Search "d-sisive" 4858 Items

This Strange Effect / Hands In Your Pocket

Release: 2017 / US – Original

Genre: Rock & Indie

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Before the release of their debut album, we are dropping one more 45 with a newly recorded version of "Audrey Hepburn," a tune off their self titled EP from 2016 and "Fly Fishing", a B side exclusive to this single.

For most of 2017, The Shacks have been honing their skills as a live band playing in and around NYC as well as opening for bands like Chicano Batman and Khurangbin. Some of their studio creations which favor the soft, dream pop side of their repitoire, have been reworked for the live show setting. Audrey Hepburn (Spending All My Time) is an example of that. When we first heard their reworked version at a gig in Brooklyn, we called them the next day and asked them to cut to tape the way they had switched it up for the live set. The result is this catchy single, so strong we had to press a 45 for it.

The B Side, "Fly Fishing" is one of many tracks The Shacks have sitting in the vault. Constantly writing and recording, the group has amassed a huge catalog of music. Fly Fishing starts out with a raucous syncopated intro dropping into a floaty groove The Shacks are know for. It's also their drummer's grandma's favorite song.

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The Shacks

7" | 2017 | US | Original (Big Crown)

2x7" | 2012 | US | Original (The Raveonettes)

Release: 2017 / US – Original

Genre: Rock & Indie

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The A side “This Strange Effect” is an updated take on the Ray Davies penned classic
from 1965. The Shacks version is currently featured in the Apple iPhone 8 global ad
campaign that has been playing on television during prime time spots such as the
World Series, Saturday Night Live, NFL & college football games, TV shows, and
much more. The social media video plays combined across youtube, facebook, and
instagram are upwards of 20 Million views worldwide. The lead actor in the spot is the
lead singer of The Shacks, Shannon. The band has played all over New York City
since the release of their EP and is currently on a US Tour with Chicano Batman &
Khruangbin. With radio support across the states and Europe, and this ad playing non
stop globally it looks like The Shacks have a hit on their hands with “This Strange
Effect”
The B Side “Hands In Your Pockets” finds The Shacks dipping their toe into the
rocksteady / reggae world. Recorded with the rhythm section of the infamous
Frightnrs of Daptone Records fame, Shannon’s floaty vocal stylings are right at home
on a new jack reggae rhythm.

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The Raveonettes

Into The Night

Release: 2012 / US – Original

Genre: Rock & Indie

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CD | 2010 | EU | Original (XL)

The xx

Horizontal Action B/W Wild Action

Release: 2010 / EU – Original

Genre: Rock & Indie

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Everybody's favorite new band debuts their seminal self-titled album. What an amazing amalgam of 80s Wave, Postmodern Folk, syncopated R&B madness and UK Bass culture. One of those rare albums that virtually nobody has anything to complain about.

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The Psychosurgeons

7" | 2012 | EU | Reissue (Crypt)

The Machines Will Take Over / Shermer

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Legendary BALLS-OUT 1978 Australian PUNKROCK blaster! LUSCIOUS GATEFOLD SLEEVE crammed with PICS & INFO galore PLUS a 4-page 18cm x 36cm INSERT with MORE PICS & INFO galore!This is gonna go down as reissue of the fucking DECADE when you see & hear this action-packed mofo!

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10" | 2006 | UK | Original (Art For Blind)

10" | 2009 | US | Original (Communique)

Release: 2006 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Twenty Two Days

Demo

7" | 2024 | US | Original (Dirt Cult)

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear. With insert.

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De Rodillas

Implacable

Sixty Stories / Painted Thin

Release: 2024 / US – Original

Genre: Rock & Indie

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De Rodillas is a hardcore punk band from Pittsburgh PA. Fronted by a formerly undocumented Mexican immigrant, the band’s songs explore political topics from a personal perspective, and are steeped in raw, visceral emotion. Slathered in feedback, anchored by a rapid rhythm section and propelled by inventive riffing that pulls equally from 80s hardcore classics and modern inspirations. The band paints with an extreme but inventive sonic template that serves to imbue the lyrics with an increased sense of urgency.

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Different Places To Sit / A Loveless Kiss

LP | 2001 | DE | Original (The Company With The Golden Arm)

EP | 2006 | Reissue (Damaged Goods)

Release: 2001 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

cover and vinyl are close to NM. With insert

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The Wolfmen

Jackie Says E.P.

7" | 2022 | Original (It's Eleven)

Release: 2006 / Reissue

Genre: Rock & Indie

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"Jackie Says" is the debut EP from THE WOLFMEN, the new band from Marco Pironni (ADAM & THE ANTS, Sinead O'Connor) and Chris Constantinou (ADAM & THE ANTS, JACKIE ONASSID). The four songs here show exactly where the band is coming from: the title track tells a story of Jack The Ripper, with music that's as arresting as the subject matter, while "Needle In The Camel's Eye" is a fierce cover of early Brian Eno. This may be the first buy-able release from THE WOLFMEN but their tracks have been leaking out through TV and cinema for the past year. Rimmel and Heineken have both used tracks in adverts and THE WOLFMEN wrote the soundtrack to Bravo TV's I Predict A Riot, which Time Out declared "astonishing" and The Times "compelling". Demos from the Jackie Says EP have been...

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L'appel Du Vide

Abwärtsspirale

7" | 2011 | US | Original (Topshelf)

Release: 2022 / Original

Genre: Rock & Indie

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"We almost thought: it could turn out well". L'APPEL DU VIDE from Chemnitz/Germany worked two nerve-wracking years on their Debut-EP. Now their "Abwärtsspirale" (downward spiral) is set into motion. They describe their sound as "Dark Punk" , but that's just scratching the surface. The spectrum reaches from aggressive-gloomy Surf Punk ("Das bin ich nicht" / that's not me) to brittle, repetitive and noisy ("Aufmerksamkeit" / attention) and hymnical-melodic Post Punk ("Delirium"). "Das Programm" (the program), a bittersweet romance in times of total surveillance, is unusual calm and melancholic thanks to an 60ies-organ and background vocals from Mara. In their lyrics L'APPEL DU VIDE use sparse words and deal with denial, failure and alienation. "Delirium" could be a soundtrack to the global pandemic, but was written in 2019. The songs were recorded by Flatty. Refinement came from Max Herrmann/Gloven Studio Leipzig (Mix) and Mikey Young (Mastering).

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My Heart To Joy

Reasons To Be

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Wanda Chrome & The Leather Pharaohs

Eleven...The Hard Way

LP | 1998 | Reissue (Subway)

7" | 2024 | US | Original (Soft Abuse)

Release: 1998 / Reissue

Genre: Rock & Indie

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WANDA CHROME AND THE LEATHER PHARAOS are a garage glam band who has seen too many biker movies, they play a mix of 70s tunes from VELVET UNDERGROUND, MC5 and the STOOGES.

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The Strange Girls

Trul & Lyric

The Gang Font Feat. Interloper

Release: 2024 / US – Original

Genre: Rock & Indie

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As subjects of a recent career spanning vault-clearing anthology, the likelihood that more old recordings by The Strange Girls might surface was an unlikely one. Thankfully it’s just what happened. Culled from leaky audience video recordings, Truly & Lyric features two Clayton Noone songs that never surfaced elsewhere. These date from around 2002 and feature the core duo of Kaaterama Morehu and Noone. Draped in artwork by Mark Anderson (Greymouth), Truly & Lyric offers another fleeting glimpse at The Strange Girls’ downcast beauty in action. Limited to 200.

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CD | 2007 | US | Original (Thirsty Ear)

Release: 2007 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 2024 | US | Original (Happy Happy Birthday To Me)

Primitives

I Won't Care

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2022 | DK | Original (Felt)

The Catburgers

The Rocking Horse Demos

Release: 2022 / DK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Front

Wet Things

LP | 2024 | EU (Rave Up)

Darrell Slim & The K-Hooch

Release: 2024 / EU

Genre: Rock & Indie

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The Front were formed on Miami Beach in 1980. To the Miamians they were weird, but also tight and catchy: people soon remembered songs’ hooks. In 1981 they did their first 7’ Ep “The Front First Strike” at Sync Studios on diy label Foam Records. The B side “Immigration Report” hit #1 on Wvum and went on to heavy rotation on college radios across the US. The band played everywhere there was a stage, eventually becoming the opening act for bands such as U2, Psychedelic Furs, The Go-Go’s, Ultravox, Bow Wow Wow and many others. In 1982 released 2nd single “Aluminum Room”, which garnered the band a Billboard Single Pick. Many major labels were courting us… Nevertheless, by that time the band members were fragmenting personally and artistically. On 7/25/1983 they played last gig at a club called The Blitz in Hialeah, FL with a surprise appearance by Joey Ramone. A few years back, The New Times listed The Front at #5 of the “Greatest 20 Florida Punk Bands Of All Time” list. Not getting signed has its rewards, so put your headphones on and listen to a band that was on the cusp of international fame 40 years ago but just being heard today.

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It's Getting Colder/Ambush From The Rear

10" | EU | Original (Minimum)

Release: EU – Original

Genre: Rock & Indie

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The Foreign Correspondents

Lovin' You Ain't Easy

7" | 2024 | US | Original (Outer Battery)

LP | 2018 | EU | Original (Role Play Records)

Release: 2024 / US – Original

Genre: Rock & Indie

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Punk rock super group, featuring Ted Leo on vocals, Brendan Canty from Fugazi on drums, Michael Hampton from Faith/Fake Names on guitar and Sohrab Habibion from The Obits on bass, The Foreign Correspondents mine the early 70's work of French Canadian legend Michel Pagliaro on this 2 song 7"

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The Magic Numbers

Outsiders

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Piss Park Ep Colored Vinyl Edition

Cel Ray

7" | 2023 | EU | Original (Six Tonnes De Chair)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Rookie)

The Sigourney Weavers

Noir

Release: 2016 / EU – Original

Genre: Rock & Indie

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My Life With The Thrill Kill Kult

Any Way Ya Wanna Black Vinyl Edition

7" | 2023 | US | Original (Wax Trax!)

Release: 2023 / US – Original

Genre: Rock & Indie

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7" | 2023 | Original (It's Eleven)

LAppel Du Vide

Abwaertsspirale

Release: 2023 / Original

Genre: Rock & Indie

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Words Come Back Black Vinyl Edition

Skullcrusher / The Hated

7" | 2024 | US | Original (Numero Group)

Moths Of What I Want Will Eat Me In My Sleep

Release: 2024 / US – Original

Genre: Rock & Indie

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Never said it'd be like this, right? Skullcrusher's 21st century rendering of The Hated's 1985 early emo blueprint "Words Come Back" reinvents the song as subtle, ambientfolk music. The flip features two versions of the original, including Dan Littleton's home demo, cut in a maddening double groove, and housed in an elegant black and silver sleeve,with embossed braille lettering for the visually impaired. "This is my way of making a punk song," Skullcrusher'sHelen Ballentine said, "ignoring structure and letting everything just pour out_though quite a bit quieter."

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Jealous Of The Birds

10" | 2018 | EU | Original (Hand In Hive)

Release: 2018 / EU – Original

Genre: Rock & Indie

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I Wanna Be A Winner Black Vinyl Edition

Vicki & The Van Dykes

7" | 2023 | US | Original (Numero Group)

Reverend Beat-Man And The New Wave

Release: 2023 / US – Original

Genre: Rock & Indie

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New York's Cleopatra label gets theNumero treatment. Hailing fromTommy Falcones swarm, Beehive leadVickie & The Van Dykes were the soundof the coming youth revolt_Vickiehad rock `n' roll in her bones andrawhide in her voice. "I Wanna To Bea Winner," and "Outcast." were songstailored to her rebellious personality.

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Blues Trash

Tape | 2018 | EU | Reissue (Voodoo Rhythm)

Fat Pop Limited Standard CD

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Born in 1967 and former Wrestling Rock'n'Roll One Man Band Activist Lightning Beat-Man (1992-1999) turned into a Primitive Rock'n'Roll Blues Preacher in the Millenium Change and released countless recordings on several labels. 2017 he had a hand full of songs to record this album, the idea was to record it with several musicians and not showing them the songs, they went to the studio and Reverend Beat-Man played the songs on the guitar one time, then they had 2 takes for recording without rehearsal to keep it fresh. Anyway the idea was Free Style and so is that whole Album, the result was a mix of Blues Trash, New Wave Folk and Dark No Wave Garage Punk and Rock'n'Roll. He selected the NEW WAVE from musicians he loved the most at the momentNICOLE IZOBEL GARCIA is From Los Angeles with Mexian roots, a singer that has the gift to connect her voice direct with your heart, she plays an unorthodox organ and plays part of drums and percussion like the devil itself. With her, Reverend Beat-Man plays the most shows as a duet.MARIO BATKOVIC is a classical and kraut avantgarde accordionist. He creates film and game music and has a one man band himself he's a total genius (prodused by Geoff Barrow of Portishead).JULIAN SARTORIUS another Bern original, he's probably one of europs or even worlds most extraordinary drummers these days, he is one of the few drummers that can play his drums as an instrument not just as a machine, he plays a lot of free jazzand improvisation (sophie hunger, colin vallon trio, manuel troller, hans koch, bruno spoerri etc). RESLI BURRI is a legendary Bern musician who has a jam-band together with Mario and Beat-Man - he is a multi instrumentalist who plays in the Dead Brothers, Patent Ochsner , and is a film and circus music writer.

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Paul Weller

CD | 2021 | EU | Original (Polydor)

12,09 €* 21,99 € -45%

Our Love Will Destroy The World

Release: 2021 / EU – Original

Genre: Rock & Indie

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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

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Carnivorous Rainbows

LP | 2011 | US | Original (Ba Da Bing!)

12,34 €* 18,99 € -35%

Tape | 2023 | EU (Radiation Reissues)

Release: 2011 / US – Original

Genre: Rock & Indie

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Campbell Kneale (Birchville Cat Motel) returns - some percussion rattles throughout, a few instruments are arguably perceptible, & a beautiful harmony of intensity creates a gorgeous tapestry of sounds.

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The Prisoners

In From The Cold

12,34 €* 12,99 € -5%

Miss Chain & The Broken Heels

Release: 2023 / EU

Genre: Rock & Indie

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British garage rock revivalist's 1986 album for Stiff Records' 54321 Countdown affiliate. The Prisoners got their start in the same Medway River delta area of Britain as Billy Childish's Pop Rivets. After the band's demise singer/guitarist/songwriter Graham Day went on to join Childish's Thee Mighty Caesars & eventually formed the Prime Movers, organist James 'Jamie' Taylor went on to form the James Taylor Quartet.

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Storms Colored Vinyl Edition

LP | 2024 | EU | Original (Wild Honey)

12,59 €* 13,99 € -10%

Vs. The Moths... College Sessions 2001 Orange Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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One of those bands forever in between. Too pop for punks, too punk for pop. Too clean for garage nostalgia, and too weird for Americana. Hard to classify, their sound is a mixture of Sixties Beatles-esque melodies, sunshine-pop atmospheres, punk attitude, country, rhythm and blues, surrounded by dreamy landscapes, folk-revival lyricism and sometimes even bordering on psychedelia. All the records they grew up with, or bought during their travels, are in the cocktail. 'Storms', their brand new full-length record, is a step forward to this brave non-concept concept. A labor of DIY, recorded by their former drummer Brown Barcella and Alessio Lonati, produced and mastered by their best friend Riccardo Zamboni and released on their own Wild Honey Records.

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The Cribs

7" | 2022 | US | Original (Kill Rock Stars)

12,59 €* 13,99 € -10%

Tj Cabot & Thee Artificial Rejects

Release: 2022 / US – Original

Genre: Rock & Indie

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The first Cribs recordings from 2001. Originally intended to be a demo they were planning to send to KRS in 2001 that was never sent. 20+ years later they shared it and we loved it! Companion piece to their current reissue series. You will not want to miss this piece of history!

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LP | 2020 | EU | Original (Alien Snatch)

12,59 €* 17,99 € -30%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Birdwatcher)

Bleach Day

As If Always

12,59 €* 20,99 € -40%

The Brian Jonestown Massacre

Release: 2020 / US – Original

Genre: Rock & Indie

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Bleach Day's sophomore LP 'As if Always' is the product of a two year studio binge, occurring in between all of these other projects. Mixing classic golden age pop sounds, cinematic progressions, and oddball tones, 'As if Always' composes a sonic language that takes the listener through a story of growth and self discovery in its most primeval form, which mirrors a full life cycle from birth to death. Through struggle you learn to confront your fears, your shadows, and your limitations to become the person you are meant to be. It's a journey to a place that feels far away ' until you realize it's actually within yourself, and always has been.

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Abandon Ship Martian Meltdown Mix

10" | 2023 | UK | Original (A)

12,64 €* 22,99 € -45%

LP | 2023 | TR | Original (Rainbow45)

Release: 2023 / UK – Original

Genre: Rock & Indie

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To coincide with the Brian Jonestown Massacre's North American & Australasian tour 2023 is the release of two new exclusive tracks by the band. Recorded in Berlin & remotely in 2023, the opening track "Abandon Ship (Martian Meltdown Mix)" runs at over 11 minutes and plays at 33 rpm, "Maybe Make It Right." the B side is nearly 4 minutes & plays at 45 rpm. Available at shows but will not be available until the release date. With Anton Newcombe (Vocals/ Guitars) Hakon Adalsteinsson (guitar), & Uri Rennert (drums) playing on this offering. Emil Nikolaisen (Serena-Maneesh / Bjm) & Ryan Carlson Van Kriedt (Asteroid #4 / Bjm) on engineering duties. The release comes in a heavyweight PVC bag with the artwork being a J card so you can see the vinyl.

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The Madcap

Beat The Destiny

12,64 €* 22,99 € -45%

Release: 2023 / TR – Original

Genre: Rock & Indie

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Marc Riley Sessions Volume 4

The Wedding Present

CD | 2022 | EU | Original (Clue)

12,74 €* 16,99 € -25%

Marc Riley Sessions Volume 3

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fourth instalment in The Wedding Present's popular 'Marc Riley Sessions' series. The Wedding Present are a band with a history that's inextricably intertwined with the BBC and, in particular, the late DJ John Peel, an early champion of the band. Having received critical acclaim for releases 1 - 3, Marc Riley Sessions Volume 4 goes on to feature nine songs recorded for the award-winning BBC 6 Music show in 2017 and 2018. The first four tracks on the album were recorded with a string quartet and trumpeter and include a remarkable reimagining of 'Bewitched', originally from the band's 1989 album Bizarro.

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The Wedding Present

CD | 2019 | UK | Original (Clue)

12,74 €* 16,99 € -25%

Release: 2019 / UK – Original

Genre: Rock & Indie

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CD | 2021 | US | Original (Drag City)

Ty Segall

Harmonizer

12,74 €* 14,99 € -15%

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Good, The Bad & The Zugly, The

Classic Oslo Attitude / I Hate Conversations

7" | 2021 | EU | Original (Fysisk Format)

King Gizzard & The Lizard Wizard x Mild High Club

Release: 2021 / EU – Original

Genre: Rock & Indie

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2021 saw The Good The Bad and The Zugly return to the formula that birthed their now fading credibility almost a decade ago. This is the third release in a series of 7" split singles with exclusive new tracks only available on vinyl with artwork by Flu Hartberg. This time around we get a split between Tgtbtz, and... Tgtbtz.

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Rolling Stoned

7" | 2018 | US | Original (Stones Throw)

Memory Lane Dead / Airman Shuffle

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition 7inch vinyl single release including “Rolling Stoned” as featured on their collabo album “Sketches Of Brunswick East”!

Split 7” of “Rolling Stoned,” a composition written by Alexander Britton. Recording on side 1 by Mild High Club and side 2 by King Gizzard and the Lizard Wizard. Artwork by Kyle Field (Little Wing).
King Gizzard & the Lizard Wizard is an insanely good, prolific, psych rock band from Melbourne, Australia. Mild High Club is Alexander Brettin, insanely good, freakishly mellow dude on Stones Throw. They got together and made an album called “Sketches Of Brunswick East”.
The two bands formed a friendship touring together across Norther America, Europe, and Australia the last couple of years. King Gizzard’s Stu Mackenzie says, "I think we hit it off because our approaches are very different … Alex has studied music, whereas my approach is to fling shit at the wall and see what sticks. I can’t read sheet music at all. But we’re like the two ends of a horseshoe coming to meet in the middle."

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The Convent / Buchwald

7" | 2024 | EU | Original (Sireena)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Melvin Blue White Marble Vinyl Edition

The Belles

7" | 1966 | US | Reissue (Numero Group)

7" | 2023 | US | Original (In The Red)

Release: 1966 / US – Reissue

Genre: Rock & Indie

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Blue White Marble.

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Kid Congo Powers

Sings The Subsonics

Live At The Ontario Theater Washington Dc 1984

Release: 2023 / US – Original

Genre: Rock & Indie

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Kid Congo Powers has seen fit to cover two songs by Atlanta garage rock legends the Subsonics and release them on seven inch vinyl—the way God intended rock 'n' roll to be heard. Kid’s scuzzy, noisy renditions do the originals proud and are guaranteed to make one want to get up, dance and behave badly. Housed in a gaudy full color sleeve and pressed on kaleidoscopic tricolor vinyl.

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The Cure

Tape | 2023 | EU (Tape It Dee Dee)

LP | 2023 | UK | Original (Beggars Banquet)

Release: 2023 / EU

Genre: Rock & Indie

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The Cure had been gradually building their U.S. fan base when they embarked on their third American tour to promote their 1984 studio release, The Top. This recording was made on that tour, and features the band during their most defining musical period. Coming off the success of hits like “Let’s Go To Bed” and “Boys Don’t Cry,” Robert Smith and the band had finally come to the point where they could take The Cure’s eccentric, characteristically dark sound and combine it with a more radio-friendly approach.

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A. Swayze & The Ghosts

Suddenly

Release: 2023 / UK – Original

Genre: Rock & Indie

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From Nothing To A Little Bit More Transparent Red Vinyl Edition

The Lathums

LP | 2023 | EU | Original (Island)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | CA | Original (Return To Analog)

Jordann

Safe Space

Release: 2023 / CA – Original

Genre: Rock & Indie

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Tape | 2023 | EU (Dirt Tapes)

Bachi Da Pietra

Necroide

Scatterbrain-Storms: Outtakes

Release: 2023 / EU

Genre: Rock & Indie

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The latest album by Bachi Da Pietra in duo; the most extreme (and also the most pop) and champion of paradoxes: memorable songs that form a concept dedicated to early eighties Metal hybridized with black music, obsessively tribal. For a concept like "Necroide" ending up on cassette is its death, or its new life.

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The Chills

7" | 2023 | UK | Original (Fire)

Tape | 2023 | US | Original (Dead Oceans)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Dunedin’s finest, The Chills follow their acclaimed seventh studio album ‘Scatterbrain’ with a special 7” Scatterbrain-Storms: Outtakes. This special release features three brand new tracks ‘The Dragon with the Sapphire Eyes’, ‘No One Knows Better Than Me’ and ‘Nowhere’. “We felt these were too good not to be released and were actually the first three songs we wrote for ‘Scatterbrain’ before it’s lyrical tone and musical direction became established. It was important to us to offer fans something special on the tour” Martin Phillipps Recorded at Port Chalmers Recordings Services, Scatterbrain-Storms: Outtakes was produced by Tom Healy with assistance from Tom Bell. The Chills are Martin Phillipps, Oli Wilson, Erica Scally, Callum Hampton and Todd Knudson. "A worthy addition to a glorious canon" Uncut // ‘Scatterbrain’ is a life passing before your ears as uncertainty increases and fake news rumbles on; during which aliens invade, Phillipps scales the walls beyond abandon as he probes the minutiae of worlds within worlds and the hourglass fills. ‘Scatterbrain’ is a landmark album from one of the great modern song writers, it’s pure pop music for the new normal and we can’t wait to see how it ends. “An Essential Contemporary Voice” The Wire

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Shame

Food For Worms

Tape | 2018 | US | Original (Topshelf)

Release: 2023 / US – Original

Genre: Rock & Indie

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Food for Worms, their explosive third record, sees shame enter a new, surreal landscape, as reflected in the cover art designed by acclaimed artist Marcel Dzama. It's suggestive of what is left unsaid, what lies beneath the surface, the farcical and fantastical everyday that we are living in, in a society where both everything and nothing is possible. On the one hand, new album Food for Worms calls to mind a certain morbidity, but on the other, it's a celebration of life; the way that, in the end, we need each other. The album is an ode to friendship, and a documentation of the dynamic that only five people who have grown up together - and grown so close, against all odds - can share. For the first time, the band are not delving inwards, but seeking to capture the world around them. Now they arrive, finally, at a place of hard-won maturity. Enter: Food for Worms, which singer Charlie Steen declares to be "the Lamborghini of shame records." The album crashed into life faster than anything they'd created before. The band recorded it while playing festivals all over Europe. That live energy, what it's like to witness shame in their element, is captured perfectly on record - like lightning in a bottle. The album marks a sonic departure: shame have abandoned their post-punk beginnings for far more eclectic influences, drawing from the sharp yet uncomplicated lyrical observations of Lou Reed and the more melodic works of 90s German band, Blumfeld. They called upon renowned producer Flood (Nick Cave, U2, PJ Harvey, Foals) to execute their vision. Recording each track live meant a kind of surrender: here, the rough edges give the album its texture; the mistakes are more interesting than perfection. In a way, it harks back to the title itself and the way that with this record, the band are embracing frailty and by doing so, are tapping into a new source of bravery.

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Toe

Our Latest Number

Piano Nellie Ep Colored Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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There's a kinetic energy about anything this band does: a level of care, precision and attention to detail that nearly twenty years into their existence, continues to elevate and set them apart. This four-song offering is no different—from the self-recorded and produced songs down to the design and packaging.

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Poe Kats,The

7" | 2020 | EU | Original (El Toro)

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Sireena)

The Electric Family

Terra Circus

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | UK | Original (Too)

The Driver Era

Summer Mixtape

Tape | 2022 | US | Original (Jagjaguwar)

Release: 2022 / UK – Original

Genre: Rock & Indie

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For The Driver Era, music can't and shouldn't be forced. The band, formed by brothers Ross and Rocky Lynch in 2018 while on tour with their former group R5, aims to embrace the present moment, creating songs that reflect each experience and feeling as it comes.

It's a philosophy that pervades all of the duo's releases, from their debut Summer Mixtape (expected to release later this summer) features the band's two new tracks - the Rolling Stone- backed 'Keep Moving Forward' and lead single 'Malibu', inspired by summertime escapism.

In between polishing off the new songs and hitting the road, Ross is also a critically acclaimed actor (he drew rave reviews for his title role in the serial killer biopic My Friend Dahmer and recently starred in Netflix's The Chilling Adventures of Sabrina).

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Okay Kaya

Sap

7" | 2022 | EU | Original (Mr. Mellow's Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Even my subconscious is self-conscious," Okay Kaya sings on "Inside Of A Plum", giving us a sense of the mental state she entered while making SAP, an album she wrote, performed, engineered, and produced alone, sometimes spending weeks at a time without social interaction. This is a concept album about consciousness in which Okay Kaya focuses her trademark combination of abstraction and wit on what happens to her mind unaccompanied, on her tendency to feel less like a human and more like the sticky secretion of a tree. After releasing her Spellemann Award winning album Watch This Liquid Pour Itself in January of 2020, Kaya left her home in New York and moved to Europe to create and show her various interdisciplinary exhibitions. Among others, she made an installation that amplified music made underwater and an interactive sculpture based on Jungian sandplay therapy for children. Between her exhibits, Kaya recorded through lockdowns by herself in the loaned studios of generous friends. SAP first grew from the first single "Spinal Tap" about Kaya wandering in Berlin, tree-touching. "Sap reminds me of the bodily functions I need to remember to do, like sleep. One might say it `resinates.'" The album was further inspired by Ketamine Therapy which is discussed in "The Inside Of A Plum." Kaya explains, "The doctor said this treatment grows literal physical branches in your brain." As she experimented with ego death, the subject of her song "Jazzercise", Kaya found herself writing in the voices of fictional characters she'd encountered in other people's stories. In `Jolene From Her Own Perspective,' she imagines Dolly Parton's nemesis responding to her song. In `Origin Story,' Kaya writes as a mythical goddess frustrated with her creation myth. In `I've Spent Forever Planning A Crisis,' Kaya responds to Cassavetes' film A Woman Under The Influence writing from the perspective of the story's children. Okay Kaya's investigations of mind-body come along with sexy dance beats, unpredictable interlocking synths, delicate soft guitars, and close-to-the-mike R&B whispering. But Kaya likes her falsettos cracking and her soul-inspired hooks careening wildly, a beautiful chaos that somehow fits together. When she returned to New York, Kaya was excited to collaborate again, to get friends to "bless the record." She invited friends to Gaia Studios in Greenpoint, Brooklyn to sing or play an instrument. Most songs on the album unfold with guest performances from artists as varied as deem spencer, Taja Cheek of L'Rain and Adam Green of The Moldy Peaches. Just as the recording process began with isolation and ended with friends, SAP starts with the internal and leads outside to romance, to lovers who serve as funhouse mirrors, reflecting Kaya back to herself from different angles. In "Pearl Gurl" Kaya harmonizes with her multi-tracked second self and sings her uncertain conclusion: "If love is not the answer, it's one hell of a question."

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The Chesterfields

Our Songbird Has Gone

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Secretly Canadian)

Whitney

Spark

Martin Savage & The Jiggerz

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Fat City

LP | 2022 | EU | Original (Topsy Turvy)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Secretly Canadian)

Stella Donnelly

Flood

7" | 2022 | US | Original (K)

Release: 2022 / US – Original

Genre: Rock & Indie

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Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Donnelly's early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a borderrestricted world. By paying closer attention to the natural world around her, Donnelly recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with this `small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market. Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take risks, many of which have clearly paid off. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on its own it's this singular piece of art." While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.

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The Real Distractions

Tragic Tiger's Sad Meltdown

Release: 2022 / US – Original

Genre: Rock & Indie

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The Real Distractions love rocknroll. like an old shoebox of orc 45s you would sell your little cousin to get, made new and real by some secret seance of Bo Diddley beats, true touch guitar licks and forever teenage love croons. Its like they cut up a bunch of bomp and kicks magazines, stuck them back together and made a wish to turn them to a real band. a true love's wish and it worked. 4 tracks 45RPM featuring Tobi Vail (Bikini Kill, Frumpies, Spider and the Webs and MODs) as well as scene stalwarts Ricky Meyer (Rik and the Pigs), Peter David Connelly (the mona reels, Bangs, Quayde le Hue) and newcomer KT Ballard. Recorded live on a 1/2" 4- track and mixed byCapt. Tripps Ballsington in Olympia WA. Mastered by Amy Dragon.This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms.

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Heavenly

Tape | 2022 | UK | Original (Death Is Not The End)

Tape | 2019 | US | Reissue (Tapehead City)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.
"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"

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The Advertisers

Ep 1 Live In Nyc

Release: 2019 / US – Reissue

Genre: Rock & Indie

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7" | 2022 | US | Original (Park The Van)

Nile Marr

How We Drift

LP | 2021 | US | Original (Wild Honey)

Release: 2022 / US – Original

Genre: Rock & Indie

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Nile Marr is the son of former Smiths guitarist and current solo artist Johnny Marr and his wife Angela. He was named for one of his father's musical heroes, Chic's Nile Rodgers.

Marr started out as a solo artist, then as a duo with American singer-songwriter Meredith Sheldon, and then in the trio Man Made, alongside drummer Scott Griffiths and bassist Callum Rogers, with future tour manager for Blossoms, Dan Woolfie, as their sound engineer. They released their debut album TV Broke My Brain in 2016, although its constituent songs were written over a period of eight years.

Marr released a debut solo album in 2020, titled Are You Happy Now? 'Part Time Girl' was released as its first single in 2019. 'Are You Happy Now?' followed in June 2020.

An EP, Still Hearts, was released on 24 April, 2020. 'Still Hearts' was its first single. Aside from the title track, there are two other tracks: 'Hush' and 'The Pusher'.

Marr added acoustic guitar and backing vocals on 7 Worlds Collide's 2009 album The Sun Came Out. He has also appeared on two of his father's albums: on 2013"s The Messenger he plays as a soloist, while on 2014"s Playland he adds backing vocals.

Marr has toured extensively with German film score composer and record producer Hans Zimmer.

His influences include John Martyn, Fugazi and Elliott Smith.

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Doug Tuttle

Pinecone

7" | 2021 | EU | Original (Decor)

Release: 2021 / US – Original

Genre: Rock & Indie

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Wild Honey Records Is Proud To Announce The Release Of "Pinecone" A New Ep By American Songwriter Doug Tuttle. Throughout The Harrowed Edges Of The 2020 Pandemic, Doug Tuttle's Pinecone Ep Was Born From Hours Spent Whiling Uncertain Landscape Outside Frayed And Unraveled, Tuttle Turned His Task Towards Songwriting Constructed Around Stripped-Down Melodies And Simple, Self-Soothing Repetition. Like A Half-Recalled Tune That Sticks In Your Head Or A Mantra Meant To Focus The Mind, Each Of These Five Songs Is Steeped In The Nostalgic Remembrance Of Better Times Set Against A Wobbling, Unreliable Reality. At Times Adrift In Cyclical Jangly Pop As On "Lead Mask," Shimmering, Affected Piano And Sun-Blistered Guitar As On The Hook-Y "Weak Ends," Or Thoroughly Steeped In Wavering, Grief-Laden Guitar Slide As On "Darkness Under Blight," Pinecone Ep Feels Comfortably Well-Worn From Back And Forth Pacing, Or Rubbed Smooth Like A Worry-Stone Carried In The Pocket. Guitarist, Vocalist, Producer, And Songwriter Doug Tuttle's First Band, Mmoss, Was A Deeply Psychedelic Project And When It Split, Tuttle Shifted Musical Gears. Recording In A Home Studio, Tuttle Made Records Using Various Folk/Rock, Psych, And Classic Rock Elements; His First Two Were Lo-Fi Takes On Melancholy Psych Pop That Featured His Buzzing Guitar And Mournful Vocals. By The Time Of 2017's Peace Potato Though, He'd Switched Gears And Began Crafting Mid-Fi Versions Of Mainstream '70s Rock That Wouldn't Sound Out Of Place Next To Tom Petty On A Playlist.

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The Delines

Little Earl

Cold Turkey / Instant Karma! Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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The brand new single from The Delines - whom will be releasing their new LP next Feb 2022 - much of which is inspired by Amy Boone and Willy Vlautin's shared love of Tony Joe White. Little Earl will be the lead track for the new album and Myrna and McCaughey will be exclusive to this single on physical formats. Recorded with longtime producer John Askew in Portland over 2019/2020 just before Covid hit. It features the classic line up of the band whom gave the world 'The Imperial' lp which was number 1 for two weeks on the official Americana charts with Amy Boone (vocals), Willy Vlautin (guitar/songwriting), Sean Oldham (drums), Freddy Trujillo (bass) plus the amazing arrangements by Cory Gray (keys and horns).

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Walter Verdin

7" | 2021 | EU | Original (Pas De Disx)

King Gizzard & The Lizard Wizard

Release: 2021 / EU – Original

Genre: Rock & Indie

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Record Store Day 2021 release on photoluminescent vinyl. In 1981 Walter Verdin recorded the demos for two songs of Lennon's Plastic Ono Band before he formed the group Pas De Deux, the Belgian entry for the Eurovision Song Contest 1983.The artwork of this 7" is inspired by the artwork of the original record sleeves. Walter Verdin is the Belgian chameleon changing constantly between different musical styles and audiovisual art. At the end of the seventies, he released 'Storingen', a Flemish reggae single with some musical friends under the name of Specimen & The Rizikoos. In 1980 he had a number one hit in Flanders with 'Er is iets', taken from the album 'Cinema'. In the same year he started to work as a video director in the studios of the Audiovisual Services at the KULeuven. At night he experimented with video and sound. For the next 20 years, the studios became the cradle for his video art and musical experiments. In 1981, before he formed the group Pas De Deux (the Belgian entry for the Eurovision Song Contest 1983), he recorded the demos for two songs of Lennon's Plastic Ono Band. These songs ended on the B side of their mini-LP 'Des Tailles'. On this 7" vinyl: the demo versions of 'Cold Turkey' and 'Instant Karma!'. They are recorded ping-ponging between two stereo tape recorders. All the instruments were programmed and played by Walter Verdin without the possibility of mixing or 'picking in'. Adding an instrument or a voice meant another copy from beginning to end. The roughness and the spontaneity of these recordings are remarkable, especially when you compare the tracks with the professional recordings that were made later at the famous ICP studios in Brussels with Pas De Deux, where the cheap Boss rhythm box was replaced by a Linn Drum and other instruments were added. Walter Verdin is a big fan of Lennon's music and social engagement. These demos were made only a couple of months after his passing in December 1980. The choice for the specific songs is not accidental: they are the songs with which John Lennon started a new musical adventure. Also, for Walter Verdin it was the start for a new way of music making, after a very short career as a 'Flemish singer songwriter'. The text -the message- of both songs is more topical in 2021 than it was at the beginning of the eighties, when they were recorded.

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Polygondwanaland

Tape | 2017 | EU (Radiation Reissues)

Oh Inverted The World 20th Anniversary Remastered Edition

Release: 2017 / EU

Genre: Rock & Indie

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Twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, fourth of five albums released by the band in 2017. Amongst the 20 best rock albums of the same year. Polygondwanaland, is another stellar entry in King Gizzard near-flawless discography.

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The Shins

Tape | 2021 | US | Reissue (Sub Pop)

Sell Your Gun By A Guitar Black Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Oh, Inverted World, the earth-shattering, indie-rock-redefining 2001 debut album by The Shins, is presented here in its finest form, dressed up all nice for its 20th birthday. The classic tunes get new life by way of a full remastering job under band leader James Mercer's watchful eye, the art is given a little extra zest via a die-cut jacket and a classy inner sleeve, and the package is rounded off with a big ol' booklet with vintage photos, handwritten lyrics, and more. The music, of course, is obviously essential. Aside from a friendly reminder that this is the album with the smash hit "New Slang," as heard in the hit movie Garden State, we just need to note that the remastering job truly makes this the album James Mercer always wanted it to be. Never quite satisfied with the sonics of the original, Mercer took the 20th anniversary of the album as his opportunity to finally set the (literal!) record straight. And the results sound stellar: great for new fans, and well worth the attention of those already on board! For old times' sake, here's what we had to say about this record back when it came out: Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flake Music in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors (who knew?).

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The Gabbard Brothers

7" | 2021 | US | Original (Karma Chief)

Ascension Of The Watchers

Release: 2021 / US – Original

Genre: Rock & Indie

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For Fans Of The Buffalo Killers, The Black Keys, Neil Young & Crazy Horse.From The Ashes Of The Acclaimed Ohio Rock Band Buffalo Killers, Singers/Songwriters/Siblings Zachary And Andy Gabbard Have Re-Emerged As The Gabbard Brothers. And While There Are Still Similarities To Their Previous Band, With Nods To Greats Like Neil Young, James Gang And Buffalo Springfield, There's A Hazier, Organic, Earthy-Psych Vibe Running Through The Brothers' New Music.Fresh From Their Black Keys Tour (Zachary And Andy Are Current Bassist And Guitarist, Respectively, In The Keys' Expanded Tour Group), The Gabbard Bros. Are Releasing Their Debut Single 'Sell Your Gun Buy A Guitar' Via Colemine Records' Imprint Karma Chief, Which Citybeat Music Editor Mike Breen Called A "Great '60s-Flavored Pop Nugget." The B-Side, 'Too Much To Feel' - A Musical Middle Finger To The Bigots, Racists And Folks Holding On To An Old, Outdated Way Of Thinking. This New Single Will Be Included In Their Forthcoming Debut Studio Album.

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Apocrypha Clear Vinyl Edition

2LP | 2020 | EU | Original (Back On Black)

7" | 2020 | EU | Original (Knekelhuis)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Industrial Gothic Rockers Ascension Of The Watchers, are set to release their brand new album "Apocrypha". "Apocrypha" has been a decade long journey of writing and recording, from California, Pennsylvania, New York and Wales. In 2018 the band decided to utilize the crowdfunding platform PledgeMusic to jumpstart the project. After a very successful campaign, raising 124% of their goal, PledgeMusic went into administration, eventually declaring bankruptcy! and in turn, would never release any of the funds dedicated to Ascension of the Watchers. Nevertheless, Ascension of the Watchers persevered to complete the album. After ten years of writing and recording, along with reflection on the very personal nature of this project, Ascension of The Watchers will renew it’s journey in 2020! A creative, and innovative journey of pioneering vocalist Burton C. Bell (Co founder and vocalist of Fear Factory). Their latest recording Apocrypha is a vision untold!

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De Ambassade

Standhouden

Good For Health Bad For Education

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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On this third, consecutive 7" for Knekelhuis they showcase a slightly darker side, undoubtedly influenced by these current viral times. Still, shadows are always in need of light. These two anxious tunes are full of metal clanking, eerie synths and rolling basslines taking you straight into industrial territory, albeit with avant-pop leanings. De Ambassade will firmly hold their ground in the dead of night until the smoke clears and the agony of daylight returns.

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Nowaves

LP | 2019 | EU | Original (Phantom)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Tape | 2019 | US | Original (Sub Pop)

Flight Of The Conchords

Live In London

Release: 2019 / US – Original

Genre: Rock & Indie

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10" | 2017 | EU | Original (Buback)

Die Mausis

Release: 2017 / EU – Original

Genre: Rock & Indie

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Tape | 2016 | US | Original (Sub Pop)

The Shins

Wincing The Night Away

Release: 2016 / US – Original

Genre: Rock & Indie

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She's Got You / The Zakary Thaks Sing For Jax Beer

The Zakary Thaks

7" | 2013 | UK | Original (Big Beat)

Dog Dimension & The Sticky People

Release: 2013 / UK – Original

Genre: Rock & Indie

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One of the most popular 60s garage bands, deliver the unissued monster that is ‘She’s Got You’, as good as anything they ever released at the time, backed with a noisy ad for Gulf Coast tipple Jax Beer set to the tune of their classic ‘Face To Face’.

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Agonizer Of 1998

Tape | 2022 | EU | Original (Kinship)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2010 | US | Original (Mexican Summer)

The Young

Voyagers Of Legend

LP | 1999 | DE | Original (Two Friends)

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl close to VG+. Still in shrink, but opened, with hype sticker. Copy n° 200 / 1000

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Treadmill

Stand Up For?

The Casket Lottery / Waxwing

Release: 1999 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with bumped corner

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7" | 1999 | US | Original (Second Nature)

Power Surge Purple Vinyl Edition

Release: 1999 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Purple marble vinyl. Copy n°1624

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The Creation

LP | 2017 | Original (Demon / Edsel)

Release: 2017 / Original

Genre: Rock & Indie

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Wanda Chrome & The Leather Pharaohs

Dangerous Times

LP | 1999 | US | Reissue (Beer City)

Festa Di Frankenstein The Dedication Song

Release: 1999 / US – Reissue

Genre: Rock & Indie

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...limited red vinyl and gatefold sleeve!!...

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The Fleshtones

LP | 2024 | US | Original (Yep Roc)

LP | 2018 | DE | Original (Kompass Musik)

Release: 2024 / US – Original

Genre: Rock & Indie

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The hardest working band in punk rock, The Fleshtones, return with "Festa di Frankenstein" and "The Dedication Song," two anthemic tunes done in the band's inimitable "Super Rock" style that they've been championing since 1976. The former is a haunted hip-shaker about a party at the Frankenstein residence (sung entirely in Italian!) and the latter is frontman Peter Zaremba saluting all of the bands across the USA who influenced them and continue to play the gin joints and dive bars to this day. "The Dedication Song" was originally a hit by the great Freddy Cannon back in 1966, whereas the Fleshtones' brand new rendition serves as a sequel to their smash hit "American Beat" that put them on the map over four decades ago. "Festa di Frankenstein" is a reworking of the under-appreciated Halloween track "Frankenstein's Party" by the Swinging Phillies from 1967. While the original recording is a soulful horn-filled tune, the Fleshtones' version is a far grittier recording that will be a staple of all garage rock Halloween hootenannies to come. Both songs are pressed on a 45 single that is limited to 500 copies worldwide. This is a one-time only pressing!

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The Lateriser

Jetzt oder nie!

2CD | 2006 | EU | Reissue (Fiction)

Release: 2018 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Autographed cover.
Hand numbered limited edition.

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The Cure

The Top

10" | 2024 | EU | Original (SoulForce)

Release: 2006 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

2CD in double digipak with booklet.

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H.I.T.

Die Band

Release: 2024 / EU – Original

Genre: Rock & Indie

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Macelleria Mobile Di Mezzanotte

Noir Jazz Femdom

LP | 2024 | EU (Subsound)

Release: 2024 / EU

Genre: Rock & Indie

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Macelleria Mobile Di Mezzanotte

This Savaging Disaster

LP | 2024 | EU (Subsound)

Release: 2024 / EU

Genre: Rock & Indie

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Words Come Back Bone White Vinyl Edition

Skullcrusher / The Hated

7" | 2024 | US | Original (Numero Group)

Teenage Jesus & The Jerks

Release: 2024 / US – Original

Genre: Rock & Indie

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Live 1977

Tape | 2023 | EU (Radiation Reissues)