Search "record store day" 9208 Items

Up To Here 2024 Limited Br Audio

The Tragically Hip

4LP | 2024 | Original (Universal)

163,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Happy Hour Black Friday Record Store Day 2024 Edition

King Missile

LP | 2024 | US | Reissue (Asbestos)

TBA

The final price is not yet known.

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1900

For RSD Black Friday this year, comes the 30th Anniversary edition (two years late) of this spoken-word cult classic from John S Hall's King Missile. On blue 150g vinyl, with a printed insert, the album includes the notorious singles ''Detachable Penis'' and ''Martin Scorsese'' both which were featured on the Beavis & Butthead animated tv show.

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Critters Buggin

Host Black Friday Record Store Day 2024 Edition

2LP | 2024 | US | Reissue (Loosegroove)

TBA

The final price is not yet known.

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD Limited Run / Regional Focus, Limitation: 800

Critters Buggin is a Seattle instrumental group best described as a combination of jazz, rock, funk and electronica, composed of Matt Chamberlain, Skerik, and Brad House. Host is their second studio album and was released in 1997.
Released for the first time ever on vinyl for RSD Black Friday, on double disc Tangerine vinyl.

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Carter The Unstoppable Sex Machine

Up Pompey! Live In Portsmouth 1993 Black Friday Record Store Day 2024 Edition

LP | 2024 | Reissue (Chrysalis)

37,99 €*

Release: 2024 / Reissue

Genre: Rock & Indie

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Tape | 2018 | US | Reissue (Captured Tracks)

Old Dog Demos

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Demos of Critically-Acclaimed Album, 'This Old Dog'.Captured Tracks brings listeners a selection of demos - one of which was previously left on the cutting room floor - and instrumentals from Mac DeMarco's latest LP, This Old Dog, as a limited Record Store Day Release.Over the past few years we have watched Mac develop from a cult artist to a standout figure amongst the realm of the indie mainstream. From bedroom sessions to a string of critical accolades, high sales, and sold out tours all over the world, Mac stands as an inspiration for the young musician tinkering with their 4-track tape recorder in a suburban bedroom - a sincere example of humble beginnings and honest hard-earned acclaim.These recordings give an intimate view into the world of Mac DeMarco, taking listeners back to the roots of Mac's writing and recording straight from his own bedroom izz-Jazz' studios. Old Dog Demos, a 15-song LP that is divided into Demos on Side A and Instrumentals on Side B, is sure to have both dedicated and casual Mac collectors alike lining up outside of their local record stores to pick up this truly special release.

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Tape | 2015 | US | Reissue (Captured Tracks)

Another One Demos

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Captured Tracks brings listeners the demos of Mac DeMarco's latest mini LP, Another One, as a limited Record Store Day Release,!Over the past few years we have watched Mac develop from a cult artist, to a standout figure amongst the realm of the indie mainstream. From bedroom sessions to a string of critical accolades, high sales, and sold out tours all over the world, Mac stands as a true role-model for the young musician tinkering with their 4-track tape recorder in a suburban bedroom - a sincere example of humble beginnings, and honest hard-earned acclaim. These recordings give an intimate view into the world of Mac DeMarco like never before, taking listeners back to the roots of Mac's writing and recording straight from his own bedroom izz-Jazz' studios. Filled with lofi fuzz built upon foundations of infectious pop melodies, this collection of songs showcases Mac DeMarco in his truest form. This 16-song LP, as opposed to the 8 songs available on Another One, is sure to have both dedicated and casual Mac collectors alike lining up outside of their local record stores to pick up this truly special release.

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Tape | 2013 | US | Reissue (Captured Tracks)

2 Demos

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Mac DeMarco's debut full length, 2, released in 2012, cleaned up the songwriter's warped take on soft rock and brought it to a broader audience. Given DeMarco's affinity for keeping things lo-fi _ 2 was the first time he'd bothered to record demos _ it's revealing to hear thesesongs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like "Annie" and the Lennon-esque "Sherrill." Captured Tracks now brings this limited edition demos release back in print on green vinyl to celebrate the label's 10th Anniversary.

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Tape | 2014 | US | Reissue (Captured Tracks)

Salad Days Demos

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Mac DeMarco's breakthrough sophomore album, Salad Days - released on April Fools', 2014 - garnered widespread critical acclaim, landing on over 30 Year End lists. It was the album that catapulted DeMarco from "loveable slacker" to "mature songwriter with a gaptoothed grin," all at the tender age of 23. DeMarco's demos for Salad Days, originally included in an expanded edition of the album only available on Captured Tracks Mail Order site, peel back the curtain of said artist, who, up until then, may have been more known for his raucous live shows than his genuine talent as a songwriter and craftsman. This collection of demos and sketches as well as previously unreleased instrumental demos offer a rare insight into Mac's world and process.

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Tape | 2017 | US | Reissue (Captured Tracks)

This Old Dog

LP | 2024 | US | Original (Foreign Leisure)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Before you ancients out there turn your heads and scoff at the premise of a twenty-something rock-and-roll goofball calling himself an old-anything, consider this: Mac DeMarco has spent the better part of his time thus far writing, recording, and releasing an album of his own music pretty much every calendar flip. This Old Dog makes for his fifth in just over half a decade_bringing the total to 3 LPs and 2 EPs. According to the DMV, DeMarco is 26. But in working-dog years, ol' Mac here could easily qualify for social security. To stay gold, turns out all he needed was some new tricks.It was a little space_in time, location, and method_that inspired DeMarco while making the record. Moving from his isolated Queens home to a house in Los Angeles helped give the somewhat transient Canada-native a base, and a few more months on his calendar to create did their job as well. Arriving in California with a grip of demos he'd written in New York, he realized after a few months of setting up his new shop_complete with a few new toys_that the gap was giving him perspective (insert tooth joke here).Right off the bat, from the pops and clicks of the CR-78 drum machine and acoustic strums on the album-opening "My Old Man," the synth-drenched beauty of the second track, "This Old Dog," it's clear that DeMarco's bag is filled with new tricks indeed. This Old Dog is rooted more in a synth-base than any of his previous releases, but he is careful not to let that tactic overshadow the other instruments and overall "unplugged" mood of the work: "This is my acoustic album, but it's not really an acoustic album at all. That's just what it feels like, mostly," says DeMarco.Despite the changes considered during the creation of This Old Dog, Mac DeMarco's mid-twenties masterpiece, it's clear that the engine that motors him is in no danger of slowing down.

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Clem Snide

Oh Smokey

LP | 2024 | EU | Original (Neon Gold)

Release: 2024 / US – Original

Genre: Rock & Indie

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The intersection of hope and resignation can be a disarming place, but also incredibly beautiful. It’s where Oh Smokey, the tenth Clem Snide album, spends a lot of its time. Eef Barzelay, the songwriter behind the name since time immemorial, describes Oh Smokey as “slow, sad songs about God and death,” knowing full well that he’s being technically accurate but wryly incomplete. Like a sleepy late night road trip conversation about a near death experience, the record makes space for some intimate contemplation of what lies beyond. Barzelay wrote these eight songs while upending much of his life. His 25-year marriage dissolved, he parted ways with his longtime manager, and he left his Nashville home after two decades. If you look at it one way, he’s been almost cosmically unlucky in the business, with a big break always around the corner that doesn’t exactly materialize. Seen from another angle, he’s built a dedicated fanbase person by person by creating an improbably timeless body of work, playing living rooms, and even writing personal songs for individual fans. This collection of songs was brought to life with longtime Clem Snide fan Josh Kaufman (Bonny Light Horseman, Craig Finn, Hiss Golden Messenger). Kaufman added color and texture to Barzelay’s compositions, from the gentle sonic shrapnel of album opener “Free” to the organic hum that “At Your Command” rests on to the swelling expansiveness of title track “Smokey,” which was inspired by Eef’s fleeting collaboration with another Clem Snide fan: pop star Yebba. With 30 years now of rising and falling Clem Snide emerges from the ashes, once again, with Oh Smokey. Still committed to loving the unknown, but with a more empathetic and mature appreciation for the bruises that come along with it. Edition of 500 copies on "cool concrete" vinyl.

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Phantogram

Memory Of A Day

Release: 2024 / EU – Original

Genre: Rock & Indie

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Unfuckwithable Opaque Red Vinyl Edition

Harriet The Spy

LP | 2024 | Original (Solid Brass)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Coverage)

Richard Cheese

Blue No Matter Who

50,99 €*

LP | 2024 | EU | Original (Maple Death)

Release: 2024 / US – Original

Genre: Rock & Indie

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Lounge singer RICHARD CHEESE returns with his 28th and perhaps final studio album-this time a collection of serious, melancholy saloon song ballads in the style of a classic Frank Sinatra Capitol Records concept album. These 12 all-new 2024 recordings feature wistful piano accompaniment, rich orchestrations, and Cheese's sincere, heartfelt voice performing covers of songs like Radiohead's 'Lucky,' The Offspring's 'Self Esteem,' R.E.M.'s 'South Central Rain,' Harry Styles's 'As It Was,' and Lana Del Rey's 'The Greatest.' Blue No Matter Who is pressed on opaque blue vinyl, and the retro-style LP jacket artwork pays homage to Sinatra's 1959 album No One Cares. MARKETING / SELLING POINTS * Rev exclusive opaque blue vinyl * RICHARD CHEESE & LOUNGE AGAINST THE MACHINE have been recording and touring since 2000, and to celebrate his 25 years in the music business, RICHARD CHEESE will be releasing a new career-retrospective autobiography book in summer 2025 * Syncs include: Barb & Star Go To Vista Del Mar, Army Of The Dead, The LEGO Batman Movie, Batman v Superman: Dawn Of Justice, and Dawn Of The Dead * He's also performed on Jimmy Kimmel Live, CNN with Anderson Cooper, ITV's The Jonathan Ross Show, Hangin' With Dr. Z, MTV's Say What Karaoke, Howard Stern, and as the house band 20 times on NBC's Last Call With Carson Daly TRACK LIST SIDE 1 1. Interstate Love Song 2. As It Was 3. Just Like Heaven 4. Anything, Anything 5. Dammit 6. It's Been Awhile SIDE 2 1. Lucky 2. Since You're Gone 3. So. Central Rain 4. Self Esteem 5. The Greatest 6. I'm Blue No Matter Who (new original song by Richard Cheese)

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Qlowski

The Wound

2LP | 2024 | Original (Ouga Booga And The M)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Furious, relentless, maybe less starry-eyed but at the same time profound, celestial and poetic, London concrete-punks Qlowski are back with ‘The Wound’ their second album on Maple Death & Feel It Records, a record that feels like the culmination of their lives, politics and sense of community. Still led by the dual-force of Mickey and Cecilia, Qlowski has expanded into a collective with the addition of Christian, Lucy and James, creating a sense of urgency and sweeping palette that was only hinted at on their debut ‘Quale Futuro?’.

Dream-punk, propulsive rhythms, oblique kiwi-pop, dark punk are still part of their vocabulary but the band smashes borders with kosmische soundscapes, art-pop ballads, industrial beats and funked-up low-thud. Sonically impeccable, loaded with ear candy, the album was recorded in Dublin at Sonic Studios by Daniel Fox (Gilla Band) one of today’s most innovative producers and ‘The Wound’ ebbs and flows through syncopated grooves, abstraction and bliss, a work of contrast, dark-soft-heavy full cycle but mainly euphoric. The addition of drum pads, drum machines, electronics, analog pedals and field recordings are part of this process, it almost feels like a punk album for the club culture, where bodies and sweat are just one gear in bringing a community together.

Full of staples ‘Desire’ mixes anarcho-punk bleakness with New Order-ish ecstasy and Mickey’s commanding vocal presence, ‘Surrender’ almost feels like the Cure on a Martin Hannett diet of pills and reverb chambers, ‘It May Change’ and ‘Mastering The Motions’ dance on the cusp of angular funk, all wiry and bouncy recalling Pylon but also euro icons Kleenex. ‘Praxis’ and ‘Stronger Than’ show how far Qlowski has come, dream-pop ballads that shine though analog synths (Siel Orchestra, Juno) and Ceci’s heavenly delivery.

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1000mods

Cheat Death

Release: 2024 / Original

Genre: Rock & Indie

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American Music Red Vinyl Edition

The Blasters

LP | 2024 | EU | Original (Retroworld)

The Gates Of Slumber Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Blasters are the ultimate all American Roots band fronted by the brothers Dave and Phil Alvin. Their music is a blend of rockabilly, early rock and roll, punk rock, mountain music, rhythm and blues and country. The Alvin brothers have had a fractious relationship with Dave leaving the band in 1986. Phil has led various incarnations of The Blasters intermittently since then. American Music was their debut studio album. It was released in 1980 and features the future classic “Marie Marie”. Side 11. American Music2. Real Rock Drive3. Barefoot Rock4. I Don't Want To5. Marie Marie6. I Wish You Would7. She Ain't Got The Beat8. Flattop Joint9. Crazy Baby10. Never No Mo' BluesSide 21. Buzz Buzz Buzz2. She's Gone Away3. Barn Burning4. 21 Days In Jail5. Love 24 Hours A Day6. I Fell In Love7. So Glad8. Ashamed Of Myself9. Lone Wolf

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The Gates Of Slumber

LP | 2024 | EU | Original (Svart)

Re-Traced Turquoise Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Gates of Slumber return with a new album out in November on Svart Records

“I never intended to pick up with The Gates of Slumber ever again in 2014. While I did start the band and wrote most of the first album it was never intended to be a one man show.” -Karl Simon, 2024

Indiana’s True Doom Metal legends The Gates of Slumber return with their sixth album out in November via Svart Records. The self-titled album is the band’s first full length offering since The Wretch from 2011.

The Gates of Slumber was formed by Karl Simon in 1998. Various people were in and out of the group between 1998 and 2001, when the Blood Encrusted Deth Axe demo was recorded with Jamie Walters aka Dr. Phibes/Athenar (Boulder, Midnight) on drums and bass. In 2003 Jason McCash took over the bass duties and was a long-time member of the band until his untimely demise in 2014, after which Simon decided it was time to call it quits. That was until 2019 when the renowned metal festival Hell Over Hammaburg wanted to bring the band back on stage to perform at the festival’s 2020 edition. Simon reformed the band with its original member Chuck Brown on drums and Steve Janiak on bass and got back to work. “We’d been asked several times to play Hell Over Hammaburg. But there was no “we” to play. The germ of the idea started. We started re-learning songs from the first LP. It wasn’t too long into the rehearsals that we started coming up with new songs.”, states Simon.

After a reunion tour was finished, Covid kicked in to slow down the process. Half of the album was already written but the remaining half took its time, and the songs were left to stew in their juices. With bastard heavy songs honoring the Doom Metal greats Saint Vitus and Penance, straight forward bangers, lyrics inspired by the Black Death and John Carpenter’s The Fog, The Gates of Slumber is a truly crushing album and a must listen to any Doom Metal fanatic.

Having toured with Pentagram, Reverend Bizarre, Cathedral, Slough Feg, Earthride, and Weedeater in addition to getting praised by Decibel Magazine such as “The Gates of Slumber have quietly gone about the business of becoming one of the best heavy metal bands in the world.”, it’s safe to say The Gates of Slumber play some of the heaviest metal on this planet.

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Cynic

LP | 2010 | EU | Reissue (Svart)

Re-Traced Black Vinyl Edition

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Cynic's vinyl reissues including bonus material to be released via Svart Records in February 2025

American progressive metal band Cynic's 2010 EP Re-Traced available on 12" vinyl for the first time ever, including a memorial tribute track to the late Sean Malone.

Cynic was formed in Miami, Florida by Paul Masvidal in 1987, incorporating elements of progressive rock, alternative, and metal. Their debut album Focus was released in 1993, after which they disbanded in 1994. The comeback in 2006 resulted in the sophomore album Traced in Air (2008), of which the four first songs on Re-Traced are re-interpretations of. Svart Records in co-operation with Cynic now proudly present Re-Traced reborn on a 12" vinyl, including three alternative versions of the songs and liner notes by Martin Popoff.

Paul Masvidal comments the reissue: “Seeing Re-Traced pressed on a legit 12” vinyl is an exciting first, especially with the inclusion of bonus tracks like Sean Malone’s beautiful, never-before-released bass rendition of Wheels Within Wheels and his magical performance on Integral, which I initially released digitally as a memorial tribute to him. The electronic renditions of Traced in Air tracks like Space, Evolutionary and King take the songs into entirely new realms. It’s also synchronistic that I’m now playing these songs in my solo acoustic ambient shows, finally bringing them into a live format. Altogether, it feels quite special to see these two records reborn.”

"Fans of Traced in Air and Cynic in general should buy this. It’s not even a question of whether or not this is worth your time and money. The sheer talent of this band turns me into a blithering fanboy and this EP just gets me excited for more new Cynic." -Angry Metal Guy, 2010

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Cynic

LP | 2010 | EU | Reissue (Svart)

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Blue Öyster Cult

Spectres

Release: 1977 / EU – Reissue

Genre: Rock & Indie

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Side Fx Transparent Splattered Vinyl Edition

Nightstalker

LP | 1994 | EU | Original (Heavy Psych Sounds)

Side Fx Black Vinyl Edition

Release: 1994 / EU – Original

Genre: Rock & Indie

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Brand new reissue of the Nightstalker legendary debut album Side FX in new coloured vinyls !! Nightstalker’s debut album, recorded in 1993 and released in 1994, captures the raw, rebellious energy of the era, blending gritty, Motörhead-inspired heaviness with infectious grooves. Emerging from Greece during the height of grunge and alternative music, the band delivers a sound that’s unapologetically rough and driven by a heavy, rhythmic pulse. Their music channeled the raw power of ‘90s rock while Nightstalker carved out their own space with their hypnotic riffs, groovy basslines, and a dark, rebellious spirit. A bold first step, this album sets the tone for Nightstalker’s journey.

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Nightstalker

LP | 1994 | EU | Original (Heavy Psych Sounds)

18,99 €*

LP | 2024 | EU | Original (Memory Music)

Release: 1994 / EU – Original

Genre: Rock & Indie

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Heart To Gold

Free Help

LP+CD | 2024 | EU | Original (Hanky Panky)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Free Help is Minnesota trio Heart to Gold's celebration of the titular idea, conceived while broken down on the side of a road in Georgia. Recorded at Will Yip's Studio 4 and releasing on Memory Music, it's an expertly arranged, arena-sized rendering of the group's scrappy, bold guitar rock, a heartening mix of melodic punk, cavernous post-hardcore, and '90s alt-rock. It's the sound and feeling of a band growing into adulthood and maturity_singer Grant Whiteoak's writing is subtle and figurative, a result of deepening introspection spurred by years of touring.Free Help represents a push beyond Heart to Gold's long-time community, and a broadening of the boundaries of the project. The rich, spacious single "Can't Feel Me," released in February, evidenced this new sound and space, and record opener "Surrounded" leaves no room for doubt: This is Heart to Gold operating on a new level. It's a sleek, pit-ready thrasher, tearing at the seams with energy and intention, loaded with melody. There are classic, pedal-to-the-metal bangers, like "Get It Back" and "Blow Up the Spot," alongside the down-tempo drift of "Pandora," and the multi-movement epic "Belonging." Here it is, from Heart to Gold to you: Free Help.

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Erik Voeks

Sandbox

2LP | 2013 | UK | Reissue (Algorithm Free)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Though he only released a few singles (on the legendary independent labels Bus Stop & Parasol) and the classic 1993 album “Sandbox” (recorded with a cast of friends that included Adam Schmitt, Patrick Hawley, Jay Bennett, Steve Scariano and Nick Rudd), Erik Voeks’ music has resonated deeply with a small but dedicated group of pop and powerpop fans around the world. “Lost treasure,” “hidden gem” are expressions often used to describe “Sandbox,” which is now, for the first time in its 30th anniversary, being reissued on vinyl by Hanky Panky Records along with a CD that brings together 8 demos of the album, his two singles for the Bus Stop label and a previously unreleased original track, “Pristine”. For years Erik kept a low profile, but never stopped recording music, playing with friends like The Octopus Frontier, or even touring the United States and Europe with Jon Dee Graham. In late 2012, Spring Records released a 4-song EP titled “Free Range” on vinyl, which received rave reviews. Since then, Erik has kept busy putting out more new recordings through his bandcamp page, playing live shows, and touring Spain a couple of times. In 2016, Hanky Panky released “So The Wind Won't Blow It All Away” his first full-length album in over 20 years. The album garnered much critical acclaim and was the #1 album of the year on John Borack's influential “Power Pop Plus List.” After touring Spain in 2017 as Erik Voeks & The Spanglish Settlement, Erik, Juan Ferrari, Pepe Bermejo, and Patrick Hawley decided to record an album together. Plans were made for the four of them to reunite in Spain to finish the album, but the pandemic interfered and the recording process took a long and winding road. But better late than never, as they say: “It Means Nothing To Me Now” was finally released in early 2024 under the Erik Voeks & The Ghosters moniker.. “Pure pop magic,” says the Powerpopaholic website, and who are we to disagree?

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Chris Forsyth

Solar Motel

7" | 2024 | US | Original (Dead Oceans)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Named after a run-down lodge in New Jersey near where he grew up, Solar Motel was the first full-band project from Chris Forsyth. Originally released in 2013, it was considered his most ambitious and sublime work of "Cosmic Americana" to date, and the idea of the Motel also figured into a band where vacancies would open and close. "'Solar Motel' is the first record on which I overtly took rock tropes and twisted them into new shapes, incorporating so many of my interests and influences - the twin-guitar elegance of Television, the sprawl of West Coast psych, the boiled down Rock Minimalism of Rhys Chatham, the abstract tangles of free improv, an undercurrent of ecstatic jazz energy, and the studio textures of Eno/Cale/Roxy '70s art rock. 'Solar Motel' basically set the template for much of what I did for the remainder of that decade. Expanded 2xLP includes two studio outtakes from the original sessions, and a side-long live session recorded at WFMU.

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Greg Mendez

First Time / Alone

19,99 €*

LP | 2024 | US | Original (Ubiquity)

Release: 2024 / US – Original

Genre: Rock & Indie

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First Time / Alone, Greg Mendez's new EP and first release withDead Oceans, came together in late summer and early fall of2023; the songs here appear in the order in which they werewritten, recorded straight to four-track in the small spare roomof his West Philadelphia apartment. It's a four song arc, aspectral passageway, one brief and fluid body of work thathangs together from the mournful opening of "Mountain DewHell" to the pitched-up vocals on "Pain Meds," a tiny songfloundering in the enormity of grief. The experience of listeningthrough is like waking up from a half-remembered dream, ashadow in the corner of the room, a strange solitude, a temporalNew York autumn with gray skies and naked trees. But whilethe release is sparse and spontaneous, it's tactile andconsuming, a glimpse into the beautiful, lonely worlds that livein the core of a Greg Mendez song.First Time / Alone is the inverse of his 2023 self-titled album, ameticulous and labored-over collection of songs that went on tobecome a surprise slowburn success. Mendez has releasedmusic in various capacities across 15 years living in Philadelphiaand New York, but the self-titled was what propelled him to awider attention, a critical breakthrough on best-of lists fromRolling Stone, Pitchfork, Paste, and more. That forwardmomentum came to a quick halt following an intensive surgeryon his right wrist in the summer of 2023 - a four-monthpurgatory of bad TV, canceled touring, and physical therapyensued, a painful stretch of boredom leaving Mendez unable toplay guitar. "Mountain Dew Hell" and "First Time," the funerealA-side of the EP, are time capsules of that fever-dream; "Alone"was the first song Mendez wrote once he was able to play guitaragain. Likely none of the songs would have existed as-is ifMendez's right hand hadn't been out of commission, but they'reartful in their directness and simplicity. He initially thought hewould need to refine them, building them out to the same scaleas...

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Sons Of Sevilla

Lullabies For A Wildcat

Nick Piunti & The Complicated Men

Release: 2024 / US – Original

Genre: Rock & Indie

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Sons of Sevilla are blood brothers Henry and Reuben Smith who hail from Featherstone in the North of England. Sons of Sevilla began in 2020 during lockdown by chance. At the time, Reuben was working on solo material for his second album with Soundway Records. When Henry visited Reuben at his home studio to play guitar on his record, one afternoon they wrote a couple of songs. Liking the sound and vibe of the tracks, they began writing and recording every day for the entire summer that was inspired by JJ Cale and a lifetime of the music they had heard growing up in their family pubs over the years. Henry takes care of business on guitar and bass, while brother Reuben steers the vocals and dazzles with thoughtful key work. Their sound is inspired by early 70s records like JJ Cales Naturally & Nino Ferrers record with Radiah Et Le Sud, and Neil Young's Harvest Moon and these references are evident throughout their opening effort. Their highly anticipated debut album, Lullabies For A Wildcat, is a collection of tracks recorded at their family home in the summer of 2020. Shades of 70s psychedelia echo throughout, with tripped out layered vocals building a vibration that seems way beyond their years, like a hazy hedonistic cloud of smoke in surround sound.

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Up And Out Of It

LP | 2024 | US | Original (Jem)

Release: 2024 / US – Original

Genre: Rock & Indie

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Dave Stewart And The Spiritual Cowboys

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2018 | UK | Reissue (World Of Echo)

Naoki Zushi

Come To My World History Of Indie Pop 1985-2023 Black Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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V.A.

LP | 2024 | EU | Original (Two-Piers)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Salamirecorder & The Hi-Fi Phonos

Night Song / Fight 'Em

7" | 2024 | EU | Original (Siluh)

15,99 €*

7" | 2024 | JP | Original (Sorega Kitto)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Independent lo-fi garage punk from Vienna!After the great debut album `Goods for Conversation' (Bachelor Records) released in 2023, here is the first new 7' single from the Viennese trio. 60s garage flavoured with a pinch of surf feeling. On top of that, there are the absolutely charismatic vocals of the bustling Felix Schnabl aka Salamirecorder. Minimalist, straightforward, to the point. Nothing reheated. Everything freshly prepared. A top double a-side that makes you want more!If you have to describe SALAMIRECORDER's music, its probably like a weird slightly annoyed outsider but with a melting heart for love songs. A perfect shake between 60s Back from the Grave Garage punk and a little breeze of early trash mixtape Powerpop. or something_ _weird, loud, rocknroll noise!!!

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(The) Segare Kids

Speed Freak.Ep

17,99 €*

7" | 2024 | JP | Original (Elephant Dance)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Tokyo-based high-speed punk band “(The) Segare Kids” is releasing its first nationally distributed 7-inch analog record! Punk band (The) SegareKIDS formed in 2021. The first nationally distributed and first 7inch analog record, named “speed FREAK.ep”! The dizzying speed of the spinning record and the sound of the more-than-necessary slide guitar and high-tension vocals will surely accelerate the listener's heart rate!

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Elephant Dance Band

Aimai / Kumo No Tairiku

18,99 €*

Spiralée: Pearlies Rearranged White Vinyl Edition

Release: 2024 / JP – Original

Genre: Organic Grooves, Rock & Indie

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The second 7-inch single “Aimai / Kumo No Tairiku” will be released on their own label, Elephant Dance Records, after 9 years of absence! The A-side features “Aimai,” a bouncy acoustic funk song with a rich wood bass sound at its core. The B-side features “Kumo No Tairiku,” a song with chorus work, floating chord progressions, and mellow electric guitar that reminds one of the sadness of the end of summer.

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Emma Anderson

LP | 2024 | UK | Original (Sonic Cathedral)

Decent Days & Nights: The Singles Transparent Double Red Vinyl Edition Editon

Release: 2024 / UK – Original

Genre: Rock & Indie

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Lush and Sing-Sing co-founder Emma Anderson releases Spiralée: Pearlies Rearranged on October 18. It consists of new versions of all 10 tracks from last year’s debut solo album, Pearlies, reimagined by Julia Holter, LoneLady, The Orielles, deary, Daniel Hunt (Ladytron), Lorelle Meets The Obsolete, Memorials, Concretism, Masal and original album producer James Chapman, aka Maps.

We aren’t calling it a remix album, because it is so much more than that – everything has been rearranged, from the tracks to the running order and the anagrammatic title (which led to Stuart Jones’ stunning Spirograph-meets-Saul Bass artwork) and the result is, essentially, a brand-new record. “It was a chance to get some really inventive people to take the tracks and turn them on their heads and that’s exactly what has happened,” explains Emma. “We selected an interesting array of artists and gave them the stems without any direction to see what they would come up with. The result is absolutely brilliant and is a record that stands alone without even knowing what the originals are like.”

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The Futureheads

2LP | 2024 | UK | Original (Cherry Red)

46,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Forgetting You Is Like Breathing Water

LP | 2024 | Original (Unheard Of Hope)

LP | 2024 | US | Original (Graveface)

Release: 2024 / Original

Genre: Rock & Indie

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Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue.

The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmurs that suggest a ’60s or ’70s Fire Music master at their most poignant. Provocative found-sound experiments threading arcane religious recordings through dystopian soundscapes. Ear-shattering free-noise tumult. Where and when did this music come from? Who are these voices?

As it turns out, Forgetting You Is Like Breathing Water springs from an engrossing human story, though it isn’t necessarily the one you’d expect. This work of stunning maturity is in fact an entrance by two little-known explorers in their early 20s, who grew up together in Virginia, in the shadow of the Blue Ridge Mountains. It documents one of those perfect, sparkling moments in post-adolescence when big decisions and responsibilities are right around the corner, but for a spell, two young artists are able to create among the comforts and nostalgia of their shared past.

It also represents a reunion of sorts, as Evans and Trump connected as toddlers, became inseparable as boys, then pursued independent lives and creative paths as young adults. “Theo is my oldest friend,” Evans says, “and I feel like that’s what this band is — us meeting right in the middle of our interests.”

Now, having conjured this magic, they’ve detached once again: Evans, whose other works include the indie/avant-jazz unit Angelica X, is currently based in New York City. Trump recently moved to England, where he’d participated in his family’s theatre company, to go to school and further his solo ambient project. “This album didn’t start out as something super ambitious,” Evans explains. “It was more just an excuse to spend time together again and make music.”

***

In conversation, Evans and Trump are a delight, especially for cynics who might think that Gen-Z is only capable of doomscrolling. They come across as kindly young intellectuals who grew up using the internet as it was intended, for exposure to ideas and art across genres and generations. Trump points to indie-folk and the oracular post-rock of late Talk Talk, Bark Psychosis and Gastr del Sol. Pressed for his guitar heroes, he cites Bill Orcutt, Mary Halvorson and Marc Ribot, and mentions his devotion to alt-country. Heyday electro-industrial stuff like Skinny Puppy and Nine Inch Nails also meant a lot to him.

Evans is equally intrepid, though his background has a greater jazz focus. Ambrose Akinmusire, among today’s most thoughtfully commanding trumpeters, is a favorite. As for the soulful murmur he offers throughout Forgetting You, Pharoah Sanders’ wistful and lyrical contributions to Floating Points’ work is a touchstone.

The two grew up down the street from each other in the northern Piedmont town of Batesville, Virginia. Their families were friends, holidays were celebrated together and they became the most loyal of pals. As children they had a pretend band.

Then life unfolded, they attended different schools and their paths diverged. Evans discovered John Coltrane and became a jazz obsessive, as Trump found punk and hardcore and later began making ambient music. As a dedicated jazz trumpeter, Evans studied formally and widely; Trump was an autodidact, teaching himself guitar and absorbing synthesis and production techniques. The late teens and very early 20s brought moves away from home and back to home, as well as plenty of listening and learning. The Covid pandemic meant an opportunity to reconnect on long walks. Through it all, together and apart, they remained reverent of each other.

By early 2023, they found themselves living again among the Blue Ridge Mountains. In the evening, after giving trumpet lessons in Charlottesville, Evans would make the eerily beautiful trek “over the mountain” to Trump’s home in Staunton, Virginia. They’d talk and eat and begin to improvise, deep into the night. Evans played trumpet and sometimes drums. (Given the wee-hours recording schedule, the neighbors didn’t appreciate the latter.) Trump plugged a rickety, junk-store Telecaster-style guitar into a cheap solid-state amp and explored open tunings; he also layered on lap steel, electric bass, synths and electronics.

They locked in and relished each other’s gifts. In Trump, those include patience and intentionality and sonic decision-making; for Evans, a distinctive trumpet sound that both musicians think of as a singer’s voice. “Will’s playing is so thoughtful and well placed,” Trump says. “My goal from a producer’s mindset is that the trumpet will occupy the space that vocals would take.”

Often, they got lost in the best way. “The thing I look for most when I’m playing is that feeling of disappearing into what you’re doing,” Evans says. “Usually when that happens, the music is good.”

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Basically Nancy

Wounds

Via Negativa (In The Doorway Light) Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Basically Nancy is a four-piece band based in Savannah, GA comprised of Alayna Bowen on bass and vocals, Greta Schroeder on guitar and vocals, Shea Benezra on drums, and Lakin Crawford on guitar. The group started by playing local open mics and sloppily playing punk covers around town in venues they couldn't legally drink in. Now years later, Basically Nancy performs all over the US and commands a room with original songs made up of heavy tones and aggressive lyrics combined with melodic sweetness. Their music portrays the experience of being a young woman and the frustrations that come with it. Their latest EP, a testament to their creative vision, was recorded with the late great Steve Albini. Albini's influence on the band was profound, and his collaboration with Basically Nancy marks a significant moment in their career.

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Xeno & Oaklander

LP | 2024 | US | Original (Dais)

LP | 2025 | EU | Original (Do Nothing)

Release: 2024 / US – Original

Genre: Rock & Indie

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The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feelreal / So many pasts...

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Buster Shuffle

Together Special Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Graveface)

Dreamend

May You Die Well

Terrestrial Seethings Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Three years ago I dug up the original tapes for Maybe We're Making God Sad and Lonely and had them remixed/remastered as we had zero budget for mixing when the album was originally recorded. We decided to release this new version as MAY YOU DIE WELL which was the original title. It was changed to MWMGSAL after hiring artist William Schaff to produce a cover for us. He titled his artwork MWMGSAL and we thought that was a better title so we went with it. For this new version though we've commissioned new artwork by Chloe Manon and are using the original title. The mixing by Nick Bassett really makes these old tunes come to life and it's amazing to finally hear this album the way it always should've been heard.

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Black Pus

LP | 2024 | US | Original (Thrill Jockey)

31,99 €*

LP | 2024 | EU | Original (Beast)

Release: 2024 / US – Original

Genre: Rock & Indie

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Black Pus is the guttural, raw, freeform project of singular drummer, vocalist, & artist Brian Chippendale. A heavy drum foundation and distorted electronics anchor Black Pus" sound, and remain directly connected to the intensity of Chippendale"s legendary duo with Brian Gibson, Lightning Bolt. Recorded at Machines with Magnets by engineer Seth Manchester, Terrestrial Seethings is pure energy, pure Black Pus, capturing the precision, frenzy, and ecstatic performance in all its glory. After more than a decade playing and improvising, Chippendale"s imagination and curiosity continue to push his world of twisted joy in expressive new directions.While known primarily for his iconic style of drumming with Lightning Bolt, Chippendale has also worked alongside artists such as Björk, The Flaming Lips, Boredoms, Andrew W.K., and Lee "Scratch" Perry. Outside of music related endeavors, Chippendale has made a name for himself as a renowned painter and painterly silk screen artist. Known for his frenetic color work, for Terrestrial Seethings Brian created striking black drawings that, like its title, pervert assumptions. Chippendale"s approach to crafting music as Black Pus mirrors his restless and indomitable spirit as a creator. His daily practice of making music and art on his own is both as meditative and cathartic, as it is inquisitive and spontaneous.

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Dion Lunadon

Memory Burn

Speak The Word To Hear The Sound

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dion Lunadon (THE D4, A PLACE TO BURY STRANGERS...) is a musician who writes, performs and records his own rock 'n' roll records. Born in New Zealand and residing in New York City he has a 4 piece band who TCB live. Raw, real and off the chain! The art on the jacket of the record is unique, as both the front and back side serve as the front cover, or back cover. Confused?! Snag a copy and untwist your brain!

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Alycia Lang

LP | 2024 | US | Original (Mtn Laurel)

36,99 €*

2LP | 2024 | US | Original (ORG Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Alycia Lang is a Durham, North Carolina-based singer-songwriter, touring musician and vocalist/multi-instrumentalist with Samia. Collaborators on her first full-length solo record, Speak The Word To Hear The Sound include Jenn Wasner (Bon Iver, Wye Oak, Flock Of Dimes) Lauren O'Connell, Damien Rice, Aaron Roche, BlankFor. Ms, and Adrian Olsen (Twain, Illiterate Light, Nadia Reid, Lucy Dacus).

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Jeremy & The Harlequins

Abra Cadabra

LP | 2024 | EU | Original (Shimmy Disc)

Release: 2024 / US – Original

Genre: Rock & Indie

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Magic materializes in many forms, but it's clearest manifestation in our world would be music. It exists unseen in the ether, yet certainly leaves a physical, emotional, and spiritual imprint. Jeremy & The Harlequins deal in this sort of magic. Finding the crossroads between sun-soaked sixties California harmonies and New York garage rock gutter fuzz, the quintet kickstart a new phase of American rock 'n' roll. Following 2013's American Dreamer, they quietly emerged as a critical and fan favorite with Into The Night [2016] and Remember This [2018]. Along the way, they earned the endorsement of USA Today, Paste, Interview, Wall Street Journal, Nylon, Consequence of Sound, Atwood Magazine, Relix, and Huffington Post who christened them "true originals." Meanwhile, they can be heard loud and clear throughout popular culture with syncs in Edge of Tomorrow: Live. Die. Repeat., Seal Team, Shameless, Vampire Diaries, Royal Pain, Heavy, Life Partners, and a Miller High Life national campaign. On SiriusXM, Little Steven's Underground Garage selected "Starlight" as it's "Coolest Song In The World" and "Trip Into The Light" as the "Coolest Song of the Year." Everything just set the stage for their fourth full-length and 2022 Pasadena Records debut, ABRA CaDaBRA.

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V.A.

Poe: To One In Paradise

Shipwrecked Limited Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Edgar Allan Poe's timeless poetry read by artists, writers, poets, musicians & magicians, in service to the work and also to the memory of a great friend and fellow traveler on the musical roads least taken, Hal Willner. Kramer has curated an eclectic list of voices to render fresh vision to old words. The music he created that accompanies each reading keeps the light shining on the performer, polishing the space between the poetry and the performance. As a fitting coda, an archival recording of Allen Ginsberg vividly reciting "The Bells" closes out the album. The unaccompanied reading from June 1981, is an excerpt from his `Expansive Poetics' study course at The Naropa School of Disembodied Poets - Boulder, CO.

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Sun And Sail Club

LP | 2024 | EU | Original (Heavy Psych Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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After a nine year hiatus SUN AND SAIL CLUB are back and they’ve come back swinging! This album is more aggressive than the previous album, as if that was even possible. Same line-up as before featuring Scott Reeder (FU MANCHU/SMILE) on drums, Scott Reeder (KYUSS/THE OBSESSED/FIREBALL MINISTRY) on bass, Bob Balch (FU MANCHU/SLOWER/BIG SCENIC NOWHERE/YAWNING BALCH) on guitar and Tony Adolescent (THE ADOLESCENTS) on vocals. The album starts with a mellow jazz guitar piece and then proceeds to rip your face off until the end of the album, which closes with another solo jazz guitar piece. “Shipwrecked” is their strongest album yet. Fully realized and to the point. Fast and dissonant.
“This album is a compilation of riffs collected over a nine year period. Most of the songs were written last year but some of them have been floating around for a while. There is a general sense of unease throughout. I wanted to make an album that went one step further than “The Great White Dope.” The songs are faster and more intense at times. It’s basically the soundtrack of me beating the shit out of my guitar. Then you factor in Scott Reeder on drums, Scott Reeder on bass and Tony Adolescent on vocals and you’ve got something more than I could have imagined by myself. This album is raw and pummeling. If you’re a glutton for punishment this might be your desert Island record.” - Bob Balch
Recorded at Jim Monroe’s The Racket Room, Casa De Balch, and Scott Reeder’s The Sanctuary.

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LP | 2015 | EU | Reissue (Dead Ringers)

Dawes

All Your Favorite Bands

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Shoot! Shoot! Shoot! One More Drink

The Jerrels

7" | 2024 | EU | Original (El Toro)

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Repeat Until Death)

Mariam The Believer

Breathing Techniques

LP | 2024 | EU | Original (Wicked Cool)

Release: 2024 / EU – Original

Genre: Rock & Indie

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New solo album of one half of WILDBIRDS & PEACEDRUMS duo, MARIAM THE BELIEVER teaches us how to breathe (and listen cloesely)!

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The Jellybricks

Dreaming In Stereo

Release: 2024 / EU – Original

Genre: Rock & Indie

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Chameleon Black Vinyl Edition

Trauma Ray

LP | 2024 | US | Original (Dais)

Words From A Wishing Well Cloudy Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.

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Shower Curtain

LP | 2024 | US | Original (Fire Talk)

Now I See The Light Pink Cassette

Release: 2024 / US – Original

Genre: Rock & Indie

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‘words from a wishing well’ is the debut record from Shower Curtain, the New York quartet fronted by Brazilian-American artist Victoria Winter (vocals/guitar), alongside Ethan Williams (guitar/vocals), Sean Terrell (drums), and Cody Hudgins (bass). Self-produced by Winter and Williams, words from a wishing well sketches early adulthood experiences in swirling layers of guitars. Winter wrote its tracks across her first few years of living in New York City, and they exist within a conversation between one’s own intuition and that of the universe. Channeling the sludgy distortion of 90s shoegaze and grunge, words from a wishing well establishes Shower Curtain as a standout in the city’s latest crop of bands.

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Toe

Tape | 2024 | US | Original (Topshelf)

17,99 €*

LP | 2024 | US | Original (Third Man)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since forming in 2000, toe have synthesized everything from pop, post- and math-rock, jazz, R&B, and electronic into one of the most distinct sounds in rock music. Their debut LP the book about my idle plot on a vague anxiety (2005) left an unmistakable imprint across the splintered worlds of instrumental and experimental music, exploding the tenets of post-rock with writing and performances that channel the intensity of hardcore.

NOW I SEE THE LIGHT (2024), toe’s fourth full-length album, is a bridge between the experimental restraint of their later work and the explosive abandon of their earlier output. From the opening tracks, toe balance serpentine passages against meditative repetition. On “LONELINESS WILL SHINE,” “サニーボーイ・ラプソディ,” and “NOW I SEE THE LIGHT,” Hirokazu reprises his role as part-time vocalist, breaking the band yet further from the instrumental work that formerly defined them. As a whole, NOW I SEE THE LIGHT closes the loop between early and late toe, giving them a clean slate for their new outlook.

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The Belair Lip Bombs

Lush Life

Release: 2024 / US – Original

Genre: Rock & Indie

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Tremulant Black Vinyl Edition

The Mars Volta

12" | 2024 | EU | Original (Clouds Hill)

20,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sarah Neufeld & Richard Reed Parry & Rebecca Foon

First Sounds

2LP | 2024 | EU | Original (One Little Independent)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1995 | JP | Reissue (AWDR/LR2)

Kaseki Sider

36,99 €*

LP | 2024 | JP | Original (Galabox Disx)

Release: 1995 / JP – Reissue

Genre: Rock & Indie

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"Kasekii Sider≡" by Kaseki Sider, which quickly garnered attention for its lyrically emotional tracks influenced by Happy End, will be released on LP for the first time. Originally released independently in 1995 and then re-released with additional tracks by a major label in 1996, this album showcased the profound influence of Happy End with its poignant lyrics and tracks. This time, the original 1995 indie version will be released on LP and cassette tape for the first time, including the classic track "Ja Natsu Nande."

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Qujila

Sasagemono

38,99 €*

Days With Uncertainty Clear Vinyl Edtion

Release: 2024 / JP – Original

Genre: Rock & Indie

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Qujila is back with their first original album in 11 years since the 2013 release of "Futari no Rajio wo Narasou yo." This highly anticipated album features 8 brand-new tracks, recorded with Qujila's signature band sound. Special guests Hiroyasu Yaguchi (sax) and Takashi Saikai (banjo, cho) add their talents to this remarkable release. Yasuo Sugibayashi, who released his first solo guitar and vocal album "Ichibanboshi no Shizuku Mitai da" in 2020, has carefully selected songs from his extensive catalog for this album. The tracks are arranged with distinct themes for each side of the vinyl, creating a cohesive and immersive listening experience. The album cover features photography by Kei Muramatsu, with design by Takashi Hokama and artist photos by Eichi Abe. This release, 11 years in the making, is a testament to Sugibayashi's dedication to his craft and his passion for vinyl.

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The Fin.

LP | 2014 | JP | Reissue (Hip Land Music)

LP | 2024 | JP | Original (Just Luck)

Release: 2014 / JP – Reissue

Genre: Rock & Indie

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It's been 10 years since The fin. released their memorable first album, 'Days With Uncertainty,' in 2014. To celebrate this anniversary, it will be reissued as a colored vinyl on "Record Day," November 3, 2024! This debut work, highly praised as a masterpiece from various quarters, includes tracks like "Night Time," which became a sensation with its music video. Yuto Uchino handled the recording and mixing for all the songs. 「Band Profile」 The band was formed in 2012 by Yuto Uchino (Vo./Gt./Synth.) and Kaoru Nakazawa (Ba./Synth.). Yuto Uchino creates the band’ s music, handling songwriting, recording, mixing, and production. The silky and smooth voice with a distinctive floating sensation and mellow sound blend together to create a fantastic and dreamy music. The music style is based on indie and psychedelic pop, fused with soul, funk, and jazz, creating a soft and mellow sound that brings a sense of peace. Yuto’ s lyrics give power while accepting fear of growth and change, adding to the unique aesthetic of The fin.'s musical world. They've taken the stage at numerous venues in the UK, US, Europe, and Asia, showcasing their talent at festivals like Fuji Rock, Summer Sonic, Sxsw, and The Great Escape. In particular, during their 2023 China tour, they staged shows in over 25 cities, drawing a cumulative audience exceeding 20,000 at their solo performances. They have also toured with numerous artists such as Phoenix, The Last Shadows Puppets, MEW, Circa Waves, Wild Nothing. The fin. has released the 1st album “Days With Uncertainty” (2014), which was recorded, mixed, and produced by Yuto Uchino, the 2nd album “There” (2018), which welcomed Bradley Spence (Jamiroquai, Radiohead, alt-J) as a co-producer for the first time, the EP “Wash Away” (2019), which welcomed Bradley Spence and Jake Miller (Bjork, Arca) as co-producers, and the 3rd album “Outer Ego” (2021), which was entirely recorded, mixed, and produced by Yuto Uchino.

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The Tiger

Get Ready

59,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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What A Relief Black Vinyl Edition

Katie Gavin

LP | 2024 | US | Original (Saddest Factory)

Release: 2024 / US – Original

Genre: Rock & Indie

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7" | 2024 | US | Original (Chunklet)

Limbo District

Bombay

11,99 €*

She's My Walkin' Rock 'N' Roll

Release: 2024 / US – Original

Genre: Rock & Indie

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Bombay Studios was an 8-track studio located in the sleepy backwoods village of Smyrna, Georgia which briefly operated from 1981 to 1983. During that time, Joe Perry, the proprietor of Bombay was a routine live sound engineer at venues sprinkled across Atlanta including the Agora Ballroom and 688. Most famously, he holds the distinction of recording the first studio session ever by R.E.M. (And no, that session has never been released.) As was often the case, other local bands would record there including Love Tractor, Keith and the Satellites (soon to be called The Georgia Satellites), DDT and Oh-OK. Amongst the littany of bands that’d come in for a day or two and commit their material to tape was the upstart Athens five-piece Limbo District. While looking through third guitarist Kelly Crow’s archive, I stumbled across an unmarked cassette tape of a three song session. Jump ahead to famed collector Lo Yo Yo’s Todd Ploharski who had the same session but on the J-card was written “Bombay.” And just like that, the band’s second recording session from the spring of 1982 had been unearthed. This session is, indeed, the band’s second line-up with Art In The Dark’s Tim Lacy on guitar who strengthened the band’s songwriting and performances. The three songs recorded “Fetish This,” “Daydreaming,” and “Two Of Screams” have more in common with the art damaged New York No Wave scene than any oblique pop, rock or jangle in the Classic City at the time. Not coincidentally, Limbo bassist Davey Stevenson’s big brother Gordon was the bassist in Teenage Jesus and the Jerks who would consistently send his kid brother missives from the front line of New York’s scuzzy vanguard.

Spotlessly restored by Jason NeSmith, ‘Bombay’ celebrates that day in Joe Perry’s studio 42 years ago. “Daydreaming” is included as a digital bonus as it wouldn’t fit on the record. All artwork was culled from the voluminous Limbo District archive. The front is original art by vocalist Craig Woodall while the back is by guitarist Kelly Crow who cribbed from German artist George Grosz for the main visual while Crow scribbled marker around it. Each copy of the record has a uniquely colored scheme done by various friends of Chunklet including musicians from Honey Radar, Lifeguard, Vangas and other esteemed degenerates. The insert features a never before photo of the band in front of an S&M hangout called the Hell Hole off the main strip at Coney Island taken by Ellen McGrail in the spring of 1982. Also included are handwritten lyrics by Craig Woodall.

“Bombay” is the Limbo District’s fifth vinyl release in less than a year with more coming out very soon including the band’s famed Drive-In session with Mitch Easter. Stay tuned into this channel for continued Limbo chaos.

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The Malakas

7" | 2024 | US | Original (Almost Ready)

11,99 €*

LP | 2024 | US | Original (Sophomore Lounge)

Release: 2024 / US – Original

Genre: Rock & Indie

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Two killer rock'n'roll smokers from the Malakas circa 2000 and left unreleased at the time. Led by the late Cranford Nix.

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Coffin Prick

Side Splits

41,99 €*

LP | 2024 | Original (Lmlr)

Release: 2024 / US – Original

Genre: Rock & Indie

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The collection of music you're about to squeeze through your temporal lobe is not comprised of your standard 4/4 dance remixes. Unlike traditional remix records, these thirteen pieces are fully reconstructed re-imaginings of tunes from Coffin Prick's debut LP Laughing (Sophomore Lounge, 2023). Built from the e-ground up as they were initially recorded during the album's master sessions, the tracks at hand are—at times—as untraceable to their original as they are difficult to genrefy, playing out as true reflections of each individual artist's creative process. Ready for some crooked wisdom? Features remixes from: Melt Banana, Yoshimio's (00i00 / Saicobab / Boredoms), Ian Williams / Battles, Ed Sunspot, John Herndon (Tortoise / A Grape Dope), Gel Set, Tim Kinsella (Joan of Arc / Kinsella & Pulse, Make Believe, etc.), Dan Bitney (Tortoise / Mecht Mensch), Shit and Shine, Dream___Mega, Beau Wanzer, and Roadhouse (Ryan Davis).

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Elders

Looking For The Answer

36,99 €*

LP | 2024 | US | Original (Tee Pee)

Release: 2024 / Original

Genre: Rock & Indie

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This Dayton, Ohio quartet has been one of the top local acts for several years. In 1966, when their name was still Jerry & The Others, they recorded the song "Don't You Lie To Me", which became a collector's item as one of the teen garage rock hits. In 1970, when drummer Ron Skinner joined them, they became known as "The Elders" and recorded this one-off LP on Audio Fidelity, produced by Gordon Neal.

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Legions Of Doom

The Skull 3

Original Motion Picture Soundtrack Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Where does The Skull end and Legions of Doom begin? The answer might be “right here”. Welcome to The Skull 3.The 2021 passing of vocalist Eric Wagner (The Skull, ex-Trouble, Blackfinger, etc.) looms over Legions of Doom’s debut, as The Skull guitarist Lothar Keller and bassist Ron Holzner (also ex-Trouble) pick up with material that would have been on that band’s third full-length and realize it in a different form. With Wagner’s involvement in the composition and the blessing of the singer’s family, Legions of Doom shift further into supergroup territory by welcoming drummer Henry Vasquez (Saint Vitus, Blood of the Sun) and vocalists Karl Agell (Lie Heavy, Leadfood, Blind-era Corrosion of Conformity) and Scott Reagers (original frontman of Saint Vitus) to the fold, both celebrating Wagner’s life and creativity and finding a path of their own as they do.It is fitting to the brand of doom proffered by these Legions that Wagner’s spirit is part of this record – not to mention his vocals on “Heaven” – but Legions of Doom are more than a tribute. Just as The Skull built on the legacy of its component members in Trouble and other outfits – Keller’s contributions to songwriting have always been the secret weapon; that remains true on The Skull 3 – so too does the new group chart its own forward course. In the end, the record becomes as much a debut as it ever might have been a third album for The Skull, and the persona of Legions of Doom is immediately distinguished through the performances of Reagers and Agell on vocals. Yes, it’s classic doom by veterans who helped define the form, but Legions of Doom are vibrant in their revelry, and, to be blunt, they sound like a band with more to say. Don’t go into the album expecting a one-off.Reborn in doom. What could possibly be more fitting for this collective of players? Open collaboration, an eye toward the future, and motivation to give this material its due on stage will likely, hopefully, keep the band busy for years to come. So much the better, then, to bear witness to this first gathering of the Legions on The Skull 3. 1. Beyond the Shadow of Doubt 5:262. All Good Things 4:113. Lost Soul 5:354. A Voice of Reason 3:175. Between Darkness and Dawn 6:136. Insectiside 3:577. Heaven 4:268. Hallow By All Means 9:24

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Last Train

LP | 2024 | EU | Original (Modulor)

38,99 €*

Dulling The Horns Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Last Train are an exception on the French indie rock scene. From the Olympia in Paris to the biggest festivals, the four Alsatians have won over a devoted audience with their hypnotic, moving concerts. Independent or nothing, they self-produce their records and tours, as well as their music videos, short films and even documentaries, with rigour and determination. At the end of 2022, the musicians had the luxury of taking their time and the right to experiment. Far from the beaten track, they are rewriting their own repertoire in a cinematic and contemplative way. By collaborating with the Orchestre symphonique de Mulhouse, Last Trainconfirm their viscerallove of large-format sounds and images, and present a veritable compendium of inï¬,uences in twelve tracks.Original Motion PictureSoundtrack is the soundtrack to a film that doesn"texist. From a symphonic chaseto a neo-classical interlude, from an organ requiem to an electronic soaring, the Mulhouse-based band play with the boundaries of genres. Last Train sets the bar ever higher with this unexpected, singular and striking album. It is accompanied by a mini-series documenting the work done in the studio, the collaboration with the orchestra and the day-to-day life of an authentic, inspired band.

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Wild Pink

LP | 2024 | US | Original (Fire Talk)

Slipping Away Summer Sky Splash Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

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Tim Heidecker

LP | 2024 | US | Original (Bloodshot)

Jess And The Ancient Ones

Release: 2024 / US – Original

Genre: Rock & Indie

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After the breakthroughs of 2020’s wistfully lush Fear of Death, and 2022’s High School, whose tales of nostalgia were never quite as distant as they seemed, the multi-hyphenate comedian and songwriter Heidecker has reached a new peak with Slipping Away, his warmest and fullest record to date. While all of his albums are concept records to some degree, this one tells a story on a larger scale, offering an imagistic framework that allows for some of his brightest melodies, heaviest themes (the feeling of before the fall and after), and most direct and vulnerable lyrics.

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Stral Sabbat Ep Transparent Red Vinyl Edition

LP | 2012 | EU | Reissue (Svart)

18,99 €*

LP | 2024 | US | Original (Think Like A Key)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Jess and the Ancient Ones released a three-song EP titled Astral Sabbat on 22 February 2012, recorded with the Swedish sonic wizard Tore Stjerna of Necromorbus Studio in their hometown Kuopio. Astral Sabbat pushed forward the boundaries of the sound established on their first full-length and forging their own path, as personified by the rather unusual choice of cover song Long and Lonesome Road, originally written and recorded by the Dutch rock outfit Shocking Blue, known for their mega-hit Venus.

“We wanted to give these works a space entirely their own, so that listeners can focus on them completely. For this purpose, we considered an EP the perfect means. Regarding the surprising choice of cover, I had heard the song at a very young age. And now, after travelling many roads, it returned to me. It is a timeless song and I hope someone discovers Shocking Blue through us”, revealed guitarist Thomas Corpse more than 10 years ago.

Astral Sabbat proved that Jess and The Ancient Ones were already back then way beyond all those occult, prog or retro-rock tags and playing a game of their own. Svart Records will release limited 12” colored edition of Jess and The Ancient Ones mini-LP Astral Sabbath on 25 October 2024. Svart Records’ webstore also has a limited edition of 150 copies package of green/red/purple marble vinyl version of the self-titled debut album, limited edition of Astral Sabbath mini album with a special slip mat Svart Records’ webstore has a limited edition of 150 copies package of green/red/purple marble vinyl version of the self-titled debut album, limited edition of Astral Sabbath mini album with a special slip mat – all of these are packaged in a unique Jess & The Ancient Ones totebag.

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Rogers & Butler

Studio 3

32,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Named after the iconic Abbey Road studio room where it was recorded, Studio 3 is Rogers & Butler's vibrant homage to the musical sounds of the sixties and seventies. From the electrifying opener "Soho Fantasy" to the mind-bending closer "Scarlett Letter," this album captures the melodic brilliance and raw energy that defined a generation. Blending the swagger of New York rock with the charm of the London music scene, Rogers & Butler's ear for melody and authentic sound will transport you back to the golden age of British rock. Each track on Studio 3 seamlessly blends past and present, to create a sound that is both nostalgic and refreshingly new. The twelve songs on this limited pressing vinyl were recorded live in a marathon two-day session with all the musicians in the studio, capturing lightning in a bottle and eschewing modern recording techniques such as auto-tuning, click tracks, and extensive editing. Joining the duo at Abbey Road were producer Don Piper (guitar) and veteran British musicians Andy Lewis (bass) and Ian Button (drums). The album was expertly engineered by Chris Bolster, known for his work with Paul McCartney, Kate Bush, and Oasis. With lush arrangements, infectious hooks, and timeless production quality, Studio 3 promises to captivate and inspire. This album is a must-have for fans who want to experience the magic of a bygone era through a modern kaleidoscopic lens. Limited vinyl pressing.

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LP | 2024 | Original (Warner Bros)

Andra Day

Cassandra Cherith

68,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Yes Angel Ecomix Vinyl Edition

Jacob Diamond

LP | 2024 | UK | Original (Dalliance)

7" | 2024 | Original (Nice Swan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Shortly after Jacob Diamond unassumingly self-released his first record, he found himself touring the world - first with art-pop outfit Methyl Ethel, then with singer-songwriter Stella Donnelly. Upon returning, the sharp, avant-pop songwriter moved from Perth, where he had started out at open mics on school nights, to Melbourne where he found a burgeoning scene of like-minded artists to collaborate and build confidence with. He would go on to join Camp Cope, Julia Jacklin, Courtney Barnett, Phoebe Go and Angie McMahonon stages around the country.

Now signed to Dalliance Recordings (Francis of Delirium, Gia Margaret, Highschool, lilo),Jacob is re-leasing his stunning new album Yes Angel this August. With contributions from Julia Jacklin and Stella Mozgawa (Warpaint), he’s refined his expression into nine remarkable songs through three years of painstaking assembly.

A study in space, each song on Yes Angel is also a setting. Themes of self-love and discovery settle like dust over simple, beautiful performances. Of the album, Jacob says, “I set out to make something confident, intimate, beautiful and alive. I wasn’t confident I could do what I set out to do, so Yes Angel will always be meaningful to me because I did it. Making it taught me to trust my instincts. Recording the album’s most challenging song ‘icuicry’ with producer and Fremantle icon Brod Madden-Scott epitomised this change in me: the song meanders and has a poem in the middle (or a ‘Ted Talk’, as Brod called it) so it needed a delicate touch, but I did what I have the tendency to do and went big. It had a big finish that was almost insecure - as if the song wasn’t enough without a show-stopping finale. But after version 38 or whatever, Brod sent through a mix with a note attached: ‘I just stripped it all back’. It was perfect. Nothing fussy. I immediately knew it was right because I trusted the relief and joy I felt. The song was enough exactly as it was and, as its author, I too was enough. This trust guided the rest of the process.

”Reminiscent of Arthur Russell and Vini Reilly, Jacob’s singular voice and sparse guitar stylings give ache, shape and atmosphere to his songs, allowing tinges of synth and drum machine to push through like flecks of light at their edges. Yes Angel excitingly feels both intimate and alien, perhaps due to being recorded as close to home as Fremantle and as faraway as Joshua Tree. Either way, it stands as a testament to the value of continuing to search for your own voice. Featuring singles ‘New Museum’, ‘Bay of Fleas’ and ‘That Meant The World To Me’, Yes Angel is a revelation. When you allow this music to take you with it, it settles into the heart.

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The Rills

Skint Eastwood

10,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Big Stir)

The Armoires

Octoberland

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Alchemy)

Totsuzen Danball

Fubi

A New Day Now - 20th Anniversary

Release: 2024 / JP – Original

Genre: Rock & Indie

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Refusing to be categorized easily, and playing uniquely original music unlike anything else, the band Totsuzen Danball is truly the one and only. Their 4th album "Fubi," was recorded in 1991, almost the same time they released 3rd album "Yokushi Onryoku" which known as one masterpiece in the band's career. P-vine proudly presents the lost gems on vinyl format for the first time. This release stands as the band's sole contribution to Alchemy Records, which is operated by Jojo Hiroshige from Hijokaidan. Though the album features a minimal three tracks, including the epic "Around the Lost World" clocking in at 17 minutes and 29 seconds, the distinct world they create defies description, truly embodying the essence of Totsuzen Danbooru. With front artwork boasting an overwhelming impact that transcends mere comprehension, this LP-sized release is a must-have.

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Joe Bonamassa

2LP | 2020 | EU | Reissue (Mascot Label Group)

33,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Sell The Heart)

Unconditional Arms

Formation

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Free Dirt)

Liv Greene

Deep Feeler

CD | 2024 | US | Original (Dead Oceans)

Release: 2024 / US – Original

Genre: Rock & Indie

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LIV Greene isn't running from herself anymore. She's pried herself open and let real longing, frustration, and love break free. Deep Feeler, her sophomore album, is a reckoning with reality, a vulnerable snapshot of hard-won self-acceptance. It's feminine, queer, and defiant. It also heralds the arrival of Greene as a powerful new voice who joins the songwriting tradition of Emmylou, Patty, Gillian, and Lucinda - in her own way. Greene self-produced and recorded Deep Feeler live to tape in Nashville's Woodland Sound Studios, with collaborator Matt Andrews (Gillian Welch & Dave Rawlings, O Brother Where Art Thou) and a dreamy band of friends including Sarah Jarosz, Dom Billett, Elise Leavy, and Christian Sedelmeyer. The resulting collection of beautiful melodies and folk-rooted storytelling is a bold achievement: a piece of art that matters culturally, musically, and personally.

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Toro Y Moi

Hole Erth

14,99 €*

Loving You Backwards Transparent Purple Vinyl Ediiton

Release: 2024 / US – Original

Genre: Rock & Indie

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Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features ever on a Toro y Moi album. A sense of nostalgia sneaks its way into almost every Toro y Moi release, but angst is an emotion that Bear has never intentionally explored the way he does here. Tracks like "Tuesday'' channel a specific, yet forever-relatable sense of adolescent unease. A distorted guitar riff leads into a repeating chorus that conjures misunderstood teenagers singing aloud, maybe too loud, while riding bikes through American suburbs. This foreboding can also be heard on "HOV," though not without poking some fun with lines like "Romance is so cold / My advice? To bring a coat." Bear has the energy, but is acutely aware that his energy isn't forever. At a time when the internet is blending multiple genres into one at an increasingly rapid pace, Bear accomplishes the rare feat of keeping up with the contemporary alternative listener. Constantly changing, evolving and experimenting is the heart of Toro y Moi, and on Hole Erth Bear challenges but also reclaims himself, embracing the myriad sounds and eras that formed him, while crashing new worlds together.

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Blood

LP | 2024 | UK | Original (Ramp Local)

Homosapien Black Vinyl Ediiton

Release: 2024 / UK – Original

Genre: Rock & Indie

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Loving You Backwards, the debut album from Blood, flourishes in the subtle, the ambiguous, the shades of gray. In winter of 2021, longtime Austin residents Blood made a fresh start, using a move into a house together in Philadelphia as a chance to reorient and spend time writing music around the clock. As they wrote, the sound of the band began to shift. Blood, in the past, made huge, angry, grandiose, operatic songs. Loving You Backwards, was not that. Instead, this debut record is quieter, less reactive, but no less powerful. As an organism, Blood circa Loving You Backwards, was a six piece. Tim O'Brien is the lyric writer, but the song writing and arrangement is a painstakingly collaborative process in which the band aims for democracy over swiftness. The record also features the band’s first major work with the producer Daniel Enrique Howard, whom the band recorded with at his studio in Brooklyn. Howard helped guide Blood into this new sonic territory. It is not a bedroom project, but instead fully realized, somehow sounding both intimate like Liz Harris’ Grouper feels intimate and totally vast in the way that a Talk Talk record feels vast. It’s in the same universe as Ought in its earlier iterations. The songs on Loving You Backwards exist in the realm of ballads, heart-wrenching and weird pop with a post rock sensibility. It explores, as the title implies, approaching a relationship in the reverse, dealing with your past while you try to stay in the present. Loving You Backwards is a record of ideas and big honesty, but it’s also a record of genuinely pristine pop. A definitive statement from a band that is more than on the rise as truly excellent songwriters and performers.

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Nightshift

LP | 2024 | US | Original (Trouble In Mind)

21,99 €*

2LP | 2024 | UK | Original (Bubblewrap)

Release: 2024 / US – Original

Genre: Rock & Indie

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It 's been three years since Glasgow musical collective NIGHTSHIFT's last album ("Zöe", 2021) & aside form an odds & sods tape compilation "Made Of The Earth", the group has remained relatively quiet on the recorded front. Newly regrouped into a quartet, the band has readied their proper follow up to "Zöe" & their third album "Homosapien", again for Chicago's Trouble In Mind Records. Recorded & mixed in the band's rehearsal space by members Chris White & Rob Alexander, "Homosapien" started to take shape in Summer 2023. Writing had begun prior, but due to a crucial lineup change, the band had to start again. Thankfully, once they regrouped, the assembly and recording of the new set of songs was fun and relatively quick. Notably, the band has lost some members, gained a new member & shuffled some roles; former drummer Chris White (Spinning Coin) is now on guitar. His distinctive playing delivers a countrified energy that is central to the album, leading the song structures into more succinct and colorful places, matching the upbeat and playful nature the band has always drawn strength from, only more so now under his stylish approach. Primar y vocalist & keyboardist Eothen Stern (also of 2 Ply)'s lyrical gifts illuminate the group's output with an optimistic urgency that is unmatched. On 'Homosapien' she wears her heart on her sleeve, but even in the song's darkest moments, the words create a sense of hope and potential. She doesn't shy away from politics or contemporary love languages and finds humor, earnestness, and critique at ever y turn. Andrew Robert Doig continues to play bass (Dancer/Robert Sotelo) and provides occasional lead vocals on tunes like "Together We Roll" & "Mellow Baby ". Newest member & drummer Rob Alexander (Tarantula/Radio Banter) allows for a second new development in the band dynamic. Replacing Chris (his longtime friend from childhood) is no mean feat. Thankfully his drumming is an avalanche of skillful technique with a glorious abandon that swerves it away from the academic and absolutely into a wild and tactile performance that lifts the sound of the album (he also plays accordion and tin whistle). Friend & colleague Ray Aggs (Shopping, Raggs) also contributes fiddle to "Sure Look" & "Phone". NIGHTSHIFT's newest songs were born out of some genuinely existential times (birth, death and love all played a very real part in the gestation of the new record). Songs like first single "Crystal Ball", "Cut" & "Side Effects" all touch upon struggle created by an ever encroaching fascist government (exacerbated by Brexit) & the effects austerity has upon their people. Other songs like "Sure Look", "Phone" & "Crush" deal with matters of the heart while "Your Good Self " & "Together We Roll" take on self-preservation & community. It 's a great irony that the band are sculpting their most succinct and tuneful music yet from this potential chaos, but it 's this unexpected quality that drives them onwards into a dizzying universe.

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Georgia Ruth

Cool Head

33,99 €*

King Gizzard & The Lizard Wizard

Release: 2024 / UK – Original

Genre: Rock & Indie

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2024 sees the release of Georgia’s fourth studio album - Cool Head. Written in the year after her husband and collaborator was taken seriously ill, Georgia describes the album as a long drive through night into morning. "Cool head," a phrase her dad would always use to urge calm thinking, presents a candid and affecting collection of songs, spanning wide-open Americana to 60s- influenced folk ballads. Recorded in Sain studios, near Caernarfon, the album features contributions by Iwan Huws (Cowbois Rhos Botwnnog), Stephen Black (Sweet Baboo), Gwion Llewelyn (Aldous Harding) and Rhodri Brooks (Melin Melyn). With Gorky's Zygotic Mynci stalwart Euros Childs adding his unmistakable vocals to a couple of songs, this is a truly Welsh affair. It also features string arrangements by Gruff Ab Arwel, whose ear for melody brings a new dimension to the songs. These are performed by Angharad Davies, Angharad Jenkins and Patrick Rimes. The album is co-produced with long-time collaborator Iwan Morgan

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Nonagon Infinity Live

CD | 2024 | US | Original (Needlejuice)

15,99 €*

LP | 2024 | US | Original (Psychic Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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This live compilation attempts to replicate the seamless, infinite loop of the original Nonagon Infinity album.

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Piitu Lintunen

7AI9

39,99 €*

Green Milk From The Planet Orange / Fuckwolf

Release: 2024 / US – Original

Genre: Rock & Indie

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"The first idea for this compilation came one night when Tommi text messaged me while I was having a good time with my Raisio-born punk friends. Tommi suggested that I compile an album from my musical history. After considering different directions I went through my archives and found a box of 1980's demo tapes. Some of the tapes were from 1981 and 1982, when we did the punk zine Pöly with my brother Sakke Lintunen. I had totally forgotten about many of them. A beautiful track from a Nurse with Wound demo turned out to be made by a NWW studio technician that lived somewhere in the Canarian Islands in early 2000. He couldn't be found. At first this collection consisted only of demo tracks. Then I got a feeling that I want to include some new tracks too. I asked for a track from Clair whose debut solo is one of my recent favorites. Corumn was another contemporary artist I thought should be there. Jimi Tenor sent me some demos when he moved to NYC in early 1990's. I chose one of those tracks for the compilation. I learned to know Pekka Airaksinen in the early 1980's. He passed away in 2019. Pekka has a big archive of unfinished songs. His wife Maarit gave me some unfinished tracks and Jimi Tenor made a new track out of them. Ddaa sent me a tape in the 1986's. After I asked one of the tracks for this compilation they wanted to re-record the track. And they did so in a very original style. Kostruktivists sent me a tape in 1983 while they were recording Psykho Genetica. All 4 tracks from the tape could have been suitable here, but Opening Signs was the one. Ramleh's Black Ark is a unreleased chapter from the recording of Grazing on Fear in 1987. All of the tracks are electronic experimentations. In early 80's I did a lot of cassette exchange. It was a way of communication in the punk spirit. Everybody knew each other. Tasaday, Odal and Neljän seinän jumalat (my own project) are examples of the active players of the time."—Piitu Lintunen

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Let's Split (裂けても) Black Vinyl Edition

LP | 2024 | US | Original (Silver Current)

LP | 1983 | JP | Reissue (P-Vine)

Release: 2024 / US – Original

Genre: Rock & Indie

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A limited edition, full-length split album celebrating a 2024 co-tour of Japan by underground cracked-psych purveyors Fuckwolf from San Francisco and legendary prog-benders Green Milk From The Planet Orange from Tokyo.

Green Milk stretch a live performance of one of their extended signature jaw-droppers “Concrete City Breakdown” relentlessly across an entire side of Let’s Split while Fuckwolf delve into a six-part abstract song cycle, ranging from stoned incense burners to blown out fuzz rippers, echoes of Faust Tapes, Les Rallizes and ’70s midwest outsider proto-punk abound.

Green Milk From The Planet Orange formed in Tokyo in 2001 and continue to tour,record and perform some of neo-psychedelia’s most ambitious and masterfully performed rock music.

Fuckwolf formed in San Francisco in 2002 and most recently released the critically lauded underground scuzzy art-rock gem of 2022 Goodbye, Asshole on Silver Current Records.

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Auto-Mod

Requiem

Live At Cirkus Deluxe Edition

Release: 1983 / JP – Reissue

Genre: Rock & Indie

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Auto-Mod is known as a pioneer band in the Japanese positive punk scene, and their aesthetic and theatrical songs influenced many artists who followed in their footsteps. Their debut album was released in 1983 by Telegraph Records, which runned by a legendary photographer Yuichi Jibiki. Tomoyasu Hotei also played in Auto-Mod as a guitarist about 20 years before his name became famous with his work for Kill Bill's main theme. This is the first time the album is reissued on vinyl!

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Hällas Saga, The

LP | 2023 | EU | Original (Rmv / Playground Music)

LP | 2023 | US | Original (Born Yesterday)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP with poster + iron-on print, gatefold sleeve with metallic cold foil on frontOn their 2015 self titled debut EP, Hällas lay the foundation of the saga bearing the same name as the protagonist crusader as well as the band themselves, which later grew into a trilogy composed of the two last songs on the aforementioned EP and the two following albums "Excerpts from a Future Past" and "Conundrum". To celebrate the completion of the trilogy the band decided to do a one-off show in front of a seated audience at Cirkus, a classic venue in Stockholm, Sweden. Due to worldwide restrictions the show had to be replanned and postponed several times until it finally happened on April 10th 2022. After more than two years on hiatus and with the exception of a minor festival gig the year before, this was the band's first performance during that whole period, and it was by far the longest set to date in the band's entire career. All first three releases of the band were to be performed from back to back divided into two acts. Act I consisted of "Hällas" and "Excerpts from a Future Past" while "Conundrum" and two songs from their newly released album "Isle of Wisdom" were performed in Act II. For the first time people were able to experience these new songs live. Some of the older songs such as "Insomnia" and "Tale of a Tyrant" had not been performed for several years. Strider and Blinded by the Emerald Mist had never even been played live before. So Hällas fans from all over the world attending the show were in for an unforgettable evening. With this record you get a slice of that pie in the comfort of your own living room. So please have a seat and enjoy this time capsule, as it is a very good representation of how this band sounded live back then.

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Neckbolt

Dream Dump

Release: 2023 / US – Original

Genre: Rock & Indie

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Neckbolt strives to dismantle the overtly masculine pitfalls of noise rock. There’s no tough guy posturing. There’s no hyper-macho aggression. If anything, Dream Dump is a headtrip into the recesses of the unconscious mind, a reflection of dreams interpreted and reinterpreted, and the weirdness that results. The dream state is thick and dense. There are songs about sleep paralysis via Chinatown bus rides (“Fung Wah or Lucky Star”), talking rocks and malevolent off-screen entities (“Cicada”), and what might be the singular tree at the beginning of the world (“No Magic”). This is a stream of conscious songwriting from the framework of the unconscious. While Roo’s backlog of dreams lend inspiration to the lyrics and themes, the music pulls influence from the unique and distinguished sounds of Boredoms, Screaming Jay Hawkins, Mystic Djim & The Spirits, and Polvo, as well as modern day genre expanding acts like Thee Oh Sees, Palm, and Guerilla Toss. Neckbolt understands context and divergent sounds, their music is often swarming and easy to get lost in, amorphous and fervently interesting. The band are primed to re-contextualize noise rock, creating their own animalistic sound, a swirling, ground shaking mix of acid fueled structures, primal rhythmic force, and cosmic asides. The record convulses and spits with character rather than angst or anxiety, the sonic brutality is met with cartoonish glee and dynamic textures. Roo’s processed vocals wail, slither, and screech against fractured motorik boogie and disjointed grooves. Their music is energetic and dance-floor ready, juxtaposing loud and abrasive with hypnotic and fluid. They’ve adopted an atonal bliss, where dread is transposed into possibility. Anything can happen. Dream Dump feels like a celebration, the landscapes of our dreams have been brought out into the open, and now we’re all just scraping for our own meanings.

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Genre: Rock & Indie

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Shame

All The Hits

12" (Secretly Canadian)

14,99 €*

12" | 2023 | JP | Original (Fourth Hand)

Genre: Rock & Indie

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Limited colored vinyl LP pressing in gatefold jacket. Archive collection containing the very first professional recordings made by beloved Country icon, Dolly Parton, when she was just 13 years old. Also includes rare recordings from the early '60s of Dolly singing songs made famous by Kitty Wells including one of Parton's own songs written for Wells, "Letter To Heaven!"

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Mugamichill

55,99 €*

The Smell Of Our Own Black Vinyl Editoin

Release: 2023 / JP – Original

Genre: Rock & Indie

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Centered around Mitsuru Nasuno, Tatsuya Nakamura (former member of Blankey JET City) and Koji Nakamura (former member of Supercar) got together in December of 2016 to form Mugamichill. Since 2017, they have released a total of 8 CDs on their own and have been active performing to live audiences at events and on tour.

This will be their first analog release and will include 3 musical numbers from their long-awaited full album Mugamichill which was released in September of 2022 in a 4-cd package. Included in the 12-inch vinyl is the piece No.9, which is an arranged version of Shadow for a live audience. This vinyl was originally created as a return gift for their cloud funding, but with its popularity, it has been decided to be released to the public in limited numbers.

Recording and mixing was done by Naoyuki Uchida, Japan’s premier DUB engineer who has worked on various musical numbers from pop to avant-garde. As an extension of improvised music, this 12-inch vinyl unites colors, transparency, and ambience of sound, and is something that can only be savored through Mugamichill.

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The Hidden Cameras

LP | 2003 | UK | Reissue (Rough Trade)

Michael Head & The Red Elastic Band

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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The Hidden Cameras burst onto the Toronto music scene in the early 2000"s boasting an irresistible combination of pop and queer sensibilities. Playing self-proclaimed "Gay Church Folk Music" a new genre of their own making and songs ranging from haunted, aching ballads to foot-stomping anthems, the band"s outrageous stage shows packed such disparate venues as sweaty dance bars, art museums, a working porn cinema as well as many churches. Fronted by lead singer-songwriter Joel Gibb, the ensemble continues its musical provocations to this day, with Berlin now as its centre of gravity.The Hidden Cameras had yet to release a note of commercially available music when, in early 2002, they became among the most discussed and celebrated unsigned bands in the history of their native Toronto. By the close of the year, they had been the subject of uncommonly sensational features in The Globe and Mail (Canada"s national newspaper) as well as in every daily and weekly in Toronto. The reasons for the reckless enthusiasm of these usually cautious journals was simple: revelatory live performances that attacked and transcended the staid, dispassionate traditions of rock nightclub culture; and the songs of band front-man and mastermind Joel Gibb, a talent of uncommon melodic and poetic gifts. "The Smell of Our Own", The Hidden Cameras debut album was originally released in April 2003 on Rough Trade to tremendous critical acclaim.

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Velvets In The Dark / Koala Bears

7" | 2023 | UK | Original (Violette)

11,99 €*