Search "de+la+soul" 6205 Items

Neil Young With The Santa Monica Flyers

Release: 2024 / US – Original

Genre: Rock & Indie

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A limited edition, full-length split album celebrating a 2024 co-tour of Japan by underground cracked-psych purveyors Fuckwolf from San Francisco and legendary prog-benders Green Milk From The Planet Orange from Tokyo.

Green Milk stretch a live performance of one of their extended signature jaw-droppers “Concrete City Breakdown” relentlessly across an entire side of Let’s Split while Fuckwolf delve into a six-part abstract song cycle, ranging from stoned incense burners to blown out fuzz rippers, echoes of Faust Tapes, Les Rallizes and ’70s midwest outsider proto-punk abound.

Green Milk From The Planet Orange formed in Tokyo in 2001 and continue to tour,record and perform some of neo-psychedelia’s most ambitious and masterfully performed rock music.

Fuckwolf formed in San Francisco in 2002 and most recently released the critically lauded underground scuzzy art-rock gem of 2022 Goodbye, Asshole on Silver Current Records.

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Somewhere Under The Rainbow 1973

2LP | 2023 | EU | Original (Reprise)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bombay Bicycle Club & The Staves / Karine Polwart

The Endless Coloured Ways: The Songs Of Nick Drake

7" | 2023 | UK | Original (Chrysalis)

8,99 €* 11,99 € -25%

Release: 2023 / UK – Original

Genre: Rock & Indie

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Jerr Teel And The Big City Stompers

Crazy Dreams

LP | 2023 | EU | Original (Bang!)

Pete Bones And The Stones Of Convention

Release: 2023 / EU – Original

Genre: Rock & Indie

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BANG! Records present "Crazy Dreams", the unreleased album by Jerry Teel and The Big Stompers.Limited edition of 600 copies.Here it is, the unreleased album by JERRY TEEL AND THE BIG CITY STOMPERS, recorded more than 20 years ago at Funhouse Studio in NYC.The Big City Stompers, lead by Jerry Teel and Pauline Teel knew how to mix the hillbilly and country sounds of rural America with the dirty sound of NYC as Jerry Teel's historical membership in bands such as THE CHROME CRANKS, THE HONEYMOON KILLERS, KNOXVILLE GIRLS_And check this: this record, features THE SADIES as backing band in some tracks.Limited edition of 600 copies.

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Hyena Hopscotch

LP | 2022 | UK | Original (Red Ant)

24,99 €*

Harry Dean Stanton With The Cheap Dates

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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I Love It When A Band Comes Together…The one thing that has kept most artists sane during the pandemic is writing and creating. In an attempt to apply this logic Red Ant Records maestro Pete Bones decided to recruit the talents of a bunch of cool cats he had met whilst traveling the globe and put a band together. Having often wondered after 30 odd years as a DJ/Producer how the band would sound had he not been swept up by Acid House in the late 80s, six months later, plenty of file bouncing and numerous edits, and The Stones Of Convention were ready to wreak havoc. The first album, Wild Moose Chase, featured seven original tracks, and a cover of the Talking Heads classic Pull Up The Roots. For the new LP, Hyena Hopscotch, Pete recruited two new members, including a new vocalist, Jazzi Sirius. Pete gives some context on the album itself: “The concept of The Stones Of Convention was always intended to be fairly fluid; given the virtual nature of the project and the location of the band members. I wanted to write that awkward second album that was both a sequel to Wild Moose Chase, and a more complex and diverse LP in its own right. I hope I've still ended up with a record to dance to, wherever you may feel the urge. It contains tracks that have a definite pop feel, some industrial funk and even a ska-house hybrid. We can't make music specifically for the late great Andy Weatherall to play any longer, but we can make tunes I hope he would have loved. I am joined on the album by a new vocalist and co-writer, Jazzi Sirius, who is an immense talent, Paul Withey who lays some warm fuzzy guitar down, and my regular bandmates, Duncan Gray, Pierre Davis and the two Jeffs, Richey and Ward. They are at their incomparable best of course, and last but not least, the amazing mixing skills of Justin Drake.”

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October 1993

LP | 2021 | EU | Original (Omnivore)

24,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Nato Coles And The Blue Diamond Band

Flyover

LP | 2019 | US | Original (Don Giovanni)

Geluidshouwerij & How To Get Rich In Rotterdam

Release: 2019 / US – Original

Genre: Rock & Indie

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Every bar worth drinking at in these great United States has a character like Nato Coles. They know the jukebox so well that the reference catalog becomes meaningless. They're on first-name-basis with all the bartenders, spout trivia like someone's actually listening, and have a particular stool with their ass-print permanently worn in. But most importantly, they're storytellers, historians of low-culture, grizzled raconteurs that can effortlessly shake-out a cocktail of true facts and utter bullshit until it becomes as intoxicating as their "usual."

Originally from Milwaukee, Nato Coles is a journeyman of Midwest punk, getting his start in bands like Modern Machines and the Shrubbers. While he's now been away for longer than he lived there, Brew City still feels like home for Nato. "That's the city that taught me pretty much everything I know," he elaborates, "learning how to tune a guitar, and learning how to avoid getting mugged." Modern Machines made some splashes in the north-coast punk community of the early 2000s, building upon a strong local following gleaned from legendary house shows and other DIY venue spaces. Striking out on the highway with the "MoMacs," as they were known to their fans, gave Nato his first taste of the touring lifestyle and also his first brush with the Twin Cities. "There's a Hold Steady line about knowing Mary Tyler Moore and Profane Existence. I knew Garrison Keillor and Siberia," he says with a laugh. "I would come up here by myself and stay for week, go out and hang out every night and made a ton friends. I kind of realized that the Twin Cities has so much to offer."

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D.A.P.A. / Oefening Kunstbaardt in Rotterdam

LP | 2018 | EU | Original (Discos Transgenero)

20,99 €*

Cindy Wilson of The B-52's

Release: 2018 / EU – Original

Genre: Rock & Indie

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Discos Transgénero presents the first ever compilation of How To Get Rich In Rotterdam, Oefening Kunstbaardt and D.A.P.A. These were projects of Chris Lindquist and Paul Stoute with the collaboration of Linda Lindquist, all of whom were based in Rotterdam in the early ‘80s. How To Get Rich In Rotterdam was a group formed by Chris Lindquist and Paul Stoute, releasing only one self-titled seven inch. This single was a very limited edition with two different covers. Johan Kugelberg selected HTGRIR for his Top 100 DIY Singles, describing it as “brilliant, plodding art-slop that reeks of inside jokedom. This record is a reason unto itself to pay eBay prices for vintage drum machines.”

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Change

LP | 2017 | US | Original (Kill Rock Stars)

23,99 €*

Neil Young With The Santa Monica Flyers

Release: 2017 / US – Original

Genre: Rock & Indie

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Known the world over as a vocalist, songwriter, and founding member of the one and only B-52s, Cindy Wilson has made a truly extraordinary solo debut with her new Change (Kill Rock Stars). The album – which arrives just in time to celebrate the legendary singer’s fortieth anniversary in the musical spotlight – marks a milestone for Wilson, abounding with pop creativity, ingenious production, confident songcraft, and deeply felt emotion.

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Somewhere Under The Rainbow 1973

2LP | 2023 | EU | Original (Reprise)

19,99 €*

James Yorkston And The Second Hand Orchestra

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover as new with a dented corner.
Includes original insert.

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The Wide, Wide River

LP | 2021 | EU | Original (Domino)

40,99 €*

Holly & The Brokeoffs Vs Stratford Sparrows Golightly

Release: 2021 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Green vinyl seems unplayed. cover is close to NM. Original inner sleeve. deluxe edition

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Split Single

7" | 2007 | Reissue (Damaged Goods)

9,99 €*

A Day In Black And White / Silentreminder

Release: 2007 / Reissue

Genre: Rock & Indie

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This is a 4 track, split 7" featuring two tracks by Holly Golightly & The Brokeoffs, who as I'm sure you know by now are the dynamic duo of Holly Golightly and Lawyer Dave. The STRATFORD SPARROWS are from Portland, Oregon. The Rev. Joe alighted there from San Francisco. After making it though the many trials of life in the City of Roses, he began hearing the sounds of harmony vocals, clean Telecasters, and reverb. He obtained a recording device and brought it back to the humble Stratford apartments. He met the fair Miss Bryna in Japanese class and asked her to put her sweet voice to good use. She said yes and the hit making commenced. Taking inspiration from classic country music, the mighty Willamette River, and the 100 year old building that houses them, the Stratford Sparrows made music all summer long. Rev. Joe called on his friend Holly and a record was born. Every time Rev. Joe turns a knob or pushes a fader, the sounds in his head are approached.

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Solstice / Chubby Aging Elvis

7" | 2003 | US | Original (Magnacarta)

14,99 €*

The Pains Of Being Pure At Heart

Release: 2003 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Copy closer to VG+

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Belong

LP | 2011 | EU | Original (Play It Again Sam)

Acid Mothers Temple & The Melting Paraiso UFO

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Blue vinyl. Cover with tear on the back!

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Holy Black Mountain Side

LP | 2024 | US | Original (Rolling Heads)

39,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Field Music And The Nasuwt Riverside Band

Binding Time Record Store Day 2024 Edition

LP | 2024 | UK | Original (Memphis Industries)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sexplosion! Black Vinyl Edition

LP | 1991 | US | Reissue (Wax Trax!)

30,99 €*

Release: 1991 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sexplosion! Orange Vinyl Edition

LP | 1991 | US | Reissue (Wax Trax!)

35,99 €*

Release: 1991 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Sexplosion! 2lp Pink Vinyl Edition

2LP | 1991 | US | Reissue (Wax Trax!)

46,99 €*

Release: 1991 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Any Way Ya Wanna Black Vinyl Edition

7" | 2023 | US | Original (Wax Trax!)

11,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Any Way Ya Wanna Yellow Vinyl Edition

7" | 2023 | US | Original (Wax Trax!)

17,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Pete Astor / Die Liga Der Gewöhnlichen Gentlemen

Alle Ampeln Auf Gelb / Wie Frankie Lymon

7" | 2024 | EU | Original (Tapete)

10,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bombay Bicycle Club & The Staves / Karine Polwart

The Endless Coloured Ways: The Songs Of Nick Drake

7" | 2023 | UK | Original (Chrysalis)

9,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Conor Oberst And The Mystic Valley Band

Outer South

CD | 2009 | UK | Original (Wichita)

5,99 €*

Release: 2009 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Pains Of Being Pure At Heart

Higher Than The Stars

CD | 2009 | Original (Fortuna POP!)

4,99 €*

Release: 2009 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

The Pains Of Being Pure At Heart

Days Of Abandon

CD | 2014 | Original (Fierce Panda)

8,99 €*

Release: 2014 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Reverend Beat-Man And The New Wave

Blues Trash

Tape | 2018 | EU | Reissue (Voodoo Rhythm)

11,99 €*

Forgetting You Is Like Breathing Water

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Born in 1967 and former Wrestling Rock'n'Roll One Man Band Activist Lightning Beat-Man (1992-1999) turned into a Primitive Rock'n'Roll Blues Preacher in the Millenium Change and released countless recordings on several labels. 2017 he had a hand full of songs to record this album, the idea was to record it with several musicians and not showing them the songs, they went to the studio and Reverend Beat-Man played the songs on the guitar one time, then they had 2 takes for recording without rehearsal to keep it fresh. Anyway the idea was Free Style and so is that whole Album, the result was a mix of Blues Trash, New Wave Folk and Dark No Wave Garage Punk and Rock'n'Roll. He selected the NEW WAVE from musicians he loved the most at the momentNICOLE IZOBEL GARCIA is From Los Angeles with Mexian roots, a singer that has the gift to connect her voice direct with your heart, she plays an unorthodox organ and plays part of drums and percussion like the devil itself. With her, Reverend Beat-Man plays the most shows as a duet.MARIO BATKOVIC is a classical and kraut avantgarde accordionist. He creates film and game music and has a one man band himself he's a total genius (prodused by Geoff Barrow of Portishead).JULIAN SARTORIUS another Bern original, he's probably one of europs or even worlds most extraordinary drummers these days, he is one of the few drummers that can play his drums as an instrument not just as a machine, he plays a lot of free jazzand improvisation (sophie hunger, colin vallon trio, manuel troller, hans koch, bruno spoerri etc). RESLI BURRI is a legendary Bern musician who has a jam-band together with Mario and Beat-Man - he is a multi instrumentalist who plays in the Dead Brothers, Patent Ochsner , and is a film and circus music writer.

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LP | 2024 | Original (Unheard Of Hope)

28,99 €*

My Life With The Thrill Kill Kult I

Release: 2024 / Original

Genre: Rock & Indie

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Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue.

The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmurs that suggest a ’60s or ’70s Fire Music master at their most poignant. Provocative found-sound experiments threading arcane religious recordings through dystopian soundscapes. Ear-shattering free-noise tumult. Where and when did this music come from? Who are these voices?

As it turns out, Forgetting You Is Like Breathing Water springs from an engrossing human story, though it isn’t necessarily the one you’d expect. This work of stunning maturity is in fact an entrance by two little-known explorers in their early 20s, who grew up together in Virginia, in the shadow of the Blue Ridge Mountains. It documents one of those perfect, sparkling moments in post-adolescence when big decisions and responsibilities are right around the corner, but for a spell, two young artists are able to create among the comforts and nostalgia of their shared past.

It also represents a reunion of sorts, as Evans and Trump connected as toddlers, became inseparable as boys, then pursued independent lives and creative paths as young adults. “Theo is my oldest friend,” Evans says, “and I feel like that’s what this band is — us meeting right in the middle of our interests.”

Now, having conjured this magic, they’ve detached once again: Evans, whose other works include the indie/avant-jazz unit Angelica X, is currently based in New York City. Trump recently moved to England, where he’d participated in his family’s theatre company, to go to school and further his solo ambient project. “This album didn’t start out as something super ambitious,” Evans explains. “It was more just an excuse to spend time together again and make music.”

***

In conversation, Evans and Trump are a delight, especially for cynics who might think that Gen-Z is only capable of doomscrolling. They come across as kindly young intellectuals who grew up using the internet as it was intended, for exposure to ideas and art across genres and generations. Trump points to indie-folk and the oracular post-rock of late Talk Talk, Bark Psychosis and Gastr del Sol. Pressed for his guitar heroes, he cites Bill Orcutt, Mary Halvorson and Marc Ribot, and mentions his devotion to alt-country. Heyday electro-industrial stuff like Skinny Puppy and Nine Inch Nails also meant a lot to him.

Evans is equally intrepid, though his background has a greater jazz focus. Ambrose Akinmusire, among today’s most thoughtfully commanding trumpeters, is a favorite. As for the soulful murmur he offers throughout Forgetting You, Pharoah Sanders’ wistful and lyrical contributions to Floating Points’ work is a touchstone.

The two grew up down the street from each other in the northern Piedmont town of Batesville, Virginia. Their families were friends, holidays were celebrated together and they became the most loyal of pals. As children they had a pretend band.

Then life unfolded, they attended different schools and their paths diverged. Evans discovered John Coltrane and became a jazz obsessive, as Trump found punk and hardcore and later began making ambient music. As a dedicated jazz trumpeter, Evans studied formally and widely; Trump was an autodidact, teaching himself guitar and absorbing synthesis and production techniques. The late teens and very early 20s brought moves away from home and back to home, as well as plenty of listening and learning. The Covid pandemic meant an opportunity to reconnect on long walks. Through it all, together and apart, they remained reverent of each other.

By early 2023, they found themselves living again among the Blue Ridge Mountains. In the evening, after giving trumpet lessons in Charlottesville, Evans would make the eerily beautiful trek “over the mountain” to Trump’s home in Staunton, Virginia. They’d talk and eat and begin to improvise, deep into the night. Evans played trumpet and sometimes drums. (Given the wee-hours recording schedule, the neighbors didn’t appreciate the latter.) Trump plugged a rickety, junk-store Telecaster-style guitar into a cheap solid-state amp and explored open tunings; he also layered on lap steel, electric bass, synths and electronics.

They locked in and relished each other’s gifts. In Trump, those include patience and intentionality and sonic decision-making; for Evans, a distinctive trumpet sound that both musicians think of as a singer’s voice. “Will’s playing is so thoughtful and well placed,” Trump says. “My goal from a producer’s mindset is that the trumpet will occupy the space that vocals would take.”

Often, they got lost in the best way. “The thing I look for most when I’m playing is that feeling of disappearing into what you’re doing,” Evans says. “Usually when that happens, the music is good.”

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See Good Spirits... Green Vinyl Edtion

LP | 1988 | US | Reissue (Wax Trax!)

35,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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They Are Gutting A Body Of Water (TAGABOW)

Destiny XL

LP | 2019 | US | Reissue (Smoking Room)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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They Are Gutting A Body Of Water (TAGABOW)

Lucky Styles

LP | 2022 | US | Reissue (Smoking Room)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Guy Hamper Trio, The 0 Featuring James Taylor

All The Poisons In The Mud

CD | 2022 | EU | Original (Damaged Goods)

14,99 €*

James Yorkston, Nina Persson & The Second Hand Orchestra

Release: 2022 / EU – Original

Genre: Rock & Indie

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Debut LP from The Guy Hamper Trio! For fans of Booker T & The MGs, James Taylor Quartet, Georgie Fame, Big Boss Man. Groovy Hammond garage rock instrumentals from Billy Childish (Thee Headcoats/CTMF etc) and featuring James Taylor (Prisoners/JTQ). Q & A with Billy Childish:Q: We're loving this new album by The Guy Hamper Trio! Who's in the band sunshine?A: Mainly myself on guitar, Julie on bass, Wolf on drums, and of course Jamie on Hammond. A great bonus is Thee Headcoats with Bruce and Tub guest as rhythm section on a track or two.Q: You and James Taylor go back a long way. Do you remember how you first met?A: The Prisoners were a young group who played with us (the Milkshakes) in the early 1980s. One day they turned up with an organ player, Jamie. Jamie used to then borrow my Selmer guitar amp to play through. Q: You've revisited a few old classics on this album, and given them a true makeover. How would you describe The Guy Hamper Trio's sound?A: I guess there must be a derogatory term for it but I might need some help finding it. In the very early days of The James Taylor Quartet (Wolf was their drummer back then), I was in the Natural Born Lovers (A blues group with Big Russ and Sexton Ming). We used to be the support for them. I really liked their sound and I guess The Guy Hamper Trio is not a million miles from that blues-influenced, film soundtrack vibe, man. Thereyou made me say "man". Next thing you know I will be saying "cool!" Let's just say it's a wizard sound, Jamie is such a great player.Q: Prior to this album The Guy Hamper Trio's sole release was the `Polygraph Test' 7" from 2009. Why such a big gap?A: It takes time for all of us to get all our solders in line. "Get on with it mush! And trifle not, your time is but short!"Q: What inspired the album's title track All The Poisons In the Mud?A: It's actually the title of a novel I've been writing, and rewriting, over the past 12 years, and is taken from a quote from I Claudius by Robert Graves - a formative influence on m...

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The Great White Sea Eagle Black Vinyl Edition

LP | 2023 | UK | Original (Domino)

Tropical Fuck Storm + King Gizzard & The Lizard Wizard

Release: 2023 / UK – Original

Genre: Rock & Indie

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Yorkston and Sweden’s The Second Hand Orchestra had no real plans to do a follow up, but as James visited his studio in Cellardyke, Fife everyday in early 2021, he began to start writing songs on the piano as opposed to his usual guitar as he gazed upon the sea outside his window.

After sending the first five or six songs to Karl-Jonas Winqvist (the leader/conductor of Tsho), they began to discuss working on the music together. With Yorkston’s shift from guitar to piano, they thought about what other changes they could make to their process which led to the involvement of a guest singer and the legendary Nina Persson (The Cardigans) was brought into the fold.

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Satanic Slumber Pink Vinyl Edition

12" | 2022 | EU | Original (Joyful Noise)

23,99 €*

Genya Ravan & Nile Rodgers / The Shang Hi Los

Release: 2022 / EU – Original

Genre: Rock & Indie

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Satanic Slumber Party is a collaborative 12" by two of Australia's finest - Tropical Fuck Storm and King Gizzard & The Lizard Wizard. Pumped full of booze and adrenaline, our heroes offer up 20-minutes of sax skronks, brick-heavy distortion, and punchy riffs. It's a packed party full of four guitars, three drummers, two synths, bass, harmonica, electronic sax and loads of singers and silliness. It's like 'Love Shack' by the B52's except more evil. "Two of the greatest rock bands in Australia right now_ A really awesome piece of artsy noise and punk rock." - The Needle Drop

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Sway Little Player/I Who Have Nothing White Vinyl Edition

7" | 2021 | EU | Original (Rum Bar)

20,99 €*

I Dont Know How But They Found Me

Release: 2021 / EU – Original

Genre: Rock & Indie

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Available On White (This) Aad Clear Vinyl! Very Limited Edition 7" Release From A Trailblazing Icon, Genya Ravan Featuring Nile Rodgers On Guitar And One Of Genya's Favorite New Bands The Shang Hi Lo's Fronted By Vocalist Jenny Dee. 7" Features A Download Card To Both Tracks, Plus A Bonus Track From Genya Ravan And The Shang Hi Los' Debut Ep Release Kick It Like A Wicked Bad Habit // "While Recording 'I Who Have Nothing'_..I Thought Who Better Than Nile Rodgers To Give Me The Genuine R&B Groove This Song Needed_i Knew The Guitar Player For Me Had Be 'Nile Rodgers! I Sent Him An Email And He Called Me Right Back! I Sent Him The Basic Tracks And Without Hesitation, His Reply Was "Yes" He Would Play The Rhythm Tracks. Did He Ever!!!!!I I Admire Him And All Music He Has Ever Played On. Example: Diana Ross -Madonna -David Bowie Joss Stone-Mick Jagger The List Is Too Long To Continue. If Any One Can ' Rock And Chug' Its Nile The Proof Is In This Recording." Genya Ravan // "First Of All, Your Version Of "I Who Have Nothing" Is Nothing Short Of A Masterpiece. You Have Given The Song A New Life, Especially The Line "What A Bitch! What A Bitch!" Your Voice Has A Different Timbre To It, And It Resonates Like Never Before. Congratulations!" Richard Perry // "I'm More Than A Casual Fan. I've Seen Jen D'angora(The Dents,The Downbeat 5, Jenny Dee And The Deelinquents), Dan Kopko(Watts), And Lee Harrington (The Neighborhoods), Play Live More Times Than I Can Count. I Have All Their Records,They Are Among The Best Bands To Come Out Of Boston !! So It Comes As No Surprise To Me That When Dan, Jen, Lee And Chuck Ferreira Formed The Shang Hi-Los...Great Thing Would Happen. It's A Slightly Different Sound Than Anything They've Done Before But Still Fantastic !! The Single Sway Little Player Is Just The Start, Get On Board." Skybar, Rising-Wmfo // Tracks : 1. The Shang Hi Los - Sway Little Player - 2. Genya Ravan Featuring Nile Rodgers - I Who Have Nothing

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Razzmatazz Black Vinyl Edition

LP | 2020 | EU | Original (Spinefarm)

Release: 2020 / EU – Original

Genre: Rock & Indie

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I Dont Know How But They Found Me

Razzmatazz Creamy White Vinyl Edition

LP | 2020 | EU | Original (Spinefarm)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Damaged Bug (John Dwyer of Thee Oh Sees)

Cold Hot Plumbs

LP | 2015 | US | Original (Castle Face)

Jello Biafra And Mojo Nixon With The Toadliquors

Release: 2015 / US – Original

Genre: Rock & Indie

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John Dwyer has a surprise… While everyone eagerly anticipates the next Oh Sees record, he’s been working tirelessly in his synth laboratory, hand-crafting a followup to last year’s neon-noir Damaged Bug debut—one that shakes up the snow globe considerably. If Hubba Bubba was a brush with a robotic exoskeleton on deep-space patrol, Cold Hot Plumbs visits the alien world that sent it into the cosmos. Lush, textural and psychedelic, the songs breathe with a otherworldly sadness and heart. Barbed, sophisticated arrangements flower in every direction. The vintage-perfect sound palette would be window dressing if not for the songs themselves: fresh, vital, and above all catchier than the flu. Cold Hot Plumbs is a strange, beautiful, and oddly infectious addition to Dwyer’s oeuvre, and not one to be missed.

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Will The Fetus Be Aborted?

7" | 2024 | US | Original (Alternative Tentacles)

10,99 €*

A Day In Black And White / Black Castle

Release: 2024 / US – Original

Genre: Rock & Indie

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The mutant alleged-country collaboration 7" between two greats: Jello Biafra & Mojo Nixon! "Will The Fetus Be Aborted?" is as relevant today, as it was when it was first released and let's be honest... that's fucking depressing. Luckily we can sing-a-long to the classic original and alarmingly faithful rendition of lost and twisted country classics!

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Split

12" | 2004 | US | Original (Delian League Records)

7,99 €*

My Life With The Thrill Kill Kult I

Release: 2004 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl closer to NM

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See Good Spirits... Black Vinyl Edition

LP | 1988 | US | Reissue (Wax Trax!)

29,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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My Life With The Thrill Kill Kult I

See Good Spirits.. Limited 2lp Edition

2LP | 1988 | US | Reissue (Wax Trax!)

46,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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I Dont Know How But They Found Me

Gloom Division

LP | 2024 | US | Original (Concord)

Release: 2024 / US – Original

Genre: Rock & Indie

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Dust: Recordings 1980-1984

22 Beaches

LP | 2024 | UK | Original (Seated)

21,99 €*

Broken Bells (James Mercer of The Shins & Danger Mouse)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Glasgow based Seated Records return with more 1980s Scottish Post-Punk / New Wave material. In this 8-track mini compilation the label introduces the work of Stirling band 22 Beaches, offering a deep dive into music recorded between 1980-1984 - the majority of which has never seen the light of day! 22 Beaches formed in Stirling in the late 1970s as an evolution of the short lived group ‘Alone at Last’ - drummer Fred Parson’s and guitarist Stephen Hunter being the two who spanned the divide. Out of the six members of 22 Beaches, many were school friends, and the rest naturally fell together. The band toured extensively and played at a truly diverse set of venues across the UK: from a local swimming pool boiler room, to small nightclubs and university parties, to several fundraisers for the miners strike. Maybe most notably of all, drummer Fred Parsons described playing at what he calls “the Grangemouth International”, organised by local promoter Brian Guthrie and which featured an all-star lineup of 22 Beaches, The Exploited and the first incarnation of The Cocteau Twins. A coach was hired to ship the audience to Grangemouth from Stirling, the cost of which was included in the ticket. The gig then paused halfway through for a 'help yourself' buffet. Young promoters take heed. This is how it's done! Over the course of the 80s the band released music on three different, and now sought after, various artists compilation cassettes. “What Day Is It?” and “Sadie When She Died” were released on a compilation of local Stirling artists 'The A.N.K.L.E File'. The track from which the current record takes its namesake - “Dust” - was initially released on a compilation-tape for the fanzine 'Another Spark'. And ‘‘Zoo” (also featured on this record) was first released on Glasgow label Pleasantly Surprised via compilation, 'An Hour Of Eloquent Sounds', where 22 Beaches rubbed shoulders with early music from Scottish names Primal Scream, Cocteau Twins, The Wake and Sunset Gun. Unfortunately, 22 Beaches never met the same level of commercial success as these others and decided to retire the project in 1984 - leaving their recordings and demos to gather dust (hehe)…until now! This compilation, “Dust: recordings 1980-1984” follows the band's journey and the changes in their sound over the years. It moves from the raw, punk energy of early DIY recordings through to the A Certain Ratio style Balearica of their later pieces. The record's opener and title track “Dust” is perhaps the most shining example of the latter. Characterised by the plenitude of sonic space in the mix, “Dust” has an almost dub sensibility that is communicated through centrality of Parsons’ drums, McChord’s percussion, and Fildes’ Bass while the harmonising vocals of Sharkey and McGregor chant over the top to give the track its distinctive psychedelic edge. This is an atmosphere only exacerbated by the lofi quality of the recording which sits the vocals in the same aural realm as much 1960s psych-folk. On “Cartoon Boy”, the band strips things down further. A droning bass line persists through the tape fuzz and is accompanied by the sounds of a sole looping guitar chord sequence and McGregor and Sharkey’s vocals - respectively and carefully dancing around one another before harmonising in the most beautiful way. The result is a haunting and abstract Marine Girls style heartbreaker. ‘That Girl’ again delivers a dub adjacent rhythm section similar to that of “Dust”. However, on this instance crisp guitar chords, a distant, phased organ and blue-eyed soul vocal delivery, produce a track that could easily have been a lost Orange Juice recording from their sessions with Dennis Bovel. On “Somebody Got It Wrong” and “One Of Us” the band employ a more macro approach where a jangling guitar with an almost highlife-influenced tone, vocal ad-libs and syncopated percussion give the music a Talking Heads-esque swagger. Taken together these tracks illustrate a clear trajectory in the band's sound, moving from from the high energy no-wave quality of early recordings towards a more dub influenced, and stripped-back sound - a sonic trajectory followed by so many bands of the time, not least those emerging from the diaspora of Manchester’s Factory Records. On “Breathing’’ we hear the beginning of this transition, with the strong influence of the oddball NYC disco styles of Was (Not Was) and ZE records. All of this is meshed together with the residual punk rock energy of 1980s UK. This combination is employed to excellent effect with the addition of the distinctly Scottish (and what the band confirmed to me to be spontaneous) vocal delivery of: “Do you love me? Do you want me?” “Aye!” “Do you love me? Do you need me?” “Naw!”. On the record’s closing tracks, “Zoo” and “Talent Show”, we hear early examples of the band’s work, playing with their rawest all-in-one-take live energy where Hunter’s spiralling guitar riffs and McGregor's distorted vocal exclamations lead the charge. The band recalls that these initial-forays did not always translate so well into multitrack recording and overdubbing: “the deconstruction took away some of the band's natural feel”. On “Talent Show” the record ends with Sharkey delivering an almost unintelligible spoken word section over the top of the track, making for one final, disorientating, almost manic slice of post-punk. These tracks from 1980-1984 chart the progress of a unique contribution to the world of Scottish Post-Punk and New Wave, encapsulating not only the musical trajectory of 22 Beaches but also echoing the broader sonic landscape of 1980s UK, a testament to the adaptability and creativity of the UK’s underground music of the time.

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Broken Bells

LP | 2013 | EU | Original (Music On Vinyl)

28,99 €*

King Gizzard & The Lizard Wizard x Mild High Club

Release: 2013 / EU – Original

Genre: Rock & Indie

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180g vinyl!

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Rolling Stoned

7" | 2018 | US | Original (Stones Throw)

12,99 €*

Wasted Shirt (Ty Segall & Brian Chippendale Of Lightning Bolt)

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition 7inch vinyl single release including “Rolling Stoned” as featured on their collabo album “Sketches Of Brunswick East”!

Split 7” of “Rolling Stoned,” a composition written by Alexander Britton. Recording on side 1 by Mild High Club and side 2 by King Gizzard and the Lizard Wizard. Artwork by Kyle Field (Little Wing).
King Gizzard & the Lizard Wizard is an insanely good, prolific, psych rock band from Melbourne, Australia. Mild High Club is Alexander Brettin, insanely good, freakishly mellow dude on Stones Throw. They got together and made an album called “Sketches Of Brunswick East”.
The two bands formed a friendship touring together across Norther America, Europe, and Australia the last couple of years. King Gizzard’s Stu Mackenzie says, "I think we hit it off because our approaches are very different … Alex has studied music, whereas my approach is to fling shit at the wall and see what sticks. I can’t read sheet music at all. But we’re like the two ends of a horseshoe coming to meet in the middle."

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Fungus II

LP | 2020 | US | Original (Famous Class)

Release: 2020 / US – Original

Genre: Rock & Indie

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• Heavily recommended by Henry Rollins

• LP includes an 8-page risograph lyric zine by Brian Chippendale

“Rarely when formulating combinations of musicians you would like to hear play together do you get to actually hear it. If Brian Chippendale and Ty Segall made a record, would you want to hear it? If the answer is yes, read on. If the answer is no, it’s too bad you ended up canned, suspended in syrup with nothing but other peaches to keep you company.

“Ty’s 2019 album First Taste and the new Lighting Bolt album Sonic Citadel are easily some of the best material either entity has ever released so if these two happened to find themselves in the same recording studio, a fan just might entertain elevated expectation levels. In fact, some might actually show signs of enthusiasm, even excitement at the fact that from July 5th -13th 2018, in the air-conditioning free environs of Ty’s home studio, the duo, eventually calling themselves Wasted Shirt, wrecked the joint as thoroughly as you hoped they would.

“Prepare To Be Stoked Dept.: The album is exploding euphoria from start to finish. A morphing day-glo rainbow that will bring a smile to your face like if you were on your way to Washington DC for the Million Puppy March. Upon first spin, all boxes are checked and any previously held doubts are completely obliterated. The more you play it, the better it kabongs you upside your head. Hectic doesn’t even begin to describe it. Brian and Ty, two mere particles in the grand scheme, collide at high speed, the technicians dive for cover, the reaction is recorded. Mutation is achieved. This is Freedom Rock. Turn up the volume. Hasten your emancipation. Sonic joy awaits.”

—Henry Rollins

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Worlds Apart Orange Vinyl Edition

2LP | 2005 | Reissue (Silverdoor Music)

37,99 €*

Release: 2005 / Reissue

Genre: Rock & Indie

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Limited. Re-issued from the original master tapes, exquisite gatefold sleeve plus 20 page booklet on orange translucent vinyl with new liner notes. When originally released by Interscope in January of 2005, the reviews poured in: Filter gave the album a score of 92% and called it ''the best album Trail of Dead has ever made.'' Billboard gave it a very favorable review and stated that ''Trail of Dead has made the album of its career.''

2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Reissue, Orange Translucent
Includes 20-page booklet with new liner notes.

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LP+LP+All Media | 2017 | US | Reissue (Interscope)

Source Tags & Codes

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Both cover and records super close to NM.

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Tao Of The Dead Gold Colored Vinyl Edition

2LP | 2011 | EU | Reissue (Svart)

37,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Reissue of the 2011 album Tao of the Dead by American alternative rock band ...And You Will Know Us By The Trail Of The Dead. First time available on vinyl since its release year. Features a replica of the original comic book insert.

Tao of the Dead is their seventh album. The band stripped down to its core four-piece lineup for the record, deviating from the past two records that featured a filled-out six-piece band. This resulted in a stripped-down record with heavy emphasis on guitar. It’s a two-part record, each side with a specific musical tuning; Part One in D and Part Two in F.

The album can be listened to as 16 different movements or two lengthy tracks. Part One: Tao Of The Dead is split into eleven tracks, whereas Part Two: Strange News From Another Planet is five songs combined into one. Lead singer Conrad Keely described the album's composition; "It's the way I listened to albums when I was a kid, seeing as some of my favorite records were Pink Floyd's Dark Side of the Moon, Yes' Relayer and Close to the Edge... I always liked listening to records that were just a continuous piece, like an orchestra or a symphony."

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Tao Of The Dead Black Vinyl Edition

2LP | 2011 | EU | Reissue (Svart)

30,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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XI: Bleed Here Nowblack Vinyl Edition

LP | 2022 | US | Original (Dine Alone)

30,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP+CD+All Media | 2014 | DE | Original (Superball Music)

49,99 €*

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

X: The Godless Void And Other Stories

2LP | 2020 | EU | Original (Inside Out Music)

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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X: The Godless Void And Other Stories

LP+CD+All Media | 2020 | EU | Original (Inside Out Music)

39,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Homage / Relative Ways Seque

5" | 2002 | UK | Original (Interscope)

15,99 €*

Release: 2002 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited edition promo 5" vinyl in numbered cardboard sleeve.

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Worlds Apart Clear Vinyl Edition

2LP | 2023 | Original (Silverdoor Music)

51,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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X: The Godless Void And Other Stories

2LP | 2020 | EU | Original (Inside Out)

38,24 €* 44,99 € -15%

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Olive green & bone vinyl!

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CD | 2002 | EU | Original (Interscope)

Source Tags & Codes

5,09 €* 5,99 € -15%

Release: 2002 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Empty Country II Pink Vinyl Edition

Empty Country

2LP | 2023 | UK | Original (Tough Love)