Search "d-sisive" 4862 Items

Guided Tour HHV Exclusive Black Smoke Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Only available at HHV and the bands own shop.!

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2LP | 2024 | UK | Original (4AD)

Rome White Vinyl Edition

41,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Performance Clear Vellow Vinyl Edition

Tr/St

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2008 | EU | Reissue (4AD)

Bon Iver

For Emma, Forever Ago

Nobody Loves You More Orange Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Wisconsin artist Bon Iver's debut release. One of the most loved records of 2008!

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Kim Deal

Release: 2024 / Original

Genre: Rock & Indie

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Guided Tour Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | UK | Original (4AD)

Rome Black Vinyl Edition

37,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Chameleon Mint Green Vinyl Edition

Trauma Ray

Release: 2024 / US – Original

Genre: Rock & Indie

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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.

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Laugh Track Limited Pink Colored Edition

2LP | 2023 | UK | Original (4AD)

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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High Violet Black Vinyl Edition

2LP | 2010 | UK | Reissue (4AD)

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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First Two Pages Of Frankenstein Red Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Stereo Mind Game Eco Colored Vinyl Edition

Daughter

Release: 2023 / UK – Original

Genre: Rock & Indie

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New Long Leg Black Vinyl Edition

Dry Cleaning

LP | 2021 | UK | Original (4AD)

Bright Future Limited Colored Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Dry Cleaning - the South London group of Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) - will release their debut album New Long Leg on 2nd April.

The 10-track long-player, which includes ‘Strong Feelings’ and last year’s single ‘Scratchcard Lanyard’, was recorded over two weeks last summer at Rockfield Studios in rural Wales with producer John Parish (PJ Harvey, Aldous Harding). Following on from their thrillingly taut 2019 EPs Boundary Road Snacks and Drinks and Sweet Princess, New Long Leg is more ambitious and complex, with Shaw’s spoken vocals tightly intertwined with the band’s restless instrumentals.

With lyrics preoccupied by themes like dissociation, escapism, daydreaming, complicated feelings of love, anger, revenge, anxiety, the kitchen, lethargy, forgetfulness, and survival, Shaw says, “the title is ambiguous; a new long leg could be an expensive present or a growth or a table repair.”

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Adrianne Lenker

Release: 2024 / Original

Genre: Rock & Indie

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"Bright Future" is the second solo album by Adrianne Lenker, known as the singer and songwriter of the American indie band BIG THIEF, on 4AD. Her first solo album since 2020's "Songs & Instrumentals" was co-produced by Philip Weinrobe and features contributions from Nick Hakim, Mat Davidson and Josefin Runsteen. Adrianne ventured into the unknown, took heart and wrote her most touching solo songs to date, which she was able to record with some of her favorite people in the fall of 2022. Away from civilization and urban influences, Hakim, Davidson, Runsteen and Lenker ventured into the unknown. The co-producer and sound engineer of "Bright Future", Philip Weinrobe, prepared the studio. He had been Adrianne's partner on previous solo albums, but this time it was something new. Adrianne had no intention of making an album. Instead, they wanted to explore the songs without expectations. The security and lightness of the forest around Double Infinity Studio is a defining element of the recordings. The result is that "Bright Future" combines the best qualities of delicate sounds with the spontaneity of field recordings. There are details that you will only discover on the second or third listen, making the new songs an unfiltered experience and proving once again that Adrianne Lenker is one of the greatest songwriters of her generation. The album also contains the original recording of the Big Thief song "Vampire Empire", which has since matured into a modern classic and recently even appeared on Barack Obama's playlist - the album title "Bright Future" unknowingly gives a hint of where Adrianne Lenker's career as a musician is heading.

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Blending White & Orange Smash Vinyl Editoin

LP | 2022 | CZ | Reissue (Dais)

Release: 2022 / CZ – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

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Blending Black Marble Vinyl Edition

LP | 2022 | US | Reissue (Dais)

Via Negativa (In The Doorway Light) Ruby Red Vinyl Edition

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Xeno & Oaklander

Stumpwork White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Ruby Red Vinyl. The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feel...

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Dry Cleaning

LP | 2022 | UK | Original (4AD)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Dragon New Warm Mountain I Believe In You Black Vinyl Edition

Big Thief

2LP | 2022 | UK | Original (4AD)

2LP | 2020 | UK | Original (4AD)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Dragon New Warm Mountain I Believe in You is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchik, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions. In Upstate New York, Topanga Canyon, The Rocky Mountains, and Tucson, Arizona, Big Thief spent 5 months in creation and came out with 45 completed songs. The most resonant of this material was edited down into the 20 tracks that make up Dnwmibiy, a fluid and adventurous listen. The album was produced by drummer James Krivchenia who initially pitched the recording concept for Dnwmibiy back in late 2019 with the goal of encapsulating the many different aspects of Adrianne’s songwriting and the band onto a single record.

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Adrianne Lenker

Songs & Instrumentals

33,99 €*

Release: 2020 / UK – Original

Genre: Rock & Indie

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2LP | 1996 | UK | Reissue (4AD)

Dead Can Dance

Spiritchaser

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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LP | 1986 | UK | Reissue (4AD)

Cocteau Twins

The Pink Opaque

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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The 8th Cumming Black Vinyl Edition

Cumgirl8

LP | 2024 | UK | Original (4AD)

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2010 | EU | Original (4AD)

High Violet

Bright Future Black Vinyl Edition

Release: 2010 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Stickered PVC sleeve. Original inner sleeves. Few paper scuffs. tiny wear

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Adrianne Lenker

Release: 2024 / Original

Genre: Rock & Indie

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If Two Worlds Kiss Coke Bottle Clear Vinyl Edition

Pink Turns Blue

LP | 1987 | CZ | Reissue (Dais)

Nobody Loves You More Black Vinyl Edition

Release: 1987 / CZ – Reissue

Genre: Rock & Indie

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Coke Bottle Clear VinylFounded in Cologne, Germany in 1985, Pink Turns Blue's blend of atmospheric pop informed by European post-punk contemporaries and buzzing punk dissonance ofHüsker Dü (the band is named after the Zen Arcade song) immediately tapped into a new canon of sound that was foundational to the emergence of darkwave. Tom Elbern (vocals, guitars)formerly of Seltsame Zustände and Mic Jogwer (vocals, bass) were joined by Marcus Giltjes (drums), and Ruebi Walter (keyboards) and caught on through diligently pounding the club circuit and circulating their early, self-financed recordings. Despite the commitment to their craft and initial grassroots success, securing label support proved difficult as they refused to sing in German and their sober tone lacked the shimmer of pop and optimism that executives felt formulaic to success. Still, the band persisted with the duo of Elbern and Jogwer sharing vocal duties and song credits, each informing the other's compositions until Elbern halved the song production and left the band in 1987. Continuing to perform and record as a three piece, the band eventually found roots with FunFactory!, an independent label based in Münster whose manager Axel Seitz shared the band's appreciation of the Velvet Underground and Andy Warhol's Factory vision, urging them to forego releasing singles and focus on a full-length. Released in 1987 and now remastered by Josh Bonati for vinyl release through Dais,If Two Worlds Kissis a seminal offering to the canon of dark wave's DNA - a liquid lesson in melody, mood, and pacing - each track continuously adding to the journey like a unique push pin on a map of melancholy. Defined by their dynamic song-writing, their debut added a new urgency and depth to guitar-driven gothic rock by allowing fast songs such as the lead single "Walking on Both Sides" to possess the same sullen punch and melancholy as slower anthems like "When the Hammer Comes Down", which derives its power on the downbeat. More rhythmic variety is added t...

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Kim Deal

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2016 | UK | Reissue (4AD)

Belly

Star White Vinyl Edition

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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LP | 2017 | US | Reissue (Dais)

Martial Canterel

Lost At Sea

Release: 2017 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.

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Passive With Desire Neon Pink Vinyl Edition

LP | 2016 | US | Reissue (Dais)

Bon Iver 10th Anniversary Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Since his recording debut as Choir Boy in 2016, Adam Klopp has crafted nostalgic anthems, tapping the sound of swirling 1980s synth noir and captivating, cinematic songs sweeping with pensive sorrow and glowing hope. As a former member of the Mormon faith, Klopp spent his youth both in the pews of his place of worship, but also churning through DIY punk venues, before leaving the sect in the thick of a mission in Tahiti. The duality of faith and fiction are central to the lush explorations on his debut album Passive With Desire. Recorded at Studio Studio Dada, the album's tracks permuted as bedroom sketches, awash with camp, the sting of loss, and allusions to halcyon days of nocturnal, electronic driven pop. Retaining elements of Klopp's original demos, Passive With Desire was recorded with a full band and polished with trumpet, strings, as well as archival samples calling back to Klopp's hazy youth.Engineered by Klopp, Bret Meisenbach, and Stephen Cope, Passive With Desire is the entry point to Choir Boy's world of emotive wit, novella kissed lyricism, and bouncy, synth-forward takes on traditional song writing bound by the universal themes of loss, desire, evolution, and exploration.

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Bon Iver

2LP | 2011 | UK | Reissue (4AD)

37,99 €*

LP | 2021 | US | Original (Dais)

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Diesen Juni feierte das zweite Bon Iver Album „Bon Iver, Bon Iver“ seinen 10. Geburtstag. Um das, wenn auch ein wenig verspätet, zu feiern, veröffentlicht 4AD am 14.01.2022 die „Bon Iver, Bon Iver (10th Anniversary Edition)“ dieses Klassikers auf CD und Doppel-LP. Neben dem Originalalbum enthält die limitierte Neuausgabe fünf bis dato unveröffentlichte Aufnahmen aus der AIR Studios Session. Eingespielt wurden die Songs gemeinsam von Justin Vernon und Sean Carey als Duo mit Klavier und Gesang.

Das ikonische Artwork der LP und CD wurde gänzlich neu gestaltet. Statt dem ursprünglichen Aquarell des Originals ziert bei der Anniversary-Edition nun eine Blindprägung auf weißen Grund das Cover. Dazu gibt es noch ein persönliches Essay von Phoebe Bridgers über ihre Liebe zu diesem Album und wie es sie als Künstlerin geprägt hat.

Begleitend zum Release spielen Bon Iver im Oktober zwei Shows im neu eröffneten YouTube-Theater in Inglewood in Kalifornien. Es sind Bon Ivers erste Shows seit Beginn der Pandemie und stellen das zweite Album und seine Produktion in den Fokus.

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Hide

Interior Terror

Release: 2021 / US – Original

Genre: Rock & Indie

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Hide Are An Electronic Duo Based In Chicago. The Pair Create Dark And Heavy Samplebased Compositions Using A Combination Of Self-Sourced Field Recordings And Various Pop Culture And Media References. Their Music Is Textured, Minimal, And Powerful,Giving Raw Vulnerability An Opportunity To Unfurl. Their Work Is Honest, Confrontational, Powerful And Thought-Provoking.Hide's Third Album, Interior Terror Further Abandons Traditional Concepts Of Song Structure In Favor Of Splintered Rhythms And Fevered, Immediate Release. Expanding Onprevious Themes Of Autonomy And Empowerment, Interior Terror Addresses And Questions The Corporeal And Immaterial Body In A Physical And Metaphysical Sense. Turning To The Dread Inside, Reflecting On The World Around Us, Hide Gives Voice To Thepower Of Destruction As A Catalyst For Hope, And To The Collective Experiences Of Those Who've Come Before Us As A Wellspring Of Our Own Power. Raw Vocal Delivery Ofmantra-Like Prose Issued Forth Yields A Raging, Plaintive Wail That Lulls, Mocks, Questions, Proclaims And Decries. A Dearth Of Collected Field Recordings Give Way To More Fluid Arrangements While Retaining A Scathing Urgency. The Result Is Minimal, Spacious, And Jarring; A Distant Knocking Grown Into The Pulse Of A Hypnotic Dirge, Drones Emerge From Shards Of Decomposed Sound, Bending, Seething Their Way Through Your Body.

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LP | 2004 | UK | Reissue (4AD)

Cherry Tree EP

16,99 €*

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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Released a year before The National broke through with their third album Alligator, 2004’s Cherry Tree EP is a thrilling record which - thanks to ist collection of delicate ballads and anthemic crowd-pleasers - sums up what they do best in under 30 minutes. Now a fi rm fan-favourite, among Cherry Tree’s seven tracks are now National classics ‘About Today’ and ‘All The Wine’, plus a thrilling live version of ‘Murder Me Rachael’ that reminds of the band’s fearsome early live performances. Cherry Tree can be seen as the record that marks the moment when The National had truly found themselves, a bridge from what went before to a band ready to conquer the World. And with this new master, it’s never sounded better too.

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LP | 2001 | UK | Reissue (4AD)

LP | 2020 | UK | Original (4AD)

Release: 2001 / UK – Reissue

Genre: Rock & Indie

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Celebrating its 20th anniversary in 2021, The National’s self-titled debut album of sozzled Americana is a thing of beauty, laden with heavy hints that this was a special band in the making. Their fi rst release, The National arrived two years after The National formed, a time when they were juggling bandlife with needing to hold down full-time jobs. And while nods to the alt.rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own – Matt Berninger’s stunning and unexpected lyrics being pinned to melodies that stop you in your tracks. The National marks the start point for one of the best bands of their generation with ist new master helping elevate it to new

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Purity Ring

Womb Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Rock & Indie

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Designer Black Vinyl Edition

Aldous Harding

LP | 2019 | UK | Original (4AD)

Release: 2019 / UK – Original

Genre: Rock & Indie

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I Am Easy To Find Clear Vinyl Edition

2LP | 2019 | UK | Original (4AD)

36,99 €*

U.F.O.F. Black Vinyl Edition

Release: 2019 / UK – Original

Genre: Rock & Indie

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On 3rd September 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, 20th Century Women, and was interested in working with the band on... something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process.

The result is I Am Easy to Find, a 24-minute film by Mills starring Alicia Vikander, and I Am Easy to Find, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other” -- they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically sidestaged in favour of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.

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Big Thief

LP | 2019 | UK | Original (4AD)

Release: 2019 / UK – Original

Genre: Rock & Indie

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Come On Pilgrim-It's Surfer Rosa Gold Vinyl Edition

Pixies

3LP | 2018 | UK | Original (4AD)

43,99 €*

Release: 2018 / UK – Original

Genre: Rock & Indie

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LP | 1993 | UK | Reissue (4AD)

The Breeders

Last Splash

Release: 1993 / UK – Reissue

Genre: Rock & Indie

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All Nerve Colored Vinyl Edition

The Breeders

LP | 2018 | EU | Original (4AD)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Sleep Well Beast White Vinyl Edition

2LP | 2017 | UK | Original (4AD)

Within The Realm Of A Dying Sun

Release: 2017 / UK – Original

Genre: Rock & Indie

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The National are back with Sleep Well Beast, their seventh studio album.

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Dead Can Dance

LP | 1987 | EU | Reissue (4AD)

LP | 2011 | UK | Original (4AD)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Dead Can Dance's third album. Within The Realm Of A Dying Sun, was originally released in the Summer of 1987. Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.

The album’s cover only adds to the album’s aura of mystery with a haunting photograph of the family grave at the Père-Lachaise cemetery in Paris of famed French biologist François-Vincent Raspail.

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Bon Iver

Bon Iver, Bon Iver

19,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2016 | UK | Original (4AD)

Lemon Twigs

Do Hollywood

Release: 2016 / UK – Original

Genre: Rock & Indie

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LP | 1985 | UK | Reissue (4AD)

Dead Can Dance

Spleen And Ideal

Release: 1985 / UK – Reissue

Genre: Rock & Indie

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LP | 2015 | UK | Original (4AD)

Beirut

No No No

Release: 2015 / UK – Original

Genre: Rock & Indie

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LP | 2013 | UK | Reissue (4AD)

Deerhunter

Halcyon Digest

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Stars And Topsoil: A Collection (1982-1990)’

Cocteau Twins

2LP | 2012 | UK | Original (4AD)

LP | 2010 | US | Original (4AD)

Release: 2012 / UK – Original

Genre: Rock & Indie

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Packaged in a gatefold sleeve with printed inner bags and
pressed on white vinyl.

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Deerhunter

Halcyon Digest

Modern Mirror Clear Red & Black Splatter Vinyl Edition

Release: 2010 / US – Original

Genre: Rock & Indie

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Arguably the most consistent guitar guy of the last 5 years returns with yet another stunner of an album.

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Drab Majesty

LP | 2019 | US | Reissue (Dais)

Performance Black Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Drab Majesty's third album, Modern Mirror, is a journey of self-reflection, nostalgia, love, beauty, and heartbreak told across eight addictive and emotional synth pop anthems - a seemingly classic tale delivered unblinkingly through the frame of the modern world. Elements of classic tragedy weigh heavily in the reflection of Modern Mirror in songs like "The Other Side", possessing a fundamental sound that is energetic, luminous and hopeful. Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction, Drab Majesty has birthed a hybrid of dreamy malaise, captured for a future moment. The first single, "Ellipsis", romantically plays up the distorted concept of courting through modern technology in a world that has yet to adapt, while on "Long Division", Deb's resounding guitar cascades around the chorus shared with No Joy frontwoman Jasamine White-Gluz, wistfully warning us against our vanity and self-obsession. Even when hope for everlasting love peeks through in "Oxytocin", a sparkling and stoic track sung by Mona D., we are firmly reminded our fleeting existence. Produced by Josh Eustis (Telefon Tel Aviv) with appearances by Jasamine White-Gluz (No Joy) and Justin Meldal-Johnson (NIN, Beck, M83, Air).

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Tr/St

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2002 | UK | Reissue (4AD)

Cass McCombs

Not The Way

20,99 €*

Triple Fire Black & White Smash Vinyl Edition

Release: 2002 / UK – Reissue

Genre: Rock & Indie

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The "Not The Way" EP is the first ever release by Cass McCombs, a record that marked the beginning of a long career which has seen him rise to being seen as one of the most important songwriters of his generation. A self-recorded 6-track EP originally released on CD, it"s finally getting its first ever 12" pressing, having been remastered at Abbey Road.

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Geneva Jacuzzi

I'll Drown On This Earth Clear Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Black & White Smash Vinyl.Since first splashing on to the Southern California circuit in the midaughts,Geneva Jacuzzi (née Garvin) quickly cemented herself as thequeen of the Los Angeles underground. Her immersive and unhingedmultimedia performances are the stuff of legend, a psychotropic galleryof masks, costumes, confrontation, and massive art installations.Jacuzzi's recordings are equally revered, catchy hooks and crypticmoods dusted in 4-track grit. The arrival of her third official full-length,and Dais Records debut, is cause for such celebration. Triple Fire vividlyexpands and crystallizes Jacuzzi's signature fusion of midnight melodyand mutant aerobics across a 12-track hit parade of wildcard synth-popand sly post-apocalyptic camp. Her enthusiasm for the album is as boldas her body of work: "Halfway through, we started calling this the recordof the prophecy, the record that's going to save mankind."Opener "Laps of Luxury" sets the template - a strobe-lit dreamer'sdelight of swaggering synth bass, Haçienda drum machinery, and sultryvocal spellcasting ("Tragic mysteries I've known for centuries / I burnedall memories and turned to fantasy"). The collection burns throughshades of sardonic strut ("Art Is Dangerous," "Nu2U," "Keep It Secret"),coldwave kiss off ("Speed Of Light," co-produced by Andrew Clinco ofDrab Majesty), retro-futurist body music ("Dry," "Scene Ballerina," "BowTie Eater"), and cheeky glitterball pop ("Take It Or Leave It," "Heart FullOf Poison" co-produced by Roderick Edens and Andrew Briggs). Shelikens the eclectic spectrum of moods to the continuum of humanemotions: "Funny, sexy, sad, scary, witty, hopeful, menacing. Eventually itdeconstructs, turns into a party, and then ends sweet and soft."Taken as a whole, Triple Fire comes as close as any document yet tocapturing Jacuzzi's kaleidoscopic alchemy of pop sugar and chaosenergy, flickering between icy and ironic, chic and surreal, hungry andheartsick. Hers is a muse as rare as...

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Cold Gawd

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (W25th)

Cuneiform Tabs

3LP | 2024 | UK | Original (4AD)

Release: 2024 / US – Original

Genre: Rock & Indie

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Like an unsent love letter to a psychedelic London where everyone is trying to find their way to a secret Television Personalities gig, Cuneiform Tabs emerge with an astounding debut of lo-fi pop and DIY experimentation. A hazy collage of joyful heartaches, twisted children’s TV themes and sing-song melodies, the album echoes the sounds of ’60s AM radio from a dozen narrow alleyways to the North. Over 18 months, the Tabs’ Matt Bieyle and Sterling Mackinnon traded 4-track tapes between the Bay Area and the UK. While they previously played together in indie band Violent Change, the duo’s physical distance and their songwriti ng process of building, blurring and distorting across the Atlantic would create something no one saw coming. Grabbing any instruments at their disposal and splitting vocal duties, Bieyle and Mackinnon pushed their Tascam to its limit to make glittering, odd-shaped gems. There is an insular feel to Cuneiform Tabs, suited for late nights after the entire city has stumbled into dreamtime or lazy afternoons when you can’t quite recall where you need to be, but you know you won’t make it there on time. It’s like a pirate radio show where Bob Pollard alternates Swell Maps and Cleaners From Venus records while randomly unplugging various bits of gear and reading passages from a book on R.D. Laing. Originally released in a hyper-limited artist edition, W.25TH / Superior Viaduct is thrilled to bring this kaleidoscopic LP to a wider audience.

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Pixies

Live At BBC

40,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Too)

The Driver Era

Live At The Greek

39,99 €*

Cp-81 Portable Cassette Player & C23 Compilation

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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‘Live At The Greek’ is the debut live album from global pop sensations The Driver Era.

Fans can now experience the raw energy, passion, and talent that have made the band one of the most exciting and dynamic live acts in the music scene today.

The album was recorded at the Greek Theatre in LA and features live performance versions of hit singles through the ages, including ‘Afterglow’, ‘A Kiss’, ‘Fantasy’ & ‘Preacher Man’. This record is a testament to the power of independent artistry and the unbreakable bond between a band and their devoted fans.

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Dais X Retrospekt

1 Piece | 2024 | EU | Original (Dais)

110,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Eye Of The Hunter / Live At The Ica Reissue

Brendan Perry

LP | 2023 | EU | Original (4AD)

44,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Out of print since release in 1999, Dead Can Dance"s Brendan Perry"s debut solo album "Eye of the Hunter" is being reissued this summer and has been expanded to now also include his 1993 live show as part of 4AD"s infamous 13 Year Itch week of concerts at London"s ICA, a live show that has to date only been available as a very rare promotional cassette.Having mutually disbanded Dead Can Dance so he and Lisa Gerrard could focus on their own material (a hiatus that would last seven years between live shows and sixteen between albums), Brendan"s debut built on his renown as a solo performer, having often played just he and an acoustic guitar during his band"s otherworldly live shows. Indeed, Dead Can Dance"s first official live album, 1994"s Toward The Within, captures just this with three Brendan solo tracks helping to set the scene for what came next.Backed by the band of Liam Bradley (drums), Glen Garrett (bass guitar) and Martin Quinn (pedal steel), Brendan performs the guitar, a 12-string guitar, mandolin and keys to achieve a rich, gothic sound while the album"s incredible production elevates his vocals to Scott Walker and Tim Buckley levels of delivery; two clear influences, the latter"s "I Must Have Been Blind Here" is thoughtfully covered here.A record that has been out of print on vinyl since its release in 1999, people have been asking for it to be repressed for long enough. Having been remastered at Abbey Road, fans will be delighted to hear that not only is Eye of the Hunter finally being reissued but that it"s also being expanded to include Live at the I.C.A.. A true collectible, this extra album has previously only been available on a rare as hen"s teeth promotional cassette, recorded during the 4AD label"s infamous 13 Year Itchresidency at the storied London venue in 1993. Chris Bigg"s fantastic art remains front and centre, upgraded to a gatefold sleeve for the LP with the transparent teal Colored Vinyl matching the album"s palette.

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2LP | 2013 | UK | Reissue (4AD)

Trouble Will Find Me

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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Vampire Empire / Born For Loving You

Big Thief

7" | 2023 | UK | Original (4AD)

11,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Big Thief present their highly-anticipated new single, "Vampire Empire", off their forthcoming "Vampire Empire" / "Born For Loving You" 7". "Vampire Empire" is Big Thief"s most eagerly awaited song ever, with the non-album single taking on a life of its own as it became a live fan favourite. Coming off the back of a Grammy-nominated album and debuting on The Late Show with Stephen Colbert, it"s already a viral anthem. The television performance and hundreds of live performances of "Vampire Empire" took TikTok by storm. Recorded and produced by Dom Monks at Guissona, Spain"s Teatre de cal Eril Studio during a recent tour, "Vampire Empire" speaks to the beautiful complexity of gender identity and breaking destructive internal cycles. Of the song, Adrianne Lenker adds, "For me, it"s about getting out of toxic internal patterns - leaving the empire of energy drains that obscure pure essence, learning about what healthy boundaries are, and finding the power to implement them for the possibility of giving and receiving (both inwardly and outwardly) unbroken and infinite Love."

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Cumgirl8

Phantasea Farm EP

14,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Cumgirl8 met in a sex chat 8000 years ago in another metaverse. Made up of Lida Fox (bass), Veronika Vilim (guitar), Chase Lombardo (drums) and Avishag Rodrigues (guitar), the band render the immersive and chaotic energy from cyberspace into our world, coming together to make a boundary-less sound that brilliantly stretches across the likes of ESG, Cocteau Twins, Suicide, CSS, B-52s, The Shangri-Las, Chris & Cosey, Madonna, and many more.

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2CD | 2024 | UK | Original (4AD)

Rome

14,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-13

Rough Dimension Lemon Vinyl Edition

Picture
Coming Soon

VR Sex

28,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Via Negativa (In The Doorway Light) Black Vinyl Edition

Xeno & Oaklander

Chameleon Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feelreal / So many pasts...

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Trauma Ray

Bitter Reflections Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Body Of Light

LP | 2023 | CZ | Original (Dais)

Bitter Reflections Black Vinyl Edition

Release: 2023 / CZ – Original

Genre: Rock & Indie

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The latest by Arizona desert brotherhood Alex and Andrew Jarson aka Body Of Light further hones their smoldering strain of tempestuous synth-pop into a transformative suite of anthems, reveries, and reckonings: Bitter Reflection. Written in the wake of 2019's neo-EBM classic, Time To Kill, they sifted inspiration from hidden moments within their own arcana - childhood tapes, home movies, abandoned demos - asking themselves the question: "How can we make this grow?" Sampled snippets of voice, noise, synth, and field recordings flicker in the periphery of these 11 tracks, murmuring like nostalgias half-forgotten, or displaced memories. It's music pulled between twin flames of truth and desire, romanticization and reality, catharsis and control, born of a bond sealed by years, dreams, and blood. Working with Telefon Tel Aviv co-founder Josh Eustis in Los Angeles, the brothers incorporated an expanded array of live instrumentation - piano, bass, saxophone, acoustic guitar - in addition to vintage Akai samplers, Moogs, and archaic hardware, giving the album an eclectic, unpredictable palette. Opener "Get It Right" showcases their impressive refinement: sleekly cold drum machinery builds to a swooning chorus of synths and piano, then suddenly slips into a dream sequence bridge of strummed guitar and echo-shrouded vocals, before surging back to the main melody. Throughout, the songs shift gears and moods in evocative ways, as if bending to fleeting thoughts or lengthening shadows. Simmering synth lament "Strike The Match" captures the Jarsons' unique technique of co-crafted lyrics, accruing meaning as the world turns; though written long before, the track ended up being recorded the day Russia invaded Ukraine ("I fall asleep to the candlelight / things will be different but not tonight / it wouldn't be like you to strike the match / over and over, I can't understand"). A trio of intriguing instrumentals deepen the album's scope, echoing the duo's early experimental era as part of the influential Ascetic House collective. "Fortia," "Hyena," and "Deepcolorlights" drift in a prismatic gauze of whispered synths and oblique minutia, in the spirit of Boards of Canada at their most hushed and haunted. Elsewhere the record spins through a gallery of the band's ongoing fascinations: Depeche Modeesque declarations of dread and excess ("This Conversation"), brooding dance floor epiphanies ("Out Of Season"), smooth Thomas Dolby city skyline melancholias ("Never Ever"), lovesick looking glass ballads laced with Art Of Noise orchestral stabs ("On This Day"). A new age demands new waves, and Body Of Light belongs at the forefront of a resurgent generation fusing modern methods with the sounds of futures past. Singer Alex Jarson sees their muse clearly, at the axis of anguished transition, temporal collapse, and, just possibly, the brink of hope: "Time is dysphoric. The dream breaks down. Everyone's beginning to panic, but in the end something will come from it."

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Body Of Light

LP | 2023 | US | Original (Dais)

Release: 2023 / US – Original

Genre: Rock & Indie

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First Two Pages Of Frankenstein Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Bless This Mess Red Vinyl Edition

U.S. Girls

Release: 2023 / UK – Original

Genre: Rock & Indie

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Bless This Mess Black Vinyl Edition

U.S. Girls

Release: 2023 / UK – Original

Genre: Rock & Indie

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Stereo Mind Game Black Vinyl Edition

Daughter

Release: 2023 / UK – Original

Genre: Rock & Indie

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Passive With Desire Clear Vinyl Edition

LP | 2016 | US | Reissue (Dais)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Gathering Swans Transparent Clear Vinyl Edition

LP | 2019 | US | Reissue (Dais)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Salt Lake City's indie pop favorites Choir Boy return after four years with the release of their new cosmic album, Gathering Swans. An emotionally powerful record, full of poignant heartbreak and gently steeped in pop nostalgia, Choir Boy push their distinctive sound further, while tenderly romancing the unsuspected.Since the release of their well-received 2016 debut Passive With Desire, of which Slug Magazine's Erin Moore declares to be "...packed with songs that are infectious by way of their sound, as well as their emotion...", and their 2018 single "Sunday Light", the band evolved from singer Adam Klopp's project accompanied by a rotating cast of players into a solidified, permanent lineup featuring long-time collaborator and bassist Chaz Costello, saxophonist and keyboardist Jeff Kleinman, and guitarist Michael Paulsen. Following a series of tours with such notable acts as Cold Cave, Snail Mail, and Ceremony, Choir Boy began writing their new album. Proving to be a worthy successor, Gathering Swans builds upon Choir Boy's infectiousness with unique pop sensibilities and impeccable polish.The first single, Complainer, demonstrates Klopp's angelic voice effortlessly floating within the heart-wrenchingly somber melodies, that in a tender state, will surely render tears. Lyrically, the song poses a form of wounded optimism, declaring "Oh my life, what a pitiful thing to hear... But it's not that bad... I'm just a complainer". Tracks such as Toxic Eye undoubtedly present the touching "choral-pop" sound that has come to be a hallmark of Choir Boy. Repetitious, layered vocal hooks that fade into the background, allowing the absence between breaths to be filled with the serene melody that embodies the foundation of Choir Boy's appeal, demonstrating that the ethereal moments between the bright choruses and memorable hooks are as equally crucial and unforgettable as the lyrical content itself. A slightly more solemn ballad, Eat The Frog, skillfully adapts Choir Boy's taste for nostalgia and translates such desi...

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Gathering Swans Grey Marble Vinyl Edition

LP | 2019 | US | Reissue (Dais)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Velvet Negroni

Bulli

Release: 2023 / UK – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (Deewee)

Movulango

Mirror In Man EP

16,99 €*

On Grace & Dignity Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Pop

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One of Deewee’s newest family members, 25-year-old Belgian musician and producer, Mozes Mosuse aka Movulango shares news of his debut EP “Mirror In Man” - out 18th November.

“We’ve always called him the psychedelic romantic of the studio,” say David & Stephen Dewaele, founders of Deewee / Soulwax.

“Mirror in Man” is proof that you shouldn’t put a time limit on creativity. An utterly forward-thinking five-track musical adventure taking in psychedelic folk jams, woozy electronica and looped-up beats, it is the culmination of a five-year process for Movulango. A journey that has seen Mozes transform from dancefloor-slaying producer (his previous credits include being one-half of Ego Troopers and Future Sound of Antwerp) to a kind of West Coast pop art Balearic troubadour.

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The Golden Dregs

Release: 2023 / UK – Original

Genre: Rock & Indie

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On Grace & Dignity Black Vinyl Edition

The Golden Dregs

Release: 2023 / UK – Original

Genre: Rock & Indie

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Spice Limited Opaque Grey Vinyl Edition

LP | 2020 | EU | Reissue (Dais)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Spice Limited Clear Blue Vinyl Edition

LP | 2020 | EU | Reissue (Dais)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Careless Blue & Purple Vinyl Edition

Drab Majesty

LP | 2015 | EU | Reissue (Dais)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Tape | 2022 | UK | Original (Too)

The Driver Era

Summer Mixtape

12,99 €*

God Get Me The Fuck Out Of Here Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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For The Driver Era, music can't and shouldn't be forced. The band, formed by brothers Ross and Rocky Lynch in 2018 while on tour with their former group R5, aims to embrace the present moment, creating songs that reflect each experience and feeling as it comes.

It's a philosophy that pervades all of the duo's releases, from their debut Summer Mixtape (expected to release later this summer) features the band's two new tracks - the Rolling Stone- backed 'Keep Moving Forward' and lead single 'Malibu', inspired by summertime escapism.

In between polishing off the new songs and hitting the road, Ross is also a critically acclaimed actor (he drew rave reviews for his title role in the serial killer biopic My Friend Dahmer and recently starred in Netflix's The Chilling Adventures of Sabrina).

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Cold Gawd

God Get Me The Fuck Out Of Here Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Cold Gawd is the flag under which California-based multi-instrumentalist Matt Wainwright creates stormy, wounded shoegaze music born of open tunings and R&B melodies. His second collection, God Get Me The Fuck Out Of Here, took shape in the winter of 2020 while working long solo shifts at a coffee shop in Chicago. Fueled by dreams of returning to his hometown of Rancho Cucamonga and reconnecting with old friends from past hardcore bands, Wainright holed up with his coveted pink Jazzmaster, an array of FX pedals, and a laptop, and wrote the entire album in a month. In March of 2021 he made the move, heading back west to the Inland Empire, where he booked sessions with Gabe Largaespada at Open Ocean to track and mix. Despite recording every instrument himself, the results have the lived-in feel of a practiced live band (which Cold Gawd now are, fleshed into a sixpiece). Cascading walls of guitar churn, surge, and ripple, framed by sunken rhythms and Wainright's distant, defeated voice, veiled in violet haze. He cites the thematic common ground between shoegaze and R&B as a central muse, both obsessively fixated on love, lust, and longing, in forms alternately grandiose and minor key. Lyrically the album sways between oblique and desperate, yearning and resigned - with the exception of "Comfort Thug," a brooding, largely improvised spoken word piece inspired by the notable lack of black musicians in shoegaze. Cold Gawd is here to change that. God Get Me The Fuck Out Of Here channels malaise and melancholy into gauzy, galvanized anthems of escape, change, and introspection. The crushing closing cut, "Passing Through the Opposite of What It Approaches," heaves and hovers like looming storm clouds, beneath which Wainright sings (and bandmate Arturo Ramirez screams) as close to a mission statement as the album offers: "leave what you know / and get grown / everyday / remember / why you left."

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Cold Gawd

Stumpwork Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Dry Cleaning

LP | 2022 | UK | Original (4AD)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Gold Apple Candy Vinyl Edition

Riki

LP | 2021 | US | Reissue (Dais)

Ever Crashing White Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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West coast new romantic icon Riki returns with her 2nd simulacrum of pitch-perfect synth-pop, aptly titled for the precious substance it is: Gold. Inspired by notions of symbolic power, letting go, and transmutable realms of the heart, the album further refines her rare gift for making swooning melancholia as anthemic as it atmospheric. Working with Telefon Tel Aviv co-founder Josh Eustis at his Pasadena studio, the sessions unfolded fluidly and fruitfully, focusing on "quieter moments" and refining the record's palette and voice. Occasional interruption from a nearby flock of wild parrots infused a mood of California dreaming, purple sunsets dissolving into deepening neon night.Like all the most elusive pop, Riki's songcraft is simultaneously direct and oblique, dynamic and detached, shifting from sparkling chorus to elliptical outro according to its own poetic logic. She characterizes her lyrical muse as "very much what's going on in my life, things I wanted to say but didn't have the platform." This subcurrent of dream fulfillment animates the melodies with a specificity and immediacy that transcends her pantheon of 80's influences: from Saâda Bonaire and Strawberry Switchblade to Bryan Ferry, Bananarama, and beyond. Gold skews less dance floor than her instant classic 2020 debut but taken as a collection it's equally stirring, stylish, and exquisitely produced. Evocatively layered arrangements of drum machinery, sequencer, fretless bass, grey sky guitar, saxophone, and FX, anchored by Riki's singular voice, alternately widescreen and wounded, yearning beyond time for ecstasies both fleeting and forever: "Thought I knew you, but you've gone far away / it's not in your nature to stay / but the thought that I need you, grows stronger every day / the colors begin / to change."

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SRSQ

Ever Crashing Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Ever Crashing, the second LP by Kennedy Ashlyn aka Srsq [pronounced `seer-skew'], is the summation of a nearly three-year journey of soul searching, songwriting, and self-discovery: "I became myself in the process of making this record." From the first choral swells of opener "It Always Rains," it's clear this collection exists on an ascendant plane, capturing an artist in super bloom. Every song hits like a single, heaving with guitar, synth, strings, live drums, and oceans of Ashlyn's astounding voice, balletic and illuminated. The tracks gleam with detail, often assembled from as many as 100 separate tracks, all of which were written and played solely by Ashlyn - a feat of world-building as daunting as it is devastating. For her, however, the process is intrinsic and intuitive - even a matter of survival. Her 2018 solo debut emerged in response to the tragic Ghost Ship fire in Oakland, which took the life of her bandmate and best friend Cash Askew. Similarly, Ever Crashing began materializing in the wake of an Adhd and bipolar disorder diagnosis, prompting a profound personal overhaul. Ashlyn cites such periods of turmoil as a muse of sorts, when "songs begin to echo within me," gradually reverberating clearer and more vividly. As melodies and arrangements come into focus, the songs act like containers, vessels in which to externalize and exorcise tumultuous emotions, a transformation she memorializes in the climax of "Élan Vital:" "Reeling in and out of deep despair / I am saved by song." From swooning end credits balladry ("Dead Loss") to orchestral slowburn torch songs ("Abyss") to dizzying shoegaze heavens ("Someday I Will Bask In The Sun"), the album exudes a sense of aching grandeur and bewildered joy, rich with triumphs hard won and lost loves never forgotten. Melodies pirouette and crescendo in dazzling, elevated acrobatics, somewhere between Kate Bush and The Sundays, threaded with ethereal undercurrents of shimmering shadow. Riffs brood and sparkle over crystalline synths, buoyant bass, and patient percussion, steadily building to holy moments of tidal power, finessed to perfection by producer Chris Coady (Beach House, Slowdive, Zola Jesus). Ashlyn's is a dream-pop of questing catharsis, vulnerable but orchestral, as dense with hooks as heartbreak. The album's title refers to Ashlyn's recurring sensation of being trapped in the crest of a wave, turned and churned in the surf, mirroring the cycles of self-flagellation and surrender that she battles being bipolar. But as the poetic raptures of these songs attest, her creative process thrives at transmuting trauma into potent music of arresting beauty and hidden divinity. Ever Crashing is an aching, rare work, shaded with gradients of reverie and regret, loss and letting go, "mourning the person I thought I should be, mourning the person I never was." But even in its pain, Ashlyn's voice exerts a redemptive gravity, yearning to transform and transcend: "Even on the inside / I'm bracing for impact / I'm waiting to destroy my life / To become sunlight."

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SRSQ

Release: 2022 / US – Original

Genre: Rock & Indie

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Ever Crashing, the second LP by Kennedy Ashlyn aka SRSQ [pronounced `seer-skew'], is the summation of a nearly three-year journey of soul searching, songwriting, and self-discovery: "I became myself in the process of making this record." From the first choral swellsof opener "It Always Rains," it's clear this collection exists on an ascendant plane, capturing an artist in super bloom. Every song hits like a single, heaving with guitar, synth, strings, live drums, and oceans of Ashlyn's astounding voice, balletic and illuminated. The tracks gleam with detail, often assembled from as many as 100 separate tracks, all of which were written and played solely by Ashlyn - a feat of world-building as daunting as it is devastating. For her, however, the process is intrinsic and intuitive - even a matter of survival. Her 2018 solo debut emerged in response to the tragic Ghost Ship fire in Oakland, which took the life of her bandmate and best friend Cash Askew. Similarly, Ever Crashing began materializing in the wake of an ADHD and bipolar disorder diagnosis, prompting a profound personal overhaul. Ashlyn cites such periods of turmoil as a muse of sorts, when "songs begin to echo within me," gradually reverberating clearer and more vividly. As melodies and arrangements come into focus, the songs act like containers, vessels in which to externalize and exorcise tumultuous emotions, a transformation she memorializes in the climax of"Élan Vital:" "Reeling in and out of deep despair / I am saved by song." From swooning end credits balladry ("Dead Loss") to orchestral slowburn torch songs ("Abyss") to dizzying shoegaze heavens ("Someday I Will Bask In The Sun"), the album exudes a sense of aching grandeur and bewildered joy, rich with triumphs hard won and lost loves never forgotten. Melodies pirouette and crescendo in dazzling, elevated acrobatics, somewhere between Kate Bush and The Sundays, threaded with ethereal undercurrents of shimmering shadow. Riffs brood and sparkle over crystalline synths, buoyant bass, and pati...

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Viv Clear Vinyl Editition

Release: 2022 / US – Original

Genre: Rock & Indie

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Between Here & Everywhere Clear Orange Vinyl Edition

Death Bells

Between Here & Everywhere Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Adopting a collaborative approach for the recording of their third album, Death Bells have returned Between Here & Everywhere, an effort that captures the cross-section of Southern California's shadowy hidden interzones, outside of the lights and luxury. The record features nine new songs that represent Will Canning and Remy Veselis' continual growth, as well as accompaniment by an experienced cast of contributors on keys, strings, piano, and operatic backup vocals. Recorded with Colin Knight at Paradise Studios, and mixed by Mike Kriebel at Golden Beat, Between Here & Everywhere bristles with immediacy and emotion, with every element tactile, balanced, and elevated. Between Here & Everywhere sets out to map the potent mess of Los Angeles. Canning cites the "vastness" of the band's adopted home as a constant muse, and much like the city itself, the album ebbs gradually from harrowing to hopeful over its 35-minute runtime. The lyrics are categorized as "narrative, but not autobiographical," born of intrigue, intimacy, and a sense of "looking outward." From the highly-strung blast of "Hysteria", to the hypnotic rhythms of "Lifespring", and the staunchly resonant hope displayed in "Last Days", "Space Without A Name" and "Eternity Street", Between Here & Everywhere encompasses Death Bells' most captivating work to date.

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Death Bells

Merzbow / Lawrence English

Release: 2022 / US – Original

Genre: Rock & Indie

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Eternal Stalker Black Vinyl Edition

LP | 2022 | EU | Original (Dais)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Viv Black Vinyl Edition