Search "depeche mode" 1101 Items

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Born Yesterday)

Neckbolt

Dream Dump

LP | 2023 | UK | Original (The Players Club)

Release: 2023 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Neckbolt strives to dismantle the overtly masculine pitfalls of noise rock. There’s no tough guy posturing. There’s no hyper-macho aggression. If anything, Dream Dump is a headtrip into the recesses of the unconscious mind, a reflection of dreams interpreted and reinterpreted, and the weirdness that results. The dream state is thick and dense. There are songs about sleep paralysis via Chinatown bus rides (“Fung Wah or Lucky Star”), talking rocks and malevolent off-screen entities (“Cicada”), and what might be the singular tree at the beginning of the world (“No Magic”). This is a stream of conscious songwriting from the framework of the unconscious. While Roo’s backlog of dreams lend inspiration to the lyrics and themes, the music pulls influence from the unique and distinguished sounds of Boredoms, Screaming Jay Hawkins, Mystic Djim & The Spirits, and Polvo, as well as modern day genre expanding acts like Thee Oh Sees, Palm, and Guerilla Toss. Neckbolt understands context and divergent sounds, their music is often swarming and easy to get lost in, amorphous and fervently interesting. The band are primed to re-contextualize noise rock, creating their own animalistic sound, a swirling, ground shaking mix of acid fueled structures, primal rhythmic force, and cosmic asides. The record convulses and spits with character rather than angst or anxiety, the sonic brutality is met with cartoonish glee and dynamic textures. Roo’s processed vocals wail, slither, and screech against fractured motorik boogie and disjointed grooves. Their music is energetic and dance-floor ready, juxtaposing loud and abrasive with hypnotic and fluid. They’ve adopted an atonal bliss, where dread is transposed into possibility. Anything can happen. Dream Dump feels like a celebration, the landscapes of our dreams have been brought out into the open, and now we’re all just scraping for our own meanings.

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Matteo Mancuso

The Journey

30,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Mute)

Keepsakes

Release: 2023 / UK – Original

Genre: Rock & Indie

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Dear Departed Limited White Vinyl Edition

Sam Burton

LP | 2023 | EU | Original (Partisan)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Partisan)

Sam Burton

Dear Departed

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Blue Arrow)

Jesse Denatale

The Ahnds Of Time

38,99 €*

LP | 2023 | US | Original (Mt. St. Mtn.)

Release: 2023 / US – Original

Genre: Rock & Indie

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Jesse DENATALE’s new album The Hands of Time, is, in a word, reverential. It is at times, symphonic and at other times pulsing forward with a rawness and power of rhythm he says stems from his Mexican/Italian roots. The California native says when it came to this record, it was about cutting through the noise, not over-planning the production, but rather chasing the mystery and fragile reality that is in a kind of recovery-mode from the pandemic. Though the ten songs on the record range in topics from love and gratitude to sorrow and to the horrors of gun violence. It's the notion of time itself, with its power and irreversibility, that appears in every song. Jesse DeNatale's music has been described as evocative and hopeful, a combination of poetry and storytelling. His records include the critically acclaimed Shangri-La West Soul Parade and The Wilderness. Over the years his love of various musical genres has inspired him to expand his ideas of songwriting as he continues to find a way to reflect the realities of being alive. Rich with imagery, intelligence and passion, his music remains timeless. Its soulful accessibility is what has garnered him praise from other artists and has kept his devoted fans listening. Features contributions form TOM Heyman, Paul Olguin, Nino Moschella, Alisa Rose and THE Zemlinsky Quartet.

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Rubber Blanket

Our Fault

Cut Worms Seaglass Wave Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Our Fault, the sophomore album from Los Angeles’ Rubber Blanket, thoroughly trounces the laziness cabal. Its 10 tunes beckon listeners to embark on a preternatural sojourn under the collective Blanket of Brad Eberhard, Lars Finberg and JUN Ohnuki Eberhard, Lars (survivors all of Wounded Lion), three artists and composers, working together forever and then some. Before today, Rubber Blanket had never visited the racetrack in Santa Anita. They agreed to meet there for one specific reason: betting it all on a horse named Pepsi. They’re in queue at the ticket window wearing matching Wall Of Voodoo shirts, which even they think is absurd. It’s a $35 bet to show. They lose but vow to return. Unless there’s literal goo-goo-gah-gah, the notion that Rockish Musics with discernable peculiarities must possess childlike predilections is shite nouveau, serving only to signal that the experimental market is not blonde enough to churn hype butter. This kind of trash-think ignores the existence of real wonderment, as if the constant ingestion of multiverse stimuli couldn’t / wouldn’t / shouldn’t impact the capacity for marvel within the living human sponge. Our Fault is bright enough to recognize and even reproduce this strange ever-growing awe. Rubber Blanket eat Del Taco late-nite while cruising in a convertible yellow Miata, chit-chatting loudly over a skipping Shadow Ring compact disc playing out of the dash console. There’s lettuce everywhere, which is refreshing if you really think about it. They hit a red light, let it turn green, then yellow, then back to red again. They dig on the coolness of the pattern while fellow motorists repeatedly honk. Rubber Blanket proffers a distinct humor/horror collective consciousness, coaxed via a crate of oddball musical machinery and arranged in a matter that that bucks all subterranean boogie traditions. A tumultuous, somehow scientifically programed spontaneity, bottled on Our Fault. Different Rock’n’Roll, bright and strange.

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Cut Worms

LP | 2023 | EU | Original (Jagjaguwar)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Can

Live In Cuxhaven 1976

LP (Mute)

19,99 €*

Genre: Rock & Indie

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Tfcf (420 Estuary Angler Edition)

Liars

2LP (Mute)

60,99 €*

Genre: Rock & Indie

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Tape | 2023 | US | Original (Jagjaguwar)

Cut Worms

12,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Cut Worms Black Vinyl Edition

Cut Worms

LP | 2023 | EU | Original (Jagjaguwar)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Upset The Rhythm)

Me Lost Me

Rpg Pink Vinyl Edition

LP | 2023 | UK | Original (Upset The Rhythm)

Release: 2023 / UK – Original

Genre: Rock & Indie

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ME Lost ME led by Newcastle-based artist Jayne Dent announces a new album RPG via Upset The Rhythm on 7th July, and is touring across the UK including support dates with Pigs x7. RPG (recorded in Blank Studios with Sam Grant of Pigs x7) is ME Lost ME’s fourth outing as a collective, having transitioned from an ambitious solo project in 2017, Jayne now regularly collaborating with acclaimed North-East jazz musicians Faye MacCalman and John Pope.

ME Lost ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully weave together disparate genres, drawing influence from folk, art pop, noise, ambient and improvised music. Hauntological in part, RPG is concerned with tales and with time - are we running out of it? Does insomnia cause a time loop? Do the pressures of masculinity prevent progress? Jayne Dent asks these questions and more on RPG, her homage to worldbuilding and the story as an artform, calling back to those oral traditions around a campfire, as well as modern day video games - bringing folk music into the present day as she does so.

ME Lost ME presents sound reaching in opposite directions, straddling time towards the archaic and timeless traditions of folktales, and towards the possible and potential futures of pastoral Britain and the world at large. Part speculation, part reminiscence, what results on the new album RPG is music that sounds ultimately displaced and yet omnipresent, adjacent to a hapless Vonnegut hero whose life is scattered throughout time and history, but full of wonder and curiosity rather than fear.

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Me Lost Me

Rpg Blue Vinyl Edition

The Queen Is Not Dead Light Green Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Spiritual Front

LP+7" | 2023 | AT | Original (Auerbach Tontraeger)

51,99 €*

Release: 2023 / AT – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Fire)

Brigid Mae Power

Dream From The Deep Well

Tape | 2021 | US | Reissue (Sacred Bones)

Release: 2023 / US – Original

Genre: Rock & Indie

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‘Dream From The Deep Well’ is the new album from celebrated Irish singer songwriter Brigid Mae Power. Recognised as a purveyor of dreamier pop with folky leanings, this new album is a departure; a unique marriage of traditional stylings and very modern melodies; a breath-taking soundtrack which underpins her gorgeous vocal.

Filled with personal tales of offspring and grandparents, the lovelorn and the lost, it’s the essence of re-imagined folk music, from the traditional intro and outro that act as bookends. It’s folk music, but not as we know it. In these ever-confusing and often annoying times, Brigid brings us modern folk for modern folk, with her evocative vocal, doubling back on itself with strings, steel guitar, horns and mellotron adding to its baroque loveliness. It’s waving back at her rootsy past, daubing new colours on a much-loved canvas. ‘Dream From The Deep Well’ is a new visionary beginning from a gifted songwriter.

Elsewhere, there’s the lovelorn longing of her version of Tim Buckley’s ‘I Must Have Been Blind’, alongside a moving tribute to the late Ashling Murphy, a 23-year-old Irish primary school teacher and traditional Irish musician who was attacked and killed while jogging along the Grand Canal just outside Tullamore, County Offaly. It's a harrowing story, delivered with overwhelming compassion. In the best tradition of old school folk music, it opens up a pressing issue to a wider audience.

It's an album that’s politically primed and socially aware; a broadside for us all, this is Brigid Mae Power’s most complete album yet.

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Molchat Doma

Etazhi

16,99 €*

12" | 2022 | US | Original (Bad Time)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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- Reissue of the breakthrough sophomore album by the rising Belarussian post-punk/synthpop band//The second LP by Belarussian trio Molchat Doma, Etazhi, meaning "Floors", was first released in 2018 on Berlin-based Detriti Records. It became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. The band may fly under the radar in their native Belarus, but they've reached huge audiences across Europe and beyond. Six separate vinyl pressings of the album have sold out in quick succession, and Sacred Bones Records is now thrilled to bring the record back in print for good. Molchat Doma (translated as "Houses Are Silent"), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths.RiYL: Depeche Mode, New Order, Drab Majesty, Black Marble

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Mike Park / Catbite

Wavebreaker #2

18,99 €*

Constant Shallowness Leads To Evil Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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SKA Legend Mike Park AND Rising Stars Catbite Join Forces FOR A Generation Spanning Second Installment IN THE BAD Time Records ‘wavebreaker’ Series ON Limited Edition SEA Blue Vinyl If you’ve ever dipped a toe into the world of ska, vinyl, or DIY punk music from the past 30 years... there’s a good chance that the name Mike Park has come up. Founder of Asian MAN Records, Skankin’ Pickle, THE Bruce LEE Band, and a wealth of solo material and side projects, Mike has been pairing his love of punk and ska with damn good song writing throughout his career. On Wavebreaker #2 he brings us two ska instant classics, starting with “I couldn‘t wait out through the night”... a more traditonal track with a heavy groove and soulful sax, featuring vocals by the equally legendary Karina Denike of Dance Hall Crashers. He follows it up with “Lose With Me”, a speedy ska punk dance-floor filler that’s sure to please all generations of Park’s fans. It’s clear that he’s got an ear for great songwriting when you listen to these songs (or even just take a look at the AMR roster)... but when asked who is favorite modern ska band is, Mike says without hesitation... “Catbite!” If you’ve dipped a toe into the re-blossoming world of ska over the past 4 years, there’s also a good chance that the name Catbite has come up. Hot off of their 2021 sophomore LP “Nice One”, Catbite has been bringing their unique spin on two-tone style ‘garage punk’ ska across America. Fresh off of tours with Jeff Rosenstock and Streetlight Manifesto, Catbite is poised to bear the torch for the next generation of ska bands and fans. “Spiral” is an rhymitcally upbeat but lyrically dark aural fistfight with depression and self deprecation, played with a vigor and venom of a band totally locked in and all topped off with a staggering vocal performance from singer Brittany Luna. “Everybody Talks” certainly lightens the mood, and makes you instantly realize why the band would choose to cover this Neon Trees hit... it’s executed perfectly. Born out of mutual respect and a love of ska music, Wavebreaker 2 showcases two artists at the top of their game giving an under-appreciated genre just the jolt of addrenaline it needs and deserves.

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Coil

LP | 2000 | CZ | Reissue (Dais)

37,99 €*

Heavy Orange Vinyl Edition

Release: 2000 / CZ – Reissue

Genre: Rock & Indie

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Coke Bottle Clear VinylThe turn of the millennium ushered in an apex visionary phase for English esoteric duo Coil. Relocating from the city to the coastal quiet of Weston- super-Mare freed them to follow even more fringe obsessions, fully untethered from peer influence. During a single six-month stretch in 2000 they released the devious underworld sequel to Music To Play In The Dark, arcane drone summit Queens Of The Circulating Library, and a malevolent hour-long synthesizer exorcism prophetically titled Constant Shallowness Leads To Evil. This latter work remains one of the group's most miasmic and mind-expanding creations, on par with Time Machines - a sustained divination of shuddering, psychoactive noise, rippling with the motion sickness of an all-seeing eye.Thighpaulsandra characterizes the album as "an exercise in brutality," born from a thorny patch of his Serge modular unit that Peter "Sleazy" Christopherson found entrancing. Processing this sliver of electronics into a ravaged labyrinth was a trial and error process, aided by Christopherson's visual sense of sound, stretching and manipulating it for maximum spatial disorientating. Frequencies nauseously crawl across the stereo field, burrowing into the ear like a sinister brainwashing experiment.An outlier / centerpiece is the 13-minute alien tribalist sea shanty, "I Am The Green Child," guided by John Balance's sung-spoken free verse concerning vengeance, oblivion, and insanity, culminating in the memorable refrain, "We're swimming in a sea of occidental vomit." But the rest of the record seethes in unhinged instrumental chaos, divided into 18 micro-movements of a composition called "Tunnel Of Goats." Intended to scramble the functionality of a CD player's shuffle mode, the piece throbs, thrashes, and flatlines in compressed frenzies of twisted synthesis, at the threshold of some bottomless purgatory, forbidding and unknown.

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D/troit

LP | 2023 | EU | Original (Crunchy Frog)

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Upset The Rhythm)

The Toads

In The Wilderness

Bitter Reflections Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Are we having fun yet? Living in the grey zone"? The Toads ask the question and already know the answer. There's many a wry smile, often packed with gallows humour, shared on the Melbourne groups' debut album "In the Wilderness" (out June 9th on Anti Fade and Upset The Rhythm). Navigating the dross of modern life, whilst keeping one foot in a dream is the key to their nervy post-punk scuffle. Featuring members of The Shifters, The Living Eyes and Parsnip you'd be forgiven for guessing what The Toads sound like, but their mordant step and minor-key enchantment makes for an intriguing parry. The Toads hatched after a short period of domestic readjustment mid-2021. Billy Gardner (guitar) found himself in need of a roof after his home was consumed by fire, and was kindly hosted by friend Stella Rennex (bass). Elsie Retter (drums) was a regular visitor to the house and after seeing Miles Jansen (vocals) tear it up with his other band at the local bowls club, they invited him along to sprinkle his deadpan musings across their fledgling sound. Pretty quickly they hit on their direction; a savvy, snappy lo-fi pop as openhearted as it is brooding. After playing some formative shows, including a debut at Jerkfest in 2022, The Toads set about recording five songs mid-year for a tentative EP. Realising the songs were too long to fit on a 7", they booked in another recording session the following September to extend the EP to 12". Two tracks' chords structures were fleshed out with new melodies and arrangements, and by this point The Toads were surprised to find they had an album's worth of material. 'In The Wilderness' is a beguiling record, full of twists and turns. It's arch, resilient, thoughtful and straight-at-your-head catchy to boot.

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Body Of Light

LP | 2023 | US | Original (Dais)

24,99 €*

Planet Of Ice Galaxy Splatter Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The latest by Arizona desert brotherhood Alex and Andrew Jarson aka Body Of Light further hones their smoldering strain of tempestuous synth-pop into a transformative suite of anthems, reveries, and reckonings: Bitter Reflection. Written in the wake of 2019's neo-EBM classic, Time To Kill, they sifted inspiration from hidden moments within their own arcana - childhood tapes, home movies, abandoned demos - asking themselves the question: "How can we make this grow?" Sampled snippets of voice, noise, synth, and field recordings flicker in the periphery of these 11 tracks, murmuring like nostalgias half-forgotten, or displaced memories. It's music pulled between twin flames of truth and desire, romanticization and reality, catharsis and control, born of a bond sealed by years, dreams, and blood. Working with Telefon Tel Aviv co-founder Josh Eustis in Los Angeles, the brothers incorporated an expanded array of live instrumentation - piano, bass, saxophone, acoustic guitar - in addition to vintage Akai samplers, Moogs, and archaic hardware, giving the album an eclectic, unpredictable palette. Opener "Get It Right" showcases their impressive refinement: sleekly cold drum machinery builds to a swooning chorus of synths and piano, then suddenly slips into a dream sequence bridge of strummed guitar and echo-shrouded vocals, before surging back to the main melody. Throughout, the songs shift gears and moods in evocative ways, as if bending to fleeting thoughts or lengthening shadows. Simmering synth lament "Strike The Match" captures the Jarsons' unique technique of co-crafted lyrics, accruing meaning as the world turns; though written long before, the track ended up being recorded the day Russia invaded Ukraine ("I fall asleep to the candlelight / things will be different but not tonight / it wouldn't be like you to strike the match / over and over, I can't understand"). A trio of intriguing instrumentals deepen the album's scope, echoing the duo's early experimental era as part of the influential Ascetic House collective. "Fortia," "Hyena," and "Deepcolorlights" drift in a prismatic gauze of whispered synths and oblique minutia, in the spirit of Boards of Canada at their most hushed and haunted. Elsewhere the record spins through a gallery of the band's ongoing fascinations: Depeche Modeesque declarations of dread and excess ("This Conversation"), brooding dance floor epiphanies ("Out Of Season"), smooth Thomas Dolby city skyline melancholias ("Never Ever"), lovesick looking glass ballads laced with Art Of Noise orchestral stabs ("On This Day"). A new age demands new waves, and Body Of Light belongs at the forefront of a resurgent generation fusing modern methods with the sounds of futures past. Singer Alex Jarson sees their muse clearly, at the axis of anguished transition, temporal collapse, and, just possibly, the brink of hope: "Time is dysphoric. The dream breaks down. Everyone's beginning to panic, but in the end something will come from it."

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Minus The Bear

LP | 2023 | EU | Reissue (Suicide Squeeze)

35,99 €*

Cheap Fiction Electric Blue Vinyl Edition

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Following the success of Highly Refined Pirates' forward-thinking guitar gymnastics and Menos El Oso's groundbreaking glitch rock, Seattle's premier pop revisionists Minus The Bear dug into some of rock music's most ostentatious years for inspiration for their 2007 album, Planet of Ice. The title alone conjures images of Yes's Relayer album art, and the influence of the elder statesmen's symphonic scope can be felt throughout Planet of Ice's lush and intricate arrangements. You can also hear the band channel the ominous instrumental interplay of Lamb-era Genesis on "Dr. L'Ling", the deceptively savvy musicianship and pristine production of Steely Dan on "White Mystery", and the tightrope walk between ethereal space and pre-metal riffage of Pink Floyd's "Echoes" on "Lotus". Not that Minus The Bear completely abandoned their earlier style_elements of Menos El Oso's sample-driven technique can be heard on the lead single "Knights". But the heart of the song ultimately belongs to the haunting Fripp-esque guitar lines spliced between verses. After being out of print on record since 2010, Suicide Squeeze is proud to reintroduce Planet of Ice's creative marriage of classic motifs and modern musical wizardry with a vinyl remaster courtesy of Bernie Grundman.

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Steady Hands

LP | 2023 | EU | Original (Lame-O)

Evil Friends 10th Anniversary White Vinyl Edition Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sean Huber, best known as the drummer of the beloved & defunct band Modern Baseball, has been releasing music with his band Steady Hands since 2013. Back for the first time since 2018 with new album "Cheap Fiction," Huber pays homage to all of the deities you'd expect someone with a New Jersey birth certificate and a dog named Bruce to worship, with rollicking saxophone and piano over tales of hard-on-their-luck neighborhoods, and stadium-rock-ready guitar zaps over odes to the misrepresented people of Florida. He grapples with lapsed religion like so many with Irish names have done before him. And he fits in real nicely with the modern heroes of Philadelphia's punk scene, blending the best of heartland rock and straight-up punk with his own penchant for the tropical. Huber's lyrics tell stories of a very real world where people in power use it for evil, the people who need help don't get it, but the person at home makes life beautiful despite it all, and there are plenty of friends to commiserate with. He found inspiration in the world around him, including history and politics books. The album reflects his belief in balance and his ethos that all great comedy is based on truth.

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Portugal. The Man

LP | 2023 | UK | Original (Atlantic)

50,99 €*

Manganese Orange Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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This year marks the 10th anniversary of Portugal. The Man’s Evil Friends. Released in 2013, the album features the singles “Evil Friends”, "Purple Yellow Red and Blue" and "Modern Jesus". On June 30th, Atlantic Records will reissue Evil Friends on white vinyl, and on Clear Vinyl for RSD store

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Nicholas Allbrook

LP | 2023 | EU | Original (Spinning Top)

I Don't Know Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Nicholas Allbrook is a Western Australian native and a highly-accomplished Australian songwriter, and multi-instrumentalist. Since the beginning of his artistic career in 2005, Allbrook has brought community and collaboration to the forefront of his artistic method. Whether it was in the poignant lyricism of his solo musical endeavors (Ganough, Wallis and Fatuna/Wabi-Sabi) or in the production style of his band POND's latest album '9', Allbrook shows a deep understanding of the human experience and the importance of art in modern society. He has collaborated with Australian and international musicians alike, from King Krule to Cat Le Bon, Holy Fuck and Cuco. Emotional, geological, psycho-geographical: this is the terrain of Manganese, Allbrook's fourth album away from Pond life. A psyche-pop wonderland, Allbrook's new solo album is the sound of a musician with a symphony in his back pocket, the Eighties history of Oz-rock in his rearview mirror and modern Australia in his sights.

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bdrmm

LP | 2023 | EU | Original (Rock Action)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bitter Reflections Clear Vinyl Edition

Body Of Light

LP | 2023 | CZ | Original (Dais)

I Don't Know Black Vinyl Edition

Release: 2023 / CZ – Original

Genre: Rock & Indie

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bdrmm

LP | 2023 | EU | Original (Rock Action)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Friends Of Mine Black Deluxe Edition

Adam Green

2LP | 2003 | EU | Reissue (Capitane)

32,99 €*

Heavy Black Vinyl Edition

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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On june 9th 2023 Capitane Records will re-issue the 20th Anniversary of Adam Green's Friends of Mine. For fans of Green and his band The Moldy Peaches, it may be hard to believe that it has been twenty years since those early days of the 2000s when the indie rock world was set ablaze by a new generation of artists, composers, and songwriters. Within what felt like only a few months, bands like The Strokes, The White Stripes, The Libertines, and The Moldy Peaches, provided indie music audiences with fresh iterations and interpretations of the rock and roll canon, with influences that included both standard bearers like The Velvet Underground, Television, The Stones, The Doors, The Stooges, Leonard Cohen, The Modern Lovers, and Bob Dylan, and also more recent artists like Beck, Daniel Johnston, Nirvana, Sonic Youth, Will Oldham, Pavement, and The Silver Jews. The results varied between straight up rock and roll and punk rock with a songwriting, folk-inspired, consciousness. Gone were the ripped-up jeans and flannels of yore. Tight trousers and leather jackets ruled the day.

It was on the heels of the success of his band The Moldy Peaches (who signed along with The Strokes to Rough Trade Records in 2001 and subsequently toured alongside them) that Adam Green wrote and recorded Friends of Mine, the seminal album that would define a new direction in his career. Diverging from the home-recorded, 8 track-analog framework of his previous albums, Green adopted what then seemed like a distinctly hi-fidelity sound, complete with a full band, crooning vocals, and a string section (with arraignments by Jane Scarpentoni). Friends of Mine drew on the work of Serge Gainsbourg, Scott Walker, and Frank Sinatra, while its lyrical content felt as if derived from symbolist poetry and the surrealism of Brecht and Dylan. The result was something altogether new, a record that could feel both touchingly sad but also sardonic, satirical, louche, and even laugh-out-loud funny. Songs like "Jessica" would become anthems to a new generation of young indie rock fans both in the United States and Europe.

Capitane is proud to release Friends of Mine as a double LP, with a second disc of outtakes, B-sides, and live versions. This deluxe edition features notes on the songs by Green, a text which provides new insights into his often cryptic lyrical methodology along with anecdotes from the days when these songs were composed. Also featured is a conversation between Green and Dan Myers (producer), Steven Mertens (bass player), Matt Ramono (drummer) and Larissa Brown White (Adam's manager at the time). The five old friends do a deep dive into the production of Friends of Mine, as reflect more broadly on that bygone era. The 2023 edition of Friends of Mine is a testament to an artist and an album that stand the test of time.

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D/troit

LP | 2023 | EU | Original (Crunchy Frog)

21,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | US | Original (Riding Easy)

Master Danse

Feelin' Dead

How To Drive A Bus Splatter Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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After one heard them first on Brown Acid’s The Thirteenth Trip, Riding Easy are very excited to present Feelin’ Dead, the full unreleased recordings from that amazing band from Detroit, Master Danse. Formed in late 1973 in Detroit, Michigan, when drummer TOM Riss and bassist Cary Fletcher, formerly of the Detroit band Licking Stick, went looking for a new guitarist / lead vocalist and jammed with John Giaier, who had most recently played in the band Crawdad, the three musicians hit it off immediately, and a new power hard rock trio was born. In 1973, Detroit was clearly “Rock City”, featuring such local icons as Bob Seger, Alice Cooper, Grand Funk Railroad, Ted Nugent, and Mitch Ryder, and the high energy punch of Master Danse reflects this proud heritage. Unfortunately, this union would only last one year, and by the end of 1974 the power rock trio known as Master Danse had disbanded. What was left for posterity were only two live reel-to-reel recordings and one promo 45 single. Some forty-seven years later, the 45 found its way onto the internet and a small cult following of audiophiles was born, people who appreciate the raw power and high energy of early ’70s rock. Bands like Master Danse and others from this era were riding the wave of transition from the pop rock sound of the ’60s to an edgier sound that would eventually lead to metal and punk music. With the help of modern-day tape restoration techniques, the two live recordings were restored, and together with the 45, the best versions of the eight songs that have survived the decades are featured on this album. Although recorded live forty-eight years ago on a two-track stereo tape recorder, one can still feel the power of Giaier’s Marshall stack, Fletcher’s twin Acoustic 360 amps, and the relentless attack of Riss’ Ludwig drums. So, sit back and enjoy.

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I've Made Too Much Pasta

LP | 2022 | US | Original (Needlejuice)

LP | 2023 | US | Original (Mt. St. Mtn.)

Release: 2022 / US – Original

Genre: Rock & Indie

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Hailing from a delightful universe of anthropomorphic animals*, I’ve Made Too Much Pasta is the latest addition to the grand tradition of They Might Be Giants-style geek rock. On How to Drive a Bus, Scurrow Squirrel and his cohorts have cooked up a cavalcade of catchy rock and roll tunes, criss-crossing surreal imagery with observational wit at a madcap pace. Will Toledo’s propulsive production keeps Scurrow’s absurd-yet-relatable lyrics at center stage, knowing when to keep it simple and when to ramp up to ambitious psychedelia. On vinyl for the very first time, How to Drive a Bus will make a perfect addition to your Needlejuice Records collection.

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Xds

Bicycle Ripper

3D Country Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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It started in a cafe in Chico, California, with a flier, covered in glitter, wires, feathers, and assorted melted items, with a three-word advertisement: “Noise person wanted.” It wasn’t a sign. It was a sample. A tiny piece lifted from the visionary environment that the band XDS would continue building over the next couple of decades, hoarding an eclectic stockpile of collage materials/influences/approaches for assembling psychedelic dance-punk jams played with homemade instruments, blown-out samples, off-kilter drumming and dub baselines. Shoko Horikawa had come from Japan to (the small, music-crazy college town) Chico for school, and responded to Jesse Hall’s mysterious flier and a pitch to collaborate on making interesting sounds. The partnership would end up featuring her syncopated polyrhythmic drums alongside his vocals (through a duct tape-and-PVC-pipe mic) and custom-built Guitar-o-bass, plus synths/samplers and various noise-making devices. The two-piece Experimental Dental School eventually morphed into XDS as the duo moved the operation from Chico to Oakland to Portland and back to Chico, touring the world (playing alongside the likes of Deerhoof and other innovators) and releasing 11 recordings (on Cochon Records, German label Tcwga, etc.) as they went. On the new XDS album, Bicycle Ripper, the band’s genre-bending roots are as deep as ever, but the goal now is to be less “noise” people and more “fun” people. The songs are weird yet cohesive, with jittery grooves and inventive hooks. Throw a dart at the album and hit “Hot Panther, Cold Moon” for one random sample: an unrelenting fuzzed-out bass dances with a insistent drums; a sharp turn into sparse tin-can-guitar break; then a return to the dance floor with a bonus overdriven bass riff and full-throttle drums. The Panther stays hot whether she’s under the “hot hot sun” or the “cold cold moon.” It’s all very irresistible and, yes, really really fun.

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Geese

LP | 2023 | UK | Original (Partisan / Play It Again Sam)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Little Butterfly)

Mateo Ottonello

El Camino Por Adentro

33,99 €*

Islands In The Sky Grimace Purple / Silver Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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In this album the artist tries to unite the different universes that they currently inhabit.An aesthetic that took up the synthwave of the 80's and the legacy of groups like Opa (Hugo y Osvaldo Fattoruso, Ruben Rada).The leather and organicity of candombe, the wood and improvisation of jazz, the synthesizers, and the repetition of electronic music.From inspiration and challenge, he generates mantric landscapes and a strong dose of Uruguayan instrumental music.A jazz musician who is not only that, but who works in constant dialogue with various genres. A drummer who with his instrument pursues a Montevidean identity, built on candombe and jazz; and that with the synthesis of electronic sounds he builds hypnotic instrumental passages that invite the ear to venture into them. Mateo Ottonello is a talent that is no longer an open secret and his prestige among local musicians is growing and is unquestionable. The drummer, producer and teacher has a long musical career that dates back to 2018 and is also characterized by constant collaboration and exchange with different musicians.El camino por dentro starts with Regreso that plunges us into arpeggios of guitars, percussion, and trumpets in a mysterious and candombero cadence. Seven minutes that towards the end "melt" between digital sounds and open the door to Void. Synthetic, happy and pop, the song feels almost like a car ride, caressed by the wind and the sun's rays of its synths. In contrast, in El Camino por Adentro (feat. Hugo Fattoruso), intensity appears in all its splendor. As if wanting to leave everything, the band made up of Ignacio Correa on bass, Maximiliano Nathan on vibraphone and synthesizers, Juan Olivera on trumpet, Santiago "Coby" Acosta on percussion and Marcos Caula on guitars, join Fattoruso to attack hard with their maximum volume and expressiveness. Together they build nine minutes of multiple parts, layers and colors that are continued by the tension in Brujo and the relaxation in La Salvadora. For its pa...

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Death Valley Girls

LP | 2023 | EU | Reissue (Suicide Squeeze)

LP | 2023 | EU | Original (Antinote)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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For the better part of a decade, LA's scrappy rock n' roll mystics Death Valley Girls have used theirmusic as a means of tapping into a communal cosmic energy. On albums like Glow In The Dark(2016), Darkness Rains (2018), and Under the Spell of Joy (2020) the band challenged thesoul-crushing banality of modern society and celebrated "true magical innite potential" through acollage of scorching proto-punk riffs, earworm melodies, far-out lyrics, and lysergic auxiliaryinstrumentation. But on their latest album Islands in the Sky, Death Valley Girls' songwritingmastermind Bonnie Bloomgarden uses the band's anthemic revelries as a guidebook to spiritualhealing and a roadmap for future incarnations of the self. And while these may be the loftiest aimsof Death Valley Girls to date, the resulting music is also by far their most infectious and celebratory.

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Bruce Falkian

Bruce Falkian Lp

21,74 €* 28,99 € -25%

3D Country Clear Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bruce Falkian is a world famous contemporary artist who exhibits at the world's most prestigious art galleries and fairs. Bruce Falkian moonlights as an agent of espionage against the Terrorism Industrial Complex. Wait... what?

To understand Bruce Falkian we first must understand the link between image and war. In the late 1800s the precursor to the video camera was invented. It was directly inspired by guns, specifically, Samuel Colt's Revolver. It borrowed not only its barrel mechanics, swapping bullets for exposures, but its terminology too. Load, point, scope, aim, shoot, flash. The camera and the gun, united by cordite, would go on to prove the most efficacious tools in shaping the modern world.

The 20th century was a laboratory when it comes to killing and image making, glorified through Hollywood and the Western genre. Propaganda would prove highly effective in creating and sustaining support for militaries fighting for ideological global control. Devised first in the aptly title 'Propaganda' (1928) by Edward Bernays, a nephew of Sigmund Freud, Advertising and Public Relations became the leading media industries, learning how to control the population through images, usually just to buy random crap they didn't need, but other times to overthrow democratically elected politicians in foreign countries. Eventually Western Liberal Democracy assumed domination, built of course on the enslavement of all peoples and nations who didn't fall in line with its specific ideas of living. The Red Scare inspired countless anti-leftist, anti-communist works of art throughout the Cold War, notably and most bizarre, funding the abstract expressionist movement as a non-ideological alternative to socialist realism art. When the Soviet Union fell, Western Liberal Democracy was able to promulgate its unhindered views around the world through its various media empires and actor states. Is it a coincidence that a third of the almost $85 billion dollar global camera equipment market is represented by the greatest propaganda beast the world has ever seen, the USA?

Guns are dangerous because of the obvious. Images are dangerous because we are bad at perceiving what is real (as any jump scare, deepfake, newsreel will attest to.) Videos aren't technically real, they are only a collection of rapidly changing static images which give the illusion of movement. It's easy for us to collectively decide that a video is real, because that's the way our brains perceive reality. People who lead the world of media understand this, which is how they are able to control us, make us invade foreign countries, vote for specific politicians, feel ugly or fat etc. However, ubiquitous as they are, it seems that the image is in crisis. It seems that we've run out of them. Or perhaps our understanding of an image is changing, with the aid of near instantaneous text-to-image AI technology. So what does this mean for guns? What does this mean for war? How will images be used as an aid to war in the 21st century? It remains to be seen, but Bruce Falkian will be a useful agent.

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Geese

LP | 2023 | UK | Original (Partisan / Play It Again Sam)

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2023 | UK | Original (Mute)

Swans

The Beggar

44,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Friends Of Mine HHV Exclusive Yellow Vinyl Deluxe Edition

Adam Green

2LP | 2003 | EU | Reissue (Capitane)

33,99 €*

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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HHV Exclusive edition limited to 500 copies.

On June 9th 2023 Capitane Records will re-issue the 20th Anniversary of Adam Green's Friends of Mine. For fans of Green and his band The Moldy Peaches, it may be hard to believe that it has been twenty years since those early days of the 2000s when the indie rock world was set ablaze by a new generation of artists, composers, and songwriters. Within what felt like only a few months, bands like The Strokes, The White Stripes, The Libertines, and The Moldy Peaches, provided indie music audiences with fresh iterations and interpretations of the rock and roll canon, with influences that included both standard-bearers like The Velvet Underground, Television, The Stones, The Doors, The Stooges, Leonard Cohen, The Modern Lovers, and Bob Dylan, and also more recent artists like Beck, Daniel Johnston, Nirvana, Sonic Youth, Will Oldham, Pavement, and The Silver Jews. The results varied between straight-up rock and roll and punk rock with a songwriting, folk-inspired, consciousness. Gone were the ripped-up jeans and flannels of yore. Tight trousers and leather jackets ruled the day.

It was on the heels of the success of his band The Moldy Peaches (who signed along with The Strokes to Rough Trade Records in 2001 and subsequently toured alongside them) that Adam Green wrote and recorded Friends of Mine, the seminal album that would define a new direction in his career. Diverging from the home-recorded, 8 track-analog framework of his previous albums, Green adopted what then seemed like a distinctly hi-fidelity sound, complete with a full band, crooning vocals, and a string section (with arraignments by Jane Scarpentoni). Friends of Mine drew on the work of Serge Gainsbourg, Scott Walker, and Frank Sinatra, while its lyrical content felt as if derived from symbolist poetry and the surrealism of Brecht and Dylan. The result was something altogether new, a record that could feel both touchingly sad but also sardonic, satirical, louche, and even laugh-out-loud funny. Songs like "Jessica" would become anthems to a new generation of young indie rock fans both in the United States and Europe.

Capitane is proud to release Friends of Mine as a double LP, with a second disc of outtakes, B-sides, and live versions. This deluxe edition features notes on the songs by Green, a text which provides new insights into his often cryptic lyrical methodology, along with anecdotes from the days when these songs were composed. Also featured is a conversation between Green and Dan Myers (producer), Steven Mertens (bass player), Matt Ramono (drummer) and Larissa Brown White (Adam's manager at the time). The five old friends do a deep dive into the production of Friends of Mine, as reflect more broadly on that bygone era. The 2023 edition of Friends of Mine is a testament to an artist and an album that stand the test of time.

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Youth Of Dissent Black Vinyl Edition

2LP | 2020 | EU | Reissue (Heavy Psych Sounds)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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“Youth of Dissent is an exceptional album superbly fusing staggering melodies and meaty and massive stoner/doom riffs. The songs are contagious, captivating and Dani G’s voice is empyrean and spellbinding with every word that comes out of his mouth. This could easily be for many people an entrance to heavier music!” (Distorted Sound Mag) Produced by Matt Bayles & 1000mods. Mixed by Matt Bayles. Engineered by Matt Bayles. Recorded at London Bridge Studio and Studio Litho, Seattle, WA. Mixed at Red Room, Seattle, WA. Mastered by Ed Brooks at Resonant Mastering, Seattle, WA. Artwork by Tind.

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Vultures Mustard Colored Vinyl Edition

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Reissue of the 1000mods sophomore album in brand new Colored Vinyl. “A hard rocking 38-minute affair that packs quite a punch. Stoner Rock and Fuzz Rock combine for one hard-rocking adventure that will speak volumes to the Stoner Rock crowd. Vultures is a lot different to their 2011 album – Super Van Vacation. Yeah there is lots of fuzz to worship to but Vultures sees the band moving into dangerous territory as Vultures has a darker feel compared to the previous album’s sunnier and easy-going vibe.” (The Sludge Lord) All music and lyrics written by 1000mods. Produced and mixed by 1000mods and George Leodis. Engineered by George Leodis at Shakti Sound Studio during March 2014. Mastered at Sweet Spot Studios by Tolis Economou. Artwork by Indyvisuals. Hammond on "Modesty" by Greg Chour. Wise words on "Reverb of the New World" by Carl Sagan, performed by Simon Bloom.

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Super Van Vacation Black Vinyl Edition

2LP | 2011 | EU | Reissue (Heavy Psych Sounds)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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“Super Van Vacation is an album for anyone who likes the genre’s music. The riffs still feel gritty despite crystal clear production values, and with a fittingly sketchy singer, the album feels and sounds like a rock album. Really, there isn’t much else that you can ask for. In the end, the album rocks, which is clearly its intent.” (Sputnikmusic) Released September 29, 2011. Produced by Billy Anderson and 1000mods. Engineered by George Leodis and Billy Anderson. Mixed by George Leodis and 1000mods. Mastered at Unreal Studios (gr). Artwork by Malleus Rock Art Lab.

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Youth Of Dissent Quad Orange & Purple Vinyl Edition

2LP | 2020 | EU | Reissue (Heavy Psych Sounds)

43,99 €*

Friends Of Mine Deluxe Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Reissue of the latest 1000mods album in double gatefold new Colored Vinyl. “Youth of Dissent is an exceptional album superbly fusing staggering melodies and meaty and massive stoner/doom riffs. The songs are contagious, captivating and Dani G’s voice is empyrean and spellbinding with every word that comes out of his mouth. This could easily be for many people an entrance to heavier music!” (Distorted Sound Mag) Produced by Matt Bayles & 1000mods. Mixed by Matt Bayles. Engineered by Matt Bayles. Recorded at London Bridge Studio and Studio Litho, Seattle, WA. Mixed at Red Room, Seattle, WA. Mastered by Ed Brooks at Resonant Mastering, Seattle, WA. Artwork by Tind.

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Adam Green

2CD | 2003 | EU | Reissue (Capitane)

17,99 €*

Wicca Phase Springs Eternal

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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Wicca Phase Springs Eternal Clear With Black Splatter Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

33,99 €*

LP | 2023 | EU | Original (Nettwerk)

Release: 2023 / US – Original

Genre: Rock & Indie

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Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. Wicca Phase first materialized in 2010. After receiving the name suggestion in an email from a friend on tumblr, McIlwee began writing and recording under the moniker. "Once I heard the name, it felt perfect," he explains. Evoking mystical, occult resonances, the name serves as a passageway to explore the parallels between the material world and that of mystery. "My music is very representative of what I'm doing in the moment," he continues. "The influence of the name seeps in and lets everyone know they're getting into something deeper." McIlwee's innate songwriting gift can be traced back to his time in Tigers Jaw, the widely influential band he fronted before walking away in 2013 to fully embark onto new creative pathways. "I was super active on tumblr at the time and came across all of this early internet rap. It was inspiring." He sought more fervently the immediacy of writing, recording and releasing songs instantly, releasing music from his bedroom with no consideration for the industries standard protocol. As he continued to evolve in his new artistic endeavors he ultimately linked up with likeminded creatives by way of Twitter DMs. Together he and his newfound collaborators built a network of creators across the country and in 2015, Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep, the internet collective began creating a palpable buzz and accordingly influencing a growing wave of artists and musicians.

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Matt Maltese

Driving Just To Drive

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Nine X Nine)

16 Tambourines

All Men Are Fools

LP | 2023 | UK | Original (Warp)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Formed in the mid 80’s, signed to Arista/BMG, releasing one record and playing their last show for 30 years in 1990, 16 Tambourines burnt bright in a short period of time. Fans and the band themselves have longed for a follow up to the glorious ‘How Green Is Your Valley?’ for over 3 decades, and it is finally upon us. ‘All Men Are Fools’ is the sophomore release 32 years in the making. Created in parts through lockdown, recorded, mixed and mastered post lockdown by original members Steve Roberts, Tony Elliott, Tony McGuigan, David Oliver and Susan Bailey, along with some musician friends. The album is upbeat, sharp, witty and at points scathing. A defiance embodied in the seemingly eternal, joyous struggle to create this body of work. It is described by Steve as Mod, New Wave, Pop & Soul with a couple of jazz chords, just how the band wanted it. The title of the album, ‘All Men Are Fools’ was the first song Steve wrote specifically for the retooled, remodelled 16 Tambourines, reflecting on a talk with his daughter about boyfriends and why men are as they are.

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Squid

O Monolith

Social Lubrication Deep Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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While still rounding up Squid’s modern anxieties into electrifying songs, O Monolith is a more refined experience, deep in thought yet buzzing in a freshly post-isolation world.

Circular synth arpeggios and pendulum-swinging guitar licks open with laser focus on ‘Swing (In A Dream)’, subtle yet frantic as a driving beat kicks in and Ollie Judge sings “I worry in my sleep” to right-angled riffs tossing and turning. Themes of displacement and friction run throughout the record, with domesticity and the environment rubbing against each other, and our relationships with violence and being witness to endless streams of it.

Guitar plucks on ‘Devil’s Den’ stalk suspiciously against a baroque backdrop of brass and horns, lilting until theatrical thrashes drop in. ‘Siphon Song’ lurches into a smooth jazz-adjacent vocoder ballad, with spellbinding vocal tapestries intensifying and collapsing under gravitational weight. ‘Undergrowth’ enters a post-punk-funk groove, tense with guitars scribbling viscerally down the frets, exploring reincarnation and animism in the mundane set to music that is anything but. Heavy footsteps lumber on ‘After The Flash’, Judge muses “How hard can it be to live a normal life?” before crashing into the track’s unending ascension.

The world hasn’t gotten any less turbulent since Bright Green Field was released in 2021. Squid’s debut was a definitive outcry in a hyperpolitical era: punk in all senses with its witty defiance of the present shouted over upfront, rocking thrill ride, yielding fierce experimentalism powered by varied instrumental palettes and non-sequitur structures. It didn’t take long for the band to start formulating their follow-up; just two weeks after their debut’s release, their second album O Monolith began to manifest and swerve even further leftfield.

Ever restless, Squid have knocked it out of the park once again on O Monolith, grounded in post-punk but taking off into something entirely new.

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Dream Wife

LP | 2023 | UK | Original (Lucky Number)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Getaway Limited Red Vinyl Edition

Mouth

LP | 2023 | EU | Original (This Charming Man)

Release: 2023 / EU – Original

Genre: Rock & Indie

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O Monolith Transparent Blue Vinyl Editon

Squid

LP | 2023 | UK | Original (Warp)

12" | 2023 | EU | Original (Pelagic)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Low Shy

Babylonica EP

Spend A Night In The Box Gold Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Richmond, VA's SHY, LOW are back with a new EP, following their critically acclaimed 2021 Pelagic debut and 6th studio album Snake Behind The Sun. Shy, Low are true masters of the craft of stark contrasts and broad dynamics, from delicate crescendos to the sheer power of the riff_ a craft that lies at the heart of every outstanding instrumental rock record. The four-piece is conjuring up outstanding compostitions that are brimming with creativity, intensity and groove - music that is intricate and mature, yet gloriously anthemic at the same time. Though entirely instrumental, reducing the band's contemporary sound to the term ,post-rock" wouldn't do this EP justice: there is much more to it than lengthy dramatic build-ups and bittersweet melodies played by delay-drenched guitars. Babylonica is an astounding and immensely diverse EP that will appeal to fans sitting on all ends of the broad spectrum of modern heavy rock music. FOR FANS OF PG.LOST, THIS WILL DESTROY YOU, CASPIAN, AND SO I WATCH YOU FROM AFAR, RUSSIAN CIRCLES, MONO

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Reverend Horton Heat

LP | 2023 | EU | Original (Real Gone Music)

39,99 €*

LP | 2023 | US | Original (Carpark)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Reverend Horton Heat ain’t just a person, or a band—it’s a state of mind. Drawing on such crazed rockabilly ancestors as Charlie Feathers, Hasil Adkins, and The Killer himself, James (Reverend Horton) Heath and his long-time bassist Jimbo Wallace have, over the course of the last 30-plus years, helped bring rockabilly kicking and screaming into the modern age, marrying punk with rockabilly to create the psychobilly genre. And, on their 2000 album Spend the Night in the Box—which, to burnish the “psycho” credentials, was produced by fellow Texan Paul Leary of Butthole Surfers fame—The Reverend Horton Heat struck gold (hence our gold vinyl edition!), going to #2 on the CMJ charts on the strength of such numbers as “Sue Jack Daniels,” “The Girl in Blue,” and other misbegotten tales of babes and booze. This is actually a bit of a return to a classic rockabilly/swing sound, powered by the Rev’s 1954 Gibson ES-175 and the rhythm section of Wallace and drummer Scott Churilla, but it’s no less (ahem) heated. Vinyl debut boasting inner sleeve with lyrics!

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Melati ESP

Hipernatural

24,99 €*

LP | 2023 | EU | Original (Drag City)

Release: 2023 / US – Original

Genre: Rock & Indie

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New project by Melati Malay of Young Magic (Carpark) and Asa Tone (Leaving Records)

The music of Melati ESP aka Melati Malay is a euphoric vision of megacity rhythm and rainforest escape, club breaks and weightless pop, mapping new dreams from the sound of futures past: hipernatural. Drawing on the music era of her teenage years growing up in Jakarta – Javanese radio Dangdut, gamelan cassettes, Moving Shadow-era liquid jungle, Japanese chill-out, etc. – as well as her current work in progressive percussion trio Asa Tone, Malay’s solo debut is boldly borderless, bridging worlds and wavelengths into a richly imagined hybrid synthetic utopia. hipernatural is momentous linguistically, too, as Malay’s first foray into singing in Indonesian, the language of her youth. She characterizes her lyrical mode as “abstract, and a bit broken,” an intuitive collage of diaristic emotion and oblique poetry (“plant me in fleeting twilight / missing home, where is home? / I am another you”). Her voice serves as its own versatile instrument, alternately intimate and alien, sensual and sacred, shaded with the haze of hidden heavens. Co-produced with long-time collaborator Kaazi (100% Silk, Asa Tone), the album’s 12 tracks are cohesive but eclectic, threading through temple bass music, cyber siren techno, Stereolab drum n bass, new age downtempo, and dial-up rave reveries, flecked with tactile fragments of offworld dialogue, computer hum, bubbling water, and beyond. Malay’s technique of sampling and processing her voice into an electronic palette which she then performs on generative instruments gives the songs a bewitching artificial intelligence elegance, exquisite but uncanny. Hers is a hybridity both organic and hypermodern, deeply personal yet globally sourced – YouTube rips, nature tapes, cheap sample packs, club bootlegs. hipernatural champions a dynamic new language at the axis of then and now, of east and west, planting fresh roots in a future still being born: “Cocoon world / it’s a rare earth / earthless / decolonize your mind / unlearn everything.”

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Matt Espy

Hawksworth

LP | 2023 | UK | Original (Junior Aspirin)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Born in Dayton, Ohio, Matt Espy spent his youth playing every genre of music he could find, starting out in clubs at age 14 and launching his touring career at 18. He moved to Chicago in 1996 and continued his journey drumming and performing rock, avant-garde, jazz, and performance art pieces. Over the past decade, he"s found his home with Dead Rider, also on Drag City.Hawksworth is Matt"s first solo adventure. In the field of solo drumming albums, it"s an avian psychedelic percussion trip all of its own. A dialogue between birds, electronics, and drums, Hawksworth operates along precise degrees in the vastness that exists between the diverse poles of Terry Riley and Martin Denny. It captures one particularly memorable morning walk from long ago, a time immemorial in Matt"s life. In this new musical rendering, that fateful morning is ridden with wormholes throughout the piece, like hyperspace links that travel to motifs from his 30-plus years music career with every step along the way. Like a bolt from the blue, the sonic and the visual design for Hawksworth came whole cloth, completely evident to him in that moment.On Hawksworth, Matt started with the birds, locating a variety of hi-definition free source samples of their song. He chopped and scattered them into a new state of nature, collapsing the hemispheres and the regions within, to allow the birds of all nations the freedom to flock together. Once the editing work was done, drumming to this sound was almost simple compared to that process. He brought forward some licks - perennials - and other things worked up over time that had or hadn"t found a place with the different bands he"d been in - with room allowed for improvisation. And for Matt, drums were the only way to fly.Working at the studio of Dead Rider frontman Todd Rittmann, Matt found - or was it that he refound? - his happy place. Hawksworth comments upon a life in music as a space where the firmament is ever vaulting above our head, and Matt uses the world we too often take for gra...

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The God In Hackney

The World In Air Quotes

20,99 €*

Wanderer Orange Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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'The World in Air Quotes' is a genre-shifting style-melting kaleidoscope of art-rock, jazz, techno, folk & industrial. The God In Hackney sound like very little else from the early 2020's and whilst 'The World In Air Quotes' innovative progenitors are manifold - Eno, Coil, The Durutti Column, 1980s ECM jazz to name a few - it sounds beholden to none of them.
The God In Hackney's first album 'Cave Moderne' was Andrew Weatherall's album of the year for NTS Radio.
The God In Hackney's second LP, 'Small Country Eclipse', was album of 2020 for critic Sukhdev Sandhu of The Colloquium for Unpopular Culture: "Mordant music: stuttering, dread, black humour. A record that felt truly independent, beholden to no genre, out of step with all centres and signposted nodes."

'The World In Air Quotes' is The God In Hackney's 3rd album and their most musically emotive and lyrically inventive to date. It's an album that resonates with feelings about climate change, isolation, extinction, the social impact of technology, the flattening of history—and illuminates the darkness with imaginative rhythm, melody, noise & poetry. Songs range from widescreen, anthemic rock, to strange intricately arranged jazz-influenced songs, to abstract, textural electronic pieces. There's a strain of dark and surreal comedy too that runs through the lyrics and some of the choices the band makes in their sounds and arrangements.
The core God in Hackney quartet of Andy Cooke, Dan Fox, Ashley Marlowe and Nathaniel Mellors has expanded to include American multi-instrumentalists and composers Eve Essex (Eve Essex & The Fabulous Truth, Das Audit, Peter Gordon & Love of Life Orchestra, Peter Zummo, Liturgy) and Kelly Pratt (Father John Misty, David Byrne/St Vincent, Beirut, and Lonnie Holley among many others), signalling a new and ambitious direction for the band.

The album cover features original artwork by Iranian-American artist Tala Madani, recently the subject of a career survey exhibition at the Museum of Contemporary Art, Los Angeles.
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The Wire, Maggot Brain

Reviews & features:
Maggot Brain - forthcoming feature
Hi-Fi+ Magazine - album review in April 2023 issue
Dereck Higgins (You Tube review)
Sonosphere - interview / feature
Weirdo Shrine - interview
It's Psychedelic Baby - interview
Spettacolo (Italy) - feature.
Ghettoblaster Magtazine (usa) - feature

Airplay:
Gilles Peterson - BBC Radio 6 Music
Steve Lamacq - BBC Radio 6 Music
Dublab - playlisted & featured in Dublab Recommends (Los Angeles)
Cian Ó Cíobháin - RTE Raidió na Gaeltachta (Ireland)
Wfmu - playlisted
Resonance FM - The Wire presents Adventures In Sound & Music
Human Pleasure Radio (New Zealand)
Pete Wiggs & James Papademetie - The Seance (Repeater Radio, Sine FM & others)
Peter Hollo's Utility Fog - FBI Radio (Australia)
Jonathan Lethem & Sam Sousa on Radio Free Aftermath (ksp Claremont 88.7)
Life Elsewhere
Wrpb Princeton
In Memory of John Peel
Mike Watt's Watt from Pedro Show

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Intersphere

LP | 2023 | EU | Original (Omn Label Services)

Supercluster Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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On their sixth studio album "Wanderer", THE INTERSPHERE show with enormous variety how far the search for innovative sounds can take a band in the classic rock line-up. The figurehead for modern rock music pursues the approach to electronic elements with bravura. THE INTERSPHERE 2023 stand for maximum musical curiosity and a spirit of discovery that could not better depict the ambivalence of our time. In the lyrics on "Wanderer", singer Christoph Hessler alternates between personal introspection and a socio-politically alert power of observation - the work of THE INTERSPHERE is also inconceivable without this perspective. THE INTERSPHERE don't shy away from the big hook line or dramatic harmony arcs in their border crossings to post rock, metal and pop. Thus, the quartet remains internationally on par with acts like Biffy Clyro, Royal Blood and Thrice in every respect.

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Jaaw

LP | 2023 | EU | Original (Svart)

Supercluster Yellow Vinyl Edtion

Release: 2023 / EU – Original

Genre: Rock & Indie

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Jaaw is a post-industrial supergroug featuring Andy Cairns (Therapy?), Jason Stoll (Mugstar, Klämp, Sex Swing), Wayne Adams (Death Pedals, Big Lad, Petbrick) and Adam Betts (Three Trapped Tigers, Goldie, Squarepusher). Jaaw glories in big riffs and massive hooks, while also pushing the boundaries of what that even means thanks to its uncompromising strangeness.

In the back of Jaaw’s minds are the 1990s: an era when the experimental heaviness of acts like Ministry and Godflesh could find surprisingly large audiences. They also draw on the sonic ground that’s been broken since. The disorientating ferocity of Brazil’s Deafkids. The gaseous, shapeshifted vocals on Burial’s records. The freakout-laden noise-rock of Lightning Bolt. Far from emulating the industrial metal masters of the past, Jaaw will help shake lesser rock bands out of their generic complacency. With scant regard for typical verse/chorus/verse formulas, Jaaw’s song structures are closer to the nonlinear approach of body-shaking dance music.

Recorded intensely in a matter of days at Wayne’s Bear Bites Horse studio in London, the result is one of the most distinctive and exciting records that will be released this year, so heavy in textures that repeat listens will prove endlessly rewarding.

Experimenting with squealing effects pedals selected from the studio’s racks, Cairns was reminded of his love for the feedback-drenched records of Helios Creed and Nuklear Blast Suntan. Having grown up listening to Therapy?, Adams loved throwing Hm-2 pedals at Cairns and hearing his riffs through Entombed-style distortion. Bassist Stoll liked the idea of “Celtic Frost playing something by NEU!” This turned into the album’s bludgeoning centrepiece, ‘Bring Home The Motherlode, Barry’. As co-vocalists, Adams and Cairns wrote lyrics informed by the hallucinatory horror movies of Panos Cosmatos and the unforgettable set-pieces from Ari Aster’s Midsommar.

Jaaw’s sounds, ideas and modes all bleed into each other. “The lyrics, too, are part of the same whole,” adds Cairns. “I feel you could drop the needle at any point on this record and you know where you are with it. To me, it’s like greyscale psychedelia. It’s just this… experience.”

The greyscale psychedelic revolution starts here. You’d be crazy not to jump in.

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Jaaw

LP | 2023 | EU | Original (Svart)

Nucleus Transparent Green Vinyl Edtion

Release: 2023 / EU – Original

Genre: Rock & Indie

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Witchcraft

2LP | 2015 | EU | Reissue (Svart)

35,99 €*

Calm Ya Farm Olive Green And Bone Random Colored Vinyl Editoin

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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After the mind blowing success of Witchcraft's Legend (2012), mastermind Magnus Pelander outdid himself once again with the band's 2016 offering Nucleus. Combining what made it's predecessor the modern classic it quickly became as well as elements of the band's earlier days makes Nucleus a melancholic, raging, fragile, melodic and at times noisy masterpiece filed somewhere between classic rock, doom and ambient music.

With a renewed line-up (Rage Widerberg on drums and Tobias Anger on bass) the band sounds more hungry and powerful than ever. In combination with the thrilling, yet very down-to-earth production by Pelander, Philip Gabriel Saxin and Anton Sundell, Nucleus throws you in dreamy sonic landscapes that will mesmerize and haunt you alike.

Svart Records are proud to re-release Nucleus on black-, green- and Svart exclusive purple/turquoise marble vinyl on May 19th.

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The Murlocs

LP | 2023 | CZ | Original (ATO)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Live Machine Public Radio Broadcasts 19 Splash

Kiss

10" | 2023 | EU | Original (Laser Media)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Madman On Stage / Public Radio Broadcasts Picture Disc Edition

Ozzy Osbourne

10" | 2023 | EU | Original (Laser Media)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Fuzz Club)

Sherpa The Tiger

Ithkuil

Aperture Transparent Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Pressing Info: 180g translucent pink vinyl, limited to 250 copies, download card included. Five years on from their 2018 debut album 'Great Vowel Shift', Lviv, Ukraine-based krautrock outfit Sherpa The Tiger are now returning with their second album, 'Ithkuil, via Fuzz Club Records – with 100% of the profits from the release going to the band to help support them during the war. Where their previous work was centred around vintage synths, minimal ambient and neon-lit kraut-disco grooves, ‘Ithkuil’ sees Sherpa The Tiger explore more expansive and layered structures and compositions – incorporating intricate guitars, flute, arpeggiators and jazzy piano references, alongside an array of other elements that originate from a broad spectrum of past and present music genres. "This album bears the name of ‘Ithkuil’ for a reason", the band state: "Like the language we borrowed the title from, the sound of the record has a lot of levels, layers, and orchestral nuances. We consider this album and its pieces a single journey. Every track of the LP works as a mandatory stop for contemplation and reflection that happens on the route of the listener.” Sherpa The Tiger began working on the new material in 2019 during their EU live shows in support of ‘Great Vowel Shift’ and chalk the more textured and cinematic results down to a more collaborative approach. “We wanted to rethink the Krautrock heritage explored on our last album and made a clear stylistic shift that was determined by a totally different approach to our music-making. The tunes on ‘Great Vowel Shift’ were cooked in a sort of live-looping mode with two musicians jamming. This time, with ‘Ithkuil’, the process of creation was shared among 4 musicians, and that approach had a great impact on the final result.” Several years in the making and now released against a backdrop of war and invasion in their home country, ‘Sherpa The Tiger’ say that ‘Ithkuil’ acts as a snapshot of pre-war times: “Since the war caught us in the middle of planning the release as opposed to creating the music itself, the album can be perceived as a wistful reminder of the pre-war life that doesn’t seem to be coming back. The life we actually experienced but lost any recollection of and which we are desperately trying to bring back through the music created by the other us now dwelling in an absolutely different reality."

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Hannah Jadagu

LP | 2023 | US | Original (Sub Pop)

LP | 2023 | US | Original (Temporary Residence)

Release: 2023 / US – Original

Genre: Rock & Indie

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Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu's most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu's subject matter. What Is Going On? confronted some of the nation's most urgent struggles through Jadagu's compassionate perspective. What Is Going On? built on the small online fanbase Jadagu had developed by releasing music on SoundCloud for years as she realized her growing passion for songwriting. Now, Jadagu is releasing Aperture, her first LP and most ambitious work to date. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. "Where I grew up, everyone is Christian; even if you don't go to church, you're still practicing in some form," Jadagu says, laughing. "Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I've been questioning my relationship to the church since high school, it's definitely a theme on this album, but so is family." As a kid, Jadagu followed her older sister - a major source of inspiration - to a local children's chorus, where she received choral training. "I hated it," Jadagu admits. "But it taught me how to harmonize, how to discover my tone, how to recognize and write melody." The aching single "Admit It" is dedicated to Jadagu's sister, whose love and impeccable taste have been a constant since Jadagu was a kid. The siblings were raised on mom's Young Money mixtapes and the Black Eyed Peas (to whom Hannah credits her love of vocoder) but it was in the sanctity of her sister's car that Jadagu discovered the indie artists who inspire her work. With Aperture, Jadagu faced the challenge of finding a co-producer capable of complementing her work without dominating it. Enter Max Robert Baby, a French songwriter and producer who captured Jadagu's attention with his take on Aperture's lead single "Say It Now." The duo worked remotely, sending stems to one another via email, before meeting in-person for the first time at Greasy Studios on the outskirts of Paris. "When I recorded my EP, it was all Midi, but in the studio Max and I worked with a ton of analog instruments," Jadagu says. "Every track on this album, except for 'Admit It,' was written first on guitar But the blanket of synths throughout helps me move between sensibilities. There's rock Hannah, there's hip-hop Hannah, and so on. I didn't want any of the songs to sound too alike." An aperture is defined as an opening, a hole, a gap. On a camera, it's the mechanism that light passes through, allowing a photographer to immortalize a moment in time. For Jadagu, the word perfectly encapsulates the mood of her debut album. In the years it took her to complete, she faced moments of darkness, sure, but the process of making it was ultimately a cathartic experience, one she now shares with you. Let the light in.

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June McDoom

June Mcdoom

LP | 2023 | EU | Original (Upset The Rhythm)

Release: 2023 / US – Original

Genre: Rock & Indie

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Crystal Clear With Green Mix Colored Vinyl. June McDoom's eponymous debut EP is a collection of songs that collage virtually everything important to her. Growing up in South Florida in a Jamaican household, McDoom was raised around reggae music, which echoed throughout every room of her childhood home. Later, she discovered and nourished her own deep love for folk music and songwriting of the 1960's and 70's. While studying in NYC for a degree in Jazz Performance, her musical palette expanded to include the more intricate influences of jazz and early soul. Realizing that her favorite vintage folk music lacked artists with similar identities as her own, it became increasingly important for McDoom to carve a unique musical space - to push folk music towards a new and different audience. Following the release of her debut single, "The City" - mixed by Gabe Wax (Soccer Mommy, Spoon) - June McDoom was eager to take the reins on the production of her debut EP. Recorded and mixed entirely from home with collaborator Evan Wright, McDoom found herself enthralled with the analog recording process, which began a textural exploration that defines this record. Experimenting with a mixture of vintage analog and modern digital recording, McDoom learned profound new ways to marry the seemingly contrasting genres and style that had individually shaped her. June McDoom's debut EP is steeped in self-discovery, and self-acceptance. Its magic lies in its ability to weave the influences of such seemingly disparate icons as Joan Baez, The Delfonics and Alton Ellis into a new, seamlessly crafted tapestry.

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Less Of Everything

20,99 €*

Fantasy Curacao Color Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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ES is Maria Cecilia Tedemalm (vocals), Katy Cotterell (bass), Tamsin M. Leach (drums) and Flora Watters (keyboards). Their 2016 debut EP, Object Relations, released on influential London punk label La Vida Es Un Mus, was described as "mutant synth-punk for our dystopian present" (Jess Skolnik, Bandcamp, Pitchfork). The band has since become a vital presence in London's underground DIY music scene, as well as having toured the UK with the Thurston Moore Group in 2017.

Less of Everything. The title of Es' first full length LP could be interpreted as a manifesto pledge, an outright demand or a purely literal sonic descriptor of the London quartet's glacial form of punk rock music. This tension between intent and interpretation has been a fundamental element of the group's output from their formation.

After a period with members split between Glasgow and London, Es recorded Less of Everything with Lindsay Corstorphine (Sauna Youth, Primitive Parts) in Tottenham in 2019. As in Object Relations, the dynamic between Cotterell's bass and Watters' keyboard is at the heart of Less of Everything's sound: intertwining sub-zero melodies, gothic anarcho-punk influences (think Kukl, Malaria, X-mal Deutschland) and some kind of entirely unlocatable aquatic component. When combined with Leach's precise drumming, the outcome is original and immediately recognisable. Es are a group who know how to leave space, how to strive for minimalism without sacrificing aggression or dynamism.

This dynamic provides the perfect backdrop for Tedemalm's relentless, pointed vocal style. While comparable 'cold' sounding groups might affect an impersonal, safer mode of lyrical or vocal detachment, Tedemalm's strategy is to "push the lyrics as far as I can thematically until they become absurd … overly dramatic ... while still being sincere in the feeling they're trying to invoke. I try to apply as much emotion as I can." The result is something intense but nuanced, confrontational but complex.

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7" | 2023 | UK | Original (Upset The Rhythm)

8,99 €*

LP | 2023 | EU | Original (Meritorio)

Release: 2023 / UK – Original

Genre: Rock & Indie

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If Es’ debut album for Upset the Rhythm explored the “tension between intent and interpretation”, the London group’s 2023 EP, ‘Fantasy’, constructs a coda for resistance against the distorted gaze. A four-track contact-high anxiety amid fact and facsimile, the new release attempts to define a sound that still resonates in an increasingly confused public theatre, where cerebral dreams manifest in corrupt fascination. Echoing the legendary Pylon or the later, disco-inspired releases from PIL, tracks like ‘Emergency’ and ‘Unreal’ blend the band’s established disjunctive style of gothic restlessness with brighter, poppy, and danceable tones. These stylistically unwind in transition with the increasingly claustrophobic pieces like ‘Too Late’ and ‘Swallowed Whole’, syncopating a parallel design of the frantic and the fashionable. Paired with a lyrical intricacy which emits a desire to break the fetish of false representation, ‘Fantasy’ reminds us that worthy punk records, like any manifesto of neurotic suspicion, balance testimonial, speculative-fiction, and social critique. Indebted to the past but pointed sharply to the future, Es deconstruct our modern wreckage of personhood and self-deceit, granting a sense of solidarity inside alienation. Inside ‘Fantasy’ we visualize our own estrangement, and it is only when this mirror fades that we find the tools to fight back.

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Whitney's Playland

Sunset Sea Breeze

16,79 €* 27,99 € -40%

LP | 2023 | EU | Original (Cooking Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whitney's Playland is the pandemic-era project of Inna Showalter and George Tarlson, longtime friends and veterans of the music scene (grandma’s Boyfriend, Blades OF JOY, Modern Charms). Having grown up in and around San Francisco and inspired by their experiences, their music is about the usual things in life: love and loss, sometimes with a wry and sardonic angle. The result is a dreamy pop landscape reminiscent of Yo La Tengo, Guided by Voices, the Sundays, and Dinosaur Jr. The band expanded into a four-piece in late 2022 with the addition of Evan Showalter and Paul Demartini.

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Skerryvore

Tempus

7" | 2021 | US | Reissue (Run For Cover)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Skerryvore have reinvented and reignited Scottish roots music with a modern alt-pop flavour that has connected with an ever-expanding multicultural global audience. But as the pandemic broke, the octet"s international touring immediately ceased. Yet from challenge came opportunity. Vocalist / guitarist Alec Dalglish had the time to develop his initial song ideas in more depth, while subsequent full band sessions in bagpiper/whistle player Scott Wood"s studio in Glasgow benefited from the freedom such an independent environment provided them. And when they returned in 2021 with "You & I", the track became their first to be playlisted at Radio 2 buoyed by huge support from Jeremy Vine.Further emboldened by the Celtic-tinged rock follow-up "Together Again", Skerryvore focused on broadening the core of their sound with a fresh pop immediacy and wider stylistic adventures. The result is "Tempus", an album epic of melody, intimate of feeling and plugged into the roots of Scotland but blasting out to the world.

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The Obsessives

Monastery

16,99 €*

Bem-Vinda Vontade Clear Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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The Obsessives, above all else, write the music that they want to listen to. Comprised of founding members Nick Bairatchnyi (guitar, bass, vox) and Jackson Mansfield (drums, guitar, keys), their sound has spent the last decade evolving through elements of DIY, grunge, alternative, and math to shape into something that feels the most uniquely authentic to their version of exciting noise. Bairatchnyi's lyrics emphasize the importance of songwriting's storytelling aspect, and what pours out of him has a rough edge of urgent specificity. Paired with a soundscape that manages to both punch in its efficacy and shimmer in its intricacy, the sonic chemistry between these two high school friends delivers unmatched, easygoing musicality. Their arrival took shape through weekender basement shows in Bethesda and the labyrinthine DIY community in Arlington and D.C. before finally making their move to Philadelphia to hit with cornerstone groups like Modern Baseball, ultimately solidifying their place in the scene. Joined by Ben Kaunitz (guitar, bass) and Coby Haynes (drums, percussion) in 2018, the live lineup has evolved from a sonic rough-and-tumble to a fully collaborative space, encouraging a new era of thematic cohesion. After opening up the creative dialogue beyond just a duo, the band's sound has been able to make a mature tonal shift in style and form. Following the release of 2017's The Obsessives (Lame-O Records), the band has spent a lot of time compartmentalizing and re-shaping their projects. The difference between being 18 and 24 isn't the world, but at the same time _ it is. The Obsessives' sound has grown up with and around them, and is ultra-specific to what they feel are various catalytic experiences. The determinant factor that sets 2015's Heck No Nancy (Near Mint Records) apart from 2021's forthcoming release under producer Will Yip (Memory Music) is an entire set of lives that's been lived. The best part is _ they dig it as much as you will.

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Mice Parade

LP | 2023 | EU | Original (Bubble Core)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Out of print for the last 15 years, 2005's "Bem-Vinda Vontade" is Mice Parade's best-selling album. At a time when music sales were still physical, it sold 30,000 copies worldwide. Since then it's racked up 1.5 million streams on Spotify in the US alone, a million of those from the album's only single "Night's Wave," which also has 250k Youtube views, and the original vinyl pressing has sold for nearly $100 on Discogs in recent years. It's a modern classic, an important release cited as influential by countless artists and bands, but long missing from store shelves.Now it's back on Clear Vinyl, in a very limited release of 500 copies. Stereolab's ultra rare remix of the album's first track, "Warm Hand In Farmland," is included with the download card, as a digital bonus to this "Anniversary" edition pressing.

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LP | 2020 | UK | Reissue (Mute)

The Current

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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Menetekel Black Vinyl Edition

2LP | 2017 | UK | Reissue (Mute)

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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LP | 2016 | UK | Reissue (Mute)

Perseverantia

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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Black Bay Colored Vinyl Edition

Silver Moth

LP | 2023 | UK | Original (Bella Union)

Release: 2023 / UK – Original

Genre: Rock & Indie

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A New Directive From The Bureau Of Compulsory Entertainment

Jonny Dillon

Tape | 2023 | EU | Original (All City Dublin)

10" | 2023 | EU | Original (Laser Media)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ace Cassette version (with 2 Extra Songs) of the recent LP from contemporary Irish guitarist Jonny Dillon. Beautifully recorded blues / folk guitar pieces. TIP!

Jonny Dillon’s debut acoustic album ‘Songs For A One-String Guitar’ took the listening public by surprise and the critics by storm when it dropped out of the blue on All-City in 2019. It represented a departure for an artist who was renowned for having the Midas touch when it came to coaxing dance floor fire from all manner of hardware. But fortune favours the brave and temporarily setting the machinery aside and following an acoustic path to the waterfall has already reaped rich rewards for Jonny Dillon. He’ll never say it in so many words but here’s a man on a mission: “Fail as I may, I have to go back and try again every time, to wait in hope for a glimpse of the spirit that hovers over the face of the deep, and to keep watch for the Light that shines in the darkness.”

The generosity of spirit which is the linchpin of all great music is something that can neither be cheaply conjured nor ever easily faked, god forbid. It’s the elusive emotional conductor in the spinal cord of sound - a foundational component of that mysterious feeling of connection we as listeners are seeking every time we put the needle on the record or press play on a song. The very essence of the thing we seek, in short. The holy grail. When sweet music hits, it’s the spirit that moves us and it’s both the source of the power within it as well as ultimately the place where it resides inside of us too, once heard. This is how music works. Journeying. Spirit to spirit. From the makers and dreamers of the dream to dreamers in general. The indomitable spirit inherent in the instrumental guitar compositions and distinctive finger picking style of Jonny Dillon is a case in point. This is spiritful music of a rarer kind made by an artist as inherently attuned to the troubling times we are living through as he is to the value of carving out new paths to the waterfall through the medium of sound on our behalf. Boom and there it is. Much needed guidance. A priceless new navigational tool of the imagination to help us all through the maze.

Just like the debut offering, this a path inherently worth following too, every step of the way. This time Jonny’s singular playing style finds true expression in a sound world expertly shaped by a master of the production craft, John ’Spud’ Murphy in Hellfire Studio. Masters at work, times two. Like all dream productions, it quickly assumes three dimensional proportions and becomes a place to go in and of itself, worth returning and retreating to, time and again. On A New Directive From The Bureau of Compulsory Entertaintment, his mode of expression is as clear and impactful as the immediate impression the sound makes on us. His is a strong game. He rises to the occasion and fulfils a great need on our part in so doing. We have to give thanks where it’s due. Balms for the soul are hardly two-a-penny in these challenging times but this is a timely one and of a lasting kind too. In stripping everything back and breaking his sound down into the bare component parts of reverberating steel strings on resonant wood, he has tapped into a kind of universal music of the spheres. It’s in tune with the times and more. Big picture sound with heart and soul to match. The iridescent sound he conjures from that same deep is a joyous thing to behold imbued as it is with a kind of light that never goes out. A dozen jewels adorn this timeless creation, each one a glimpse of eternity. They will shimmer forever. Man gets tired. Spirit don’t.

Dónal Dineen, January 2023.

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Black Sabbath

Live On Air

Release: 2023 / EU – Original

Genre: Rock & Indie

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Robert Plant & Jimmy Page

Rock'n'roll Forever / Broadcasts Picture Disc Edition

LP | 2023 | EU | Original (Laser Media)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Hardly Art)

Shana Cleveland

Manzanita

Moods, Modes Blue Transparent Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Manzanita is the common name for a kind of small evergreen tree endemic to California which has strong medicinal properties. It's also the name of the brand new full length by visual artist, writer, songwriter, and musician Shana Cleveland. Subtle, powerful, and unafraid. We can't actually tell you how much we love this record because you'd never believe us, so we'll just say that it is her strongest and most personal album to date. These songs are as strong as the bricks in the Brill building, and seem destined to be covered by others in years to come. Where her previous record, 2019's Night of the Worm Moon (Hardly Art) functions as a collection of speculative fictions equally inspired by Afro-futurist pioneers Herman "Sun Ra" Blount and Octavia Butler, Manzanita concerns the love that loves to love. "This is a supernatural love album set in the California wilderness," Cleveland explains. The combinations of words and song structure are so strong throughout that one hardly notices Cleveland's nimble fingerpicking on first listen, or how much is packed into the arrangements. The lyrics are satisfyingly direct, with the buoyantly whimsical descriptions typical of the 1960s New York School of poetry. It's peppered with the kind of unexpected turns that make the words more modern, and in their spookiness they are more West Coast, as in "Mystic Mine," with its "Mystic Mine Lane, cars rotting away/ I feel so relieved to be/ Back in the country." So much of the pop music we love is propelled by those first blushes of infatuation and lust, but Manzanita concerns the kind of love that one can only experience with time, work, and devotion. Cleveland says: "The songs were all written while I was pregnant (side A) or shortly after my son's birth in that weird everything-has-quietly-but-monumentally-shifted state (side B)," she says. Moving to the country, starting a family, laughing for real at the same joke the thirteenth time you've heard it, surviving heavy shit (this is the first release since Cleveland's successful treatment for a diagnosis of breast cancer at the start of 2022). This is a love album that's somehow populated with the insect world, ghosts, and evil spirits. Sonically, Manzanita sits in a meadow similar to her previous solo records, set back and away from the genre-recombinant garage pop of her band La Luz. This is part due to the fact that there's a different sonic palette in use here. While Cleveland continues to play guitar and vocals; Johnny Goss, who has recorded all of Shana's solo material and early La Luz recordings, and Abbey Blackwell (Alvvays, La Luz) play the bass; Olie Eshleman is on pedal steel; and Will Sprott plays the keyboards, dulcimer, glockenspiel, and harpsichord-little of which would have been out of place on her previous two solo records-Sprott also adds layers of synthesizer infused with the sounds of the natural world.

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Duster

7" | 2023 | US | Original (Numero Group)

41,99 €*

LP | 2023 | UK | Original (Ici D'Ailleurs)

Release: 2023 / US – Original

Genre: Rock & Indie

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Blue Transparent Vinyl.Explore the Duster universe on the far superior 45RPM format. This deluxe triple 7" box contains Duster's first single _ 1997's Transmission Flux (including "Stars Will Fall" & "Orbitron"), 1998's Apex, Trance-Like (featuring "Four Hours"), plus Stratosphere's painfully absent "Echo, Bravo" and the lost 2002 outtake "What You're Doing To Me." Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Modes also contains a Duster-branded hanky for those who like to accessorize.

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Matt Elliott

The End Of Days

Big Problem Is Not The Solution. The Solution = Let It Be Record Store Day 2023 Yellow Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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On the ninth solo album from the French-based British musician behind Third Eye Foundation, it is near impossible not to draw comparisons to the late great bard Leonard Cohen. Elliott’s accomplished Spanish infused guitar craft further adds to the resemblance.

Although it remains rooted in darkness, Elliott’s approach to folk is also rich with a sense of warmth folk, embellished with gorgeous classical arrangements of composer David Chalmin, Gaspar Claus’ cello, and Jeff Hallam’s bass.

Of course, one could file Matt Elliott in one genre or another. While “Folk” appears to be the general consensus, the Englishman would be more in line with a long running tradition of lamentation songs that can be found on every single continent. Whether it is Greek rebetic songs, Portuguese Fado, Delta Blues, Balkan fanfares, Yiddish melancholy and Cape Verdean Saudade, you can hear it all in Matt Elliott's music.

Those are the songs of an uprooted and stateless artist, a true musical storyteller who’s voice had never felt so free, rough and sincere. Like no other, on "The End Of Days", Matt Elliot sings the infinitely small space that lies in-between intense joy and absolute sorrow, sitting on a fence at the border that separates the unspeakable and what is shared.

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Crispin Hellion Glover

LP | 1989 | US | Reissue (Real Gone Music)

46,99 €*

The Ripper On Stage / Radio Broadcast 1990

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release liimited to 1700 copies.
What do you get when you team the weirdest actor in Hollywood (one Crispin Hellion Glover) with two of the weirdest guys in pop music (Barnes & Barnes of "Fish Heads" fame)?

Something, well, WEIRD! Like, really freaking strange. Fans of The Residents and King Missile might find something to groove to here, but really this provides a voyeuristic dive into the deep, dark waters of one of the true characters of modern times (Johnny Depp or Keanu Reeves rock and roll crossover this ain't). Glover reads from his books of poetry ("Auto Manipulator" is about exactly what it sounds like it's about) over B&B's demented musical excursions. The result is a true cult classic, whose brief 1989 vinyl release remains impossibly scarce and impossibly pricey. Thus this first vinyl reissue (with three tracks never before on vinyl), in light blue with crimson "clowny clown clown" splatter vinyl limited to 2000 copies for Record Store Day! 12" x 18" poster and CD booklet featuring Glover's deeply disturbed comic book scribblings, too! (Don't bother calling the home phone number Crispin put on the back cover, it's disconnected).

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Judas Priest

LP | 2023 | EU | Original (Laser Media)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Nails White Vinyl Edition

Benefits

LP | 2023 | UK | Original (Invada)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Sisterworld Gold Recycled Vinyl Edition

Liars

LP | 2010 | UK | Reissue (Mute)

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (No Roads)

Mt. Desolation

Through Crooked Aim

Iron Jinn Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Through Crooked Aim has the feel of a record to accompany the listener on epic journeys through strange and daunting territories. Adjust the rear-view mirror and press play as the landscape rolls behind you. Filmic. Atmospheric. Classic, Americana and Folk influences peppered throughout, It's a journey that rolls through valleys, painting its own rich, vivid pictures inhabited by troubled, nuanced characters looking for ways to keep going. Recording it at Old Jet in Suffolk, an old US Airforce base turned creative arts community developed and run by Quin added its own majesty to proceedings. Waking up to see herds of deer walking through the moors and mist whilst surrounded by these aircraft hangers. You can't help but find some of that magic seeping into the recordings.

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Iron Jinn

2LP | 2023 | EU | Original (Stickman)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Sub Pop)

Lael Neale

Star Eaters Delight

The Art Of Forgetting Audiophile Clear Vinyl Audiophile Collectors Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Lael Neale still has a flip phone and there were no screens involved in the creation of her new record Star Eaters Delight. The album is her second for Sub Pop and reveals an expansion of her sonic collaboration with producer and accompanist Guy Blakeslee. In April of 2020, in the wake of transformations both personal and global, Lael moved from Los Angeles back to her family's farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos. Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She says, "Acquainted with Night (recorded in 2019, and released in 2021), was focused inward, amidst the loud and bright Los Angeles surrounding me. It was an attempt to create spaciousness and quiet reverie within. When I moved back to the farm, I found that the unbroken silences compelled me to break them with sound. This album is more external. It is me reaching back out to the world, wanting to feel connected, to wake up, to come together again." Album opener and lead single "I Am The River" melts the ice with a dynamic explosion of minimalist transcendental pop clearly descended from the Velvet Underground's branch of modern music's family tree. Blakeslee's spare yet cinematic arrangements create an ambient space in which Neale's clear and unaffected voice can explore familiar themes in an unexpected way. Subtle but potent references to Shakespeare, Emerson and the Bible (which she hasn't read) swirl together with deeply personal musings and touches of wry humor, always more optimistic than cynical. While this is a record about polarities- country vs. city, humanity vs. technology, solitude vs. relationship - the deeper intention is to heal; to come to terms with our differences and put the broken pieces back together again. Lael's affinity with the Transcendentalists has to do with her quest to hold onto sovereignty over her own mind. In a time when our devices are constantly flooding us with information, opinions and propaganda, Lael is intentional about what she takes in - hence the flip phone and the cassette recorder. Neale identifies as a minimalist "not because I don't like things, but because I value freedom more."

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Caroline Rose

2LP | 2023 | US | Original (New West)

49,99 €*

Challenge For A Civilized Society

Release: 2023 / US – Original

Genre: Rock & Indie

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The time is now for Caroline Rose. Her last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose’s personal life into turmoil. The result of that turmoil is the fuel that fired the creation of her latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of her most mature and honest work to date.

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Unwound

Tape | 1998 | US | Reissue (Numero Group)

16,99 €*

Star Eaters Delight Gold Vinyl Edition

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Unwound's paranoid and pulsating sixth album, Challenge For a Civilized Society explores the pre-Y2K technological dread of modern punk living. Producer Steve Fisk threads Justin Trosper's stabbing, discordant guitar in and around Sara Lund's consolidated drum attack and Vern Rumsey's relentless, throbbing bass. A vicious and sinister penultimate LP from the '90s most misunderstood band.

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Lael Neale

LP | 2023 | US | Original (Sub Pop)

Tape | 2023 | US | Original (Sub Pop)

Release: 2023 / US – Original

Genre: Rock & Indie

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Mudhoney

Plastic Eternity