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Featuring drummer extraordinaire Keith Carlock (Steely Dan, Toto, John Legend, Sting) and multi-instrumentalist Jacob Holm-Lupo (White Willow, The Opium Cartel, Donner) as well as up-and-coming guitarist Stian Larsen and keyboardists Brynjar Dambo (White Willow) and Bill Bressler, Solstein is a project that melds the groovier side of fusion with elements of prog and funk. The project was born after Holm-Lupo and Carlock collaborated with legendary guitarist Georg Wadenius on a track for Holm-Lupo’s Donner project. The collaboration worked so well that the pair decided to work together again on a whole album. Solstein is not your typical 2020s fusion affair. A lot of inspiration has been taken from the funkier, more melodic end of the spectrum, with the band name-dropping The Crusaders, Idris Muhammed, early Bob James and 70s Herbie Hancock. Given some of the member’s prog backgrounds, there are also echoes of the jazzier side of prog, like Camel, Happy the Man and some of the Canterbury scene bands. Holm-Lupo and Carlock’s shared love of Steely Dan also shines through in a number of tracks. More than anything, though, Solstein is a playground for the musicians, where everyone was given free reins to do whatever they felt the music needed. If it put a smile on everyone’s face, it was deemed right. The result is an album that is accessible yet adventurous, colourful, groovy and engaging.

RidingEasy Records has teamed up with Permanent Records in Los Angeles to bring this very special heavy psych rocker back into the fold for RSD 2023. New York City based African-American & Latino hard rock/psych trio Maximillian released their sole self-titled album on ABC Records in 1969, then promptly vanished. It has remained a collectors’ conversation piece ever since. Maximillian combined elements of beat poetry, a little bit of The Fugs, a hit of Funkadelic, a lick of Cream and a vibe of Hendrix worship with an ambition that seems to have jumbled these influences. The Maximillian album is a rare artifact of late-60s psychedelic rock whose appeal is not the skill of their musicianship, but the downright strangeness of it. While at times it sounds like the trio is playing entirely different songs at the same time, it’s said that producer Teddy Vann had a hand in the album’s sometimes confusing production. Gatefold

Picture Disc Limited edition. Still sealed with hype sticker.

Svart Records proudly present The 69 Eyes' Motor City Resurrection first time on vinyl!

Motor City Resurrection is a compilation of early material by the Finnish rock band The 69 Eyes. Originally released in 1994 by 1 + 2 Records, the compilation presents the band's glam metal and hard rock phase containing early 7" singles and EPs. Now mastered for vinyl by Mika Jussila at Finnvox Studios with close supervision by the band, Motor City Resurrection has never sounded this good before.

"A patchwork collection of 69 Eyes’ early work stitched together in 1994, Motor City Resurrection has all the flash and trash you could possibly want from a bunch of high-cheekboned motherfuckers with long hair and cranked-up guitars and none of the pandering Hollywood bullshit that drove folks away from this stuff in the 90s. Songs like Discipline, Barbarella, Mrs Sleazy and their fiery take on Kiss’s Deuce deliver full-impact sleaze metal with no remorse and no sense of irony." -Sleazegrinder, Classic Rock

This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘a near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.

This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.
The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.
The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.
Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).

Made in Germany

Rodion-Ladislau Rosca spent his lifetime creating music that was ambitious, groundbreaking and innovative. He was a pioneering composer, a talented multi-instrumentalist and producer. He pushed musical boundaries to their limits. This he did as a solo artist and with his group Rodion G.A.

The legendary Copenhage concert finally on vinyl including three bonus tracks.

Still sealed with hype sticker. tiny wear. 2019 reissue.

The Happenings Four were one of the most cutting-edge groups in Japan in the 1960s, and this album contains 12 Beatles covers from the "October Tokyo, 1969" (cat number Fj235), released on November 23, 2022. The Beatles' numbers are arranged in Latin jazz, bossa nova, soft rock, psychedelic, and progressive rock style, and the world-class high standard sound, which is hard to believe that only four members played live, is miraculously recorded in high quality line recording, which is the Happenings sound, a surprise for Beatle maniacs all over the world! Limited analog LP edition!

Red vinyl Limited edition. Still sealed.