de Deus falls headlong into funk, casting the rather interesting (and rare) "Black Soul Brothers" Also repressed on Groovie Records.

Band formed by Miguel de Deus in 1974, inspired by the Secos&Molhados and making clear both in the name, which is copied from a song of Secos&Molhados, both on the cover of the band's only album. Also the visual was well androgen but the music, a mixture of psychedelic, Progressive and a strong touch of Brazilian Soul music. The only album that had the same name as the band, did not get repercussion despite presenting a lot of quality.

Now the repress of this rare pearl brings to the light the huge talent of Miguel De Deus.

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Bob Dylan / The Band

Before The Flood

19,99 €*

2LP | 1974 | US | Original (Epic)

Release: 1974 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl close to VG+

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The Zombies

Time Of The Zombies

39,99 €*

Don't Be Fooled By The Name

Release: 1974 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Pitman Pressing.
Records are close to VG+
Cover with ring wear.

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Geordie

LP | 1974 | UK | Reissue (Demon)

38,99 €*

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Ingresso Libero 50th Anniversary Black Vinyl Edition

Rino Gaetano

LP | 1974 | EU | Reissue (RCA)

25,59 €* 31,99 € -20%

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Alice Cooper's Greatest Hits

Alice Cooper

LP | 1974 | US | Reissue (Friday Music Two)

44,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Volume 8 Black Vinyl Edition

Fabrizio De André

LP | 1974 | EU | Reissue (RCA)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | UK | Original (Island)

Traffic

When The Eagle Flies

22,99 €*

LP | 1974 | US | Original (20th Century)

Release: 1974 / UK – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve.

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Mahogany Rush

Child Of The Novelty

36,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1974 | EU | Reissue (Universal)

Kiss

22,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Good Mornin' / Zip-A-Dee Doo-Dah / You Were The One

Lou Christie

7" | 1974 | US | Original (Three Brothers)

3,99 €*

Release: 1974 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

From The Album Of The Same Name

Pilot

LP | 1974 | DE | Original (EMI)

7" | 1974 | US | Reissue (Just Add Water)

Release: 1974 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Few paper scuffs. Cover is close to NM.

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The Damned

Morning Bird / Theta

15,99 €*

The Ventures On Stage '74

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Back in print for the first time in 50 years! This studio creation Junk Shop Glam grail was produced by Miki Dallon (The Sorrows, Boys Blue, Shakane, New York Dolls) for his Young Blood International label in 1974. This is Obviously not the later more famous UK punk group of the same name. This was a one-off studio project. We first heard this on our good friend Phil King's superb Velvet Tinmine comp yonks ago. Made to be played in the discotheques back before disco ruined said discotheques." 300 pressed.

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The Ventures

2LP | 1974 | JP | Original (Liberty)

12,99 €*

Tales Untold Black Vinyl Edition

Release: 1974 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. Seems unplayed.

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Kopperfield

LP | 1974 | EU | Reissue (Out-Sider Music)

The Lamb Lies Down On Broadway

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Progressive hard-rock album from 1974 by this Michigan band that shared stage with top names like James Gang, Kansas and Foghat.

Expect loud, screaming guitars and heavy Hammond organ!

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Genesis

2LP | 1974 | EU | Reissue (Charisma)

41,99 €*

The Lamb Lies Down On Broadway

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2018 reissue.

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Genesis

2LP | 1974 | EU | Reissue (Charisma)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 1975 | EU | Reissue (Universal)

Kiss

Alive

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Frank Zappa & The Mothers Of Invention

One Size Fits All

LP | 1975 | EU | Reissue (Universal)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Trying To Burn The Sun Black Vinyl Edition

Elf

LP | 1975 | EU | Reissue (Music On Vinyl)

Metamorphosis UK Green Record Store Day 2020 Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Trying to Burn the SunbyElfis a great listen for all fans of 70s rock, not only Dio and Rainbow fans.

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The Rolling Stones

LP | 1975 | EU | Reissue (Universal)

33,99 €*

LP | 1975 | EU | Reissue (Speakers Corner)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.

The first official Rolling Stones’ rarities collection originally released in June 1975 to try and outwit the bootleggers. The release combines some legendary out-takes and rarities as well as focusing on the wealth of demos that Jagger & Richards composed for other artists (produced by Andrew Loog Oldham or Jimmy Miller). Remastered by Bob Ludwig (Gateway Mastering) and Lacquer cutting by Sean Magee (Abbey Road Studios) Released exclusively on 180g Hunter Green vinyl Includes exclusive iron-on t-shirt transfer of the sleeve design, which alludes to Franz Kafka’s ‘The Metamorphosis’ (the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect!). This release replicates the U.K. version, with two extra songs, “Some Things Just Stick In Your Mind” and “We’re Wastin’ Time” that were not on the original U.S. release.

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Michael Franks

The Art Of Tea

34,99 €*

LP | 1975 | EU | Reissue (Life Goes On)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Michael Franks is a master of words. Not only did he study American Literature, he is also a song writer and a composer of film music, which he demonstrates in his début album with a major label, where music and language are on a par. Originally a jazz musician, Franks reached out to pop and rock fans with "The Art Of Tea". Sensually inspiring and playful numbers such as "Popsicle Toes" and "Eggplant" are full of crafty wordplay and almost Henry Mancini-like, airy jazz-pop. With a similar approach as Steely Dan, Franks’ singing and songwriting creates the basis for a sound that is founded on the support of top-notch musicians, many of whom are among the finest studio jazz musicians on the scene. The allstars line-up blazes with names such as Dave Sanborn and Michael Brecker on the saxophone. Guitar guru 'Mr. 335' Larry Carlton on the semi-acoustic guitar, Joe Sample at the keyboard, along with Wilton Felder on the bass contribute their Crusaders touch to the recording. Responsible for this impressively meticulous recording is, a.o. chief recording engineer Bruce Botnick, who also expertly taped the Doors and Beach Boys. The present production occupies the highest status in Franks’ discography, and has seldom been surpassed.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May and June 1975 at Capitol Recording Studios, Los Angeles, by Al Schmitt, Bruce Botnick and Lee Hershberg Production: Tommy LiPuma

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Tin Pan Alley

12,99 €*

The Sinking Of The Titanic

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Tin Pan Alley is the name given to a collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. It originally referred to a specific place: West 28th Street between Fifth and Sixth Avenues in the Flower District of Manhattan. Haruomi Hosono (Apryl Fool, Happy End, Ymo), Masataka Matsutoya (music producer, arranger, keyboard player and composer married to popstar Yumi Arai), Shigeru Suzuki (also guitarist in Happy End) and drummer Tatsuo Hayashi (later on in fusion prog-bands such as Aragon and Parachute) took the name for granted. Their 1975 self-titled debut is stil one of the most sophisticated venture in the so called city pop scene.

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Gavin Bryars

LP | 1975 | EU | Reissue (Superior Viaduct)

38,99 €*

LP | 1975 | CA | Reissue (Return To Analog)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Inaugural release on the seminal Obscure Records, Produced by Brian Eno in 1975. Featuring Derek Bailey, Michael Nyman and John White, First-time vinyl reissue.

Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars eloquently reconstructs the passengers' experience – at once forlorn and eerily calming – through assemblages of understated strings and indeterminate elements. A core principle of the piece is that the ship's band continued to play as the vessel went down. One of the most sublime works in the modern classical canon, Titanic remains Bryars' magnum opus. Jesus' Blood Never Failed Me Yet, the album's second sidelong track, is based on a tape loop of a London street singer captured in the early 1970s. Featuring Derek Bailey, Michael Nyman and John White, Bryars' composition gradually builds around the cripplingly poignant voice until its emotional force is almost too much to bare. It's no surprise that Jesus' Blood is known as Tom Waits' all-time favorite piece of music. Produced by Brian Eno in 1975 as the inaugural release on Obscure, The Sinking of the Titanic draws the listener in to a majestic world. While these exquisite, hymn-like recordings have not changed in nearly 50 years, their deeply personal nature and the audience's attention to their subtlety have only strengthened over time.

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Lothar Jahn

Dreams Of '75

LP | 1975 | EU (Trading Places)

Release: 1975 / CA – Reissue

Genre: Rock & Indie

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Singer/songwriter and multi-instrumentalist Lothar Jahn’s Dreams Of 75 is a wild fusion of psychedelic folk, and Krautrock. Fantastic from beginning to end “Dreams of ’75,” will take listeners on a stereoscopic journey

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John L. Watson

Let's Straighten It Out

21,99 €*

LP | 1975 | US | Original (ATCO)

Release: 1975 / EU

Genre: Organic Grooves, Rock & Indie

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Following his tenure fronting British psychedelic rock act The Web, who cut a couple of likeable albums featuring his bluesy, soulful lead, US-born vocalist Mississippi John L. Watson went solo, working with Pete Wingfield on his 1970 debut, White Hot Blue Black. Superior sophomore set Let’s Straighten It Out was released on Bob Kingston’s Spark label in 1975 and credited to John L. Watson and White Mouse, with Watson headed in a funk direction; along with the potent title track, there’s a fine cut of Gwen McCrae’s ‘Rockin’ Chair,’ making the set a sure-fire winner for Watson fans and lovers of British funk and soul.

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Black Oak Arkansas

Ain't Life Grand

3,14 €* 8,99 € -65%

LP | 1975 | EU | Reissue (Lipposen Levy Ja Kasetti)

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Cover is missing. RI pressing.

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Jukka Tolonen

Hysterica

Kristyl Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Tolonen's 1975 album Hysterica was nearly an international hit, with the band scheduled to appear on a major international tour. However, things didn't work out and the album remains a cult item. Some songs from it, such as Silva The Cat and Windermere Avenue, are perennial favorites on compilations of Tolonen's best work.

This edition features newly done interviews with Tolonen and other key players such as Esa Kotilainen and Häkä Virtanen. The cover is expanded to gatefold format.

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Kristyl

LP | 1975 | EU | Reissue (Guerssen)

LP | 1975 | EU | Reissue (RCA)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Stunning private press album from 1975 by Louisville guitar-driven psych-rockers.

A blend of West Coast styled psychedelia with acid dual guitar and gentle dreamy passages.

Officially reissued for the first time by Guerssen in 2009, here’s a new, improved repress sourced from recently discovered master tapes.

*Original artwork in hard cardboard sleeve + OBI *Insert with liner notes and photos *Sourced from the original masters

“Personal fave, one of the big ones in the style” – Patrick Lundborg (Acid Archives)

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Francesco De Gregori

Rimmel

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | CA | Reissue (Return To Analog)

Maneige

7" | 1975 | US | Reissue (Just Add Water)

Release: 1975 / CA – Reissue

Genre: Rock & Indie

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Legendary prog band from Montreal,Qc.Reissue of first album.

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Fat Daddy

Roll Daddy Roll

7" | 1975 | US | Reissue (Just Add Water)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Sharpie faves FAT Daddy formed in Melbourne in 1974. “We were anti the whole pretty boy/satin/Sherbert thing. We wanted to be the ugliest band in the world.” - guitarist/vocalist Max Vella. We’re reissuing another killer single from the 70s Aussie label, Bootleg Records. This is right up there with peak Boogie-era Status QUO, whom they toured OZ with in '76. What a strutting belter this is. This was originally released in 1975 and this very tough-to-find single never been reissued before. Edition of 300 on black vinyl.

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Lobby Loyde

Do You Believe In Magic?

Easy! Black Vinyl Edition

Release: 1975 / US – Reissue

Genre: Rock & Indie

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We’re doing a deeper dive into fave Lobby LOYDE’s oveure. “Do You Believe In Magic” is obviously not the famous hit by The Lovin’ Spoonful. It is a Lobby original and was in fact one of the earliest Coloured Balls tunes dating from early ‘72. The ‘Balls never ended up recording it. A few months after their split in early ‘75, Lobby recorded it with him on lead vocals, guitar, bass, keyboards, Jimmy Thompson (ex- Vince Maloney Sect, Tony Worley & The Blue Jays and Billy Thorpe & The Aztecs on drums, plus Paul Dixson on sax. This single was issued in December 1975 on the Bootleg label and has never been reissued before. It is an honor and pleasure to keep Lobby’s music alive. Edition of 400 copies on black vinyl.

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Wojciech Karolak

LP | 1975 | EU | Reissue (Warner)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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2LP | 1975 | US | Original (Capitol)

Grand Funk Railroad

Caught In The Act

LP | 1975 | US | Original (Phantom)

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original US Winchester pressing. Vinyl is Close to VG+.

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Leslie West

The Great Fatsby

19,99 €*

LP | 1975 | US | Reissue (Capricorn)

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

slight seam wear

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The Allman Brothers Band

Win, Lose Or Draw

8,99 €*

LP | 1975 | EU | Reissue (Virgin EMI)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with cut corner

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Queen

A Night At The Opera

2LP | 1975 | JP | Original (United Artists)

Release: 1975 / EU – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2015 reissue.

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The Ventures

On Stage '75

6,99 €*

LP | 1975 | JP | Reissue (Warner)

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

No Obi, with insert. Cover has foxing.

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The Doobie Brothers

Best Of The Doobies

LP | 1975 | EU | Reissue (Life Goes On)

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. Vinyl is close to NM. Tiny wear. 1983 reissue.

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Brast Burn

Debon

Nr. 1 Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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This extremely rare psychedelic album contains two long tracks, which provide an interesting forty-seven minutes long surreal experience for willing listeners. Led by Japanese guru Karuna Khyal, the band literally shows a narcotic and hypnotic groovy feel heading to massive bluesy tribal section. A cult in its own !

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Grave

LP | 1975 | EU | Reissue (Sommor)

Captain Fantastic And The Brown Dirt Cowboy

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Ultimate Kraut basement hard-rock garage monster, originally released as a small private pressing edition of 100 copies in 1975. Originally from Brinkum (near Bremen), Grave was formed in a basement in 1975. Using a primitive tape recorder and just two mics, six tracks were recorded live at a makeshift studio located at the Brinkum Jugendhaus (Youth Center) in summer 1975, resulting in the Grave Nr. 1 album. Grave’s music is raw, sincere, melancholic and unadulterated.

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Elton John

LP | 1975 | JP | Original (DJM)

Return To Forever Featuring Chick Corea

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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No Mystery

LP | 1975 | DE | Original (Polydor)

16,99 €*

LP | 1975 | WW | Reissue (La Munai)

Release: 1975 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Price tag.

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One Dee Group

Pop Sunda

LP | 1975 | Reissue (Not Now Vinyl)

Release: 1975 / WW – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

LaMunai Records is a record label from Jakarta that pays full attention to archiving Indonesian music. This time, there are proud to announce the release of an exclusive vinyl compilation from the legendary music group One Dee Group, led by the versatile musician, Wandi Kuswandi. The name “one dee” itself is a play on his name, “Wandi”. This vinyl is a tribute to the musical journey of Wandi Kuswandi, a musician, singer, band leader and songwriter who is widely known for his extraordinary talent and contribution to the world of Indonesian music. Wandi Kuswandi, born in Bandung to parents from Banten, began entering the world of music as a teenager by playing Rolling Stones songs. In 1974, he formed a band called ODALF, which stands for One Dee and Lady Faces. With ODALF, Kuswandi and his group managed to second place in the Festival Band Girls held by Top Magazine at Istora Senayan, Jakarta.

“One Dee Group” vinyl compilation features the best collection of One Dee Group songs, providing musicians with the opportunity to experience the beauty and uniqueness of their works. This Vinyl is not only a sweet memory for old fans, but also an introduction to a new generation to get to know one of Indonesia’s great musicians.

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Fleetwoods

The Very Best Of

Release: 1975 / Reissue

Genre: Rock & Indie

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The Sensational Alex Harvey Band

Tomorrow Belongs To Me

LP | 1975 | UK | Original (Vertigo)

9,99 €*

Release: 1975 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Manfred Mann's Earth Band

The Roaring Silence

LP | 1976 | EU | Reissue (Petbrook)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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2LP | 1976 | EU | Reissue (A&M)

Peter Frampton

Frampton Comes Alive!

31,99 €*

LP | 1976 | EU | Reissue (Warner)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Back To Black remastered reissue on 180g vinyl incl. download code!

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The Eagles

Hotel California

29,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Dr. Aftershave And The Mixed-Pickles

Missus Beastly

LP | 1976 | EU | Reissue (Garden Of Delights)

29,99 €*

The Modern Lovers Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Dr. Aftershave And The Mixed-Pickles', originally from 1976, was Missus Beastly's third album, which once more offered some solid, mostly instrumental jazz-rock. It was the first album to be released on April Records, a label managed by Missus Beastly, Ton Steine Scherben, Embryo, and Sparifankal. The LP was recorded at the beginning of 1976 in the well-known Stuttgart Zuckerfabrik studio. This LP-reissue comes with an 8-page LP-sized insert.

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The Modern Lovers

LP | 1976 | EU | Reissue (Music On Vinyl)

Let Your Light Shine Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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This is the eponymous debut studio album by the American Rock band the Modern Lovers, originally released in 1976. Six tracks ("Roadrunner", "Astral Plane", "Old World", "Pablo Picasso", "She Cracked" and "Someone I Care About") were produced by John Cale.

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Ruphus

LP | 1976 | EU | Reissue (Karisma)

29,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Win Or Lose Black Vinyl Edition

Magi

LP | 1976 | EU | Reissue (Got Kinda Lost)

LP | 1976 | EU | Reissue (Out-Sider Music)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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First time authorized reissue of Rust Belt hard rockers Magi’s (pronounced ˈmā-ˌjī) 1976 privately-pressed, hard rock nugget, Win Or Lose, originally issued on the infamous Uncle Dirty’s Sound Machine label. Win Or Lose carries similar glimmers to other vulgar, pre-PC, mid-Amerigan rock whose stock-in-trade boy meets girl early rock’n’roll topicry could easily be pulled from the Rock 101 playbook, but Magi was more than mired in muscle and machismo. Magi displayed the general insouciance, hormones, and discontent of their age, but also a concerned and wounded heart underneath the veneer, much less common to the field. While essentially a meat-and-potatoes hard rock record, the album flies closer to the early ‘70s beginnings of the genre (with nuance and psychedelic hangover in tow), when the definition was less rigidly and generically defined, and is additionally expertly sequenced across its eight strong tracks, improved by a masterful mix and remaster by T. Dallas Reed (Electric Wizard, Iron Claw, Mos Generator, Orange Sunshine, Poobah, Saint Vitus, Treepeople, Truth And Janey, et al.), utilizing a reel-to-reel from the original recording sessions. In-depth and informative liner notes by Jeremy Cargill (Got Kinda Lost / NTS Radio) and Patrick Lundborg. As the uncredited seeker who penned the original rear sleeve text expressed... “Energy is apparent, the subtleties are there, listen, there’s no question how they feel! Feel it with them! Feel the Magi!” “…quite contemporary in style for its 1976 release year. Regional and local bands tend to lag behind dominating music trends by a few years, but Magi’s sound seems entirely in line with then popular acts like Aerosmith, early Kiss, and maybe Ted Nugent.” – Patrick “The Lama” Lundborg (The Acid Archives)

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Apocalypse

The Castle

Manfred Mann's Earth Band

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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70s Chicago-area based band Apocalypse used their double-neck guitars to create chamber prog suites about faraway castles.

Their lost 1976 LP (used as a demo), with male/female harmonies, violin, mellotron and fuzzed-out guitars/keys has been unearthed by Steve "Plastic Crimewave" Krakow. With their lenghty and tuneful musical odysseys, Apocalypse conjures the golden mid-70s progressive period of Renaissance, Soft Machine, ELP, Gentle Giant and Genesis.

Travel back in time with the Salvatori family. Way back to 1976, when he was in high school, Tom Salvatori teamed up with older brother Michael Salvatori, Michael’s wife Gail Salvatori and Tom’s classmate Scott Magnesen.

As Apocalypse they recorded an album of pure progressive rock magic called The Castle. Although the 5-song, 38-minute demo was an amazing showcase for their collective progressive rock leanings, The Castle remained an unreleased artifact until 2021 when the reel-to-reel master tape of the presumably long-lost relic was rediscovered by Michael in a dusty old basement storage bin. Music fans can be thankful that Michael’s rediscovery of the Apocalypse master tape has now led to a vinyl-only reissue of The Castle.

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The Roaring Silence Record Store Day 2022 Picture Disc Edition

LP | 1976 | EU | Reissue (Creature Music)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Wah Wah)

COS

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