Search "re:st" 1566 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2005 | US | Reissue (Sub Pop)

Sleater-Kinney

Jumpers

10,99 €*

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Roots Rock Riot Orange Vinyl Edition

Skindred

LP | 2021 | EU | Original (Hassle Hindsight)

2x10" | 1995 | EU | Reissue (Hot Action)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Crafted in a boxing club, recorded in America and laying the groundwork for everything that followed it, Roots Rock Riot is an important piece of Skindred's history - a piece that this re-release celebrates.The first record of their discography to feature what would become the permanent line-up of Benji, Arya, bassist Daniel Pugsley and guitarist Mikey Demus, it started its life as that difficult second album. What it became completely transcends that, bookending a difficult period of the band's existence and boldly kicking down the door to the future of their illustrious career.Available on vinyl for the first time as well as CD, the re-release of Roots Rock Riot features rare cuts and previously unheard music. As well as the complete tracklist of the original, the vinyl version of the record comes with an additional 7" containing two exclusive tracks: the aforementioned `It's A Crime' and `Struggle', which was never released. The CD release also contains both those tracks and an acoustic version of `Destroy The Dance Floor'.

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Die Ärzte

Planet Punk

42,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Boobey Road Pink In Pink Vinyl Edition

The Boobles

2LP | 2021 | US | Original (Needlejuice)

35,99 €* 39,99 € -10%

Get Up Sequences Part One

Release: 2021 / US – Original

Genre: Rock & Indie

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"From Dimension 36D comes comedy music's most ambitious, most ill-advised, most charitable album Ever! Comprised of a collective of the most talented tribute-band artists in Texas and some of the most cacophonic creators of comedy music in the 21st century, "Boobey Road" is the crowning achievement BY boobs FOR boobs!

"Boobey Road" is: Irreverent. Reverent. Smart. Stupid. Funny. Serious. (No, not really... "Serious"... as if!)

The final double-album by The Fab Two-Pair is many things all squished together, bunched up, and cinched tight... and, in the end, it's up to you to decide where "Boobey Road" leads you! But one thing is for sure, we love boobs so much that we donate ALL profits to The Breast Cancer Research Foundation for a cure!

Love us or hate us, laugh or loathe, bounce along or want us bounced, "Boobey Road" is just what it is: an album of parody songs about boobs! No political or sociological agenda, no over-raunchiness to merely shock and offend, just 100% Beatles parody songs about boobs!

Don't take this seriously, because obviously we didn't... except for the excellent contributions by Many ridiculously talented people who also want to eradicate breast cancer once and for all!"

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The Go!Team

LP | 2021 | UK | Original (Memphis Industries)

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2008 | Reissue (Damaged Goods)

Thee Headcoatees

Have Love Will Travel

18,99 €*

They're Coming To Take Me Away, Ha-Haaa! White Vinyl Edition

Release: 2008 / Reissue

Genre: Rock & Indie

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re-issue of a long lost Thee Headcoatees album, which was originally released on Vinyl Japan in the 1990's. Now available again on Vinyl and lovely Digi-pak CD's.

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Napoleon XIV

LP | 2023 | US | Original (Needlejuice)

28,99 €*

Belaya Polosa Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Previously unavailable on digital platforms, and only available physically since 1966-- Napoleon XIV's (Jerry Samuels') debut album is being reissued on Needlejuice Records. The album contains the classic hit "They're Coming To Take Me Away, Ha-Haaa!" - one of the most well-known novelty hits of all time. The rest of the album is just as wild, and is one of the most experimental artistic works of the 1960s.

Download includes 5 extra bonus tracks, many of which showcase Jerry's pre-Napoleon early recordings.

In 2023, Needlejuice Records will be reissuing this classic album on vinyl for the first time since the 1980s, and will unveil the first ever release of the lost 2nd Napoleon XIV album: "For God's Sake, Stop the Feces!"

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Molchat Doma

LP | 2024 | US | Original (Sacred Bones)

LP | 2022 | US | Original (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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Belarusian post-punk / synth pop group Molchat Doma have always exuded the kind of brutalist aesthetic of the architecture that adorns their album art. It's cold, gray, imposing, industrial_and yet there are human hearts beating within those foundations. In the wake of their breakthrough success in 2020, the trio endured a polarity of experiences, from the nadir of an uprooted life and forced relocation away from their native Minsk to the apex of headlining massive shows across the world. It was in this headspace that the band settled into their new home of Los Angeles to finish writing their fourth album Belaya Polosa, a testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber dancefloor anthems.From the opening synth swell and drum machine throb of "Ty Zhe Ne Znaesh' Kto Ya," to the goth / post-punk austerity of "Son", to the swirling electronic textures mixed with reverb-drenched guitar flourishes, expansive space, and yearning vocals of title track "Belaya Polosa" - that suggests Depeche Mode at their most reflective or The Cure at their most downtrodden - to the sultry and seductive "Chernye Cvety"_ a track reminiscent of Duran Duran's early `90s output in its fusion of dreamy guitars and authoritative mechanized beats _ and the interwoven layers of instrumentation, soaring chorus, and melodic sophistication of "Ya Tak Ustal", it's clear that Molchat Doma are operating on another level.Molchat Doma gained following with earlier albums that sound like third-generation bootlegs of banned recordings from the Eastern Bloc made after a few key entries in the Factory Records catalog were smuggled in from the West. Belaya Polosa propels them into a new direction while retaining their cold minimalist delivery they're known for. The basement grime and dirty tape-head sound of their previous work are now making space for digital luster and shimmering production values.And while Molchat Doma's broadened aural spectrum adds a syne...

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Bill Nace

Through A Room

Motorcycle.Lpg Ocean Blue Mix Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Bill Nace"s Through a Room represents a seismic progression from Both, his startling 2020 debut solo LP for Drag City. Nace"s career has been defined by a relentless probing of ways to frame the complex menu of human emotions, and that the guitar has been his primary tool for exploring this terrain is of little consequence. On this new release, he also employs tapes, hurdy gurdy, doughnut pipe, quelle est belle, as well as his latest instrument of choice, taishogoto. This is also, ultimately, insignificant. What matters is the discerning spirit which animates his work. The tracks are carefully built from loops and phrases that talk to each other, subsume one another, overlapping and crashing and diving and expanding and emerging into unimagined vistas. On the whole, the record offers a fascinating and engrossing chronicle - a sequence of interrelated stories told by a temporally dislodged narrator. You think you"re here, then you"re there, and then you go through trapdoors and along tunnels, into cellars and secret rooms, and you find that actually you"re back where you started. But it"s not hard to follow. Trust me. Nothing this enticing can be hard to follow.The record was recorded and edited in Philadelphia during the uncertain summer of 2021 with engineer and co-producer Cooper Crain. Where Both was a chiseling down of spontaneous live performance, Through a Room, while obviously the work of the same artist, treats its sounds as building blocks, combining them to mesmerizing effect. What"s striking is the poise, the degree of authorial intensity. The false dichotomy of composition and improvisation is thoroughly and rightfully abolished. Bill"s interests range from post-punk to post-industrial to hip-hop to free jazz to avant-garde composition, and every area between such unhelpful labels. From the inscrutable, evocative track titles to the enticingly baffling cover art by his longtime compatriot Daniel Higgs, Nace is guided by an ineffable, internal muse, a persistently personal stormcloud of ide...

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Slaughter Beach, Dog

LP | 2022 | EU | Original (Lame-O)

La Vie, Oder Was? Transparent Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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We're delighted to bring Slaughter Beach, Dog's cult classic "Motorcycle.LPG" back in print after a brief time spent OOP. This release bridged Jake Ewald from the first Slaughter Beach, Dog LP, the scrappy, noodly "Welcome" to fan favorite "Birdie." The .LPG version of this release (initially released as Motorcycle.JPG on a small-run 7") includes SBD tracks "Your Cat," "104 Degrees," "Building The Ark," as well as a cover of The Superweaks' (Lame-O Records) "Glowing." The B-Side of the .LPG includes a 12 minute live version of 104 Degrees that is available exclusively on vinyl. The vinyl art has beautiful spot-gloss on the photo of Jake's hands and the Ocean in Australia, taken by yours truly from a cocktail bar. We sat and talked about Patti Smith. Not to spoil all the goodies here, but the vinyl insert serves as postcards you can use to send friends and enemies mail. - Lame-O Records

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Le Fly

LP | 2022 | EU | Original (St. Pauli Tanzmusik)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Go Sailor Watery Blue Vinyl Edition

Go Sailor

LP | 1996 | US | Reissue (Slumberland)

Bring On The Music - Live... Volume 2 Blue Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Go Sailor were a great, short-lived band from the mid-90s who represent a key link in the US indie music chain. Featuring Rose Melberg (Tiger Trap, The Softies, Gaze, Brave Irene, Knife Pleats), Linton (Henry's Dress, The Aislers Set) and Paul Curran (Take A Day fanzine, Crimpshrine, Monsula), they released three great singles and a few compilation tracks, and then went their separate ways. But what records they are! Basic and lovely in their song-writing, they're perfect snapshots of where indie-pop was during that last burst of pre-internet indie activity. Touching on time-honored themes of friendship and love (lost and found), they resonate with honesty and purity of intention. The trio reunited in the early 2010s to play to enraptured crowds at the NYC and Athens Popfests, and their appearance at the Slumberland 20th Anniversary show was the stuff of legend. This album compiles all three of their 7" singles (for Slumberland, Yoyo and Lookout!) and compilation tracks and was first released on vinyl in 2011. Due to pressing plant issues it quickly went out of print, so we are very happy to bring you this new edition, back on vinyl where it belongs with a new insert featuring liner notes and lots of cool band pictures and ephemera.

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Gov't Mule

2LP | 2019 | EU | Original (Mascot Label Group)

LP | 2024 | UK | Original (Little Cloud)

Release: 2019 / EU – Original

Genre: Rock & Indie

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No two Gov't Mule shows are alike, as the band draws on the more than 300 songs in their repertoire (and often a host of special guests) to create a unique experience each and every time. Warren Haynes [vocals, guitar], Matt Abts [drums], Danny Louis [keyboards, guitar, and backing vocals], and Jorgen Carlsson [bass] – have galvanised a global fan base with their improvisational virtuosity, leading them to be recognised as one of the most timeless and revered bands in the world.

"Twenty-five years... By the time you hear the performances from these two shows, Gov't Mule will have celebrated 25 years as a band -- something we never could have imagined. It's no easy task keeping a band together for 25 years. You don't get to do that without having built, nurtured, depended on, tested, damaged, and rebuilt important relationships. In fact, with any band that's stayed around that long, it's all about relationships. When we made the decision to document where the band is currently (musically speaking), it immediately occurred to us that this would be, among other things, a celebration of a lot of those relationships -- starting with the one between the four of us.

The title, Bring On The Music, is obviously taken from the song of the same name that deals not only with loss and the passing of time, but also with our relationship with our audience as well. Without our audience, there would be no chance or reason for us to be around 25 years later.

It was also obvious that we wanted to film and record at the Capitol Theatre in Port Chester, New York, which is one of our favorite venues. Since its re-opening in 2012, myself and Gov't Mule (together and separately) have played there many times and have had many magical shows there. To quote Jerry Garcia, 'There's only two theaters, man... The Fillmore and the Capitol Theatre.' " - Warren Haynes

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Clone

Cl.1

35,99 €*

Kid Congo & The Near Death Experience

Release: 2024 / UK – Original

Genre: Rock & Indie

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Clone are a band which operates in what's rapidly becoming an antiquated model. CL.1 is their first LP and only 3rd release, and it's a damn auspicious opening volley. Completely recorded and mixed by New York City legend Martin Bisi (Sonic Youth, Swans). It's' sound captures the nascent verve of Warsaw especially in the icy timbre of the slashing guitar figures. Liziragga's eminently melodic, racing basslines, which are reminiscent of Peter Hook's and locks in effortlessly with Giuffre's metronomic, economical drumming. Galleon's vocals exhibit a range he never showed in Dead Leaf Echo, and they're clearer than ever, as he urges with an unrepentant rage, "Tell me a story about how you'll bore me." This LP is pressed on 140 gram Black and White mixed vinyl and is packaged with a download card.

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Live In St. Kilda

LP | 2023 | US | Original (In The Red)

25,99 €*

Farm 15th Anniversary Lime Green Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Live In St. Kilda is a twelve song live album from a one-time-only show in which Kid Congo Powers was backed by The Near Death Experience. Kid Congo says, “How did I hook up with The Near Death Experience you may ask? One fine day Kim Salmon, my long time Scientists Surrealist Beast of a friend, wrote from Australia to ask me to play at his book launch for his biography Nine Parts Water, One Part Sand: Kim Salmon And The Formula For Grunge on November 9th, 2019. The launch was to take place at the Memo Music Hall in St. Kilda, a seaside suburb of Melbourne. A royal command performance for the king of Kim? How could I say no to such an honor? What to do about a band? It did not take more than a minute for each of us to suggest Harry Howard and The Near Death Experience as the logical choice. I was a massive fan of the band already and we shared crossed paths as expats claiming out our musical in 1980s London. Harry with Crime And The City Solution and These Immortal Souls, Dave and Clare with The Moodists, Kim with the Scientists and me with Gun Club and Fur Bible. Needless to say it was fantastical to get together and make a playlist for Kim featuring covers by Suicide and Shangri-La, with mine and NDE’s songs as well. The night was magic—I still am floating on a surrealistic pillow remembering the night. Enjoy the racket, enjoy the love, enjoy this record of friendship and celebration.”

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Dinosaur Jr

2LP | 2009 | US | Reissue (Jagjaguwar)

38,99 €*

Come On Feel 30th Anniversary Red / Yellow Vinyl Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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15th Anniversary Edition. Lime Green Vinyl.When Dinosaur Jr. reunited, more than 20 years after theirformation and legendary dissolution, the worry was that theseguys were just flogging the back catalog, taking the old showon the road as a marketing gimmick. But the 2007 release ofBeyond gave a hearty Marshall-driven "F**K YOU!" answer tothose inquiring ears. Restoring the sound established by theunassailable hat-trick gambit of their first three albums --Dinosaur, You're Living All Over Me, and Bug -- Beyondcontinued the band's march into rock greatness by making oldears smile and new ears bleed afresh.And then came Farm, the 9th full length record by the originalline-up: J Mascis, Lou Barlow, and Murph. If Beyond wasDinosaur Jr.'s return to form, Farm is proof that Dinosaur Jr.could (and still do, to this day!) deliver timeless, exhilarating rockmusic. Farm encompasses Dinosaur Jr.'s signature palette:soaring and distorted guitar, unshakable hooks, honey-richmelodies. At times wholly 70's guitar-epic, at times perfect forsitting by a babbling brook with Joni and Neil, these songs getinto your head and stay there, bouncing happily around. Theear-catching "Plans" is nearly seven minutes of classicwhipped-topping rock dessert, while "I Don't Wanna Go There"is a meat-and-potatoes main dish, mixing unapologetic leadguitar with straight-ahead delivery a la James Gang or HumblePie.This expanded deluxe edition of Farm features four songs neverpressed to vinyl and never given worldwide release:"Houses","Whenever You're Ready" (The Zombies Cover), "Creepies"(Instrumental), and "Show". "Whenever You're Ready", a cover ofclassic pop-rockers The Zombies, is impossibly good for ahidden gem; Murph stomps in with a sledgehammer to the kit,J and Lou layer low-end and fuzz like two halves of one brain,and right when things feel biggest, airy and colossal, there's Jwith a lightning bolt of a guitar solo. Pure electricity and melodylike only he can make. Reco...

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The Lemonheads

2LP | 1993 | UK | Reissue (Fire)

31,99 €*

Wild Billy & The Musicians Of The British Empire Childish

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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Expanded 30th anniversary re-issue of The Lemonheads' classic 1993 album with brand new sleeve artwork! The breakthrough record that took American alt rock global and catapulted Evan Dando into the hearts of a generation. With a wealth of unreleased demos, alternative versions and rarities - including covers of Victoria Williams, Buddy Holly and The Flying Burrito Brothers plus The Lemonhead's take on the Cole Porter standard 'Miss Otis Regrets'. In the 90's Evan's Lemonheads produced hit after a hit, a string of super cool singles: 'Big Gay Heart', 'Into Your Arms', 'It's About Time', and 'The Great Big NO'. Pure genius filling the radio waves and taking the stage... Some 30 years on; Evan is still knocking that song writing thing out of the park and 'Come On Feel The Lemonheads' sounds as fresh and perky as it ever did. Amid the hits on the original record are stencils and outlines for yet more magical music and now this deluxe edition adds a second disc of demos and acoustic versions, plus a host of one-offs from sessions and compilations that add further colour to the myth and how it was created. There's the in-demand combo lovingly covering Victoria Williams' 'Frying Pan' from her 'Sweet Relief' album, which is joined by an eclectic set of flipsides and out-takes, like their version of original garage punk nugget 'Little Black Egg' by The Nightcrawlers, Evan's homage to Gram Parsons on the winsome 'Streets Of Baltimore' and Buddy Holly's melancholy 'Learning The Game'. Evan knows a good song when he hears it, as 'Come On Feel The Lemonheads' certainly proved. "Come On Feel was home to some of his best, sharpest writing - fabulous sunny powerpop and beautiful ballads" The Guardian "'Come On Feel The Lemonheads' is all it purports to be: a chance to dip into Evan's jumbled-up, dope-smoking love-buggy of a life and celebrate it" NME

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He's Making A Tape / You're Just...

7" | 2008 | Reissue (Damaged Goods)

9,99 €*

Matawan - Collected Works 2010-2014 Volume 2

Release: 2008 / Reissue

Genre: Rock & Indie

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This is the second single taken from their latest album 'Thatcher's Children' (Damgood 313) and again it's a limited edition 7" featuring 'He's Making A Tape' on the 'A' side with an exclusive b-side which is rather good called 'You're Just Jealous Of Me'. The cover, designed by Billy features a couple of the original tapes from an ex-boyfriend (of Julie's) which inspired the song.

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Planning For Burial

2LP | 2023 | US | Original (The Flenser)

35,99 €* 39,99 € -10%

LP | 2023 | EU | Original (Kwaidan)

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance

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In 2017 The Flenser released a CD collection of material from Planning For Burial's early period entitled Matawan - Collected Works 2010-2014. Named after the bands long-term home-base in Matawan New Jersey, the collection included many of Planning For Burial's beloved rare tracks that originally appeared on seven inches, cassettes, or online. Since 2017, the band's own Thom Wasluck has re-examined the material found on the Matawan collection with the intention of releasing a vinyl version. This vinyl version of the second volume of the Matawan collection includes much of the first disc of the CD version tirelessly remixed and edited, and the inclusion tracks not found on the original edition specially prepared for the vinyl format.

Long requested vinyl edition of the Matawan collection. Compilation of rare and never before heard tracks from cult gloomgaze project. All songs remixed and specifically prepared for vinyl Mastered for this release by Nicholas Wilbur (Mount Eerie)

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La Feline

Tarbes

How Long Do You Think It´S Gonna Last? Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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All of us carry a piece of where we're from with us, but these parcels of fallow land often - in a uniquely mysterious way - become the prey that nourishes our aspirations.Agnès Gayraud - a refined thinker by day that transforms into la Féline at night - left Tarbes many years ago in search of greener pastures.After making a name for herself with Adieu l'Enfance (2014), Triomphe (2017), and Vie Future (2019), the author and musician has evolved once again. Her latest release Tarbes reinvents the circle of life and challenges our preconceived notions. She welcomes us to her hometown with sweet and clear melodies over the backdrop of an electronic hum, reminiscent of Mark Twain classic Tom Sawyer.

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

Premonition 'K' Orange Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Kilbey Kennedy

LP | 2024 | EU | Original (Easy Action)

Tape | 2023 | US | Original (Secretly Canadian)

Release: 2024 / EU – Original

Genre: Rock & Indie

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New album by the successful duo Steve Kilbey (The Church) and Martin Kennedy Interest and profile of Steve Kilbey has been raised considerably over the past year due to the church re-forming touring and issuing 2 new albums Steve’s solo albums are all getting a complete make over and the fan clubs are ablaze with rumours and gossips regarding forthcoming releases.

Reviews & Advertising in vive le rock record collector classic rock R2 The Big Takeover. Embark on a mesmerising journey with the third and culminating chapter of the highly acclaimed trilogy by Steve Kilbey and Martin Kennedy. Building on the success of Jupiter 13 (2021) and The Strange Life of Persephone Nimbus (2022), their latest epic, 'Premonition K,' unveils a sumptuous and organic

sonic landscape, delving into the dark and enigmatic realms that exist between the boundaries of life and death. This album, a testament to their musical synergy, encapsulates a darkly beautiful soundscape, drawing inspiration from diverse sources, ranging from the haunting tones of Roger Waters' Final Cut to the shadowy depths explored by early 1970s Black Sabbath. Steve Kilbey, best known as frontman of legendary Aussie post-prog rockers The Church, infuses each track with an emotional resonance and sense of mystery. Martin Kennedy co-pilots this sonic odyssey with Steve Kilbey, weaving an intricate musical bed for Kilbey's lyrical dreamings. Drawing from his twenty years of soundscaping with All India Radio, Kennedy adds layers of sonic complexity, at once warmly familiar and mysteriously strange, creating an immersive experience for the listener. Together, Kilbey and Kennedy invite you to break out the ouija board, turn off the lights, and immerse yourself in the mysteries of 'Premonition K'.

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Cherry Glazer

I Don't Want You Anymore

13,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Temple Of The Dog 25th Anniversary Edition

Temple Of The Dog

2LP | 2016 | EU | Original (A&M)

38,99 €*

LP | 1989 | UK | Reissue (Southern Lord)

Release: 2016 / EU – Original

Genre: Rock & Indie

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This is the 25th anniversary edition. Temple Of The Dog was a collaboration between members of Soundgarden (Cornell & Cameron) and Mother Love Bone (Gossard & Ament), initiated as a tribute to Mother Love Bone's vocalist Andrew Wood who died of a heroin overdose in March, 1990 - two weeks before the release of Mother Love Bone's debut album, "Apple". The group's one and only album also featured the first recorded appearance of Eddie Vedder, who contributes backing vocals on several tracks. Vedder had recently moved from San Diego to Seattle, and became friends with the band members during the recording of the record. Soon after the Temple Of The Dog sessions, Gossard, Ament, McCready & Vedder went on to form Pearl Jam. The self-titled Temple Of The Dog album was originally released in April, 1991 to very little acclaim and low sales. It was reissued later that year following the success of Soundgarden's "Badmotorfinger" and Pearl Jam's "Ten", and was marketed at that time as a sort of "grunge supergroup" project. The album got fully re-mastered and expanded to 2 180 gram LPs for a premium sound experience. The D-side is completely etched with a special artwork. The cover contains a 12-inch lenticular cover.

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Blast

Manic Ride

Afterglow Marble Vinyl Edition

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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Essential reissue of the 3rd and final Bl'ast! studio album from 1989.

Sonically enhanced with an aggressive remaster from Brad Boatright.

Visceral, brash re-design via a gatefold jacket! Take THE Ride FOR Life! Black Vinyl - NON Returnable.

Jewel case CD with fold out poster cover insert and a clear tray card.

In June of 1988 the mighty Bl'ast! went into the studio with Black Flag’s live sound engineer Goat : Dave Rat (ratsound). The result was the album: Take The Manic Ride. It was released by SST in 1989.

After the dust had settled the band was somewhat dissatisfied with the production of the album and regret ended up eternally haunting the band. The massive intensity of the songs completely outmatched what the recording ultimately captured. The master tapes were destroyed and were never to be recovered. Through some incredibly magical surgery a new heavy as fuck version of the album has been produced.

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Wobbler

LP | 2009 | EU | Reissue (Karisma)

34,99 €*

Far Out In Aradabia Black Vinyl Edition

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Re-issue of second album from Wobbler - Afterglow! After the success of their debut “Hinterland” in 2005, the band stretched forward to show a truer picture of the band’s inner nature. Many fans were asking for the early demo they did in 2003, and these tracks were re-recorded with the full band for “Afterglow”. The strong influence of black metal can be heard both in the surprising power and aggression of some sections, as well as the structure and tonality of many of the riffs. Paradoxically, “Afterglow” was also a more dyed-in-the-wool proggy prog rock album, with its epic-length compositions and detours into renaissance and baroque music. “Afterglow” was also a well-received record, scratching the itch that fans had felt for those early demos, and cementing the band's position as a leading light among "retro" prog bands.

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Arabs In Aspic

LP | 2004 | EU | Reissue (Karisma)

14,99 €*

LP | 2024 | UK | Original (Up In Her Room)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Re-release of “Far Out in Progeria” from Arabs in Aspic! Hailing from Trondheim in Norway, Arabs in Aspic has been mid-Norway’s flagship of 70s inspired progressive rock and proto-hardrock for the past 15 years. They’ve been described as a sweet mixture of loud, heavy guitars and drums, 12 string acoustics, funky bass and percussion, screaming Hammond organs, soft Rhodes, Mellotrons and 70s Synths, topped with plentiful vocal harmonies. The second release from Arabs in Aspic was “Far Out in Aradabia”, which was released in 2004 on CD only. In their humble start, the band can be described as a mixture of the psychedelic space rock akin to Hawkwind and the heaviness and darkness of early Black Sabbath. However, the song writing was beginning to become bolder and more adventurous, and they even enlisted a keyboard player. The musical inspirations became broader as well, and here they really started venturing into the land of progressive rock. The last track was a studio jam where they played for 65 minutes and edited it down to 19 minutes. This was also the first album they used Julia Proszowzka to do the artwork, who they’ve worked with ever since. The band played a lot of concerts after the album, but with some complications during the writing and recording, the band dissolved in 2006. Now, only Jostein Smeby and Eskil Nyhus are left of the original line-up, and Tommy Ingebrigtsen and Terje Nyhus has recently started The Flying Norsemen, an Arabs in Aspic tribute band. “Far Out in Progeria” has been re-mastered by Jacob Holm-Lupo. This one has been out of print for a long time, and finally here’s a proper re-release. Enjoy!

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Ivan The Tolerable

Autodidact

LP | 2023 | EU | Original (Croatia)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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We are delighted to bring you the first in the Ivan The Tolerable Archive Reissue Series, Autodidact! Originally released on a 10” lathe cut by Ack Ack Ack Records in February 2018, this has now been remastered and re-packaged, and will now be available on ltd edition khaki vinyl, with only 250 copies pressed. Here’s a bit about the rec-ord in Oli Heffernan’s aka Ivan The Tolerable own words- “I recorded the bulk of this record over a weekend in January 2018, in the midst of a very minor breakdown that was to last for pretty much the entire year. I was living in a big house all on my own, smoking too much and not really seeing any people. Happy days indeed. It was tracked in the back room of 97 Hambledon Road, Middlesbrough using two questionable microphones, a broken HH 100 amp, my friends drums and a Tascam Dp08 (that wasn’t to see the year out, RIP 2009-2018) When I was done, Robbie came round and recorded a ton of violin drones through my amp and i remember feeling like I’d gone into a trance a few times, then Ben recorded his parts at home and sent them over. Mixed and mastered the same night - I released it myself a month later as a lathe cut 10”and then promptly moved on. I listened to the album for the first time in years to write this sleeve note and I think it is possibly the closest I’ve ever got to capturing the sound I hear in my head - I love how grubby and cavernous it sounds, claustrophobic and swirling - the track Autodidact I have recorded 4 more times since this version and I’ve never got that sound back. I’ii keep trying.’’ “Oli Heffernan, June 2023’’

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YU Grupa

Yu Grupa (1st)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2013 | EU | Reissue (Domino)

my bloody valentine

m b v Deluxe Edition

31,99 €*

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Heart Of The Artichoke Plasma Colored Vinyl Edition

Bloomsday

LP | 2024 | US | Original (Bayonet)

2LP | 2016 | US | Reissue (Dreams Of Field)

Release: 2024 / US – Original

Genre: Rock & Indie

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The way Bloomsday's Iris James Garrison writes songs feels like somewhere between a mirror and a memory. Spacious, full-bodied folk songs, they are an ode to things that are good no matter how small; they sometimes feel like the ghost of a Mary Oliver poem. Bloomsday's new record, 'Heart of the Artichoke', is a relic of unfettered creativity and community. They recount the miracles of the mundane, the memories that become sacred, an ode to all that is holy: nightswimming, songs plucked from the ether, the ways friendship can endure. Like earlier Bloomsday songs, the work here is threaded with warmth; it's simmering, crisp and deeply human, an encapsulation of the present moment. Recorded across 10 days in June 2023 in upstate New York at duo Babehoven's studio and co-produced by Babehoven's Ryan Albert, with mixing by Henry Stoehr of Slow Pulp. The record was built out with a wideranging group of collaborators, including inventive drumming from Andrew Stevens (Lomelda, Hovvdy), Alex Harwood, Richard Orofino, Babehoven's Maya Bon, Hannah Pruzinsky (h.pruz, Sister.), and Chris Daley. It was an insulated and collaborative experience: all family dinners on the back porch, bonfires, feeling a full sense of joy, of friendship, of purity in the artistic self. Collaboration is an integral part of Bloomsday's musical process. Garrison is malleable in the studio, their songwriting generous and spacious. But in listening to the record, there's a sense that Garrison leaves room for the players, for the listener; for songs to find the shapes they're meant to take. Garrison's role as maestro is crucial, singular - it's a collaborative, exploratory spirit harnessed by Garrison's intuition, and by an honest commitment to carve out creative space for play, to delve into what's known - or pushing past that, into unknown. "The ghosts of the past still come up and haunt me," Garrison says, "but I sit in what I have and see it. All of these songs are about loved ones, about personal struggles with getting out of my head and being present." Heart of the Artichoke was written from a healed, matured place - written in a moment of safety from chaos. It's a prayer for the present, an appreciation of tenderness and what happens once we give ourselves the space to really see, and really feel - becoming free and whole - an ode to the way healing allows us to bloom.

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The Hotelier

Goodness

43,99 €*

Wicca Phase Spring Eternal

Release: 2016 / US – Reissue

Genre: Rock & Indie

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The cover artwork contains nudity that may find people offending. That's why it's displayed this way.

It is not enough to say that The Hotelier have grown older, or wiser, or more of anything. We can trace a progression, if we like, from the explosive empowerment of It Never Goes Out to the ashen disillusionment of Home, Like Noplace Is There. We can follow an awakening of youth in suburbia attempting to learn what is right, and what is ours, and what is possible and impossible, and maybe we can't save each other like we thought we once could. We're awake and we're tired and we want love in our lives again. And so we find ourselves now in Goodness, in the woods outside of the suburbs, trying to re-learn that love.

But we seek a space outside time. Once in a while we can feel it, like a clearing. Where our histories and our rhetorics blend into languages spoken and unspoken. Where the greatest awe comes upon us for the overlooked, the simple, the incomprehensible. Where things glitch as they solidify, repeat as they evolve, scream as they whisper. Where always and forever above us, in all of its natural, unnatural, supernatural love, shines the moon. Goodness is not this place -- goodness is nowhere -- but we are following it to where we have to be.

After all we've gone through, how young are we? What is age softening in us, what is it hardening in us? Are we getting better? Worse? How could we ever know, when capital forces us onward away from ourselves? Will the woods consume the suburbs; will the suburbs consume the woods? In the gaps between these monumental questions, in the tiniest details, in the infinitude of cycles outside of time, there is Goodness. We begin there.

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Suffer On Deluxe Edition

2LP | 2021 | US | Original (Run For Cover)

51,99 €*

LP | 1985 | US | Reissue (Light In The Attic)

Release: 2021 / US – Original

Genre: Rock & Indie

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super deluxe, limited edition of the Wicca Phase Springs Eternal album Suffer On, to celebrate the 2 year anniversary of the release - featuring a bonus disc of acoustic renditions of each of the albums songs with completely reimagined packaging.

Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. In 2015 Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep. With GBC's growing notoriety, Wicca Phase Springs Eternal simultaneously established himself as a singular voice, adeptly combining his natural songwriting instincts with the digital culture enveloping his world. Through an extensive catalog of collaborations, singles, EPs and 2016's Secret Boy LP, McIlwee has become a celebrated pioneer in this vital new direction of underground music. Along the way, he assembled what would become his 2019 Run For Cover Records debut, Suffer On, with the sonic bedrock evolving yet again as he re-embraces an initial vision. Suffer On is an exploration of familiar forms through the lens of something new and extraordinary. It is the first Wicca Phase record fully written by McIlwee, utilizing guitars and keyboards to create each song's core and building upwards from there. Themes of longing, entrapment and sacrifice permeate the album - the notion of wanting more and not getting it. Production and lyrics are both intentionally sparse and bleak, reinforcing such feelings and allowing room for the weighty moods to fill the sonic void. Lush acoustic guitar underscores the heavy emotionality of "Crushed" as he dissects a "natural anxiety about everything." Then, there's "Put Me In Graves." Ethereal synths shimmer above double-time drums as his cadence wavers between frenetic and danceable. Suffer On's title track encapsulates the delicate sorrow at the record's heart over a haunting timbre.

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Lewis

Romantic Times

25,99 €*

7" | 2002 | US | Reissue (K)

Release: 1985 / US – Reissue

Genre: Rock & Indie

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Earlier this year, Light In The Attic released the mysterious, bewitching L’Amour, a 1983 private press record thought to be the only release by one of music’s true lost talents: Lewis.

So lost, in fact, was Lewis, he eluded every effort to track him down. Scant details were known: just a series of possibly apocryphal stories about a sports car-driving Canadian with a model on his arm and a habit of skipping town when there were bills to be paid.

Deciding that Lewis’ spider web-delicate songs demanded to be heard, we put the album out anyway, offering to present the due royalties to anyone who could prove they were Lewis.

One sure thing was this: Lewis was a man of many names: Randall A. Wulff among them. Now we have either found another alias – or perhaps even his real name – on the sleeve of a completely unknown album.

Sourced soon after the re-release of L’Amour, Romantic Times is the 1985 follow-up to L’Amour – and it’s released as Lewis Baloue. The name may be slightly different, but this is absolutely our man: a familiar blond posing on the sleeve, a familiar, tortured voice pouring his heart out over languid synths and synthetic waltz beats.

Remastered from a sealed, vinyl copy of the ultra-rare album, the album was discovered in the vaults of DJ and collector Kevin “Sipreano” Howes in Vancouver, BC. It’s so rare that what is, at present, the only other known copy – found in the same Calgary store where Aaron Levin discovered a batch of sealed copies of L’Amour – is presently soaring into quadruple digits on eBay.

Even engineer Dan Lowe, credited for working on the album at Calgary’s Thunder Road Studios, remembered little about the session other than that Lewis seemed to be “under the influence”. Yet the music is utterly captivating.

The album further fleshes out the Lewis myth – we see him pictured in that white suit with his famous white Mercedes and a private jet too; we hear him focussing more intently on matters of the heart, and appearing to unravel in the process. “I felt like I was witnessing a full-blown exorcism of a phantom clad in the finest linen,” writes filmmaker and historian Jack D. Fleischer in his brand new liner notes. “This record went further [than L’Amour ]. It was a personal plea, of sorts. Something had gone wrong. Nerves were clearly exposed.”

It paints Lewis, then, as being more like a David Lynch character than even his debut did, exposing the darkness beneath the sheen. The album is presently being readied for release to the throng of new fans Lewis has found, willingly or not. The man himself remains a total enigma.

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Tender Trap

Face To '73|Fin

10,99 €*

Overpass Boy Coke Bottle Clear Vinyl Edition

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Following on the demise of MARINE RESEARCH, Amelia Fletcher has risen again in the guise of the TENDER TRAP. Accompained by her MARINE RESEARCH band-mates Rob Pursey and DJ Downfall, Amelia has coalesced her voice and impeccable taste into a fourth experiment in unforgettable, streamlined pop music. "Face Of 73" is an indication of what to expect from fothcoming TENDER TRAP album. The B side "Fin" will not be included on the album. It is a special re-mix by DJ Downfall.

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Reverend Baron

LP | 2024 | US | Original (Karma Chief)

Avanti Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited Coke Bottle Clear Vinyl.Written with no big plan in mind, Reverend Baron's "Overpass Boy" becomes a Los Angeles meditation, an eight song prayer of poetic topography. The album gives the city its own sound, and its own songs to hum.Recorded in several different locations of LA, and loosely sketching the story of a young wanderer, the album is an easy current of observations and longings. Slices of soul and doo-wop emerge in stacked harmonies, while the percussion and grooves are the blooms that could only come from East LA. Garcia's investment to vocal tenderness and instrumental high style strikes our universal center. His soft serenade reconnects us to something misplaced.Playing almost every instrument on the album, Garcia's spirit is tailored into the sound, designing an amalgam of tones and frequencies as idiosyncratic as the singer himself.Traversing the alleys, passing the sous-chef's cigarette smoke, under the shaking bridges, behind a velvet curtain in a good suit, with a slide guitar in the rain, the titles quilt together for us: Every promise out here walks and waits in the little hours. Jackie and Jimmy drive away and we're left in that little valley, suspended. Recorded and digitally released in 2019, "Overpass Boy" will be re-released by Karma Chief Records on 8/2/2024

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Malice K

LP | 2024 | US | Original (Jagjaguwar)

32,99 €*

Avanti Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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There are ghosts all across AVANTI, the debut album fromMalice K. At points it's howling and unhinged, a grungy layeratop a lush foundation of melodic capital-s Songwriting, but inother moments it dissolves into a gentle, wistful haunting.Malice K's songs are blunt, uncomplicated and unflinching as heprobes the interiority of memories, of mistakes - saturated withan innate intensity that sucks you into his gnarled and visceralworld, so barbed it could draw blood.Malice K is helmed by visual artist and songwriter AlexKonschuh, New York-based but born and raised in Olympia,Washington. Following a stint living in Los Angeles, where hebecame a member of the artist collective Death Proof Inc., a tripto New York resulted in him simply never leaving the city. Aperiod of chaos ensued, Malice K exhausted and unmoored andultimately, unwell.The record is unpredictable across its 11 songs. The album openswith a jarring scream on "Halloween," Malice K's breathlessvocals buried beneath a grungy, roving Nineties riff. The trackemanates a manic energy, enveloping. It's a fitting entrypointfor the record, and for the vividness of Malice K. The snarling andobsessive "You're My Girl" has a swaggering paranoia: "I got sohigh I thought my hand touching my hand was your hand." ButAVANTI exists in quieter moments too; "Radio," with itsfluttering morose cello, moves at an almost glacial pacecomparatively. The aching wistfulness of "The Old House" is analbum stand-out, anchored in an acoustic guitar, an uneasylullaby that never quite settles into itself: "I think to myself I gotthe things that I wanted, but I can't help think there'ssomething else that I forgot to do."A recent press interview called Malice K a shapeshifter, but he'snot amorphous in that way. He's decisive and intense, moreconcerned with carving his own path, and building his ownworld. Every part of Malice K is distinctly himself: from hissweaty high-octane shows to the high-flash high-contrastphotos;...

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Malice K

LP | 2024 | US | Original (Jagjaguwar)

Roseway Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Jeffrey Silverstein

LP | 2024 | EU | Original (Arrowhawk)

30,99 €*

Terria Vinyl Edition Re-Issue 2024

Release: 2024 / EU – Original

Genre: Rock & Indie

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B-side features “Torii Gates” on vinyl for the first time ever due to fan demand.

Acclaimed by outlets like Aquarium Drunkard and NPR, who praised his, “Cosmic country with a gentle sweetness, reminiscent of Beachwood Sparks and Silver Jews at their twangiest.”

- His rhythm section is drummer Dana Buoy (Akron/Family) and bassist Alex Chapman and enlists pedal steel player Connor Gallaher (Anna St. Louis, Lana Del Rey) to flesh out the songs.
- 2024 festival plays at Treefort, Kilkenny Roots, Otis Mountain Get Down, and west coast summer tour.
- Publicity campaign by Riot Act Media
- Recent touring with William Tyler, Fruit Bats, and more.

RIYL: JJ Cale, Mapache, William Tyler, Steve Gunn, Rose City Band, Amen Dunes, Jake Xerxes Fussell, SUSS, North Americans, Chuck Johnson

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Devin Townsend

2LP | 2001 | EU | Reissue (Insideoutmusic Catalog)

31,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Shenanigans Nite Club Purple Vinyl Edition Reissue

Goose

2LP | 2023 | EU | Original (No Coincidence)

37,99 €*

LP | 2024 | Original (Voodoo Rhythm)

Release: 2023 / EU – Original

Genre: Rock & Indie

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180 gram Purple vinyl.Connecticut-based quartet Goose _ Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], and Ben Atkind [drums] _ shimmy through the cracks between jam, funk, alternative, and rock with head-spinning hooks, technical fireworks, and the kind of chemistry only possible among small-town and long-time friends. After selling out theaters coast-to-coast and a series of seismic festival performances, the musicians welcome everybody to this place on their 2021 second full-length, Shenanigans Nite Club. "In many ways, Goose is a conglomeration of music from the town we grew up in, and the songs are a collection of many different experiences and influences," observes Rick. "Where we come from has inevitably informed and enabled our music. We get these four defined seasons in rural Connecticut, and there's a powerful stillness.""Our area is a very reflective place," agrees Peter. "We're in the woods, and we all find peace from the setting. Being in the sticks positively affected what we're trying to do.""While we've been touring, the record has been happening in the background," says Rick. "We've done our fair share of sweating it out and paying our dues on the road. There was a natural progression until we really got on the same page creatively. It's been a long, weird trip. At times, it was tumultuous. The record is a companion to those growing pains."Goose introduce the record with "So Ready" and it's counterpart "(s?tellite)." Just shy of ten minutes together, the tracks twist and turn through synthesizer "emitting hilariously sexual vibes," jazz-y bass, and a chantable hook."Labyrinth" dives down "a deeper rabbit hole" as warm guitar wraps around shimmering piano originally culled from Rick's school days."`Labyrinth' is one of the only pieces I wrote in my latter high school days," he recalls. "It's got this thematic relevance with the weird sense of humor, rambunctiousness, and partying from back in the day."As the first proper Goose son...

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The Sex Organs

We're Fucked

Release: 2024 / Original

Genre: Rock & Indie

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Bertrand Burgalat Meets A.S Dragon

2LP | 2002 | EU | Reissue (Tricatel)

Moonlight Feels Right - The Collection: 1975-2023 Turquoise Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.

Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.

"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind." Philippe Manoeuvre, excerpt from the innersleeve note, April 2022

"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits." Philippe Manoeuvre, Rock & Folk, October 2001

"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity." Philippe Barbot, Télérama, November 2001

"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. " Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001

"I wish this song could last my whole life..." Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex

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Starbuck

3LP | 2024 | EU | Original (Renaissance)

47,99 €*

I Am The Object Of Your Desire

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pressed on a triple180-gram TURQUOISE vinyl!This album features all Starbuck's greatest hits. Their debut single, "Moonlight Feels Right", reached the No. 3 position on the Billboard Hot 100 singles charts in 1976. Although the band never re-created the success of their debut, several of their songs did chart in the Billboard Top 100, and their 1977 release "Everybody Be Dancin'" reached No. 38.

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Thee Headcoats

LP | 2024 | Original (Damaged Goods)

21,99 €*

2LP | 2023 | EU | Original (Sony Music/Metal Blade)

Release: 2024 / Original

Genre: Rock & Indie

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REISSUE OF THEE HEADCOATS' FINAL ALBUM IN THEIR ORIGINAL INCARNATION! Originally released by Friends Of The Buff Medway Fanciers Association Records in 2000! The final studio release by Thee Headcoats (until last year's Irregularis: The Great Hiatus) gets a long-awaited vinyl reissue! Includes eleven Billy Childish originals plus a cover of Bo Diddley's 'Great Grandfather'! Recorded at May Road & Red Studios. Engineered by Graham Semark. "Thee Headcoats, who put out their first album in 1989, have recorded raw, primordial romps that seem inspired by American Delta blues musicians like Sonny Boy Williamson or the Southern swamp rock of Hasil Adkins, while maintaining a decidedly English sound. They've recorded under a slew of monikers, and issued an amazing discography of full-lengths, EPs, 7"s, and what-have-you for virtually every cool indie label since they formed (including US-based labels like Sub Pop, Get Hip, Sympathy for the Record Industry, and K, among others). Whether he's covering songs with a Bo Diddley beat, garage rock chug, or playing one of his angry young man/dysfunctional family rantings ('The Day I Beat My Father Up', for example), Billy Childish has built up a solid and somewhat rabid fanbase by releasing songs that you wouldn't normally think would attract a huge audience to begin with. However, I Am the Object of Your Desire has the distinction of being the last album by this band, as their prolific leader Billy Childish moved on to a new band; they're called the Buff Medways, which is apparently an ancient and now extinct breed of chicken which had feathered legs. It's also the name of the UK imprint this record was released on. This collection kicks right off with the album-titled track reveling in pure Headcoats fashion: that warm, fuzzy vibrato guitar with Childish's fuzzy, electronically distorted voice (an effect repeated throughout the album); Johnny Johnson's soft, flowing bassline; and Bruce Brand's primeval drums. The group keeps this sort of mid-tempo riffage going for th...

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Osi

Blood Re-Issue w/ Bonus

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Dirt Cult)

Daydream

Mystic Operative

Pip Paine (Pay The £5000 You Owe)

Release: 2022 / US – Original

Genre: Rock & Indie

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Holy shit, Portland punk, chuck me in a rock grinder and turn the motor on supersonic, guillotine the king, chuck his carcass off the end of the plank and let the hammerheads rip it apart. Don’t let the name of the band fool you into thinking this’ll lullaby your brain into a state of theta. This is gamma-wave punk rock and roll, divergent binaural fuzz ripping into focused rapid-fire slash and burn, clear cuts the cop in your head like a chainsaw running on trichlorethylene, short loud and fast like you like it. Pounding your eardrums like a maniac on Benzedrine, slashing your brain like a whipping of razor wire. And when it’s all said and done, maybe you will indeed settle into a theta state of mind. Clear cut the riot police from your brain and give the pine trees room to grow. To free your head, feed the heads of state to the hammerheads, decapitate the heads of state in your mind and bring the dream into the light of day, make your own head the head of state. To understand how something works, sometimes you gotta take a hammer and break it. Mystic Operative manages to balance the unpredictability of post-punk with the groove of garage rock, the fury of hardcore and the recklessness of classic punk. Roll those ingredients into a ball, then watch it roll down the hill and wipe out everything in its path. – Scene Point Blank If you’re into dense, angular, and inventive post-hardcore, this record is a stunner. – Sorry State Records Daydream from Portland deftly maneuver through eleven songs of noisy punk with obvious anarcho leanings and a call for higher consciousness. I do love it when a band incorporates so much into their art and sound that, while it makes my job harder, it only proves that some things just can’t quite be described with mere words. I’m getting hits of everything from Crass, the Wipers, and the Shitty Limits but even then I’m probably shortchanging the band, of which members have previously kicked around in PDX greats such as Physique and Dodlage as well as the Chinchees from Minneapolis. Suddenly, it makes sense why this record is so fucking good. - Razorcake There’s a lot going on, but the hyper-propulsive drums, DEVO-lved guitar stabs, and urgent vocals clatter together in an explosive concoction of progressive punk noise. Thick-necked, spiraling bass riffage and off-kilter weirdness remind me of (a less brooding) Dead AND Gone, or an anarcho-BOREDOMS. Get your ’90s fix without succumbing to nostalgia. Great stuff. – Maximum Rock N Roll

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Metronomy

2LP+CD | 2006 | EU | Reissue (Because)

Re: This Is Why (Remix + Standard)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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Deluxe Double LP/ Gatefold / + CD RE- Edition in Original Artwork! The fi rst Ever public available Vinyl edition of Pip Paine, the fi rst album by Metronomy. Initially released in 2006, this fi rst album was a collector edition limited to 2500 units and thereafter released only once for RSD 2013. This Album initiated the Metronomy Buzz thanks to the tracks « You could easily have me » and « Tricks or Treats ». This new version includes 4 Bonus tracks : « Are Mums Mates », « Hear to Wear », « Another Me to Mother You » and the un released track « In the D.O.D. ». Original Packaging, Gatefold, Double Vinyl + CD Inside. It’s a very deluxe and unique edition.to mali

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Paramore

LP+LP+All Media | 2024 | EU | Original (Atlantic)

59,99 €*

LP | 2024 | EU | Original (Total Pleasure Records)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Ruby Red Transparent / Opaque White vinyl

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St. Vincent

All Born Screaming

54,99 €*

Barefoot Rock With Rainer And Das Combo

Release: 2024 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black/White Split vinyl

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Rainer Ptacek

2LP | 2013 | UK | Reissue (Fire)

Bay Of Kings Vinyl Edition Re-Issue 2024

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Limited edition, 1000 copies.The debut record from Rainer Ptacek, originally released only in Germany and now re-mastered and reissued with extra tracks. Following the reissue of the tribute album The Inner Flame: A Tribute to Rainer Ptacek, Fire Records begin the Rainer Ptacek reissue series in earnest with the release of his debut album "Barefoot Rock", featuring the band Das Combo. Based in Tucson, Arizona, Rainer was a highly skilled guitar master and pioneer of the desert rock sound along with long-time collaborator Howe Gelb, before tragically dying of brain cancer in 1997.

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Steve Hackett

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Nashazphone)

Regler + Courtis

Regel #13 [Noise Rock]

Feedback '86 Vinyl Edition Re-Issue 2024

Release: 2024 / UK – Original

Genre: Rock & Indie

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Mattin and Anders Bryngelsson are joined by Reynols' Anla Courtis on this fuzzed-out celebration of noise rock, their most furious exercise yet, burning down the genre to its embers, leaving a mess of distorted riffs, motorik rhythms and hypnotic, swirling feedback. Heavy as fuck!

Regler have already spent 12 volumes of their Regel series putting their grubby thumbprints on metal, techno, classical music, ambient and just about everything else you can think of, but it's here where they really hit their stride. They've roped in Argentinian original Courtis - co-founder of Reynols, no less - to assist, and it sounds as if they're truly relishing the opportunity to let loose. On the first side, a severe, almost hollow-sounding motorik beat provides the backbone, and the trio show their literacy with the sound by twisting blown-out riffs into fizzing, acidic fractals. If there's any low-end, it's swallowed whole by slashed amps and hoarse groans, but Mattin, Bryngelsson and Courtis offer us a breather, cutting to eerie, black hole rumbles at the 11-minute mark before raging towards relentless, searing feedback.

On the flip, the drums are eviscerated, leaving plenty of space for Regler + Courtis to push their gargling textures centre stage. Anyone familiar with Bryngelsson's tenure with Brainbombs is gonna be beaming at this one - it's a noise education, rubbing bubbling hotwired oscillators against strangulated axe screams and brickwall distortion. Even the feedback doesn't fully get a chance to flower until the third act, and when you can eventually make out the drums, they're drowned by razor-sharp, brittle nails-on-chalkboard groans and synthesized whirrs. Somehow, the trio keep building the intensity, the final few minutes sound as if they're physically burning through the speakers, foregrounding the kind of blistering, in-the-red grot that rarely makes it to wax these days.

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Steve Hackett

LP | 1986 | EU | Reissue (Insideoutmusic Catalog)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Returns To Valley Of Rain Blue Vinyl Edition

Giant Sand

LP | 2018 | US | Reissue (Fire)

Stars Of The Lid & Their Refinement Of The Decline

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Valley of Rain was Tucson’s Giant Sand’s debut album recorded in 1983, and eventually released by 1985. It included Howe Gelb on vocals, guitar and Winston Watson on drums for most of it, Tommy Larkins on drums for some of it and Scott Garber on fretless bass for all of it.

Now some 30 years later, This new re-recording of that first album will be toured by the band this summer, playing only those Valley of Rain songs. Giant Sand Returns TO Valley OF Rain.

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Stars Of The Lid

3LP | 2007 | US | Reissue (Kranky)

79,99 €*

7" | 2024 | US | Original (Carbon)

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Back in print for the 1st time in 5 years! "I simply feel that they are making the most important music of the 21st century." - Ivo Watts Russell (4AD label founder). "Crushingly sad, lightly melancholic, or even uplifting, depending on the state of mind of the hearer...a sound divorced from intention & its ambiguity is its strength." - Pitchfork.

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Rock Candy

Swimming In

13,99 €*

Mummy What Are Flowers For?

Release: 2024 / US – Original

Genre: Rock & Indie

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Delve into Rock Candy’s first ever released recordings—enter their universe of far out features, including sounds from the electric guitar, organ, drum machine and “vintage” keyboard. An electrifying and experimental fusion of psych rock, noise, and avant-garde guitar work, along with organ, keyboard and drum machine, culminating in the construction of two 5 minute-plus instrumental stakes in the ground, telling the underground music world, we’re coming for you! The artists behind these artifacts are Kryssi B (of New Haven heavies Headroom and Mountain Movers) and Emily Robb (with multiple solo releases as well as member of Astute Palate); they are shelling out sounds via the spring of 2023’s sweating and laboring in Robb’s basement, lovingly referred to as “Suddenly Studio.”

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Soup Activists

LP | 2024 | US | Original (Inscrutable)

LP | 2024 | US | Original (In The Red)

Release: 2024 / US – Original

Genre: Rock & Indie

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Must we bleed to buy a bridge? A life led punk takes a left turn to there and back again lane, and we find Soup Activists. This is St Louis’ new mutant pop, Martin Meyer’s solo studio project (and ensemble live band). Mummy What Are Flowers For?, the act’s new LP on Inscrutable Records, is punk’s gift back to pop. Friends, penpals, and mail order maniacs will all be told, a princely player with a heart of gold journeyed to Lawrence Kansas to record and rock. With Sweeping Promises, MM ignored the studio clock. SP’s Caufield Schnug behind the board and Lira Mondal in front of the mic, providing supporting vocals.

Songcraft has always been an essential part of Marty’s world (Lumpy and the Dumpers, the Wad, Cal and the Calories, Fried E/m) and special care is provided on Mummy. There’s the crackle and verve of Dolly Mixture, the slyness of Television Personalities, and the pure fun of the Freshies. The pogo is an apt dance for album openers 'Jeffrey Jarvis' and 'Boys With Plants.' Curiously dressed adolescents lay the groundwork for 'Matching Teens' and its swinging organ and crunching guitar. Lira’s singing is furiously focused and fulfilling on “The Times,” bottled fun. 'It’s a hit! It’s a hit!' These are the screams I hear each night in the Soup Activists concert audience. Let 'Some Doves Don’t' be your introduction to new wave. 'Chaos Girls' is an anthem for the apocalypse that dances dangerously in a zone of perilous joy.

Martin has worn many hats, and now we are closer to the dome than ever before with this guitar-pop project. Big, freaky-beefy, and beautiful, Soup Activists’ new LP is personal. It’s strange when you’re living the dream. We are lucky to live in this wonderful world and to have Martin Meyer making it more wonderful."—Reese Higgins (Gentle Reminder Records)

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Earth Tongue

Great Haunting

7" | 2023 | US | Original (Alternative Tentacles)

Release: 2024 / US – Original

Genre: Rock & Indie

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Earth Tongue, the brainchild of guitarist Gussie Larkin and drummer Ezra Simons, present their second full-length album Great Haunting. The duo, known for their heavy flavor of fuzz-soaked psychedelic rock, are also pleased to unveil their signing to In The Red Records.

Earth Tongue’s partnership with In The Red stems from a run of shows supporting the legendary Ty Segall throughout New Zealand. Larkin explains: “Ty’s band Fuzz was a significant influence for our sound early on. Ezra and I saw them play live in London about nine years ago, long before Earth Tongue existed. We absorbed a lot of music at that time, and in fact many of the bands we saw released records via In The Red.”

Great Haunting sees the duo draw inspiration from the eerie depths of ’70s and ’80s horror cinema, delivering a sonic concoction of dark and primitive songs with thick layers of fuzz and punchy, compressed drums. The album was engineered by Jonathan Pearce from The Beths at his studio on Karangahape road in Auckland.

The ascent of Earth Tongue is testament to their dedication and hard work. They’ve toured relentlessly across Europe and scored support slots for acts like Idles and Queens Of The Stone Age. They’re consistently selling out headline shows and have featured on festival lineups throughout Aotearoa and Australia. 2024 sees the band embark on a bold new chapter with their first performance in the USA at Sxsw, Austin. They also have more than forty dates booked throughout Europe this summer and many more exciting announcements to come.

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Kultur Shock

King / Country Mohammed

8,99 €*

The Who & Isobel Griffiths Orchestra

Release: 2023 / US – Original

Genre: Rock & Indie

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Yet another rockin’ new direction from the label that can’t stop expanding its….well,…Tentacles! Meet Kultur Shock—multinational ‘Gypsy Punk’ pioneers, led by irrepressible ball of energy and good cheer, Gino Yevdjevich. Gino was quite the mainstream pop star in his native Bosnia (and the Balkans), when the shelling of Sarajevo began, trapping him in his family’s apartment for two years. He was finally able to flee, first to New York, then on to Seattle. Instead of reviving his pop career, Gino chose (a full plunge) to reinvent himself, reaching deeper into his heart and Balkan roots, and Kultur Shock was born! They began playing slightly electrified Traditional Folk, to a growing refugee audience, including many a dancing Serb. The fan base quickly widened to Krist Novaselic and Vic Bondi, among others, who then drew in Jello Biafra. - Then something happened - A year or two later, they debuted in San Francisco to a sold-out audience at the Bottom of the Hill, packed with almost all refugees and migrants - and a much louder, heavier Kultur Shock. Lineups hail from all over Eastern Europe, Seattle, and even Japan; with a much wilder, more theatrical Gino as ringmaster of all he surveys. A more punked-out, direct version of their close friends and cousin, Gogol Bordello, Kultur Shock mixes Balkan folk melodies and bizarre meters with face-melting metal and blood-pumping punk rock in a pagan cauldron of lyrical, obnoxious, and politically irreverent music stew since 1996. The band released its first three studio records produced by FNM’s Bill Gould on his KoolArrow Records – Fucc the INS (2001 and 20th-anniversary re-master in 2022), Kultura- Diktatura (2003), and We Came To Take Your Jobs Away (2006). Since 2007, Kultur Shock is self-produced and self-released on its own label, Kultur Shock Records. It released Live in Europe (2007), Integration (2009), Ministry Of Kultur ( 2011), Tales Of Grandpa Guru, vol. 1 EP (2012), IX (2014), Live At Home ( 2016), and D.R.E.A.M. (2019). So here to start is Kultur Shock’s Alternative Tentacles 7” debut. To break the ice and dangle the carrot for our eclectic Tentacle fan base, and reintroduce the now post-Covid Kultur Shock, as they head back across the Atlantic, for their main audience and festival dates, and Stateside down the road. “King” and “Country Mohammed” have been live show favorites for some time, and Alternative Tentacles is pleased to showcase them to our audience. With an all-new album is in the works, with hopefully more vinyl reissues of their past CD-only albums to follow, Kultur Shock is here to stay. We love them so much, it’s the Second band with this name on Alternative Tentacles: Dick Lucas’ Culture Shock is the first!

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The Who With Orchestra: Live At Wembley

3LP | 2023 | EU | Original (Universal)

39,99 €*

Griller Record Store Day 2022 Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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On 6th July 2019, The Who headlined a sell out show at the world famous Wembley Stadium in London for the first time in forty years. Performing many of their greatest hits, the show featured the band as they’ve never been seen before, accompanied by the 57-piece Isobel Griffiths Ltd orchestra.

The Who With Orchestra Live At Wembley re-lives that iconic show. Available as a triple black vinyl 3LP set with a booklet showcasing unseen photos from the show.

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LP+7" | 2022 | EU | Original (Out)

28,99 €*

LP | 2022 | US | Original (In The Red)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Latest in the UT reissue series, RSD version of the new one comes with exclusive 7" . Originally recorded/ released in 1989. Steve Albini recorded this album, and captured UT at the peak of their creative powers. Long out of print, the album has been remastered for this release. and the RSD pressing comes with a bonus 2 track 7", featuring Fuel / Griller X . "For Ut's last record, Steve Albini was a smart choice for engineer, both being an Ut fan and having a way with dissonant, anti-rock kinds of groups. The guitars are beefier on Griller, and again, the songs sound more polished and rehearsed, but none of this detracts from the gleeful mania contained within these grooves. Not the first Ut purchase you should make but if you're already humming along to these skewed tunes, you owe it to yourself to seek this long-lost record out." 80% all Music

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Meatbodies

333

7" | 2021 | EU | Original (Munster)

Release: 2022 / US – Original

Genre: Rock & Indie

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Over the course of the decade, Meatbodies’ Chad Ubovich has been a perennial candidate for MVP of West Coast’s fertile rock scene. The LA native could be seen peeling off guitar solos in Mikal Cronin’s backing band, supplying the Sabbath-sized low end for Ty Segall and Charlie Moothart as the bassist for Fuzz, and, of course, fronting his own Meatbodies. Today the recently dormant experimental noise / freak-rock outfit has announced their return with 333—a corrosive stew of guitar scuzz, raw acoustic rave-ups, and primitive electronics that charts Ubovich’s journey from drug-induced darkness to clear-eyed sobriety. 333 simultaneously reflects on how the world he re-entered was still pretty messed up—if not more so. In mid to late 2019, the band—Ubovich and drummer Dylan FUJIOKA—had a new album in the can, ready to be mixed. But when Covid hit, like so many other artists, they put their release on hold as they rode out the pandemic’s first wave. During that idle time, Ubovich discovered a cache of demos that he and Fujioka had recorded in a bedroom back in the summer of 2018, and he really liked what he heard. In contrast to Meatbodies’ typical full-band attack, it was deliriously disordered. “It sounded gross, like a scary Magical Mystery Tour,” he recalls proudly. After subjecting them to some mixing-board freakery, Ubovich fast-tracked the songs into becoming this third release of theirs, 333. It proves Meatbodies have greatly expanded their palette, opening new portals to explore. And for an album that wasn’t supposed to exist, 333 is the ultimate testament to Meatbodies’ renewed vitality.

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Los Saicos

Demolicion

13,99 €*

Golden Haze Golden Haze Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Los Saicos Created A Raw, Wild And Visceral Sound, The Southern Hemisphere Equivalent Of The Garage Rock That Was Coming Out Of The Us And Their Anthem 'Demolición' Is One Of The Most Insane '60s Punk Songs Of All Time. Unavailable On A 45 For Over A Decade, Here It Is Again! The Archaeology Of Rock'n'roll Is Much Like Any Other Form Of Digging. Significant Finds Demand The Re-Addressing Of Previously Considered Certainty. You Can Hear Direct Links To Both The Stooges And The Cramps Here And Several More Equally Enthralling Combos. The Latter Spawned Several Generations Of Individuals Who Would Dig Deep To Previously (Mostly) Unheard Seams Of Music And Other Forms Of Culture That Have Since Become Part Of The Mainstream Fabric. When Los Saicos' Front Man Erwin Flores Was Asked How Aware He And His Friends Were Of What Was Happening In Britain And The Us At The Time, Here's What He Had To Say: "We Knew The Beatles, They Were Our Idols. We Heard The Rolling Stones After Recording 'Demolición' And Also Bob Dylan And Others. The Primitive Nature Of Our Songs Is Something That Came Spontaneously Out Of My Head. The Band Had No Problem With Assimilating And Arranging It. We Thought Of Ourselves As Bad Boys And That Must Have Been A Driving Force." "Primitive To The Point Of Primordial, Los Saicos Are An Important Benchmark. Not Were. Who Ever Thought There Could Be A Combo Out There In Peru That Would Make The Sonics Sound Like Simon And Bloody Garfunkel? There Is Quite Possibly Some Other Music Out There, Someplace, That Could Well Make Us Re-Address This Consideration, But Until Then, Cherish This Short Course Of Saicotherapy."

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Wild Nothing

12" | 2010 | US | Reissue (Captured Tracks)

25,64 €* 26,99 € -5%

LP | 2023 | UK | Original (Castles In Space)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Golden Haze Vinyl. After being long out of press (with the exception of a small, instantly sold- out pressing in 2018 to celebrate Captured Tracks' 10-year anniversary), Golden Haze is finally back on limited edition Gold vinyl!The charming and gorgeous Golden Haze EP is the culmination of Wild Nothing's (Jack Tatum) sound in 2010. Fresh off the heels of breakout debut album Gemini, Golden Haze has become a true fan-favorite of Tatum's cata- log, and an enduring fixture of Wild Nothing's live shows across the world. The tracklist features the previously unavailable Evertide EP, a Gemini B- Side, and now, for the first time on vinyl, includes bonus tracks "Asleep" and "Vultures Like Lovers."When Golden Haze was released in 2010, the EP filled with melancholy vocals over addictive guitar riffs offered a perfect continuation to Gemini. It also re-revealed that Tatum has a knack for creating unique, modern ar- rangements based on decades-old influence. On Golden Haze's single of the same name, tweaked drums and a "textural mesh of severely-gated snare and sleigh bells" evoke 80s bands like The Cure. "Vultures Like Lovers," a newly available track on vinyl, presents delayed guitars with tremolo'd vocals. The most different to Gemini, it revealed that Tatum could make more "electronically pulsed" songs with echoey, hollow vocals. Over 10 years later, Golden Haze continues to prove Tatum's ability to create new songs while evoking a musical nostalgia for the past.

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Lone Bison

Wave Construction

Wild Billy Childish & CTMF

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Lone Bison / Nick Bonell lives by the sea in Ramsgate. Mainly a guitar player and pedal junky, Nick bought a used Korg Ms20 and fell in love with synths. As one half Stuntmen, Nick released the sample-heavy single 'You're the Beat Find' on the very groovy Tummy Touch label, which led to him scoring three Ford adverts in the U.S and a few pieces of well-used production music - which paid for more synths and pedals! An album, 'Transistor Memory' and single 'Drugs' came out via Dom Martin's Polytechnic Youth records in 2021.

Lone Bison's music is influenced by Krautrock, electronica, post-punk, soundtracks and post-rock.

Wave Construction is his first album for Castles in Space. There will be many more.

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Failure Not Success

LP | 2023 | EU | Original (Damaged Goods)

Love Over Fear Acoustic Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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The new studio album by Billy and CTMF features Billy at his song writing best! Includes covers of Richard Hell and Jimi Hendrix songs, along with a newly recorded version of 'Bob Dylan's Got a Lot to Answer For'!We asked Billy a few questions about this mighty fine album_Q: Great album title! It will seem counter-intuitive to some but why do you favour failure over success?A: If the Pop Rivets (the first group I was in in 1977) had been "successful" in the formal sense, then it would have been a disaster - no learning about sound, growth, and independence. Luckily, we considered ourselves successful from the outset by doing what we wanted the way we wanted. We believed the hype of punk rock - do-it-yourself and lived it, unlike the "successful" leaders of the movement. I've always wanted small gigs where your open and exposed. The same with recording - excitement, mistakes, humour, and hopefully joy. The reason to become "successful" is to cut yourself from your origin and roots. In short, we'll decide what success is, not a critic, the world, or public opinion.Q: The album opens with a cracking cover of Richard Hell's 'Love Comes in Spurts'. You've previously recorded this with Thee Headcoats on Brother Is Dead_ But Fly Is Gone! from 1998. What made you want to revisit the song? Has Richard heard it? If so, what did he think?A: I forgot that we did it with Thee Headcoats. If I had that LP, I'd give it a listen. I do remember covering it live with The Pop Rivets in 1978. Richard said he liked it a lot and told his girlfriend he only wants my tunes at his funeral. I said, "not too soon I hope." He assured me he's well.Q: We're digging the instrumental track 'Walk of the Sasquatch'. Is this track in honour of the North Kent Sasquatch Research Group? What do you know about that mysterious organization?A: The track is more about the pacific Northwest cousin of the English version (the Woodwose). The North Kent Sasquatch program has gone a little quite of late, but I believe they are still tryi...

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Pendragon

2LP | 2022 | UK | Original (Pendragon / Toff)

55,99 €*

Mirage EP Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Pendragon release their latest album in Acoustic form on double vinyl. Pendragon release their latest album in Acoustic form on double vinyl. Many of the songs have been re structured and include orchestrations and added sections to make a highly desirable vinyl release of this phenomenally popular album.

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Molly Lewis

LP | 2022 | EU | Original (Jagjaguwar)

Wild Billy Childish & The Singing Lions

Release: 2022 / EU – Original

Genre: Rock & Indie

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Molly Lewis's compositions seem to float into our ears from distant shores. They're otherworldly, drawn more from landscapes of dream than from anywhere you could find on a map. Lewis is a unique presence in music today. Her trademark whistle, which brings to mind the great Peruvian soprano Yma Sumac, has graced recordings of everything from Schumann lieder and Brazilian jazz to Spaghetti Western ballads and noir lounge. Lewis's collaborations are diverse: La Femme, Sébastien Tellier and Dr. Dre. She's performed around the globe, at Shanghai's Yuz Museum, the Cannes Film Festival, Mexico City's Salón Los Angeles, and across the whole of New Zealand. Lewis's 2021 debut EP, The Forgotten Edge, was produced by Tom Brenneck (Charles Bradley, Amy Winehouse). It was a critical success, drawing praisefrom The New York Times and NPR, and landing Lewis a spot on CBS Sunday Morning. Now, Lewis and Brenneck have teamed up again for hersecond EP, Mirage, bringing aboard Brazilian guitarist Rogê, as well as percussionist Gibi Dos Santos and keyboardist Roger Manning.Capacious and atmospheric, Mirage is Lewis's most hypnotic effort yet. Like Eden's Island (1970) by eden ahbez_whose "Nature Boy"is covered in one of Mirage's standout moments_the album is based on Lewis's visions of an imaginary island. The lush, oceanic texturesof Mirage transport us to the sands of an unknown beach_all alone or in the company we've always dreamt of keeping.

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At The Bridge

LP | 2007 | EU | Original (Damaged Goods)

Spark White Vinyl Edition

Release: 2007 / EU – Original

Genre: Rock & Indie

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In Memory of Chris Broderick of the Singing Loins, who passed away earlier this year Damaged Goods proudly presents a vinyl reissue of this Medway folk classic!A re-issue of one of their favourite early releases and a rather overlooked classic album, a one off collaboration between Billy Childish and legendary Medway folkies The Singing Loins.This was recorded in 1993 when Billy was in Thee Headcoats and The Singing Loins were in their first incarnation. The Singing Loins formed in late 1990, a two piece band playing "Authentic raw folk from the Medway Delta". They were Chris Broderick on vocals/stick and Chris 'Arfur' Allen on guitar. They had recorded two classic albums before this both of which were released on Billy's own Hangman records.The album features a few Childish classics reworked including 'You Make Me Die' and 'Every Bit Of Me' as well as 4 tracks written by Billy & The Loins especially for this album.

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Whitney

LP | 2022 | US | Original (Secretly Canadian)

Niineta Smike Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Joe Rainey

LP | 2022 | EU | Original (37d03d)

22,94 €* 26,99 € -15%

LP | 1973 | EU | Reissue (MIG)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Joe Rainey is a Pow Wow singer. On his debut album Niineta he demonstrates his command of the Pow Wow style, descending from Indigenous singing that's been heard across the waters of what is now called Minnesota for centuries. Depending on the song, his voice can celebrate or console, welcome or intimidate, wake you up or lull your babies to sleep. Each note conveys a clear message, no matter the inflection: We're still here. We were here before you were, and we never left.On Niineta, Rainey finds himself in between cultures, collaborating with producer Andrew Broder, who brought his turntablist sensibility to the project. The two of them met backstage at Justin Vernon's hometown Eaux Claires music festival before crossing paths more through the 37d03d collective, and both contributed to the last Bon Iver album before partnering up. "At first I didn't know what I could add," Broder says. "I came to understand everything is rooted in the drum-even the songs on our record that have no drum." Each song started with Broder's beats, the two of them experimenting with various sounds and tempos before orchestrating and recontextualizing the ancient sounds in strange, new in-between places, also pulling from Rainey's vast sample folder of pow wow recordings, layering in slices of his life.Niineta is a short version of the Ojibwe term meaning, "just me," and Rainey is using the term only in the sense that he's taking sole responsibility for the music. He is protective of Pow Wow culture-once outlawed by the US government and maintained in secret-while trying to figure out where he fits and how he can be creative with it. "These are my creations, but they're pow wow songs, and our language is sacred," he says. Rainey suggests conceptualizing the album as him working the door at a Pow Wow after party. "If I'm answering that door, I want to say, hey, yeah, come on in. But there's fucking tons of us in here. It ain't just me."

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Agitation Free

2nd

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Gigi's Recovery Black Vinyl Edition

The Murder Capital

LP | 2023 | EU | Original (Human Season)

Everlasting Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Murder Capital’s second studio album Gigi’s Recovery, will be released on 20 January, 2023 via Human Season Records (distributed through Ada). Gigi’s Recovery, the follow-up to 2019’s When I Have Fears, is produced and mixed by John Congleton (Modest Mouse, Angel Olsen, The Walkmen, Grammy® winner for St. Vincent). Gigi’s Recovery is a positive ensemble of life after darkness, and only good things. Painting by Peter Doyle and designed by Aidan Cochrane. First single “Only Good Things” released on 20 July with second

track “A Thousand Lives” out 22 September.

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Refused

LP | 1994 | EU | Reissue (Startracks)

12,99 €*

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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2LP | 2013 | US | Original (Sony)

Haim

Days Are Gone

35,99 €*

LP | 2021 | Original (Sony)

Release: 2013 / US – Original

Genre: Rock & Indie

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Today's top notch girl group delivers their 1st album!

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Slowly Slowly

St Leonards

51,99 €*

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2018 | Reissue (Inertia)

Goon Sax

We're Not Talking

43,99 €*

Release: 2018 / Reissue

Genre: Rock & Indie

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Shadow On My Light - Blue Smoke

Maddy Kirgo

LP | 2024 | Original (Gar Hole)

30,99 €*

Momentum Vinyl Edition Re-Issue 2024

Release: 2024 / Original

Genre: Rock & Indie

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Released August 16th, 2024. 140 gram BLUE SMOKE vinyl with printed innersleeve lyric page. Maddy Kirgo writes songs that allude easy definition. Based in New Orleans, Kirgo weaves timeless tunes of warmth and longing, with lyrics that simultaneously feel carefully composed but not overthunk and a voice that will stop you in your tracks. Depending on the day, you may hear a little Gram Parsons or the Beatles, a little Dolly Parton or Weyes Blood, however what makes Maddy so compelling is her ability to rise above and chart her own path, forever adding new rooms to a sonic palace of her own design. 'Shadow on My Light', the her second full-length record, is synthy, New Orleans indie twang at it's finest, equally informed by both the sunken city's swampy americana and dreamy pop scenes. Produced by members of Video Age and constructed during the pandemic, "Shadow on My Light" thoughtfully renders tales of hard times, enduring the modern world, and grieving the loss of a friend into playful, yet sincere pop songs, warmed by catchiness and lush compositions and handled with care. In advance of new music from Chris coming out later this year, Gar Hole Records is proud to present this first pressing of 'Good Kid', an essential release for fans of modern alt-country and Americana. At the center of that sound are the entwined voices of Casey Jane and Camille, two longtime friends whose songs explore the uncharted territory between genres. There's rarely a melody on Meet The Lostines that the two don't sing together, stacking their lush harmonies against a backdrop of baritone guitar, spring reverb, orchestral strings, Cajun fiddle, upright piano, and Theremin. It's an immersive sound that bridges the gaps between genres, created by two songwriters (along with a revolving door of collaborators, coconspirators, and fellow Big Easy residents) who're happy to build their own world.

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Steve Hackett

LP | 2024 | EU | Original (Insideoutmusic Catalog)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Voodoo Rhythm)

The Dead Brothers

Death Is Forever

17,99 €*

Alluvium Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Death is everywhere. Death is forever, that's why we should embrace death just like life itself. "If you're afraid of death, you're already dead"...

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C Duncan

LP | 2022 | UK | Original (Bella Union)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Phillip Boa & The Voodooclub

Copperfield Re-Edition 2024 Transparent Vinyl Edition

2LP | 2024 | EU | Original (Vertigo Berlin)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Company)

Tanukichan

Gizmo

LP | 2022 | US | Original (Drag City)

Release: 2023 / US – Original

Genre: Rock & Indie

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When the pandemic hit, Hannah van Loon adopted a dog named Gizmo, who became a much-needed companion while the Bay Area musician wrote her second album as Tanukichan. Aptly named after her new four-legged friend, Gizmo is an exercise in release, whether from situational hindrances—a forced lockdown, for one—or from self-imposed hedonistic coping mechanisms.“ A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.”

To channel the more uplifting spirit she wanted for Gizmo, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds, referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” But Gizmo’s lightheartedness doesn’t make it shallow: “I think that I could let it go, as beautiful as snow,” she murmurs on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove about the sudden awareness that all the relationships you depend on could vanish instantaneously. Van Loon’s main collaborator on Gizmo was Toro y Moi’s Chaz Bear, and the jangly pop earworm “Take Care” showcases the heavily distorted, in-your-face guitar work reminiscent of Bear’s own psych joints What For? And Mahal. On the hypnotic, wall-of-sound-rocker “Thin Air” featuring Enumclaw, van Loon channels the triumphant grit of The Smashing Pumpkins as she ponders the impermanence of even the most impactful relationships: “I’ll always have the memories/Of how you used to make me see/Until they fell in the ocean/They’re not swimming/They’re not floating.”

Existentialism aside, Gizmo also sees van Loon break out of her sonic comfort zone. “One of the main changes of how I’m approaching music now is that I want to have more fun in the process,” she says, and she walks the line between melodrama and whimsy gracefully: “I can learn something because I’ve been here before,” she sings on the soaring, bittersweet “Been Here Before.” Deftones-inspired thrash drums and screeching electric guitars are gracefully contrasted with van Loon’s hypnotic, almost deadpan vocal style and a crystal clear acoustic guitar she describes as “cute.” Gizmo the dog suddenly passed away right as van Loon finished the album, but he’s immortalized with his photo on the cover—a fitting emblem of this new era of Tanukichan.

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Bitchin Bajas

Switched On Ra

39,99 €*

And In The Darkness, Hearts Aglow Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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A year after the cassette-only release of Switched On Ra, another format has fallen from whatever kind of rare ether Bitchin Bajas occupy when they"re at home. The LP edition of Switched On Ra bears all the same riches (only richer of course) in its grooves, adding a lovely screen-printed rendering of the graphics to its larger-than-cassette-cosmos dimensions.Switched On Ra is the outcome of a typical Bajas exercise: pouring some out for the pioneers that came before (as they"ve done with Bitchitronics and their participation in the annual Chicago performance of "In C" over the years). It"s a nice way to get a flow - they play a little of themselves, then some for the pioneers, then a little more for the band. Before long, they"re playing with the inspirations twined, as they can only come from within.For Switched On Ra, this meant a deep delve into the song-book of one of their soul-predecessors, Sun Ra, whose music is literally written in the Bajas DNA. Digging into this music sounded wild on paper: the drone synth group taking on the Arkestra harmonies and Ra"s loose grooves? The trick was to get that sense of rhythm to translate across the spectrum from Ra to Bajas, in a way that worked for them both.Their rearrangements of the tunes went good - up and down the EQ band, they were finding the round sounds and jagged edges that brought Ra"s music into their own thing. Then at the last minute, there was another twist - why not pay tribute to the Queen herself, and think of the arrangements with a Wendy Carlos vibe? A little side homage? After all, Switched on Bach was visionary, bringing analog synths from the outside all the way into the mainstream in the late 60s - and this take on Ra is meant to take him to new ears everywhere.Sun Ra of course was his own kind of original keyboard visionary, using electric keyboards in the late 40s and 50s to fill a role in jazz that had traditionally been played on acoustic piano only. Once he"d done so, he took his writing in directions inspired by the ele...

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Weyes Blood

LP | 2022 | US | Original (Sub Pop)

Home Video Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Technological agitation. Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. The celestial-influenced folk album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, and The Guardian admiringly named it one of 2019's best.) While Titanic Rising was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. "We're in a fully functional shit show," Mering says. "My heart is a glow stick that's been cracked, lighting up my chest in an explosion of earnestness." And in the Darkness, Hearts Aglow opens with the wistful, winsome "It's Not Just Me, It's Everybody," a song about the interconnectivity of all beings, despite the fraying of society around us. "I was asking a lot of questions while writing these songs. Hyper-isolation kept coming up," Mering says. "Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal." Other tracks follow in kind. The lullaby-like "Grapevine" chronicles the splintering of a human connection. The otherworldly dirge "God Turn Me into a Flower" serves as allegory about our collective hubris. "The Worst Is Done" is an ominous warning, set against a deceivingly breezy pop melody. "Chaos is natural. But so is negentropy, or the tendency for things to fall into order," she says. "These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment."

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Lucy Dacus

LP | 2021 | EU | Original (Matador)

25,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Mrs. Piss (Chelsea Wolfe & Jess Gowrie)

Self-Surgery Red & Black Splatter Vinyl Edition

LP | 2020 | US | Original (Sargent House)

34,99 €*

The Future Of What Opaque Yellow Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Drawing on their collective rock, metal, and industrial influences, the project began while the two were touring around together during Wolfe's Hiss Spun album in 2017. The result is their debut album Self-Surgery, which was recorded at The Dock Studio in Sacramento, CA and in Wolfe's home studio, The Canyon. These songs feel more urgent and visceral than anything either of them has created before: heaviness spurred on by punk spirit. Chelsea Wolfe (vocals, guitar): "Working on this project brought Jess and I so much closer as songwriters and production partners, after reuniting as friends and bandmates. It was freeing and fun to channel some wild energies that I don't typically put into my own music. We tried not to overthink the songs as we were writing them, but at the same time we did consciously put a lot into crafting them into our own weird sonic vision. This project was a chance for us to do things our own way, on our own terms, and we plan to invite more womxn musicians along for future Mrs. Piss recordings." CW Jess Gowrie (drums, guitar, bass, programming): "To me, Mrs. Piss represents a musical chemistry cut short long ago that now gets a second chance. Creating with Chelsea has always been very liberating for me, and we both push each other to try new things: anything and everything. Both of us have grown so much as writers and musicians since our first band together (Red Host), and with the journeys we had to take separately to get there, we both have so much more to say; so much more pain and anger to express. That said, we also had a lot of fun doing it, not to mention how freeing it is to not give a f-k and to just create." JG "Doomy chugs, ethereal vocals and massive distortion sounds are the order of the day, summoning the menacing timbres that fueled Wolfe's Abyss and Hiss Spun records" Guitar World "a grungy, sludgy new project that defies expectations" Revolver "Together, they make a grandly grungy noise - something bigger and more anthemic than what we're used to hearing from Wolfe" Stereogum "urgent and abrasive" Consequence OF Sound " thundering tracks that sound as if they had diliberately set about to destroy a roomful of amplifiers" Blackbook

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Unwound

LP | 1995 | US | Reissue (Numero Group)

Will Butler + Sister Squares

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Opaque Yellow vinyl.Their third album in as many years, 1995's The Future of What is an unrelenting, constructivist masterstroke. The Olympia trio's signature sound_grinding bass, syncopated drums, and fragmented guitar over measured yelps_ratchets past the thread into a stripped-out metallic slurry. Equal parts noise and adrenaline, the album opens with a simple question: "Where's your energy?" It's been 25 years and we're still searching for the answer.

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Will Butler + Sister Squares Natural With Blue Swirl Vinyl Edition

LP | 2023 | US | Original (Merge)

LP | 2013 | US | Original (In The Red)

Release: 2023 / US – Original

Genre: Rock & Indie

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Sara Dobbs and Jenny Shore used to work summer stock theater in St. Louis, Missouri. They'd do the hand jive with TV stars past and future; they'd get coldly corrected by the ancient, legendary choreographer Gemze de Lappe. Sara went on to Broadway, including a run as Anybodys in West Side Story. Jenny went on to choreograph in the independent dance scene of early 2000s Chicago. Julie Shore is Jenny's sister. She's always made music - playing Chopin, writing songs, making bands with her friends. She's had the archetypal Millennial journey of entering adulthood in the '08 financial crisis and figuring out what stupid series of jobs you have to take to pay rent while keeping an artistic life alive. Miles Francis grew up in New York City with Backstreet Boys posters covering their walls. An extraordinary drummer since youth, Miles thrives in collaboration_ whether producing artists in their West Village studio, performing with artists like Angelique Kidjo, or powering protests with a big marching drum. These four - Miles, Julie, Jenny, and Sara - are Sister Squares. What made them a musical unit was working with Grammy winner and Oscar nominee Will Butler. They've all just finished a new record together: Will Butler + Sister Squares. "After Generations, I considered making a weird solo record. Me alone in the basement, etc., etc. Mostly I realized that what I wanted was the opposite," says Will. He increasingly turned to the band for feedback on lyrics and song structures. He asked Miles if they'd produce the record. The band played a run of shows in August 2022, airing out studio ideas in live rooms. After coming home, the band regrouped at Figure 8 Studios in Brooklyn. "I had quit my band Arcade Fire very recently, after 20 years - maybe the most complex decision of my life. I had spent the preceding two years at home with my three children. I was 39 years old. I was waking up every morning and reading Emily Dickinson, until I had read every Emily Dickinson poem. I was listening to Morrissey, to Shostakovich, to the Spotify top 50. I had unformed questions with inchoate answers," says Will. "But, honestly, I was feeling great about the record." The album projects widescreen emotional landscapes. Lead-off single "Long Grass" is like a Harry Styles song with 20 more years of life behind it. Standout track "Saturday Night" has a beat, according to Miles, "with that robot-alien-dancing-at-a-haunted- dive-bar feeling that we were going for." The back half of the album is a danceable, weird choral record with harmonies both beautiful and dissonant. Closing song "The Window" is the comedown after the party - Julie playing a Chopin Nocturne on a three-years-out-of-tune piano, slowed to half-speed on tape with Will singing over it in a voice exactly as tired as he was. It's a record with a warm, humane soul.

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Fuzz

7" | 2024 | US | Original (Chunklet)

Release: 2013 / US – Original

Genre: Rock & Indie

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Fuzz is Ty Segall (drums / vocals), Charlie Moothart (guitar / vocals) and Roland Cosio (bass).
They're heavy rock lifers-three California-bred dudes who have been refining their riffs and getting weird together since high school (which wasn't that long ago, actually). Fuzz was formed a couple years ago as a collaboration between Segall and Moothart, but only recently did the pair have sufficient time to guide the band out of side-project limbo and into a recording studio. Since then, they have released two singles, "This Time I Got a Reason" (Trouble In Mind) and "Sleigh Ride" (In The Red). Around the time of the latter, Cosio joined on bass. They are not dabblers or dilettantes. Fuzz flipped through used bins, hard drives and record collections of the world, seeking out the finest weirdo cuts. The band's self-titled debut LP dives deep, drawing inspiration from the more esoteric reaches of heavy metal pre-history. There are Sabbath and Hendrix nods, obviously, but on "Sleigh Bells" you might also catch a whiff of UK progressive blues business like The Groundhogs, particularly when the song quits its 10/4-time intro and reboots into full-bore choogle. Maybe you'll even glimpse the ghost of Australian guitar legend / sharpie guru Lobby Lloyde sniffing around "Raise." The mood is not light. The songs project a state of perpetual paranoia and eroding mental health. And as it should be, you know? It's a record for the burners. Vinyl includes digital download coupon.

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Vangas

Slow Strum / Rushing

14,99 €*

Rat Saw God Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Discussing Vangas, it's always brings up the same questions: "How are they so good?" "Why are they so good?" and of course "They're good, but how do they keep getting better?" Well, let this single serve as merely a glimpse into their continuing chaotic world. "Slow Strum" is a sax-drenched track off their full length that's 'in the can' and just shows how rapidly they have been improving since their last album. Recorded and mixed by Dan Dixon. The b-side is exclusive to this release and is a 7/8 romp that's best described as a live show staple.

What Vangas has been doing is simultaneously breathtaking while being undeniably astonishing. Welcome back, Vangas. We've missed you.

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Wednesday

LP | 2023 | US | Original (Dead Oceans)

LP | 2022 | US | Original (Mt. St. Mtn.)

Release: 2023 / US – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Tony Jay

Hey There Flower

21,99 €*

LP | 2024 | US | Original (Take A Turn)

Release: 2022 / US – Original

Genre: Rock & Indie

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Solo bedroom-pop project of Michael Ramos (Flowertown, April Magazine, Hectorine). Mostly recorded between last Christmas and New Year's during a window of isolation at home, Hey There Flower preserves Tony Jay’s prowess at making beautifully eerie lo-fi pop; like a hazy memory where your favorite Sixties girl-group melody is perpetually slowed down. Without a band to practice with, Tony Jay recorded the music alone, but recruited a slew of friends to remotely record backing vocals: Karina Gill (Cindy), Griffin Jones (Galore), Kati Mashikian (Mister Baby), Alexis Harper (Al Harper), & Hannah Lew (Cold Beat).

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R.E. Seraphin

Fool's Mate