Search "aphroe 90" 610 Items

Release: US – Original

Genre: Hip Hop, Rock & Indie

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Stone Temple Pilots

Centrum, Worchester 1994

Tape | US (C30c60c90go!)

22,79 €* 23,99 € -5%

2Tape | US (C30c60c90go!)

Release: US

Genre: Rock & Indie

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Stone Temple Pilots live at the Centrum, Worcester, MA on August 22nd 1994. Taken aback by the huge success of their 1992 debut album, Core, and drained by the heavy touring that ensued, this San Diego band almost fell apart before recording its follow-up, Purple. Issued in June 1994, it debuted at #1 in America, cementing their star status. This superb concert was broadcast on syndicated radio two months later, and captures the quartet at the height of their powers, before singer Scott Weilands drug problems derailed them.

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Pearl Jam

Fox Theatre 1994

35,99 €*

Release: US

Genre: Rock & Indie

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Pearl Jam, live at the Fox Theatre, Atlanta on 3rd April 1994. Performed shortly after the band started work on Vs., and just as they embarked on their bitter battle with TicketMaster, this epic show finds them on breathtaking form, playing a cross-section of fan favorites, with a typically intense vocal performance from Eddie Vedder and some scorching guitar from Mike McCready. Originally broadcast on Kroq 106.7 FM, it’s presented here in full as a Double CS together with background notes and images. [2 cassette set]

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Green Day

Wfmu Broadcast 1992

Tape | US (C30c60c90go!)

19,99 €*

Wild Pendulum Record Store Day 2024 Silver Vinyl Edition

Release: US

Genre: Rock & Indie

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Professionally re-mastered original broadcast with background liners, interviews and rare archival photos.

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Trashcan Sinatras

LP | WW | Original (BFD)

37,99 €*

Release: WW – Original

Genre: Rock & Indie

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LP | 1968 | US | Reissue (Lion)

The Nihilist Spasm Band

No Record

C'est Disco White Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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One of very few indie label releases on Spin Magazine's list of 100 top counter-cultural music, ahead of legends like Mulatu Astatke, Brigitte Fontaine, Pärson Sound, Ornette Coleman, Sun Ra and His Solar Arkestra, Harry Partch, and Os Mutantes. Zowie! "In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise artists finally recognized NSB as their ancestors — and, almost 50 years after they started, the surviving members of the Nihilist Spasm Band still play every Monday night while their children haunt loft spaces the world over." —Spin

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Rats

LP | 1981 | EU | Reissue (Spittle)

Forever Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Ltd re-issue on white vinyl ! C'est disco is the first studio album by the Italian band Rats. It was released in 1981 by Italian Records and is a record strongly inspired by the wave and dark scene of that period. In 2014 the record was reissued in a vinyl version with the addition of a bonus CD featuring the complete album plus the song Tattoo, initially discarded from the album's tracklist and included in a compilation. The band's line-up featured vocalist Claudia Lloyd on vocals, and on guitar the only member present in the more famous version active in the late '80s and '90s, Wilko Zanni, who in the next album would take Claudia Lloyd's place on vocals.

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Cranes

LP | 1983 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Forever turned out to be a favorite album by Cranes amongst fans and critics, it's a lost treasure of early 90s dream pop, delivering unique and mesmerizingly beautiful music. The hidden track "Shine Like A Star" is included on the LP.

"Jewel" ended up being an underground hit in the U.K. and U.S., though thanks to a somewhat transformed remix courtesy of longtime Cranes fan Robert Smith (Forever takes its name from a The Cure rarity of the same title).

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Flick Of The Switch 50th Anniversary Golden Vinyl Edition

LP | 1983 | EU | Reissue (Sony Music Catalog)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Fly On The Wall 50th Anniversary Golden Vinyl Edition

LP | 1985 | EU | Original (Sony Music Catalog)

Release: 1985 / EU – Original

Genre: Rock & Indie

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... And He's Not Gonna Take It Anymore Colored Vinyl Edition

My Dad Is Dead

2LP | 1986 | US | Reissue (Scat)

43,99 €*

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Originally released in 1986, the debut album by My Dad Is Dead is remarkable not only for its strong and varied material, but also how the aesthetic of MDID’s music was fully formed and instantly recognizable from the git-go. Here are the open modal guitar tunings, the primitive drum machine paired with live drums, the complete rejection of the pentatonic scale and related 1970s guitar techniques, and the dry, journalistic language that brings a distanced, subdued pathos to the harrowing characters and their situations. Few artists who traffic in the darker realms of the human condition do so without some degree of melodrama; Mark Edwards’s penchant for understatement and distance brings even more gravity and impact to these songs of lost souls in a dying city. All these qualities would become hallmarks of the My Dad Is Dead sound for years to come. Like Edwards’s next few albums, ...And He’s Not Gonna Take It Anymore was performed and written entirely by himself, which only deepens the feeling of isolation that permeates the album. This 2021 reissue was remastered by John Golden Sr. and is a huge sonic improvement over the original pressing and early ’90s European editions. Best of all, it includes an entire bonus LP of rare 1985 recordings that were only issued on cassette at the time. These are raw, primitive 4-track recordings that ooze with post-industrial Cleveland malaise. They include nine previously unnreleased songs, and early versions of four songs that were re-recorded for the album. Fans are certain to find some new favorites here.

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Punch N Judy Blue Vinyl Edition

LP | 1986 | US | Reissue (Sub Pop)

Release: 1986 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...

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Blow Up Your Video 50th Anniversary Golden Vinyl Edition

LP | 1988 | EU | Reissue (Sony Music Catalog)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Clear Black Paper Yellow Vinyl Edition

LP | 1988 | US | Reissue (Sub Pop)

LP | 1989 | HK | Reissue (Evosound)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

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Mr. Big

43,99 €*

Release: 1989 / HK – Reissue

Genre: Rock & Indie

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Roadmouth Lime Vinyl Edition

LP | 1989 | US | Reissue (Sub Pop)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

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LP | 1990 | US | Reissue (Sub Pop)

Smoke 'Em If You Got 'Em

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Limited pressing on clear vinyl.Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. The band's 1990 debut, Smoke 'em If You Got 'em, made quite the first impression with frantic stand-up bass, fiery guitar playing, and the Rev's wild howls stirring up a volatile cocktail of '50s rockabilly, punk energy, and sly humor. AllMusic said of the album "it's all sleaze, it's all wrong, and it's all so very, very right," while, on encountering the hit single "Psychobilly Freakout" Beavis and Butthead raved "This dude is weird!" "Yeah, yeah, he's like... our kind of people."

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Smoke 'Em If You Got 'Em Black Vinyl Edition

LP | 1990 | US | Reissue (Sub Pop)

Twin Infinitives Silver Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. The band's 1990 debut, Smoke 'em If You Got 'em, made quite the first impression with frantic stand-up bass, fiery guitar playing, and the Rev's wild howls stirring up a volatile cocktail of '50s rockabilly, punk energy, and sly humor. AllMusic said of the album "it's all sleaze, it's all wrong, and it's all so very, very right," while, on encountering the hit single "Psychobilly Freakout" Beavis and Butthead raved "This dude is weird!" "Yeah, yeah, he's like... our kind of people."

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Royal Trux

2LP | 1990 | US | Reissue (Fire)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Ltd Double Silver Vinyl, Monochrome edition artwork, DL card.

Originally released in 1990, Royal Trux’s ‘Twin Infinitives’ is being re-issued in all its (yet to be translated) alien glory, by Fire Records. A dismantled overture that sprawls out over two records, an avant-garde masterpiece that was the spark for Drag City Records and generations of new sound seeking musicians.

Hailed in the same immortal breath as Beefheart’s ‘Trout Mask Replica’, the Velvets’ at their frenzied peak and Ornette Coleman at his most avant-garde, the duo of Pussy Galore’s Neil "Michael" Hagerty and Jennifer Herrema recorded ‘Twin Infinitives’ while imbibing all kinds of mind-altering substances to create an inadvertent blueprint for what the duo was building with moog’s, guitars and melodicas to name a few ingredients.

It is the legendary second album from the masters of the genre mashup - long before “genre mashups” even existed. Arguably, the term “mashup” was coined to describe what Trux, as they subconsciously scrolled through the radio stations of their lives.

The album’s chaotic sound and offbeat construction laid the foundations for a string of Royal Trux albums that spiralled between genres, tunings, and noise. Through the 90s they would re-invent the rock ‘n’ roll ethic, straddle alien surf music, re-align boogie rock, not to mention 80s hair metal, and confound critics by their wildly meandering and courageous rites of passage.

Remastered as part of a career spanning catalogue deal with Fire Records. The infamous and influential duo of Jennifer Herrema and Neil Hagerty will be delving into the archive with a comprehensive reissue series, unearthing the vaults and revisiting what made them such a compelling benchmark for their contemporaries and imitators. Reawakening their prolific output within a new monochrome vinyl series covering 1988-1993, they begin with their seminal deconstructed rock masterpiece Twin Infinitives.

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Glue Silver Vinyl Edition

LP | 1990 | US | Reissue (Sub Pop)

LP | 1991 | EU | Reissue (Geffen)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

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Nirvana

Nevermind

Wolf Flow (The John Peel Sessions 1987-90)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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One of the most important albums of the 90s and beyond - period.

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Loop

2LP | 1991 | US | Reissue (Reactor)

LP | 1991 | EU | Reissue (Music On Vinyl)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

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Fear Of God

Within The Veil

42,99 €*

Kill Rock Stars 30th Anniversary Clear Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Fear of God was a Los Angeles metal band, formed in 1991 by members of the thrash band Detente, including vocalist Dawn Crosby. Their debut album 'Within the Veil' remains Crosby's most defining and personal album, a heavy and almost autobiographical document of a woman losing herself both externally and internally. The grim, dark and heavy sludge riffs of guitarist Michael Carlino are multi-layered and thick; with killer Sabbath-esque chord progressions and sombre acoustic passages. This unknown pearl needs more attention, as this is one of the best albums the metal music had to offer in the early 90s. Available as a limited edition on silver coloured vinyl.

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V.A.

LP | 1991 | US | Reissue (Kill Rock Stars)

23,99 €*

Native Son Record Store Day 2022 Olive Green Edition

Release: 1991 / US – Reissue

Genre: Rock & Indie

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What an outstanding compilation of artists who played at the International Pop Underground Convention in 1991. You read the performers list; from Bratmobile, to Courtney Love, to Bikini Kill, to Nirvana, to 7 Year Bitch. This is a beautiful 'snapshot' of the best of the early 90's west coast, and perhaps more importantly and as the liner notes accurately put it, 'all of these bands have faith in the future of punk rock and they are, without question, punk rock.' Kill Rock Stars is an excellent 14-track various-artists collection capturing the essence of early-'90s indie-rock pop underground. It's divided equally between amateurish indie-pop, abrasive punk and riot grrrl, featuring many of the best underground bands of that time, including Bratmobile, Mecca Normal, Bikini Kill, Heavens to Betsy, Unwound, Nation of Ulysses, Some Velvet Sidewalk, Nirvana, and Lois performing under the name Courtney Love. If there was a single compliation of 'Grunge' this would be it. Between Bikini Kill, Infamous Menagere and Nirvana, you really get a sense of what was going on during the early 1990s. I don't think it is over the top to say that this is a slice of music revolution.

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Judybats

LP | 1991 | US | Reissue (Real Gone Music Usa)

LP | 1991 | JP | Reissue (Alchemy)

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Limited to 1600 copies.

Knoxville's Judybats were a quintessential "college rock band," melding folk-rock influences filtered through an alt-rock sensibility (think Rem) to quirky pop and lyrical smarts that bring to mind an American version of XTC. The title tune from their 1991 debut album Native Son went Top Ten on the Modern Rock charts, and the album also featured a great cover of Roky Erickson's "She Lives (in a Time of Her Own)." For its first-ever LP release, we're pressing 1600 copies in olive green vinyl. Another excellent '90s album that's long overdue for the vinyl treatment! (Limited Olive Green Vinyl Edition)

Native Son; Daylight; Convalescing in Spain; Don't Drop the Baby; She Lives (in a Time of Her Own); Incognito; In Like with You; Woman in the Garden; Waiting for the Rain; Counting Sheep; Perfumed Lies; The Wanted Man

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Angel'in Heavy Syrup

LP | 1991 | HK | Reissue (Evosound)

Release: 1991 / JP – Reissue

Genre: Rock & Indie

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Released in 1991, Angel’in Heavy Syrup’s self-titled debut LP ensured that they would be remembered as one of the greatest all-female Psych-prog-rock bands ever. With only one CD reissue to its name, this album has become one of the most sought after albums of Japan’s early-90’s underground rock scene. Make sure not to miss the first-ever reissue of this phenomenal album on vinyl, available only from P-vine Records and Alchemy Records’ Alchemy Records Essential Collection.

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Mr. Big

Lean Into It

41,99 €*

Release: 1991 / HK – Reissue

Genre: Rock & Indie

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LP | 1992 | US | Reissue (Jackpot)

Love Battery

Dayglo Blue Vinyl Edtion

Palomine 30th Anniversary Orange Vinyl Edition

Release: 1992 / US – Reissue

Genre: Rock & Indie

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In the middle of the wonderful sludge that was coming out of Seattle in the late 80s/early 90’s, Love Battery pierced through with something different to offer. They were more psychedelic, more tuneful, and even more...dare we say...British sounding than what Sub-Pop was releasing at the time. We were listening. The results are crystal clear on the record Jackpot Records is reissuing, ‘Dayglo’. And like many of the Sub-Pop records of the day, this has not been available on vinyl in the U.S. Until now.

On 'Dayglo', inventive and underrated guitar wizard Kevin Whitworth and vocalist/guitarist Ron Nine slash and burn through 10 songs that would give bands like Blur, Swervedriver, and yes, Nirvana, a run for their money. It doesn't hurt that the focused driven energy of drummer Jason Finn (soon to be of The Presidents Of The United States) and ex-U-Men bass monster Jim Tillman add more than their weight to the sonic mystery of these songs.

From the melodic battle cry of opener 'Out Of Focus' with its slippery, infectious chorus, it's obvious that Love Battery had an incredible knack for hypnotic hooks, cryptic lyrics, and propulsive grooves--ones that record obsessives still drool over when the needle hits the turntable. The record is as mysterious as early R.E.M., with equal hints of 13th Floor Elevators and Screaming Trees sprinkled throughout.

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Bettie Serveert

LP+7" | 1992 | EU | Reissue (Matador)

LP | 1992 | US | Reissue (Teenbeat)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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In celebration of the 30th anniversary of Bettie Serveert"s debut, Matador Records has announced a limited transparent orange LP + 7" of "Palomine." Heralded in its original four-star review by Rolling Stone as "untamed and free as pop gets," the "90s classic will see its first pressing by Matador since the album"s original release in 1993. The LP package will be accompanied by a 3 Track three "Brain-Tag" 7" with newly remastered versions of the "Kid"s All Right," "Palomine," and "Tomboy" music videos on YouTube. "Palomine" is featured as the first installment of Matador"s Revisionist History catalog series in 2023.

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Unrest

Imperial F.F.R.R.

Borreroak Baditu Milaka Aurpegi

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Imperial f.f.r.r. was Unrest’s breakthrough album in 1992. It has withstood the test of time and is now considered an indie-rock classic and one of the best albums of the 1990s. Formed in 1984, at Wakefield High School in Arlington, Virginia, the band started releasing homemade cassettes on their own Teenbeat label. Imperial f.f.r.r. is their sixth album and marked the arrival of original Velocity Girl vocalist Bridget Cross joining drummer Phil Krauth and singer/guitarist Mark Robinson. It was recorded by Wharton Tiers (Sonic Youth) at his home studio in Manhattan. After the release of Imperial f.f.r.r., the band released singles on Sub Pop and K and soon thereafter signed to legendary U.K. indie 4AD, releasing their final studio album Perfect Teeth in 1993. This limited edition features the original design and layout of the very first pressing from 1992. All the details have been recreated including the lyric sheet, the blue box around the amplifier on the front, the label art, and even the Ajax and No.6 Records logos. The original didn't have a barcode, so we've created a spiffy new removeable OBI card for that featuring a photograph by Mike Galinsky (The Decline of Mall Civilization) of the band playing at New York's Spiral club in 1991.

“8.2 . . . Unrest loomed as large as Pavement in the '90s.” — Pitchfork

#5 on the “100 greatest indie rock albums of all time.” — Amazon

“A near-perfect album of indie pop.” — All Music Guide

“One of the top 10 albums of 1992.” — Spin

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Negu Gorriak

2LP | 1993 | US | Reissue (Esan Ozenki)

33,99 €*

Manos Limited Peak Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Both in the studio and live, the top rock-hardcore band south of the Pyrenees in the
90s. 25 years have passed since Rockdelux magazine chose this as the best disc of the
year. A dense, powerful piece of work, that improves with time.

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The Spinanes

LP | 1993 | EU | Reissue (Merge)

20,99 €*

14.11.90 An Acoustic Psychogram

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Peak edition is opaque yellow vinyl and includes a photo booklet of ephemera of the era! The Spinanes were Portland OGs singer-guitarist Rebecca Gates and drummer Scott Plouf and were snapped up by Sub Pop in the post-Nirvana feeding frenzy. Gates was a guitar manipulator more artful and poetic and sensual than her peers, with a voice full of emotion and warmth_a deep, distinct standout among the samey girly-girls. Plouf was a powerhouse drummer, exact and on-point, with a giant collection of shades and enough mod swagger to make Paul Weller proud. Their urgency was soft but they pummeled us hard. When they recorded their debut album, Manos, with Brian Paulson at AmRep in Minneapolis, they brought a ridiculous amount of energy: Few acts manage to capture that live spark in the studio. A college radio hit, "Manos" was characterized as indiepop or indie rock or alternative, but also had a touch of art rock, folk, emo, math rock, postrock, even jazz, nearing the same spiritual space as '90s bands like Unrest, Sebadoh, and Versus. Gates told our zine (chickfactor) in 1993 what kind of record she wanted to make: She wanted it to be really magical - the way the first Verlaines record is or a Replacements record - things that you can put on when you feel horrible. Named after a misheard Jesus Lizard lyric, "Manos" is just that: It sounds like smoky venues and dance parties at punk houses: woozy, tight, fraught, wrought, tense, intense, swoony, breathy, fast, worldly/weary -?sophisticated and primitive, stressful and soothing. Twelve songs and nary a dud: "Noel, Jonah and Me", the epic title track (a hip-swayer full of lust and longing), the rifftastic "Grand Prize", the catchy "Sunday". "Manos" was an original in a crowded market in 1993, and the Spinanes seemed to be everywhere. All hail its reissue, one quarter century later. - Gail O'Hara

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Arurmukha

LP | 1993 | EU | Reissue (Karl)

18,99 €*

2LP | 1993 | EU | Reissue (Music On Vinyl)

Release: 1993 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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A download code is included. Re-release of the album which Marc Weiser (rechenzentrum, zeitkratzer) and Jürgen Hendlmeier (producer for The Flaming Sideburns, Thee Ultra Bimboos) created as Arurmukha. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the “Maifestspiele” by Einstürzende Neubauten. 14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin’s post-war history, with 4000 officers deployed, and is deemed to be the last big “battle” of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book “Berlin Mainzer Straße: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer Straße: Housing is more important than the law]”, published in 1992 by Basis-Druck).

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Candlebox

33,99 €*

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Seattle rock band Candlebox found immediate success with the release of their self-titled debut album in July 1993. Certified platinum by the Riaa four times, it sold more than 4 million copies and peaked at No. 7 on Billboard’s album charts. The album features the singles “Change”, “You”, “Far Behind”, and “Cover Me”.

The tremendous radio, concert, and television success gained them a main-stage slot at Woodstock ‘94 and put Candlebox at the forefront of the 90s post-grunge scene.

The vinyl edition of Candlebox includes the 11 original album tracks (incl. “Blossom”) on 2 LP’s.

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The Full Custom Gospel Sounds Of

LP | 1993 | US | Reissue (Sub Pop)

Happy End Im La-La Land Orange Vinyl Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Limited pressing on coke-bottle clear vinyl.Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1993's The Full Custom Gospel Sounds of_ stepped things up a bit, with fuller production by fellow Texan Gibby Haynes of the Butthole Surfers. In addition to the hilarious "Bales of Cocaine," Full Custom_ features the furious "400 Bucks," the atmospheric creeper "The Devil's Chasing Me," and "Wiggle Stick." On seeing the video for the latter, Beavis declared, accurately, "Yes! This guy RULES!" while Butthead agreed, "Yeah_ this guy ROCKS! ROCKS!!"

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Stoppok

2LP | 1993 | EU | Reissue (Grundsound)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Come On Feel 30th Anniversary Black Vinyl Deluxe Edition

The Lemonheads

Book+2LP | 1993 | UK | Reissue (Fire)

67,99 €*

Come On Feel 30th Anniversary Red / Yellow Vinyl Edition

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Expanded 30th anniversary re-issue of The Lemonheads' classic 1993 album with brand new sleeve artwork! The breakthrough record that took American alt rock global and catapulted Evan Dando into the hearts of a generation. With a wealth of unreleased demos, alternative versions and rarities - including covers of Victoria Williams, Buddy Holly and The Flying Burrito Brothers plus The Lemonhead's take on the Cole Porter standard 'Miss Otis Regrets'. In the 90's Evan's Lemonheads produced hit after a hit, a string of super cool singles: 'Big Gay Heart', 'Into Your Arms', 'It's About Time', and 'The Great Big NO'. Pure genius filling the radio waves and taking the stage... Some 30 years on; Evan is still knocking that song writing thing out of the park and 'Come On Feel The Lemonheads' sounds as fresh and perky as it ever did. Amid the hits on the original record are stencils and outlines for yet more magical music and now this deluxe edition adds a second disc of demos and acoustic versions, plus a host of one-offs from sessions and compilations that add further colour to the myth and how it was created. There's the in-demand combo lovingly covering Victoria Williams' 'Frying Pan' from her 'Sweet Relief' album, which is joined by an eclectic set of flipsides and out-takes, like their version of original garage punk nugget 'Little Black Egg' by The Nightcrawlers, Evan's homage to Gram Parsons on the winsome 'Streets Of Baltimore' and Buddy Holly's melancholy 'Learning The Game'. Evan knows a good song when he hears it, as 'Come On Feel The Lemonheads' certainly proved. "Come On Feel was home to some of his best, sharpest writing - fabulous sunny powerpop and beautiful ballads" The Guardian "'Come On Feel The Lemonheads' is all it purports to be: a chance to dip into Evan's jumbled-up, dope-smoking love-buggy of a life and celebrate it" NME

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The Lemonheads

2LP | 1993 | UK | Reissue (Fire)

31,99 €*

Come On Feel 30th Anniversary Black Vinyl Edition

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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The Lemonheads

2LP | 1993 | UK | Reissue (Fire)

LP | 1993 | US | Reissue (Riding Easy)

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Acid King

32,99 €*

LP | 1993 | US | Reissue (Ba Da Bing!)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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“When Acid King pressed up their self-titled debut EP on a tape and started handing them out at shows with business cards, it wasn’t an aesthetic choice. It was 1993. And while the world was still reeling in the aftermath of grunge breaking big on rock radio, this dirty-as-hell trio founded by guitarist / vocalist Lori S. were digging into even heavier vibes. Born out of Lori’s shiftless days of wasted youth hanging around Chicago-area public parks, Acid King laughingly adopted the name from the book Say You Love Satan and its subject Ricky Kasso, a local drug dealer who killed a friend over angel dust, thereby becoming the stuff of Satanic Panic local news broadcasts all over the country. “Founded after a move to San Francisco, Acid King were outliers on punker bills in the tradition of West Coast rifflords like Saint Vitus and Sleep, and this four-song outing captures them at their rawest. Long before the career-defining roll of Busse Woods (1999) and the psychedelic mastery of their latest offering, Beyond Vision, this EP set in motion one of American heavy rock’s most landmark careers. “Presented on reissued vinyl through Riding Easy Records—the original 10-inch was on Sympathy For The Record Industry—Acid King’s Acid King also established one of the most crucial partnerships in underground rock in that between Lori S. and producer / engineer Billy Anderson (Neurosis, Sleep, Om, etc). As Acid King went on to help define stoner rock in the mid and late ’90s with Zoroaster (1995), that creative relationship would flourish no less than the band’s sound, and here it is distilled to its meanest and most elemental self. “Led as ever by Lori, Acid King at the time featured bassist / vocalist Peter Lucas and drummer Joey Osbourne—legend has it both had to read Say You Love Satan before joining—and Melvins drummer Dale Crover had a hand in producing it as well as singing lead on “The Midway” after Lucas took a turn on “Drop.” A preface to the many majesties to come throughout Acid King’s many-storied career, behold the formative incarnation that started it all. A piece of heavy rock history and killer riffs? You can’t possibly go wrong.” —JJ Koczan

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Dead C

Operation Of The Sonne

Last Splash 30th Anniversary Colored Vinyl Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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The Dead C’s trio of albums in the middle of their harsh 90s reality served for many as entry points to the band. Operation Of The Sonne, The White House and Tusk received wider distribution than the band had ever seen before, and this was the first rays of them being considered amongst the most important rock bands of the 20th century. This trio of vinyl reissues capture their intensity and presence in a way that may even blow out the candle of the original pressings. Newly remastered by Lasse Marhaug, and with bonus tracks, these 2023 reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks more blaring than ever. Coming after the monster that was Harsh 70s Reality, and its evil twin, Clyma Est Mort, this album has always confounded even soi-disant Dead C fans. Side one documents the discovery of the analogue synthesizer coupled with field recordings from the basement of Willowbank, Koputai’s “most stately” home. Side two emerged spontaneously to cassette on stage at the “fabled” Empire Tavern—and it still sounds like stripping the breathable atmosphere from an already-depleted biosphere.

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The Breeders

3LP | 1993 | UK | Reissue (4AD)

48,99 €*

Last Splash 30th Anniversary Black Vinyl Edition

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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A defining album of the 90s, Last Splash by The Breeders turns 30 this year. To celebrate, the band have returned to the original tapes to give it its first-ever remaster, and by doing so have also unearthed two lost tracks that will delight fans. Recorded by the "classic" Breeders line-up of Kim Deal, Kelley Deal, Josephine Wiggs and Jim Macpherson and featuring singles "Cannonball" and "Divine Hammer", Last Splash was "an alt-rock classic" (Pitchfork"s Top 100 Records of 1990s) on release; a fast seller too, quickly attaining Platinum status in the US. Despite having had the boxset treatment on its 20th birthday, the album was still left to be remastered so 10 years on, the original y" tapes were taken out of the archives and have been lovingly worked on by Kim Deal, Benjamin Mumphrey and Miles Showell (Abbey Road). Never sounding so good, the album for its 30th anniversary, it"s getting the ultimate vinyl pressing. Entitled Last Splash (the 30th Anniversary Original Analog Edition), this new version has been cut at half speed at Abbey Road by Miles Showell, now spanning two LPs and running at 45rpm. A Japanese cd edition will also be available. This edition contains an exclusive, one-sided etched 12" which features two previously unreleased tracks - "Go Man Go" and "Divine Mascis" ("Go Man Go" is a track that Kim co-wrote with Black Francis while "Divine Mascis" is a different version of "Divine Hammer" with Dinosaur Jr."s J Mascis on lead vocals). Both tracks originate from the original sessions and were left forgotten until the sessions were exhumed to create this new master. The attention to detail continues to the album"s art, which equally celebrates Vaughan Oliver"s iconic sleeve. With Vaughan sadly no longer with us, his long-time design partner Chris Bigg has gloriously reimagined the album"s sleeve for this new version.

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The Breeders

3LP | 1993 | UK | Reissue (4AD)

48,99 €*

Exile In Guyville Purple Colored 30th Anniversary Edition

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Liz Phair

LP | 1993 | EU | Reissue (Matador)

40,99 €*

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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The Full Custom Gospel Sounds Of Black Vinyl Edition

LP | 1993 | US | Reissue (Sub Pop)

LP | 1993 | UK | Reissue (Beggars Banquet)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1993's The Full Custom Gospel Sounds of_ stepped things up a bit, with fuller production by fellow Texan Gibby Haynes of the Butthole Surfers. In addition to the hilarious "Bales of Cocaine," Full Custom_ features the furious "400 Bucks," the atmospheric creeper "The Devil's Chasing Me," and "Wiggle Stick." On seeing the video for the latter, Beavis declared, accurately, "Yes! This guy RULES!" while Butthead agreed, "Yeah_ this guy ROCKS! ROCKS!!"

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Buffalo Tom

Big Red Letter Day

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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LP | 1994 | US | Reissue (Sub Pop)

Liquor In The Front

LP | 1994 | JP | Reissue (Alchemy)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Limited pressing on crystal vellum vinyl.Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1994's Liquor in the Front gets even more aggressive - heavy, even - sonically, with production by Ministry's Al Jourgensen and the high-velocity opening pairing of the high-velocity instrumental "Big Sky" and the blistering lament "Baddest of the Bad." The highest-selling of the Rev's first three albums, Liquor_ was originally co-released with Interscope Records, with the album hitting #18 on the Billboard Heatseekers chart and the single "One Time for Me" hitting #40 on the Modern Rock chart. In the words of AllMusic, "for sheer crank, nothing in his catalog can touch it."

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Slap Happy Humphrey

7" | 1994 | US | Original (Musical Tradgedies)

Release: 1994 / JP – Reissue

Genre: Rock & Indie

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Jojo Hiroshige is probably best known as the main driving force behind Japanese noise band Hijokaidan and its numerous transformations. His group Slap Happy Humphrey - formed with fellow Alchemy Records noise maker and Angel’in Heavy Syrup singer Mineko Itakura - was in some ways a departure from Hiroshige’s typical noise undertakings. On their first and only LP, the self-titled record is immersed in opposites and contrasts that work in tandem - of folk and noise, of calm and rupture. P-vine is delighted to present the first ever vinyl reissue of the 1994 album with an iconic Japanese obi strip attached.

As a revival of Doji Morita’s hauntingly bleak folk swept across Japan in the early 90s, so too did Hiroshige wish to step into Morita’s dark fantastical world armed with his guitar. With cover songs selected from Morita’s first four albums, Itakura’s vocals bring out the ethereal charm of Morita's writing across these tracks with third member and Subvert Blaze frontman, Hiroaki Fujiwara, backing her on acoustic guitar and violin. Against this backdrop of the duo’s acid folk harmonies, Hiroshige finds opportune moments to thrust his most volatile concoctions of noise and blissful distortion.

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Doc Wör Mirran

Garage Pretensions

7,99 €*

Release: 1994 / US – Original

Genre: Rock & Indie

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Early 90s 7" of totally forgotten material.

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Liquor In The Front Black Vinyl Edition

LP | 1994 | US | Reissue (Sub Pop)

Motor City Resurrection Transparent Purple Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1994's Liquor in the Front gets even more aggressive - heavy, even - sonically, with production by Ministry's Al Jourgensen and the high-velocity opening pairing of the high-velocity instrumental "Big Sky" and the blistering lament "Baddest of the Bad." The highest-selling of the Rev's first three albums, Liquor_ was originally co-released with Interscope Records, with the album hitting #18 on the Billboard Heatseekers chart and the single "One Time for Me" hitting #40 on the Modern Rock chart. In the words of AllMusic, "for sheer crank, nothing in his catalog can touch it."

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The 69 Eyes

2LP | 1994 | EU | Reissue (Svart)

Motor City Resurrection Black Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Svart Records proudly present The 69 Eyes' Motor City Resurrection first time on vinyl!

Motor City Resurrection is a compilation of early material by the Finnish rock band The 69 Eyes. Originally released in 1994 by 1 + 2 Records, the compilation presents the band's glam metal and hard rock phase containing early 7" singles and EPs. Now mastered for vinyl by Mika Jussila at Finnvox Studios with close supervision by the band, Motor City Resurrection has never sounded this good before.

"A patchwork collection of 69 Eyes’ early work stitched together in 1994, Motor City Resurrection has all the flash and trash you could possibly want from a bunch of high-cheekboned motherfuckers with long hair and cranked-up guitars and none of the pandering Hollywood bullshit that drove folks away from this stuff in the 90s. Songs like Discipline, Barbarella, Mrs Sleazy and their fiery take on Kiss’s Deuce deliver full-impact sleaze metal with no remorse and no sense of irony." -Sleazegrinder, Classic Rock

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The 69 Eyes

2LP | 1994 | EU | Reissue (Svart)

33,99 €*

Side Fx Black Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Nightstalker

LP | 1994 | EU | Original (Heavy Psych Sounds)

18,99 €*

Side Fx Transparent Splattered Vinyl Edition

Release: 1994 / EU – Original

Genre: Rock & Indie

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Brand new reissue of the Nightstalker legendary debut album Side FX in new coloured vinyls !! Nightstalker’s debut album, recorded in 1993 and released in 1994, captures the raw, rebellious energy of the era, blending gritty, Motörhead-inspired heaviness with infectious grooves. Emerging from Greece during the height of grunge and alternative music, the band delivers a sound that’s unapologetically rough and driven by a heavy, rhythmic pulse. Their music channeled the raw power of ‘90s rock while Nightstalker carved out their own space with their hypnotic riffs, groovy basslines, and a dark, rebellious spirit. A bold first step, this album sets the tone for Nightstalker’s journey.

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Nightstalker

LP | 1994 | EU | Original (Heavy Psych Sounds)

Side Fx Cyan Blue Vinyl Edition

Release: 1994 / EU – Original

Genre: Rock & Indie

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Nightstalker

LP | 1994 | EU | Original (Heavy Psych Sounds)

4x7" | 1995 | EU | Original (September Gurls)

Release: 1994 / EU – Original

Genre: Rock & Indie

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V.A.

The Blow Of Oblivion

9,99 €*

On Avery Island Red / Yellow Vinyl Edition

Release: 1995 / EU – Original

Genre: Rock & Indie

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Mid-90s release, German-only 3 single set of unreleased tracks from the Twisted Village vaults. Features tracks by Vermonster, C. Movements & Luxurious Bags.

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Neutral Milk Hotel

2LP | 1995 | UK | Reissue (Fire)

2LP | 1995 | US | Reissue (Ba Da Bing!)

Release: 1995 / UK – Reissue

Genre: Rock & Indie

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Neutral Milk Hotel‘s explosive 1996 debut, On Avery Island, receives the deluxe reissue treatment with a yellow and red vinyl 2xLP press, complete with revised artwork and cut at 45rpm.

Jeff Mangum’s songs are cryptic and crazed, his ideas fast and furious, and together they force the home-recording concept out of the basement and into a brave new world, a fuzzy masterpiece of experimental lo-fi recording.

Full of rapid-fire wordplay with true and heartfelt experimentation, both ambitious and eclectic, it’s not hard to see why this has been such an influential album.

Part of the fabled Elephant 6 collective, Neutral Milk Hotel won over many a music critic with this cult classic. The band are recognized as one of the most influential alternative acts to come out of the mid-90s and sowed the seeds for everything from anti-folk to the likes of Arcade Fire, Caribou and even Franz Ferdinand

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Dead C

The White House

41,99 €*

Nothing Else Matters Olive Green Vinyl Edition

Release: 1995 / US – Reissue

Genre: Rock & Indie

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The Dead C’s trio of albums in the middle of their harsh 90s reality served for many as entry points to the band. Operation Of The Sonne, The White House and Tusk received wider distribution than the band had ever seen before, and this was the first rays of them being considered amongst the most important rock bands of the 20th century. This trio of vinyl reissues capture their intensity and presence in a way that may even blow out the candle of the original pressings. Newly remastered by Lasse Marhaug, and with bonus tracks, these 2023 reissues have been cut carefully and loud, with the sonic wars heard on these now-classic tracks more blaring than ever. The Dead C on The White House, now including bonus track “Breakdown/World”: “Recorded in the winter of 1994, sessions were accompanied by snow, an infrequent but always super-exciting event in downtown Dunedin. Mainly if not entirely recorded direct to Revox B77, just like The Clean’s Oddities. Our version of Led Zepp IV with no ‘Stairway’, as recorded by the Meat Puppets in a K-hole. Originally M&D by Matador, this is as major label as we got. Mere pseud post-grunge sell-out moves-ah.”

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Linda Smith

LP | 1995 | US | Reissue (Captured Tracks)

Karma To Burn Black Vinyl Edition

Release: 1995 / US – Reissue

Genre: Rock & Indie

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A pioneer of the home recording movement, Linda Smith released several collections of delicate, bewitching solo music on cassette in the 1980s and 90s. The 2021 release of Till Another Time: 1988-1996, Captured Tracks' compilation of Smith's work, has helped bestow rightful critical acclaim to the ahead-of-her-time artist. Now, Captured Tracks dives deeper into Smith's catalog with the release of two full-length companion albums, Nothing Else Matters and I So Liked Spring, available for the first time on vinyl & streaming formats.Recorded at Smith's home in Baltimore in 1995, Nothing Else Matters chronicles the tension between the mundanity of daily life and the creative impulse: Traffic noises on the charmingly boisterous "Little To Be Won" showcase this levity, as does the addition of playful hand claps and a laugh track to her striking cover of Young Marble Giants' "Salad Days." I So Liked Spring, recorded the following year, saw Smith experimenting with the unique challenge of putting another artist's words to music. She'd come across a biography of the English poet Charlotte Mew and found her wistful poetry rife for musical interpretation. The songs on I So Liked Spring are delightfully unpredictable, full of upbeat melodies and spellbinding vocal harmonies. This is perhaps best showcased on the title track, one of Smith's most popular songs to date, a lovelorn anthem that recalls the airy melodies of early dream pop.Both of these albums showcase the mesmerizing charm of Smith's songwriting, often compared to the likes of the Velvet Underground and Laurie Anderson. Home recording technology has come a long way since Smith first began recording demos on her tape machine, but her influence reverberates through the work of today's bedroom artists. The release of these two essential albums seeks to further illuminate this connection, welcoming a new generation of listeners to the work of this trailblazing artist.

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Karma To Burn

LP | 1996 | EU | Reissue (Heavy Psych Sounds)

Karma To Burn Gold Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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In 1997 Karma To Burn released their self-titled debut album on Roadrunner Records. Now in 2022 Heavy Psych Sounds is repressing this legendary release in brand new coloured vinyls! "Dirty, fat 70’s Sabbath riffs coupled with brooding, eerie vocals generate a foreboding atmosphere that is Karma To Burn’s distinct and excellent 1997 self-titled debut. Any forays into their subsequent releases may be met with disappointment as they are almost entirely instrumental, more one dimensional and lacking atmosphere. The 90’s saw a 70’s Sabbath inspired Stoner Rock and metal grooves and blues movement. Karma To Burn’s sound is most reminiscent of C.O.C and Down. Whilst Kyuss take you on an odyssey through the desert and beyond, Karma To Burn ventures underground and explores the darker side of humanity. This is a flawless album which moves effortlessly from track to track with each song containing seamless transitions between light and shade. Karma To Burn remains a laid back journey with an underlying seediness and tension as you take in an array of sights from the criminal underworld and serial killers to wild sex parties, and then onto Ancient Indian Burial Grounds. This is what the music has evoked in my mind anyway." - Sputnikmusic.com

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Karma To Burn

LP | 1996 | EU | Reissue (Heavy Psych Sounds)

30,59 €* 35,99 € -15%

Stealing From Our Favorite Thieves Sand Color Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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The Van Pelt

LP | 1996 | UK | Reissue (La Castanya)

Go Sailor Watery Blue Vinyl Edition

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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90s NYC indie heroes The Van Pelt have had a lasting power far greater than so many of the other once bigger bands of that era have had. The sort of interest that has neither waxed nor waned over the decades since they disbanded, yet just mysteriously continues on despite their discography being out of print since the end of the last millennium. So what is it that sets them apart? Too soft to have ran with the AmRep or Touch and Go crowds, not hip enough to have made sense on Matador or Merge, ernest yet not histrionic enough to make it onto the “best emo bands” lists, not weird enough to be on bills with Arto Lindsay and Thurston Moore, etc. In a sense, their outsider status comes not from the wings, but from the dead center eye of the storm. The 90s were happening all around them, they were witnesses thereof, yet they emerged transcendent of it all. You Follow? Maybe it’s worth having a listen to see what I mean.

Barcelona’s La Castanya records is treating us with the first ever rerelease of the two Van Pelt albums to mark the 20th anniversary of Sultans of Sentiment, their benchmark album. They teased us in 2014 that this might be on the docket with the release of Imaginary Third, a collection of singles and unreleased Van Pelt tracks which were originally intended to have been the components of their third album, including the alt-famous “Speeding Train”. Now we’ll finally have access to their entire discography. The first album, Stealing From Our Favorite Thieves is an explosion of anthems belted out as if the war was already lost yet they were hoisting that tattered banner anyhow until there wasn’t a shred to salvage. The momentum coming out of that album had every major label in the States salivating at the possibility of turning them into the next Nirvana. Instead, The Van Pelt followed it up by pulling the van into the garage, leaving the engine running, funneling the exhaust into their lungs, and blissfully deciding to bow out of the race with the epic Sultans of Sentiment. Of course as the story goes, their intended financial flop was the exact opus that jettisoned them into the history books. Buy both albums. You’ll need them both.

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Go Sailor

LP | 1996 | US | Reissue (Slumberland)

20,99 €*

Repetition Blood Splatter Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Go Sailor were a great, short-lived band from the mid-90s who represent a key link in the US indie music chain. Featuring Rose Melberg (Tiger Trap, The Softies, Gaze, Brave Irene, Knife Pleats), Linton (Henry's Dress, The Aislers Set) and Paul Curran (Take A Day fanzine, Crimpshrine, Monsula), they released three great singles and a few compilation tracks, and then went their separate ways. But what records they are! Basic and lovely in their song-writing, they're perfect snapshots of where indie-pop was during that last burst of pre-internet indie activity. Touching on time-honored themes of friendship and love (lost and found), they resonate with honesty and purity of intention. The trio reunited in the early 2010s to play to enraptured crowds at the NYC and Athens Popfests, and their appearance at the Slumberland 20th Anniversary show was the stuff of legend. This album compiles all three of their 7" singles (for Slumberland, Yoyo and Lookout!) and compilation tracks and was first released on vinyl in 2011. Due to pressing plant issues it quickly went out of print, so we are very happy to bring you this new edition, back on vinyl where it belongs with a new insert featuring liner notes and lots of cool band pictures and ephemera.

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Unwound

LP | 1996 | US | Reissue (Numero Group)

LP | 1996 | EU | Reissue (Allchival)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Blood Splatter Vinyl.Dead-eyed post-punk from Olympia's reigning noise-niks. Repetition rejects the major label signing spree of the mid-'90s entirely, training its hulking focus on haircut hardcore, white belt Jiujitsu, and frenzied feedback. The soundtrack to a fantasy Halloween candy heist, now on vinyl for the first time since 1996.

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The Wormholes

Parijuana (Take 1)

2LP | 1996 | UK | Reissue (Warner)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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This is the second time out for the Wormholes on AllChival following on from their You Never See the Stars When it Rains anthology release. This one is a previously unreleased album recorded in a concise burst of seven nights in Dublin’s Sun Studios in the spring of 1996. It was originally envisaged as being The Wormholes’ second album, the follow up to their 1994 debut Chicks Dig Scars. Unfortunately the end result of the sessions - Parijuana - would not only be ignored by their label of the time (Roadrunner Records) - but would also just as quickly be dismissed by the band themselves.

Eamonn Crudden, the manager of the band, had manged to extract some money from Roadrunner to record demos of new tracks as soon as the release cycle for their debut was over. The budget was so tight that it covered studio time but was not even enough to buy the master tapes. With things going south with the label – a classic 90’s tale of the A&R man who championed their cause heading off elsewhere the minute they signed - the intention was to go in and aim to record an album rather than demos - with the intention of releasing it on another independent label to keep the momentum around the band going.

However by this stage the Wormholes were totally wrapped up in listening to Can, Faust and generally exploring music based on casual recording, improvisations and extemporization. For them the album was too ‘rock’ and – having been dropped by Roadrunner - they no longer felt under any obligation to release it. To them it was time for a fresh start. Their next recordings would not be ‘for’ anyone but themselves. Today bassist Anto Carroll admits that “at times we were our own worst enemies” and with the benefit of hindsight both he and guitarist Graham Blackmore wish they had gone ahead and released this album at the time. However, back then, they thought they could do better and they did go on to make inventive and unique sounding versions of some of these songs with Stan Erraught producing just a short time later. These recordings were eventually released by Dead Elvis in 1999 - along with a couple of ‘adjusted’ tracks from the Sun Studios sessions - on Parijuana: 4 Years in Captivity.

It’s highly unlikely that listeners today will share the band’s view that the abum was too ‘clean’. This version of Parijuana is dirty, raw, messy with plenty of experimentation and extemporisation. The songwriting is as strong as that on their Chicks Dig Scars debut. The music is played with a new confidence and swagger, very much the sound of a band rooted in a wave of US ‘lo-fi’ finding their own sound. It’s the missing link between their conventional Pavement/Sebadoh influenced debut to the more drawn out, free roaming and extemporised second album proper Scorpio The Album.

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Babybird

Ugly Beautiful

28,79 €* 31,99 € -10%

In Search Of... Deluxe Edition

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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The classic (anti) Britpop album issued on vinyl for the first time since its original 1996 release. Contains 4 UK top 40 singles: Candy Girl, Goodnight, Cornershop and the massive top 3 hit and radio favourite, You’re Gorgeous. The LP will be included in National Album Day in October which this year is 90s themed and the album will be featured across NAD promo including the BBC.

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Fu Manchu

LP | 1996 | US | Reissue (At The Dojo)

46,99 €*

I So Liked Spring Bone Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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2023 repress, red with white splatter LP plus white red splatter 7" single.Innitially the first release in Fu Manchu's 30th Anniversary vinyl reissue series, In Search Of...Deluxe Edition, celebrates the band's 3rd album and major label debut, which was originally released on 27 February, 1996. Recorded at Grandmaster Studios in Hollywood, California by the band and Brian Jenkins (KYUSS, SCREAMING TREES), "In Search Of_" is considered a classic of the '90s and a pillar for the "stoner rock" movement. Highlights include the lead single "Asphalt Risin'", "Redline" and fan favorite "Cyclone Launch." This limited edition run is pressed on clear vinyl with blue and yellow splatter and the gatefold package design includes never before seen photos of the band. Also included is a bonus red/black splatter 7" of "Chevy Van" (a Sammy Johns cover that was previously only available on the Japanese pressing of the original album) b/w a 1995 Demo version of "Redline." Both the LP and 7" feature newly remastered audio for maximum fidelity.

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Linda Smith

LP | 1996 | US | Reissue (Captured Tracks)

CD | 1996 | EU | Reissue (Yep Roc)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Trailer Bride

2LP | 1997 | UK | Reissue (XL)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Trailer Bride's 1996 self-titled record is a long-lost relic of the blooming Chapel Hill, North Carolina music scene of the '90s. Superchunk, Polvo, Archers of Loaf and other indie rock darlings were leading the town's indie rock movement while Southern Culture on the Skids were pushing the alt-country genre forward. Then comes Trailer Bride who combined both of those worlds with a gothic, lo-fi sound that centers around Melissa Swingle's atmospheric vocals and cryptic lyrics. Swingle started Trailer Bride following the demise of her band Pussy Teeth and would later go on to form the indie rock duo The Moaners with Laura King (Bat Fangs, Speed Stick), but the dark, southern sound that defines Trailer Bride's debut record provides a mystifying listening experience a quarter-century later. No Depression said it best in their 1997 review: "They're impossible to describe, but whatever you wanna call it, they sound really good." The album is available for the first time ever on vinyl for Record Store Day Black Friday 2022. This 25th anniversary edition is pressed on cloudy orange vinyl and remastered for vinyl. Limited to 1,500 copies worldwide.

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Radiohead

Ok Computer

LP | 1997 | US | Reissue (Sonic Youth)

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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Using the textured soundscapes of The Bends as a launching pad, Radiohead delivered another startlingly accomplished set of modern guitar rock with OK Computer. The anthemic guitar heroics present on Pablo Honey and even The Bends are nowhere to be heard here. Radiohead have stripped away many of the obvious elements of guitar rock, creating music that is subtle and textured yet still has the feeling of rock & roll. Even at its most adventurous -- such as the complex, multi-segmented "Paranoid Android" -- the band is tight, melodic, and muscular, and Thom Yorke's voice effortlessly shifts from a sweet falsetto to vicious snarls. It's a thoroughly astonishing demonstration of musical virtuosity and becomes even more impressive with repeated listens, which reveal subtleties like electronica rhythms, eerie keyboards, odd time signatures, and complex syncopations. Yet all of this would simply be showmanship if the songs weren't strong in themselves, and OK Computer is filled with moody masterpieces, from the shimmering "Subterranean Homesick Alien" and the sighing "Karma Police" to the gothic crawl of "Exit Music (For a Film)." OK Computer is the album that establishes Radiohead as one of the most inventive and rewarding guitar rock bands of the '90s. - allmusic.com

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Sonic Youth

Anagrama

Challenge For A Civilized Society

Release: 1997 / US – Reissue

Genre: Rock & Indie

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While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its independent mindset by releasing a series of opaque-looking, French-language-dipping, highbrow-looking releases on their own that focused on the more abstract improv/compositional side of the band; in all truths they had been heavily steeped in self-releasing spillover material prior to that. But after a pressure pot of the early 90's indoctrination into a new operational mode for the band and its visibility, and the forces around it attempting to shape their direction, it seemed like a good time to create a strong show of radical concept. The Anagrama EP became the first in a series of the SYR label's Perspective Musicales releases seemingly cementing Sonic Youth's connectivity to an increasing public awareness in experimental composers of the 20th century (French or otherwise). The irony was that many of those original avant composers being rediscovered by the indie audience (Partch, Neuhaus, Reich, Messaien) often found themselves on major labels anyway! So, perhaps this reverse approach was a necessary concept/comment given the music biz climate of the 90's. Regardless of how apples and oranges fell in Xenakian probability/theory, it was clear that both Sonic Youth's stature in progressive music, aided by now unlimited taperoll time thanks to a home base studio downtown established after their Lollapalooza stint, gave the band plenty of trailblazing time for their self examination of untraveled avenues. "Anagrama" unfolds into nine minutes of delicate textures, starting with thick drone segueing into moments reminiscent of the post-crescendo flutter/comedown of "Marquee Moon's" trail-out; Thurston, Lee and Kim's guitars all circling round each other taking delicate pokes and stabs before drifting into some post-rock rhythmic moves tapered with complementary percussive guidance from Steve Shelley. "Improvisation Ajoutée" reaches further out into dissolve with whirring oscillations, guitars hissing and clanking radiator-style in a short blast format that continues into "Tremens" and a spooked-out landscape of gelatinous notes snaking up slowly. The sparseness of attack is colorful, textures emit and linger, silent spots shine, all flanked by tasteful drumming that provides the thread to all the abstraction. Shelley's approach here is interestingly sideways to any kind of usual rock action, it's tempered, mutant and metronomic simultaneously. The finale track "Mieux: De Corrosion" is a real pedal-palatte showcase. Here, Plutonian guitar wash flanges upwards to buoy a myriad of colorful eruptions of amp-spuzz, chopped up tone blasts and general confusion. Out of the blue, some metallic one-note choogle kicks in and threatens to explode into some Judas Priestly motion, before it all sputters into aural glass showers, clang, and finally a ferocious wave of more flange hiss that crashes down on a dime. This initial foray into SY's Perspectives Musicales series continued onward with releases featuring other co-conspirators, peaking with the ambitious 2CD Goodbye 20th Century that finally connects the band into full-on interpretations of other composers' pieces (as well as displaying their own new ones). The whole series is not so much an outlet for another "side" of the band, but a run that went hand in hand building new approaches of songcraft onto their own, more overground direction which included Jim O'Rourke (who hopped on during Syr3), adding additional density to A Thousand Leaves and other LPs of his era. Fans of the '86 Spinhead Sessions as well as the recently-exhumed later jams of In/Out/In will take in the sounds of Syr1 with glee. - Brian Turner

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Unwound

Tape | 1998 | US | Reissue (Numero Group)

LP | 1998 | UK | Reissue (Weird Vaction)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Unwound's paranoid and pulsating sixth album, Challenge For a Civilized Society explores the pre-Y2K technological dread of modern punk living. Producer Steve Fisk threads Justin Trosper's stabbing, discordant guitar in and around Sara Lund's consolidated drum attack and Vern Rumsey's relentless, throbbing bass. A vicious and sinister penultimate LP from the '90s most misunderstood band.

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Plush

More You Becomes You

31,49 €* 34,99 € -10%

Uphollow / The Blue Ontario

Release: 1998 / UK – Reissue

Genre: Rock & Indie

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Described by Uncut magazine as “One of the most charismatic and eccentric pop craftsmen of the past twenty years”, Liam Hayes has been making critically acclaimed records since the 90’s. His first single “Three-Quarters Blind Eyes b/w Found a Little Baby” released under the moniker Plush, was cited by the NME as being “..one of those rare records - and incredibly rare debuts - that instantly seems a classic..” Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s and 1970’s there is a timeless quality to his music.

Re-release of debut album More You Becomes You is remastered from the original analogue tapes by Jason Hillier and recut for vinyl by Bob Weston, who also remastered the CD and Streaming formats. A deluxe 12 page full size booklet comes with the LP version (which also comes packaged as close to the original as possible, with a printed outer envelope/bag) put together by Liam and Jason Harvey, with Sleeve Notes by John Mulvey.

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7" | 1998 | US | Original (The Best Sex I Ever Had Recordings)

3,99 €*

Homb Rouge Vinyl Anniversary Edition

Release: 1998 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. With insert

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Cerberus Shoal

LP | 1999 | US | Reissue (Temporary Residence)

34,99 €*

LP | 2002 | Reissue (Constellation)

Release: 1999 / US – Reissue

Genre: Rock & Indie

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The long out-of-print breakthrough third album by theforever forward-thinking New England collective,Cerberus Shoal, is rightfully considered a high-watermark for the band, and a quintessential example of whatwould eventually be commonly defined as "post-rock."The first studio album to feature the members of fellowlocal experimental rock troupe, Tarpigh, Hombexemplifies the transitional magic and mystery thatmarked Cerberus Shoal's brilliant early era. Unravelingtheir various influences - early 90s post-hardcore,shoegaze, avant-rock, psych-folk, early New Age - andweaving them into something uniquely rich and resonantseemed almost effortless to Cerberus Shoal, andperhaps no album epitomized that more than the lushtapestry of Homb.Finally available on vinyl for the first time ever, Homb -Anniversary Edition is packaged in restored artwork withextensive new liner notes written by the band. The recordhas been newly mastered for vinyl by Bob Weston atChicago Mastering Service, and pressed ontoaudiophile-grade vinyl.

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RE:

Mnant

Money For Soul Purple Vinyl Edition

Release: 2002 / Reissue

Genre: Rock & Indie

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180g Vinyl!This first collection of material recorded and assembled by Re: comprises 11 songs culled and coaxed from an unruly pile of 4-track cassette and DAT recordings made by (then) Boston-based Aden Evens and Montrealer Ian Ilavsky (Sofa, Silver Mt. Zion) during the late 90s. Mnant is an album of remaindered and recuperated sounds, densely layered, treated, filtered and mangled on computer. It is electronic music full of impurities, pulled from an archive of live performance and incidental field recording, guided by no rules beyond an attempt to make the right move at every turn, letting one loop or sound fragment suggest the next in an additive process that took three years of cross-border visits to realise. The result is a highly original series of tracks that defies easy categorisation and sits as comfortably alongside the work of This Heat or Village Of Savoonga as it does anything labeled 'electronica'. Beats are sometimes overt, sometimes implied, and the whole is like an entire city sampled and summoned in sound.

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Baby Woodrose

LP | 2003 | EU | Reissue (Bad Afro)

23,99 €*

2LP | 2005 | US | Reissue (Sub Pop)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Repress of the second Baby Woodrose album originally released in 2003. After 2001 debut Blows Your Mind - in all but name more a Lorenzo Woodrose one-man record - Baby Woodrose became a real band and the next album from 2003 reflected that. On Money For Soul Baby Woodrose created a unique sound that took them to the 60's and back leaving the music being influenced by many shades of rock'n'roll and psych but played with heartfelt punk attitude. The album contains their sofar biggest hit Everything's Gonna Be Alright. Artwork by Malleus. Limited to 500 copies ww on purple vinyl.

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Sleater-Kinney

The Woods

Aerial 2018 Remaster Black Vinyl Edition

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

The Woods is the seventh and final studio album from Sleater-Kinney, released on May 24, 2005 by Sub Pop. It was produced by Dave Fridmann and recorded from November 2004 to December 2004 at Tarbox Road Studios in Cassadaga, New York. The Woods reached #80 on the US Billboard Top 200 chart and #2 on the Independent Albums chart. The album appeared at #4 in The Village Voice’s “Pazz & Jop” critics’ poll for 2005.

“They bash Eighties nostalgia, tell a feminist fairy tale and even quiet down for a couple sensitive love songs – needed breaks from music so intense you wonder how they can contain its explosiveness.” [100 Best Albums of the 2000’s] - Rolling Stone

“To survive these days, you have to be either suicidal or superficial. Sleater-Kinney, meanwhile, get by simply sounding fucking supersonic.” [9.0/10] - Stephen Deusner, Pitchfork

The album has been freshly remastered by Greg Calbi for this release.

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Kate Bush

2LP | 2005 | EU | Reissue (Fish People)

51,99 €*

Menos El Oso Yuletide Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Kate's first double album, Aerial, was released on 7 November 2005 and reached no. 3 in the UK album chart.

As with 1985's Hounds Of Love, the album is split into two sections. The first disc, subtitled "A Sea Of Honey" and the second "A Sky Of Honey"

The album sold more than 90,000 copies in its first week of release and has now been certified as platinum by the British Phonographic Industry.

UK music magazine Mojo named Aerial their 3rd best album of 2005 and the album recieved a Brit Award nomination for Best British Album in 2006. Kate was also nominated for Best British Female in the same year. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Minus The Bear

LP | 2005 | US | Reissue (Suicide Squeeze)

LP | 2006 | Reissue (Voodoo Rhythm)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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The highly stylized Seattle indie-pop group MINUS THE BEAR flaunts substantial glitch-riddled prog-pop on their second Suicide Squeeze full-length "Menos El Oso."Recorded, produced, and chiefly knob-twisted by the band itself, "Menos El Oso" is eleven steps further into the forward-thinking, angular rock canon. Weaving through territories long established by '70s prog-rockers (Yes, Rush), '80s proto punks (Fugazi), and '90s art rock mind-fucks (Jawbox, Joan of Arc), MINUS THE BEAR invokes the modern love affair between dance-driven strategy, and lush, Upper Pacific sweater rock.

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The Dead Brothers

Flammend Herz

7" | 2006 | Reissue (Damaged Goods)

Release: 2006 / Reissue

Genre: Rock & Indie

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this is a film soundtrack for the Movie 'Flammend herz' by Andrea Schuler and Olifr Rutz.. the movie is about the Oldest German Tattoo Parlour and his owner Herbert Hofmann who is a legend him self.. now 85 jears old and his friend who are both 90 jears old are from the head to the food full on tattooed and every tattoo tells a more unique story.. and the same is it with the soundtrack who won the first price at the Bienale in Berlin Germany (germanys most important film festivals).. the music to the movie is all instrumental with elements of easy listening to country 30's Jazz jango reinhard style over to blues and sicilian funeral music.. the Dead Brothers shows us again how bright the specrum is and how great this music is... this is funeral music at it's best !!! the LP comes with a printed innersleeve and the CD is in a Digi Pack with a little booklet with pictures from the movie and the band cover artwork was made by Laura Satana a tattoo artist from Parismastered at: echo chamber in Zurich

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The Wolfmen

Kama Sutra

9,99 €*

The Machines Will Take Over / Shermer

Release: 2006 / Reissue

Genre: Rock & Indie

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Fast follow up to their debut 10" EP "Jackie Says"! The A-side is a new song with a bit of a T-REX flavour to it. The b-side is a punk techno noise fest! THE WOLFMEN is the new band from Marco Pironni (ADAM & THE ANTS, Sinead O'Connor) and Chris Constantinou (ADAM & THE ANTS, JACKIE ONASSID). THE WOLFMEN prove that Marco and Chris are continually looking forwards. A long-overdue return for some of the most creative characters from punk and new wave era. Marco Pironni first appeared on stage alongside Sid Vicious in SIOUXSIE & THE BANSHEES and with ADAM & THE ANTS co-wrote five number one singles and two number one albums. In the 90s he joined Sinead O'Connor as co-writer and guitarist scoring a number one album with "I Do Not Want What I Haven't Got".[DUT]Side 1: Kama Sutra Side 2: TV's on John Wayne just got shot again.

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10" | 2006 | UK | Original (Art For Blind)

11,99 €*

LP | 2008 | EU | Reissue (4AD)

Release: 2006 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Bon Iver

For Emma, Forever Ago

Master's Bedroom Is Worth Spending A Night In

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Wisconsin artist Bon Iver's debut release. One of the most loved records of 2008!

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Thee Oh Sees

LP | 2008 | US | Reissue (In The Red)

Needle In The Camel's Eye

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Thee Oh Sees (ocs) began as songwriter / singer / guitarist John Dwyer's outlet for the experimental instrumentals he was producing in his home studio. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late '90s, working with The Coachwhips, Hospitals, Pink & Brown, Yikes, Dig That Body Up It's Alive, and Swords & Sandals, among others. He formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided on any given day) to release a string of soundscapes and moody pieces that were decidedly lower key than his previous projects. In time, OCS morphed into an actual band, working under a flurry of names (most notably the Oh Sees or the Ohsees) and eventually settling on Thee Oh Sees. Sounding a bit like The Mamas & The Papas run through a seriously bent garage blender, this line-up features Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit on bass, and Mike Shoun on drums. The band signed with the German Tomlab label and released The Master's Bedroom Is Worth Spending a Night In in 2008. This record marked the first recorded appearance of the newly harder rocking version of the band and was immediately met with an enthusiastic response by fans and rock scribes. It went out of print after its initial pressing sold out quickly, and In The Red is pleased to announce the re-release of this incredible album on vinyl. Music like this is best enjoyed when spun on a turntable, and the gorgeous cover art can only be properly appreciated at 12 inches by 12 inches.

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The Wolfmen

7" | 2008 | Reissue (Damaged Goods)

9,99 €*

Release: 2008 / Reissue

Genre: Rock & Indie

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"Needle In The Camel's Eye" is the fourth single from The Wolfmen, following hot on the heels of last years limited edition release "Cecilie" and their first two singles on DG. It's a cover of the ENO track from his debut album "Here Come The Warm Jets" and this version has been remixed by Alan Moulder. There are two exclusive tracks on the b-side "Zip Gun" and "Mother Of Mystery". The Wolfmen's debut album is scheduled for a June 2008 release. The Wolfmen are Marco Pirroni (guitars) and Chris Constantinou (vocals/bass). Marco first appeared on stage alongside Sid Vicious in Siouxsie and The Banshees and, with Adam and The Ants, he co-wrote five number one singles and two number one albums. In the 90s he joined Sinead O'Connor as co-writer and guitarist. Chris joined Adam Ant's band in 1982 and went on to work with Junior Vasquez and Guy Chambers, and, in the 90s, formed Jackie Onassid and toured with Iggy Pop. This remix of "Needle..." is also featured in the new film DOGGING: A...

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Black Ice 50th Anniversary Golden Vinyl Edition

2LP | 2008 | EU | Reissue (Sony Music Catalog)

46,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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The Dolly Rocker Movement

Our Days Mind The Tyme Purple Vinyl Edition

LP | 2009 | EU | Reissue (Bad Afro)

And So I Watch You From Afar

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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This 2023 purple vinyl edition (fourth pressing) is ltd to 500 copies ww!The album owes it's genesis to the psychedelic 60s, and the influence of Sky Saxon, Arthur Lee, Morricone and Syd Barrett, yet sparkles as bright, and fresh as the morning sun. From the baroque pop of "A Sound for Two", to the tight garage licks of "My Heavenly Way" and "Sold for Sinners", to the billowing pop elegance of "The Only One" and "The Ecstacy Once Told", this is an album touched by the hand of spiritual enlightenment. - The Dolly Rocker Movement formed in late 2002 in the inner surrounds of Sydney, Australia. They are influenced by late 60's garage, psychedelia and West Coast folk. The charismatic band leader Daniel Poulter writes beautiful and well-crafted songs and beneath the psychedelic and colourful surface The Dolly Rocker Movement is simply a great pop band with a destinctive sound of their own. -Despite the fact that the album is 13 years old it is the most streamed album on Bad Afro.

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Jettison Black Vinyl Edition

LP | 2009 | EU | Reissue (Pelagic)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

12" | 2009 | US | Reissue (Jagjaguwar)

Bon Iver

Blood Bank EP

23,99 €*

Release: 2009 / US – Reissue

Genre: Rock & Indie

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And So I Watch You From Afar

Jettison Reissue White Vinyl Edition

LP | 2009 | EU | Reissue (Pelagic)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Two Worlds Blue & Yellow Swirl Vinyl Edition

Tigers Jaw

LP | 2010 | EU | Reissue (Run For Cover)

2LP | 2010 | US | Reissue (No Idea)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Aptly Titled Two Worlds, Tigers Jaws Sophomore Full-Length Draws On The Strengths Of The Band's Raw, Minimalist Atmospheres And Driving Grunge-Rock Rhythms, Funneling Them Into A Catchy, Brooding And Brilliantly Focused Album. Sounding As Confident As Ever In Abandoning Dependence On Traditional Pop Structures, Songs Ebb And Flow Naturally As The Band Explores Fresh Tones And Textures. Firmly Planted In Their Own Niche Of The 90 S-Era Midwestern Emo Sound, Two Worlds Probes Superchunk's Indie-Punk Stylings, Weezer's Discordant Pop Moments And The Far Edges Of Kurt Cobain's Brain While Managing To Sound Almost Nothing Like Those Groups. Chimey Clean Guitars Weave In And Out Of The Mix, Juxtaposing A Gain Guitar Laden With Thick Grit. Standing Alone, The Tones Create Familiar Tigers Jaw Moods, But When Combined, The Effect Lays The Foundation For Swelling Walls Of Sound. Pulsing Bass Fills The Low End, Locked With The Drums In Rhythmic Unison, Alternately Tracing Guitar Lines And Stepping Forward To Grab The Listener S Car. Similarly, The Drumming Style Perfectly Compliments The Songwriting With Steady Beats And Measured Flash. Lush And Resonant Cymbal Splashes Constantly Flourish, Adding Color And A New Spaciousness. Keyboards Swell In A Wave Of Warmth Creating The Band S Defining Ambiance, In Parts Taking On More Adventurous Melodies And Chord Tones. At Its Core, Two Worlds Is A Tigers Jaw Album Through And Through. It Evokes Many Moods The Band Is Known For, But Adds A Depth That Will Leave Listeners Discovering New Reasons To Love Them With Each New Listen.

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Samiam

Orphan Works

31,99 €*

Two Worlds Silver Vinyl Edition

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Studio outtakes, in-studio radio shows and live recordings from the busiest six years of Samiam. "Strange to think what it was like back then...I have to admit, the ‘90s were often a trial, there were soaring ‘highs’ and a few doleful ‘lows’. But years later, even thinking of loading our gear into a trailer at 4 am. seems...uh, eventful. At the time I might have been wondering what the fuck I was doing with my life but I now tend to romanticize Samiam’s past. I love to remind James of the time in Vienna a dog walked up to him mid-song, sniffed his leg and pissed on his amp. If that isn’t a priceless moment, I don’t know what is. We performed in other prodigious situations, made loads of friends and thought ‘music’ instead of ‘day job.’ Not to say it was the easy, rock star fun people daydream of... Samiam was a garage band thrust into a world of constant touring, major labels and blown transmissions. Yet, the fact that we were basically failures in the eyes of the music industry didn’t change the simple fact that we were young and having fun. Yay us!”—Sergie.

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Tigers Jaw

LP | 2010 | US | Reissue (Run For Cover)