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Early repress on green Vinyl!

Pouty began in 2013 when Gagliardi and Michelle Zauner (Japanese Breakfast) collaborated on a solo-song-a-day-project. At the time, Gagliardi was one-half of Slutever, whose bratty punk songs continue to captivate new audiences on social media. She later joined Upset, which featured former members of Hole and Vivian Girls. Pouty’s debut EP, Take Me to Honey Island, came out in 2016 and over the following years, Gagliardi shared a handful of EPs and singles including 2021’s “Bambina,” which reflects on the changes that accompany motherhood.

“Central Texas is well known for its underground heavy rock n roll from the late 60s,70s & 80s a sound different than any other place on earth seems to always be birthed here time and time again. Fast forward some 50 years later and there are still the same hell raisin beer drinking guitar slinging rock n cowboys makin some noise in the Lone Star! So it’s no surprise that in the 21st century you have a band like Peth come along and start making some big 70s Texas noise! Born in the middle of the 2020 pandemic these 4 native Texans have been doin all the beer drinking and hell raisin you could want on stage with an electrifying mix of early 70s proto metal and occult rock/Stoner sound matched to that of early Black Sabbath, Scorpions, Medusa, Venom, Blue Cheer, Pentagram, ZZ Top etc. with evil guitarmonies (what they call guitar harmonies) explosive trucking bass and drum section and two knock out vocalist they truly help preserve some spirit of Texas’s old way of life while helping usher in this new era of Rock n Roll for generations to follow.” “Merchant of Death” is almost like a hidden gem of the 70s/80s Metal invasion but in the 21st century, with heavy hitting riff after riff electricrifying vocals and pounding drum and bass this albums is sure to please any metal head and their daddy.

Musician and sound/video installation artist Steve Batespresents a solo ambient/noise album ofmelodic smear, radiostatic blur, panoramic noise clouds and dissolving tones. Made primarilyunder the self-imposed 'limitation' of a Casio SK-1, this is his first entirely solo full-length albumin almost a decade. All The Things That Happen showcases the more deliberate, intensive, noise-clustered side of Bates' wide-ranging sonic sensibilities and practices. An isolation record (like so many), itcombines an ineffable melancholy with claustrophobictension and simmering political rage.Powerfully composed from layers of glistening distortion-drenched melody, pulsing and droningoscillation, bursts of blown-out chords, sweeps of static and sheets of crackling hiss, Bates hasmade an impressively dynamic, ardent and iridescent noise album of real depth and underlyingdevastation."This was supposed to be an ambient record; quiet, minimal and sad. These tracks all startedoff that way but I kept reaching for more texture and noise. Somehow the noisier the record got,the less sad it was also. I was listening to, and loving, a lot of music by Andrew Chalk and I hadfinished a year-long run of listening to Eno's 1 and 4. I preferOn LandtoMusic for Airportsalthough I love both.On Landjust has a darkness and uncertainty that appeals to me. Addingmore noise also got me excited about ways this material could be played live even though italso felt like that could never happen again.In 2022, I opened for Godspeed You! BlackEmperor in Saskatoon to give it a try and waspleasantly pleased to hear it all live and loud."A fixture of Winnipeg's burgeoning punk and social justice community in the 80s-90s, Batesplayed in hardcore and indie rock bands (Pull My Daisy, Bulletproof Nothing) prior to foundingthe Send + Receivefestival in 1998. A crucial development in putting Winnipeg on the map foravant music and sound art, Bates helmed Send + Receive for seven years, then moved toTiohti:áke/Montréal, became Sound Coordinator at Hexagram (Concordia...