Search "record+storage" 5754 Items

Release: 2024 / US – Original

Genre: Rock & Indie

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Magpie, the fourth studio album from Peach Pit is due out October 25th. The album was written and recorded in the band's hometown of Vancouver, BC. Single disc vinyl, standard jacket, printed sleeve, with poster. COLOR: Clear Mint

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Christmas Hits Black Vinyl Edition

LP | 2024 | EU | Original (Second)

21,99 €*

Live At Value Sound Studios

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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180 Gram VinylGet ready to spin some holiday magic with the Christmas Hits record! This festive collection is packed with timeless music from legendary artists like Brenda Lee, Connie Francis, Elvis Presley, The Beverly Sisters, and many more. Perfect for setting the holiday mood, this LP will keep every Christmas lover's spirits bright. Whether you're trimming the tree or sipping cocoa by the fire, let these iconic voices bring the joy of the season to your home.

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The Submissives

LP | 2024 | US | Original (Celluloid Lunch)

Live At The Cabin Sage Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Having listened to three records by Deb Edison’s analytically invaluable project The Submissives, I’m more inclined to hear them as The Subversives. Their monotony rubs clear through to obsession, toppy subs who demand the same amount of attention they’re paying to their unnamed paramours, only to brush it off once received. The dynamic at play is more OnlyFans than Bandcamp. While this plays on its face as re-recordings from her Do You Really Love Me? tape and interim tracks that drifted away before her 2022 comeback Wanna Be Your Thing, the full band brought out here opens up these songs more effectively as the deceptive traps they are. Everyone’s wearing the red dress, singing in pitch-separated unison, innocence fully cast away, waiting for you to give in or chew your own leg off to get away. It’s a withering amount of attention, impossible to predict and fully in control. It’s also not something anyone really ever pulled off this well as a musical project, and the Shaggs-meets-Seven Sistersness of it all gives it that private press feel that’ll attract the wrong kind of attention. I wonder who has time for this kind of all-consuming relationship, then I realize that’s something left for the world outside of here, described in worrying detail and fictionalized to supremely unnerving effect. Really one of the great projects of the last 10 years or so, and they’ve never sounded better."—Doug Mosurock

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Dog Slaughter Beach

LP | 2024 | US | Original (Lame-O)

2LP | 2024 | EU | Original (Stickman)

Release: 2024 / US – Original

Genre: Rock & Indie

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Sage Green Vinyl. Highly anticipated first pressing of Live at TheCabin, originally a live-stream release show performanceduring the pandemic after Slaughter Beach,Dog's "At The Moonbase" record. The album wasreleased digitally through Lame-O Records in thefall of 2022, and has been a cult favorite release byfans of the band. Available with beautiful artworkby Russell Edling (Lame-O, Golden Apples) fanswill appreciate getting to dive deeper into the worldof Slaughter Beach, Dog.

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Weite

Oase

LP | 2018 | US | Reissue (Run For Cover)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Oase is the sophomore album from Berlin-based progressive rock collective Weite, and the follow-up to the band’s 2023 debut LP Assemblage. Clocking in at almost an hour, Oase—German for "Oasis"— takes listeners on an intricate and textured journey that draws inspiration from the pioneering spirit of 70s psychedelic rock, blending influences from “Canterbury scene” prog, Krautrock, early electronica, post rock, and Americana.

The new album show cases Weite's ability to merge the old with the new, creating an immersive, exploratory sound that moves from contemplative and pastoral to riffy and doomy without ever sacrificing melody.

Oase is characterized by longer expansive, atmospheric compositions yet is undoubtedly more composed than the band’s debut, with more of a focus on songs, albeit in the broader sense of the word.

With the focus on melody, texture and mood—although not necessarily always in that order—Weite create a sound that’s intricate and meditative, inviting the listener to embark on a journey through shifting soundscapes and evolving musical narratives.

Weite was formed in Berlin in winter 2022 by bassist Ingwer Boysen (delving) recruiting drummer Nick DiSalvo (Elder, delving) and guitarists Michael Risberg (Elder, delving) and Ben Lubin (Lawns). Initially intended as a one-of recording session, the four recognized an obvious musical chemistry and common ground and decided to turn the project into a proper band. Keyboardist Fabien de Menou (Perilymph) joined in 2024.

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Fiddlehead

Springtime And Blind

ATW Bone & Orchid Marble Blue & Orchid Marble Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Fiddlehead's debut LP Springtime and Blind is an exploration of grief both introspective and through the insight of others. Following the release of their Out of the Bloom EP on Lockin Out Records, the Boston-based band have created a debut LP that shares an anguishing, relatable story of love and loss through the catharsis of spirited, loud indie rock. Consisting of guitarist Alex Henery (also of Basement), vocalist Patrick Flynn and drummer Shawn Costa (both of Have Heart), Fiddlehead explore musical styles different from their other projects while bringing a familiar energetic and emotional core to the collaboration.Springtime and Blind stemmed from Pat's loss of his father. Flynn looks at how his mother coped with the situation- losing her spouse, her center of gravity -writing the lyrics as an emotional catharsis for both of them. While the process of writing and recording helped Flynn cope with his personal loss there's no doubt it carries a universal message that can help ease others' loneliness. A contrast to itself, Springtime and Blind is a multidimensional and relatable journey through its cathartic message and spirited instrumentals.

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All Them Witches

2LP | 2018 | US | Reissue (New West)

34,99 €*

LP | 2023 | UK | Original (Orange Milk)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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By most bands' fifth LP, the sound is pretty set. Parameters established. Refinement dissipated in favor of to-formula execution of what's worked in the past. Fair enough. All Them Witches go a harder route.

In 2017, the Nashville four-piece offered what might've otherwise become their own template in their fourth album, Sleeping Through the War. Also their second for New West Records behind 2015 mellow-vibing Dying Surfer Meets His Maker, it brought a larger production value to dug-in heavy psych blues jamming, with oversight from producer Dave Cobb (Jason Isbell, Sturgill Simpson).

After exploring new ground through their early work on 2013's Lightning at the Door and 2012's Our Mother Electricity as well as Dying Surfer, the band had arrived at something new, sprawling, and grander-feeling than anything before it.

So naturally in a year they've thrown that all to the Appalachian wind, turned the process completely on its head and gone the absolute other way: recording in a cabin in Kingston Springs, about 20 miles outside of Nashville on I-40, with guitarist Ben McLeod at the helm. Take that, expectation.

The result, mixed by Rob Schnapf (Beck, Elliott Smith, Kurt Vile), is the most intimate, human-sounding album All Them Witches have ever recorded and another redefinition of who they are as a band. Introducing keyboardist/percussionist Jonathan Draper to the fold with McLeod, bassist/vocalist Charles Michael Parks, Jr., and drummer/graphic artist Robby Staebler, All Them Witches' All Them Witche

It's the band confirming and continuing to develop their approach, in the shuffle of Fishbelly 86 Onions, the organ-laced groove of Half-Tongue, the tense build of HJTC and the fluid jam in closer Rob's Dream.

Its a reaction to being a bigger band. To playing bigger shows, bigger tours, etc. From the sustained consonants in Parks vocals to McLeod's commanding slide in Workhorse and drifting melancholy at the outset

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Machine Girl

U-Void Synthesizer

7,99 €*

The Gates Of Slumber Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG+

Record is slightly warped but still enjoyable.
Cover as new with slightly dented corners.

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The Gates Of Slumber

LP | 2024 | EU | Original (Svart)

LP | 2024 | UK | Original (Delodio)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Gates of Slumber return with a new album out in November on Svart Records

“I never intended to pick up with The Gates of Slumber ever again in 2014. While I did start the band and wrote most of the first album it was never intended to be a one man show.” -Karl Simon, 2024

Indiana’s True Doom Metal legends The Gates of Slumber return with their sixth album out in November via Svart Records. The self-titled album is the band’s first full length offering since The Wretch from 2011.

The Gates of Slumber was formed by Karl Simon in 1998. Various people were in and out of the group between 1998 and 2001, when the Blood Encrusted Deth Axe demo was recorded with Jamie Walters aka Dr. Phibes/Athenar (Boulder, Midnight) on drums and bass. In 2003 Jason McCash took over the bass duties and was a long-time member of the band until his untimely demise in 2014, after which Simon decided it was time to call it quits. That was until 2019 when the renowned metal festival Hell Over Hammaburg wanted to bring the band back on stage to perform at the festival’s 2020 edition. Simon reformed the band with its original member Chuck Brown on drums and Steve Janiak on bass and got back to work. “We’d been asked several times to play Hell Over Hammaburg. But there was no “we” to play. The germ of the idea started. We started re-learning songs from the first LP. It wasn’t too long into the rehearsals that we started coming up with new songs.”, states Simon.

After a reunion tour was finished, Covid kicked in to slow down the process. Half of the album was already written but the remaining half took its time, and the songs were left to stew in their juices. With bastard heavy songs honoring the Doom Metal greats Saint Vitus and Penance, straight forward bangers, lyrics inspired by the Black Death and John Carpenter’s The Fog, The Gates of Slumber is a truly crushing album and a must listen to any Doom Metal fanatic.

Having toured with Pentagram, Reverend Bizarre, Cathedral, Slough Feg, Earthride, and Weedeater in addition to getting praised by Decibel Magazine such as “The Gates of Slumber have quietly gone about the business of becoming one of the best heavy metal bands in the world.”, it’s safe to say The Gates of Slumber play some of the heaviest metal on this planet.

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Froid Dub

OST Fotogenico

LP | 2024 | EU | Original (Beast)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance, Soundtracks

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Produced by French duo Froid Dub who here step out of their digi-dub groove to slip into the synthetic post-punk colors of Fotogenico, the film by Marcia Romano and Benoît Sabatier, which follows the wanderings of a father in search of the story of his deceased daughter, with only the music she recorded as a clue. Featuring covers of tracks by The Field Mice, Luna and 1000 Ohm, this soundtrack is a pivotal element of the movie.

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Dion Lunadon

Memory Burn

LP | 2024 | US | Original (Gar Hole)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dion Lunadon (THE D4, A PLACE TO BURY STRANGERS...) is a musician who writes, performs and records his own rock 'n' roll records. Born in New Zealand and residing in New York City he has a 4 piece band who TCB live. Raw, real and off the chain! The art on the jacket of the record is unique, as both the front and back side serve as the front cover, or back cover. Confused?! Snag a copy and untwist your brain!

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Chris Acker

Famous Lunch

30,99 €*

They Want My Soul 10th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"released October 11th, 2024. 140 gram SANDWICH BLUE vinyl with printed innersleeve lyric page. Chris Acker's latest collection of songs, Famous Lunch is, in his words, a "growing pains album." When writing the record, Acker found himself hunting for a voice that wasn't just an imitation of the one he'd been using on the last 30 songs he'd made. "At the same time, I worked hard to find a certain voice for myself over the previous 3 records and I didn't want to abandon that." While the album finds him continuing to transcribe life's fleeting and provocative banalities with refreshing grace, the songs on Famous Lunch are intentionally more absurd, stylizing his lyricism as both poetic and disarming simultaneously- commencing with "Shit Surprise"-an earworm with a vernacular that stays true to it's title. Inspired by George Saunders and Sasha Pearl (and wanting to make a song that sounds like Eagles saying the word "shit" over and over), "Shit Surprise" is the most Chris Acker song possible, in that it's earnestness arrives in spades and comes varnished with a one-of-a-kind, spectacular gnarliness. "We'd match our breath in the upstairs room and we'd hold together 'til I smelled like you," Acker sings, before nose-diving into that unforgettable chorus about stepping in a smelly, disgusting pile of shit. "It was definitely the first record I had to make while working and trying to be a real musician," he says. Across the record's 10 songs, Acker is joined by his Growing Boys bandmates Zach Thomas (bass), Nikolai Shveitser (pedal steel), Dave Hammer (guitar, vocals), Sam Gelband (drums, vocals), and Howe Pearson (piano). They made the album in December 2023 in the same place where their debut Re-Runs was recorded on a reel-to-reel more than seven years ago. "It's a fun full-circle moment," Acker says. "We really wanted to do another fully live record in that room, but, we're a way different band now, so it was especially cool." Many of these 10 songs are about an appreciation for closeness, no doubt a product of Acker having written many of them in pieces while on the road and during a two-week residency in Butte, Montana in the spring of 2023. On a track like "Swimming in My Calvin's," Acker takes a pause from musing about making swimtrunks out of underwear to meditate on the intimate warmth shared between lovers ("When I come home and lay down and you turn your body into me, I hold you below your belly button and you make the softest sound"). Album centerpiece "Wouldn't Do For You (Buddy)" Acker sings about "drawing my finger along your spine, crossing the room in your underwear" and a face next to a candle that looks like "a corner house under turning headlights." Though none of the songs on Famous Lunch came to Acker in a dream like "If I Needed You" did to Townes Van Zandt, the music sounds like the environment it was composed in: in-between self-booked gigs and late-night crashes on cross-continent couches, with different routines in different cities for years. When Acker sings about "doing dishes in the glow" or "follow[ing] whims like birds carry seeds" or "the inevitable ever when we're no longer together," you can hear the pages and pages of Moleskin journals being ripped through. He calls it "frankensteining" songs, the act of cobbling together memories-both drunken ramblings and clear-eyed yearnings-into poems with new lifespans, tape-hiss fadeouts, and plucky introductions. Famous Lunch contains some of his best work yet ("Stubborn Eyes," "Wouldn't Do For You (Buddy)," "Eyelash") and some raucous, bar-ready new joints ("Don't You Know (Who I Think I Am)," "Cursive Proverbs"). Caught someplace in-between the cowboy laments of Jerry Reed and the tender-hearted annals of Gram Parsons, Acker puts his world on a clothesline and let's it dry out in the sun. Famous Lunch is full of confusion and fragility, but it's also full of love not taken for granted and a profoundly familiar ache for domesticity and a clock turned ba

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Spoon

2LP | 2014 | EU | Reissue (Matador/Beggars Group)

Sarah Neufeld & Richard Reed Parry & Rebecca Foon

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Exactly 10 years after its original release, Matador Records is reissuing Spoon"s beloved eighth album, "They Want My Soul".Along with the album"s original 10 tracks - including all-time Spoon classics "Inside Out," "Do You," and "Rent I Pay" the 10th Anniversary Edition includes 11 demos and alternate versions, almost all of them previous-ly unreleased. The reissue underlines the album"s vaunted place amid one of rock"s most bullet- proof catalogs and offers a glimpse at the creative process behind a pivotal moment in the ongoing Spoon story.

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First Sounds

2LP | 2024 | EU | Original (One Little Independent)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Days With Uncertainty Clear Vinyl Edtion

The Fin.

LP | 2014 | JP | Reissue (Hip Land Music)

34,99 €*

Loss Of Life Indie Exclusive Black & Grey Splatter Vinyl Edition

Release: 2014 / JP – Reissue

Genre: Rock & Indie

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It's been 10 years since The fin. released their memorable first album, 'Days With Uncertainty,' in 2014. To celebrate this anniversary, it will be reissued as a colored vinyl on "Record Day," November 3, 2024! This debut work, highly praised as a masterpiece from various quarters, includes tracks like "Night Time," which became a sensation with its music video. Yuto Uchino handled the recording and mixing for all the songs. 「Band Profile」 The band was formed in 2012 by Yuto Uchino (Vo./Gt./Synth.) and Kaoru Nakazawa (Ba./Synth.). Yuto Uchino creates the band’ s music, handling songwriting, recording, mixing, and production. The silky and smooth voice with a distinctive floating sensation and mellow sound blend together to create a fantastic and dreamy music. The music style is based on indie and psychedelic pop, fused with soul, funk, and jazz, creating a soft and mellow sound that brings a sense of peace. Yuto’ s lyrics give power while accepting fear of growth and change, adding to the unique aesthetic of The fin.'s musical world. They've taken the stage at numerous venues in the UK, US, Europe, and Asia, showcasing their talent at festivals like Fuji Rock, Summer Sonic, Sxsw, and The Great Escape. In particular, during their 2023 China tour, they staged shows in over 25 cities, drawing a cumulative audience exceeding 20,000 at their solo performances. They have also toured with numerous artists such as Phoenix, The Last Shadows Puppets, MEW, Circa Waves, Wild Nothing. The fin. has released the 1st album “Days With Uncertainty” (2014), which was recorded, mixed, and produced by Yuto Uchino, the 2nd album “There” (2018), which welcomed Bradley Spence (Jamiroquai, Radiohead, alt-J) as a co-producer for the first time, the EP “Wash Away” (2019), which welcomed Bradley Spence and Jake Miller (Bjork, Arca) as co-producers, and the 3rd album “Outer Ego” (2021), which was entirely recorded, mixed, and produced by Yuto Uchino.

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MGMT

LP | 2024 | US | Original (Mom+Pop)

Original Motion Picture Soundtrack Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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A very "MGMT MGMT album" which the band describes as "a group of songs about love and change, first and foremost." Descriptors from the band include: bold, flavorful, playful, sincere, optimistic, perceptive. Loss Of Life was produced by MGMT and Patrick Wimberly (Solange, Lil Yachty, MGMT), with mixing and additional production by Dave Fridmann (Flaming Lips, Interpol, Spoon). The album includes the first ever MGMT song with a feature, courtesy Christine and the Queens. The album artwork has been licensed from John Baldessari's estate and is an artwork titled Noses & Ears, Etc. (Part Two).

Formed in 2002, MGMT released their era-defining debut album Oracular Spectacular in 2007. One of the most influential albums of the '00’s - it went on to sell over 2 million copies worldwide and was certified Gold or Platinum in over 10 major territories, including double platinum in UK, Platinum in Australia, Gold in France and Platinum in the USA. It gave the world evergreen hits such as “Kids”, “Electric Feel” and “Time to Pretend” which have inspired, and continue to inspire new generations of artists and music fans alike to this day - those three songs combined have been streamed over 2 billion times on audio streaming platforms since released. Always taking an unexpected creative turn at every new record, but always maintaining their cultural and commercial relevance over the subsequent 15 years, MGMT later released three further studio albums: “Congratulations” (2010), “MGMT” (2013) and “Little Dark Age” (2018).

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Last Train

LP | 2024 | EU | Original (Modulor)

38,99 €*

Jess And The Ancient Ones

Release: 2024 / EU – Original

Genre: Rock & Indie

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Last Train are an exception on the French indie rock scene. From the Olympia in Paris to the biggest festivals, the four Alsatians have won over a devoted audience with their hypnotic, moving concerts. Independent or nothing, they self-produce their records and tours, as well as their music videos, short films and even documentaries, with rigour and determination. At the end of 2022, the musicians had the luxury of taking their time and the right to experiment. Far from the beaten track, they are rewriting their own repertoire in a cinematic and contemplative way. By collaborating with the Orchestre symphonique de Mulhouse, Last Trainconfirm their viscerallove of large-format sounds and images, and present a veritable compendium of inï¬,uences in twelve tracks.Original Motion PictureSoundtrack is the soundtrack to a film that doesn"texist. From a symphonic chaseto a neo-classical interlude, from an organ requiem to an electronic soaring, the Mulhouse-based band play with the boundaries of genres. Last Train sets the bar ever higher with this unexpected, singular and striking album. It is accompanied by a mini-series documenting the work done in the studio, the collaboration with the orchestra and the day-to-day life of an authentic, inspired band.

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Jess And The Ancient Ones Black Vinyl Edition

LP | 2012 | EU | Reissue (Svart)

LP | 2024 | US | Original (Lame-O)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Back in 2012, the Jess and the Ancient Ones debut album was an essential part of what was known as the occult rock revival. The band's progress has since then ventured beyond such sub-genres, but the debut remains a cult classic, with its triple guitar NWOBHM-influenced melodies and furious vocal delivery. On this album, the band's lyrical concept is based upon the personal occult experiences of the writers. Combined with music it creates a strong mystical atmosphere.

With the vocal talent Jess as their frontwoman and three guitars in the lineup, Jatao draws inspiration from heavy metal and rock groups of the classic era, such as Mercyful Fate, Roky Erickson, Iron Maiden and Abba. The album was recorded in December 2011 by Necromorbus Studio, known for their previous work with bands such as Watain. The result of these sessions is the eponymous album, a 53-minute moonlight ride into the nether regions of progressive occult heavy rock.

Svart Records releases the new edition of this modern classic on 25 October 2024 as a part of the record label’s 15th anniversary. Jess and the Ancient Ones’ self-titled debut album will be out on CD, black and transparent lime/black marble vinyl. Moreover, Svart Records’ webstore has a limited edition of 150 copies package of green/red/purple marble vinyl version of the self-titled debut album, limited edition of Astral Sabbath mini album with a special slip mat – all of these are packaged in a unique Jess & The Ancient Ones tote bag.

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Slippers

So You Like Slippers?

LP | 2024 | UK | Original (Third Eye Stimuli)

Release: 2024 / US – Original

Genre: Rock & Indie

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So You Like Slippers? is the debut record from Slippers, the new project from Madeline B.B. from Los Angeles, California. Madeline is an illustrator and animator currently studying at Cal Arts, has directed music videos for Of Montreal, and also plays in the band Le Pain and was formerly in NYC's Yucky Duster.

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Winter Mcquinn

Move To The Trees

Affiity Pink Marble Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Perhaps known as the frontman of Sunfruits and as the drummer for Jade Imagine, Winter McQuinn’s solo music explores psychedelic country and folk rippling with a free-ness similar to Nick Drake, Syd Barrett, Kevin Ayers and more modern 70s soft rock purveyors like Michael Rault and Drugdealer. His impressive 2021 debut album ‘A Rabble Of Bees’ marked the beginning of Winnie’s solo wanderings, showcasing his songwriting talents and DIY inventiveness. Winter McQuinn’s sophomore solo album 'Move To The Trees' is set for April 5th via Third Eye Stimuli Records and Echodelick Records (usa). McQuinn recorded the new album in April 2022 over one weekend in Anglesea, Victoria with Jesse Williams (Leah Senior, Grace Cummings, Traffik Island) as engineer and producer. 'Move To The Trees' showcases a more refined and sonically sophisticated side to Winter McQuinn’s solo music. Featuring talented musicians Jack Kinder and Lewis Mosley from fellow Third Eye Stimuli family, Hot Apple Band, as well as Elena Jones from Sunfruits and Jaspar Robinson, McQuinn and co create a unique space through their artful intersections of hope and tragedy. A series of anthems for the future, settled in a post psych-folk and 70s soft rock energy, McQuinn takes influence from the new-wave of 70s folk and rock influenced artists from the USA's West Coast such as Sylvie, Cut Worms, John Andrews, Anna St Louis, The Lemon Twigs and more. This album showcases a step up in songwriting and production for Winter McQuinn who’s ever evolving style and commitment to creating is inspiring. The album cover design was hand painted by renowned folk / baroque pop artist Leah Senior and portrays McQuinn in different settings around Anglesea and the studio.

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Fears

LP | 2024 | EU | Original (Tulle)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Irish interdisciplinary artist Fears, aka Constance Keane, is back with her second full-length release - affinity. Following on from her critically acclaimed 2021 debut album Oíche, Fears has crafted ten self-produced tracks, drawing on human connection, intimacy, and moments of peace in a city. Written and recorded between London, New York, and Dublin, affinity explores the relationship between her physical surroundings and the work she creates.

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LP | 2023 | UK | Original (Platform 23)

Ethniques Psychedliques

2LP | 2014 | US | Reissue (Secretly Canadian)

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Platform 23 reunites once more with Vox Man Records to dig deep into their archives and shine a new light on. In the past they have done some mega well loved Alternative Funk compilations which got the label off to a fine start and now they dig into an array of cult cassette releases to bring us treasure from Audiologie N-4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. This is music from the avant-garde and post punk scenes that draws on wave, spoken word, dark dub and industrial for its eerie yet alluring charms, all with a real edge. Ethnic, idiosyncratic and psyched out, this is another great overview.

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The War On Drugs

Lost In The Dream

7" | 2023 | US | Original (Drag City)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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THE WAR ON DRUGS, the Philadelphia-based project of Adam Granduciel, release their third full-length album, the beautifully sweeping "Lost In The Dream via Secretly Canadian. Written and recorded over two-plus years in Philadelphia, North Carolina, New York and New Jersey, following almost two years of nonstop touring in support of 2011's "Slave Ambient", "Lost In The Dream" is the outstanding presentation of Granduciel's progression and growth as a songwriter, performer, and producer. It is an immense listen to be absorbed and discovered now and for decades to come.

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Gebel Barkal

17,99 €*

Ode To Io Remastered Gold Nugget Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited pressing reissue of the 2008 Sub Pop single, the first OM recording featuring Emil Amos on drums. B-side features the band’s first dub version.

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Lowrider

LP | 2020 | EU | Reissue (Blues Funeral)

30,99 €*

Come On Feel 30th Anniversary Red / Yellow Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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The ultimate edition of the debut album from the progenitors of Swedish desert-rock, fully remastered with bonus tracks in gatefold sleeve!In the wake of defunct Palm Springs originators Kyuss, musicians worldwide coalesced to craft their own visions for the desert rock sound. Standing foremost among them was Lowrider, whose debut, "Ode to Io," became the blueprint countless others would follow. Following their return in 2020 with new album "Refractions," we proudly reissue their seminal chronicle of rumbling desert-heaviness!In their own words:Ode To Io (1-10) was recorded and produced by ourselves at KM Studios, Karlskoga, Sweden in Novembre of 1999.Tracks 11 & 13-16 were previously released as the Nebula and Sparzanza -Lowrider split singles. We recorded and produced them as well, also at KM Studios, Karlskoga, Sewden in May of 1998 (tracks 13-16) and August of the same year (track 11).Track 12 previously released as the "I Am Vengeance" Soundtrack in 2001. We recorded that some time in 2000 - it's a bit of a blur that one.Peder salvaged his dusty old artwork files in a crate and remastered & updated them from the ground up.Ode To IO cover photographs were captured by Daniel Önnerlöv in 1999 at an old creepy viking burial site, Live photograph from Hellfest 2014 captured by Falk-Hagen Bernshausen Press Quotes: 'Ode to Io is desert-rock in its purest and heaviest form. Almost the whole album is indeed explosive, fuzzy and straight to the point... the best definition of stoner-rock you could get.' - Nuno / Sputnik Music, 'Lowrider paved the way for a whole generation of European fuzz...there was Kyuss in the US, and there was Lowrider here.'" -Beeho / The Heavy ChroniclesThe LP is metallic gold nugget vinyl!

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The Lemonheads

2LP | 1993 | UK | Reissue (Fire)

LP | 2023 | CA | Original (Constellation)

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Expanded 30th anniversary re-issue of The Lemonheads' classic 1993 album with brand new sleeve artwork! The breakthrough record that took American alt rock global and catapulted Evan Dando into the hearts of a generation. With a wealth of unreleased demos, alternative versions and rarities - including covers of Victoria Williams, Buddy Holly and The Flying Burrito Brothers plus The Lemonhead's take on the Cole Porter standard 'Miss Otis Regrets'. In the 90's Evan's Lemonheads produced hit after a hit, a string of super cool singles: 'Big Gay Heart', 'Into Your Arms', 'It's About Time', and 'The Great Big NO'. Pure genius filling the radio waves and taking the stage... Some 30 years on; Evan is still knocking that song writing thing out of the park and 'Come On Feel The Lemonheads' sounds as fresh and perky as it ever did. Amid the hits on the original record are stencils and outlines for yet more magical music and now this deluxe edition adds a second disc of demos and acoustic versions, plus a host of one-offs from sessions and compilations that add further colour to the myth and how it was created. There's the in-demand combo lovingly covering Victoria Williams' 'Frying Pan' from her 'Sweet Relief' album, which is joined by an eclectic set of flipsides and out-takes, like their version of original garage punk nugget 'Little Black Egg' by The Nightcrawlers, Evan's homage to Gram Parsons on the winsome 'Streets Of Baltimore' and Buddy Holly's melancholy 'Learning The Game'. Evan knows a good song when he hears it, as 'Come On Feel The Lemonheads' certainly proved. "Come On Feel was home to some of his best, sharpest writing - fabulous sunny powerpop and beautiful ballads" The Guardian "'Come On Feel The Lemonheads' is all it purports to be: a chance to dip into Evan's jumbled-up, dope-smoking love-buggy of a life and celebrate it" NME

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ALL HANDS_MAKE LIGHT

Darling The Dawn

LP | 2023 | EU | Original (RecordJet)

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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Mia Aegerter

Bye Bye Mein Altes Ich

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dance To The Radio: Ajanta Theatre Derby 1980 Blue Vinyl Edtion

Joy Division

LP | 2023 | EU (Dear Boss)

Dance To The Radio: Ajanta Theatre Derby 1980 Black Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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Massive as Joy Division were becoming, they still played Shit-Holes like this former, partially demolished, cinema in Derby. The old seats were still in place, except for a few that were torn off of their perches to allow dancing, if required. Again, another cavernous sounding audience recording,and again we are treated to a joint band version of "Girls Don't Count" for the rarity value. Due to cancellations, probably due to Ian's failing health, this would turn out to be the penultimate Joy Division performance, before.....well, you know what happened next.

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Joy Division

LP | 2023 | EU (Dear Boss)

19,99 €*

Supercluster Black Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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Jaaw

LP | 2023 | EU | Original (Svart)

All Tomorrow's Shadows Ultra-Clear Vinyl 2024 Repress Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Jaaw is a post-industrial supergroug featuring Andy Cairns (Therapy?), Jason Stoll (Mugstar, Klämp, Sex Swing), Wayne Adams (Death Pedals, Big Lad, Petbrick) and Adam Betts (Three Trapped Tigers, Goldie, Squarepusher). Jaaw glories in big riffs and massive hooks, while also pushing the boundaries of what that even means thanks to its uncompromising strangeness.

In the back of Jaaw’s minds are the 1990s: an era when the experimental heaviness of acts like Ministry and Godflesh could find surprisingly large audiences. They also draw on the sonic ground that’s been broken since. The disorientating ferocity of Brazil’s Deafkids. The gaseous, shapeshifted vocals on Burial’s records. The freakout-laden noise-rock of Lightning Bolt. Far from emulating the industrial metal masters of the past, Jaaw will help shake lesser rock bands out of their generic complacency. With scant regard for typical verse/chorus/verse formulas, Jaaw’s song structures are closer to the nonlinear approach of body-shaking dance music.

Recorded intensely in a matter of days at Wayne’s Bear Bites Horse studio in London, the result is one of the most distinctive and exciting records that will be released this year, so heavy in textures that repeat listens will prove endlessly rewarding.

Experimenting with squealing effects pedals selected from the studio’s racks, Cairns was reminded of his love for the feedback-drenched records of Helios Creed and Nuklear Blast Suntan. Having grown up listening to Therapy?, Adams loved throwing Hm-2 pedals at Cairns and hearing his riffs through Entombed-style distortion. Bassist Stoll liked the idea of “Celtic Frost playing something by NEU!” This turned into the album’s bludgeoning centrepiece, ‘Bring Home The Motherlode, Barry’. As co-vocalists, Adams and Cairns wrote lyrics informed by the hallucinatory horror movies of Panos Cosmatos and the unforgettable set-pieces from Ari Aster’s Midsommar.

Jaaw’s sounds, ideas and modes all bleed into each other. “The lyrics, too, are part of the same whole,” adds Cairns. “I feel you could drop the needle at any point on this record and you know where you are with it. To me, it’s like greyscale psychedelia. It’s just this… experience.”

The greyscale psychedelic revolution starts here. You’d be crazy not to jump in.

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The Third Sound

LP | 2018 | UK | Reissue (Fuzz Club)

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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The Third Sound is the solo project of Icelandic singer-songwriter Hákon Aðalsteinsson, formerly of Singapore Sling and currently touring in Brian Jonestown Massacre. Now residing in Berlin with a fleshed-out live line-up, The Third Sound are gearing up for the release of their fourth album ‘All Tomorrow’s Shadows’ - arriving via Fuzz Club Records on May 11th. Recorded by the band themselves over the harsh Berlin winter, the new record is their most refined yet – offering an expansive exploration into krautrock-tainted post-punk and dark psychedelia.

Following on from their 2016 LP ‘Gospels of Degeneration’, the new album takes a much more sparse and rhythmic approach than we’ve seen before, combining hypnotic guitar drones, motorik rhythms and haunting vocals – the last track boasting a guest feature from Anton Newcombe, who released the band’s debut album on his own imprint A Recordings.

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The Endless Coloured Way: The Songs Of Nick Drake Black Vinyl Edition

2LP | 2023 | UK | Original (Chrysalis)

LP | 2023 | EU | Original (Wrong Speed)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

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Colossal Squid

A Haunted Tongue

24,99 €*

Skippy Knows White In Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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A Haunted Tongue is the third album by Colossal Squid, the solo project of producer/virtuoso drummer Adam Betts (Goldie, Squarepusher, Melt Yourself Down, Jarvis Cocker). A Haunted Tongue moves things on one step further, letting the process and approach fade into the background, freeing Betts to balance a million inspirations (early 90s Warp, rave tapes, Nubian drumming, Indonesian gabba_) and filter them through an anything-goes punk aesthetic that results in a feeling of freedom that is both refreshing and rare. Betts has spoken of "a recurring dream of a stranger trying to get across an important message but not talking in any discernible language" that guided these recordings. This feels appropriate to the listener - the language of A Haunted Tongue isn't straightforward or easily classified but yet the message is clearly understood and embraced by the listener at a primal level. That message is one of hope - channelling the shared euphoria of communal musical experience and searching for an uncynical and personal expression of positive energy that can move people and resonate with them. "A while back we had a chat with JR Moores, he was doing a Bandcamp piece on the label. We mentioned we wished we did more rave-related releases. Within seconds we had the Johnny Broke album in our inbox. Johnny Broke is actually Wayne Adams. Wayne messaged and told us about Adam Betts (AKA Colossal Squid). And here we are, dealing with someone who drums for Squarepusher and Goldie. Both Chris and I have the biggest love for 90s rave music. For me (Joe) I'm listening to an alternative world that I was old enough for but missed out on. I knew the music but didn't have the knowledge to drive around the M25 looking for the fields. It's a history I don't quite have but feel like I do. It's like the Beatles: known all my life but no idea why. It's cut into our DNA. It was our punk rock but we missed it. This Colossal Squid album, no matter how many times I listen to it, brings something new every time. And it makes me...

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Whadya Want

LP | 2023 | EU | Original (Chapter Music)

24,99 €*

System One Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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- First reissue of 1985 eccentric dance-pop opus, on white-in-red vinyl -- Features a who's who of Australian post-punk, including members of Essendon Airport, Whirlywirld, Equal Local, I'm Talking, Laughing Hands and more -- For fans of: Talking Heads, Arthur Russell, New Order -// In 1985, Australian musical iconoclast David Chesworth joined forces with friends Philip Jackson and Warwick Bone to form Whadya Want. Their sole album Skippy Knows is a quintessential mid 80s artefact, melding elements of post-punk, art pop and club-facing dance music. Now a coveted collectors item, at first it seemed to disappear almost without trace.David's background in celebrated Melbourne group Essendon Airport had already seen him explore funk and hypnotic rhythm on their 1981 album Palimpsest (since reissued by Chapter alongside David's early solo albums). Philip also created compelling electronic post-punk in bands Equal Local and Whirlywirld, while Warwick was a mysterious studio maverick.The songs came from a performance David gave in 1983 at the Paris Autumn Festival, whose Australian focus that year saw a host of antipodean artists invited to perform internationally for the first time. David wrote a suite of songs commenting on the archetypes and stereotypes of Australian culture, then going through a brief vogue with the success of Men At Work, Bowie's "Let's Dance" video and Crocodile Dundee. David performed to backing tapes and slide projections showing clichéd images of Australia - kangaroos, platypuses, pristine beaches - with cryptic messages superimposed. Back in Melbourne, David decided to document this project with help from Philip and Warwick, who had access to a high-tech studio featuring a Fairlight CMI and the then-new Yamaha DX7. They recorded late at night and roped in friends such as ex-Essendon Airport pals Robert Goodge and Ian Cox (both playing in I'm Talking by this point), Mick Hauser (Equal Local), Michael Sheridan (Max Q), Paul Schütze (Laughing Hands) and Bill McDonald (Paul...

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Six By Seven

2LP | 2020 | US | Reissue (Saturday Night Sunday)

47,99 €*

Live 2006 Record Store Day 2023 Orange Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Limited double coloured neon vinyl limited to 500 copies . Side A&B on magenta vinyl and Side C&D on orange vinyl. This is an album of melodic beat driven songs recorded in Chris Olley's home stuio. The sonic driven guitars of six by seven now meet the neo-kraut grooves much more than ever before, to create an intense collection of songs which remind you of both of Can and The Cure and have a distinct heartfelt lo-fi Mark E Smith vocal. It's a big, expansive sound wrapped around Olley's trademark melancholic songwriting.

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Frank Black

LP | 2023 | US | Original (Cooking Vinyl)

Release: 2023 / US – Original

Genre: Rock & Indie

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Scum Record Store Day 2023 Edition

Bark Psychosis

12" | 1992 | US | Reissue (Rolling Heads)

30 Something Record Store Day 2023 Edition

Release: 1992 / US – Reissue

Genre: Rock & Indie

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This 12" 'single' by post rock legends Bark Psychosis, is a beautifully haunting masterpiece, with an incredibly cool sleeve to accompany. Improvised and recorded live in the band's 'home' of St John's Church in 1992, SCUM experimented with the use of space and extreme dynamics, with music that varied between minimal jazzy chording, airy acoustic drums, clamorous noise guitar, space-ambience and random vocal snippets. You can hear why the band have been credited as genre defining. Now a complete reinvention of the original 1992 release on 3rd Stone Records, and the first ever release on Rolling Heads. With updated artwork true to the original, SCUM has been fully remastered at Abbey Road Studios by Miles Showell, with the help of frontman Graham Sutton. Luxury 300gsm card sleeve, boasting something a little different to the original.

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Carter USM

LP | 1991 | US | Reissue (Chrysalis)

Impetus 25th Anniversary Record Store Day 2023 White Vinyl Edition

Release: 1991 / US – Reissue

Genre: Rock & Indie

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Carter USM are a 1990’s UK indie band who rose to headlining Glastonbury Festival and many European festivals during the height of their powers. They last performed 2 sold out concerts at London’s Brixton Academy in 2018. This picture disc follows on from 2020’s PD of their 1992 album and kickstarts a reissues program to expand all of their albums. Tracks include: Bloodsport For All, Anytime Anyplace Anywhere.

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Clutch

12" | 1997 | EU | Reissue (Earache)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Wild Grey Ocean / Little Bull Of Blithe Record Store Day 2023 White Vinyl Edition

Sam Fender

7" | 2021 | EU | Reissue (Polydor UK)

15,99 €*

Show Record Store Day 2023 Picture Disc Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Originally released on the Live Deluxe Edition of Sam Fender's No. 1 album, Seventeen Going Under, Wild Grey Ocean and Little Bull Of Blithe are presented here for the first time on limited edition white 7" vinyl with exclusive artwork

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The Cure

2LP | 1993 | EU | Reissue (Fiction)

45,99 €*

Motorpsycho + Jaga Jazzist Horns

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Limited to 10.000 copies worldwide.
This double live album was recorded on The Cure’s 1992 Wish album tour, at The Palace of Auburn Hills, Michigan. Originally released in 1993, the band comprised of Robert Smith, Simon Gallup, Porl Thompson, Boris Williams, Perry Bamonte, and features many of the band’s biggest hits, including “Pictures Of You,” “Lullaby, “Just Like Heaven,” “The Walk, ” “Friday I’m In Love” and “Inbetween Days". 2LP Picture Disc. Unavailable on vinyl since its original release in 1993. This will be the first time it’s been on picture disc. The release was overseen by Robert Smith.

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In The Fishtank 10

LP | 2002 | EU | Reissue (In The Fishtank)

15,99 €*

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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St. Petersburg E.P. Record Store Day 2023 Plum Colored Vinyl Edition

Supergrass

10" | 2023 | Reissue (Echo)

Klark Kent Record Store Day 2023 Reen Vinyl Edition

Release: 2023 / Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release limited to 920 copies,
This limited edition Record Store Day, 10” plum Colored Vinyl release features four of Supergrass’ key tracks from 2004-2005. Opening with the melancholic "St. Petersburg" the slow paced thinker that features an iconic and haunting piano riff that charted #22 in 2005 and as of 2022 is their most recent UK Top 40 Hit. Next up is a live version of the classic Supergrass stomper ‘Road To Rouen’ recorded at Somerset House in 2005. The B side opens to a notably different arrangement of their classic track ‘Kiss Of Life’ recorded live at the Portsmouth Pyramid in 2005. Things take a turn as the EP signs off with ‘Coffee In The Pot’, a lively little Surf Rock inspired number that reminds the listener of Supergrass’ unique sense of humour. The artwork has been recreated from the original ‘St Petersburg’ single artwork originally released in 2005, and features the famous statue of Peter the Great, from Saint Petersburg in Russia. Matte paper print finish and printed inner bag.

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Stewart Copeland

LP | 1980 | Reissue (BMG)

Vibration Army / Silence-High-Speed

Release: 1980 / Reissue

Genre: Rock & Indie

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The 1980 debut from Stewart Copeland of The Police as Klark Kent. The first solo release by any member of The Police, all instruments were played by Stewart Copeland. Initially released as a 10” on green vinyl, BMG is reissuing as an RSD Exclusive on 12” green vinyl – the first repressing since the 1980’s. Lacquers cut at Bernie Grundman Mastering from a 192khz/24bit tape transfer of an original A&M Safety Master. Includes the UK Top 50 single “Don’t Care”.

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Non Band

Mag+7" | 2023 | EU | Original (TAL)

LP | 2019 | US | Reissue (Surf Curse)

Release: 2023 / EU – Original

Genre: Rock & Indie

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This unique and unconventional set combines a 7“ single with two yet unreleased songs by Non Band and a photo magazine, both of which provide essential evidence of the tsunami-like tidal wave of the Japanese post punk movement. The two featured songs perfectly capture the charismatic formative years of Non Band, with their sound emerging as an entirely unique mix of driving punk veering from No Wave and Folk into raw post punk mutations. Both songs were committed to tape in 1981 at the legendary facilities of Mod Studio, Tokyo, by engineer Yasushi Konichi when the band recorded their eponymous debut album which was issued via Tokyo‘s Telegraph Records back in 1982.

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Surf Curse

Heaven Surrounds You

I Don't Know Colored Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Departing from the overblown visceral sound of previous Surf Curse records, 2019's Heaven Surrounds You is a bold step towards Hifi for the Los Angeles DIY scene veterans. The polished orchestral production and driving cinematic moments would feel at home in any of the cult films that inspired the album's coming-of-age stories. Lyrically, the record finds the duo returning to themes of love, loss and mystery veiled beneath more symbolism and mysticism creating their most emotionally poignant record to date. One ingredient the band doesn't change is the earworm guitar melodies and massive hooks that have always fueled their famously raucous live shows.

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bdrmm

LP | 2023 | EU | Original (Rock Action)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2016 | US | Reissue (Run For Cover)

Narrow Head

Satisfaction

Heaven Vol.1 Black Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Narrow Head's debut full-length record Satisfaction is available once again on vinyl for the first time since its initial release in 2016. Reissued by Run For Cover, this version of the album includes updated album art and a limited color vinyl release. While the band offered a handful of one-off singles and demos prior to Satisfaction's release, this record offers a perfect introduction to the Houston band's world.Revisiting Satisfaction after the release of last year's 12th House Rock finds this younger version of the band honing in their signature blend melody, heaviness and atmosphere. Leadoff track "Necrosis" immediately recalls the heaviness of genre fore-bearers like touring partners Quicksand, while standout song "Cool In Motion" kicks off with what feels like an all-time alt-rock hook before disintegrating into an airy and melodic full-band jam.

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Mono

EP | 2023 | EU | Original (Pelagic)

19,99 €*

Evil Friends 10th Anniversary White Vinyl Edition Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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MONO have long drawn equal inspiration from the light and dark of life, spawning more than two decades of musical turbulence and melodic transcendence. Heaven Vol. 1 marks the beginning of a new annual tradition from MONO: A new EP released on Christmas Day each year, leaning into the light at precisely the time when we need it the most - surrounded by loved ones and hopeful for what the turn of the calendar may bring us.Recorded by Takaakira `Taka' Goto at his home studio in Japan (with drums recorded by Amak Golden at Golden Hive Studio in Prague) - and mixed by Rafael Anton Irisarri and Jeremy deVine at Black Knoll Studio in New York - Heaven Vol. 1 finds MONO at their most hopeful and cinematic. Of each of Heaven Vol. 1's three tracks, MONO offers these words:Lucia:"This song was written when our beloved longtime partner Jeremy (the owner of our American label Temporary Residence Ltd.) welcomed his second child. The song is constructed with two parts; the first part celebrates the birth of a new life and the second part heads towards dreams and hope. We wrote this song with the feeling of Santa Claus riding a sleigh through the snowstorm, smiling, jumping into the swirl of pure white light and carrying many dreams."Smile:"We drew upon the snowy scenery of Christmas that we experienced when we were young. Your exhaled breath is white. Your heart is dancing in the endless silvery white world, and when you are about to grab the snow with your hands and turn around, your parents look back at you with a smile. We wrote this song whilst remembering moments like this."Silent Embrace:"Time passed and we became adults. Life is like climbing and descending many steep mountains, but the reason we're still able to continue walking is because of our loved ones, colleagues, friends and family who quietly stand by us and giving us courage and strength. We wanted to express our gratitude with this song."

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Portugal. The Man

LP | 2023 | UK | Original (Atlantic)

50,99 €*

V HHV European Exclusive Frosted Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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This year marks the 10th anniversary of Portugal. The Man’s Evil Friends. Released in 2013, the album features the singles “Evil Friends”, "Purple Yellow Red and Blue" and "Modern Jesus". On June 30th, Atlantic Records will reissue Evil Friends on white vinyl, and on Clear Vinyl for RSD store

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Unknown Mortal Orchestra

2LP | 2023 | US | Original (Jagjaguwar)

35,99 €*

Star Eaters Delight Gold Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Artist Edition – exclusive to HHV in Germany.

Created between Palm Springs, California and Hilo, Hawai'i, V is the first double album from the Hawaiian-New Zealand singer-songwriter, multi-instrumentalist and producer Ruban Nielson's Unknown Mortal Orchestra band. Designed to play as one continuous movement and road-tested on dry California freeways, V is the definitive Unknown Mortal Orchestra car record. It's also the fifth full-length album Ruban has released in twelve years. Across fourteen sunbleached songs - written solo or with his brother Kody - Ruban draws from the rich traditions of West Coast AOR, yacht rock, weirdo pop and Hawaiian Hapa-haole music. Over a laidback blend of singalong anthems and cinematic instrumentals, he evokes blue skies, afternoons spent lounging by hotel swimming pools and the alluring darkness that lurks below perfect, pristine surfaces. It's a duality expressed in the dilapidated sunset blues and the saltcorroded soul Ruban explores through tracks like `Layla' and `Nadja. ' During the pandemic's early days, Ruban reunited with Kody at a cousin's wedding in Hawai'i. With assistance from their father, Chris Nielson (saxophone/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, `Weekend Run' and `That Life'. However, the golden good times never last forever. Not long after, health issues began to plague his extended family. Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he'd internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, `I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they're mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realised he had the responsibility and platform to represent Hapa-haole music on the global stage.

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Lael Neale

LP | 2023 | US | Original (Sub Pop)

12" | 2023 | US | Original (Minimum Table Stacks)

Release: 2023 / US – Original

Genre: Rock & Indie

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Lael Neale still has a flip phone and there were no screens involved in the creation of her new record Star Eaters Delight. The album is her second for Sub Pop and reveals an expansion of her sonic collaboration with producer and accompanist Guy Blakeslee. In April of 2020, in the wake of transformations both personal and global, Lael moved from Los Angeles back to her family's farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos. Forged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She says, "Acquainted with Night (recorded in 2019, and released in 2021), was focused inward, amidst the loud and bright Los Angeles surrounding me. It was an attempt to create spaciousness and quiet reverie within. When I moved back to the farm, I found that the unbroken silences compelled me to break them with sound. This album is more external. It is me reaching back out to the world, wanting to feel connected, to wake up, to come together again." Album opener and lead single "I Am The River" melts the ice with a dynamic explosion of minimalist transcendental pop clearly descended from the Velvet Underground's branch of modern music's family tree. Blakeslee's spare yet cinematic arrangements create an ambient space in which Neale's clear and unaffected voice can explore familiar themes in an unexpected way. Subtle but potent references to Shakespeare, Emerson and the Bible (which she hasn't read) swirl together with deeply personal musings and touches of wry humor, always more optimistic than cynical. While this is a record about polarities- country vs. city, humanity vs. technology, solitude vs. relationship - the deeper intention is to heal; to come to terms with our differences and put the broken pieces back together again. Lael's affinity with the Transcendentalists has to do with her quest to hold onto sovereignty over her own mind. In a time when our devices are constantly flooding us with information, opinions and propaganda, Lael is intentional about what she takes in - hence the flip phone and the cassette recorder. Neale identifies as a minimalist "not because I don't like things, but because I value freedom more."

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Violin Sect

Violent Sect

LP | 2010 | UK | Reissue (E-Works)

Release: 2023 / US – Original

Genre: Rock & Indie

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Minimum Table Stacks is proud to present the first ever reissue of the ultra-rare sole 7” by the Wales, UK post-punk four-piece Violin Sect, expanded to 12” 45rpm vinyl with two additional previously unreleased bonus tracks from the same recording sessions, all remastered from the original 1⁄4” studio tapes. Self-released by the band themselves in 1981, the 7” was of the type only whispered about among hardcore collectors of obscure British “diy” punk and post-punk, even slipping past the compilers of the mighty “45 Revolutions” book. After years of mystery, band member Steve Walker dug up the original 40-year-old tapes and had them remastered by a friend, digitizing for the first time two additional songs from the same sessions not heard since 1981. Violin Sect’s dub-inflected post-punk/spaced out guitar funk places them firmly in the presence of contemporaries like the Raincoats, Public Image Limited, the Pop Group, Scritti Politti and many of the other early Rough Trade bands. Included with this release are liner notes by bassist Steve Walker along with photos and ephemera from his personal archive, including a full reprint of a Violin Sect interview that appeared in a small UK zine in 1980. One of the best discoveries of forgotten UK DIY/post-punk since the “Messthetics” compilation series!

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Eels

Tomorrow Morning

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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LP | 2006 | US | Reissue (Secretly Canadian)

Magnolia Electric Co.

Fading Trails

Vapauden Tasavalta Yellow Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Jason Molina is not one to settle. Throughout his musical career of 12 plus years under his given name, Songs: Ohia andMagnolia Electric Co., he has lived in 9 different locations and has had a dozen different backing bands on record in asmany different recording environments. Fading Trails represents 3 of these incarnations and 4 of these environments. Composed of recording sessions Molina and company did with Steve Albini at his Electric Audio Studio, David Lowery at his Sound of Music Studio, and at the famous Sun Studio in Memphis, Tennessee, Fading Trails also features songs from the home recorded Shohola sessions. The essence of these recordings were extracted to create one cohesive being and thus defining what Magnolia Electric Co. truly is. Something that is hard to define. One head, multiple bodies...the opposite of a hydra head. Players on this album include old and new faces: Jason Molina, Mike Brenner, Jason Groth, Mike Kapinus, David Lowery,Mark Rice, Pete Schreiner, Miguel Urbiztondo, Alan Weatherhead with guest appearances by Andrew Bird, Molly Blackbird, Jonathan Cargill, Rick Alverson

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Teksti-Tv 666

LP | 2023 | EU | Original (Svart)

Plastic Eternity Silver Vinyl Ediiton

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Finnish masters of explosive krautrock, the band of a thousand guitars, Teksti-TV 666 are ready to let loose their second album in February 2023 after the five year long wait. Svart Records are proud to release Vapauden Tasavalta on CD, vinyl and digital platforms on February 24th 2023.

Teksti-TV 666 plays loud and stretched-to-the-max alternative rock songs filled with motorik-beats, shoegaze, psychedelic elements, and suddenly a proto-metal riff or two emerging out of nowhere. The band likes to avoid the excessive seriousness surrounding their music and instead vows to their constantly growing wall of sound -army and to the various vocalists joining them on stage. Teksti-TV 666 is the band to light up the party anytime, anywhere.

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Mudhoney

LP | 2023 | US | Original (Sub Pop)

Chime School Transparent Magenta Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The world is filling up with trash. Humanity remains addicted to pollution. People are downing horse dewormer because some goober on television told them it cured Covid. The apocalypse is stupider than anyone could've predicted.Fortunately, the absurdities of modern life have always been prime subject matter for Seattle-based foursome Mudhoney, and the band take aim at all of them with typical barbed humor and muck-encrusted riffs on on 11th studio album, Plastic Eternity, which was recorded over nine days at Crackle & Pop! in Seattle with longtime producer Johnny Sangster. From taking on climate change from the perspective of the climate if the climate tried to play guitar like Jimi Hendrix ("Cry Me An Atmospheric River") to a driving rock and roll song about taking drugs meant for livestock ("Here Comes the Flood") to a classic punk attack on treating humans like livestock ("Human Stock Capital"), Plastic Eternity is a run through all the proto-genres of guitar rock with a keen eye on the inanities of the world in the 2020's. It also contains a genuine love song in closing track "Little Dogs," an ode to the simple joys of hanging out with tiny canines. Mudhoney (vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters) remain the ur underground group, their gnarly primordial punk stew and Arm's sharply funny lyrics as potent a combination as they've been since the band's formation in the late 1980s. When asked why they continue making records nearly four decades after forming, Arm's answer is simple. "We like

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Chime School

LP | 2021 | US | Reissue (Slumberland)

LP | 1981 | JP | Reissue (P-Vine)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Chime School is the project of San Francisco musician Andy Pastalaniec. Endlessly charmed by 80s indie and its 60s forbearers (and any record with a 12-string guitar), Andy cut his teeth as a drummer with SLR labelmate Odd Hope in their early group Pink Films; later with shoegazers Cruel Summer, and currently with indiepop outfit Seablite. But it wasn't until he was gifted a cassette 4-track portastudio "almost as a dare," that he came out from behind the kit to write and record his own material. Aptly named for its autodidact roots, Chime School pays homage to the formative jangle of The Byrds by way of early Primal Scream and The Springfields; the production and pop sensibility of the Biff Bang Pow and The Razorcuts; and the spirit of great singles labels like Creation, Postcard and Sarah. From the dreamy album opener "Wait Your Turn" to the driving jangle of "Dead Saturdays" and the lush, epic "Gone Too Fast" we can see that we're in the presence of a very talented writer indeed, someone with a lifetime's worth of pop fandom just waiting to burst out in song.

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Totsuzen Danball

Can I?

34,99 €*

LP | 2023 | US | Original (In The Red)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Formed around the undeniable talent of the Tsutaki brothers in 1977, the genre-defying music of Totsuzen Danball was introduced to the world in 1981 with the release of their first album, Can I? With a name translating to Suddenly Cardboard, the band’s trademark sense of humor is on full display. Whether it’s the sardonic anti-bossa of their cover of “A Girl From Ipanema”, or experimental tape manipulation on “ゆっくり立つ　ゆっくり座る” (lit. stand up slowly sit down slowly), you can’t help but be amazed at the band’s ability to communicate so much through their music. Can I? quickly became notorious overseas, with high praise from both Lol Coxhill and Fred Frith (ex. Henry Cow); who would later collaborate with the band! (Keep an eye out for reissues of those recordings!) Reissued on vinyl for the first time ever, this limited edition pressing comes with one of our obi-strips! Get Totsuzen Danball’s Can I? only from P-vine Records!

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Skull Practitioners

Negative Stars

7" | 2023 | EU | Original (Damaged Goods)

Release: 2023 / US – Original

Genre: Rock & Indie

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Hard-hitting new collection succeeds the trio’s rampaging 2019 In The Red Debut EP Death Buy! Proving once again that “power trio” isn’t just a descriptive handle from the distant past but a louder-than-God 21st-Century reality, the devastating New York band Skull Practioners' bow Negative Stars, their first full-length album for In The Red Records. The eight-track collection is the second release for Los Angeles-based trio—guitarist Jason Victor, bassist Kenneth Levine, and drummer Alex BAKER—who collectively produced the record, with TED Young engineering (and Baker handling engineering on vocal sessions). Brooklyn Vegan said, “If you dig early ’80s L.A. dusty punk like Gun Club, X and Flesh Eaters, or the many works of Jon Spencer, you will want to check out these four ripping, ripped-up tracks.” Rock And Roll Globe described the music as “Gun Club fugues played by anxious Amphetamine Reptile Records ghosts deciding they’d prefer to continue to walk the earth.” Negative Stars is the culmination of years of work in New York’s clubs and studios.

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Thee Headcoats / Ctmf

Full Time Plagiarist

10,99 €*

LP | 1981 | PL | Reissue (Polydor)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thee Headcoats and Ctmf go head-to-head! Two Billy Childish bands battle it out with versions of the same song! Thee Headcoats version is taken from their forthcoming new studio album "Irregularis: The Great Hiatus". The Ctmf version is exclusive to this release. Q: Two versions of the same song by different bands. Has each band heard the other version? If so, did they pass judgement? A: No, neither group heard the other version. I had forgotten how the Ctmf version went - even though it was only a few weeks past. As with all the LPs there's no rehearsal. I play the track - we do a run through and then press record. I don't remember how either version goes now. Q: There's a famous saying - "Talent borrows; genius steals". Are you a borrower? A stealer? Or something else entirely? A: As I've said before, I follow strict music industry guidelines and only plagiarise 50 percent of my material. Kurt Cobain put it better - he said people thought he was original because he didn't let on what he was ripping off. Though we know he got the riff to his most famous song from The Daggermen, a local group Wolf (our drummer) played in. Q: What was it like recording with Bruce and Johnny after such a long time? A: We met up in the studio in the morning, had a cuppa, a chat, plugged in and recorded the LP (in two days.) It was the first time we'd all been together in about 30 years, and it felt like yesterday - just laughing and joking about how rubbish we were and generally having fun. It was like no time had passed at all. Q: Love the sleeve picture for this 7"! A lot of people miss the humour in your work, does that frustrate you? A: I'm not frustrated but surprised that the British seem to have lost their sense of humour somewhat - they've been pretty po-faced since 1978, I think. I was brought up on Pete and Dud when I was a kid. Interestingly a lot of comedians seem to like what we do. Stewart Lee has always been a fan and he said there are others of his ilk. If something can't be mocked or laughed at, I'm not that interested in it.

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The Cure

Faith

28,99 €*

LP | 1999 | DE | Reissue (Geffen)

Release: 1981 / PL – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Blink 182

Enema Of The State

The Collected Works Of Neutral Milk Hotel

Release: 1999 / DE – Reissue

Genre: Rock & Indie

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Enema of the State is the third studio album by Blink-182. Produced by Jerry Finn, the album was released on June 1, 1999 by MCA Records. After a long series of performances at various clubs and festivals and several indie recordings throughout the 1990s, Blink-182 first achieved popularity on the Warped Tour and in Australia following the release of their sophomore effort Dude Ranch (1997). To record their third album, Blink-182 turned to veteran punk rock producer Jerry Finn, who previously worked on Green Day's breakthrough album, Dookie (1994). Enema was the band's first album to feature second drummer Travis Barker, who replaced original drummer Scott Raynor.

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Neutral Milk Hotel

Box Set | 2011 | US | Reissue (Merge)

163,99 €*

Play With Fire Gold Vinyl Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The two full-length records that Jeff Mangum made as Neutral Milk Hotel sound both in and out of time. Like translations of a shared subconscious, 1996's On Avery Island and 1998's In the Aeroplane Over the Sea give voice to the perennial spirit of youthful epiphany, of beginning to see the world clearly, to process and express it-no matter when you encounter them. With lo-fi indie rock, accordion, singing saw, tape collages, the so-called "zanzithophone" and beyond, Neutral Milk Hotel created an eternal entry into their Elephant 6 scene and an enduring feeling of possibility. Mangum was born in the small city of Ruston, Louisiana, in 1970, coming of age within the '80s and '90s indie and punk undergrounds, a movement of teenagers recording in their bedrooms, sharing zines and trading tapes, listening to hardcore and experimental music on college radio. For all the mythology Mangum's elusive persona has accrued-particularly during the 15 years immediately following Aeroplane, when he abruptly left the band behind-it's the beguiling songs themselves that have resonated so deeply for generations. In 2011, Mangum collected nearly all of the band's recorded output in a limited-edition box set (self-released under Neutral Milk Hotel Records, a small operation helmed by Mangum and his mother) which is now re-pressed by Merge.

Black matte box is a 2-piece telescoping casewrapped package. Outer shrink-wrap includes a front sticker with "Neutral Milk Hotel," and a back sticker listing box contents. The box set includes 2 folded posters, each printed one side and each 24 x 24 inches when flat, and 1 postcard, printed front and back with box set information and sized 3.75 x 5 inches. Vinyl records: 1. In the Aeroplane Over the Sea: LP is 11 tracks pressed 33rpm to black vinyl in a gatefold jacket + printed insert for full album download. --- 2. On Avery Island: 2-lp is 12 tracks pressed to double black vinyl in a gatefold jacket + 11 x 11 printed insert + printed insert for full album download. Sides A, B and C pressed 45rpm. Side D pressed 33rpm. --- 3. Live at Jittery Joe's: 12-inch picture disc is 11 tracks pressed 33rpm to a full color picture disc in a heavyweight poly jacket + printed insert for full album download. --- 4. Ferris Wheel on Fire: 10-inch is 8 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download. --- 5. Everything Is: 10-inch is 7 tracks pressed 45rpm to black vinyl in a printed jacket + postcard insert + printed insert for full album download --- 6. "Little Birds": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download 7-inch housed in a heavy-weight poly jacket. --- 7. "You've Passed": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavy-weight poly jacket. --- 8. "Holland, 1945": 7-inch is 2 tracks pressed 45rpm to black vinyl in a printed jacket + printed insert for full album download. 7-inch housed in a heavyweight poly jacket.

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L.A. Witch

LP | 2020 | US | Reissue (Suicide Squeeze)

Tape | 2015 | US | Reissue (Run For Cover)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Where L.A. Witch's self-titled album oozed with vibe and atmosphere, with the whole mix draped in reverb, sonically placing the band in some distant realm, broadcast across some unknown chasm of time, Play With Fire comes crashing out of the gate with a bold, brash, in-your-face rocker "Fire Starter." The authoritative opener is a deliberate mission statement. "Play With Fire is a suggestion to make things happen," says Sanchez. "Don't fear mistakes or the future. Take a chance. Say and do what you really feel, even if nobody agrees with your ideas. These are feelings that have stopped me in the past. I want to inspire others to be freethinkers even if it causes a little burn." And by that line of reasoning, "Fire Starter" becomes a call to action, an anthem against apathy. From there, the album segues into the similarly bodacious rocker "Motorcycle Boy"_a feisty love song inspired by classic cinema outlaws like Mickey Rourke, Marlon Brando, and Steve McQueen. At track three, we hear L.A. Witch expand into new territories as "Dark Horse" unfurls a mixture of dustbowl folk, psychedelic breakdowns, and fire-and-brimstone organ lines. And from there, the band only gets more adventurous. Play With Fire is a bold new journey that retains L.A. Witch's siren-song mystique, nostalgic spirit, and contemporary cool. Despite the stylistic breadth of the record, there is a unifying timbre across the album's nine tracks, as if the trio of young musicians is bound together as a collective of old souls tapping into the sounds of their previous youth.

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Turnover

Peripheral Vision

18,99 €*

Passive With Desire Neon Pink Vinyl Edition

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Virginia Beach's Turnover has never been a band afraid of telling the truth. The emotional honesty poured out over a number of anthemic releases has been a proven formula of success for the band, but on their sophomore LP Peripheral Vision, the band treads into deeper water. Working again with Magnolia producer Will Yip (Title Fight, Circa Survive), Turnover's latest record shows a band maturing to create their best effort: an ethereal, reverb-drenched soundscape blending elements of hazy dream pop and the delicate emo rock of yesteryear. Songs like "Hello Euphoria" and "Like Slow Disappearing" highlight the new calmer, more subdued approach to songwriting, matched by Austin Getz's somber, confessional lyrics that echo throughout songs as if his words were haunting every measure. Peripheral Vision solidifies the idea that Turnover is a band with it's finger on the pulse of it's generation: growing and learning with every release, but never failing to provide a relatable, cathartic experience for anyone listening.

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Choir Boy

LP | 2016 | US | Reissue (Dais)

CD | 2003 | US | Original (Important)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Since his recording debut as Choir Boy in 2016, Adam Klopp has crafted nostalgic anthems, tapping the sound of swirling 1980s synth noir and captivating, cinematic songs sweeping with pensive sorrow and glowing hope. As a former member of the Mormon faith, Klopp spent his youth both in the pews of his place of worship, but also churning through DIY punk venues, before leaving the sect in the thick of a mission in Tahiti. The duality of faith and fiction are central to the lush explorations on his debut album Passive With Desire. Recorded at Studio Studio Dada, the album's tracks permuted as bedroom sketches, awash with camp, the sting of loss, and allusions to halcyon days of nocturnal, electronic driven pop. Retaining elements of Klopp's original demos, Passive With Desire was recorded with a full band and polished with trumpet, strings, as well as archival samples calling back to Klopp's hazy youth.Engineered by Klopp, Bret Meisenbach, and Stephen Cope, Passive With Desire is the entry point to Choir Boy's world of emotive wit, novella kissed lyricism, and bouncy, synth-forward takes on traditional song writing bound by the universal themes of loss, desire, evolution, and exploration.

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Kimya Dawson

Knock-Knock Who?

15,99 €*

LP | 2009 | EU | Reissue (Pias)

Release: 2003 / US – Original

Genre: Rock & Indie

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Original old stock. "On break from Rough Trade and her band The Moldy Peaches, our friend Kimya finds herself at home on Important Records releasing two full length albums at once. Both albums are full of moving original folk songs about Atari 2600's, love, growing up, growing old, overcoming hardships and Matlock . Kimya is one of the most genuine voices in modern music and the superstar of NYC's Anti-Folk scene. Both solo albums were recorded after her Rough Trade solo debut . Knock Knock Who? and My Cute Fiend Sweet Princess find Kimya stronger and more confident than before, creating more powerful records every time."

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Soap&Skin

Lovetune For Vacuum

19,99 €*

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Vertigo Days Yellow Vinyl Edition

The Notwist

2LP | 2021 | EU | Reissue (Morr Music)

36,99 €*

Vertigo Days Black Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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On Vertigo Days, the first album in seven years for The Notwist, one of Germany’s most iconic independent groups are alive to the possibilities of the moment. Their music has long been open-minded and exploratory, but from its engrossing structure, through its combination of melancholy pop, clangorous electronics, hypnotic Krautrock and driftwork ballads, to its international musical guests, Vertigo Days is both a new step for The Notwist, and a reminder of just how singular they’ve always been. Most importantly, the core trio of Markus and Micha Acher and Cico Beck are reaching out: as Markus reflects, “we wanted to question the concept of a band by adding other voices and ideas, other languages, and also question or blur the idea of national identity.”

It’s been seven years since The Notwist’s last album, Close To The Glass, and in that time the various members of the group have been busy with side projects (Spirit Fest, Hochzeitskapelle, Alien Ensemble, Joasihno), guest appearances, a record label (Alien Transistor), movie scoring, helping organise the Minna Miteru compilation of Japanese indie pop & running a festival (Alien Disko). Those divergent paths feed back into Vertigo Days in surprising ways, from its structure, built from group improvisations, with songs flowing and melting into one another in a collective haze, to its spirit, which feels refreshed and alive. There’s something cinematic about Vertigo Days too, reflective of the group’s time working on soundtracks, and reflected in the rich, moody photographic artwork by Lieko Shiga that adorns the cover.

The first sign of this newfound openness was the album’s lead single, “Ship”, where the group were joined by Saya of Japanese pop duo Tenniscoats, her disarmingly hymnal voice sighing over a propulsive, Krautrocking beat. Elsewhere, American multi-instrumentalist Ben LaMar Gay sings on “Oh Sweet Fire”, also contributing “a love lyric for these times, imagining two lovers in an uprising hand in hand.” American jazz clarinettist and composer Angel Bat Dawid adds clarinet to the spaced-out dream-pop of “Into The Ice Age”, while Argentinian electronica songwriter Juana Molina gifts some gorgeous singing and electronics to “Al Sur”. Saya also reappears as a member of Japanese brass band Zayaendo, who guest on the album. Throughout, The Notwist also capture the openness of their live performances, too, where they mix and link their songs in unexpected ways.

Indeed, what’s most impressive about Vertigo Days is the way it sits together as one long, flowing suite, the album conceptualised as a whole entity – it’s perfect for the long-distance, dedicated listening experience. This is also captured by the album’s lyrics, which Markus states, “feel more like one long poem.” The dimensions of that poem are multi-faceted, something intensified by the geopolitical weirdness of its times: “As the situation changed so dramatically, while we were working on the record, the theme of ‘the impossible can happen anytime,’ more about personal relationships in the beginning, became a global and political story.” But it also works at a level of poetic abstraction, such that each song gestures in multiple directions – the deeply private pans out to the global. The one certainty is that there is no certainty. “It’s maybe mostly about learning and how you never arrive anywhere,” Markus concurs. To sit within uncertainty is brave, but it’s also where we feel most alive, and Vertigo Days is an album that is brimming with life, with enthusiasm and love for music and for community, all wide-eyed and dreaming.

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The Notwist

2LP | 2021 | EU | Reissue (Morr Music)

Vertigo Days - Live From The Alien Research Center

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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The Notwist

LP | 2023 | EU | Original (Morr Music)

LP | 1974 | EU | Reissue (Kosmische Kuriere)

Release: 2023 / EU – Original

Genre: Rock & Indie

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A Notwist concert is a Notwist concert is a Notwist concert. The band around the core trio of Cico Beck and the Acher brothers Markus and Micha usually takes its studio recordings as a mere starting point for their live performances, considering them to be possibilities that need to be explored further. This is especially true for »Vertigo Days - Live from Alien Research Center,« a live record made under unusual circumstances. The band members rearranged songs from their ambitious 2021 album »Vertigo Days« in their studio in Weilheim to record and film a special performance. The songs took on a new life, becoming more psychedelic and intense when rearranged into a spontaneous, Krautrock-esque collage.

»Vertigo Days« was meant to transcend the conventional notion of a band as well as the creative and geographic boundaries inscribed into that concept. And even though life had other plans, this is precisely what the album did when it was released to both commercial success and critical acclaim in early 2021. Contributions by Tenniscoats singer Saya, Angel Bat Dawid, Ben LaMar Gay, Juana Molina, among others, as well as new member Theresa Loibl on bass clarinet, harmonium, and keyboard, expanded the band’s sonic palette, stylistic range, and even lyrical focus through the addition of different instruments, artistic approaches, and languages.

All of that was missing when the band retreated to their studio—dubbed Alien Research Center in response to, and in spite of, a nearby church called Christian Outreach Center—to further explore the possibilities of the source material. The band members considered this a challenge rather than an insurmountable problem and not only accepted, but fully embraced it. Trying to work as little as possible with the computers and samples—Saya’s voice on »Ship« being a notable exception—the band rearranged six tracks from »Vertigo Days« and a piece from the »One of Those Days« film soundtrack in order to allow themselves to improvise more freely, especially thanks to Loibl, who takes on a key role during these 45 minutes.

The intro sets the tone for what’s to come, contrasting loose jazz drumming with curious synthesizer rhythms in an abstract rendition of the first sounds that greeted the listeners on »Vertigo Days«. While the next four tracks—»Into Love / Stars«, »Exit Strategy To Myself«, »Where You Find Me« and »Ship«—follow the chronology of the album, they use the originals as a blank slate for further experimentation. The first track morphs into a feverish long-form jam that draws on the underlying groove to shift the dynamics from and leave behind the song structure of the studio version. It’s an exemplary piece in a recording that sees each individual musician leaving their mark on the overall sound, all while being perfectly attuned to what everyone else is doing around them. This continues up until the record’s triumphant finale, a whirring rendition of »Loose Ends.«

»Vertigo Days - Live from Alien Research Center« is at once a snapshot of a certain moment in the band’s history and the quintessential Notwist live record: a unique performance that both explores the untapped potential of the »Vertigo Days« studio recordings while also serving as an inspiration for upcoming live shows.

As with the studio album, the artwork for »Vertigo Days - Live from Alien Research Center« features photographs by Japanese artist Lieko Shiga, taken in the '00s.

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Cosmic Jokers

Planeten Sit-In

Stay What You Are Splatter Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The compilations Planeten Sit-In and Sci Fi Party, both originally released in 1974, are a contemporary document of the legendary jam sessions of the Cosmic Jokers. Under a conceptual mantle, the recordings were brought to a young audience. Among the musicians the elite of the Krautrockers of that time, like Manuel Göttsching, Klaus Schulze, Jürgen Dollase, Harald Grosskopf and Dieter Dierks who was responsible for the recordings, arrangement and mixing, but also participated as a musician. Newly transferred from the original analog tapes and carefully remastered for the first time.

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Saves The Day

EP | 2001 | EU | Reissue (Vagrant)

38,99 €*

Youth Yellow Vinyl Edition

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Yellow / red splatter Vinyl.Stay What You Are is the breakout third studio album by the American alternative rock band Saves The Day. Produced by Rob Schnapf (Elliot Smith, Beck, The Vines) in early 2001 it's a record that remains incredibly influential within the emo and rock scene to this day, showcasing the band's signature blend of upbeat catchy melodies, with dark lyrical undertones. Features the standout singles 'At Your Funeral' and 'Freakish'. Originally released on July 10th 2001, the album saw Saves The Day crack the Billboard 200 at the same time other that emo acts like Jimmy Eat World and Dashboard Confessional were enjoying mainstream success. This new pressing comes on double 10" splatter vinyl, packaged in a hand-numbered gatefold sleeve with lyrics and accompanying insert; released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary.

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Citizen

LP | 2013 | US | Reissue (Run For Cover)

Fresh Air Blue & Clear Splatter Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Since first meeting as midwestern high-schoolers in 2009, Citizen have emerged as one of the most promising young bands in the alternative underground today. The band signed to Run For Cover Records in early 2012, releasing their EP Young States that year as well as a split with labelmates Turnover. In February of 2013, Citizen entered Studio 4 with producer Will Yip (Title Fight, Circa Survive, Daylight) to record Youth, their debut full-length. From the first note of album opener "Roam The Room", the fuzzy, guitar-driven rock songs bleed emotion straight through to closer "Drawn Out". Citizen have called on the ghosts of Brand New and early Nirvana, creating a sound that is familiar but immediately all its own.

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Homeshake

LP | 2023 | US | Original (Sinderlyn)

How Much Works Oxblood Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Born in the bleak isolation of the secluded prairie city of Edmonton,Canada,Homeshake'sPeter Sagarworked with friends in a numberof local bands be-fore picking up and moving to Montreal in 2011 tobegin recording under the Homeshake moniker. Following two self-released cassettes (The Homeshake TapesandDynamic Meditation)and two acclaimed full lengths (In The ShowerandMidnight Snack),Sagar cracks a window open with his third album for Sinderlyn -Fresh Air.Started immediately following the recording ofMidnight Snack,Fresh Aircontinues Sagar's exploration of dreamy, downtempobedroom R&B and draws inspiration from such disparate artists likeSade,The Band,Broadcast,Prince, andAngelo Badalamenti. As thetitleFresh Airsuggests, Sagar's songs were created to clear his listen-ers' minds of negativity. Full of smokey, laid back love songs and airyproductions, Sagar's decidedly stoned sound is a breath of fresh air

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Sweet Whirl

LP | 2022 | EU | Original (Chapter Music)

LP | 2022 | EU | Original (Blues Funeral)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Esther Edquist is Melbourne artist Sweet Whirl. She is also one of the best songwriters you have heard in a very long time.How Much Works is her debut album proper, after a handful of releases acclaimed by the likes of Gorilla Vs Bear, The Guardian and Clash Magazine. How Much Works arrives fully formed, a classic ten song album from an artist with both a command of history and a drive for new expression.The album is a beautifully crafted triumph over bleak moments. It's the love-addled confessions of a seasoned party girl, romantic yet sardonic, a troubadour who sings of the heart with a knowing sense of the timeless victory of song. Esther dissects experiences with wit and depth, emerging as a powerful, indomitable voice.Musically and lyrically, How Much Works draws on wells as deep as Bob Dylan, Joni Mitchell, Jean-Paul Sartre and Sheryl Crow. It distils personal, reflexive narratives into something universal and wondrous. Esther plays almost everything on the album, with guitar and therevox from engineer Casey Hartnett (Sui Zhen, Sleep Decade) and drums from Monty Hartnett (Dreamin Wild, Sleep Decade). Fellow Chapter Music recording artist Gregor contributes backing vocals to Make That Up For Me and Conga Line.Esther has previously served in Melbourne duo Superstar, who released two delay-drenched albums during the mid 10s. She has also been a member of Scott & Charlene's Wedding.

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Dead Meadow

Force Form Free

The Sinking Of The Titanic

Release: 2022 / EU – Original

Genre: Rock & Indie

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The new record from one of the founding pillars of modern heavy psych rock: Spacey and dreamy yet grimly propulsive, Force From Free sees Dead Meadow continuing to explore transporting, astral-gazing heavy psychedelia.Force Form Free, the new record from Dead Meadow, is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern heavy psych continuing their effortless exploration of the transporting, astral-gazing form they've spent their entire existence pushing forward.Dead Meadow has toured such far-reaching places as Russia and Australia, performed at renowned festivals including Roadburn and Levitation fest, and had their music featured on acclaimed HBO show The WireThe band has released 7 studio albums, 3 live records, and the only Peel Session ever recorded outside the BBC studiosFor Fans of Black Mountain, King Gizzard & the Lizard Wizard, GYBE, Black AngelsSleek limited LP on bright red vinyl!

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Gavin Bryars

LP | 1975 | EU | Reissue (Superior Viaduct)

38,99 €*

Kapitulation 15th Anniversary Orange Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Inaugural release on the seminal Obscure Records, Produced by Brian Eno in 1975. Featuring Derek Bailey, Michael Nyman and John White, First-time vinyl reissue.

Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars eloquently reconstructs the passengers' experience – at once forlorn and eerily calming – through assemblages of understated strings and indeterminate elements. A core principle of the piece is that the ship's band continued to play as the vessel went down. One of the most sublime works in the modern classical canon, Titanic remains Bryars' magnum opus. Jesus' Blood Never Failed Me Yet, the album's second sidelong track, is based on a tape loop of a London street singer captured in the early 1970s. Featuring Derek Bailey, Michael Nyman and John White, Bryars' composition gradually builds around the cripplingly poignant voice until its emotional force is almost too much to bare. It's no surprise that Jesus' Blood is known as Tom Waits' all-time favorite piece of music. Produced by Brian Eno in 1975 as the inaugural release on Obscure, The Sinking of the Titanic draws the listener in to a majestic world. While these exquisite, hymn-like recordings have not changed in nearly 50 years, their deeply personal nature and the audience's attention to their subtlety have only strengthened over time.

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Tocotronic

2LP | 2007 | EU | Reissue (Vertigo)

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Playground)

Dina Ögon

OAS

LP | 2022 | EU | Original (Rural Tapes Ings)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dina Ögon is like a bumblebee - big and fluffy, and it should be impossible for it to fly, but it does it anyway - quite simply as well. Anna Ahnlund, Christopher Cantillo, Daniel Ögren and Love Örsan have had forty fingers involved in an unnumerable amount of Swedish rock, jazz, soul and pop projects, recordings and tours and all kinds of hush hush. Between themselves they've played in different constellations and played back up for each other, assisted even more in one form or another for more than a decade. But now they've formed a more remarkable quartet than what transpired from any of all the shenanigans they've previously been involved with. When such seasoned musicians themselves get a shot at it, it's not supposed to be able to fly or cause sensation according to conventional ways of marketing scheming, but this_ well for one thing it's so self-evidently great, secondly the new album Oas sounds exactly like the sum of what's lacking in Sweden musically in the 2020ies. And for too many decades before that as well, one could add, at least in this natural form. Oas is bubbling in a way few albums do, but without bursting. It's held together by their curiosity, they're searching through so many musical corners without going astray, and the skillful playing welds it together. Dina Ögon are checking all the nutrients from black music and pop, but it's no pretentious show off, only a hella rewarding listen.

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Rural Tapes

Inner Space Music

Nocturne Blue Marble Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

On November 18th, Rural Tapes is back with a follow-up to the highly acclaimed debut album "Rural Tapes" from 2021. A year and a half ago, Arne Kjelsrud Mathisen was declared a genius by Mojo, who described his music as a hybrid between Kraftwerk, Air, Tortoise and Serge Gainsbourg. While the debut album was created over a period of almost 10 years, the music on "Inner space music" has been composed and recorded during one intense month in January 2022 in Mathisens own studio in the countryside of Grimstad, Norway. Again, a number of high-profile musicians have left their mark on Rural Tapes' music, including The Dream Syndicate frontman Steve Wynn, PJ Harvey saxophonist Terry Edwards and REM guitarist Peter Buck and Scott McCaughey, both of whom are Mathisen's bandmates in the psychedelic jangle pop group The No Ones. ACCLAIM FOR RURAL TAPES: "A level of its very own" MOJO "Rural Tapes delights in the unexpected. At every turn, you encounter something new, something to be marvelled over. Kjelsrud Mathisen has said he wants this music to stand the test of time. It will." The Independent "A dreamy self-titled debut full of broad soundscapes... Melding smooth jazz with floaty puffs of synth, the album is both meditative and uplifting, the sort of soundtrack you might expect from a dream sequence in a 1970s film." GQ Magazine "From the first notes of this debut album from respected Norwegian producer Arne Kjelsrud Mathisen, you know you're in for a treat. As Rural Tapes he makes rich, warm technicolour soundtracks_ it really is delightful stuff." Electronic Sound "This is an excellent debut album." Prog Magazine "Mathisen's musical pedigree makes Rural Tapes an intriguing musical journey of an album that takes in pulsating Krautrock, neo-classical moods and dreamy, proggy pop, all formed through an intuitive composition process."

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Wild Nothing

LP | 2012 | US | Reissue (Captured Tracks)

2 - 10 Year Anniversary Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Nocturne, the critically acclaimed sophomore album by Wild Nothing, is a window into singer/songwriter Jack Tatum's "ideal world" of pop music. Written largely while living in Savannah, GA during 2011, the songs that became Nocturne blur the lines between Tatum's influences and personality. The album features some open references to past music just as his hit debut Gemini did, but it's also an album that feels much less rooted in anything in particular, and marks a distinct evolution in songwriting for Wild Nothing.Gemini was written before there were Wild Nothing fans or even a live band; Nocturne is different. With an unexpected new fan base to turn to, Tatum spent more time perfecting his craft. The obsessiveness of Nocturne is inherent in it's gentle harmonies, orchestrated synths, wandering voice, and songs that speak to his post-Gemini experiences as he explores new paradoxes of pop. And yet, Nocturne isn't obvious, it is a strange and distinctive musical beast, the product of an obsessive pop vision that creates its own reality.Over the past 10 years, Nocturne has distinguished itself as the quintessential Wild Nothing record, and includes catalog highlights "Shadow", "Paradise", and "Only Heather" - all of which have become dependable standouts in Tatum's live performance through the years.This 10th anniversary pressing is limited to 5,000 copies, pressed on blue marble vinyl, and includes brand new marble art inserts, expanded liners written by Tatum, and a 2022 moon chart.

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Mac DeMarco

2LP | 2012 | US | Reissue (Captured Tracks)

LP | 2022 | EU | Original (Skep Wax)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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10 Year Anniversary restrospective double LP collection including both "2" and "2 Demos" as well as an 8 Page Booklet containing new liner notes written by Mac. Mac DeMarco's debut full length, 2, released in 2012, cleaned up the songwriter's warped take on soft rock and brought it to a broader audience. Given DeMarco's affinity for keeping things lo-fi _ 2 was the first time he'd bothered to record demos _ it's revealing to hear these songs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like "Annie" and the Lennon-esque "Sherrill." "It's tough to say which DeMarco is preferable: the swooning clear-eyed baritone of the last two songs or the unsettling deep-voiced emoter of the first eight. Really, I'm a fan of both versions -- the goofy creep and the straightforward crooner." - Pitchfork

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Heavenly

Heavenly Vs Satan

LP | 2022 | UK | Original (Fire)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Heavenly released four albums in the early 1990s. Skep Wax Records are going to re-issue all four of them over a two year period. Classic black vinyl. The albums will include a 7" booklet with lyrics and new sleeve notes by the members of the band. Heavenly were one of the pioneers of indiepop. Formed from the smouldering ashes of Talulah Gosh, they took all that energy and attitude and used it to fuel catchy, infectious pop melodies. The influence of 60s girl groups was never far from the surface. This was girl-pop, but with the girls in control. Loved by many but derided as 'twee' by some, Heavenly ignored the increasingly macho environment of the contemporary UK scene and forged a separate path, along with other bands on the Sarah Records label. Later, having co-released their albums on K Records in Olympia, Heavenly toured the US, hooking up with bands in the embryonic riot grrrl scene. Heavenly's quiet feminism became louder and more articulate, and the hostility of the UK music press became irrelevant. Heavenly came to an abrupt and tragic end when drummer Mathew Fletcher took his own life in 1996. After a year's hiatus, the group reformed as the short-lived Marine Research, before going their separate ways musically. Amelia Fletcher and Rob Pursey currently play in The Catenary Wires and Swansea Sound. Peter Momtchiloff plays in Would-Be-Goods and Tufthunter. HEAVENLY vs SATAN - THE FIRST LP. Recorded in the Oxfordshire countryside, the first Heavenly album was a bid to make a pure pop record. The punk noise of Talulah Gosh had exploded and expired. Amelia had had a go at making a disco hit ('Can You Keep A Secret', subsequently released on Fierce Recordings), which was fun, but wasn't going to trouble the charts. Unbothered by critical or popular reactions, the new band decided to immerse themselves in the creation of a sweet, tuneful pop record. It's true that the punk influences aren't hard to discern (Mathew's favourite band was The Ramones), but it's Pete's elegant guitar and Amelia's m...

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Yosa Peit

Phyton

Custodians Of Human Succession

Release: 2022 / UK – Original

Genre: Rock & Indie

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Debut from genre-defying producer, Yosa Peit. Laurie Anderson meets Bjork; Prince overlapped with Arthur Russell and the hum of Blue Velvet, with jarred and splintered ambient production reminiscent of Aphex Twin. 'Phyton' gets a special expanded edition via Fire Records, featuring unreleased tracks; 'Tyrann', a live version of the haunting album track 'Serpentine' and end of the night lament, 'Rise'. 'Phyton' is a conundrum with its own humour and beauty amid the electronica soundtracking; it's a record that's defied genre categories when first released on Tax Free Records two years ago. Yosa's ascension from singer to producer is now complete. "In my head I was making a movie," Yosa told No Wave magazine, "I dreamed up a Coen Brothers' movie scene for a few tracks." The result is a haunting, provocative sound; a soundscape where songs merge and splinter, a trip that's never predictable. "The production is super fresh" Holly Herndon. // "Warped lo-fi meets glitchy electronica and pop" The Vinyl Factory //

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Kilynn Lunsford

LP | 2022 | US | Original (Ever / Never)

LP | 2022 | US | Original (In The Red)

Release: 2022 / US – Original

Genre: Rock & Indie

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Philadelphia’s Kilynn Lunsford had been conceiving her first solo album since she was a young teen. Growing up through the MTV era of Missy Elliot, Timbaland and the Swing Mob collective, and drawn towards its “sometimes ridiculous, but overloaded” qualities, she found herself returning to that state of emerging adulthood when the moment for a solo record finally arose. The image of Britney Spears being recorded in an empty field somewhere in her native West-Philly—“like Alan Lomax recording Betty Boop near the Delaware water gap”—provided a key 'mental mood image’ for what would eventually become Custodians of Human Succession. As if Blackout was re-imagined by Throbbing Gristle, Lunsford’s debut straddles unclear boundaries between electro-pop, post-punk and the avant-garde; it delves into those liminal spaces between pop culture and experimentalism, between city and country, between verse and chorus. Written over four years, drafted during long car rides from work, hewn out first thing in the morning or last thing at night Custodians…is Lunsford’s first work since the dissolution of her former project, noise-punk outfit Taiwan Housing Project in 2021. Being now uninhibited by the democratic needs of a band writing and jamming in the practise-room, choosing to ‘go solo’ liberated her songbuilding process. While some arrangements would be hammered out for weeks, sometimes it was a loose, “off-the-cuff” take that could make the final cut: “Wanting to combine irreconcilable elements”, Lunsford explains, “we would set up for hours and then do one take, always allowing for the aleatoric to come through”.

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Dion Lunadon

Beyond Everything

25,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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After releasing his self-titled debut album in 2017, Dion Lunadon (The D4, ex-A Place To Bury Strangers) and In The Red Records is proud to release his sophomore album, Beyond Everything. Beyond Everything will be Lunadon’s first release on In The Red (an ideal match for his music), as well as his first full-length since departing A Place To Bury Strangers. Written, performed and recorded by himself, the songs tap into a raw, palpable energy that blur the line between the music and the person. Drums on the record were played by Blaze Bateh (Bambara) and Nick Ferrante (The Black Hollies). Lunadon says; “The record was written and recorded sporadically between 2017 and 2019. I probably wrote about one hundred songs during this period. The first album was pretty relentless which I liked, but I wanted to make something more dynamic for the second record. Something that could be more conducive to repeated listens. I’d get in my studio, come up with a song title, and start working on any ideas that I had. For example, with ‘Elastic Diagnostic,’ the idea was to create a hum that evokes the sound of life coursing through your body. Everything else kind of formed around that idea.” “An arresting, noise-infected dose of psych-garage.” on “It’s The Truth”—Brooklyn Vegan “An amped up garage psych ripper.” on “Living And Dying With You”—Brooklyn Vegan “A ferocious rocker.” on “Living And Dying With You”—Destroy Exist “A gritty and raw glam-like anthem centered around chugging power chords, Lunadon’s howled and desperate delivery, forceful and propulsive drumming paired with an explosive feedback-driven coda, ‘It’s The Truth’ further cements the Kiwi-born, Brooklyn-based artist’s reputation for crafting anthems meant to be played as loud as humanly possible.” —Joy Of Violent Movement

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Tape | 2022 | EU | Original (Shimmy Disc)

I Killed The Monster

16,99 €*

Duster Ghoulish Translucent Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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"I Killed The Monster" is an 11-track compilationof songs written by celebrated American musiclegend Daniel Johnston, whose classic LPs '1990'and 'Artistic Vice' were produced by Kramer at hislegendary Noise New York recording studio andreleased on Shimmy-Disc in 1990 and 1991,respectively. All of the songs were Re-Masteredby Kramer in 2022 and will be available for thevery frst time on vinyl, and on a limited-edition cassette which will also feature the remaining 10tracks (for a total of 21) from the original 2006cd-only release."I Killed The Monster" features standout tracksand performances by some of Indie music'sgreatest talents, including Danielson & SufanStevens, Kimya Dawson, Dot Allison, Mike Watt,Jad Fair, and Jefrey Lewis. Kramer produced and mixed most of the songs on the LP, and he him- self delivers one of the most startling tracks onthis release; Daniel's great masterpiece, "BloodyRainbow".Few artists have been where Kramer has been, orworked with the variety of artists he has (Ween,Butthole Surfers, John Zorn, Half Japanese, TheFugs, and Bongwater, and Will Oldham, to namebut a few). This extraordinary LP showcasesKramer's unmistakable prowess as one of hisgeneration's most veresatile producers, and con- tinues the 21st century re-birth of his iconicShimmy-Disc label.

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Duster

LP | 2019 | US | Reissue (Numero Group)

Dancing Is Depressing Expanded Red Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After a 19-year hiatus, Duster cameback with their S/T chef-d'oeuvrein 2019. Recorded in band memberClay Parton's garage (aka Low EarthOrbit), the record bears all thehallmarks of the band's early work:gaunt basslines, spindly guitars, andmelancholy lyrics that lurk in thebackground.

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Attic Abasement

LP | 2022 | US | Original (Father / Daughter)

... And Farewell To Hightide Deluxe Expanded Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Over the past decade, many of the best songwriters have come to the fore without explicitly trying to. They've written and recorded records in their homes, posted them on the internet, and all but avoided self-promotion. Yet, somehow, those songs have caught on. And in the case of Attic Abasement's Mike Rheinheimer, even as his band's profile has been raised, he still follows that approach, creating work that speaks entirely for itself. Having been the driving force of Attic Abasement for over a decade now, Rheinheimer, a Rochester, New York native has amassed a back catalog of lo-fi albums and EPs. Each one was distributed via Bandcamp and short-run CD-Rs, and it was through those means that Attic Abasement's name spread. In 2016, the band would release Dream News with Father/Daughter Records, giving Attic Abasement a home for the band's music without trying to change the ethos Rheinheimer had developed. And now, Father/Daughter is proud to reissue Attic Abasement's cult classic sophomore album, Dancing Is Depressing, on vinyl for the first and only time. Not only that, Dancing Is Depressing (Expanded Edition) will feature a pair of songs that originally appeared on local Rochester compilation albums.Dancing Is Depressing (Expanded Edition) takes Rheinheimer's work and offers more insight into the moment in which it was created. Written and recorded by himself in 2009, the songs contained on Dancing Is Depressing are both plainspoken and complex, allowing Rheinheimer to not only reflect on his own personal experiences, but encourage intimate reflection within his listeners. There's a reason why Dancing Is Depressing would routinely see people cite the likes of Stephen Malkmus, Bill Callahan, and David Berman when discussing the record, but even with those influences present, what Rheinheimer created was singular.

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Cerberus Shoal

2LP | 1996 | US | Reissue (Temporary Residence)

30,99 €*

LP | 2022 | UK | Original (Fire)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Remastered, expanded reissue of the breakthrough sophomore album by the pioneering, creatively restless collective - Finally available on vinyl for the first time ever - Limited edition of 500 copies on Sky Blue colored vinyl // The long out-of-print sophomore album by the pioneering, creatively restless troupe, Cerberus Shoal, highlights the earliest phase of their transition from experimental hardcore band to transcendent exploratory collective. Originally released in 1996, ...And Farewell To Hightide combined the group's unique command of patient anticipation with a significantly expanded musical palette and a refined musicianship. Shedding virtually all obvious references to the frenetic post-hardcore of their eponymous debut album, Hightide saw Cerberus Shoal incorporating elements of Talk Talk, Tortoise, and the early Windham Hill catalog into a sound that was incomparable at the time. Now, more than 20 years later, it's proven astonishingly prescient and truly timeless. Beautifully remastered and finally made available digitally for the first time ever, this expanded deluxe edition includes the Lighthouse In Athens EP recorded during the same era as ...And Farewell To Hightide.

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Giant Sand

Heartbreak Pass

Evergreen 25 Year Anniversary Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Ltd edition on white Vinyl, Gatefold sleeve, DL card. "Gelb's semi-surreal observations lace things together perfectly." UNCUT. Filled with loud and lucky abandon; heady steady and direct singalongs for the heart in constant turmoil. Giant Sand's esoteric journey to 'Heartbreak Pass' is an exotic journey through hails of Youngian guitars, off-the-cuff jazz piano rounds and beautiful alt-country yearning. While containing only new songs for this album, this feels like a greatest hits and as such is a perfect entry point for Giant Sand neophytes. Fire Records give 'Heartbreak Pass' a long overdue repress on white vinyl, with new liner notes and updated artwork. There's a roll of the tongue, a couplet and some convolution underpinning Giant Sand's 2015 opus 'Heartbreak Pass'. So the story goes, so legend has it, a mere 30 years into their career, almost ten years ago, Giant Sand were regrouped and, for a fleeting second, someone made sense of it all (the words, the genre swapping sound, the roll call of friends and accomplices, the majesty of polar opposites attracting). On 'Heartbreak Pass' the result from this lengthy travelogue is a memoir filled with trinkets exchanged along the way. Sure, the Arizona desert is there, gritty and unforgiving but Howe's one-man-band is joined by a throng of well-wishers, this time around including Steve Shelley (Sonic Youth), Grant-Lee Phillips and Ilse DeLange (Common Linnets), The Voices Of Praise Choir, oft-time collaborator John Parish, Grandaddy's Jason Lytle, Maggie Bjorklund on pedal steel, Italian singer/songwriter Vinicio Capossela and many more. It's an album that travels far and shows its road weariness in places but it's a celebration in all its ragged glory. In his original sleevenotes Howe pondered the fact that "The album is roughly broken into three volumes - loud and lucky abandon; heady steady and direct (Gelb's vision of Americana); and the heart in constant turmoil and something about a transponder." He summarised: "I can't recommend it, nor do I r...

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Echo & The Bunnymen

LP | 1997 | EU | Reissue (London)

28,99 €*

Beyond Purple & Green Vinyl Edition

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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In 1997, after a lengthy hiatus, Echo & The Bunnymen returned to the fore with 'Evergreen', revealing the brighter side of the band, and standing up with any of their earlier work.The self-produced album was recorded at The Doghouse in Henley-On-Thames with additional strings, horns and vocal arrangements recorded at Abbey Road.

The album saw the band rightfully return to the UK album charts at #8, with 3 singles ('Nothing Lasts Forever', 'I Want to Be There [When You Come]' and 'Don't Let It Get You Down') entering the UK top 50. 'Nothing Lasts Forever' (with backing vocals and tambourine by Liam Gallagher) has grown to become one of the band's most enduring and well-loved songs - a UK Top 10 and a fan favourite to this day.

To celebrate its 25 year anniversary, London Records releases 'Evergreen' on vinyl for the very first time, with a limited first pressing in solid white vinyl. There is also a new remastered and expanded 2 CD edition, taking in studio b-sides, live and acoustic sessions and previously unreleased versions across 33 tracks.

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Dinosaur Jr

LP | 2007 | EU | Reissue (Baked Goods)

24,99 €*