Search "danny+brown" 895 Items

LP | 2021 | US | Original (Born Yesterday)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For years Supercrush confined themselves to the limitations of the two-song 7" single format, demonstrating a mastery of hyper efficient song-craft, while leaving their audience wondering if a more expansive work would ever emerge. Sodo Pop answers that question, delivering on the promise of those 7" singles and then some with 36 minutes of guitar pop alchemy. With a full-length album, the band is for the first time afforded the space to stretch out, allowing for explorations into more ambitious song structures, varied compositions, and additional instrumentation. But those who enjoyed the of the brevity of the band's early material needn't worry, there are still plenty of compact two and a half to three minute gems here in the tradition of the group's tried and true superpop formula. Pressed on Orange Vinyl.

Go to Item

Spirits Having Fun

Two

13,19 €* 23,99 € -45%

LP | 2020 | EU | Original (Siltbreeze)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Spirits Having Fun records are ones made from and for shows and spaces—arrangements rooted in a deeply collaborative process, that come to life through intuitive and locked-in live improvisation. Following their 2019 debut Auto-Portrait, Two finds the New York and Chicago based four-piece continuing to challenge ideas of what a rock band can be, pulling apart their musical experiences and reimagining them as kinetic compositions, equally studied but palpably organic.

Two is constructed around gut feelings and strong grooves, elastic rhythms and playful pacing. Its twelve songs expand, contract, and make sharp turns between melodies under singer-guitarist Katie McShane’s meditative lyrics. “Broken Cloud,” which was also released last year on a compilation in support of Chicago Community Jail Support, offers a glimpse into her reflections on the natural world: "A city grew out of the ground / to a mountain it's only a blur."

True to its name, the internal logic of the band is also just a lot of fun, built on trust and deep-rooted musical relationships. Before there was Spirits Having Fun, McShane, bassist Jesse Heasly, guitarist-vocalist Andrew Clinkman, and drummer Phil Sudderberg had performed together in various arrangements over the years. McShane, Heasly and Clinkman met in a specific corner of the Boston underground in 2013, a time when a scene had coalesced around students from local music conservatories frequently collaborating with punk bands and noise artists, exchanging ideas and warping musical worldviews. Heasly and Clinkman played together in Cowboy Band, making mutant, free jazz-inspired takes on old country tunes. When Clinkman moved to Chicago, Heasly and McShane played in experimental groups like EKP and Listening Woman; in Chicago, Clinkman met Sudderberg playing in projects like jazz scene fixture Ken Vandermark’s high-powered band Marker.

Spirits first came together as an attempt at a long-distance collaboration among friends in 2016, driven by the simple feeling of missing each other; they’d meet up for marathon weekends here and there to practice, playing small loops through dive bars and art spaces around the Midwest—just enough for McShane and Heasly to afford plane tickets back home. Being split between Chicago and New York forced the project into a deliberate pace. “We tried to take it slow and let it be what it was,” said McShane. That sense of patience unexpectedly prepared them for March of 2020, when their planned tours and the release of Two were indefinitely delayed.

Two was mostly recorded in the summer of 2019 with the help of omnipresent Chicago engineer Dave Vettraino and DPCD’s Alec Watson, whose contributions on organ, synths, and piano are laced throughout the record. The album reflects a synthesis of solitary and communal songwriting processes—each song drawing on fragments written by individuals, which McShane threaded together and shaped through her distinct compositional lens, making the songs whole before returning to them to the band to mature collectively. When composing, McShane writes first on the keyboard before adapting parts for guitars played by herself and Clinkman. Their dueling approaches to guitar are complementary: McShane, being a newer guitarist, brings a freshness to the project (“I'm just discovering the whole time,” she says) while Clinkman has been playing since childhood.

“There's a lot more collaboration on this record,” says Clinkman, “in terms of all of us letting stuff bloom a little bit more.” The record’s first single, “Hold The Phone” is a good example of this process—it started with a playful intro riff from Clinkman, a melody and bridge added by McShane, a wobbly outro groove added by Heasly, which Sudderberg brought to life. Another single, the dynamic “See a Sky,” written primarily by Heasly, underscores the rhythm section chemistry at play across the record, the song ebbing and flowing around Heasly and Sudderberg’s eclectic percussive palettes.

“Entropy Transfer Partners” is the only song on the record with lyrics by Clinkman, and the album’s most politically direct—a call for solidarity in the face of systemic failures, an acknowledgment of the shared material devastation caused by our country’s ongoing healthcare and housing crises: “These are not things we're experiencing individually. We struggle through them collectively. And we could actually declare, all of us, that it doesn't have to be this way, and fight and organize to ameliorate some of those conditions.” (“We won't work to create the shit you monetize, to run our lives,” they sing.)

From front to back, Two is an absorbing listen simply for its impressive range. But as the members explain themselves, the complexity of the record is about more than its intricate riffs, or how often they count out an odd time signature, but how they reject the notion of boxing the songs in, letting the melodies take on lives of their own. “Making music that feels alive is important to us,” says Clinkman. “Music feels most powerful to me when it deepens our sensation of feeling alive and connected to other humans. It’s so easy to feel worn down and isolated; that your life’s value is fixed to your productivity at your job, or the things that you have or don’t have. Making music that feels joyful and fun seems like one effective antidote to that feeling.”

Go to Item

Vertical Slit

Live At Brown's

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD | 2021 | US | Original (Rum Bar)

The Adam Brown

What We'll Never Know

13,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Somewhere Coke Bottle Clear Vinyl Edition

Sun June

LP | 2021 | EU | Original (Run For Cover)

Revolt Against An Age On Plenty

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Five Members Of Sun June Spent Their Early Years Spread Out Across The United States, From The Boonies Of The Hudson Valley To The Sprawling Outskirts Of La. Having Spent Their College Years Within The Gloomy, Cold Winters Of The North East, Laura Colwell And Stephen Salisbury Found Themselves In The Vibrant Melting-Pot Of Inspiration That Is Austin, Texas. Meeting Each Other While Working On Terrence Malick's 'Song To Song', The Pair Were Immediately Taken By The City's Bustling Small Clubs And Honky-Tonk Scene, And The Fact That There Was Always An Instrument Within Reach, Always Someone To Play Alongside. Coming Alive In This Newly Discovered Landscape, Colwell And Salisbury Formed Sun June Alongside Michael Bain On Lead Guitar, Sarah Schultz On Drums, And Justin Harris On Bass And Recorded Their Debut Album Live To Tape, Releasing It Via The City's Esteemed Keeled Scales Label In 2018. The Band Coined The Term 'Regret Pop' To Describe The Music They Made On The 'Years' Lp. Though Somewhat Tongue In Cheek, It Made Perfect Sense ~ The Gentle Sway Of Their Country Leaning Pop Songs Seeped In Melancholy, As If Each Subtle Turn Of Phrase Was Always Grasping For Something Just Out Of Reach. Sun June Returns With Somewhere, A Brand New Album, Out February 2021. It's A Record That Feels Distinctly More Present Than Its Predecessor. In The Time Since, Colwell And Salisbury Have Become A Couple, And It's Had A Profound Effect On Their Work; If Years Was About How Loss Evolves, Somewhere Is About How Love Evolves. "We Explore A Lot Of The Same Themes Across It," Colwell Says, "But I Think There's A Lot More Love Here." Somewhere Is Sun June At Their Most Decadent, A Richly Diverse Album Which Sees Them Exploring Bright New Corners With Full Hearts And Wide Eyes. Embracing A More Pop-Oriented Sound The Album Consists Of Eleven Beautiful New Songs And Is Deliberately More Collaborative And Fully Arranged: Laura Played Guitar For The First Time; Band Members Swapped Instruments, And Producer Danny Reisch Helped Fle...

Go to Item

The Great Leap Forward

LP | 2021 | EU | Original (A Turntable Friend)

LP+CD+All Media | 2011 | DE | Original (Arctic Rodeo)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Former bIG*fLAME singer and bassist Alan Brown returns with his long term solo project The Great Leap Forward, releasing a powerful and trademark new album ‘Revolt Against An Age Of Plenty’. Vigorous, scintillating and life-affirming, this 13-song album sees Brown reach a milestone birthday, as explored in 'Can You Kanreki?’ - the Japanese concept of second childhood and re-birth. Then there are the trademark political and social vignettes, such as the title song of the album 'Revolt Against An Age Of Plenty' – railing against mass consumerism and media control; the wistful 'dEBRA 2021' (a re-working of the bIG*fLAME classic 'Debra'); and the ascerbic 'It's A Wonderful Lie' – a scathing attack on the lack of openness, honesty and humility of our political leaders.

Go to Item

Vs.Antelope

7,99 €*

LP | 2021 | US | Original (Cheree Cheree)

Release: 2011 / DE – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

Brown marbled vinyl! With bonus CD

Go to Item

Twin Shadow

LP | 2021 | US | Original (We Are Busy Bodies)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Twin Shadow, the fifth album under George Lewis’s musical moniker of Twin Shadow, brims with joy. These ten songs are imbued with the same energy and curiosity that compels someone to first pick up an instrument and noodle around, not because they harbor aspirations to write a hit but rather for the thrill of hearing—and feeling—what’s capable of happening when a string is plucked or a hand brushes over a snare. (It’s no wonder that Lewis employs the first instrument he first played, the saxophone, to electrifying effect on this album.) Recorded both at Fama Studios in the Dominican Republic and Los Angeles’s Shady Acres, Twin Shadow’s songs are distillations of beautiful memories and stories both real and imagined.

Go to Item

Dany Laj And The Looks

Ten Easy Pieces

17,99 €* 19,99 € -10%

Squeeze Transparent Red Record Store Day 2021 Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ten Easy Pieces is Dany Laj and the Looks third full-length album. The past two years has seen Laj spending quite a bit of time with his 4 track recorder writing a big collection of songs, re-working old ones, and even trying his hand at covering songs by Canadian artists he loves. "I think I had about 38 songs that I presented to our manager Eric with all kinds of stylings, I remember finally saying 'okay, that's the record' and felt bad 'cause I had bombarded his hard drive with like a million different mixes and so on.In comes Ten Easy Pieces, his most focused effort yet. After demoing and having more than three records worth of material, Laj eventually got together with his lifelong mate/longtime bassist Jeanette Dowling and drummer Dusty Campbell and started recording the latest Looks effort, which is their most focused effort to date.

Go to Item

Born Ruffians

LP | 2021 (Yep Roc)

LP | 1993 | EU | Reissue (Touch & Go)

Release: 2021

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2021 Release. Perennial indie rockers Born Ruffians return with Squeeze. Squeeze (a companion piece to their previous album, Juice) finds the trio expanding their sound into more psychedelic territory, especially apparent on tracks like

Go to Item

Don Caballero

For Respect

Release: 1993 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Songs We Sang In Our Dreams Sand / Hourglass Vinyl Edition

Let It Come Down

LP | 2021 | EU | Original (Shimmy-Disc)

18,89 €* 26,99 € -30%

2LP | 2021 | EU | Reissue (ADA)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Let It Come Down Has Been Percolating In Kramer's Mind For Over Two Decades. Nearly 22 Years After The Doors Of His Infamous Shimmy-Disc Label Were Shuttered, Let It Come Down's Debut Album, Songs We Sang In Our Dreams, Marks The Return Of One Of The 20th Century's Seminal Nyc Indie Labels. It Is Also Kramer's First One-On-One Collaboration Since Bongwater Circled The Drain 30 Years Ago. Initially Conceived As A Studio-Only, One-Man-Band Called Time, Everything Changed In 2016, When Kramer Met Vocalist Xan Tyler (Mad Professor/Mission Control, Technique, Orinoko, Glasshouse). After Producing An Ep For Her In Scotland, Kramer Invited Tyler To Be The Human Voice Of His New Recording Project. "I'd Been Hearing Xan's Voice In My Dreams For Decades, So You Can Imagine The Shock I Experienced When I First Heard Her Voice While Awake," Said Kramer. "I Invited Her To Work With Me On An Lp Of Songs I'd Been Working On For A Long, Long Time." The Results Are Ethereal, Combining The Most Introspective Songwriting Of Kramer's Career With Luminous Vocal Performances From Xan Tyler. Fans Of Kramer's Most Recent Solo Work On John Zorn's Tzadik Records _ As Well As His Extensive Scroll Of Production Work For Artists Like Galaxie 500, Low, And Daniel Johnston _ Will Lose Themselves In The Shadowy Labyrinths Of Let It Come Down's Songs We Sang In Our Dreams. The Album Was Mixed On The Same Universal Audio `610' Console That Brian Wilson Created Smile, & Love Created Forever Changes On. As Striking As The Music Itself Is The Front Cover Painting By Pop-Art Artist Ed Ruscha.Recommended If You Like: Nancy Sinatra & Lee Hazelwood,Dean & Britta, Astrud Gilberto, Jose Gonzalez, Antena,Vanishing Twin, Judee Sill, Jeff Buckley, Julee Cruise

Go to Item

Jackson Browne

Downhill From Everywhere

Release: 2021 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (SharpTone)

Don Broco

Amazing Things

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Structure Colored Vinyl Edition

Water From Your Eyes

LP | 2021 | US | Original (Wharf Cat)

Structure Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Water From Your Eyes' Rachel Brown and Nate Amos are no strangers to contradiction, with Pitchfork making note of their "confidence in splicing different genres and feels from acoustic twee to indie-electronica" in their review of 2019's Somebody Else's Songs. So, upon first listen, Structure - with its tendency to turn on a dime from the buzzsaw synths and string arrangements that sonically bookend tracks like "My Love's," to the subtle, almost Squarepusher-esque rhythms that round out electronic compositions like ""Quotations"" - may just seem like a further refinement of the duo's idiosyncratic approach to making music. However, repeat listens will reveal that, even though the album zigs and zags in a manner consistent with WFYE's prior releases, its line of best fit trends in a very clear direction away from the quaint affectations of their prior work and towards something more deliberate and half a shade darker. Even on ostensibly cheery tracks like album opener "When You're Around," which, with its saccharine melodicism sounds like it could be a lost song from The Apples in Stereo or one of their Elephant 6-era labelmates, there's an underlying eeriness that's not immediately apparent until the song is listened to in the context of the full album. Amos' advice for navigating Structure's sonic terrain is to "remember that this is weed music," while his counterpart Brown offers that that the album is like "solving a puzzle with a ton of different answers." Although these varied descriptions of how to approach listening to Structure may accurately reveal it to be another exercise in contradictions, the clear intent with which the pair approached creating the album can only be appreciated with repeat listens, and is likely what makes it, by far, their most compelling entry to date.

Go to Item

Water From Your Eyes

LP | 2021 | US | Original (Wharf Cat)

A Head Full Of Ideas (Best Of) Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Charlatans

2LP | 2021 | UK | Original (Then)

36,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ten Songs Of Worship And Praise For Our Tumultuous

St.Lenox

LP | 2021 | EU | Original (Don Giovanni)

27,54 €* 28,99 € -5%

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Born Bad)

Sauveur Mallia

Space Oddities 1979-1984

LP | 2021 | USSR | Original (Dig!)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In The Ever-Expanding Universe Of 70s And 80s French Library Music, Sauveur Mallia Holds A Special Place; His Career, Multifaceted Work And The Uniqueness Of His Talent Have Made Him An Exemplary Figure In The Unsung World Of Library Musicians. In Those Years A Few Of Them, Often For Economical Reasons, Would Set Off On A Space Conquest, Taking Along Just A Few Synthesisers. Their Ambition Well Surpassed The Modesty Of Their Means; It Was In Turn The Condition To Their Experimentations With Sound Which Were To Create A New Sonic Space: That Of A Nation Tumbling Into Modernity. From French Soil To The Farthest Reaches Of The Cosmos, There Were Just A Few Steps To Take. It's With The Label Tele Music, Boarding The Spaceship Arpadys, Along With The Voyage Crew, That Sauveur Mallia Took The Big Leap. When Did You Start Making Library Music? - "I Always Worked With Roger Tokarz, Who Produced Voyage And Arpadys. With My Friends Who Were Members Of Voyage We Also Made Library Records For His Label Tele Music With Different Themes We Proposed Based On Sports, The News, Etc. I Worked In My Studio. Originally Arpadys Was A Library Record Roger Wanted To Commercially Release, Industrial Rock. Not Much Came Out Of It At The Time, Yet Its Become Really Sought-After In Recent Years. I Was Even Contacted By And English Guy Who Wanted To Get Arpadys Back On Stage." Was Library Music A Way To Experiment Freely? - "Yes, I Did What I Wanted, Without Any Restriction. Then People Used It Or They Didn't. On Each Record, There Were Long Versions Of Each Track And We Made 60, 30 And 15 Second Edits - It Gave Medias The Choice. The Constraints Came With Custom Sound-Design For The Radio, With Jingles And France Info's Credits I Made At Home Solo With My Machines For 17 Years, Then For Rtl, Europe1, And For Quite A Few Tv Shows" - Sauveur Malliavinyl Lp + Printed Inner Sleeve + Download Codeliner Notes English

Go to Item

Josephine & Hershguy

Stocky Tunes

LP | 2021 | EU | Original (Mono-Tone)

Release: 2021 / USSR – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In this time of social-distancing and rethinking old norms, Josephine and Hershguy put their heads together (remotely) to create Stocky Tunes, a celebratory rock’n’roll smorgasbord of far-reaching sounds and sonic bedlam. The glam-punk crunch and hard-rock wizardry of the pairs’ respective erstwhile projects (Dirty Fences, Brower, and previously Velveteen Rabbit) are all in play, with added forays into art rock and post punk (á la Roxy Music, Sparks, The Quick, the Slits, Gang of Four et al.).

Doubling down on the adventurous and genre-shirking spirit of their solo efforts, Stocky Tunes is as iconic as it is peerless. Dig lyrics comprised of ribald Yiddish slang of yore (“Cockamun”, “Punim Pisher”, etc.) beside modernized protest songs of the day (“Walk Out Loud” and “This is Track 11”—FUCK 12!!!). Whether you’re already a fan, or a seeker stopping by, Stocky Tunes offers nourishment you’ll crave.

Go to Item

Crocodiles

Best Of Shitty Times

LP | 2021 | EU | Original (Devilduck)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

While The World Was Spinning Off Its' Axis In The Year 2020, The Croc Boys Spent Their Time In Isolation Recording Three Volumes Of Cover Songs. Here They Present To You, On Vinyl, 11 Of The " Best Of Shitty Times ", Ranging From Punk To Garage Rock, From New Wave To Freda Payne! Take A Deep Breath And Shelter Yourself Within A Fuzzy Vortex Of Rock 'N' Roll.While The World Was Spinning Off It's Axis In The Year 2020, California Born But Now Mexico City And Paris Based Noise Pop/Indie Pop Band The Crocodiles Spent Their Time In Isolation Recording Three Volumes Of Cover Songs Originally Released On Ultra Limited Edition Cassettes. Here They Present To You, On Vinyl, 11 Of The " Best Of Shitty Times ", Ranging From Punk To Garage Rock, From New Wave Obscurities To Freda Payne!An Idea They Had For A Long Time, After Having Released Seven Albums And Several 45s And Having Been Compared To "A Mix Between The Jesus And Mary Chain And The Archies"!So Take A Deep Breath And Shelter Yourself Within A Fuzzy Vortex Of Rock 'N' Roll.

Go to Item

Barbarisms

Zugzwang

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Born Bad)

Music On Hold

30 Minutes Of

18,69 €* 21,99 € -15%

LP | 2021 | UK | Original (4AD)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Music on Hold – 30 Minutes of When you decide to get a degree at university, like chief songwriter Emile Cartron-Eldin Music goes on hold. When you don’t have enough dollars for that overpriced repressed LP the record store puts it on hold behind the counter. this is: Music To Hold Onto! To cherish and adore, right here right now. After little shining stars of self-released cassette classics showing great promise of solid SF song writing Music on Hold deliver an LP with strictly “only the hits” in updated graphics and soundbite studio wizardry..and amen! It’s the shinning neon-colour video game classic you never played in your youth in the arcades. You only dreamed about it after too many bong hits. You think you’ve heard these songs before? Ha! You’ve never heard them better brother. Gary Wilson called, and sung you a melody and the Human League stole the synth lines.. then The Spits put lead guitar in slow-motion. HEY! Superior Viaduct just found another lost Record by Departmentstore Santas.. Hold on. No they didn’t.. our trusted Born Bad just stumbled upon a collection of stone-cold classics laying behind the wall of VHS’s and sent them to be remastered for the best Sunday drive of your life. This is a record for all four seasons in all TV Colours and black and white nouvelle vague romance. The punk generation doesn’t take shame in playing Grand Theft Auto: Vice City, they know all the cheats. This LP is the first baseball bat you take you A Ferrari parked outside a strip club. This is the flock of seagulls that exploded in the sky In multicoloured fireworks and came raining down Into the ears of the youth in these troubled times before cocaine became boring.. This isn’t your ironic Japanese obi-tape cassette vapourwave sally, Music On Hold is you, me and everyone else in the same bathtub giving each other sensual back rubs before slipping into silk dragon kimonos. It is sincere. It’s real. It’s an all filler-no killer instant classic of a nostalgia you can’t even begin to unravel. The project once a solo affair is now a power-trio featuring funky starship troopers Guillaume Mobstaire and beloved cult-hero Mathis (Police Control, Skategang) in the shuttle. And as they blast off into cyberspace They toss this their first greatest hits out of the cockpit and into your hands. Nathan Roche

Go to Item

Tune-Yards

Sketchy

Release: 2021 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fat Pop Standard Black Vinyl Edition

Paul Weller

LP | 2021 | EU | Original (Polydor)

28,99 €*

Fat Pop Limited Standard CD

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

Go to Item

Paul Weller

CD | 2021 | EU | Original (Polydor)

12,09 €* 21,99 € -45%

Live At Rocket Club Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

OJM

LP | 2021 | EU | Original (Go Down)

Psychedelic Rock - A Trip Down The Era Of Experimental Rock Music

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

OJM has been one of the first Italian bands dedicated to stoner-rock, so much that its first EP goes back to 20 years ago. The band from Treviso (north of Italy) has been able to evolve and improve. Both, musicians and style changed over the years and moved to the seventies garage and the heavy-psych, which are superbly represented in the last album Volcano dated 2010. Ten years passed since then and the band never officially split up. We can talk about a long hibernation which is alternated to awakenings heated by terrific live performances: the best way to enjoy its music! All the different formations that have followed over the years, turn around the two founding members, the drummer Max Ear and the vocalist David Martin, who are the beating hearts of a creature able to give us truly unforgettable emotions! Live At Rocket Club captures the band in one of the best ever moment of its artistic life. It is the tour that promoted the aforementioned Volcano which reached fame and success thanks to the production and mixing of Dave Catching (qotsa, Desert Sessions, Eagles of Death Metal). The line-up is embellished by the presence of guitarist Andrew Pozzi (bassist in the previous formation) and Stefano Pasky on the organ. The new band realised a personal groove marked by The Hellacopters’ guitar sound and characterized by sixties atmospheres reminding The Doors’ Fender Rhodes Piano Bass. Live At Rocket Club will be printed in 300 copies (only vinyl) thanks to the cooperation between Go Down Records and Vincebus Eruptum Recordings and it is a summa of the great show of OJM at the Rocket Club in Landshut, Germany. Most of the 10 tracks recorded during the performance are taken from Volcano, but there are also iconic pieces such as the brilliant cover “Hush”, which was made famous already by Deep Purple’s Mark I in 1968. Waiting for the band waking up in the strongest way ever as soon as possible, we have just to enjoy these historical testaments. Long live rock’n’roll!

Go to Item

V.A.

2LP | 2021 | EU | Original (Music Brokers)

13,99 €*

Golgotha Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Born during the revolutionary and musically-rich ‘60s, Psychedelic Rock provided a platform for British and American musicians to experiment not only with hallucinogenic drugs, but also with new sounds that included elaborate studio effects, non-Western instruments -such as sitar or tabla-, disjunctive song structures and surreal and esoterically-inspired lyrics. Psychedelic Rock: A Trip Down The Era Of Experimental Rock Music a 2xlp opus that showcases the work of some of the genre’s most prominent artists and some of the essential tracks from that era. Arthur Brown, The Spencer Davis Group, The Deviants, Sun Dial and Plasticland are only a few of the performers included in this definitive collection of the genre, available for the first time on vinyl format.

Go to Item

Bleeding Eyes

LP | 2021 | EU | Original (Go Down)

14,29 €* 25,99 € -45%

Golgotha Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Golgotha is the sixth studio album by Bleeding Eyes. After Gammy (©2014 Go Down Records) the band embarked on a different stylistic and compositional path. Starting from long and substantial jams, the five-piece band extrapolated and deepened 7 tracks lasting almost 50 minutes. The influences are getting darker. Black on black. The esoteric doom mixed with the tipically sludgy attitude, give to their personal existential ordeal a picture in which Simone Tesser’s lyrics fit perfectly. Golgotha’s topics tell about saints and unbelievers, the latter ones in constant conflict with life and death. This new interpretation, that also takes inspiration from the heretic gospels of the apocalypse (first 2 tracks), represents the steady and never ending spiritual detachment, that our capitalist society has lived in for several decades. With mocking irony and lots of sarcasm a post-dogmatic dark way is proposed by the band to deal with the ordeal of everyday life. The studio recording process lasted several months and was handled by Jason Nealy and Marco Dussin (guitarist and bassist respectively). Drums and rhythm guitars were recorded at the music club Benicio Live Gigs, located in the suggestive woods of the Montello hill in Italy. While the final steps, mixing and mastering took place at BadRum studio in Asolo, Italy. Golgotha has a really deep and dense meaning for the band and the graphic part plays an important role too; that’s why the Bleeding Eyes has chosen the Lorenzo Ferraro’s photography. The album artwork consists in pictures taken right after the passage of the devastating storm Vaia, that heavily damaged the band’s hometown surroundings. The desolation post Vaia matches perfectly with Golgotha’s magmatic darkness. The event proved our disarming weakness in front of an untamed force of nature, that can unleash destroying powers yet unknown. The album title itself is therefore -calvario- the combination of a natural imagery that reveals the misery of the precarious human condition.

Go to Item

Bleeding Eyes

LP | 2021 | EU | Original (Go Down)

LP | 2021 | EU | Original (Bang!)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Brian Henry Hooper

I Won't Bend For You

LP | 2021 | EU | Original (Anti)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"I Won't Bend For You", The New Posthumous Album By Brian Henry Hooper, Is Packed With The Darkest And Most Intimate Melodies In His Solo Career. Released Now Almost Three Years After His Passing.Gatefold, 140 Gram Vinyl, Limited To 500 Copies! Almost Three Years After The Death Of Brian Henry Hooper (The Beasts Of Bourbon), We Find This New Posthumous Album That He Recorded At The End Of His Days With The Collaboration Of Friends Of The Stature Of: - Kim Salmon (The Beasts Of Bourbon, Scientists, Surrealists, Salmon, Etc.) - Spencer P. Jones (The Beasts Of Bourbon, The Johnnys, The Green Mist, The Butcher Shop, Etc.) - Mick Harvey (Nick Cave And The Bad Seeds, The Birthday Party, The Wallbangers, Etc.) Among Others. The Album Goes A Step Beyond His Previous Album "What Would I Know?" Revealing A Final Period In The Musical And Personal Evolution Of The Artist, Where The Darkest And Most Intimate Melodies Intersect, Announcing The Subsequent Outcome, As Well As The Genius And Creativity Of The Musical Musculature Of This Group Of Unique Musicians Of Their Kind. Open Folder Edition Limited To 500 Units, Edited Courtesy Of Ninevah Hooper.

Go to Item

M. Ward

Think Of Spring

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (All Good Clean)

Dune Sea

Moons Of Uranus

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Harry Dean Stanton With The Cheap Dates

October 1993

LP | 2021 | EU | Original (Omnivore)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | US | Original (Carpark)

Cloud Nothings

The Shadow I Remember

Black Wing (Dan Barrett of Have A Nice Life)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For a band that resists repeating itself, picking up lessons from a decade prior is the strange route Cloud Nothings took to create their most fully-realized album. Their new record, The Shadow I Remember, marks eleven years of touring, a return to early songwriting practices, and revisiting the studio where they first recorded together. In a way not previously captured, this album expertly combines the group’s pummeling, aggressive approach with singer-songwriter Dylan Baldi’s extraordinary talent for perfect pop. To document this newly realized maturity, the group returned to producer Steve Albini and his Electrical Audio studios in Chicago, where the band famously destroyed its initial reputation as a bedroom solo project with the release of 2012 album Attack on Memory. Another throwback was Baldi’s return to constant songwriting à la the early solo days, which led to the nearly 30 demos that became the 11 songs on The Shadow I Remember. Instead of sticking to a tried-but-true formula, his songwriting stretched out while digging deeper into his melodic talents. “I felt like I was locked in a character,” Baldi says of becoming a reliable supplier of heavy, hook-filled rock songs. “I felt like I was playing a role and not myself. I really didn’t like that role.” More frequent writing led to the freedom in form heard on The Shadow I Remember. What he can’t do alone is get loud and play noisily, which is exactly what happened when the entire band — bassist TJ Duke, guitarist Chris Brown, and drummer Jayson Gerycz — convened. The band had more fun in the studio than they’ve had in years, playing in their signature, pulverizing way, while also trying new things. The absurdly catchy “Nothing Without You” includes a first for the band: Macie Stewart of Ohmme contributes guest vocals. Elsewhere, celebrated electronic composer Brett Naucke adds subtle synthesizer parts. The songs are kept trim, mostly around the three-minute mark, while being gleefully overstuffed. Almost every musical part turns into at least two parts, with guitar and drums opening up and the bass switching gears. “That’s the goal — I want the three-minute song to be an epic,” Baldi says. “That’s the short version of the long-ass jam.” Lyrically, Baldi delivers an aching exploration of tortured existence, punishing self-doubt, and the familiar pangs of oppressive mystery. “Am I something?” Baldi screams on the song of the same name. “Does anybody living out there really need me?” It’s a heartbreaking admission of existential confusion, delivered hoarsely, with an instantly relatable melody. “Is this the end/ of the life I've known?” he asks on lead single and album opener “Oslo.” “Am I older now/ or am I just another age?” Despite the questioning lyrics, the band plays with more assurance and joy than ever before. The Shadow I Remember announces Cloud Nothings’ second decade and it sounds like a new beginning.

Go to Item

No Moon

2LP | 2020 | US | Original (The Flenser)

32,99 €*

LP | 2020 | CA | Original (Dine Alone)

Release: 2020 / US – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dan Barrett—the man behind Have A Nice Life, Giles Corey, and Enemies List Home Recordings—has unveiled his sophomore album as the electronic project Black Wing on The Flenser. No Moon is a gorgeous chillwave / post-punk record with nine bleak yet blissful songs and is a fitting close out to the year 2020. Written over the course of the last few years, with about half of the songs penned over the last six months (mostly due to pandemic “free time”), No Moon is a heart-wrenchingly honest outpour of emotion. Throughout the writing process, Barrett was having recurring dreams and felt a strange sense of timelessness—that, combined with quarantine is what he simply describes as “a weird experience.” Barrett explains, “Quarantine was profoundly isolating. With writing this record, more than anything I just wanted to prove to myself that I could make something out of it. That ended up being a lot of songs about feeling isolated, a lot of ‘trapped in my own head’ moments. I think that was a lot of people’s experience as well.” Barrett formed Black Wing in the mid-2010s as an opposite to his project Giles Corey; where Giles started as “only acoustic instruments allowed,” Black Wing started with only digital instruments. In 2015, Black Wing released its first proper full length, …Is Doomed, to great critical acclaim. Much like that album, No Moon bubbles with electronica and indie-pop with earworm melodies and affecting lyrics. But No Moon is a transitional change from Black Wing’s debut; the songs here are a bit more experimental and there’s a significantly wider emotional range to them. The lyrics are haunting and personal and resonate deeply with the listener. The nine new tracks on No Moon are gloomy yet glorious, heavy while ambient, overwhelming yet alluring, and offer an earnest and honest look into one’s self during such a troubling and confusing year—something everyone can relate to.

Go to Item

Yukon Blonde

Vindicator

38,99 €*

Release: 2020 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Flight Of The Knife Green/Yellow Vinyl Edition

Bryan Scary

LP | 2020 | US | Original (Needlejuice)

29,99 €*

Flight Of The Knife Blue Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The recorded debut of Scary's touring band, The Shredding Tears, crafted with producer Brian McTear in Philadelphia. Inspired by Pynchon's "Against the Day," the album tells tall tales of airships and innocence lost, bookended by the legend of Airship Valentine. 'Twas released on Black & Greene Records in 2008. "Find your own way to The Knife."

Go to Item

Bryan Scary

LP | 2020 | US | Original (Needlejuice)

29,99 €*

LP | 2020 | US | Original (In The Red)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Demolition Doll Rods

Into The Brave

17,49 €* 24,99 € -30%

LP | 2020 | US | Original (Goner)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“The Demolition Doll Rods are back, Jack. Those masters of Motor City mayhem have returned. Perhaps the only band to be asked by a promoter to keep their clothes on, the Demolition Doll Rods—who have not been in a studio together in fourteen years—are set to unleash Into The Brave in October 2020. “Formed in a Detroit basement in 1993, the Demolition Doll Rods are infamous for their rude, crude two-guitars-drums-no-extra-stuff rock ’n’ roll, not to mention those minimal matching Doll Rod outfits, which included wearing hubcaps, doll heads and even swiss cheese. They recorded four very singular albums together—starting with their outrageous debut Tasty in 1997 (coproduced by Jon Spencer and Mick Collins)—but called it quits in 2007 when co-founders Margaret Doll Rod and Danny Kroha went their separate ways. Until last year, that is, when out of the blue Margaret suddenly reunited with Danny to perform some scorching live shows alongside new drummer Shelby Murphy. “Any doubts that the Doll Rods still have it are blown away mere seconds into listening to Into The Brave, for this collection of twelve songs is as loud, crazy and demented as anything they have ever created). “So here it is—Into The Brave, another collection of nutbucket numbers only the Doll Rods could concoct.” —Jimmy McDonough

Go to Item

Quintron & Miss Pussycat

Goblin Alert

Chisholm In My Bosom Crystal Clear Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This would be the first proper Quintron & Miss Pussycat full-length since 2011’s Sucre Du Sauvage, and the duo’s third for Memphis Tennessee’s weirdo-rock label Goner Records. Produced by Greg Cartwright (The Oblivians / Reigning Sound) and recorded on 2-inch tape at Gainesville Florida’s Pulp Arts studio, Goblin Alert picks up where Sucre Du Sauvage left off: snotty, semi-political, trash-anthems like, “Teenagers Don’t Know Shit”, “Stroller Pollution”, and “Buc-ee’s Got A Problem”. Also, for the first time ever, Quintron and Pussycat have ditched the drum machine in favor of New Orleans jazz-basher, Sam Yoger (Babes, AJ Davilla) on drum kit, and slinky Florida man, Danny Clifton (Room 13, Jane Jane Pollock) on hollow-body guitar. The resulting vibe is some kinda tweaked-out Miami disco dipped into a Mississippi mudslide, especially the tracks featuring Biloxi talk-box master, Benny Divine (aka Benni). And for the mystery lovers, there is 3/4 power-ballad entitled, “Where’s Karen”, featuring backing vocals by Heather Lee (Room 13, Jane Jane Pollock), about a troubled girl who vanished on Mardi Gras day.

Go to Item

Arthur Brown

LP | 1977 | EU | Reissue (Cargo)

Release: 1977 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Post Present Medium)

Gen Pop

Ppm66

LP | 2020 | EU | Original (Montyray)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gen Pop started in Olympia, Washington in 2016. Four faces in the same mirror all with a different reflection. It's not high-brow or low-brow but unibrow. Don't bother making musical comparisons, speak instead in terms of the mood, which, for lack of a better term, may be described as 'tense'. We've all had the feeling of careening headlong into a wall, eyes wide but seeing nothing, so you'll know what to expect. BUT if you must, think Swell Maps meets Buzzcocks in the late eighties american indie scene.

Go to Item

James Dean Bradfield

Even In Exile

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For The Light In Your Eyes

Danny Vera

LP | 2003 | EU | Reissue (Music On Vinyl)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Guruguru Brain)

Mong Tong

Mystery

29,99 €*

Motel Rooms Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded in their home studio in Taipei, this record is a psychedelic journey into Taiwanese folklore combined with the 80’s media obsession with the supernatural. It’s a record that manages to combine nostalgia and tradition with humor and an underlying intrinsic earthiness to create something unlike anything else out there. Brothers Hom Yu and Jiun Chi also play in Prairie Wwww and Dope Purple.

Go to Item

Mother Island

LP | 2020 | EU | Original (Go Down)

2LP | 1981 | DE | Reissue (David Volksmund)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On their third record, called Motel Rooms, Mother Island collected 10 fresh jangle songs they recorded at Outside Inside Studio right after their tour along the West Coast. With California still in their heart, the band grew wiser, and tried to put some italianness in this brand new work. After all, they never concealed their love for 60s Italian movies and vibes à la Morricone can certainly be heard along the tracks. Still twangy, still psychedelic... what is to come makes you think about a deeply surf-oriented flair, which will make people move their feet! THE Band Mother Island is a surreal, whimsical and lunatic space where five musicians resurface their primary and dawning influences. Mother Island is “A Magic Theatre, For Madmen Only”. Mother Island is all in the eyes of the men. Their sound has been described as “the scorching heat of the Westcoastian psychedelia filtered by a lysergic British fog”. In fact, their influences are synthesized through a personal reinterpretation of the visionary rock of the 60s. The band previously released two albums via Go Down Records, both recorded by Matteo Bordin at Outside Inside Studio: Cosmic Pyre (2015) and Wet Moon (2016). Before entering again the recording studio in June of 2018, Mother Island toured along the West Coast of the US to test their new stuff. Touring intensely to promote their second album, sharing the stage with artists such as Mark Lanegan, The Pretty Things, Jacco Gardner, Kula Shaker and Dead Meadow, collecting approvals inside and outside Italy, the band is surfing its buena onda, ready more than ever to bring abroad their personal reinterpretation of what was rock’n’roll in its golden era.

Go to Item

Ton Steine Scherben

Release: 1981 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Warum Geht Es Mir So dreckig?

Ton Steine Scherben

LP | 1971 | DE | Reissue (David Volksmund)

Release: 1971 / DE – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nine Lives And Forty Fives Colored Vinyl Edition

Prima Donna

LP | 2020 | US | Original (Alive)

33,99 €*

Tanya Donelly / Parkington Sisters

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LTD Pressing ON Color Vinyl

Go to Item

Tanya Donelly & The Parkington Sisters

LP | 2020 | US | Original (American Laundromat)

30,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As Your Greens Turn Brown

Diamond Dogs

LP | 2020 | EU | Original (Wild Kingdom)

20,29 €* 28,99 € -30%

Giles Corey (Dan Barrett of Have A Nice Life)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Diamond Dogs - The first 10 years reissued! Record label Wild Kingdom is re-releasing Diamond Dogs first 5 classic Long-Players (1993 - 2003). Produced by Tomas Skogsberg and Diamond Dogs. Including the singles and EPs from the same period. Diamond Dogs, Swedish rock group, formed in 1991 in Katrineholm, Södermanland. From the very beginning hugely influenced by British Early 1970s R&B rock like Rod Stewart and The Faces, Frankie Miller, Dr Feelgood etc. After making highly acclaimed demo tapes with producer Max Martin the band took its time carefully considering various offers of contracts, and ultimately a record deal was signed with Avance Records. All members moved to Stockholm upon finding fame in 1992 and debut album Honked was recorded in Sunlight Studio with inimitable producer Tomas Skogsberg. The first single "Blue Eyes Shouldn’t Be Cryin’" came out in 1993 and made its way to rotation on MTV's Headbangers Ball etc.

Go to Item

Hinterkaifeck

LP | 2020 | US | Original (The Flenser)

LP | 2020 | US | Original (Egghunt /Clandestine)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Wretched Humanity, the fault is yours.”

Giles Corey is the gloomy, stripped-down solo project of Dan Barrett, one of the masterminds behind the cult act Have A Nice Life. Dealing with issues like suicide, depression, and the paranormal, Giles Corey is both incredibly bleak and intimate. Two years after the project’s self-titled debut, Barrett recorded three minimalist tracks before a series of live performances, releasing them as Hinterkaifeck.

Hinterkaifeck was released in February 2013 by Enemies List Home Recordings, and has existed exclusively as a digital release until now. The title is a reference to a gruesome and mysterious mass murder that took place on a remote farm in 1922 near Munich, Germany. The Flenser presents Giles Corey’s Hinterkaifeck as a one-sided 12-inch record with a special etching on the b-side.

“Giles Corey’s Hinterkaifeck is a testament to his ability to wield emotion with his ambience and subtlety.”

—Sputnikmusic

Go to Item

Thin Lear

Wooden Cave

12" | 2020 | EU | Original (Wotnot)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Queens-based songwriter Matt Longo (aka Thin Lear) has always been drawn to the stories of forgotten
eccentrics but never haunted by their subjects. And yet, upon the reading of 1920's occultist Netta
Fornario, and her misunderstood demise on a tiny island off of Scotland, he unearthed the inspiration for a surreal and ethereal collection of songs, Wooden Cave.
Pulling influence from the insular world of Astral Weeks, the melodic adventurousness of Harry Nilsson,
and the eclecticism of Shuggie Otis, Thin Lear creates songs existing on a sonic and
lyrical island of their own. The result is eleven tracks sprawling from ornate, warm
ballads, to psychedelically-tinged folk, to propulsive grooves, brimming with melody and heart.
Wooden Cave, written for outsiders like Netta, radiates with a sonic glow that harkens back to
70's-era studio obsessives, familiar and surprising in equal measure, like a face from a dream.

Go to Item

Isayahh Wuddha

Urban Brew

10,49 €* 13,99 € -25%

King Buzzo Of Melvins with Trevor Dunn

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For Fans Of: Arthur Russell, Cody Chesnutt, Music From Memory, Can, Damo Suzuki
Cody Chesnutt’s Headphone Masterpiece is a core work in the WotNot inspiration book. Put that release through Google Deep Dream and Isayahh Wuddha’s Urban Brew is what you end up with. Recorded in Kyoto to multitrack tape recorder with vintage drum machines, guitars and Casio keyboard, the result is an eddying blend of lo-fi soulful indie, funk, rock and psychedelia.
The release is led by Wuddha’s strange but alluring vocal delivery, moving between tender-to-the-point-of-breaking any-second, almost-apathetic-semi-rapping and friendly conversational with the occasional James Brown scream dotted around.
While the music ranges from lively to ballad-esque, there is a sense of fun and playfulness throughout, enhanced by the raw, slapped-together production style.
With roots in Taiwan and Japan, Kyoto’s Isayahh Wuddha counts avant garde saxophonists Albert Ayler and Kaoru Abe among his early influences, but attributes his decision to make and release music to reading Michael Jackson’s biography!

Go to Item

Gift Of Sacrifice

LP | 2020 | US | Original (Ipecac)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Far Enough Colored Vinyl Edition

Cable Ties

LP | 2020 | US | Original (Merge)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Journey's End Record Store Day 2020 Edition

Pluto

LP | 2020 | EU | Original (Morgan Blue Town)

Yesterday Is Gone Orange Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2020 Release.

Previously unreleased second album from Pluto, whose first is highly collectible. Remastered mixed by the band from original master tapes found in the Morgan tape stores. The band includes members of Dry Ice and The Foundations.

Go to Item

Dana Gavanski

LP | 2020 | UK | Original (Full Time Hobby)

22,09 €* 25,99 € -15%

Release: 2020 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wasted Shirt (Ty Segall & Brian Chippendale Of Lightning Bolt)

Fungus II

LP | 2020 | US | Original (Famous Class)

Eddy Current Suppression Ring

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

• Heavily recommended by Henry Rollins

• LP includes an 8-page risograph lyric zine by Brian Chippendale

“Rarely when formulating combinations of musicians you would like to hear play together do you get to actually hear it. If Brian Chippendale and Ty Segall made a record, would you want to hear it? If the answer is yes, read on. If the answer is no, it’s too bad you ended up canned, suspended in syrup with nothing but other peaches to keep you company.

“Ty’s 2019 album First Taste and the new Lighting Bolt album Sonic Citadel are easily some of the best material either entity has ever released so if these two happened to find themselves in the same recording studio, a fan just might entertain elevated expectation levels. In fact, some might actually show signs of enthusiasm, even excitement at the fact that from July 5th -13th 2018, in the air-conditioning free environs of Ty’s home studio, the duo, eventually calling themselves Wasted Shirt, wrecked the joint as thoroughly as you hoped they would.

“Prepare To Be Stoked Dept.: The album is exploding euphoria from start to finish. A morphing day-glo rainbow that will bring a smile to your face like if you were on your way to Washington DC for the Million Puppy March. Upon first spin, all boxes are checked and any previously held doubts are completely obliterated. The more you play it, the better it kabongs you upside your head. Hectic doesn’t even begin to describe it. Brian and Ty, two mere particles in the grand scheme, collide at high speed, the technicians dive for cover, the reaction is recorded. Mutation is achieved. This is Freedom Rock. Turn up the volume. Hasten your emancipation. Sonic joy awaits.”

—Henry Rollins

Go to Item

All In Good Time

LP | 2019 | US | Original (Castle Face)

LP | 2019 | EU | Original (Born Bad)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“It is impossible to deny no one sounds like Eddy Current. I was hooked from riff one and I was lucky enough to do a full tour of Australia with them years ago—good fucking boys, simple as beer and chips, and that satisfying live. But that’s not to say there aren’t odd complexities to their definitive sound.

“You can smell Mikey Young’s guitar approach like Sasquatch rustling the bushes, every time you think you see the bend ahead, you go into a tunnel or backtrack for a moment, then back to a nice place you can call home. Rob [Solid]’s bass is pub-fuzz groove. It’s shells-on-the-floor and leaning-against-the wall-with-one-hand-while-you-have-a-piss thinking: maybe you can take that guy? Only one way to find out— oh wait, he’s smiling…nice bloke! Danny [Young]’s drums are a clinic in reservedness: 4-on-the-floor. This guy’s Charlie Watts in the looking glass, every hit a necessity—solid, not flashy, like the lead street tough in a ‘70s flick. He don’t say much, but it counts. And then there is Brendan [Huntley], be-gloved lead mensch in this quartet. Singing with earnest street poet confidence, his message coming in on the weird-wire, hard to describe, best to just listen and see: a pub-punk-priest.

“We are very pleased to have these boys back on the streets. It had been far too long.” —John Dwyer

Go to Item

Pleasure Principle

Mystic Familiar Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I’m going to say “I” because I think I can’t write about my music other than in the first person. I’ve been playing drums since I was fifteen years old and I’ve always had bands since. Even if I always contribute artistically, to different degrees, my latitude of action, from a creative point of view, has always been limited by the fact that I am a drummer. Like many people, I learned to play very approximately the guitar and keyboard, and I spent years going over obsessions and recurring patterns, in my room and in my head, without doing any of that, and knowing that even though I was and still am extremely involved in my past and present bands (Skategang, La Secte du Futur, Marietta to a lesser extent, and ), the music we were making was only partially representative of me. I’ve always listened to a lot of reggae, dancehall, music from Ghana, Nigeria, Congo, and overall music that is based more on repetition and intention than composition, and that’s something I could never really develop in there.
In 2015 my brother and friend Benjamin Dupont, the human behind Bryan’s Magic Tears, moved into my flat share / Noah’s Ark at 35 rue Clignancourt, in the 18th arrondissement, and it was him who unlocked everything by showing me how to record music by myself ; and one September morning, lying on my back, I saw the light.
It’s really a new world that’s opened up to me, I started recording at a pretty intensive pace, just letting myself be carried away by what I’ve had in my head and fingers for years; I’ve accumulated a lot of material, including a lot of unfinished pieces, and I’ve tried – I’m still trying – to understand for myself what my point really is and to learn how to systematize and channel my obsessions to make it something personal.
Recording a lot, without any constraints of format, group or expectations, by letting myself be totally carried away by what was coming out in the moment, it allowed me to give myself a certain insight into myself; I am not one of the people who compose music by having an idea of where they want to go, but by repeating the exercise, something coherent ends up taking shape. I would say that it oscillates, for the music, between synthetic krautrock, dancehall lo-fi, Manchester sound recorded with toys, rock à la Velvet and Memphis rap for children; and between Les Négresses Vertes and Julien Gracq for the texts. I still write the basis of my lyrics without music, and I attach a lot of importance to it; French has become obvious because I want to say something true and I would not be able to do it otherwise – even if the text of “The Fur” is in English, but it was to seduce a girl (it didn’t work), and it won’t happen again. This is my friend Paula from J.C. Satan and Succhiamo, who sings on “Mariposa” and “Venera 16”, because I had no idea what to do about it; I sent her the songs and she sang on her phone, it was great so we recorded it.
This first album is a kind of best-of from 2015 to 2018, the songs that held up best, the ones I had lyrics on, the best finished drafts, basically. I owe its existence to my friends at the Megattera micro-label who, after hearing my songs at home at night, decided to release them confidentially on tape first; without them, they would still be on my hard drive. Under the spell, Born Bad Records then entrusted Olivier Demeaux de Cheveu/ Heimat with the mission of mixing the “best” tracks to give them the lustre they deserve and make these few crazy and scattered tracks a full-fledged album. I asked Adam Karakos, from Villejuif Underground, Guillaume Rottier, from Rendez-Vous, Nikolaj Boursniev, from Quetzal Snakes, and Milia Colombani, who plays in half the bands in Paris, to play live with me.
Pleasure Principle is located somewhere within a triangle formed by Francis Bebey, Add (n) To X and Ludwig Von 88; it is a solitary race to the outside, an ode to the forward flight, a way to escape in the peaceful expectation of the great liberating flash. I often find myself dancing like a monkey who forgets the world when I record at night in my room, and I hope to provoke the same reaction in people.
Paul Speedy Ramon

Go to Item

Dan Deacon

LP | 2020 | UK | Original (Domino)

Release: 2020 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nato Coles And The Blue Diamond Band

Flyover

LP | 2019 | US | Original (Don Giovanni)

LP | 2019 | EU | Original (Vee-Tone)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Every bar worth drinking at in these great United States has a character like Nato Coles. They know the jukebox so well that the reference catalog becomes meaningless. They're on first-name-basis with all the bartenders, spout trivia like someone's actually listening, and have a particular stool with their ass-print permanently worn in. But most importantly, they're storytellers, historians of low-culture, grizzled raconteurs that can effortlessly shake-out a cocktail of true facts and utter bullshit until it becomes as intoxicating as their "usual."

Originally from Milwaukee, Nato Coles is a journeyman of Midwest punk, getting his start in bands like Modern Machines and the Shrubbers. While he's now been away for longer than he lived there, Brew City still feels like home for Nato. "That's the city that taught me pretty much everything I know," he elaborates, "learning how to tune a guitar, and learning how to avoid getting mugged." Modern Machines made some splashes in the north-coast punk community of the early 2000s, building upon a strong local following gleaned from legendary house shows and other DIY venue spaces. Striking out on the highway with the "MoMacs," as they were known to their fans, gave Nato his first taste of the touring lifestyle and also his first brush with the Twin Cities. "There's a Hold Steady line about knowing Mary Tyler Moore and Profane Existence. I knew Garrison Keillor and Siberia," he says with a laugh. "I would come up here by myself and stay for week, go out and hang out every night and made a ton friends. I kind of realized that the Twin Cities has so much to offer."

Go to Item

The Blackjacks

Elvis Presley Posters

13,19 €* 21,99 € -40%

Brown Acid - The Ninth Trip Riding

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vee-Tone Records are delighted to release ‘Elvis Presley Posters’ the debut album from The Blackjacks, one of the most exciting new talents on the ‘roots’ music scene today. If you’ve caught these young lads live, then you’ll know exactly why they’re causing such a stir.

Go to Item

V.A.

LP | 2019 | US | Original (Riding Easy)

LP | 2019 | US | Original (Don Giovanni)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The forthcoming ninth edition of the popular compilation series featuring long-lost vintage ’60s-’70s proto-metal and stoner rock singles, Brown Acid - The Ninth Trip is set for release! Some of the best thrills of the Internet music revolution are the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century—particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins—often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid.

Go to Item

Screaming Females

Singles Too

LP | 2019 | US | Original (Three Lobed)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Out October 18th, Singles Too is a complete collection of Screaming Females' non-album recordings, gathering the band's early 7' singles, digital-only b-sides, rarities, and one pretty great remix. The digital version also gathers six cover songs, including the New Jersey trio's re-works of songs by Neil Young, Taylor Swift, Sheryl Crow, and Patti Smith.

The tracklist -- which is arranged chronologically -- provides a roadmap of the band's progress through 15+ years, seven albums, and countless tours. 'On the first single we ever put out, there were mistakes that I made playing guitar that make me want to crawl in a hole and die,' says guitarist Marissa Paternoster, recalling the sessions for 'Arm Over Arm' and 'Zoo of Death.' 'At the time I didn't know I was allowed to say, 'Can I do that again and correct it? I was 19, giving it my all.'

On Singles Too, you can hear Screaming Females lay it down at Milltown, NJ's post-apocalyptic recording-on-a-budget one-stop, The Hunt -- tin roof, flammable mixing board, DIY growlab housed in back of Marshall cab -- AND at posh Los Angeles hit-factory, East West Studios, where they convened with members of Garbage to cover 'Because the Night.'

The b-sides included here also capture the breadth of the trio's creativity, with compelling detours and tangents otherwise unrepresented in their catalog -- from Sammus and Moor Mother's re-work of 'End of My Bloodline' to the stripped down demo of Rose Mountain's 'Hopeless.' And it doesn't hurt that Singles Too is also full of hits, even though they're other people's hits, though -- much loved cover versions of classics by Sheryl Crow, Taylor Swift, Neil Young, Patti Smith, and more.

Singles Too is a rarities comp, yes, but it's a very, very compelling one, gathering Screaming Females most obscure original material together with it's best-known performances of other people's songs. A deep dive, an introduction, and a history lesson all at once.

Formed in 2005, Screaming Females are Marissa Paternoster (guitar), Mike Abbate (bass), and Jarrett Dougherty (drums). They have released seven full-length albums and toured across the world.

Go to Item

Wet Tuna

Water Weird

LP | 2010 | EU | Reissue (A)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Water Weird represents Wet Tuna's Three Lobed Recordings debut. The duo, comprised of Matt Valentine (MV&EE, MV, Tower Recordings, Woods, etc) and Pat Gubler (PG Six, Garcia Peoples, Tower Recordings), rolled the dice and formulated six new routes/roots to get you, the listener, to the ever changing "there." Water Weird's got the country funk on 'Cowpath 40', the cosmic strut on 'Poor Old Interstellar', and the dusted ramble on 'Roam'. With 'Disco Bev', Wet Tuna hop off trail to shake down the streets with a fierce electric groove. The album's shortest and sweetest space, 'Goin', is all Jerry-smoke coda, a nod to the spiritual engineer of the new train of jammers where Wet Tuna HEADlight along with their city cousins Garcia Peoples (who feature PG Six as a member). On whole, Water Weird uncorks a steady synthesis of folk-blues, the avant garde, west coast and Swedish psychedelia into a nice, big, fat one. Listen in and you'll always be holding'

Go to Item

Brian Jonestown Massacre

Take It From The Man!

28,99 €*

Release: 2010 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2017 | US | Original (Ba Da Bing!)

Julie Byrne

Not Even Happiness

El Ten Eleven 15th Anniversary Black Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker. Cover has tiny corner wear. Vinyl is close to NM.

Go to Item

El Ten Eleven E

LP | 2019 | US | Original (Joyful Noise)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | EU | Original (Mono-Tone)

Lorete Velvette

Don't Crowd Your Mind

7" | 2019 | US | Original (Dine Alone)

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First time ever on LP for this compilation of songs originally on rare 45s and CDs for the ex Panther Burns and Hellcats member, with guests like Alex Chilton and MickCollins! Ex Panther Burns and Hellcats member here on her own with guests like Alex Chilton, Lee Baker, Doug Easley and Mick Collins! Garage blues and raunch'n'roll, originals songs and startling covers - the true Memphis sound, savage and soulful!

Go to Item

Alexisonfire

Complicit

14,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fear Inoculum Special Edition

Tool

CD | 2019 | US | Original (RCA)

90,99 €*

LP | 2019 | US | Original (Grand Jury)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fear Inoculum is the long awaited new album from TOOL, and the band’s first new album in 13 years. The album will be available digitally, and in a special Limited Edition physical package that includes a CD in a tri-fold Soft Pack Video Brochure featuring a 4” HD rechargeable screen with exclusive video footage, a USB charging cable, a 2 watt speaker and a 36 page insert book and MP3 download card.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.

Go to Item

Twin Peaks

Lookout Low

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | US | Original (Tiny Engines)

Peaer

A Healthy Earth

LP | 2019 | EU | Original (Caroline)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Listening to Peaer is like watching someone solve a complicated math equation with grace. Each moment is executed with precision, care and foresight for how it will serve a later part of the arrangement. Every note - and the space between - is integral to the composition. Comprised of two studio engineers and a guitar teacher, Peaer's music is naturally methodical, but not at all rigid or convoluted. In fact, the Brooklyn trio's new album, A Healthy Earth, is profoundly introspective, genuine and colorful: a sensational balance between meticulous sonic construction and self-analytical lyrics that open up into thought-provoking social commentary.

Go to Item

Twin Peaks

Lookout Low

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Out Of The Blue Black Vinyl Edition

Dan Luke And The Raid

LP | 2019 | EU | Original (New West)

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Forever Turned Around Forest Brown Vinyl Edition

Whitney

LP | 2019 | US | Original (Secretly Canadian)

LP | 2019 | US | Original (Tiny Engines)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Forever Turned Around came together over several sessions across the country. Though Julien Ehrlich is Whitney's lead singing drummer while Max Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. "The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, `What can we change to make it more interesting?'" says Kakacek. Challenging each other is the core of their songwriting partnership. It's these risks and experiments that make Forever Turned Around a triumph. Take opener "Giving Up," which started from a stream-ofconscious revelation when Ehrlich improvised the chorus while Kakacek played Wurlitzer. What began as a nod to Neil Young's Live at Massey Hall 1971 in an afternoon turned into a heart-rending and relatable song about the ups and downs of long-term relationships. Over twinkling piano, Ehrlich sings, "Though we started losing touch / I've been hanging on because / You're the only one I love." He explains, "In a relationship, you don't stay at the same level at all times. You go through weeks where you're closed off."

Go to Item

Summer Cannibals

Can't Tell Me No

LP | 2019 | US | Original (Beyond Beyond Is Beyond)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Summer Cannibals fourth album Cant Tell Me No is a defiant release whose very existence is the result of taking back power. After escaping a manipulative personal and creative relationship, guitarist/vocalist Jessica Boudreaux chose to scrap an entire record that had been finished for over a year and start from scratch. Along with Cassi Blum, Devin Shirley and Ethan Butman, Boudreaux wrote, recorded and mixed many of the new tracks during 14-hour days, emerging with the Portland, OR band's first entirely self-engineered and produced album. The Cannibals formed in 2012 and gained a fervent following on the local Portland scene, eventually playing with some their musical heroes including L7, Mudhoney, Stephen Malkmus and The War on Drugs, and touring with Ted Leo & the Pharmacists and Cursive. Along the way, they released 2013s No Makeup and 2015s Show Us Your Mind on their own label, New Moss Records, and 2016s Full Of It on Kill Rock Stars. Show Us Your Mind appeared on NPRs Sound Opinions Best of list in 2015, and Pitchfork said that on Full Of It, the Cannibals expertly balance flame-belching Mad Max riffage with lyrics frankly exploring questions of co-dependence and need. Cant Tell Me No is, as much as anything, about finding love and acceptance on the other side of pain. On a larger scale, the album stands up not just to a relationship or an industry, but to the people and constructs that have been trying to silence women and hold them down for so long. Its about doing the right thing, says Boudreaux, even when its terrifying.

Go to Item

Prana Crafter

Bodhi Cheetah's Choice

LP | 2006 | US | Reissue (Castle Face)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Prana Crafter's Beyond Beyond is Beyond debut is an electric woods walk. "Bodhi Cheetahs Choice" rambles, soars and flows through a heavy fog of psychedelia. The music of Prana Crafter is most easily tagged acid folk but such a reduction misses the electronic and avant influences, the boggy atmospheres and synthesized meditations. Like the forests that creator William Sol roams in rural Washington state, Prana Crafters music is both familiar and ever-changing. Without pledging devotion to any one, Sol invokes great spirits of the past with acoustic and electric guitars, synths, and hand drums. Not so much an album as it is a channeling, "Bodhi Cheetahs Choice" needs to be heard by the third ear

Go to Item

Thee Oh Sees

Grave Blockers

18,99 €*

Bring On The Music - Live... Volume 2 Blue Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissued extremeley limited, long out-of-print EP from long-running garage rock band’s early formative period in San Francisco! Encased in a brown paper wrapping like a forgotten bit of smut from behind the beaded curtain, this unassuming disc is a time-capsule back to John Dwyer’s early SF days, janglingly fingerpicked wisps of melody and electronics baking in the all-too anemic sunshine of San Francisco’s elusive summer. Like a seashell to the ear, one can hear within it Baker Beach bike ride excursions, holding court and gently harassing passers-by on a Haight street stoop, and midnight rambles with friends from out of town, daring the sun to come up. Somewhere chronologically between the folky whisper of Songs About Death And Dying and the recently reissued Cool Death Of Island Raiders, this one’s been vexing to find for way too long and Castle Face has decided to give it “the treatment”. May it awaken the gentle glow of possibility dappled with the dancing shadow of danger that it stirs around this castle.

Go to Item

Gov't Mule

2LP | 2019 | EU | Original (Mascot Label Group)

Bring On The Music - Live... Volume 1 Purple Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

No two Gov't Mule shows are alike, as the band draws on the more than 300 songs in their repertoire (and often a host of special guests) to create a unique experience each and every time. Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – have galvanised a global fan base with their improvisational virtuosity, leading them to be recognised as one of the most timeless and revered bands in the world.

"Twenty-five years... By the time you hear the performances from these two shows, Gov't Mule will have celebrated 25 years as a band -- something we never could have imagined. It's no easy task keeping a band together for 25 years. You don't get to do that without having built, nurtured, depended on, tested, damaged, and rebuilt important relationships. In fact, with any band that's stayed around that long, it's all about relationships. When we made the decision to document where the band is currently (musically speaking), it immediately occurred to us that this would be, among other things, a celebration of a lot of those relationships -- starting with the one between the four of us.

The title, Bring On The Music, is obviously taken from the song of the same name that deals not only with loss and the passing of time, but also with our relationship with our audience as well. Without our audience, there would be no chance or reason for us to be around 25 years later.

It was also obvious that we wanted to film and record at the Capitol Theatre in Port Chester, New York, which is one of our favorite venues. Since its re-opening in 2012, myself and Gov't Mule (together and separately) have played there many times and have had many magical shows there. To quote Jerry Garcia, 'There's only two theaters, man... The Fillmore and the Capitol Theatre.' " - Warren Haynes

Go to Item

Gov't Mule

2LP | 2019 | EU | Original (Mascot Label Group)

Play All Your Favorite Songs

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Dum Dum Boys

LP | 2019 | EU (Mono-Tone)

Release: 2019 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black In Deep Red, 2014 Record Store Day 2019 Edition

Moses Sumney

12" | 2019 | US | Original (Jagjaguwar)

20,24 €* 26,99 € -25%

LP | 2019 | US | Original (Beyond Beyond Is Beyond)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It feels appropriate in our current climate. Words from Moses, "Black in Deep Red, 2014 was ignited by the first and last time I attended a protest.

It was in the fall of 2014, after a grand jury decided not to charge the offending officer in the Mike Brown murder, delivering the verdict just in time for them to get home for Thanksgiving. I felt like a camouflaged outsider at the protest, like an anthropologist performing a study amongst his own kind.

I took to the mountains soon after that and wrote these songs, wondering if power was a transferable device that could change hands through the vocalizing of unrest.

Go to Item

Garcia Peoples

Natural Fact

LP | 2019 | US | Original (Ba Da Bing)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The second album in less than a year from those lovable New Jersey moptops with the sweet twin guitars, "Natural Facts" provides a portal to the carefree place that both indie rock and jam bands forgot. Bolstering the summer glow of 2018s "Cosmic Cash" with flashes of fuzz, teeth and power, "Natural Facts" is the more driving counterpart to its rural predecessor. Danny Arakaki & Tom Malachs guitars remain at centerstage on machine gun shreds like the album-opening Feel So Great & the rolling grooves like High Noon Violence (which would fit right in with one of David Crosbys early 70s supergroups). Tracked in Philly with Jeff Zeigler, "Natural Facts" is a newly emerging conversation, songs & structures drawing from the most right-on musicians to cross Garcia Peeps collective transom. Classic rock guitarists of yore might be obvious touchstones but bend your ear and newer colors emerge, generated from hours & years of talk & music. Nothing inorganic here, just pure Natural Facts

Go to Item

Tiny Ruins

Olympic Girls

The Brian Jonestown Massacre

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A rare blend of eloquent lyrical craft and explorative musicianship, the songs of Tiny Ruins are etched into the memories of crowds and critics worldwide. Traversing influences that cross genre and era, the artistry of Hollie Fullbrook and her band spans delicate folk, lustrous dream pop and ebullient psychedelia. Building on the sparse arrangements and “a novelist’s eye for detail” (Uncut) cultivated over the past several years, the group’s greatly anticipated third album Olympic Girls is replete with vital lyricism and galvanizing rhythms. Sparkling electric guitar jangles pull against the unique thrum of Fullbrook’s acoustic as the cryptic poetry she is known for rings out.
Hollie Fullbrook is no stranger to acclaim. Debut album Some Were Meant For Sea (2011) saw her name on billboards, playlists and blogs worldwide. The album’s clutch of “gorgeous vignettes” (BBC) put the artist on the map. Second album Brightly Painted One earned more accolades, championed by The New York Times, NPR and David Lynch, and winning Best Alternative Album at the New Zealand Music Awards in 2014. “An album of quiet, devastating beauty,” wrote Pop Matters. The album saw Fullbrook join forces with producer Tom Healy, whom, alongside long-time tour-mate bassist Cass Basil and drummer Alex Freer, Fullbrook has worked and toured with ever since.
While spanning continents, the band won fans in critics, crowds and became a sought after collaborator. A New York recording session culminated in the EP Hurtling Through (2015) with indie-rock legend Hamish Kilgour (The Clean), while 2016 single “Dream Wave” was recorded and produced by award-winning cult filmmaker and musician David Lynch. Headhunted by Lorde for the Hunger Games soundtrack blueprint she curated, Fullbrook teamed up with legendary filmmaker Lynch for the collaboration.
This album was made over a drawn out period of spontaneity and experimentation, stridently reaching beyond Fullbrook’s formerly minimalist domain. Production from Tom Healy and Fullbrook is exercised with muscular aplomb; marrying the intricately woven poetics of Leonard Cohen, the shimmering dream-pop landscapes of Beach House or Mazzy Star, and the off-kilter experimental pop of Broadcast or John Cale.

Go to Item

Forgotten Graves

10" | 2018 | EU | Original (A)

14,99 €*

Therealangelcorpuschristi

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The first track is "Forgotten Graves" (which is exclusive to this release) & the second track is "Tombes Oubliées" with Rike (Friedrike) Bienert providing the vocals which is off the forthcoming self titled BJM album. With Sara Neidorf on
drums , Hakon Adalsteinsson on guitar & Heike Marie Rädeker on bass supporting Anton Newcombe in these sessions that were recorded between December 2017 &
January 2018 at Cobra Studios in Berlin . Released in the same month as the hundredth anniversary of the World War 1.

Go to Item

Angel Corpus Christi

LP | 2018 | EU | Original (Mono-Tone)

LP | EU | Original (Tiny Global)

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First compilation of the full career of Angel Corpus Christi, from 45s to major labels, from 1984 to now! Avant-garde or traditional pop auteur? There's no one quite like ACC in the pop firmament and the sooner the world wakes up to that fact, the better. You could do worse than start with this career-long compilation, from her 1984 debut
to recent stuff, mixing idiosyncratic covers and minimalist, left-field, ultra catchy pop. The songs feature guest stars Alan Vega (Suicide), Dean Wareham (Luna/Galaxie 500) and Sonic Boom (Spacemen 3/Spectrum) along the way. There's nowhere near enough accordion in rock n' roll as I'm sure you'll agree when you get a load of these hair-raising harmonics! Liner notes by Lindsay Hutton.

Go to Item

Nightingales

Perish The Thought

18,89 €* 26,99 € -30%

LP | 2018 | US | Original (Spiritual Pajamas)

Release: EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It's unusual for an act to hit its peak after four decades. Yet here it is. The Nightingales have
notoriously had a new label for each new album, a fact which might reasonably call for
consumer caution, but they don't fit in with anything like a scene, they speak their own
musical language, and while they bust out slogans about being "slightly superior to others of
their ilk" . . . the truth is, they have no ilk. Faust's Hans-Joachim Irmler adds keyboards and
The Lovely Eggs' Holly Blackwell's languid voice features on one song. John Peel noted, "Their
performances will serve to confirm their excellence when we are far enough distanced from
the 1980s to look at the period rationally and other, infinitely better known, bands stand
revealed as charlatans". It's doubtful he would have bothered with such a pre-emptive defence
if he'd been able to witness the explosive growth of the band during their second incarnation.
Perish The Thought will be promoted by a far-flung tour, from Scotland to Serbia. 180g vinyl,
with a gatefold sleeve, specially commissioned artwork by the David Yates, with a download
card.

Go to Item

The Skiffle Players

Skiff

18,99 €*

LP | 1970 | EU | Reissue (Wah Wah)

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Their second album, Skiff, is a new direction for The Skiffle Players. Now, they all sing and write. There is no leader. Recorded at Infinitespin Recorders in Van Nuys CA, with engineer Matt “Linny” Linesch, the album begins with a bold opening; the Farmer Dave Scher-penned “Cara,” heavy information for the soul. Then, into classic Cass McCombs insanity on “Local Boy,” a wild ride on the run from the cops. Third is a touching tribute to a bygone companion, “Miss It When It’s Gone,” written and led by Neal Casal.

The album’s revolving perspective continues to bounce around, leaving no apparent land to stand upon. In that, it is deeply subversive. For there is nothing to defend, but the ability to transform and imagine.

The album continues to unfold back to McCombs with a satire on justice, “The Law Offices Of Dewey, Cheatum And Howe.” It goes from the saloon “Long Horns, Long Necks, Long Legs,” to the rainforest “Herbamera.” Casal blasts in again with the sun-bleached rambler, “Los Angeles Alleyway.” Scher’s “Skiffleman” sings a song for everyone. McCombs plays with memory in a song about coming of age in the Bay Area on “Oakland Scottish Rite Temple Waltz.” Penultimately, “Santa Fe” is an elliptical broadside about materialism and waste. The album concludes by pushing off again, out into the familiar waters of a traditional skiffle number, “Sweet Georgia Brown,” each member taking a perhaps all-too casual solo.

This is acoustic dance music at its finest. It is also refreshingly contradictory, irreverent and mystical, deeply personal and communal, and traditional and profane—the ever revolving and disintegrating ship known as Skiff.

Go to Item

Wynder K. Frog

Into The Fire

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

Go to Item

Wynder K. Frog

Out Of The Frying Pan

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

Go to Item

Wynder K. Frog

Sunshine Super Frog