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Record Store Day 2021 Drop 2 release Italy.

Record Store Day Italia 2021 Drop 2 release.

Record Store Day 2021 Drop 2 release.

Shiver emerged in the early 1970’s from the psychedelic fires of the legendary San Francisco music scene. Carrying the blazing torch that Blue Cheer ignited several years earlier, Shiver developed a massive heavy rock sound that combined riff-heavy psychedelia with epic powerful jams, such as their 15-minute long classic “Alpha Man”. Shiver was an explosion of wild guitar solos and manic vocals erupting over throbbing drumming and thumping bass! With a sound that was tough as nails and wondrously exploratory, they were loved by hippies and bikers alike!

Originally laid to tape on a 2-track machine in 1972, these songs are but a taste of the power that Shiver brought to the stage as a live act! This LP was first issued by the Rockadelic label in 2000, and Yunque Records is proud to present this Newly Remastered and first ever reissue. It includes two tracks Previously Unreleased on vinyl, an insert with newly restored photos, and liner notes by drummer Don Peck. In addition, special care was taken to pay respect to Don’s original design of the LP.

Still sealed. 2015 reissue.

Psychedelic, progressive folk-rock masterpiece from 1971, recorded in London by John St. Field aka Jackie Leven (of Doll by Doll fame) but only released in Spain back at the time. Before becoming a cult singer/songwriter in the 90s, Scottish musician Jackie Leven debuted in the early 70s with “Control”, issued under the John St. Field pseudonym due to “problems with the forces of law and order”. Recorded in London and helped by musicians from MAN and other friends (Phil Ryan, Juliet Lawson, Jesse Ballard, Joe Kucera…), the album featured a collection of wonderful songs written by Jackie after his experiences wandering away and taking copious amounts of LSD. Unlike previous reissues, this one features the complete tracklist in original running order and also a new insert with previously unseen photos / memorabilia and recollections from some of the musicians involved.

For real avid fans of the Cluster/Eno axis, this is going to be an essential purchase! - After the release of the second longplayer "Deluxe" in August 1975 Harmonia went back to touring the rest of the year until Roedelius, Moebius and Rother ended their collaboration in summer 1976. All three members started solo projects, but rejoined as Harmonia in September 1976 for a short time when renown Brian Eno visited them in Forst, Germany for eleven days, living and recording with Harmonia, before Eno went on to work with David Bowie. The material from "Tracks And Traces" is from this eleven days, and was not released until 1997 because the tapes were long considered lost - Rykodisc and Sony's S3 label did release nine tracks on CD only - but here's the expanded re-issue for Grönland Records from 2009 with an excluisve new artwork and three additional tracks on CD and for the first time as well as 2LP-Vinyl-set!

Following his tenure fronting British psychedelic rock act The Web, who cut a couple of likeable albums featuring his bluesy, soulful lead, US-born vocalist Mississippi John L. Watson went solo, working with Pete Wingfield on his 1970 debut, White Hot Blue Black. Superior sophomore set Let’s Straighten It Out was released on Bob Kingston’s Spark label in 1975 and credited to John L. Watson and White Mouse, with Watson headed in a funk direction; along with the potent title track, there’s a fine cut of Gwen McCrae’s ‘Rockin’ Chair,’ making the set a sure-fire winner for Watson fans and lovers of British funk and soul.

Japanese pressing with OBI!

Original japanese pressing with obi. Cover is close to NM.

Japanese pressing without OBI. close to NM.

Cool late ‘60s US Pepperish psychedelia with inventive arrangements, fuzz guitars, studio effects…Recorded in 1967-68 but shelved at the time.
Famous for their “Psychedelic Illusion” 45, US garage-psych band ONE OF HOURS formed in Lexington, KY, in 1966. After adding guitar player Bob Willcutt to their line-up, they released their second 45, “Feel the Pain" / “Psychedelic Illusion”, in 1967. Work then began on an album of a complete but varied musical experience called "When You Hear the Music, It's Yours".
Fuelled by the creative force of band member Shawn Foreman (a true visionary who would create the cult electro / disco project Transistor-Jet in the 80s), the group (now called Dandelion Wine) entered Chetwyd Studios where they, in true psychedelic mode, experimented and used unusual techniques like backwards recording, paper under piano strings, singing through a comb, interconnecting Fuzz boxes, etc.
The finished master tape containing 12 songs with titles like “Two Heads For 25 Cents”, “Sweet Dragonfly” or “Incense C-19X” was sent to the Liberty label with the promise of an album contract for 1968…but the deal never came through and the master tape was destroyed in a warehouse fire. Luckily, Bob Willcutt kept a first generation copy of the master with perfect sound which we present here in a deluxe vinyl edition, housed in a silver mirrored die-cut sleeve.

Japanese pressing without OBI! Copy is close to NM!

Original US Monarch pressing.

Sticker oncover. Original inner sleeve. close to NM.

LaMunai Records is a record label from Jakarta that pays full attention to archiving Indonesian music. This time, there are proud to announce the release of an exclusive vinyl compilation from the legendary music group One Dee Group, led by the versatile musician, Wandi Kuswandi. The name “one dee” itself is a play on his name, “Wandi”. This vinyl is a tribute to the musical journey of Wandi Kuswandi, a musician, singer, band leader and songwriter who is widely known for his extraordinary talent and contribution to the world of Indonesian music. Wandi Kuswandi, born in Bandung to parents from Banten, began entering the world of music as a teenager by playing Rolling Stones songs. In 1974, he formed a band called ODALF, which stands for One Dee and Lady Faces. With ODALF, Kuswandi and his group managed to second place in the Festival Band Girls held by Top Magazine at Istora Senayan, Jakarta.



“One Dee Group” vinyl compilation features the best collection of One Dee Group songs, providing musicians with the opportunity to experience the beauty and uniqueness of their works. This Vinyl is not only a sweet memory for old fans, but also an introduction to a new generation to get to know one of Indonesia’s great musicians.

tiny seam split. few paper scuffs. Cover is close to NM

No obi.

Japanese pressing. OBI is missing. 1983 reissue.

Japanese pressing.1978 reissue.

2018 reissue.

With OBI and insert. Cover and vinyl are close to NM.

CD comes in a soft case, instead of the original crystal case. All booklets included.

Japanese pressing with obi.

Japanese pressing with OBI. Original inner sleeves.

Japanese pressing with OBI. Vinyl with a couple of light scuffs

Japanese pressing with obi.

Can you pick up a better iconic band than Japanese Flower Travellin’ Band? Have a look at Julian Cope Japrocksampler cover with the band bare naked wildly ridin’ on their wheels. Is any description more appropriate? A sense of freedom has always enhanced their music, a heavy rock manifesto clearly informed by british stalwarts. Their second album Satori has been released on Atlantic Japan in 1971 and still is a masterpiece on its own. The band was made up of Joe Yamanaka (vocals) – possibly an eastern version of Rob Tyner MC5 - Hideki Ishima (guitars), Jun Kobayashi (bass) and George Wada (drums). By the end of 1970, they had relocated to Toronto, Canada and lived there until March of 1972. In April 1973, the band split up, but they reunited in January 2008 with all original members joined by Nobuhiko

The hit song "(Don't Fear) The Reaper" is just one of the wonderful tunes on Blue Öyster Cult's fifth album from 1976. This record rocks 'n thunders, with a sensual boogie permeating these 10 great tracks.

180g vinyl.

A.R. & Machines is the solo project of one Achim Reichel. Released in 1971 the album still retains a magical touch. Ranked between the most original kraut albums of all the time, Die Grune Reise (aka The Green Journey) really is a trip. Turning his back to the original beat movement, Reichel embraced the infinity of a multi-layered sound, experiencing the most prolific path of prog rock while joining the obscure meanders of the lysergic renaissance.

Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust - formerly of the Holy Modal Rounders - on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945–1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later an original member of The Mystic Knights of the Oingo Boingo), on bass and trumpet; as well as Warren Gardner on trumpet and clarinet, were part of the band by the time they recorded their second album. The band probably took its name from William S. Burroughs's novel Naked Lunch. The music ranges from surreal folk-rock (in the vein of such local heroes like Holy Modal Rounders and Fugs), to Booker T.-like pop-soul, to flat-out free jazz. Never intended to be a traditional pop act, the Insect Trust should be best remembered for extending rock's boundaries and taking the genre to a much hipper level without resorting to a lot of banal technique.

A huge festival, unbelievably big. A record-setting of 670,000 people turned out for the second and final US Festival over Memorial Day Weekend 1983 at Glen Helen Regional Park in San Bernardino, Ca. – a location so obscure that even most SoCal residents couldn’t find it on a map even if you gave them a free ticket. The lineup for the four-day event was loaded, and quintessentially ‘80s: a Flock of Seagulls, Inxs, Men at Work, Quiet Riot, Mötley Crüe, Ozzy Osbourne, Berlin, U2, The Pretenders, and Stevie Nicks, just to name some of the acts.

Here’s the legendary set of the Dublin band

One of the most eagerly anticipated albums of 1968 by press and public, 'Cheap Thrills' met every expectation and then some. With the heartrending version of 'Piece Of My Heart' and a definitive cover of Gershwin's 'Summertime', the album (which consists of studio and live material) shot to the top of the charts and stayed there. The audio has been sourced from the original masters, and Robert Crumb's artwork (also known for creating Fritz the Cat and the iconic Keep On Truckin' comics) is meticulously recreated on this Music On Vinyl issue. A truly classic album and an important part of Rock history, this album is a time capsule for one of rock's most distinguished singers.