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Mac DeMarco - 2 - 10 Year Anniversary Edition
Mac DeMarco
2 - 10 Year Anniversary Edition
2LP | 2012 | US | Reissue (Captured Tracks)
29,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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10 Year Anniversary restrospective double LP collection including both "2" and "2 Demos" as well as an 8 Page Booklet containing new liner notes written by Mac. Mac DeMarco's debut full length, 2, released in 2012, cleaned up the songwriter's warped take on soft rock and brought it to a broader audience. Given DeMarco's affinity for keeping things lo-fi _ 2 was the first time he'd bothered to record demos _ it's revealing to hear these songs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like "Annie" and the Lennon-esque "Sherrill." "It's tough to say which DeMarco is preferable: the swooning clear-eyed baritone of the last two songs or the unsettling deep-voiced emoter of the first eight. Really, I'm a fan of both versions -- the goofy creep and the straightforward crooner." - Pitchfork
Kosmodome - Kosmodome
Kosmodome
Kosmodome
LP | 2021 | EU | Original (Karisma)
34,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Debut album from Bergen based band, Kosmodome! Kosmodome, a rising star in the firmament of Norway's flourishing prog music scene, will blow minds with their psychedelic sounding, 60s atmosphere-coloured rock. The brainchild of the two Sandvik brothers, Sturle on guitars and vocals, and Severin on drums, Kosmodome’s music is riff-based rock with stoner elements all of which are placed within a progressive universe to great effect. Together, the duo bridges the gap between the explosive drive of bands such as Mastodon with melodic magic and retrospective, clever songwriting. The band has this to say about the album: "We aim to draw listeners into the Kosmodome, in all its diversity. Throughout the album, we dwell in the melodic and the groovy; a baseline for deep dives into massive, heavy soundscapes and spacy atmospheres. Instrumental sections are central to our musical storytelling, further supported by our lyrical themes; introspection and wonder, ruminations on the human condition, and frustrations toward contemporary society." We welcome you to enter the Kosmodome!
The Sonic Dawn - Phantom Purple Vinyl Edition
The Sonic Dawn
Phantom Purple Vinyl Edition
LP | 2024 | EU | Original (Heavy Psych Sounds)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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PHANTOM" is the fifth album by The Sonic Dawn, unfolding as a journey through 10 acid rock tracks that absorb the impressions of a world gone mad. Reflecting on the album’s themes, singer and guitarist Emil Bureau notes, “When we sing about killing machines in the sky and the 21st-century blues, I think many will be able to relate. We’re here to say that mankind has a future on this planet if we want one.”
Diverging from the band's earlier work, The Sonic Dawn embraces a more raw and heavy sound on several tracks, complementing the dark themes. Simultaneously, the band's signature melodic psychedelia weaves moments of sonic grace into the tapestry. Phantom, true to its name, oscillates between horror and reassuring beauty, akin to a fever dream where reality is clung to by a single thread.
“Every song, line, and solo is delivered with intention and intensity. I hope people will receive it as we intend it. That is, as real acid rock from a band with a message,” states Emil Bureau.
Bardo Pond - Volume 3
Bardo Pond
Volume 3
2LP | 2023 | UK | Original (Fire)
26,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Classic Double Black vinyl, DL card. “Obviously, Bardo Pond are the greatest band in the world” Vice. Super rare recordings from 2002 and pressed on vinyl for the very first time. The third in the band’s series of limited-edition releases showcasing jam sessions and other miscellany. Like Fugazi on acid, a rage for the Velvets, a mantra with real purity of tone. Somewhere between the ‘Dilate’ album in 2001 (“a combination of Kyuss and Spacemen 3” Nme) and ‘On the Ellipse’ in 2003 ("Nowhere is feedback more melancholic, more emotive, than that fashioned by Bardo Pond” Brainwashed), Bardo Pond transcended into a mantra-like, multi-layered, cross-dimensional, wah wah powered nirvana. In some circles, they say, spaceships wafted them away and they only returned some-time later, mind-altered and bedraggled, ears ringing. But that is the stuff of supposition. As we already know, there is no ‘off’ switch on Bardo Pond, they are never knowingly unplugged. Indeed, the modal evolution of their sound continues unabated
Jarv Is... - OST - This Is Going To Hurt
Jarv Is...
OST - This Is Going To Hurt
LP | 2022 | UK | Original (Rough Trade)
27,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie, Soundtracks
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JARV IS... have written & performed the original soundtrack for the critically acclaimed BBC TV series "This is Going to Hurt" based on Adam Kay"s award-winning international multi-million selling memoir of the same name. The soundtrack was recorded at Narcissus Studios, London by Drew Dungate-Smith during various sessions throughout 2021. Most of the performances are live takes featuring the entire band - often recorded whilst they watched the playback of key sequences from the series. Each episode features at least one song with lyrics by Cocker, who had access to the scripts (adapted by Adam Kay from his own book) from an early stage in the production process. JARV IS... is a band comprising Jarvis Cocker, Serafina Steer, Emma Smith, Andrew McKinney, Adam Betts & Jason Buckle. The soundtrack consists of a mixture of songs & instrumental pieces, with Cocker & Steer being the main composers. Cocker is quoted as saying "It"s our love song to the NHS".
Gilla Band - Most Normal Blue Vinyl Edition
Gilla Band
Most Normal Blue Vinyl Edition
LP | 2022 | EU | Original (Rough Trade)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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For their first album as Gilla Band, (formerly Girl Band) the foursome has redrawn their own paradigm. Most Normal is like little you've heard before, a kaleidoscopic spectrum of noise put in service of broken pop songs, FX-strafed Avant-punk rollercoaster rides and passages of futurist dancefloor nihilism.The group also fell under the spell of modern hip-hop, "where there's really heavy-handed production and they're messing with the track the whole time," says Fox. "That felt like a fun route to go down, it was a definite influence."Most Normal, then, is a triumph, the bold work of a group who've taken the time to evolve their ideas, to deconstruct and reconstruct their music and rebuild it into something new, something challenging and infinitely rewarding. It's a headphone masterpiece. It's a majestic exploration of the infinite possibilities of noise. It's a bold riposte to your parochial beliefs on whatever a pop song can or should be. It's the best work these musicians have put to (mangled) tape.
Gilla Band - Most Normal Black Vinyl Edition
Gilla Band
Most Normal Black Vinyl Edition
LP | 2022 | EU | Original (Rough Trade)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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For their first album as Gilla Band, (formerly Girl Band) the foursome has redrawn their own paradigm. Most Normal is like little you've heard before, a kaleidoscopic spectrum of noise put in service of broken pop songs, FX-strafed Avant-punk rollercoaster rides and passages of futurist dancefloor nihilism.The group also fell under the spell of modern hip-hop, "where there's really heavy-handed production and they're messing with the track the whole time," says Fox. "That felt like a fun route to go down, it was a definite influence."Most Normal, then, is a triumph, the bold work of a group who've taken the time to evolve their ideas, to deconstruct and reconstruct their music and rebuild it into something new, something challenging and infinitely rewarding. It's a headphone masterpiece. It's a majestic exploration of the infinite possibilities of noise. It's a bold riposte to your parochial beliefs on whatever a pop song can or should be. It's the best work these musicians have put to (mangled) tape.
Gum - Delorean Highway Silver Vinyl Edition
Gum
Delorean Highway Silver Vinyl Edition
LP | 2022 | EU | Original (Spinn. Top)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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GUM aka Jay Watson is a multi-instrumentalist, founding member of POND and touring member of Tame Impala.Gum's solo debut album was originally released in 2014 and has now been newly remastered by tour mate Kevin Parker. Delorean Highway is a collection of 10 songs, described as "paranoid pop songs, mostly about falling in love and all of the things that he thinks are going to kill him".`Delorean Highway' is the first track off the album of the same name, inspired by a dream Gum had of driving through the desert in the silver car from Back to the Future, before taking off into the night. In the real life, Gum can't drive, but he has seen Back to the Future and it's fair to say he does look a little bit like Doc.The second single, `Growin' Up' was unleashed onto willing ears towards the end of 2013 and taps into every emotion that the name would suggest - a sense of paranoia, doubt, fear, honesty and hopefulness.
Wren Kitz - Earl Worm
Wren Kitz
Earl Worm
LP | 2020 | US | Original (Sophomore Lounge)
22,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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"Wren Kitz plants ululating tremors of feedback, and as he beckons them forth and encourages them, he wades in and allows himself to be carried; not away, but in concert with. This is a difficult thing to achieve; most of us, upon eliciting the positive loop gain, have to accept that we have no control, and it often will float away or burst like a bubble. Wren is a surfer, and the best surfers are artists in their own right. He also is adept at speaking to and with old tape machines, threading his effortless falsetto in and out of the adventurous treatments, and coming out on the other side with a song; it's needlepoint really, of the highest order.

Early Worm, his latest effort for Sophomore Lounge, is not a mere example of these aforementioned superlatives, but a culmination of hard work and songcraft. Wren is an empath, from a long line of beautiful big-hearted people, and for him to sufficiently be able to translate his empathy and thoughtfulness into music is nothing short of a gift. As he says within, "...Come in, come in..."; you will be glad that you did."

- Eric Gagne
Listener - Being Empty: Being Filled
Listener
Being Empty: Being Filled
LP | 2018 | EU | Original (Sounds Of Subterrania)
15,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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If you want to make it easy, the basic theme of the new, fourth album "Being Empty: Being Filled" could be the reference to all the outstanding personalities being presented on it. But it's not that easy, of course. Listener have become louder, the guitars more rocking, sometimes more angry. Kris hits the drums as if there is no tomorrow. But this is just the musical side. The other is poetry and Dan sings, or should we say, talks, about life, with its edges, with the big moments, the many questions and the many failures, like no other singer in this world. No pathos, no false theatricality obscures the view of the content of the narrative. This way Dan recounts his stories, which may be our stories, makes Listener by a long way one of the most interesting bands of today. It is these analogies that best describe our time and let us understand them. This pointing out the contradictions without lifting your finger. This warmth, which in the end still gives hope, makes their music unique.
Spoon - Hot Thoughts Red Vinyl Edition
Spoon
Hot Thoughts Red Vinyl Edition
LP | 2017 | US | Original (Matador)
30,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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’Hot Thoughts’’ is the bravest, most sonically inventive work of Spoon’s career. With all due respect to earlier efforts that have made the quintet both critically acclaimed and a commercial contender, preconceptions about this band are about to be obliterated. That’s not to say ‘Hot Thoughts’ doesn’t have a requisite supply of infectious earworms but there’s a lyrical bent that’s as carnal as it’s crafty, and a newfound sense of sonic exploration that results in the genresmasher Spoon have flirted with in the past but not fully consummated.
Co-produced by Spoon and Dave Fridmann and reunited with Matador (third time’s the charm), let's acknowledge that Britt Daniel’s spot in the pantheon of rock’s genius songwriters was well established a ways back, but with the crackling, incandescent, multi-dimensional backdrop conjured on ‘Hot Thoughts’, the lines between accessible and experimental become non-factors for once and all. It’s pop as high art, delivered with total confidence and focus.
Spoon - Hot Thoughts Black Vinyl Edition
Spoon
Hot Thoughts Black Vinyl Edition
LP | 2017 | US | Original (Matador)
27,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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’Hot Thoughts’’ is the bravest, most sonically inventive work of Spoon’s career. With all due respect to earlier efforts that have made the quintet both critically acclaimed and a commercial contender, preconceptions about this band are about to be obliterated. That’s not to say ‘Hot Thoughts’ doesn’t have a requisite supply of infectious earworms but there’s a lyrical bent that’s as carnal as it’s crafty, and a newfound sense of sonic exploration that results in the genresmasher Spoon have flirted with in the past but not fully consummated.
Co-produced by Spoon and Dave Fridmann and reunited with Matador (third time’s the charm), let's acknowledge that Britt Daniel’s spot in the pantheon of rock’s genius songwriters was well established a ways back, but with the crackling, incandescent, multi-dimensional backdrop conjured on ‘Hot Thoughts’, the lines between accessible and experimental become non-factors for once and all. It’s pop as high art, delivered with total confidence and focus.
Phoebe Rings - Phoebe Rings EP
Phoebe Rings
Phoebe Rings EP
LP | 2024 | US | Original (Carpark)
19,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Phoebe Rings is a dream-pop band offering a unique blend of introspective yearning with celestial danceable grooves. Their self-titled debut EP, a hopeful collection of musings, out on Carpark Records, is a testament to the distinctive musical style of Auckland jazz-school-trained pianist and songwriter Crystal Choi. Across six tracks, the EP is a love letter to some of the band’s influences: Studio Ghibli films, Zelda and Stardew soundtracks, Bossa Nova, Stereolab, and 90’s Korean ballads.

In 2020, the band played their first gig in a ‘funny side room’ during a festival at Auckland Town Hall. Choi’s songwriting was brought to life with Alex Freer on drums, Simeon Kavanagh-Vincent on guitar and synths, and Benjamin Locke on bass. Choi says she knew the tracks had to be recorded after the band played the songs better than she could ever imagine. And so, remotely through the Covid-19 lockdowns, the band started recording the EP.
Pirate Love - Black Vodoun Space Blues
Pirate Love
Black Vodoun Space Blues
LP | 2008 | Reissue (Voodoo Rhythm)
16,99 €*
Release: 2008 / Reissue
Genre: Rock & Indie
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Oslo, Norway is Famous for bands like Turbonegro Gluecifer, Euroboys or Motorpsycho, shure is that they are different to all the other Scandinavian Bands .. but PIRATE LOVE ( inspred by Johnny Thunders Pirate love) are even different to the Norwegian Scene and they are the top of the Cream of the NEW NORWEGIAN GENERATION, Raw Wild and they look way better that Turbonegro.. so they have more Birds at the Shows that Turbonegro has, and that's a Plus point already, Pirate Love make music to take Illegal Drugs drink Beer and having Sex By.. The Band takes Elements from 60's Garage Punk and New Punk Surf Rockabilly and Psychadelic and mix it all together in One Sound the Call: Black Vodoun Space Blues, and it's exactly like the title says we find them in a dazzling heroic landscape somewhere between the peaks where the Sonics, Lime Spiders and the Stooges occupy their thrones. It's dirty, it's cool, and it is as many seven-league steps away from James Blunt...
The Wolfmen - Kama Sutra
The Wolfmen
Kama Sutra
7" | 2006 | Reissue (Damaged Goods)
9,99 €*
Release: 2006 / Reissue
Genre: Rock & Indie
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Fast follow up to their debut 10" EP "Jackie Says"! The A-side is a new song with a bit of a T-REX flavour to it. The b-side is a punk techno noise fest! THE WOLFMEN is the new band from Marco Pironni (ADAM & THE ANTS, Sinead O'Connor) and Chris Constantinou (ADAM & THE ANTS, JACKIE ONASSID). THE WOLFMEN prove that Marco and Chris are continually looking forwards. A long-overdue return for some of the most creative characters from punk and new wave era. Marco Pironni first appeared on stage alongside Sid Vicious in SIOUXSIE & THE BANSHEES and with ADAM & THE ANTS co-wrote five number one singles and two number one albums. In the 90s he joined Sinead O'Connor as co-writer and guitarist scoring a number one album with "I Do Not Want What I Haven't Got".[DUT]Side 1: Kama Sutra Side 2: TV's on John Wayne just got shot again.
The Sonic Dawn - Phantom Tri-Colored Vinyl Ediiton
The Sonic Dawn
Phantom Tri-Colored Vinyl Ediiton
LP | 2024 | EU | Original (Heavy Psych Sounds)
31,44 €* 36,99 € -15%
Release: 2024 / EU – Original
Genre: Rock & Indie
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"PHANTOM" is the fifth album by The Sonic Dawn, unfolding as a journey through 10 acid rock tracks that absorb the impressions of a world gone mad. Reflecting on the album’s themes, singer and guitarist Emil Bureau notes, “When we sing about killing machines in the sky and the 21st-century blues, I think many will be able to relate. We’re here to say that mankind has a future on this planet if we want one.”
Diverging from the band's earlier work, The Sonic Dawn embraces a more raw and heavy sound on several tracks, complementing the dark themes. Simultaneously, the band's signature melodic psychedelia weaves moments of sonic grace into the tapestry. Phantom, true to its name, oscillates between horror and reassuring beauty, akin to a fever dream where reality is clung to by a single thread.
“Every song, line, and solo is delivered with intention and intensity. I hope people will receive it as we intend it. That is, as real acid rock from a band with a message,” states Emil Bureau.
Lobsterbomb - Look Out Red Vinyl Edition
Lobsterbomb
Look Out Red Vinyl Edition
LP | 2023 | US | Original (Duchess Box)
23,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Lobsterbomb announce the release of their debut album "Look Out" for 21st July 2023 via Duchess Box Records. Formed in Berlin, via an instagram notice board "We Formed A Band" set up by the band Gurr, Lobsterbomb had no idea at the time it would lead to them signing to the label that discovered Gurr, Duchess Box Records. The Trio Nico Rosch, Vik Chi and Crayon Jones all immigrated to Berlin looking for the same escape and lust from the places they had left behind. After connecting with eachother during the pandemic of 2020 they started writing songs drawing on their environment, fears and frustrations of the time but had an desire for seizing the moment and making the world their own, a feeling they still have today.. "I have a bit of an obsession with a band from Germany called Lobsterbomb, I think they are magnificent" says legendary Duran Duran frontman Simon Le Bon on his American radio show on Sirius XM.
Urlaub In Polen - All
Urlaub In Polen
All
LP | 2020 | Original (Tapete)
27,99 €*
Release: 2020 / Original
Genre: Rock & Indie
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Hannah Jadagu - Aperture Transparent Red Vinyl Edition
Hannah Jadagu
Aperture Transparent Red Vinyl Edition
LP | 2023 | US | Original (Sub Pop)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu's most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu's subject matter. What Is Going On? confronted some of the nation's most urgent struggles through Jadagu's compassionate perspective. What Is Going On? built on the small online fanbase Jadagu had developed by releasing music on SoundCloud for years as she realized her growing passion for songwriting. Now, Jadagu is releasing Aperture, her first LP and most ambitious work to date. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. "Where I grew up, everyone is Christian; even if you don't go to church, you're still practicing in some form," Jadagu says, laughing. "Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I've been questioning my relationship to the church since high school, it's definitely a theme on this album, but so is family." As a kid, Jadagu followed her older sister - a major source of inspiration - to a local children's chorus, where she received choral training. "I hated it," Jadagu admits. "But it taught me how to harmonize, how to discover my tone, how to recognize and write melody." The aching single "Admit It" is dedicated to Jadagu's sister, whose love and impeccable taste have been a constant since Jadagu was a kid. The siblings were raised on mom's Young Money mixtapes and the Black Eyed Peas (to whom Hannah credits her love of vocoder) but it was in the sanctity of her sister's car that Jadagu discovered the indie artists who inspire her work. With Aperture, Jadagu faced the challenge of finding a co-producer capable of complementing her work without dominating it. Enter Max Robert Baby, a French songwriter and producer who captured Jadagu's attention with his take on Aperture's lead single "Say It Now." The duo worked remotely, sending stems to one another via email, before meeting in-person for the first time at Greasy Studios on the outskirts of Paris. "When I recorded my EP, it was all Midi, but in the studio Max and I worked with a ton of analog instruments," Jadagu says. "Every track on this album, except for 'Admit It,' was written first on guitar But the blanket of synths throughout helps me move between sensibilities. There's rock Hannah, there's hip-hop Hannah, and so on. I didn't want any of the songs to sound too alike." An aperture is defined as an opening, a hole, a gap. On a camera, it's the mechanism that light passes through, allowing a photographer to immortalize a moment in time. For Jadagu, the word perfectly encapsulates the mood of her debut album. In the years it took her to complete, she faced moments of darkness, sure, but the process of making it was ultimately a cathartic experience, one she now shares with you. Let the light in.
The Beths - Jump Rope Gazers Lemon / Lime Vinyl Edition
The Beths
Jump Rope Gazers Lemon / Lime Vinyl Edition
LP | 2023 | UK | Reissue (Carpark)
25,99 €*
Release: 2023 / UK – Reissue
Genre: Rock & Indie
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Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music. Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home. "If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.” With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings. “It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.
Wild Nothing - Life Of Pause Lenticular Sleeve / White Vinyl Edition
Wild Nothing
Life Of Pause Lenticular Sleeve / White Vinyl Edition
LP | 2024 | US | Original (Captured Tracks)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Lenticular Sleeve / White Vinyl.When Jack Tatum began work on Life of Pause, his third full-length to date, he had lofty ambitions: Don't just write another album; create another world. One with enough detail and texture and dimension that a listener could step inside, explore, and inhabit it as they see fit. "I desperately wanted for this to be the kind of record that would displace me," he says. "I'm terrified by the idea of being any one thing, or being of any one genre. And whether or not I accomplish that, I know that my only hope of getting there is to constantly reinvent. That reinvention doesn't need to be drastic, but every new record has to have its own identity, and it has to have a separate set of goals from what came before." What came before: a rightfully acclaimed, much beloved display of singular pop craftsmanship. Tatum's dreamy, unexpected 2010 debut, Gemini, was written while he was still a student at Virginia Tech University. Its equally disarming follow-up, 2012's Nocturne, marked the first time he'd been able to bring his bedroom recordings into a studio, to be performed and fully realized with the help of other musicians. There has been a set of wonderfully expansive EPs in between_each hinting at new directions and punctuating previous ideas_but with Life of Pause, Tatum delivers what he describes as his most "honest" and "mature" work yet, an exquisitely arranged and beautifully recorded collection of songs that marry the immediate with the indefinable. "I allowed myself to go down every route I could imagine even if it ended up not working for me," he says. "I owe it to myself to take as many risks as possible. Songs are songs and you have to allow yourself to be open to everything." After a prolonged period of writing and experimentation, recording took place over several weeks in both Los Angeles and Stockholm, with producer Thom Monahan (Devendra Banhart, Beachwood Sparks) helping Tatum in his search for a more natural and organically textured sound. In Sweden, in a studio...
The Janitors - An Error Has Occurred Splatter Vinyl Edition
The Janitors
An Error Has Occurred Splatter Vinyl Edition
LP | 2024 | UK | Original (Rocket)
24,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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“Everything’s been fucked since David Bowie died or they started up the Hadron Collider” say The Janitors. This feeling is epitomised in the title of their riveting new album: An Error Has Occurred. Marking over two decades of activity for the Swedish psych-rockers, the recording is informed by heartbreak and loss as well as the dismal state of the entire planet. For The Janitors, these two polarities intertwine constantly: “What’s personal is political and vice versa.” To channel their frustration and anger, the band revived certain songs they’d shelved during the pandemic when working on the acclaimed Noisolation Sessions. They added others, written since, that suited the mood of sticking a middle finger up to the oppressive world around us. Whereas previous recordings were often layered up gradually, this time the full band (Henric Herlenius, Jonas Eriksson, Anders Thorell and Wilhelm Tengdahl) rehearsed intensely together before laying down everything live, over two days and nights, in a converted missionary church. The songs on Side A have the menace of Melvins, the swagger of The Stooges and the cosmic heft of The Heads. These are the more simply constructed and poppier pieces... or so the band believe. (One friend of theirs did consider this “delusional”.) ‘In A Bliss’ acts as the album’s radiant centrepiece. A palette-cleansing love song which recalls The Jesus And Mary Chain at their most starry eyed, it finds The Janitors searching for solace and strength in straightforward companionship. After this come the dronier numbers, drawn out with soundscapes and textures influenced by The Velvet Underground’s sonic experiments and the equally immersive atmospheres of electronic acts like Massive Attack. Hence, ‘Operator’ swings threateningly like a space-rock Swans, while the approach on ‘Farewell Spacegirl’ is jazzier and more meditative. “It can be hard to muster up some, or even any, positive energy at this point in time,” says Henric. “We are eternally grateful to have the creative output that this constellation gives us. Neither me or Jonas would probably be here, or be the same people we are, if it wasn’t for The Janitors. We’ll leave you with a quote from an old anarchist: ‘Every society gets the criminals it deserves.’”
Silver Jews - Early Times
Silver Jews
Early Times
LP | 2012 | US | Reissue (Drag City)
31,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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Flow on, silver juice, flow on...into the vein-streams of the nu generation via 90s classics like American Water and Starlite Walker and thence to the new century. They say time has no meaning, but we know otherwise. The pages of history condense eons and epochs into the stuff of mere chapters - sometimes as little as paragraphs - but how many lifetimes have we lived since the salad days and nightz of the original Silver Jews, when they walked the back-alleys of the earth just a scant couple decades ago? Since we"re asking pseudo-rhetorical questions, who knows how many fans of the arena-rock Silver Jews (circa Tanglewood Numbers and Lookout Mountain, Lookout Sea) even know of the humble-yet-powerful origins of the band captured in the hiss-laden boombox mics of 1990-91?Just a few guys in a room, that what makes these recordings: muppet baby versions of the David Berman, Stephen Malkmus and Bobby Nastanovich that we know today. There wasn"t much going on back then, though we"d hardly call it nothing. Still, these young post-collegiates were footloose and fancy-free, to say the least - working dayjobs with all the impermanence that implies - and not just working for the weekend, but trying to live the weekend every day of the week! Tough guys at a party; quick studies, quicker still with the wit. Legends of their own minds...prophets even. If only six-packs worked the way they did back then, then we might get together with them and see the light they saw on those endless nights-into-dawns. The stupid little laws they broke. The archaic little drugs they took. All these things that might not hardly mean anything anymore added up to make these songs, to make these moments in a room, captured so incredibly imperfectly! The air is still locked inside them; the space in the room has depth and definition, defying all laws of audio science. Now these moments feel like they"ll last for centuries, growing stranger all through time.The songs lodged here are the tracks from the original 7" EP "Dime Map of the R...
Skylar Spence - Fiona Coyne / Fall Harder
Skylar Spence
Fiona Coyne / Fall Harder
7" | 2023 | US | Original (Carpark)
13,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Following a collection of self-released internet mixtapes and albums as Saint Pepsi that garnered a cult internet following amongst the vaporwave community, Ryan DeRobertis signed to Carpark Records and changed the project’s name to Skylar Spence, cementing the legitimacy of his young recording career. For his Carpark Records debut in August 2014, Skylar Spence took a step away from the more genre-shuffling styles of his Internet releases to focus his skills on high-power pop. The title track of the “Fiona Coyne” 7-inch is an uplifting tribute to fantastical romance and the joyous dreams pop culture can provide. Mastermind Ryan DeRobertis lays down a funky guitar riff and bass line of Chic-quality to tease our senses before tickling us silly with the chorus’ ecstatic horns. “My love’s on the silver screen/ she’s always playing make believe,” sings the then 21-year-old songwriter, playing a bit of make-believe himself. The song, named after a certain graduate of Degrassi Community School, acts out the fantasy of dating a TV star and plays with the idea that music can be something of a catalyst for romance.

The b-side, “Fall Harder,” is a lovelorn hit about a somewhat unattainable beauty. “You’ve got me under your spell/ and baby, I couldn’t fall harder,” DeRobertis sings over an Orange Juice-worthy riff and electronic subtleties like the sound of a Galaga battle. For this 7-inch, DeRobertis wrote danceable love songs with a nostalgic aesthetic to the production “because I think nostalgia is inherently narcissistic and I’m currently very into the idea of exploring the connection between nostalgia and narcissism,” he says.

These two singles would later appear on his debut album, Prom King, which was met with widespread critical acclaim. The buzz led to international touring, transforming Skylar Spence from a home-recording project to a four-piece live band, sharing stages with Madeon, The Knocks, and several festival appearances. Long out-of-print, “Fiona Coyne/Fall Harder” is finally available again on blue vinyl.
Fenne Lily - Big Picture
Fenne Lily
Big Picture
Tape | 2023 | US | Original (Dead Oceans)
16,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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A gorgeous and gripping portrait of Fenne's last two years, Big Picture was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook's North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne's most cohesive, resolute work to date, both lyrically and sonically. "This isn't a sad album _ it's about as uplifting as my way of doing things will allow," she says. "These songs explore worry and doubt and letting go, but those themes are framed brightly." With confidence and quiet strength, each track provides an insight into Fenne's ever-changing view of love and, ultimately, its redefinition _ love as a process, not something to be lost and found. While the album was written alone in Fenne's Bristol flat - a fact intentionally reflected in its compact sonic quality - Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne's first and only to have been written over the course of a relationship; 2018's On Hold and 2020's Breach both confront the pain of retrospection, saying goodbye to a love that's gone. Big Picture does the exact opposite _ rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. "This album is an observation of the way I think about love, the selfexamination that comes with closeness and the responsibilities involved in being a big part of someone else's small(er) world," summarizes Fenne. "It was written in a place of relative emotional stability - stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we'd all already let go of so much and nothing felt like mine anymore. Writing always did, though, so that's what I chose to do."
Fenne Lily - Big Picture Ultramarine Vinyl Edition
Fenne Lily
Big Picture Ultramarine Vinyl Edition
LP | 2023 | US | Original (Dead Oceans)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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A gorgeous and gripping portrait of Fenne's last two years, Big Picture was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook's North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne's most cohesive, resolute work to date, both lyrically and sonically. "This isn't a sad album _ it's about as uplifting as my way of doing things will allow," she says. "These songs explore worry and doubt and letting go, but those themes are framed brightly." With confidence and quiet strength, each track provides an insight into Fenne's ever-changing view of love and, ultimately, its redefinition _ love as a process, not something to be lost and found. While the album was written alone in Fenne's Bristol flat - a fact intentionally reflected in its compact sonic quality - Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne's first and only to have been written over the course of a relationship; 2018's On Hold and 2020's Breach both confront the pain of retrospection, saying goodbye to a love that's gone. Big Picture does the exact opposite _ rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. "This album is an observation of the way I think about love, the selfexamination that comes with closeness and the responsibilities involved in being a big part of someone else's small(er) world," summarizes Fenne. "It was written in a place of relative emotional stability - stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we'd all already let go of so much and nothing felt like mine anymore. Writing always did, though, so that's what I chose to do."
Fenne Lily - Big Picture Black Vinyl Edition
Fenne Lily
Big Picture Black Vinyl Edition
LP | 2023 | US | Original (Dead Oceans)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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A gorgeous and gripping portrait of Fenne's last two years, Big Picture was pieced together in an effort to self-soothe. Tracked live in co-producer Brad Cook's North Carolina studio, the album delineates the phases of love and becomes a map of comfort vs claustrophobia. Though its creation took place amid personal and global turmoil, the ruminative yet candid Big Picture is Fenne's most cohesive, resolute work to date, both lyrically and sonically. "This isn't a sad album _ it's about as uplifting as my way of doing things will allow," she says. "These songs explore worry and doubt and letting go, but those themes are framed brightly." With confidence and quiet strength, each track provides an insight into Fenne's ever-changing view of love and, ultimately, its redefinition _ love as a process, not something to be lost and found. While the album was written alone in Fenne's Bristol flat - a fact intentionally reflected in its compact sonic quality - Big Picture was transformed from a solitary venture into a unifying collaboration during the recording process when she was joined by her touring band, Melina Dutere of Jay Som (mixing), Christian Lee Hutson (guitar and co production), and Katy Kirby (vocals). Notably, these 10 songs are Fenne's first and only to have been written over the course of a relationship; 2018's On Hold and 2020's Breach both confront the pain of retrospection, saying goodbye to a love that's gone. Big Picture does the exact opposite _ rooted firmly in the present, it traces the narrative of two people trying their hardest not to implode, together. "This album is an observation of the way I think about love, the selfexamination that comes with closeness and the responsibilities involved in being a big part of someone else's small(er) world," summarizes Fenne. "It was written in a place of relative emotional stability - stability that felt unstable because of its newness, but also because of the global context. 2020 was the year of letting go, but we'd all already let go of so much and nothing felt like mine anymore. Writing always did, though, so that's what I chose to do."
Heather Trost - Desert Flower
Heather Trost
Desert Flower
LP | 2022 | US | Original (Ba Da Bing)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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As Heather Trost put together her new album Desert Flowers, she imagined herself sitting out on the mesa amidst the arid climate and sand. Even with such little water to survive, wildflowers bloom. This vision is an embellishment of Trost’s Albuquerque surroundings, an intersection of rural splendor and emptiness. She remains focused on those purple, yellow and orange flowers with faces beaming up to the sky, thriving on very little. “How does a flower grow in the desert?” she sings. Desert Flowers postulates the potential for new life. Using the messages from the unconscious during sleep, the record ultimately conceives a bridge to the world beyond one’s own. Written and recorded in her home studio, Trost began with harmonic frameworks, allowing the melodies to naturally take root. Introductory track “Frog And Toad Are Friends”—yes, named after the book—is like a surf song from a sci-fi movie. Trost sees it as a mindwipe, “a playful kind of romp to help shake off the cobwebs and get the bones moving.” The album ripens as it progresses, and “Sandcastles” best embodies the spirit of the record. Lush strings and bass are complimented by a slow guitar groove, as Trost soulfully fantasizes about Earth’s regeneration. “In time, the bullets and tanks, and all of humanity’s violent creations will melt back into mountains and the ocean,” she says. Integral to the record’s creation was Trost’s cohort in A Hawk & A Hacksaw and record label Living Music Duplication, Jeremy Barnes. “This album wouldn’t sound the way it does without his wonderfully discerning and courageous ear,” she says. Much like her previous two albums, Agistri and Petrichor, the record was primarily recorded at their home studio. Many of the tracks on Desert Flowers were created during difficult years, during which Trost’s strident creativity offered a much-needed path to solace. “Maybe these songs are a bit like desert flowers,” she reflects, “pushing their way towards the sun, and in turn searching and pushing roots deep into the ground for water. As above, so below, the light and the dark, extroverted and introverted, color and monochrome.”
Pleasure - Saint Albans
Pleasure
Saint Albans
LP | 2021 | EU | Original (Disasters By Choice)
28,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Pleasure is a Sydney based music project that utilizes distorted synths, irregular drum beats and fluid song structures to create energetic and hypnotic pieces that straddle the line of bright and abrasive.The trio is comprised of Adam Connelly (synthesizers + vocals) Jonathan Boulet (bass guitar + fx pedals) and Hugh Deacon (drums). When playing live and on record, their music is improvised and unrehearsed with no laptops or backing tracks. “One of us will introduce an idea and the rest will follow.” Their debut LP Saint Albans, was conceived and recorded in a small farm house in the town of Saint Albans, New South Wales, over 3 days from the 12th to the 14th of October 2019. The building has since burned down in the 2019 Australian Bushfires. “We came away from this session with close to 20 hours of material that we edited down into consumable pieces.” This is the case for all tracks except Brain Waste 191013 which was left intact and unedited. They launched the Australian release of the album by playing a 6 hour endurance set in a warehouse in Sydney’s Inner West. “Our sonic influences seem very obvious but we haven't been called out yet. Mainly Boards of Canada, Black Moth Super Rainbow, Aphex Twin, Fuck Buttons, Blanck Mass and Lightning Bolt.” File Under: Eletronic, Hauntology, GhostBox

"Condensing down a mere 20 (!!!) hours of material recorded unrehearsed and improvised over the course of three days in October of 2k19 into nine tracks of 38 minutes total playtime the project caters a playful, warm take on what might be best described as TripHop / DopeBeat-infused live Electronica with a well organic twist, partially drifting into complex and haunted polyrhythmic territories like in "Be Yourself Harder 191012" with its ever spiralling, captivating low-end and heavy drum explosions or the clearly Dub-infused "Taste Mouth 191013" whereas the dark'ish, nightly "Breathe In 191012" brings associations like Morr Music, Jan Jelinek as well the Moritz Von Oswald Trio to mind" (Nitestylez July, Germany)
Wendy Eisenberg - Auto
Wendy Eisenberg
Auto
LP | 2020 | US | Original (Ba Da Bing)
23,74 €* 24,99 € -5%
Release: 2020 / US – Original
Genre: Rock & Indie
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Drawing the connections between Wendy Eisenberg’s releases feels like undertaking a wide-ranging investigation. Albums of wildly inventive guitar, tempo-shifting avant rock and curiously leftfield pop fit together as offerings of Eisenberg’s curious mind. On Auto, their most innovative and inner-reaching album yet, Eisenberg explores emotional, subjective truth, and how it interacts with an objectivity no person alone can grasp. Inspired by the solo work of Mark Hollis (Talk Talk) and David Sylvian’s Blemish, with playing skills that have already seen them climbing Best Guitarist lists and an unvarnished vocal immediacy, Wendy Eisenberg has created an album of subtle display that resonates with maximal impact. Auto has multiple meanings. First, automobile: “A lot of these songs were written about and mentally take place when I’m in the car on my way to gigs,“ says Eisenberg. Immediate melodies came to them on these trips, to which they’d later add complex guitar parts. And automata: “I make myself into a machine, which is why everything that’s played is precise.” Finally, they frame their work in the literary technique of auto-fiction, “the semi-fictionalized presentation of the self in a narrative form of growth,” as Eisenberg sees it. The album served as a means toward working through emotional conflicts from adolescent trauma and Ptsd, and dissects the dissolution and conflict that led towards the breakup of their former band. With much of it written while its events played out, Auto faces the grief of losing what one thinks is their future while experiencing a dramatic reshaping of their past; it delves openly into the limited nature of one person’s narrative. After making a few efforts to record Auto, Eisenberg ultimately chose to collaborate with childhood friend Nick Zanca, who contributes electronic elements and production. Mirroring the personal and organic offered by Eisenberg, synthetic sounds form a kind of boundary or context for everything. They “sound like commentary on songs that were written from an organic or subjective perspective,” says Eisenberg. Their place on the album is integral for Eisenberg’s goal “to outweigh the subjectivity of normal singer-songwriter guitar songs with the objectivity of electronic sound.”
The Tyde - Season 5
The Tyde
Season 5
LP | 2024 | US | Original (Spiritual Pajamas)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“In Season 5, the long-awaited fifth full-length by beach-pop project The Tyde, frontman Darren Rademaker unveils his vision of an ’80s-inspired Suave Nouveau, with a clutch of sweet, melancholic love songs evoking lush mustaches, mellow macho, the ghost of Jimmy Buffett, white sand beaches, flamingos swooping across a cerulean sky, speedboats cutting through the bay and pastel linen suits billowing in the breeze as the sun dips beneath the horizon.

“Spanish conquistador Juan Ponce de León ‘discovered’ Florida in 1513, naming the peninsula La Florida, the flowering land. In Season 5, Rademaker reflects on his own return to the flowering land, and the artistic diaspora that caused him to quit California in 2020 in search of a New World of his own. ‘I lived in Florida from the ages of ten to twenty-five, but never really got to explore it,’ he says. ‘When I came back, I decided to really embrace the whole Florida aesthetic. I moved into an art deco home in Sarasota with pink seashell lamps. I visited Key West, like seven times. I also quit smoking weed and cigarettes, and stopped saying shit like LOL and amazeballs. It felt different. It felt good.’

“The record features the talents of many good friends, including Dan Horne, Colby Buddelmeyer, Matt Correia (Allah-Las), Clay Finch (Mapache), Albert Hickman, Derek James (The Entrance Band), Alex Knost (Tomorrow’s Tulips) and Adam MacDougall (Circles Around The Sun / Black Crowes), with artist / musician Matt Fishbeck (Holy Shit) designing the deco-inspired album artwork.

“And as much as they are inspired by the past, these songs are keenly aware of an uncertain future—because there is no such thing as a time machine, and there is no going back. Ultimately, Season 5 asks the question—where do we go after the sun sets on our dreams? Where the fuck is the New New World? In Rademaker’s eyes, it no longer exists in any specific American geography—rather, all hope remains in the timeless, unending power of music, and its power to take us to the places we wish we could be. Even if they don’t exist anymore.” —Caroline Ryder
Spencer Krug - I Just Drew This Knife
Spencer Krug
I Just Drew This Knife
LP | 2023 | EU | Original (Pronounced Kroog)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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One night, at some unrelated recording session, years ago already, handsome young Browning whips out his phone to show old Koop and even older Krug the instrumental recordings he's made over the pandemic, saying that now that they're finished, he doesn't know what to do with them. The music coming from the phone is dark and sparse, but also slick; tight enough to feel like some kind of twisted pop. The two old ghouls' mouths start to water and their eyes bulge. Krug rubs his greedy claws together and says, I might have an idea.At home, in his studio (lair), old Krug chops up one of young Browning's works, rearranges the parts to suit his own freakish needs, then squawks out an ill-conceived incantation overtop. He sends the whole mess to creaky Koop, who, in turn, from within his own dank cave of gadgets and oddities, skronks onto the franken-song his eccentric idea of what a guitar melody might be. They deliver the concoction back to young Browning, its progenitor, and cringe in wait for his gen z insults that they won't understand, but he is unexpectedly pleased. Still, they make tweaks. They tweak until the annoyingly subjective and idiosyncratic desires of all three are barely satisfied. Hoor-rah! they cheer, Krug coughing through the "rah," having not lifted his arms that high in years. The three unlikely collaborators then decide they will make an album this way, repurposing Brownings perfectly fine and lovely instrumental tracks into "better" "songs" by unnaturally forcing them into pop structure-shaped holes, then adding lyrical phrases of vague meaning and forgivingly distorted guitar. They work remotely, and slowly, posting a single demo onto Krug's dubious Patreon page monthly, until finally a whole record's worth of songs exist. Our three near-unemployed musicians then convene eagerly, desperately, in the woods, at a studio ridiculously called "The Studio," and re-record the entire batch of deformities into one surprisingly cohesive collection, each song like a button-eyed bear sewn fro...
Dub Thompson - 9 Songs Translucent Black Vinyl Edition
Dub Thompson
9 Songs Translucent Black Vinyl Edition
LP | 2014 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2014 / US – Reissue
Genre: Rock & Indie
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Take the 101 north out of Los Angeles, and you'll pass by Agoura Hills, where the core duo of the band Dub Thompson grew up. Whatever you see in that town won't readily prepare you for the music they wrote while there, but you're free to look."Most everyone who's in a group who's our age lives on the Internet," says guitarist Matt Pulos. "The kinds of things that have shaped our band aren't anchored to any one time or place."Pulos and his bandmate, drummer Evan Laffer, are currently both 19 years old, and are putting that line of thought to the test; their musical influences travel from the Midwestern malaise of Big Black and Pere Ubu, to Kraut pioneers Can and Kraftwerk, while bowing to the British belligerence of The Fall and This Heat.Recording the album while living with Foxygen's Jonathan Rado at his rented house in Bloomington, the band had its first taste of a heavy Indiana summer, and all the humidity and insect life that buzzes along with it. "We woke up every day, ate hard-boiled eggs and stood on a porch," says Pulos of the experience.Their first collection of songs slyly unties the shoes of genre and convention, shapeshifts mischievously, and tramples on the promises delivered on the name itself.There are only eight songs on this rangy debut.Intense blasts of hook-filled noise rock ("Hayward!"), rocksteady marionette stomp ("No Time"), hypnotic bouts of doomy poetics ("Epicondyles"), outlandishly sexy groove rock ("Dograces"), and a number of other bite-sized forays into parts unknown are made manifest across 9 Songs. The vibes are strong here. Pulos sings and plays like he's working out long-standing grudges, pulling the most sinewy tones from an acoustic guitar and ripping huge chunks of demon flesh out of his electric. Laffer matches him step for step on the drums, an exacting presence behind the kit who pushes even the band's more placid moments into bouts of tension. Together they succeed in animating their musical ideas to startling, almost unnatural life. Reverb units, keyboard...
Pinegrove - Skylight
Pinegrove
Skylight
LP | 2018 | EU | Reissue (Pinegrove)
23,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Skylight is the follow up to 2016s widely-acclaimed breakthroughalbum, Cardinal. The physical edition comes with an entire bonusalbum, Skylight II (the album performed acoustically).In 2017, Pinegrove moved into a rural farmhouse in upstate NewYork to make their new album Skylight, living, working andrecording together. This DIY ethos solidifies Pinegrove's positionat the epicenter of a creative community, where they've adopted a"friends first policy" when cycling through the band's touringiteration.Skylight is "an album about happiness, figuring out how to beoptimistic and realistic. To be effectively optimistic, you have toestablish relationships with darkness and disappointment. Theposition of optimism is earned." Hall's "classic American melodies"and emotionally direct lyrics, blend seamlessly with alt-countryinstrumentation and experimental rhythms of drummer ZackLevine. The band are confident in their idiosyncrasy, dropping popstructures when they no longer fit. The songs swing betweenwider extremes - whisper to full-belt and back again, treadingmid-air - and Pinegrove more exactly, more full-throatedly saywhat they've been trying to say.
Supergrass - St. Petersburg E.P. Record Store Day 2023 Plum Colored Vinyl Edition
Supergrass
St. Petersburg E.P. Record Store Day 2023 Plum Colored Vinyl Edition
10" | 2023 | Reissue (Echo)
22,99 €*
Release: 2023 / Reissue
Genre: Rock & Indie
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Record Store Day 2023 exclusive release limited to 920 copies,
This limited edition Record Store Day, 10” plum Colored Vinyl release features four of Supergrass’ key tracks from 2004-2005. Opening with the melancholic "St. Petersburg" the slow paced thinker that features an iconic and haunting piano riff that charted #22 in 2005 and as of 2022 is their most recent UK Top 40 Hit. Next up is a live version of the classic Supergrass stomper ‘Road To Rouen’ recorded at Somerset House in 2005. The B side opens to a notably different arrangement of their classic track ‘Kiss Of Life’ recorded live at the Portsmouth Pyramid in 2005. Things take a turn as the EP signs off with ‘Coffee In The Pot’, a lively little Surf Rock inspired number that reminds the listener of Supergrass’ unique sense of humour. The artwork has been recreated from the original ‘St Petersburg’ single artwork originally released in 2005, and features the famous statue of Peter the Great, from Saint Petersburg in Russia. Matte paper print finish and printed inner bag.
DJ Koze - DJ-Kicks
DJ Koze
DJ-Kicks
2LP | 2015 | EU | Reissue (!K7)
26,99 €*
Release: 2015 / EU – Reissue
Genre: Hip Hop, Rock & Indie, Electronic & Dance
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With his friendly and sometimes melancholic manner, DJ Koze is one of the most remarkable players in today's club landscape and one of the few internationally active DJs who are also relevant outside of dance music. For his 70-minute journey for the anniversary edition of the "DJ Kicks" series, "Kosi Kos" manages to give the mix its own timbre despite the various styles represented: be it the pared-down hip-hop of Madlib, brutal Berghain techno, timeless songwriting, flowing indie pop and tracks that oscillate between absurdity and melancholy. "I didn't want to shine with knowledge," Koze says, "but rather bring together some gems that make sense to people who aren't necessarily music nerds." It should fit together harmoniously: "The idea was to create the impression of a radio show, like John Peel used to do. A huge cosmos of music rushing through my filter." For fans of DJ Koze, Recondite, Mount Kimbie, Four Tet, Caribou, Matthew Dear, Simian Mobile Disco, Apparat, Efdemin.
Ducks Ltd. - Harm's Way White Vinyl Edition
Ducks Ltd.
Harm's Way White Vinyl Edition
LP | 2024 | US | Original (Carpark)
25,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Ducks Ltd. make inviting and frenetic guitar pop for when life feels overwhelming. While the band’s songs are ostensibly breezy, a palpable anxiety boils underneath that communicates something deeper about everyday existence. On their latest album Harm’s Way, the Toronto duo of Tom McGreevy and Evan Lewis hones in on interpersonal and societal collapses, urban decay, and the near-impossibility of keeping a level head when everything around you seems to be falling apart.

“They’re songs about struggling,” says singer and lyricist McGreevy (who also plays bass and rhythm guitar). “About watching people I care for suffer, and trying to figure out how to be there for them. And about the strain of living in the world when it feels like it's ready to collapse.”

Even with its often dark subject matter, Harm’s Way is Ducks Ltd.’s most vividly rendered and collaborative collection yet. It’s an undeniable evolution for the band, not just in how these songs soar, but in their entire writing and recording processes.
Bardo Pond - Peace On Venus (10th Anniversary Edition) Splatter Vinyl Edition
Bardo Pond
Peace On Venus (10th Anniversary Edition) Splatter Vinyl Edition
LP | 2013 | UK | Reissue (Fire)
32,99 €*
Release: 2013 / UK – Reissue
Genre: Rock & Indie
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10th anniversary clear, black and white splatter vinyl reissue of 'Peace on Venus' by Bardo Pond, Philadelphia's foremost purveyors of psychedelic rock. Includes ‘Kali Yuga Blues’, a true behemoth of a song and a shining example of the band’s ecstatic intensity.

Delving deep in to their subconscious to bring it to the conscious, the band’s 2013 effort dazzles, with their gift for heavy riffs laced with soaring vocals and swathes of sound. Bardo Pond has the outward specifications of a rock band but the rivers that converge into the band's oneiric flow have their headwaters in the outlands of ecstatic jazz, free noise and the avant-garde.

The recording process of ‘Peace On Venus’ used the principle of the Quintessence, which is a principle cited by the 16th Century physician Paracelsus, who noted: "Nothing of true value is located in the body of a substance, but in the virtue thereof, and this is the principle of the Quintessence, which reduces, say 20 lbs. of a given substance into a single Ounce, and that ounce far exceeds the 20 lbs. in potency. Hence the less there is of body, the more in proportion is the virtue thereof."
Georgia Ruth - Cool Head
Georgia Ruth
Cool Head
2LP | 2024 | UK | Original (Bubblewrap)
33,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
2024 sees the release of Georgia’s fourth studio album - Cool Head. Written in the year after her husband and collaborator was taken seriously ill, Georgia describes the album as a long drive through night into morning. "Cool head," a phrase her dad would always use to urge calm thinking, presents a candid and affecting collection of songs, spanning wide-open Americana to 60s- influenced folk ballads. Recorded in Sain studios, near Caernarfon, the album features contributions by Iwan Huws (Cowbois Rhos Botwnnog), Stephen Black (Sweet Baboo), Gwion Llewelyn (Aldous Harding) and Rhodri Brooks (Melin Melyn). With Gorky's Zygotic Mynci stalwart Euros Childs adding his unmistakable vocals to a couple of songs, this is a truly Welsh affair. It also features string arrangements by Gruff Ab Arwel, whose ear for melody brings a new dimension to the songs. These are performed by Angharad Davies, Angharad Jenkins and Patrick Rimes. The album is co-produced with long-time collaborator Iwan Morgan
Baby Cool - Earthling On The Road To Self Love
Baby Cool
Earthling On The Road To Self Love
LP | 2023 | EU | Original (Bad Vibrations)
20,89 €* 21,99 € -5%
Release: 2023 / EU – Original
Genre: Rock & Indie
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Marrying psychedelic pop with folk and a touch of country, 'Earthling On The Road To Self Love' is the sublime debut album by Brisbane, Australia-based artist Baby Cool - the latest side project by Nice Biscuit co-front woman Grace Cuell. Cuell says of the record, which follows her debut single 'Magic' and tours with Babe Rainbow and The Lazy Eyes: "The songs on this album are deeply sentimental. I have a lot I need to sing about to help me make sense of this earthly pod I have been gifted. If in singing these words out loud, I can help others find solace in knowing that we're all out here flailing about in the cosmos, then it feels good to me." Recorded with Sam Joseph (Family Jordan), the songs on 'Earthling' were brought to life with the help of Jess Ferronato (Nice Biscuit), Nick Cavendish (Nice Biscuit) and Drew Heyden (The Flamingo Jones): "I had such a beautiful community of friends that helped bring this whole thing to life. There was magic and love in every part of the process of creating this album."
Xam Duo - Xam Duo Rmx
Xam Duo
Xam Duo Rmx
EP | 2022 | EU | Original (Sonic Cathedral)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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A-side features a reworking of the album's closing track, 'Cold Stones', by legendary electronic artist and DJ, James Holden, WHO has taken the original's calming, comedown energy and transformed it into an epic, 11-and-a-half-minute journey, which somewhere around the five-minute mark comes right back up. "It's like the most rave thing I've done for ages and also not rave at all, like a blurry dream about a rave?" . Whatever it is, it's incredible, as are the two further reworkings on the B-side. The Early Years reframe 'LGOC' as a divine astral jazz / krautrock crossover, while Richard Pike (of PVT and Deep Learning) turns 'Blue Comet' into a glitchy and discordant soundtrack to the best 1980s computer game you never played. "It's lovely to hear three different interpretations of songs that we already tend to keep quite loose and elastic," says Matthew Benn. "These remixes feel like a natural extension of the music on the album, like they're from the same world, but perhaps in a different language."
Charlie Reed - Eddy
Charlie Reed
Eddy
LP | 2022 | US | Original (Earth Libraries)
23,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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A corrupted file, a misplaced folder, dog-eaten homework--there’s nothing quite as excruciating as something you’ve put your mind and heart into suddenly being gone. Luke Trimble understands that pain, having walked through his front door one afternoon to find his house burglarized and all of his music gear taken--not to mention the demo tapes for his band Charlie Reed. But rather than wallow, Trimble decided to look at the positive: After years of self-sufficient music-making, he was forced to ask for help and work more collaboratively. “The physical reality of losing my stuff became this emotional metaphor for starting over in every way,” he says. The resulting album, Eddy (due in Summer 2022 via Earth Libraries), finds Charlie Reed reaching new golden heights. Lead single “Don’t Drop Me” shows this sublime equation perfectly, sprays of wordless vocals harmonizing underneath plunking bass and a vintage AM radio guitar warmth.
Lambchop - The Bible Black / Orange Marbled Vinyl Edition
Lambchop
The Bible Black / Orange Marbled Vinyl Edition
2LP | 2022 | EU | Original (City Slang)
31,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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I had this idea that—I’m not a religious person, but I do believe that there’s a spirituality to a lot of people and they’re not religious. You don’t have to be religious to be a spiritual person, right? You just don’t have to. There should be an acceptance, or a way of recognizing spirituality without it being overtly religious.

The only prophets worth a shit are the reluctant ones, and so it was that right before he started working on what would become his new album, The Bible, Lambchop’s Kurt Wagner found himself at the proverbial crossroads. Nearing the end of Lambchop’s third decade as a recording artist, Wagner felt musically isolated. He questioned whether continuing to make music even made sense. “I feel weird because I’m going to be 64, dude,” he says on the phone in between drags of a cigarette. “What the fuck am I doing?”

The Bible is the sound of Kurt Wagner asking big questions, like that one, and all the other ones.
Lambchop - The Bible Black Vinyl Edition
Lambchop
The Bible Black Vinyl Edition
2LP | 2022 | EU | Original (City Slang)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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I had this idea that—I’m not a religious person, but I do believe that there’s a spirituality to a lot of people and they’re not religious. You don’t have to be religious to be a spiritual person, right? You just don’t have to. There should be an acceptance, or a way of recognizing spirituality without it being overtly religious.

The only prophets worth a shit are the reluctant ones, and so it was that right before he started working on what would become his new album, The Bible, Lambchop’s Kurt Wagner found himself at the proverbial crossroads. Nearing the end of Lambchop’s third decade as a recording artist, Wagner felt musically isolated. He questioned whether continuing to make music even made sense. “I feel weird because I’m going to be 64, dude,” he says on the phone in between drags of a cigarette. “What the fuck am I doing?”

The Bible is the sound of Kurt Wagner asking big questions, like that one, and all the other ones.
Interpol - The Other Side Of Make Believe Red Vinyl Edition
Interpol
The Other Side Of Make Believe Red Vinyl Edition
LP | 2022 | EU | Original (Matador)
27,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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If fate didn’t quite ordain the circumstances for Interpol’s seventh album, it was at least fortunate that the band had happily concluded their Marauder cycle on stage in front of 30 thousand-odd Peruvian fans. Rather than be sent scrambling like so many other musicians on tour or promoting new music, when lockdown clamped in March 2020, Interpol quickly got into a productive mood. Coming from a group whose early work was characterised by Polish knife-wielders and incarcerated serial killers, you might expect Interpol’s pandemic record to be an emotional tar pit — doubly so, given the presence of towering producer-engineer duo Flood and Moulder on the boards. But Banks felt the call to push in a “counterbalancing” direction, with paeans to mental resilience and the quiet power of going easy. “The nobility of the human spirit is to recover and rebound,” he says. “Yeah, I could focus on how fucked everything is, but I feel now is the time when being hopeful is necessary, and a still-believable emotion within what makes Interpol Interpol.”
Interpol - The Other Side Of Make Believe Black Vinyl Edition
Interpol
The Other Side Of Make Believe Black Vinyl Edition
LP | 2022 | EU | Original (Matador)
24,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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If fate didn’t quite ordain the circumstances for Interpol’s seventh album, it was at least fortunate that the band had happily concluded their Marauder cycle on stage in front of 30 thousand-odd Peruvian fans. Rather than be sent scrambling like so many other musicians on tour or promoting new music, when lockdown clamped in March 2020, Interpol quickly got into a productive mood. Coming from a group whose early work was characterised by Polish knife-wielders and incarcerated serial killers, you might expect Interpol’s pandemic record to be an emotional tar pit — doubly so, given the presence of towering producer-engineer duo Flood and Moulder on the boards. But Banks felt the call to push in a “counterbalancing” direction, with paeans to mental resilience and the quiet power of going easy. “The nobility of the human spirit is to recover and rebound,” he says. “Yeah, I could focus on how fucked everything is, but I feel now is the time when being hopeful is necessary, and a still-believable emotion within what makes Interpol Interpol.”
Geezer - Stoned Blues Machine Yellow Transparent Splattered Color Vinyl Edition
Geezer
Stoned Blues Machine Yellow Transparent Splattered Color Vinyl Edition
LP | 2022 | EU | Original (Heavy Psych Sounds)
27,74 €* 36,99 € -25%
Release: 2022 / EU – Original
Genre: Rock & Indie
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Geezer it’s a rare band that finds its sound so engagingly, and with Stoned Blues Machine, the sixth Geezer LP, they once again build on their accomplishments, working with producer Chris Bittner at Applehead Recording in Woodstock, NY, to harness the band’s most expansive production to date. A vivid and bombastic album, Stoned Blues Machine is Geezer’s response to the last few tumultuous years. Much of the subject matter deals with the fear, the literal and metaphorical isolation revolving around the pandemic, the resulting political turmoil, the disintegration of truth and decline of a shared, common good. The album that will see them return to Europe for the first time since 2017 and serve as their second release for Heavy Psych Sounds is yet another example of what can be done with classic songwriting in imaginative hands. Stoned Blues Machine puts the emphasis on the band’s dynamic and the joy of playing and writing songs together – more as a unit than ever – and shows that even amid some of the darkest hours, you can always say screw it, go get high and cruise the cosmos.
Geezer - Stoned Machine Purple Vinyl Edition
Geezer
Stoned Machine Purple Vinyl Edition
LP | 2022 | EU | Original (Heavy Psych Sounds)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Geezer it’s a rare band that finds its sound so engagingly, and with Stoned Blues Machine, the sixth Geezer LP, they once again build on their accomplishments, working with producer Chris Bittner at Applehead Recording in Woodstock, NY, to harness the band’s most expansive production to date. A vivid and bombastic album, Stoned Blues Machine is Geezer’s response to the last few tumultuous years. Much of the subject matter deals with the fear, the literal and metaphorical isolation revolving around the pandemic, the resulting political turmoil, the disintegration of truth and decline of a shared, common good. The album that will see them return to Europe for the first time since 2017 and serve as their second release for Heavy Psych Sounds is yet another example of what can be done with classic songwriting in imaginative hands. Stoned Blues Machine puts the emphasis on the band’s dynamic and the joy of playing and writing songs together – more as a unit than ever – and shows that even amid some of the darkest hours, you can always say screw it, go get high and cruise the cosmos.
Geezer - Stoned Blues Machine Black Vinyl Edition
Geezer
Stoned Blues Machine Black Vinyl Edition
LP | 2022 | EU | Original (Heavy Psych Sounds)
22,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Geezer it’s a rare band that finds its sound so engagingly, and with Stoned Blues Machine, the sixth Geezer LP, they once again build on their accomplishments, working with producer Chris Bittner at Applehead Recording in Woodstock, NY, to harness the band’s most expansive production to date. A vivid and bombastic album, Stoned Blues Machine is Geezer’s response to the last few tumultuous years. Much of the subject matter deals with the fear, the literal and metaphorical isolation revolving around the pandemic, the resulting political turmoil, the disintegration of truth and decline of a shared, common good. The album that will see them return to Europe for the first time since 2017 and serve as their second release for Heavy Psych Sounds is yet another example of what can be done with classic songwriting in imaginative hands. Stoned Blues Machine puts the emphasis on the band’s dynamic and the joy of playing and writing songs together – more as a unit than ever – and shows that even amid some of the darkest hours, you can always say screw it, go get high and cruise the cosmos.
Matrimony - Kitty Finger
Matrimony
Kitty Finger
LP | 2021 | US | Original (Kill Rock Stars)
30,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Matrimony emerged from the scrum of yobbos making noise in late-'80s Australia (Cosmic Psychos, Lubricated Goat, etc.), a nearly all-female band of punk-pop minimalists as raw emotionally as musically. Building songs around simple, repetitive bass lines and the languidly morose vocals of one Sybilla, the band reveals its disaffection more through what it doesn't say than what it does. So while choppy guitar squalls underpin songs like 'Kitty Finger' and 'Fish and Chips Sweetheart,' elsewhere the playing is stripped nearly bare. Sybilla's love/hate relationship with her titular subject on 'Mr. Pop Star' is reduced to a series of stuttered yelps, while her dispassionate plea on 'Come Back Baby' is backed only by finger snaps and the ubiquitous heavy bass lines, distilling a lifetime of self-pitying angst into a two-minute session in front of a cracked bedroom mirror. Matrimony also pays a nominal tribute by covering the Scientists' 'Frantic Romantic' even more dourly than the original.
Dany Laj And The Looks - Ten Easy Pieces
Dany Laj And The Looks
Ten Easy Pieces
LP | 2021 | US | Original (We Are Busy Bodies)
17,99 €* 19,99 € -10%
Release: 2021 / US – Original
Genre: Rock & Indie
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Ten Easy Pieces is Dany Laj and the Looks third full-length album. The past two years has seen Laj spending quite a bit of time with his 4 track recorder writing a big collection of songs, re-working old ones, and even trying his hand at covering songs by Canadian artists he loves. "I think I had about 38 songs that I presented to our manager Eric with all kinds of stylings, I remember finally saying 'okay, that's the record' and felt bad 'cause I had bombarded his hard drive with like a million different mixes and so on.In comes Ten Easy Pieces, his most focused effort yet. After demoing and having more than three records worth of material, Laj eventually got together with his lifelong mate/longtime bassist Jeanette Dowling and drummer Dusty Campbell and started recording the latest Looks effort, which is their most focused effort to date.
Caspian - You Are The Conductor 15th Anniversary Seafoam Vinyl Ediiton
Caspian
You Are The Conductor 15th Anniversary Seafoam Vinyl Ediiton
LP | 2020 | US | Original (Dark Operative)
24,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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You Are The Conductor is the brilliant debut album from Beverly, MA’s Caspian. Originally issued in 2005 on the Dopamine Records label, this formal reissue on Dark Operative marks the 15th anniversary of the record and the first time it has been in print physically in over six years. They say you only get one chance to make a first impression… and Caspian clearly took that old adage to heart. “Quovis” into “Further Up” into “Further In” is one of the most impressive 1-2-3 punches on any debut album, to the point where fans of the band started referring to all three in tandem as “The Trilogy” both live and when referencing the record itself. “Loft,” “For Protection,” and “Last Rites” provide the perfect balance and counterpoint to the introductory salvo, all three still finding themselves worked into Caspian live sets to this day. Happy 15th anniversary to an album that has only become more poignant and revered with each passing season and every new generation of listeners discovering the real power of instrumental music.
Spill Gold - Highway Hypnosis
Spill Gold
Highway Hypnosis
LP | 2020 | EU | Original (Knekelhuis)
23,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Amsterdam based Spill Gold ( who previously released on Portland's Beacon Sound) with a jaunty 7 track mini album for Knekelhuis. sleeve art from Jacob Hoving. The label say: "The summer breeze has gradually turned into a cold wind and the trees showcase their typical variegated color palette; autumn has clearly arrived in all its golden glory, a transition exemplary for Spill Gold’s work. The Amsterdam duo’s music is every bit as colorful and moving as its seasonal counterpart, where one moment a cold and stormy wind swarms the air and other times calm and stillness prevail. On Highway Hypnosis, their first album on vinyl, Spill Gold masterfully juxtaposes darkness and light, playfulness and control, enhancing the transcendental character of the material at hand. Based on strong pop structures, the songwriting here traverses a world of Krautrock and cosmic influences at once catchy and alienating, opening the possibility for catharsis. They’re a wonderful addition to the versatile nature of Knekelhuis. And they’re crazy good live as well."
Out - Billie
Out
Billie
LP | 2020 | US | Original (Comedy Minus One)
19,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Billie, the second OUT album, is a Michigan thunderstorm compressed onto 30 minutes of exhilarating wax. It covers a lot of stormy territory, violent, heavy & exhilarating at once ' health scares; departed friends; the trials of living with a (loving) partner for the last 16 years; relatives who say awful garbage at holiday dinners; a brave friend who put it all on the line one fateful night; gettin' wild when kids are out of the house. All manner of pox & canker. For all the gloom & doom, there's equal sunlight cutting through the clouds. Lightning can kill, but it's also awesome, right? When you see OUT live, you might find yourself shouting along with a refrain like 'who's feeling like dirt?' but you'll also find yourself grinning while you're doing it. As Brian Schill wrote about OUT's debut, Swim Buddies, 'each of the 11 tracks is simultaneously fist-pumping & bleak - just right for the America to come - [to] engage in what Judith Butler once called the 'politics of despair.''
Shotgun Jimmie - Transistor Sister 2
Shotgun Jimmie
Transistor Sister 2
LP | 2019 | US | Original (You've Changed)
17,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Are you ready for the new sincerity?! Shotgun Jimmies new album Transistor Sister 2 is full of genuine pop gems that champion truth and love. Jimmie is joined by longtime collaborators Ryan Peters (Ladyhawk) and Jason Baird (DoMakeSayThink) for this sequel to the Polaris Prize nominated album Transistor Sister from 2011. José Contreras (By Divine Right) produced and recorded the record in Toronto, Ontario at The Chat Chateaux and joins the band on keys. In characteristic Shotgun Jimmie fashion, the songs on Transistor Sister 2 focus largely on family and friends with a heavy dose of nostalgia. Jimmies hyperbolic takes on the everyday reconstruct familiar scenarios, from traffic on the 401 (the beloved and scorned megahighway through Toronto known to all touring musicians as the place where punctual arrival at soundcheck goes to die) to cooking dinner. The albums lead single Cool All the Time is a plea for people to abandon ego and strive for authenticity, featuring contributions by Chad VanGaalen, Steven Lambke and Cole Woods. The New Sincerity serves as the albums manifesto; it renounces cynicism and promotes positivity.
Richie Ramone - Entitled
Richie Ramone
Entitled
LP | 2013 | US | Original (DC-Jam)
22,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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The Ramones ... a family like no other. In 1983, Richie was adopted by the first family of Punk Rock, and his life’s work would forever be a part of Rock & Roll history. During his 5 years with The Ramones, Richie performed over 500 shows around the world, wrote a handful of the band’s best loved songs, including the hit “Somebody Put Something In My Drink”, and stepped up to the mic for vocal duties on “(You) Can’t Say Anything Nice”.

In 2011 he spoke about his close friendship with Joey Ramone, while showing his support during the presentation of an honorary “Lifetime Achievement” Grammy Award.

On October 8th, Richie will once again take to the drum kit for the release of his first solo album, ENTITLED. He’s joined by an all-star band that includes Tommy Bolan (Warlock), Clare Misstake (Antiproduct), and Ben “Wah” Reagan (The Feederz). Fresh off Australian and South American tours, Richie and company will embark on an extensive US and European tour in support of this release.
Towa Bird - American Hero
Towa Bird
American Hero
LP | 2024 | US | Original (Interscope)
36,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Debut album release from half-Filipino, half-English artist, singer-songwriter, guitarist Towa Bird who's been co-signed by Billie Eilish, Olivia Rodrigo, Tyler the Creator and more. She has received praise from Rolling Stone "Rising pop star to watch in 2024," NME Magazine "Towa Bird is writing a queer love story for the ages," Billboard "Towa Bird's knack for building a pop song around a fiery guitar solo might be her greatest strength" and more. About the album, Towa says "The title of American Hero is entirely ironic - I'm not American, and in my view I'm not heroic either. These songs are me being completely honest about queer love and all it's essence; there's a lot of yearning and vulnerability and dealing with difficult emotions. I grew up listening to so many male-gazey love songs, and it was important to put something out into the world that felt like the music I wanted for myself when I was a kid."
Kaycie Satterfield - Rosie Eco-Friendly "Rosie" Red Vinyl Edition
Kaycie Satterfield
Rosie Eco-Friendly "Rosie" Red Vinyl Edition
LP | 2024 | EU | Original (Earth Libraries)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Kaycie Satterfield leans into the endless, prickly change inherent in life. So when the guitarist and singer-songwriter broke her wrist in 2020 and was entirely unable to play her instrument for months, she had no choice but to embrace change. “Guitar is my main source of continuity,” she says. “So I had to learn how to think outside of my current conventions and to work with limitations.” On one hand, she needed to figure out how to write and play with one hand tied behind her back. But the fact that around the same time she had to go through four moves and a breakup meant she'd have to make peace with far more drastic change. And rather than be stuck in dated patterns and stories, Satterfield was newly determined to tell her own story her own way. The resulting album, Rosie (due July 12th via Earth Libraries), is a glistening slice of indie rock that bolsters Satterfield’s impeccable songwriting with a new perspective and rich, synth-driven production.
V.A. - Crawling The Walls Record Store Day 2024 Edition
V.A.
Crawling The Walls Record Store Day 2024 Edition
CD | 2024 | UK | Original (Agitated)
7,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Cheap Price Compilation CD of rare, unreleased, forthcoming, and brilliant tracks from the Agitated Label,and friends.. Like a massive bag of pick and mix to have a party with.. features Straight Arrows, Kelley Stoltz, Carlton Melton, oldboy, Headland, Laurel Canyon, Catatonic Suns, Last of Easy Riders, Icarus Line, Blamers, and much more besides.. 500 CD ...cheap...and tasty.. some tracks first time on CD, some exclusive to this release.. its fun! But whats that?..its not just a single CD label comp, its been double bagged with a extra CD, put together as a collection of “Radio Shows” by good friends of Agitated, The Hawk and Kbcd radio!!! Heres what they had to say about Disc 2!!!! “cd2: The Agitated Radio Show on Kbcd Radio - The Hawk presents a chemical hit of underground medicine all the way from Nixon County... "a repeat of CD1?" you may unreasonably ask - no, friends, it most certainly isn't.” Only 500/.. grab it on RSD 24..
Hey Colossus - You Laugh At My Face / Facelaugh.Heaven.Forgive.Nonetheless (Bass Clef Remix)
Hey Colossus
You Laugh At My Face / Facelaugh.Heaven.Forgive.Nonetheless (Bass Clef Remix)
12" | 2023 | UK | Original (The state51 Conspiracy)
15,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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Hey Colossus's mammoth, nearly album-length cover of 'You Laugh At My Face' from Catholic by Patrick Cowley and Jorge Socarras, was initially commissioned by The Quietus for Sound + Vision subscribers before being released as part of state51's ongoing Singularity series. Here it's presented in marbled red vinyl with a stunning Bass Clef remix on side B.

"I think the mixing and the choice of sounds in anything that Patrick Cowley did is flawless," says Chris Summerlin of Hey Colossus. "Especially the instrumentals on School Daze – you can imagine the places they're in, the planets they're on, and I think that's a good approach to mixing any type of music."

The result is the group's latest high-water mark. Over its almost 22-minute runtime, Hey Colossus make the song their own by utilising an expansive arsenal of dub-like tactics. Excepting a rough-and-ready surprise near the track's conclusion, their 'You Laugh At My Face' is a genuinely gorgeous, psychedelic exploration of the Cowley and Socarras original.
Lambchop - The Bible Black Vinyl Edition
Lambchop
The Bible Black Vinyl Edition
2LP | 2022 | EU | Original (City Slang)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
I had this idea that—I’m not a religious person, but I do believe that there’s a spirituality to a lot of people and they’re not religious. You don’t have to be religious to be a spiritual person, right? You just don’t have to. There should be an acceptance, or a way of recognizing spirituality without it being overtly religious.

The only prophets worth a shit are the reluctant ones, and so it was that right before he started working on what would become his new album, The Bible, Lambchop’s Kurt Wagner found himself at the proverbial crossroads. Nearing the end of Lambchop’s third decade as a recording artist, Wagner felt musically isolated. He questioned whether continuing to make music even made sense. “I feel weird because I’m going to be 64, dude,” he says on the phone in between drags of a cigarette. “What the fuck am I doing?”

The Bible is the sound of Kurt Wagner asking big questions, like that one, and all the other ones.
Bardo Pond - Peace On Venus (10th Anniversary Edition) Black Vinyl Edition
Bardo Pond
Peace On Venus (10th Anniversary Edition) Black Vinyl Edition
LP | 2013 | UK | Reissue (Fire)
22,99 €*
Release: 2013 / UK – Reissue
Genre: Rock & Indie
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10th anniversary clear, black and white splatter vinyl reissue of 'Peace on Venus' by Bardo Pond, Philadelphia's foremost purveyors of psychedelic rock. Includes ‘Kali Yuga Blues’, a true behemoth of a song and a shining example of the band’s ecstatic intensity.

Delving deep in to their subconscious to bring it to the conscious, the band’s 2013 effort dazzles, with their gift for heavy riffs laced with soaring vocals and swathes of sound. Bardo Pond has the outward specifications of a rock band but the rivers that converge into the band's oneiric flow have their headwaters in the outlands of ecstatic jazz, free noise and the avant-garde.

The recording process of ‘Peace On Venus’ used the principle of the Quintessence, which is a principle cited by the 16th Century physician Paracelsus, who noted: "Nothing of true value is located in the body of a substance, but in the virtue thereof, and this is the principle of the Quintessence, which reduces, say 20 lbs. of a given substance into a single Ounce, and that ounce far exceeds the 20 lbs. in potency. Hence the less there is of body, the more in proportion is the virtue thereof."
Ostraaly - Misery Guests
Ostraaly
Misery Guests
LP | 2024 | US | Original (Siltbreeze)
29,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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To say that the vinyl release of Ostraaly's Misery Guests has overcome monumental challenges isn't hyperbole, but fact. The label had been in cahoots with principal band members Katharine Daly & Leonie Brialey as far back as the Luggs Cd-r in 2016. Initially this release was to see vinyl action, but a series of setbacks prevented that from happening & when we next caught up w/each other it was 2019. Ostraaly was now a full on unit & a new set of tracks entitled Misery Guests was slated for a cassette issue by the estimable Tenth Court label. Katharine was quite keen for Siltbreeze to release it on vinyl & both sides set about to make it happen. Tenth Court released the cassette in Jan of 2020, vinyl to follow. However, a series of mechanical issues-a new track was added, artwork needed to be revamped-reared up & by the time it was off to press, Covid slammed shut the world. Diligence was the key here, as was hope. And as the world began to come out of its pandemic cocoon sometime in 2021, the project was on once more. But in the midst of retrieving new masters & artwork, Katharine Daly passed away unexpectedly, & that shock naturally put everything into what seemed to be a perpetual limbo. The years passed, but never the desire to see this album fulfilled. It was through the tenacity of the surviving band members, relocating & getting Siltbreeze the new masters & jacket art, that this LP finally sees the light of day as it was meant to some 5 years prior.

What you'll find within the grooves of Misery Guests is a band assuredly zoned into what they're laying down. It woozily rollicks in a way that's fetchingly out of step & swings in a rural-like, rough hewn manner that's unimpeachable. To say nothing of the out-of-time folk ruggedness stitched in, which makes these tracks seem almost plucked out of some mid-70's time warp that contemporary alt/retro bands could only dream of conceiving. And while its existence will forever remain bittersweet that Daly isn't here to embrace its ultimate fruition, her spirit is forever locked into every nuance of this stone-cold masterpiece. Dedicated to the memory of Katharine Daly & all who sailed w/her.

FFO: Fairport Convention, Etchingham Steam Band, 'Desire'/Rolling Thunder era Dylan, Patti Smith Group, The Garbage & The Flowers.

Edition of 400.
Intelligence - Lil' Peril
Intelligence
Lil' Peril
LP | 2022 | US | Original (Mt. St. Mtn.)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Lars Finberg, confirmed genius guy and poet laureate of sunken 21st century Rock, acts as manager in perpetuity of THE Intelligence, primary vehicle for his prolific creative swirl and a project that has taken on new shapes across myriad trials and shifts. The project began in his Seattle bedroom—a lad and his Tascam cassette 8 track—with the classic Boredom & Terror and has now landed in his Los Angeles studio apartment—an urchin and his Tascam digital 12 track—with Lil’ Peril, a new album that finds Finberg 1000% back at the controls. Over the course of 11 albums (!), The Intelligence has established a backbone that boogies through revolutions, allowing each jam-crammed dispatch to feel and sound admirably unique. The angular sharp shocks heard in earlier years have steadily evolved into the ballooning grooves heard on more recent releases (including Finberg’s recent solo work). Lil’ Peril is a dreamy gamble that captures this current bubbling penchant in The Intelligence’s inaugural homemade mode. With inspirational templates as far-flung as Les Paul, The Specials, Lee Perry and Mary Ford, Lil’ Peril pulls off the absurd shift “from ‘No-Wave Santana’ to ‘Screamers recorded by Jon Brion”. Playing shoulder parrot to studio engineers has no doubt informed Finberg’s approach to home recording, specifically in how much further he can go without wincing budget-minded eyes staring him down. This is immediately sensed on the opener “Maudlin Agency,” which begins with canned minimal bleep and closes with a full recreation of the “Brass Monkey” hook. These surprise-attack conclusions are a running current throughout the Lil’ Peril’s program and demonstrates that the main lesson Finberg has learned in The Intelligence is to never reel it in. Centerpiece banger “My Work Here Is Dumb” ranks among the finest Intelligence moments existent and an apex in Finberg’s songcraft, boasting a bonkers arrangement and a thematic gnaw that is both brutal and playful. The collection closes with the epic “Soundguys,” a suite cut-up that fuses Can and Steely Dan into one of the most dastardly tunes available for consumption in the plague age. As Finberg himself states, “They may say this is ‘lo-fi’, but I say it’s ‘no-CGI’”. Pressed on red vinyl.
Paul Leary - History Of Dogs, Revisited Beer Vinyl Edition
Paul Leary
History Of Dogs, Revisited Beer Vinyl Edition
LP | 2022 | EU | Original (Shimmy Disc)
26,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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No, it doesn't sound like the Butthole Surfers. It was never going to sound like Butthole Surfers. Get over it !!! It's time to revisit Paul Leary's 1992 debut solo LP - the avalanche of sound he titled THE History OF Dogs, "Revisited" here with two additional tracks that did not appear on the original LP, including one that will soon appear as the first video from the LP, "speedo Man". You won't believe your eyes. Believe me. This 1992 LP was WAY ahead of its time. Originally released on Rough Trade Records during the glory days of Butthole Surfers' crash course across the stages of every music festival criss-crossing the globe, this is zany, complex, unhinged, and sometimes just gloriously weird music, but it also features some of the most catchy indie pop music anthems you'll ever hear, and certainly far catchier than anything you'd ever hear from the BS catalog of psychedelic hysteria. Listen to "The Birds Are Dying", or "Fine Home", and then try to say that Paul Leary isn't one of the most gifted songwriters/producers of the late 20th century? This indispensable LP reissue (Re-Mastered in 2021 by Paul and Shimmy-Disc founder Kramer) is a wondrous time capsule that brings us back in time to where we all were 30 years ago, firm in our belief that there simply wasn't another band anywhere on earth like Butthole Surfers, and firm in the belief that the band's driving musical force, Paul Leary, like his partner Gibby Haynes, was one of those once-in-a-lifetime talents that just couldn't be ignored. These two were a force-of-nature. That great band may be in hibernation, but...stay tuned. Kramer, who played bass guitar in the band in 1985, says, "It was the year of the dog, and i was the bassist in the greatest band in the world. Life was good." Last year, Shimmy-Disc released Paul's 2nd solo LP, "born Stupid" to rave reviews. It was his first solo LP in nearly 30 years. Now it's 2022 and Shimmy-Disc is reissuing Paul's first solo LP, re-Mastered for Vinyl, with a vengeance. Like Kramer said...Life is Good. Riyl: Butthole Surfers, The Jesus Lizard, Kramer, Thurston Moore
Lili Refrain - Mana Pink Vinyl Edition
Lili Refrain
Mana Pink Vinyl Edition
LP | 2022 | EU | Original (Subsound)
29,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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"Lili Refrain’s newest LP Mana lives up to its title. A combination of Anna Von Hausswolff and Burning World-era Swans" , following the words of Walter Hoeijmakers, the founder of Roadburn Festival. Each track is multifaceted and they all have a heft to them, a weight that translates well to Refrain’s multi-instrumentalist abilities. Commenting on the nature of recording process Lili states: “Mana is an album totally different from anything I've ever done before. I felt the need to experiment with the use of new instruments and take a totally new path. Compared to my previous album Mana is the most ritual in some ways”. Refrain comments on the origin of the title saying: “It means ‘life force’, power that comes from within and is dedicated to those who have found themselves consciously facing a journey, without knowing where it would have arrived or even if it would have survived.” Using very few guitars, Lili Refrain has not only distanced herself from her comfort zone but also created a danceable feel focusing on arrangements and vocal techniques. However, the work on background sounds was very deliberate , as Lili notices: “Stefano Morabito, the engineer and the owner of "16th Cellar Studio" in Rome welcomed me in his studio and had been following me throughout the production.” “Spontaneous” is probably the best description of creating the record that became Mana. “I felt the need to experiment.” – says Lili about the current evolutions and changes in her “inner gaze”. Starting with Ichor , Sangoma and Mami Wata, Lili Refrain has been going down the path of rediscovering herself as an artist and performer. Combining both heavy synths sounds and operatic heights. Pairing Taiko drum sounds of Mami Wata with her trilling and whispering, Lili Refrain manages to create a chanting and ritualistic experience. Lili Refrain will be performing Mana in its entirety on April, 21st at Roadburn festival followed by an extensive European tour that would include performances at Hellfest (fr), Rock in Burlon (fr), AMFest (sp) and Dunk! Fest (be) Sonic Rites (fi) Mammuthfest (gr) “I am very honored to take part in one of the most important festivals in Europe and present my album in absolute preview right there is a supreme joy for me! I'm preparing a very special set for this event and can't wait to be there!”
Lili Refrain - Mana Black Vinyl Edition
Lili Refrain
Mana Black Vinyl Edition
LP | 2022 | EU | Original (Subsound)
25,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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"Lili Refrain’s newest LP Mana lives up to its title. A combination of Anna Von Hausswolff and Burning World-era Swans" , following the words of Walter Hoeijmakers, the founder of Roadburn Festival. Each track is multifaceted and they all have a heft to them, a weight that translates well to Refrain’s multi-instrumentalist abilities. Commenting on the nature of recording process Lili states: “Mana is an album totally different from anything I've ever done before. I felt the need to experiment with the use of new instruments and take a totally new path. Compared to my previous album Mana is the most ritual in some ways”. Refrain comments on the origin of the title saying: “It means ‘life force’, power that comes from within and is dedicated to those who have found themselves consciously facing a journey, without knowing where it would have arrived or even if it would have survived.” Using very few guitars, Lili Refrain has not only distanced herself from her comfort zone but also created a danceable feel focusing on arrangements and vocal techniques. However, the work on background sounds was very deliberate , as Lili notices: “Stefano Morabito, the engineer and the owner of "16th Cellar Studio" in Rome welcomed me in his studio and had been following me throughout the production.” “Spontaneous” is probably the best description of creating the record that became Mana. “I felt the need to experiment.” – says Lili about the current evolutions and changes in her “inner gaze”. Starting with Ichor , Sangoma and Mami Wata, Lili Refrain has been going down the path of rediscovering herself as an artist and performer. Combining both heavy synths sounds and operatic heights. Pairing Taiko drum sounds of Mami Wata with her trilling and whispering, Lili Refrain manages to create a chanting and ritualistic experience. Lili Refrain will be performing Mana in its entirety on April, 21st at Roadburn festival followed by an extensive European tour that would include performances at Hellfest (fr), Rock in Burlon (fr), AMFest (sp) and Dunk! Fest (be) Sonic Rites (fi) Mammuthfest (gr) “I am very honored to take part in one of the most important festivals in Europe and present my album in absolute preview right there is a supreme joy for me! I'm preparing a very special set for this event and can't wait to be there!”
Screaming Females - Singles Too
Screaming Females
Singles Too
LP | 2019 | US | Original (Don Giovanni)
27,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Out October 18th, Singles Too is a complete collection of Screaming Females' non-album recordings, gathering the band's early 7' singles, digital-only b-sides, rarities, and one pretty great remix. The digital version also gathers six cover songs, including the New Jersey trio's re-works of songs by Neil Young, Taylor Swift, Sheryl Crow, and Patti Smith.

The tracklist -- which is arranged chronologically -- provides a roadmap of the band's progress through 15+ years, seven albums, and countless tours. 'On the first single we ever put out, there were mistakes that I made playing guitar that make me want to crawl in a hole and die,' says guitarist Marissa Paternoster, recalling the sessions for 'Arm Over Arm' and 'Zoo of Death.' 'At the time I didn't know I was allowed to say, 'Can I do that again and correct it? I was 19, giving it my all.'

On Singles Too, you can hear Screaming Females lay it down at Milltown, NJ's post-apocalyptic recording-on-a-budget one-stop, The Hunt -- tin roof, flammable mixing board, DIY growlab housed in back of Marshall cab -- AND at posh Los Angeles hit-factory, East West Studios, where they convened with members of Garbage to cover 'Because the Night.'

The b-sides included here also capture the breadth of the trio's creativity, with compelling detours and tangents otherwise unrepresented in their catalog -- from Sammus and Moor Mother's re-work of 'End of My Bloodline' to the stripped down demo of Rose Mountain's 'Hopeless.' And it doesn't hurt that Singles Too is also full of hits, even though they're other people's hits, though -- much loved cover versions of classics by Sheryl Crow, Taylor Swift, Neil Young, Patti Smith, and more.

Singles Too is a rarities comp, yes, but it's a very, very compelling one, gathering Screaming Females most obscure original material together with it's best-known performances of other people's songs. A deep dive, an introduction, and a history lesson all at once.

Formed in 2005, Screaming Females are Marissa Paternoster (guitar), Mike Abbate (bass), and Jarrett Dougherty (drums). They have released seven full-length albums and toured across the world.
Baba Stiltz - Paid Testimony Atlantis Sessions
Baba Stiltz
Paid Testimony Atlantis Sessions
CD | 2023 | EU | Original (Public Possession)
17,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Available for the first time and on CD only, the live sessions of Baba Stiltz second LP „Paid Testimony“ recorded earlier this year at the legendary „Atlantis Studios“ in Stockholm. Full Music info below: When he‘s not writing or recording, Baba Stiltz immerses in fearless fiction by the likes of Denis
Johnson and Dodie Bellamy; prose where pedestrian details become transcendent in aggregate and the inner lives of marginal characters are examined as though they were kings. A similar thesis runs through „Paid Testimony“, the essential second tape of minimalist guitar music from the Filipino-American-Swedish artist.
In recent years, Stiltz has made like Lee Hazelwood‘s Cowboy In Sweden in reverse, making annual pilgrimages from Stockholm to California and reconnecting with his roots via a guitar and a Fostex 4- track. He‘s drawn to the less glamorous corners of the golden state, an observant habitué of unkempt
streets and dive bars stretching from LA to Vacaville. It‘s a long stretch from the jetset techno clubs where Baba originally plied his musical trade, but it‘s where he finds characters and ideas worth writing about.
The characters on „Paid Testimony“ are on the edge and on the run. Surrounded by flawed men with big schemes since childhood, he extrapolates characters who plot bank heists and order milk and vodka in AM hours, the type of confrontation- prone characters who „say some shit, make everyone
uncomfortable and then just split.“ To focus on the rawness of this document would discount the humor and sympathy with which he treats his characters, not to mention the subtly- psychedelic songwriting recalling David Berman, early Smog, the original indie rock minimalist poets.
On the final song, Stiltz looks back on the city that raised him, „Stockholm,“ referencing „young professionals carelessly living“ before adding „I can‘t say I‘m not jealous even though I live my life just like they do.“ There‘s an honesty in the small details revealed on „Paid Testimony“, and a defined
sense of place, be it Stockholm, Sacramento or some dim barroom across from the Bank Of America. Baba doesn‘t quite fit in anywhere. This outsider quality has often been used as a marketing tool, yet here, it lends a writerly aspect to the proceedings, an unreality to the everyday.
Frankie Cosmos - Inner World Peace
Frankie Cosmos
Inner World Peace
Tape | 2022 | US | Original (Sub Pop)
13,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Several things happened before a warm day when I met the four members of Frankie Cosmos in a Brooklyn studio to begin making their album. Greta Kline spent a few years living with her family and writing a mere 100 songs, turning her empathy anywhere from the navel to the moon, rendering it all warm, close and reflexively humorous. In music, everyone loves a teen sensation, but Kline has never been more fascinating than now, a decade into being one of the most prolific songwriters of her generation. She's lodged in my mind amongst authors, other observational alchemists like Rachel Cusk or Sheila Heti, but she's funnier, which is a charm endemic to musicians. Meanwhile Frankie Cosmos, a rare, dwindling democratic entity called a band, had been on pandemic hiatus with no idea if they'd continue. In the openness of that uncertainty they met up, planning to hang out and play music together for the first time in nearly 500 days. There, whittling down the multitude of music to work with, they created Inner World Peace, a collection of Greta's songs changed and sculpted by their time together. While Kline's musical taste at the time was leaning toward aughts indie rock she'd loved as a teenager, keyboardist Lauren Martin and drummer Luke Pyenson cite "droning, meditation, repetition, clarity and intentionality," as well as "'70s folk and pop" as a reference for how they approached their parts. Bassist/guitarist Alex Bailey says that at the time he referred to it as their "ambient" or "psych" album. Somewhere between those textural elements and Kline's penchant for concise pop, Inner World Peace finds its balance. The first order of business upon setting up camp in Brooklyn's Figure 8 studios was to project giant colorful slides the band had made for each track. Co-producing with Nate Mendelsohn, my Shitty Hits Recording partner, we aimed for FC's aesthetic idiosyncrasies to shine. The mood board for "Magnetic Personality" has a neon green and black checkerboard, a screen capture of the game Street Fighter with "K.O." in fat red letters, and a cover of Mad Magazine that says "Spy Vs. Spy! The Top Secret Files." On tracks like "F.O.O.F." (Freak Out On Friday), "Fragments" and "Aftershook," the group are at their most psychedelic and playful, interjecting fuzz solos, bits of percussion, and other sonically adventurous ear candy. An internal logic strengthens everything, and in their proggiest moments, Frankie Cosmos are simply a one-take band who don't miss. When on Inner World Peace they sound wildly, freshly different, it may just be that they're coming deeper into their own. Inner World Peace excels in passing on the emotions it holds. When in the towering "Empty Head" Kline sings of wanting to let thoughts slide away, her voice is buoyed on a bed of synths and harmonium as tranquility abounds. When her thoughts become hurried and full of desire, so does the band, and she leaps from word to word as if unable to contain them all. As a group, they carry it all deftly, and with constant regard for Kline's point of view. Says Greta, "To me, the album is about perception. It's about the question of "who am I?" and whether or not the answer matters. It's about quantum time, the possibilities of invisible worlds. The album is about finding myself floating in a new context. A teenager again, living with my parents. An adult, choosing to live with my family in an act of love. Time propelled us forward, aged us, and also froze. If you don't leave the house, who are you to the world? Can you take the person you discover there out with you?" - Katie Von Schleicher
Frankie Cosmos - Inner World Peace Clear Vinyl Edition
Frankie Cosmos
Inner World Peace Clear Vinyl Edition
LP | 2022 | US | Original (Sub Pop)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Several things happened before a warm day when I met the four members of Frankie Cosmos in a Brooklyn studio to begin making their album. Greta Kline spent a few years living with her family and writing a mere 100 songs, turning her empathy anywhere from the navel to the moon, rendering it all warm, close and reflexively humorous. In music, everyone loves a teen sensation, but Kline has never been more fascinating than now, a decade into being one of the most prolific songwriters of her generation. She's lodged in my mind amongst authors, other observational alchemists like Rachel Cusk or Sheila Heti, but she's funnier, which is a charm endemic to musicians. Meanwhile Frankie Cosmos, a rare, dwindling democratic entity called a band, had been on pandemic hiatus with no idea if they'd continue. In the openness of that uncertainty they met up, planning to hang out and play music together for the first time in nearly 500 days. There, whittling down the multitude of music to work with, they created Inner World Peace, a collection of Greta's songs changed and sculpted by their time together. While Kline's musical taste at the time was leaning toward aughts indie rock she'd loved as a teenager, keyboardist Lauren Martin and drummer Luke Pyenson cite "droning, meditation, repetition, clarity and intentionality," as well as "'70s folk and pop" as a reference for how they approached their parts. Bassist/guitarist Alex Bailey says that at the time he referred to it as their "ambient" or "psych" album. Somewhere between those textural elements and Kline's penchant for concise pop, Inner World Peace finds its balance. The first order of business upon setting up camp in Brooklyn's Figure 8 studios was to project giant colorful slides the band had made for each track. Co-producing with Nate Mendelsohn, my Shitty Hits Recording partner, we aimed for FC's aesthetic idiosyncrasies to shine. The mood board for "Magnetic Personality" has a neon green and black checkerboard, a screen capture of the game Street Fighter with "K.O." in fat red letters, and a cover of Mad Magazine that says "Spy Vs. Spy! The Top Secret Files." On tracks like "F.O.O.F." (Freak Out On Friday), "Fragments" and "Aftershook," the group are at their most psychedelic and playful, interjecting fuzz solos, bits of percussion, and other sonically adventurous ear candy. An internal logic strengthens everything, and in their proggiest moments, Frankie Cosmos are simply a one-take band who don't miss. When on Inner World Peace they sound wildly, freshly different, it may just be that they're coming deeper into their own. Inner World Peace excels in passing on the emotions it holds. When in the towering "Empty Head" Kline sings of wanting to let thoughts slide away, her voice is buoyed on a bed of synths and harmonium as tranquility abounds. When her thoughts become hurried and full of desire, so does the band, and she leaps from word to word as if unable to contain them all. As a group, they carry it all deftly, and with constant regard for Kline's point of view. Says Greta, "To me, the album is about perception. It's about the question of "who am I?" and whether or not the answer matters. It's about quantum time, the possibilities of invisible worlds. The album is about finding myself floating in a new context. A teenager again, living with my parents. An adult, choosing to live with my family in an act of love. Time propelled us forward, aged us, and also froze. If you don't leave the house, who are you to the world? Can you take the person you discover there out with you?" - Katie Von Schleicher
TV Priest - My Other People Loser Edition
TV Priest
My Other People Loser Edition
LP | 2022 | US | Original (Sub Pop)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Without a brutal evaluation of their own becoming, TV Priest might have never made their second album. Heralded as the next big thing in post-punk, they were established as a bolshy, sharp-witted outfit, the kind that starts movements with their political ire. There was of course truth in that, but it was a suit that quickly felt heavy on its wearer's shoulders, leaving little room for true vulnerability. "A lot of it did feel like I was being really careful and a bit at arm's length," says vocalist Charlie Drinkwater. "I think maybe I was not fully aware of the role I was taking. I had to take a step back and realize that what we were presenting was quite far away from the opinion of myself that I had. Now, I just want to be honest." Having made music together since their teenage years, the London four-piece piqued press attention in late 2019 with their first gig as a newly solidified group, a raucous outing in the warehouse district of Hackney Wick. Debut single "House of York" followed with a blistering critique of monarchist patriotism, and they were signed to Sub Pop for their debut album. When Uppers arrived in the height of a global pandemic, it reaped praise from critics and fans alike for its "dystopian doublespeak," but the band - Drinkwater, guitarist Alex Sprogis, producer, bass and keys player Nic Bueth and drummer Ed Kelland - were at home like the rest of us, drinking cups of tea and marking time via government-sanctioned daily exercise. As such, the personal and professional landmark of its release felt "both colossal and minuscule" dampened by the inability to share it live. "It was a real gratification and really cathartic, but on the other hand, it was really strange, and not great for my mental health" admits Drinkwater. "I wasn't prepared, and I hadn't necessarily expected it to reach as many people as it did." As such, My Other People maintains a strong sense of earth-rooted emotion, taking advantage of the opportunity to physically connect. Using "Saintless" (the closing song from Uppers) as something of a starting point, Drinkwater set about crafting lyrics that allowed him to articulate a deeper sense of personal truth, using music as a vessel to communicate with his bandmates about his depleting mental health. "Speaking very candidly, it was written at a time and a place where I was not, I would say, particularly well," he says. "There was a lot of things that had happened to myself and my family that were quite troubling moments.Despite that I do think the record has our most hopeful moments too; a lot of me trying to set myself reminders for living, just everyday sentiments to try and get myself out of the space I was in." "It was a bit of a moment for all of us where we realised that we can make something that, to us at least, feels truly beautiful," agrees Bueth. "Brutality and frustration are only a part of that puzzle, and despite a lot of us feeling quite disconnected at the time, overwhelmingly beautiful things were also still happening." This tension between existential fear born from the constant uncertainties of life, and an affirmative, cathartic urge to seize the moment, is central to My Other People, a record that heals by providing space for recognition, a ground zero in which you're welcome to stay awhile but which ultimately only leads up and out. For TV Priest, it is a follow-up that feels truly, properly them; free of bravado, unnecessary bluster or any audience pressure to commit solely to their original sound.
TV Priest - My Other People Black Vinyl Edition
TV Priest
My Other People Black Vinyl Edition
LP | 2022 | US | Original (Sub Pop)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Without a brutal evaluation of their own becoming, TV Priest might have never made their second album. Heralded as the next big thing in post-punk, they were established as a bolshy, sharp-witted outfit, the kind that starts movements with their political ire. There was of course truth in that, but it was a suit that quickly felt heavy on its wearer's shoulders, leaving little room for true vulnerability. "A lot of it did feel like I was being really careful and a bit at arm's length," says vocalist Charlie Drinkwater. "I think maybe I was not fully aware of the role I was taking. I had to take a step back and realize that what we were presenting was quite far away from the opinion of myself that I had. Now, I just want to be honest." Having made music together since their teenage years, the London four-piece piqued press attention in late 2019 with their first gig as a newly solidified group, a raucous outing in the warehouse district of Hackney Wick. Debut single "House of York" followed with a blistering critique of monarchist patriotism, and they were signed to Sub Pop for their debut album. When Uppers arrived in the height of a global pandemic, it reaped praise from critics and fans alike for its "dystopian doublespeak," but the band - Drinkwater, guitarist Alex Sprogis, producer, bass and keys player Nic Bueth and drummer Ed Kelland - were at home like the rest of us, drinking cups of tea and marking time via government-sanctioned daily exercise. As such, the personal and professional landmark of its release felt "both colossal and minuscule" dampened by the inability to share it live. "It was a real gratification and really cathartic, but on the other hand, it was really strange, and not great for my mental health" admits Drinkwater. "I wasn't prepared, and I hadn't necessarily expected it to reach as many people as it did." As such, My Other People maintains a strong sense of earth-rooted emotion, taking advantage of the opportunity to physically connect. Using "Saintless" (the closing song from Uppers) as something of a starting point, Drinkwater set about crafting lyrics that allowed him to articulate a deeper sense of personal truth, using music as a vessel to communicate with his bandmates about his depleting mental health. "Speaking very candidly, it was written at a time and a place where I was not, I would say, particularly well," he says. "There was a lot of things that had happened to myself and my family that were quite troubling moments.Despite that I do think the record has our most hopeful moments too; a lot of me trying to set myself reminders for living, just everyday sentiments to try and get myself out of the space I was in." "It was a bit of a moment for all of us where we realised that we can make something that, to us at least, feels truly beautiful," agrees Bueth. "Brutality and frustration are only a part of that puzzle, and despite a lot of us feeling quite disconnected at the time, overwhelmingly beautiful things were also still happening." This tension between existential fear born from the constant uncertainties of life, and an affirmative, cathartic urge to seize the moment, is central to My Other People, a record that heals by providing space for recognition, a ground zero in which you're welcome to stay awhile but which ultimately only leads up and out. For TV Priest, it is a follow-up that feels truly, properly them; free of bravado, unnecessary bluster or any audience pressure to commit solely to their original sound.
My Idea - Cry Mfer Red Vinyl Edition
My Idea
Cry Mfer Red Vinyl Edition
LP | 2022 | US | Original (Hardly Art)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Hardly Art debut by new, NY-based duo Lily Konigsberg (of Palberta) and Nate Amos (Water From Your Eyes). This album follows a 2020 digital EP on Hardly Art . The closer you are to someone, the crueller you can treat them, but if they love you, they're inclined to forgive you. My Idea's Lily Konigsberg and Nate Amos forgive each other now, but they were in a bad way when they recorded CRY Mfer - which is not to say their debut album is some kind of sonic bum out. CRY Mfer proves you can still make pop music while spiralling, as evidenced by the existence of "Breathe You," a bop all about fucking Nate constructed while "high as shit in my room making fun of Justin Bieber," the vocals of which Lily tracked while "blindly sad" and "genuinely devastated." They're best friends now, and they were best friends when they recorded CRY Mfer last year, but they didn't know that yet. ("We definitely were like, oh, maybe we're in love?" Lily recalls: it was a confusing time.) CRY Mfer is the sound of two people figuring out what they mean to one another "in the midst of," quote Nate, "a bunch of other chaos," up to and including being drunk as skunks; when listening to the album, Nate can "smell" the aforementioned chaos. "Thank God we're not those people [anymore]," Lily, with the clarity of newfound sobriety, marvels. When not using the other party as an emotional punching bag, Nate and Lily used one another as a creative filter and sounding board. In life, as in art, they share a language, a hive mind, finishing each other's sentences while lounging on Lily's parents' couch in the Hudson Valley. The duo joined forces in the Fall of 2020, when Lily, after a few years gobbing away in the punk trio Palberta, solicited Nate (who, at the time, was popping away as half of dance duo Water From Your Eyes) as a potential producer for her solo record; the subsequent song writing competition that followed resulted in dozens of tracks and one EP, That's My Idea. No strangers to productivity, Nate's Water From Your Eyes recently released their fifth album, and Lily recently released her solo LP, both to high marks. CRY Mfer is, true to the band's vision, a beautiful mess of different sounds, completely and effortlessly genre less (though if pressed to label it, the band settles on "Truth or Dare Pop"). While a milieu of myriad styles, from folk to dance, the album's main through-line is truth, regardless of how much the expression thereof may hurt. Its lyrics aren't "particularly diary-ish," Nate says, they're "a little more_" "Diarrhea-ish," Lily jokes. It's a reaction against the self-seriousness that runs rampant throughout indie music, which comes as no surprise when you learn the duo originally wanted to call themselves The Grammys (Why? Because when the two of them started working together, "we were like, we're gonna get a Grammy," Lily says). They aren't ashamed to admit they listen to Ariana Grande and Justin Bieber, in much the same way they aren't ashamed to use a vocoder or lyrically play the heel. My Idea has only just begun, but already misery is in the rear-view. CRY Mfer is a punisher, to be sure, but it's also a banger; reflecting on the time period during which it was recorded, Nate breathes a sigh of relief: "Oof. Well, we made it, and we got something out of it, too." And so, dear listener, have you.
Incubus - Morning View XXIII Blue Vinyl Edition
Incubus
Morning View XXIII Blue Vinyl Edition
2LP | 2024 | EU | Original (Virgin Music Las)
32,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Incubus released their critically acclaimed studio album "Morning View" on 23 October 2001 and was celebrated by fans and the music industry alike. The album went double platinum and spent 60 weeks at number 2 on the Billboard 200.

Now the band is releasing the re-recording of the highly acclaimed double album entitled "Morning View XXIII".

"About 23 years ago, we rented a house by the sea to start an art experiment. The unfamiliar and expansive surroundings helped us find the FLOW state we had been longing for, and the songs that became known as 'Morning View' have since become an integral and important part of our lives," says Brandon Boyd.

"That album helped make our little art experiment called 'Incubus' a way of life, and here we are, some 23 years later, ushering in a new phase of its existence. 'Morning View XXIII' is a re-recording of the 2001 album and is the result of our desire to honour this legacy, but also to reinterpret it as musicians who have played these songs night after night with much love over the last 23 years. See you on the road soon!"
Bright Eyes - I'm Wide Awake, It's Morning
Bright Eyes
I'm Wide Awake, It's Morning
LP | 2005 | EU | Reissue (Dead Oceans)
26,99 €*
Release: 2005 / EU – Reissue
Genre: Rock & Indie
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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."
King Gizzard & The Lizard Wizard x Mild High Club - Rolling Stoned
King Gizzard & The Lizard Wizard x Mild High Club
Rolling Stoned
7" | 2018 | US | Original (Stones Throw)
12,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Limited edition 7inch vinyl single release including “Rolling Stoned” as featured on their collabo album “Sketches Of Brunswick East”!

Split 7” of “Rolling Stoned,” a composition written by Alexander Britton. Recording on side 1 by Mild High Club and side 2 by King Gizzard and the Lizard Wizard. Artwork by Kyle Field (Little Wing).
King Gizzard & the Lizard Wizard is an insanely good, prolific, psych rock band from Melbourne, Australia. Mild High Club is Alexander Brettin, insanely good, freakishly mellow dude on Stones Throw. They got together and made an album called “Sketches Of Brunswick East”.
The two bands formed a friendship touring together across Norther America, Europe, and Australia the last couple of years. King Gizzard’s Stu Mackenzie says, "I think we hit it off because our approaches are very different … Alex has studied music, whereas my approach is to fling shit at the wall and see what sticks. I can’t read sheet music at all. But we’re like the two ends of a horseshoe coming to meet in the middle."
Bright Eyes - Digital Ash In A Digital Urn
Bright Eyes
Digital Ash In A Digital Urn
LP | 2005 | EU | Reissue (Dead Oceans)
26,99 €*
Release: 2005 / EU – Reissue
Genre: Rock & Indie
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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."
Osees (Thee Oh Sees) - A Foul Form Black Vinyl Edition
Osees (Thee Oh Sees)
A Foul Form Black Vinyl Edition
LP | 2022 | US | Original (Castle Face)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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“Brain stem cracking scum-punk recorded tersely in the basement of my home. After a notoriously frustrating eon, the knee-jerk song path was aggressive and hooky. This is an homage to the punk bands we grew up on—the weirdos and art freaks that piqued our interests and pointed us on the trail head to here / now. Bad times make for strong music is something I agree with. I would say that is evident by the past few years of output from the underground. Transmissions have been all over the map: scanning…searching...sweeping out in the darkness looking for a foot hold.“[OSEES] A Foul From represents some of our most savage and primal instincts. Fight or flight. And the importance of a sense of humor in the darkest hour. Nothing wrong with keeping it snappy in the meantime. For fans of Rudimentary Peni, Crass, Bad Brains, Black Flag, Screamers, Abwarts, Stooges and all things aggressively tilted towards your face. You can lean back but don’t flinch…it’s a brief foray into the exhausting pogo pit, so stiffen your back and jerk with your knees. Enjoy.” —John Dwyer
Osees (Thee Oh Sees) - A Foul Form Orange Vinyl Edition
Osees (Thee Oh Sees)
A Foul Form Orange Vinyl Edition
LP | 2022 | US | Original (Castle Face)
27,54 €* 28,99 € -5%
Release: 2022 / US – Original
Genre: Rock & Indie
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“Brain stem cracking scum-punk recorded tersely in the basement of my home. After a notoriously frustrating eon, the knee-jerk song path was aggressive and hooky. This is an homage to the punk bands we grew up on—the weirdos and art freaks that piqued our interests and pointed us on the trail head to here / now. Bad times make for strong music is something I agree with. I would say that is evident by the past few years of output from the underground. Transmissions have been all over the map: scanning…searching...sweeping out in the darkness looking for a foot hold.“[OSEES] A Foul From represents some of our most savage and primal instincts. Fight or flight. And the importance of a sense of humor in the darkest hour. Nothing wrong with keeping it snappy in the meantime. For fans of Rudimentary Peni, Crass, Bad Brains, Black Flag, Screamers, Abwarts, Stooges and all things aggressively tilted towards your face. You can lean back but don’t flinch…it’s a brief foray into the exhausting pogo pit, so stiffen your back and jerk with your knees. Enjoy.” —John Dwyer
Robert Ellis Orrall - 467 Surf And Gun Club
Robert Ellis Orrall
467 Surf And Gun Club
Tape | 2021 | US | Original (Fixation Music)
12,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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A return to 80's form, along with his original RCA band (1980-19840), Orrall's 10th album is a love letter to his favorite dive bar, Nahsville's 467 Surf And Gun Club.

'Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.' - John Hiatt

'Melodic, colorful, emotional. A fun and bubbly trip through our dad's cosmic mind'. - Jeff The Brotherhood

'I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.' - Michael McDonald

'If there's been a better record to come out of Nashville in the past few years let us know, cause we haven't heard it' - Diarrhea Planet

'reo has proved once again that he's one of the best songwriters in Nashville. This album encapsulates the warm nostalgia of summers spent with friends at 467.' - Daddy Issues
Robert Ellis Orrall - 467 Surf And Gun Club
Robert Ellis Orrall
467 Surf And Gun Club
LP | 2021 | US | Original (Fixation Music)
19,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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A return to 80's form, along with his original RCA band (1980-19840), Orrall's 10th album is a love letter to his favorite dive bar, Nahsville's 467 Surf And Gun Club.'Very sophisticated and relentlessly appealing sunny SoCal folk pop a la Brian Wilson and Van Dyke Parks, the guys who invented it. Fully realized. Absolutely joyful.' - John Hiatt'Melodic, colorful, emotional. A fun and bubbly trip through our dad's cosmic mind'. - Jeff The Brotherhood'I've always been inspired by other recording artist's work. Robert Ellis Orrall is a composer who always says something we need to hear. In that way he remains relevant and timeless. His latest offering is no less.' - Michael McDonald'If there's been a better record to come out of Nashville in the past few years let us know, cause we haven't heard it' - Diarrhea Planet'REO has proved once again that he's one of the best songwriters in Nashville. This album encapsulates the warm nostalgia of summers spent with friends at 467.' - Daddy Issues
Stella Donnelly - Beware Of The Dogs
Stella Donnelly
Beware Of The Dogs
LP | 2022 | US | Original (Secretly Canadian)
23,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Stella Donnelly is a proud, self-proclaimed shit-stirrer. On lead single "Old Man," the biting opener of her electrifying debut album, `Beware of the Dogs,' she targets the song's titular creep, "Oh are you scared of me old man or are you scared of what I'll do? You grabbed me with an open hand. The world is grabbing back at you." When something needs to be said, whether it's to an abusive man, a terrible boss, or a clueless significant other, the 26-year old Fremantle, Western Australia-based musician is fearless in telling it like it is. Delivered entirely with a sarcastic wink and a full heart, `Beware of the Dogs' proves across 13 life-affirming songs the power in sticking up for yourself, your friends, and what's right.The album showcases an artist totally in command of her voice, able to wield her inviting charm and razor-sharp wit into authentically raw songs. It's a resounding statement of purpose in recent memory and most importantly, it's a portrait of Donnelly taking charge. She says, "this album made me...
Cornershop - England Is A Garden Silver Vinyl Edition
Cornershop
England Is A Garden Silver Vinyl Edition
2LP | 2022 | UK | Original (Ample Play)
31,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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In the latest of a series of albums that have mirrored the exceptional story of the band itself, Cornershop return with a new album ‘England Is A Garden’ on March 6th 2020 on Ample Play Records. It is an album that strides in an upbeat fashion, to deliver a full listening experience, bringing songs of experience, empire, protest and humour, steeped in the way only Tjinder Singh would come with.

Listen to a first taste of the album now, ‘No Rock: Save In Roll’, that is to say that there is not one without the other, that rock, for all its focus on death is the saviour of life.

The anvil here is music itself, and a celebration of Tjinder’s birth place - The Black Country, which also gave birth to heavy metal that has gone on to influence the world to dirty rock, whether the streets are lined with pylons or palm trees, the Black Country has allowed us to see things differently. So the sound here goes back to Englands’ Midlands with two thumbs up to the feeling of hearing heavy metal from the back of a stage, as we all ride on and await the female backing vocals of our song to come in.
Artsick - Fingers Crossed
Artsick
Fingers Crossed
Tape | 2022 | US | Original (Slumberland)
12,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.
Artsick - Fingers Crossed Light Blue Vinyl Edition
Artsick
Fingers Crossed Light Blue Vinyl Edition
LP | 2022 | US | Original (Slumberland)
19,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Artsick was formed in June 2018 when Christina Riley was feeling "artsick" and writing songs, but missing the inspiration and excitement of collaborating with her old band, Burnt Palms. Christina was soon joined by Mario Hernandez (Kids On A Crime Spree, Ciao Bella) on drums and Donna McKean (Lunchbox, Hard Left) on bass and a band was born. Following up their terrific 2018 7" single they are back with their debut album "Fingers Crossed," a thrilling, compelling and downright fun record that surveys a vast swathe of indie and indiepop history, from DIY progenitors like Dolly Mixture through the punkier side of C86 (think Talulah Gosh, Fat Tulips) to the 90s K Records-centered International Pop Underground and straight through more recent exemplars like Vivian Girls and Colleen Green. Across its 11 songs "Fingers Crossed" is packed with great songs and memorable moments, indelible melodies and heartfelt lyrics. Christina says that she was "always been drawn to fuzzy guitars, melodies with emotion and songs with urgency" and that is readily apparent on every moment of this excellent album.
Chain Cult - We're Not Alone
Chain Cult
We're Not Alone
7" | 2021 | EU | Original (La Vida Es Un Mus)
11,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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"Once The Sadness Of Their 2020 Canceled American Tour Was Gone, Chain Cult Went Back To The Practice Space To Write New Songs, It Was A Perfect Way To Keep Finding Meaning In A World At A Standstill. They Are Back Stronger Than Ever With Two New Raging Post-Punk Anthems, They're Bringing Exactly What We Need In These Troubled Times. These Two Songs Give Us Elements For Reflection On Our Lives, A Good Occasion To Think About What We Miss And What We Want For The Future. " We're Not Alone " And " Always A Mess " Show The Band At Its Best. The Very Powerful Rhythm Section Allows The Guitarist To Play The Most Beautiful And Dark Melodies And The Singer To Chant The Catchy Choruses That Chain Cult Is Known For. During Uncertain Times, It Is Good To Be Surrounded By People You Trust To Continue Moving Forward; In This Spirit Chain Cult Has Kept The Same Recipe As For Their Previous Records. No One Can Say What The Future Holds And We Can't Act Like This Is Normal But Always Shall We Remember That We're Not Alone In This World"
Lucid Express - Lucid Express
Lucid Express
Lucid Express
LP | 2021 | US | Original (Kanine)
27,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Lucid Express is five young dreamers who create a stunning airy blend of shoegaze and indie pop amongst the skyscrapers, mountains, and packed alleyways of Hong Kong. The name itself a modest mission statement of the band's intent: lucid in the poetic sense of something bright and radiant. The group formed as teens in the winter of 2014 in the turbulent weeks just prior to the Umbrella Movement. Vocalist/synth player Kim says "at that time it felt like we have a need to hold on to something more beautiful than before. Like close friendships, the band, our creation." Listening to their blissful, dreamy compositions, it may come as no surprise that these songs carry the mood of their times of inception. With all members of the band working late-night shifts, this led to a rehearsal and recording schedule that found the band playing between midnight and 4am and then crashing together on the studio floor before returning to work early in the AM. Debut album Lucid Express was given an extra sparkle thanks to the creative mixing of Max Bloom (Yuck), operates as the service to take the listener on a journey through the band's color-soaked sounds.
Mammoth Wvh - Mammoth Wvh Black Ice Translucent Vinyl Edition
Mammoth Wvh
Mammoth Wvh Black Ice Translucent Vinyl Edition
2LP | 2021 | UK | Original (Ex1)
29,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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Mammoth WVH is the debut, self-titled album of Mammoth WVH – the band created by Wolfgang Van Halen. This collection includes the chart topping new single, "Distance” plus “Don’t Back Down,” “Epiphany,” “Mammoth” and more. At the beginning of 2015, Wolf broke ground on what would become Mammoth WVH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like Ac/dc, Foo Fighters, Nine Inch Nails, Tool, and Jimmy Eat World. In addition to writing and singing every song on the self-title debut album, remarkably Wolfgang plays every instrument. “The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much.”
A Certain Ratio - ACR Loco
A Certain Ratio
ACR Loco
LP | 2020 | EU | Original (Mute)
25,99 €*
Release: 2020 / EU – Original
Genre: Rock & Indie
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Barely back from their most successful tour in over 20 years, the band returns with ACR Loco,their first album in 12 years, shortly after the two retrospective compilations Mute acr:set and ACR:BOX. "We celebrated the band's 40th anniversary," Kerr says. "Now it's about the future and the direction we're going to take." Formed in 1977, the one-of-a-kind band fused post-punk, funk, disco and avant-garde trends to create a sound of its own. The band's influence remains immense and, as the albums have progressed, ACR has become a major source of inspiration for new generations. ACR Loco is an eclectic yet coherent record, which seamlessly moves from the endless dream of the song it begins with,'Friends Around Us',to the contagious funk of'Bouncy Bouncy',to the poignant beauty of'Always in Love'and ending with the flamboyant 'Taxi Guy',a track that integrates jazz, Brazilian music and acid house in just seven minutes. Such a mix of varied sounds and influences has always beenACR's goal and this album perfectly sums up 40 years of their tastes and productions
Molly Burch - The Molly Burch Christmas Album
Molly Burch
The Molly Burch Christmas Album
LP | 2019 | EU | Original (Captured Tracks)
26,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie, Christmas
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On this collection of holiday songs, Austin chanteuse Molly Burch does Christmas with a twist. Quite an omnibus, the album features classics like "I'll Be Home for Christmas" and "Auld Lang Syne" alongside heartland hits like "Hard Candy Christmas" and "Snowqueen of Texas". "This is the most fun I've had making a record yet," Burch says. And you can hear that joy on tracks like ABBA's "Happy New Year" as well as a playful cover of Wham's "Last Christmas" with two special guests: actor / comedians John Early (Search Party, Wet Hot American Summer) and Kate Berlant (Sorry to Bother You) add a blithe intro and backing vocals throughout. Recorded by Will Paterson (RF Shannon, Jesse Woods) and Jarvis Taveniere (Woods, Martin Courtney, Purple Mountains), the album also features two beautiful originals penned by Burch to add to your holiday canon. "I hope it's a Christmas album for people who love Christmas music and people who don't love Christmas music. May these songs welcome in a fresh new year and many warm, happy nights."
Garry Tallent - More Like Me
Garry Tallent
More Like Me
LP | 2019 | US | Original (D'Ville)
23,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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I learned how to play music by ear, and just havent learned how to read music since, saysTallent. I would listen to the popular music of the day back then. My favorite was BuddyHolly. And I would mimic what he played on my cheap guitar.Step forward a few years later and Garry becomes a member of Bruce Springsteens The E Street BandIt wasnt until 2016 that Tallent decided to step out of his comfort zone and finally become hisown boss with the release of his first solo album, Break Time.He jokes that it took him 65 years to put the album together, and when asked about it, he seemsuneasy and looks away. When his gaze returns, so has his confidence and the realization thattheres no need to be anxious.Since Break Time, Garry has been working on his second solo release, More Like Me. More Like Me is Garrys homage to the sound of the mid-60s; the sounds he grew up and learned by ear on his cheap guitar. He hopes you like it.
The Stools - When I Left
The Stools
When I Left
7" | 2019 | US | Original (Third Man)
10,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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Jesus Christ! The Stools! This is the kind of mangled barking terrifyingly manic garage that the Midwest pumps out better and more consistently than anybody and the Stools seem to be challenging every one of us to a frenetic fistfight for top spot. With 4 songs averaging 2 minutes, the When I Left EP feels like a whirlwind experience from its opening distortion to final feedback.

The title track When I Left is a garage punk banger a la Gun Club meets the Oblivians that tremors and nearly buckles under its own weight before it ends. American Convertible Stools chugs almost entirely on the same infectious blues riff, which could be repetitive with another group at the helm, but here is just incredibly fun and vital. The B-side? You've got the desperate and evil blown-out blues of Black Fly Stew butted up with the gone-before-it-was-here urgency wrapped up in a Bo Shitley beat of Don't Need Nothing.

Give this a spin and you won't need to care about what anyone has to say about anything anymore.
Thee Oh Sees - An Odd Entrances
Thee Oh Sees
An Odd Entrances
LP | 2016 | US | Original (Castle Face)
27,99 €*
Release: 2016 / US – Original
Genre: Rock & Indie
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From the same misty mountain top tape spool as August’s A Weird Exits, Thee Oh Sees bring us a companion LP titled An Odd Entrances. Delving more towards the contemplative side than the face-skinning aspects of A Weird Exits, An Odd Entrances is a cosmic exercise en plein aire with Dwyer and co double drum shuffling, lounging with cellos, following a flute around the groove, and spooling a few Grimm-dark lullabies along the way. Lurking in the grass are a snake or two, like the celestial facing instrumental buzz of Unwrap The Fiend Pt. 1…but for the most part this is a relatively hushed affair, a morning rather than evening listen perhaps. You could say it's the sound of Dwyer and co. going even more out there with some amazing smoked out grooves and enjoying the power of repetition. Probably the nearest yet to his solo Damaged Bug output. The band plans on donating half of their profits from the first pressing to Elizabeth House, a local charity here in Pasadena that specifically helps homeless women with children from the San Gabriel Valley get back on their feet.
Alejandro Escovedo - Echo Dancing Gold Vinyl Edition
Alejandro Escovedo
Echo Dancing Gold Vinyl Edition
2LP | 2024 | US | Original (Yep Roc)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“This record breathes a second life into these songs,” says Alejandro Escovedo of Echo Dancing, the Americana pioneer’s new album where he reconceptualizes the songs of his storied career. The variety of songs range from his short-lived rock quartet Buick MacKane, rarities from his ‘80s alt-country outfit The True Believers, to the celebrated songs of his solo discography from his debut album all the way to his most recent sprawling masterpiece, The Crossing. Highlights include a reimagined trip-hop-funk hybrid of Escovedo’s “Castanets” (retitled here as “Castañuelas''), a blistering version of “Bury Me” that finds that songwriter now older than the characters he was singing about, as well as songs co-written with trailblazers such as Chuck Prophet, Peter Buck, Scott McCaughey and J. Steven Soles. At age 73, Escovedo continues to reshape his ever-changing sound and experiment with the boundaries of Americana music. The 2xLP vinyl edition of Echo Dancing is pressed on gold vinyl and arrives in a gatefold jacket.
Waxahatchee - Tigers Blood Black Vinyl Edition
Waxahatchee
Tigers Blood Black Vinyl Edition
LP | 2024 | EU | Original (Anti)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she"s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers"s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road-Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses But now she"s arriving at revelations and she ain"t holding them back.
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