Search "we are rewind" 3623 Items

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Alien Transistor)

o'summer vacation

Electronic Eye

Price Of Progress Yellow Vinyl Ediiton

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Smile

LP | 2023 | AT | Reissue (Siluh)

25,99 €*

Release: 2023 / AT – Reissue

Genre: Rock & Indie

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LP | 2021 | US | Original (Kanine)

Lucid Express

2LP | 2020 | UK | Original (Sony)

Release: 2021 / US – Original

Genre: Rock & Indie

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Lucid Express is five young dreamers who create a stunning airy blend of shoegaze and indie pop amongst the skyscrapers, mountains, and packed alleyways of Hong Kong. The name itself a modest mission statement of the band's intent: lucid in the poetic sense of something bright and radiant. The group formed as teens in the winter of 2014 in the turbulent weeks just prior to the Umbrella Movement. Vocalist/synth player Kim says "at that time it felt like we have a need to hold on to something more beautiful than before. Like close friendships, the band, our creation." Listening to their blissful, dreamy compositions, it may come as no surprise that these songs carry the mood of their times of inception. With all members of the band working late-night shifts, this led to a rehearsal and recording schedule that found the band playing between midnight and 4am and then crashing together on the studio floor before returning to work early in the AM. Debut album Lucid Express was given an extra sparkle thanks to the creative mixing of Max Bloom (Yuck), operates as the service to take the listener on a journey through the band's color-soaked sounds.

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The White Stripes

Greatest Hits

Release: 2020 / UK – Original

Genre: Rock & Indie

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In 1997 a brother and sister climbed into the third floor attic of their Southwest Detroit family homestead and bashed out a primitive cover of David Bowie’s “Moonage Daydream.” In an alternate reality, it’s all they ever do musically. The brother leads a spartan life as a dutiful upholsterer and the sister finishes culinary school and continues to make heartwarming food.

But that doesn’t happen. Something sparks in both of them. They take their simple guitar-drums-voice approach to a local open mic night on Bastille Day. The performance was just good enough to keep them going. In what feels like a whirlwind, they record and release two 7-inch singles for a local indie label. A not-so-local indie offers to put out a full length album.

They start touring. Another album. More touring. Another album. Folks Really start to pay attention. Crazy touring. More albums, accolades, wildest dream after wildest dream coming true. “World-renowned” becomes an appropriate descriptor as does “long-building overnight sensation.”

It is with extreme reverence that we present to you The White Stripes Greatest Hits.

The first-ever official anthology of recordings from the iconic rock duo, Jack and Meg White, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. In an era of streaming where the idea of a “Greatest Hits” album may seem irrelevant – that an act’s most streamed songs are considered their de facto “hits” – we wholeheartedly believe that great bands deserve “Greatest Hits” and that a large part of Third Man Records’ and The White Stripes’ successes have been built on zigging when the rest of the music business is zagging. Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary.

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10" | 2020 | EU | Original (Stag-O-Lee)

Trashcan Records 06

16,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Spectrum Audio)

Loaded: The Collection

40,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Mannequin 3 Color Striped Vinyl Edition

Sun And Sail Club

LP | 2014 | EU | Reissue (Heavy Psych Sounds)

36,99 €*

Great White Dope Black/White/Orange Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Sun and Sail Club’s debut album “Mannequin” embarks on territory that is both new and exciting. Not surprisingly, “Mannequin” spearheads the obvious future and progression of hard rock fury, bringing to the table the true professionalism and mastery, and dynamic musicianship that has been on full display from Fu Manchu, Kyuss and The Obsessed in years past, but also adds a completely new level of precision, technicality and accuracy to make an album that is almost completely flawless from start to finish. "Overall, this record is heavy and dark. It’s Inspired by Devo, Voivod, Kraftwerk, Torche, Slayer as much as it’s inspired by Aswad, JOE Pass and WES Montgomery. I wanted a super heavy groove that would support angelic vocal harmonies. I think we achieved that." – Bob Balch. New artwork made by Mirkow Gastow.

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Sun And Sail Club

LP | 2015 | EU | Reissue (Heavy Psych Sounds)

36,99 €*

Great White Dope Violet Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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The name might be the Sun and Sail club, but you'll find no yacht rock here. Instead of Michael McDonald, we have Bad Brains. Kenny Loggins? Hall and Oats? More like Matt Pike and Lemmy Fucking Kilmister. “The Great White Dope” is featuring members of Kyuss, Fu Manchu, and the Adolescents, containing 10 riff-filled tracks of high energy, bullshit-free punk and sleaze. The song writing on ‘The Great White Dope’ steers away from the experimental direction of their previous release, and it's laser focused on one thing: unapologetically rocking your face off. The vocoder is gone and they've recruited singer Tony Adolescent, who delivers balls to the wall vocals with no added effects or frills. The production, like the music itself, is loud, heavy, and beautifully simple. “This record is a direct result of my wife telling me she was pregnant with our son. As a first time father, panic set in and I wrote the album in two hours. I wasn’t sure if I’d have a lot of time once he was born so I crammed as many frantic riffs into one album as possible. Looking back it’s funny to listen to now, but at the time I was on a mission. Everyone killed it on this record and we recruited Tony Adolescent on vocals which is unreal to me.” - Bob Balch

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Sun And Sail Club

LP | 2015 | EU | Reissue (Heavy Psych Sounds)

Tape | 2024 | JP | Original (Zouen Keikaku)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Fyyy

Hoves

16,99 €*

On The Intricate Inner Workings Of The System Red & Orange Marbled Vinyl Edition

Release: 2024 / JP – Original

Genre: Rock & Indie

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The amazing debut album of the artist “fyyy” is released from the independent label Zouen Keikaku! In a place where any expression sounds cliche, the simple songs scatter incomprehensible Japanese lyrics and mix with drone-like guitar sounds to create an eerie magnetic field before the scene. The twisted indie-folk lineage of Neutral Milk Hotel and The Microphones, which fyyy himself claims to have been influenced by, is twisted, twisted, and no longer heartening.

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The Bug Club

LP | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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We Are Winter's Blue And Radiant Children

"No More Apocalypse Father"

LP | 2024 | CA | Original (Constellation)

LP | 2023 | EU | Original (Glitterbeat)

Release: 2024 / CA – Original

Genre: Rock & Indie

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WE ARE WINTER'S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball(BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion),and Jonathan Downs and Patch (both Ada). On "NO MORE APOCALYPSE FATHER" they presentsix modal lullabies drenched in seared distortion, slathered across striding electronic pulses.Ball and Menuck began creating music in and for the bleakest moments of Montréal winters:"We're honoring that idea of winter, when you come inside and your house is warm, a placethat only exists because of how cold it is outside," says Menuck. They later recruited Downsand Patch to flesh out their initial ideas. Menuck met them in 2015 when recording Ada'sfinal album at Montréal's Hotel2Tango _ where they reconvened to make this record."NO MORE APOCALYPSE FATHER" is an album about witnessing bleakness from a place ofsafety. Carrying newfound descriptive depth, thanks to the quartet's open-ended songsfreeing him from writing in meter, Menuck likens his lyrics to photorealism. On opener `Ratsand Roses' he sings of an unnamed city struck by an unknown cataclysm, but the details arelocal: specifically, his neighbors inadvertently poisoning birds when tackling a rat infestation.It's backed by blown out synths and guitars reaching a soaring crescendo. "Seeing thingsfrom a distance and not being able to intervene happens a lot on the record," Menuckexplains. "If you're a feeling and thinking person, that's just part of the human condition.We watch horror unfolding from afar, unable to do anything concrete to change it."A powerless witness, able to describe but not intervene. `Dangling Blanket From A Balcony(White Phosphorous)' references Michael Jackson holding his child over a hotel balcony in2002_the bizarre media spectacle still lodged in Menuck's psyche. This and the album'sclosing track also elegize white phosphorous, a technology of war designed to light upbattlefields but capable of inflicting horrific burns on those it touches...

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Altin Gün

Ask

25,99 €*

Strange Pleasures-10 Year Anniversary Re-Issue

Release: 2023 / EU – Original

Genre: Rock & Indie

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The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there’s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn't record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we've gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock, as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freak-beat stomper from a world where Istanbul's Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn't sound out-of-place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places.

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Still Corners

LP | 2013 | EU | Reissue (Wrecking Light)

32,99 €*

Mahal Black Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2023 reisssue on transparent green vinyl LP with liner notes, lyrics, poster, digital download code with bonus 'We Have the Future on Tape', digipak CD with lyric booklet In celebration of STRANGE PLEASURES turning 10, Still Corners are releasing a very special remastered 10-year anniversary edition on transparent green vinyl. The album has been remastered by John Davis at Metropolis London, described by Jimmy Page (Led Zeppelin) as 'a master of his craft'. The anniversary edition includes all the album's lyrics (for the first time) on a gatefold album sleeve, Strange Pleasures poster, digital download, including a bonus download 'We Have the Future on Tape'. Originally released on Sub Pop, STRANGE PLEASURES has developed cult status since its release in 2013. Opening song, 'The Trip', captured people's hearts with one YouTube video acting as a virtual community for like-minded fans around the world. 'Fireflies' (Pitchfork, Best New Track), 'Strange Pleasures', 'Beginning to Blue' and 'The Trip' have been used across film and television since the album's release Coloured vinyl ddition features printed inner sleeve with liner notes and lyrics, 10th Anniversary poster (18"x24") & download code w/ bonus track "We Have The Future On Tape", digipak CD comes with booklet

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Toro Y Moi

LP | 2022 | US | Original (Dead Oceans)

LP | 2007 | EU | Reissue (Matador)

Release: 2022 / US – Original

Genre: Rock & Indie

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Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound_encompassing the shaggy psychedelic rock of the 1960s and `70s, and the airy sounds of 1990s mod-post-rock_taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date. The second the album begins we're immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal's 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear's Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra's Ruban Neilson to Neon Indian's Alan Palomo and the Mattson 2. "I wanted to make a record that featured more musicians on it than any other record of mine," he explains. "To have them live on that record feels grounded, bringing a communal perspective to the table." As a result, Mahal is lush and surprising at every turn, from the cool-handed "The Loop," which recalls Sly and the Family Stones, to the elastic psych rock of "Foreplay" and the dizzying Mulatu Astatke-recalling of "Last Year." Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout "Freelance" effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy "Postman" and the "Magazine" take a deep dive into our relationship with media in a changing digital world. "It's interesting to see how we adapt to this new age. We're so connected, but we're still missing out on things," Bear ruminates while discussing the album's themes. It's not all introspection. Bear cools things down near the album's end with the Mattson 2-featuring "Millennium," a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. "It's about enjoying the new year, even when it's been shitty," Bear explains. "There's nothing else to do." Finding a sense of joy in the face of adversity is embedded in Mahal's DNA, right down to the jeepney that literally and figuratively brings the music out into the community. "We know that touring is messed up for now, and large gatherings are a fluke," he explains. "It's about the notion of us going out to the people and bringing the record to them." And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before.

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Cat Power

You Are Free

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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Spellbound - A Tribute To Siouxsie & The Banshees

LP | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Transaction De Novo Grey, Silver Or Natural Vinyl Edition

Bedhead

LP | 1998 | US | Reissue (Numero Group)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Original 1998 album remastered and pressed on 180 gram virgin vinyl."I met them in full flower, in the depths of their mania, pursuing contemplative music with the kind of intensity normally found in psychopaths. No detail was too small to sweat, no crack in the veneer not worth gluing and clamping. We built a common language, equal parts philosophy, rock music, and disdain for the dullness around us." - Steve Albini, on recording Transaction De Novo.

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Just Like Heaven-A Tribute To The Cure White Vinyl Edition

LP | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Who Will Cut Our Hair When We're Gone?

Unicorns

LP | 2004 | EU | Reissue (Caterpillar)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (Wagram)

Woodstock Generation

Exister Crystal Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Immerse yourself in the psychedelic and rock universe of Woodstock with this event double vinyl!Find the icons of the counter-culture of the end of the 60"s who marked their generation:Joan Baez, Bob Dylan, The Beatles, Donovan, The Turtles, The Zombies, Status Quo, The Pretty Things, The Foundations, Ravi Shankar

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The Soft Moon

LP | 2022 | US | Original (Sacred Bones)

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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"The whole point of this record was to share every emotion that I feel," says The Soft Moon's Luis Vasquez. "No two songs are the same. It's about existing in the world as a human being and experiencing many emotions and experiences throughout life." And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. "Exister is my way of saying `I'm here, deal with it.'" Vasquez says. Sonically, this expression is a vast, expansive and potent one. The opening `Sad Song', which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as `The Pit' capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. `Monster' - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. `Become the Lies' explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narc and Special Interest's Alli Logot on `Him' and `Unforgiven' - all while retaining that distinct tone that unmistakably The Soft Moon.

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

LP | 2021 | EU | Original (Tiny Global Productions)

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Band Of Holy Joy

Dreams Take Flight

The Brian Jonestown Massacre

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Apotheosis Of Band Of Holy Joy's Bile Toward Today's Pathetic State Of Affairs Will Be Released Shortly - A Blistering Remix Of "The Devil Has A Hold On The Land" From Their Last Album, Neon Primitives. Remixed By Youth (Killing Joke Bassist, Paul Mccartney Collaborator, Producer Of Melanie C And U2!), Who Was So Taken By The Song As To Remix It Gratis, The Remix Will Be Part Of A Series Of 23 Discrete 7" 45s By Jon Langford Of The Mekons And An Assortment Fellow Travellers From Around The Globe. Dreams Take Flight Transitions From Political Discourse Into A Post-Virus Rebirth Of Human Relationship And The Inevitable Fumblings Of The Society's Psychological Reconstruction Over The Forthcoming Year. Have You Ever Wondered What Purpose Your Joy Or My Pain? All Those Moments Shared Together To Be Washed Away By The Rain . . . Have You Ever Doubted Our Super Hipster Being Love-In At All? Just A Pair Of Urbane Fools Passing Through Waiting For Our Call . . . Take A Leap Into The Great Unknown. Almost Perversely Heart-On-Sleeve, Johny Brown And Compatriots Have Never Fitted Well Within A Particular Scene - Nor Have They Ever Seem To Try. Although Recorded Under The Existence Of Quarantine And A Healthy Amount Of Paranoia, In Search Of The Joy Of Greatly Hindered Collaboration, The Band Has Opted To Turn Over Each Song To A Different Visionary Video Artist For An Exhibition Which Will Take Place For A Week At London's Gallery 46 Beginning At The End Of February And Open To The Public. The Video Exhibition Will Subsequently Be Available Online, Before The Album's Release.While Still Featuring Some Of The Band's Strongest Songs, Dreams Take Flight Has A Strange Film-Like Ambience In Parts, Almost As If Planned As A Soundtrack, A Thought Mirrored In Inga Tillere's Sublime, Dream-Like Sleeve, Best Seen In Real Life. "A Leap Into The Great Unknown" And "Notes From A Gallery" Will Likely Be Heard As Too Disarmingly Direct For Radio, And The Videos Will Likely Never See The Entry Door To Mtv, But Dreams Tak...

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LP | 2019 | EU | Reissue (A)

Panther Rotate Black Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Superb Deluxe Packaging Heavy Board 180g Clear Vinyl And Printed Plastic Sleeve. Brian Jonestown Massacre Burst Into 2019 With The Release Of Their 18th Full-Length Album, Just 7 Months After Their Last One. It Was Recorded And Produced At Anton's Cobra Studio In Berlin.The Album Was Originally Going To Be Released In September, But Due To A Hugely Successful Global Tour - Taking In Usa, Canada, Australia,...

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Osees (Thee Oh Sees)

LP | 2020 | US | Original (Castle Face)

19,99 €*

LP+CD | 2013 | US | Original (Matador)

Release: 2020 / US – Original

Genre: Rock & Indie

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“In the swirling and undulant warm mud of jettisoned reels of magnetic tape, blurps up the fog of reinvention. Every night I would parley with my pilots and run and rerun the recordings. Right up until the moment sleep slips its veil over eyes and ears and you drift back without a sound. Protean Threat dream haze becomes Panther Rotate in the other dimension. A companion LP of remixes, field recordings, and sonic experiments using all sounds generated by the him and crackle of the desert farm. “A second version of our Protean Threat if you will, but barely conspicuous in its relation. Forward, never straight! Sunrise, sunset. Two lives connected by a cosmic thread, One for your feet and one for your head. For fans of Thee Oh Sees, Oh Sees, OCS, The Oh Sees, Osees...etc etc etcetcetc…be well.” —John Dwyer

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Yo La Tengo

Fade

Safe And Also No Fear Tangerine Color Vinyl Edition

Release: 2013 / US – Original

Genre: Rock & Indie

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13th studio album by those groovy Indie-Mainstays! Includes Download-code!

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Dog Slaughter Beach

LP | 2024 | US | Original (Lame-O)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Sophomore Lounge)

Styrofoam Winos

Real Time

Deathconsciousness Mint Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

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Have A Nice Life

2LP+Book | 2008 | US | Reissue (The Flenser)

47,99 €*

Romanticism Ruby Red Vinyl Edition

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Have a Nice Life released their debut double-album Deathconsciousness in 2008 to a whimper and critical non-interest; six years later, the band followed it up with 2014’s stunner The Unnatural World. In the meantime, Deathconsciousness has become a cult classic whose seamless blend of shoegaze, post-punk, new wave, industrial and noise influences inspires fanatic obsession. Now, longtime Have a Nice Life collaborator The Flenser reissues Deathconsciousness on colored vinyl with deluxe packaging. The band commented, “Working with Flenser lets us keep things comfortable on our end, while also pressing enough copies to actually meet the need and not creating an artificially inflated collector’s market, as happened with some of our past releases.”

Rhythmic, primal and expansive, Deathconsciousness offers a meditation on death, loss and unrequited love, with repeated listens revealing new layers of depth and meaning. The Flenser’s reissue is accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult—an engrossing narrative that blurs the lines between liner notes, novella and academic text.

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Hana Vu

LP | 2024 | US | Original (Ghostly International)

Release: 2024 / US – Original

Genre: Rock & Indie

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Rejected Fish Black Vinyl Edition

Shitkid

LP | 2023 | EU | Original (PNKSLM)

Release: 2023 / EU – Original

Genre: Rock & Indie

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As part of PNKSLM’s 10 year anniversary series of special releases/represses - we're over the moon to finally present ShitKid - "Rejected Fish"! This is the previously unheard, studio version of the now legendary debut album "Fish".

ShitKid originally recorded "Fish" at MFG Studios here in Stockholm, with myself Luke Reilly on production duties. The week before it got sent of to the vinyl pressing plant though, Åsa had a bit of a panic that it "sounded too good for ShitKid" - and she ended up re-recording all the songs herself on garageband (mostly in her car) - and this super lo-fi take was the version that ended up getting released.

Obviously at the time ourselves, plus our PR and radio partners were a little shocked, but as always, Åsa made the right move (in ShitKid we trust) and the album went on to be the best selling PNKSLM vinyl, streamed millions, won awards, and made fans out of the likes of Iggy Pop and Billie Joe Armstrong. And almost the best part was how divisive the lo-fi recordings made the record - Fish received both the best and worst reviews we've ever had on the label!

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2LP | 2019 | EU | Reissue (Anthology)

Sad About The Times

36,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Transylvanian)

False Figure

Castigations

Lifted Or The Story Is The Soil, Keep Your Ear To The Ground

Release: 2023 / US – Original

Genre: Rock & Indie

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We started fleshing out what came to be False Figure in 2015, IAN and I had met through work and started jamming shortly after. We started doing something melodic yet driving, guitars howling through noisy delay and reverb but still driving with tangible melodies. This band drew a little bit of influence from classic California deathrock like Christian Death and Tsol Change Today? era with guitars even pulling influence from black metal. We wanted melodies that would stick in your head with beats that would move you. At the time we were very influenced by contemporaries in the bay and new york like Crimson Scarlet and Anasazi. In the past few years we've shifted towards a more pointed, airy and rhythm-driven song structure where each element has its space to breathe. This style is something that was touched on in our latest EP a promised end, but really got to shine in our latest LP. We aim to keep things flowing and concise. ‘all Killer NO Filler’ as they say. The themes of this release aren't a far departure from the previous releases. There's still an overarching presence of melancholy attached to these songs but not one that bogs the listener down. We aimed to present the music in a manic yet purposeful arrangement, mirroring our own lives and experiences, a controlled chaos. As a three piece attempting a big sound you have to be mindful of what you aren't playing (overplaying) as much as what you desire to play. The lyrics of this release come from our experiences at the time of writing, from failed relationships, to losing loved ones, to feeling the figurative noose tightening around one's neck as we struggle to negotiate to live in the capitalist hellscape that has become the San Francisco bay area where the margins are bursting at the seams."

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Bright Eyes

2LP | 2002 | EU | Reissue (Dead Oceans)

32,99 €*

Digital Ash In A Digital Urn

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Originally released 2002. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this

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Bright Eyes

LP | 2005 | EU | Reissue (Dead Oceans)

Public Storage Clear & White Marble Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

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Hana Vu

LP | 2021 | US | Original (Ghostly International)

LP | 2020 | EU | Original (Playground Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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Storage units hold possessions on pause from the outside world, objects capable of reconnecting us to a time or place. Hana Vu (born in 2000s California) grew up with her family making regular use of public storage spaces in Los Angeles, moving every few years, leaving a mix of the sacred and the mundane to sit inside concrete and steel. Public Storage builds on the sound of Vu's early work underscoring her strengths as a songwriter with a deeper sense of luster, sophistication, and urgency. She calls it "very invasive and intense sounding music," refreshingly out of step with contemporary trends; this is music to engage with rather than lean back to. Co-producer Jackson Phillips (Day Wave) helped Vu create a vast, grainy, multifaceted world to stretch into vocally, her distinct contralto drifting freely between evocative low-lit ruminations and soulful, skyward bursts. Vu opens the album fixed on a force that recurs throughout. The first sounds we hear are charming: isolated piano keys cycle into warm strums and self-harmonies on "April Fool," as Vu's protagonist dismisses her surroundings and ability to communicate. The soft amber glow diffuses into the album's title track, a darker, murkier, louder place. Vu rips through "Public Storage'' with a series of defiant rejections (failure, family, magic) and cathartic demands. It's a rare and powerful display of vulnerability from a lyricist who favors the abstract over autobiographical. Built on a disco synth pattern and grooving bass stabs, "Aubade" has the bright bounce of its morning namesake, cleverly at odds with its downbeat subject. The contrast continues on "Keeper," a pulsating new wave cut, replete with soaring dreamy synths and a cooly snarling narrator, again challenging that force. "Gutter" returns to the grungy lowlight, with muscular guitar riffs striating above a bed of feedback, swelling alongside orchestral strings to a roaring finish. The back half of Public Storage features some of its most striking moments: the rhythmic, hook-heavy "Everybody's Birthday" speaks to the evil absurdity of the present, the end of times. The night is red, the mood is blue, and her character's shame is painted gold. Vu saves "Maker" for last, a final go at the existential.

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Steve 'N' Seagulls

Another Miracle

22,99 €*

As Lost Through Collision

Release: 2020 / EU – Original

Genre: Rock & Indie

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-Our Fourth Album Another Miracle Began To Find It's Form After Our Line-Up Renewed In 2019. We Felt That We Were On The Verge Of Something New And Exciting. We Knew Our Roots And Wanted To Hold On To Them, But At The Same Time We Wanted To Explore And Find New Colors And Shapes To Our Music. We Felt Energized And Fresh. Those Elements Can Be Found On The Album Also. One Can Find The Straight Forward Hammering Common To Our Band And Also New Tones And Beauty.-Pre-Production Period Was A Bit Longer Than On The Previous Albums And The Producer Timo Kämäräinen Was A Vital Part Of That Process. We Had Plenty Of Material. Some Re-Arranged Classics And Also More Original Music. In The End We Had A Whole And Complete Album On Our Hands. Band Sounds Stronger And More Colorful Than Ever. Producer Kämäräinen And Recording Engineer Abdissa "Mamba" Assefa Pushed Us With A Gentle Touch Towards New Adventures. Another Miracle Is An Album That Honours Musical Traditions And At The Same Time Comes Out Fresh And Modern.

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Sprain

LP | 2020 | US | Original (The Flenser)

Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Written at home and refined on the road, the 5 new tracks that comprise As Lost Through Collision are parts monolithic and minimalist, manic and mellow. Engineered by Josiah Mazzaschi at The Cave (Built to Spill, The Jesus and Mary Chain) and mixed by Tim Green at Louder Studios (The Melvins, Lungfish, Jawbreaker), the music here retains its organic purity and captures Sprain in its truest state. The listener can hear every instrument and every tonal deviation while the band members embrace musical and philosophical abstraction in their art practice; they emphasize sound as force, differentiating the concept of pure sound from music. And although As Lost Through Collision is a departure from their previous EP, it still retains Sprain’s former slowcore aesthetic. “This record was a conscious effort to move beyond the initial style we experimented with on our last EP into something more unique — something more ‘us,’” they comment.

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Bright Eyes

2LP | 2020 | US | Original (Dead Oceans)

LP | 2015 | UK | Original (Sanctuary)

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Uriah Heep

Look At Yourself

Release: 2015 / UK – Original

Genre: Rock & Indie

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10" | 2015 | US | Original (At The Dojo)

Fu Manchu

Kept Between Trees

15,99 €*

The Brian Jonestown Massacre

Release: 2015 / US – Original

Genre: Rock & Indie

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Reissue of Fu Manchu's first 3-song 7-inch with one additional cut, an unreleased 1990 recording. Also included is a donwload card for another previously unissued track, 'Flashin', which dates from 1990.

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Braveryrepetitionandnoise

LP | 2008 | EU | Original (A)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Blending Transparent Cloudy Clear Vinyl Edition

High Vis

LP | 2022 | US | Reissue (Dais)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

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Skin Graft Records Presents... Sounds To Make You Shudder

2LP | 2023 | EU | Original (Skin Graft)

50,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Merge)

A Giant Dog

Bite Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Go Tell Fire To The Mountain

WU LYF

LP | 2011 | EU | Reissue (Lyf)

19,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Slow Deep And Hard Marble Vinyl Edition

Type O Negative

2LP | 2024 | Original (Rhino)

45,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Homesick Clear Vinyl Edition

A Day To Remember

2LP | 2009 | Reissue (Concord)

42,99 €*

Release: 2009 / Reissue

Genre: Rock & Indie

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LP | 2022 | EU | Original (A Tree In A Field)

Fai Baba

Veränderet

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Crazysane)

Aua

The Damaged Organ

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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10" | 2021 | EU | Original (South Of North)

CV Vision

In Time

17,99 €*

Blue Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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With relationships, as with music, timing is everything. When the elements sit together in the pocket, it just feels right - and that groove can’t be forced. Lovers and players can fall in and out of time, depending on the rhythms of their lives, and how they react in the moment. In the end, we’re simply either in sync or not - because Time plays its beat on all our hearts without exception.

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Third Eye Blind

2LP | 2024 | Original (Rhino)

49,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Rooster)

Kandodo

Theendisinpsych

Buzzkunst / Howard Devoto

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Heads’ Simon Price returns to his kandodo project with 'theendisinpsych'; "primitive pieces of psychedelic tuneage+years of wasted time=43 minutes of headphone bliss."

It's the follow up to the 2019 collaboration with Wayne Maskell and Hugo Morgan, Kandodo 3 – K3, but this time back in solo-mode. He is now relocated in Northumbria, and has recorded the album himself in his home studio, drawing on his wide collection of music/instruments and the rural environment for inspiration.

The new album fizzes and crackles with a verve that will activate the “turn on, tune in, drop out” sense in all listeners…

Simon explained the album in a focused/out of focus track by track way… is this Price’s paean to his obsession with Bowie? chamba7 - octave mandolin through fuzz, tambo beat, in praise of Bowie compilations. chamba is malawian weed

theendisinpsych - bought a reel to reel tape off ebay in 2005, ('Bowie radio interview tape, USA, 1970, 3 minutes?') then bought a machine to play it on in 2015. Heard the words and laid them onto a fuzzy break bed. Thought it all too relevant to today, prophetic David from his 'hippy' days (not a prophet or a stone age man)

fuzzy oceans - played on 1 string spamjo, bouncing echo over 70's drum machine, 'we've fucked the oceans'

freefalling - rolling cello and hissing cymbals with vocoder dreams comes with african/stationtostation artwork stylings for the sleeve..pre-apocalypse blues (and pinks), the world isn't going a good way a sumptuous 4 course sonic supper, tuck in.

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Special Sauce / Designoid

2LP | 2024 | UK | Original (Wire-Sound)

LP | 2021 | Reissue (Rhino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Buzzkunst / Howard Devoto - Special Sauce / Designoid

Buzzkunst is Pete Shelley & Howard Devoto…

‘special Sauce' is mostly a reconfiguration of the 2002 album 'Buzzkunst’ by ShelleyDevoto.

NOW! For the first time on vinyl, with a Refreshed Running Order and TWO Previously Unreleased Tracks – 'Psychosomatic' and 'Punk Of Me’.

Plus! If that isn’t enough, there is a Second mini-album included in the package…

11 Never Before Released Howard Devoto Archive Recordings from the same period, titled ‘designoid’.

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War

Greatest Hits

41,99 €*

Release: 2021 / Reissue

Genre: Rock & Indie

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LP | 2024 | UK | Original (Cardinal Fuzz)

Heffernan & Park

Sun Reflector

The Revolutionary Army Of The Infant Jesus

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sun Reflector is the debut LP collaboration by Heffernan (Ivan The tolerable, All Structures Align, King Champion Sounds, University Challenged) and Pärk (Black Tempel Pyramid, Teeth Of Glass, Kosmonaut). Sun Reflector is steeped in a haze of primitive drum machines, fanned phase and sustained scuzz-rippled guitar chimes, an ambient electronic creation with emphasis on repetitive trance-inducing rhythmic pulsations of electronic sound and subtle counterpoints that slowly unfold as the rhythmic drive marches forth utilizing the Motorik 4/4 beat with the lysergic kosmische sonic textures of Cluster. With Heffernan (bass, guitars and drones) based in the Northeast of England and Pärk (synths, drones and loops) based in Colorado USA on the border with New Mexico - the portal they opened up between these environments creates a travelogue that unites physical and inner space, a series of trance induced states rendered in vivid colour, a delirious portal into the ether. ‘Harmonic Coast’ opens and is a heady downtempo affair, an earthly vibration that slips effortlessly between peyote peaking trekking trips & Balearic sunset vibes. The somnambulistic drift of 'The Sun' sets the stage with a series of shimmering, circular synth pulses where hidden details slowly emerge over multiple listens. Album closer ‘Fever Mirage’ creates a clear-eyed appreciation of the pastoral beauty that surrounds us, it’s a journey that summons up an occult-like dream of glacial arpeggios and whispering synths that pull your attention in to this hypnotizing listening experience. Sun Reflector is a collective sound in which a lot is allowed, and a lot is done. That combined with the compositional ingenuity where the heterogeneous timbres create a time travelled cosmic mysticism that summons up the spirits and visions of Harmonia, Cluster, Eno and Phillip Glass. Shimmering and transcendent we present to you for your listening experience ‘Sun Reflector’

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The Dream We Carry Black Vinyl Edition

LP | 2024 | UK | Original (Nine X Nine)

LP | 2024 | UK | Original (Stolen Body)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Formed in Liverpool in 1985, the Revolutionary Army of the Infant Jesus is a unique experimental ensemble whose work goes beyond music. For over thirty-five years the band’s cult following has grown. Their mesmerising recorded material is influenced by diverse cultural perspectives and stimulates a deeply personal and subjective awakening. Ethereal vocals, ambient compositions, chants, acoustic instrumentation and field recordings generate beautiful and emotionally intense soundscapes.

‘The Dream We Carry’ is the band’s fifth album and perhaps their most coherent body of work to date. It captures echoes and fragile remnants of the lived experience. The emotional traces that affect us. The joys and sorrows we hold. The dreams that we carry.

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Karkara

All Is Dust

...And You Will Know Us By The Trail Of Dead

Release: 2024 / UK – Original

Genre: Rock & Indie

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Formed in 2019 in Toulouse, Karkara is a psychedelic rock band composed by Karim Rihani (guitar / vocals), Hugo Olive (bass / synth) and Maxime Marouani (drums / vocals). The band has since played over a hundred shows in France and Europe and released two albums (‘Crystal Gazer’ in 2019 and ‘Nowhere Land’ in 2020), with UK label Stolen Body Records. Karkara also played at Trabendo (+500 capacity venue in Paris) as well as headlining the Astral Festival in Bristol that same year. Influenced by The Oh Sees, King Gizzard, King Crimson and Black Sabbath, the power trio delivers uninterrupted psych rock that’s both furious and hypnotic. Screaming amps, overdriven drums and vocals that blend sweet melancholy with desperate rage. On stage, Karkara manage to recreate this hypnotic fury, revealing to the audience a sound, an identity and energy that instantly grabs you by the guts. Fans of «wah wah» and repetitive «boom boom kraut» wrapped in exotic sounds from the other side of the Mediterranean, the band puts travel and trance at the heart of their art. Karkara are back in 2024 with a third album, ‘All Is Dust’, to be released on March 22th, this time via three labels : Exag Records (Belgium), Le Cèpe Records (France) and, of course, Stolen Body Records (uk). The trio will also be touring with Slift in 2024: March 13th at Le Bikini (Toulouse), April 3rd at Le Rockhal (Luxembourg), April 4th at Mascotte (Zurich), April 5th at L’Epicerie moderne (Lyon). Karkara : New album ‘‘All Is Dust’’, on March 22th Le Cèpe Records (fr), Exag Records (be), Stolen Body Records (uk) With this explosive new album, Karkara takes us on a post-apocalyptic story that unfolds in a future where mankind finds itself powerless to cope with the lack of resources and the big collapse, already well under way, of society as we know it. During the 43 minutes of this album, we follow the trials and tribulations of a character trying to escape his miserable condition. Following a vision, he betrays his «tribe» and starts a frantic quest in search of an Eldorado, where nature and civilisation have been spared from the collapse : the city of Anthropia. The six chapters of the story - matching to the six tracks on the album - tell the story of this hellish quest of flight, confrontation and hallucinations towards this Eldorado, which we discover at the end, on the last track of the album : «All Is Dust». In reality, the city of his dreams is nothing but ruins and dust. In the midst of this rubble, in infinite despair and uncontrolled rage, the character understands that the paradise he thought existed has yet to be built, and that its foundations are to be found in what remains of humanity. 1 2 Observing the world around them, the three musicians project their apprehensions and anxieties in a contemporary reality where everything seems to be crumbling around them. Their aim on this record is to immerse the listener in a narrative : a music that is global and immersive, that will carry you away from track to track by perfectly executed transitions. With tracks ranging from stoner (‘‘On Edge’’) and psychedelic (‘‘Moonshiner’’) to heavy kraut (‘‘The Chase’’), the album is incredibly rich, and Karkara even invited additional musicians such as Jérôme Biévelot on the saxophone and Simon Barrière on the trumpet. For the recording and mastering, the band worked with film music composer Olivier Cussac (Slift, Les As de la Jungle, Terra Willy...), reinforcing the cinematographic aspect and the invitation to travel that Karkara offers us with this new album, «All Is Dust»

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Worlds Apart Orange Vinyl Edition

2LP | 2005 | Reissue (Silverdoor Music)

Where You Been Expanded Limited Blue Vinyl Edition

Release: 2005 / Reissue

Genre: Rock & Indie

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Limited. Re-issued from the original master tapes, exquisite gatefold sleeve plus 20 page booklet on orange translucent vinyl with new liner notes. When originally released by Interscope in January of 2005, the reviews poured in: Filter gave the album a score of 92% and called it ''the best album Trail of Dead has ever made.'' Billboard gave it a very favorable review and stated that ''Trail of Dead has made the album of its career.''

2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Reissue, Orange Translucent
Includes 20-page booklet with new liner notes.

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Dinosaur Jr

2LP | 1992 | EU | Reissue (Cherry Red)

45,99 €*

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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2LP | 2005 | US | Original (Virgin)

A Perfect Circle

Emotive

49,99 €*

Release: 2005 / US – Original

Genre: Rock & Indie

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America Dream Reserve 2023 Edition

2LP | 2023 | EU | Original (Smiling C)

35,99 €*

Live At Maximum Festival Green Vinyl Edtion

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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2023 edition with new artwork and sleeve. Come with insert/liner notes.

"Welcome to the America Dream Reserve, home to husband & wife duos, pub legends, one-man-bands, preachers’ sons, and country-lounge entertainers..."

About: America Dream Reserve is a home for kindred souls. An hour-long journey into the world of lo-fi drumcomputer folk, disco-pop-lounge, haunting ballads, obscure vanity pressings, and synthesized string ensembles. A collaborative compilation between Charles Bals, creator of the inimitable Club Meduse, and Smiling C.

Compiled by: Charles Bals & Henry Jones.

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The Devils

LP | 2023 | EU | Original (Go Down)

32,99 €*

2LP | 2023 | UK | Original (Fire)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Very excited to release a new Live At Maximum Festival featuring THE Devils’ fiery performance, which closed in glory the first post-pandemic edition. A massive and super enthusiastic audience joined all the artists to make a blast and celebrate this much-needed and long-awaited return to live music. The Naples based duo’s live set was a final act as exciting as fireworks and when we listened to the recording, had no doubts: we proudly welcome The Devils to our crazy musical family! Their live show is wild, sexy and uninhibited.

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Bardo Pond

Volume 3

LP | 2023 | UK | Original (A)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Classic Double Black vinyl, DL card. “Obviously, Bardo Pond are the greatest band in the world” Vice. Super rare recordings from 2002 and pressed on vinyl for the very first time. The third in the band’s series of limited-edition releases showcasing jam sessions and other miscellany. Like Fugazi on acid, a rage for the Velvets, a mantra with real purity of tone. Somewhere between the ‘Dilate’ album in 2001 (“a combination of Kyuss and Spacemen 3” Nme) and ‘On the Ellipse’ in 2003 ("Nowhere is feedback more melancholic, more emotive, than that fashioned by Bardo Pond” Brainwashed), Bardo Pond transcended into a mantra-like, multi-layered, cross-dimensional, wah wah powered nirvana. In some circles, they say, spaceships wafted them away and they only returned some-time later, mind-altered and bedraggled, ears ringing. But that is the stuff of supposition. As we already know, there is no ‘off’ switch on Bardo Pond, they are never knowingly unplugged. Indeed, the modal evolution of their sound continues unabated

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Brian Jonestown Massacre

The Future Is Your Past

28,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (One Little Independent)

Björk

Fossora Cassette Edition

17,99 €*

Come On Down Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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The tenth studio album by Bjork on cassette tape.

each album always starts with a feeling
that i try to shape into sound
the feeling was landing
( after my last album utopia which was all island in the clouds element air and no bass )
on the earth and digging my feet into the ground
it was also woven into how i experienced the "now"
this time around 7 billion of us did it together
nesting in our homes quarantining
being long enough in one place that we shot down roots
my new album "fossora" is about that
it is a word i made up
it is the feminine of fossore ( digger, delver, ditcher )
so in short it means "she who digs" ( into the ground )
so sonically it is about bass , heavy bottom-end ,
we have 6 bass clarinets and punchy sub
i would like to especially thank bergur þórisson and heba kadry
and side project , el guincho , hamrahlíð choir , soraya nayyar , clarinet sextet murmuri , siggi string quartet ensemble , emilie nicolas , serpentwithfeet
viibra and last but not least : sindri and dóa .
visuals were made by viðar logi , james merry , m/m , nick knight , andy huang , edda , isshehungry , tomi , sayaka , sunna , sara and heimir
and my ever so loyal and magnificent team : derek , rosamary , catherine , chiara , hilma and móa

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Green River

LP | 1985 | US | Reissue (Jackpot)

LP | 1992 | US | Reissue (Jackpot)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Released in 1985, Green River “Come On Down" was a record existing in its sonic universe--out of step with its own time. Was it glam? Was it punk? Was it metal? Was it cool? We now know it was one of the building blocks of what Mark Arm would coin as "grunge" but in 1985 this record was a silent groundbreaker. It was not only the raw, sludgy, slower guitar sound that makes this band important in its place in rock history, but the members of Green River would go on to lead some of the biggest names in the genre: Mudhoney and Mother Love Bone, the latter of which also contained the roots of Pearl Jam.

The record includes the iconic original cover artwork, pressed on black vinyl, and includes a printed inner sleeve with lyrics and photo of the original master tape box, plus an unreleased rare bonus track!

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Love Battery

Dayglo Blue Vinyl Edtion

2LP | 2022 | UK | Original (Apollon)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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In the middle of the wonderful sludge that was coming out of Seattle in the late 80s/early 90’s, Love Battery pierced through with something different to offer. They were more psychedelic, more tuneful, and even more...dare we say...British sounding than what Sub-Pop was releasing at the time. We were listening. The results are crystal clear on the record Jackpot Records is reissuing, ‘Dayglo’. And like many of the Sub-Pop records of the day, this has not been available on vinyl in the U.S. Until now.

On 'Dayglo', inventive and underrated guitar wizard Kevin Whitworth and vocalist/guitarist Ron Nine slash and burn through 10 songs that would give bands like Blur, Swervedriver, and yes, Nirvana, a run for their money. It doesn't hurt that the focused driven energy of drummer Jason Finn (soon to be of The Presidents Of The United States) and ex-U-Men bass monster Jim Tillman add more than their weight to the sonic mystery of these songs.

From the melodic battle cry of opener 'Out Of Focus' with its slippery, infectious chorus, it's obvious that Love Battery had an incredible knack for hypnotic hooks, cryptic lyrics, and propulsive grooves--ones that record obsessives still drool over when the needle hits the turntable. The record is as mysterious as early R.E.M., with equal hints of 13th Floor Elevators and Screaming Trees sprinkled throughout.

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Major Parkinson

A Night At The Library

39,99 €*

A Day In The Studio / Unplugged In Oslo Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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On May 15th 2020, in the early days of Covid lockdown, Bergen's legendary Major Parkinson did a scaled down streaming concert from the music room at Bergen Public Library. Stripped down to the core, their songs were able to shine in a much more vulnerable way than usual, something that resonated well with their fans all around the world in what we all hoped would be a short hiccup in normal existence. Now we know better, so we would like to present these renditions on psysical media as well "A Night at the Library" will be available in a Digisleeve CD, and limited three-sided double vinyl. CD/Digital will be released on May 6th, and the vinyl versions on June 3rd. The highly innovative, alternative art-rock/cult ensemble, Major Parkinson has released four critically acclaimed albums (Major Parkinson, Tales from a Solitary Home, Twilight Cinema & Blackbox), and have hinted at something big this year.

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Airbag

2LP+DVD | 2022 | EU | Original (Karisma)

11,99 €*

The Brian Jonestown Massacre

Release: 2022 / EU – Original

Genre: Rock & Indie

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After the success of “A Day at the Beach” in the summer of 2020, Airbag really wanted to showcase the songs in a live setting. Alas, due to all the covid-19 restrictions, a normal tour or normal shows wasn’t a reality. Instead, the band went into Subsonic Society Studio in Oslo, where they recorded their last studio albums, to perform an acoustic set streamed in the early autumn of last year. As the band explains: 2020 has been a difficult year for us all. With our new album, "A Day at the Beach", out in June we had planned to tour and play live for all our fans and friends but it was not to be. Still, we wanted to do something special that would keep us connected to our fans and also to say thanks for everyone’s support in these trying times. Doing this acoustic session allowed us to revisit songs from the new album and a few old ones as well. A new challenge for sure but a fun and inspiring experience. In addition to acoustic versions of 3 songs from “A Day At The Beach” and the classics “Colours” and “Sounds That I Hear”, this release includes the previously unreleased song “Come on In”. Comes with a DVD featuring the original streamed session.

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Tepid Peppermint Wonderland Volume 1

2LP | 2004 | UK | Reissue (A)

LP | 2018 | EU | Original (Red Bull)

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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This 15 track compilation spans the years 1995-2004 featuring key tracks from all their albums as well and live recordings and many unreleased tracks. Volume 2 will be released in early 2014. The album is seen as a classic Brian Jonestown Massacre release the CD was originally released in 1997. The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

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Albert Hammond Jr

Francis Trouble

21,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Haldern Pop)

Hope

Hope White Vinyl Edition

28,99 €*

2LP | 2017 | EU | Original (Atlantic)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Hope are in the Black Phase. Everything around them is obscured. Every lyric and every spark of music, every photograph and every recording is drenched in black.
It’s not the black of Wave or Gothic bands, but the unpretentious black of Portishead or Talk Talk. A black arising from a wound and at the same time covering the wound, burying it. A scab.
A black letting you forget the Jazz, the academics, and the provinces that Hope has come from. In Germany, Jazz, academics and the provinces are very close, and Hope had to live through most painful experiences, play many unnoticed concerts, and remain unloved to find the love for themselves and their music.
Only this explains the dark stringency and consequence of their self-titled debut album (produced by Olaf Opal), featuring monolithic songs like CELL, KINGDOM and RAW. Songs, sounding rather like dystopic infinity than a light-hearted debut album. Songs, compressed to one word, as if the listener should not waste any time with reading, but start listening. Listen and dive into the endless Hope wave of sound, vehemence and black.
And yes, during all of this, the iconic singer Christine Börsch-Supan is naked. We can only guess her contours - it is too dark.

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The War On Drugs

A Deeper Understanding

52,99 €*

LP | 2020 | UK | Reissue (Fire)

Release: 2017 / EU – Original

Genre: Rock & Indie

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After their critically acclaimed album Lost In The Dream in 2014 The War On Drugs release their fourth album on Atlantic Records. Engineered by Shawn Everett -- who has also worked with the likes of Alabama Shakes and Weezer - the album includes the Record Store Day 2017 single Thinking Of A Place.

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Throwing Muses

Sun Racket

22,99 €*

LP+7" | 2023 | UK | Original (Fire)

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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Sun Racket' is the brand new album from legendary Boston trio Throwing Muses, consisting of Kristin Hersh, David Narcizo and Bernard Georges. The follow up to 2013's 'Purgatory/Paradise' is an outpouring of modal guitars, reverbed shapes, echoey drums and driving bass set behind Kristen Hersh's well-thumbed notebook of storylines. A ten-song opus of suitably wrought tales set against a wall of sound that's at once calm and ethereal before building into glorious cacophonous crescendos. When Throwing Muses wrote their last album, they were shattered. Pieces were coming and going, elements repeating and charging the whole. "It sounded beautiful jumping around like that". Two-minute songs reappearing as twisted instrumentals or another song's bridge. They mimicked the effect live which kept them on their toes. Whatever was happening was already over in other words. 'Sun Racket' is the opposite. It refused to do anything but sit still. It says, "sit here and deal". "All it asked of us was to comingle two completely disparate sonic vocabularies: one heavy noise, the other delicate music box. Turns out we didn't have to do much. Sun Racket knew what it was doing and pushed us aside, which is always best. After thirty years of playing together, we trust each other implicitly but we trust the music more" - Kristin Hersh And so, they continue. Business unusual. "A ground-breaking band who changed the face of alternative music rather than follow the rule book." MXDWN "Pioneers of the 80s/early 90s college rock sound" Pitchfork "One of America's finest guitar bands" The Quietus

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Monde Ufo

7171 Expanded Edition

Datura Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Ltd Classic Black Vinyl with bonus 7inch, DL card.Monde UFO, LA-based duo of Ray Monde and Kris Chau, are a monochromatic sunset for the senses. A sonic journey through psychedelia, space rock and jazz. A cosmic space where Spacemen 3 meets Vanishing Twin, by way of Sun Ra. 7171 perfectly embodies the framework of lo and hi-fi sounds which have helped define the band. Included in this expanded package is Four Songs, Monde UFO's radical interpretation of Fugazi's music, housed for the first time on LTD 7" with new artwork.In a downtown Los Angeles warehouse, on 7th Street, Ray Monde began writing songs on an old Yamaha church organ for a project that eventually became Monde UFO. Utilizing the organ as a bass, alongside keyboards and a drum machine, he began making demos on a four-track cassette recorder. Heavily influenced by the musician Sandy Bull, sonically landing in a similar no-man's land of Worldly Jazz and Psych Folk. Monde experimented with the themes mostly of meditation and UFO lore.In time Ray moved in with the artist Kris Chau. With little crossover in musical tastes, they exclusively started listening to jazz, ambient and new age music in the house. Increased interest in sound baths and experimental music led to seeing music in a different light. Envisioning something that would sound like Don Cherry making a record with Yo La Tengo. '7171' is an amalgam of influences, interpretations and otherworldly sounds channeled through genre bending experimentation.This expanded edition of '7171' includes the sought after 'Four Songs' EP, a reimagining Fugazi's early classics, songs that take on a life of their own, lost amongst the haze and sugar sweet psych. Ray Monde explains, "Long Division was one of my favorite tracks off 'Steady Diet of Nothing' the first Fugazi record I ever owned; more than ever, it also feels truly poignant in the times we live in.Version 2 is our interpretation of Version from 'Red Medicine', my favorite Fugazi Record." "A slice of low-key bedroom pop...

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Lorelle & The Obsolete

LP | 2023 | UK | Original (Sonic Cathedral)

Horizon / East Neon Yellow & Violet Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Lorelle Meets The Obsolete’s sixth album was recorded at their home studio in Ensenada, Baja California, it was mixed by Jace Lasek of The Besnard Lakes and mastered by Mikey Young of Eddy Current Suppression Ring and Total Control. It’s a short, sharp shock of a record with no unnecessary adornments and no fat on any of its eight songs. Gone are the psychedelic wig-outs found on previous releases, replaced with bass-heavy post-punk grooves inspired by the roots of The Congos, the no wave of Ike Yard, the industrial hiphop of Dälek and the dark modular moves of Hiro Kone, all while harnessing the elemental power of Jon Hassell’s Vernal Equinox. "The ‘in the room’ feel is one of the things I’ve always loved about The Besnard Lakes’ records,” says guitarist Alberto González. “And Jace brought that to Datura. The only note we gave him was ‘we want this album to sound big and aggressive’.” It worked – perhaps unsurprisingly for a record that covers cultural colonialism, imperialism, conflicting opinions, intense emotions, strange dreams and insomnia. The title refers to the genus of plants often associated with ancient rituals that are also sometimes used as poison or hallucinogens. "We liked the idea of a flower that opens at night,” says singer and guitarist Lorena Quintanilla. “A type of Datura grows all over the neighbourhood where we live. People try to get rid of them because they are afraid of their dogs eating them, but they always regrow again and again in the same places.” A bit like Lorelle themselves, then. We last heard from them at the start of 2020, when they had to crowdfund their way home after being stranded on the road in the US as Covid lockdowns came into force. As life returned to normal, they started playing shows again, firstly in Mexico and then, earlier this year, they finished what they started three years ago and toured the US with Suuns. Now, finally, they are set to flower once again with Datura, their most direct and dynamic album to date; proof that nature really is healing.

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Thrice

LP | 2021 | EU | Original (Epitaph)

Riderless Horse Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from Thrice over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

Since forming Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.

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Nina Nastasia

LP | 2022 | US | Original (Temporary Residence)

The Return Of Tomorrow White / Black / Blue Splash Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Riderless Horse is my first solo record, and it's the first record my former partner, Kennan Gudjonsson, didn't produce. I haven't made an album since 2010. I decided to stop pursuing music several years after my sixth record, Outlaster, because of unhappiness, overwhelming chaos, mental illness, and my tragically dysfunctional relationship with Kennan. Creating music had always been a positive outlet during difficult times, but eventually it became a source of absolute misery. Riderless Horse documents the grief, but it also marks moments of empowerment and a real happiness in discovering my own capability. Steve Albini produced this record with me, and Greg Norman assisted. It was exactly the right environment to work on this record. We all had meals together, cried, laughed, and told stories. It was perfect. It made me realize how much I love writing, playing and recording music. Terrible things happen. These were some terrible things. So, what to do - learn something valuable, connect with people, move the fuck out of that apartment, remember the humor, find the humor, tell the truth, and make a record. I made a record.

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Fu Manchu

2LP | 2024 | US | Original (At The Dojo)

40,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Repress in new colours of current Fu Manchu album!The Return Of Tomorrow is Fu Manchu's first new album in 6 six years, and they made sure that it was worth the wait. Their 14th album is their first double LP of new material and it was conceived of as a vinyl listening experience. The first LP features seven songs in their iconic heavy fuzz sound including the first single, "Hands Of The Zodiac" and the relentlessly catchy "Loch Ness Wrecking Machine." The second LP sees the band mellowing out with six slower tempo jams including the synth inflect...

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The Endless Coloured Way: The Songs Of Nick Drake Black Vinyl Edition

2LP | 2023 | UK | Original (Chrysalis)

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

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Tarantino Experience Take 3

2LP | 2022 | EU | Original (Music Brokers)

13,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (S'more)

More Halloween Nuggets

28,99 €*

LP | 2023 | UK | Original (V2)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The ultimate Halloween-themed novelty rock 'n' roll soundtrack featuring vintage sides from the 1960s and audio of 3 horror movie trailersThe perfect soundtrack for celebrating Halloween with novelty rock 'n' roll. For fans of deep1960s vintage Halloween themed novelty rock 'n' roll: witches, teenage monsters, graveyards, haunted houses, devils, ghosts and zombies. While the track are mostly from the 1960s, there is a sampling from the late 1950s. Features 18 deep crate digger classics pressed on limited edition-colored vinyl.For fans of garage rock and horror movie, the ideal soundtrack for Halloween parties and festivities, features 18 scary themed underground crate digging tracks and cover illustration art by NYC cartoonist Cliff MottLimited edition LP pressed on orange vinyl!

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Marathon

23,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2001 | EU | Reissue (Touch & Go)

The New Year

Newness Ends

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (We Are Busy Bodies)

Vanity Mirror

Puff

Release: 2023 / EU – Original

Genre: Rock & Indie

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Mount Eerie With Julie Doiron

Lost Wisdom Part 2

LP | 2019 | US | Original (P.W. Elverum & Sun)

No Flashlight - Songs Of The Fulfilled Night

Release: 2019 / US – Original

Genre: Rock & Indie

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Eight new songs written in early 2019 about devotion and release. Julie graciously came back to the northwest and recorded this kind-of-sequel to the Lost Wisdom from 11 years ago. This one goes deeper. We recorded with the doors wide open and between breaths you can hear birds, jackhammering in the distance, and on some songs night air.

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Mount Eerie

LP | 2005 | US | Reissue (P.W. Elverum & Sun)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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LP | 2011 | EU | Reissue (Matador)

Yo La Tengo

Painful

30,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Benefit For Prevention Point

7" | 2024 | US | Original (Strange Mono)

19,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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For The Universe Black Vinyl Edition

Jerry Phillips

LP | 2024 | US | Original (Midnight Sun)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Office Rope)

Ogre You Asshole

Outside Of The House EP

51,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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I Am Not There Anymore Black Vinyl Edition

The Clientele

2LP | 2023 | US | Original (Merge)