Search "mato" 3479 Items

Fast Idol Golden Nugget Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. `Somewhere' opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on `Bodies' and `Try' sits in a lineage with cult bands like Asylum Party. `The Garden' is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas `Ship To Shore' could be a lost Oppenheimer Analysis B-side, and the album's closer `Brighter and Bigger' catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury's atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard's Sympathy for the Devil, as in `Preoccupation', the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

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Black Marble

LP | 2021 | US | Original (Sacred Bones)

LP | 2024 | ZA | Original (Roastin)

Release: 2021 / US – Original

Genre: Rock & Indie

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Black Math

Birth Create Dissipate

Release: 2024 / ZA – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Rough Trade)

Black Midi

Schlagenheim

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | US | Original (Jagjaguwar)

Black Mountain

2LP+CD | 2016 | UK | Original (Easy Life)

Release: 2016 / US – Original

Genre: Rock & Indie

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The Rock Canon Has Many Anti-Heroes, Black Mountain Being The Latest. In The Past, Can's Tago Mago Established That The Only Rule In Rock And Roll Is That There Are No Rules. Pink Floyd's Prodigious Output In The 70s Showed Us That Architecture Can Be Cool, While Delinquent Proto-Metallers Black Sabbath Demonstrated That You Can Make A Lot From Not That Much. Now Black Mountain Teach Us That You Don't Have To Be Afraid Of The Past To Move Bravely Into The Future, Defining What It Is To Be A Classic Rock Band In The New Millennium. Iv Is An Unapologetically Ambitious Record Made By A Group Of Musicians Who Are At The Peak Of Their Powers.

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Black Peaks

Statues

Release: 2016 / UK – Original

Genre: Rock & Indie

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CD | 2001 | AU | Original (Virgin Records America)

B.R.M.C

9,99 €*

Release: 2001 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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LP+LP+All Media | 2014 | EU | Original (Music On Vinyl)

B.R.M.C.

79,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Silver marbled vinyl. Copy n° 000376

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CD | 2007 | AU | Original (RCA)

Baby 81

12,99 €*

Release: 2007 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Beat The Devil's Tattoo Love Record Sore Day 2022 Edition

2LP | 2010 | UK | Reissue (Abstract Dragon)

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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2LP | 2001 | EU | Reissue (Music On Vinyl)

46,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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When Black Rebel Motorcycle Club released their self titled-debut album in 2001, they immediately made an impact on the music scene. The re-issue of the album contains 4 bonus tracks, which weren't released on the original vinyl version. The fourth side of the 2 LP set contains a beautiful etch.

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2LP | 2001 | US | Reissue (Cobraside)

43,99 €*

Release: 2001 / US – Reissue

Genre: Rock & Indie

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LP | 2022 | US | Original (Cobraside)

Screaming Gun Demos

31,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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2LP | 2023 | UK | Original (Pias)

Wrong Creatures

36,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Black Spiders Festival Toilet Vinyl Edition

Black Spiders

LP | 2023 | EU | Original (Dark Riders)

Heavier Than Heaven, Lonelier Than God

Release: 2023 / EU – Original

Genre: Rock & Indie

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Black Spiders - Those Trusted And True Sons Of The North Are Back. "We knew the new album had to be special. We've been away for a while. The first album was a straight shot, the second on the rocks, with this new one we had to kick down the brewery doors!" Pete Spiby. Back in June of 2017, Sheffield rock beasts Black Spiders waved goodbye to an army of loyal fans with some sonically charged shows before retreating into the shadows. And then, in November of last year, with the world in the grips of the Coronavirus pandemic and after a long year of very little fun from out of the silhouettes they returned with 'Fly In The Soup', the first new Black Spiders music in 6 years. Exactly the feel-good shot in the arm the world needed, while we await that other vaccine. The seeds of the Black Spider return were actually planted last summer, when singer and guitarist Pete Spiby began taking to guitarist Ozzy Lister to start writing new material and before they knew it, they had amassed the best part of 40 songs in a very short period of time which they whittled down. And then the pandemic hit. "It's certainly been a strange process, in unfamiliar territory," explains Pete. "We started to look at how we could do it given the restrictions and not only that, but we had to replace our original drummer too. For us and probably most other bands, we would usually take a riff or song idea to a rehearsal and thrash it out 'till we either had something or it ended up in the song graveyard! This time around we couldn't do that, so myself, Ozzy and on occasion Adam Irwin (bass player) started to send ideas back and forth until we had something to work with in GarageBand. We got to a point where we had enough song ideas with basic structure to go into a studio. It was at this point when we had to look for a new drummer." With former drummer 'Tiger' Si Atkinson unavailable to play, with a week or two of grooming, the band took a chance on Planet Rock DJ Wyatt Wendel to occupy the drum stool. "I've never joined or worked wit...

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Blacklisted

LP | 2008 | EU | Original (Deathwish)

Release: 2008 / EU – Original

Genre: Rock & Indie

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Blaine L. Reininger, Stockholm Monsters, The Durutti Column

Greetings From S.G.V. Record Store Day 2024 Edition

LP | 1987 | EU | Reissue (Lantern)

23,99 €* 29,99 € -20%

LP | 2023 | UK | Original (Feral Child)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Overdue re-issue of the first three 12” in the record series dedicated to musicians who took part to the Greetings festival. It happened in 1987, it was time for Materiali Sonori 10th anniversary, an historic goal for the label/collective born in the small Tuscany village of San Giovanni Valdarno. The small celebration brought to life a box collecting the first 3 Eps of the Greetings from S.G.V. series. The series was intended as symbolic sound postcard, made with various musicians with whom the collective label shared a path, whether small or long. The Durutti Column, The Stockholm Monsters and Blaine R. Reininger (Tuxedomoon) are among the artist who took part to the project, here collected for the very first time. Lantern is pleased to pay tribute to the work of people whose passion, attitude, commitment and genuineness inspired this adventure still true to these days. "Our presence in this small tuscan town is almost casual... physically we were born and grew up here, while our hearts and our minds were travelling to Paris, Berlin, Brussels, New York or London" (Giampiero Bigazzi of Marteriali Sonori , taken from the original inner sleeves notes).

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Blauer Montag

Ding*r

LP | 2023 | UK | Original (Feral Child)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Following the quickfire sell outs of the recent trio of ace Studio Kosmische LPs, Feral Child return with a new LP; again heavy on krautrock leanings but more channeled towards the driving, motorik aspect than SK’s more tranquil Cluster and Harmonia inspired ambience, as the more eagle eyed may have spotted from the title alone…?! “Ding*r” is the debut full length from Blauer Montag, featuring former founding member Hair & Skin Trading Company, Richard Montag- who recorded the album over a number of years (some material here dates to 2007) and locations; mainly Govan in Glasgow, Rutherglen and Lochailort in Scotland and Swedish Lapland with location recordings in the Isle of Arran and the Swedish Arctic. Borrowed sound clips hark back to now defunct eras of UK & German culture such as militant anarchist revolution and the German Democratic Republic (ddr). Montag wrote, arranged and mixed the album and even built some of the synths, guitars and equipment used. The album features guests such as longterm friend Kath Gifford (who Richard has known from his H&stc days, whilst Kath played with the likes of Stereolab and Snowpony) who provided vocals / lyrics for “Mirtazapine Drift” (originally written by Montag after being prescribed the drug for chronic insomnia) and Gareth McNicol (fellow bandmate of the sometimes active, Hearing Voices Movement) provided additional guitars. Professor Jono Podmore who is a collaborator with Can (supervising their most recent remastering) and co-collaborator with Irmin Schmidt (Kumo) provided mastering and whisky sampling. These days Richard is also a mental health Nurse and Psychological Therapist in Glasgow, Scotland, and the album is “bookended by Montag’s favourite Swedish toddler”.

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Blazing Worlds

13,49 €* 17,99 € -25%

Golgotha Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Next up on Feral Child (and the penultimate full length of the year for the label), sees the fabulous collaboration between Justin Wright (Expo 70) and Grant Corum (Million Brazilians, Timelash, Psychic Sounds Ensemble) Blazing Worlds. The duo’s self-titled full length was recorded during a week long Midwest summer scorcher, and expands and contracts with six heavily hallucinatory movements that only hellishly humid nights could induce. One that seasoned sonic psychonauts Justin Wright and Grant Corum could venture to manifest a deep phantasmagoric excursion through brilliant atmospheres in a seamless collection. The material on Blazing Worlds harkens back to Wright’s synth-driven ’Sorcerer of Sound’ full of cosmic tones and other worldliness aura, in tandem with Corum’s bent woodwind work and extraterrestrial sounding samples. Where this is certainly a departure from some of their previous work, the two seem to find equal navigation through their evolving compositions morphing into a singular melting chthonic mass, giving the listener an open-ended impression of mesmerizingly vast sonic topographies all gleaming with moments of both glimpses of gorgeousness and the grotesque. “Blazing Worlds” provides a wonderful, seamless spin from initial blast to the last. There are lots of strange instrumental textures and propellant pulsations, all pretty much within the confines of modernist electronic invention, and the whole shimmers with a very unusual kind of lambency, while still sounding deceptively discernible. While it can often seem tricky to keep up with Wright and Corum’s many releases and style shifts, it is constantly rewarding and this is another fine addition to their oeuvre.

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Bleeding Eyes

LP | 2021 | EU | Original (Go Down)

Golgotha Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Golgotha is the sixth studio album by Bleeding Eyes. After Gammy (©2014 Go Down Records) the band embarked on a different stylistic and compositional path. Starting from long and substantial jams, the five-piece band extrapolated and deepened 7 tracks lasting almost 50 minutes. The influences are getting darker. Black on black. The esoteric doom mixed with the tipically sludgy attitude, give to their personal existential ordeal a picture in which Simone Tesser’s lyrics fit perfectly. Golgotha’s topics tell about saints and unbelievers, the latter ones in constant conflict with life and death. This new interpretation, that also takes inspiration from the heretic gospels of the apocalypse (first 2 tracks), represents the steady and never ending spiritual detachment, that our capitalist society has lived in for several decades. With mocking irony and lots of sarcasm a post-dogmatic dark way is proposed by the band to deal with the ordeal of everyday life. The studio recording process lasted several months and was handled by Jason Nealy and Marco Dussin (guitarist and bassist respectively). Drums and rhythm guitars were recorded at the music club Benicio Live Gigs, located in the suggestive woods of the Montello hill in Italy. While the final steps, mixing and mastering took place at BadRum studio in Asolo, Italy. Golgotha has a really deep and dense meaning for the band and the graphic part plays an important role too; that’s why the Bleeding Eyes has chosen the Lorenzo Ferraro’s photography. The album artwork consists in pictures taken right after the passage of the devastating storm Vaia, that heavily damaged the band’s hometown surroundings. The desolation post Vaia matches perfectly with Golgotha’s magmatic darkness. The event proved our disarming weakness in front of an untamed force of nature, that can unleash destroying powers yet unknown. The album title itself is therefore -calvario- the combination of a natural imagery that reveals the misery of the precarious human condition.

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Bleeding Eyes

LP | 2021 | EU | Original (Go Down)

14,29 €* 25,99 € -45%

LP | 2023 | EU | Original (Irascible)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Blind Butcher

Catch 22

Violent Pop Random Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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What the... waterfall release! Blind Butcher took it literally and released a new song every 22nd of the month in 2022 - NOT. November, they left out. Instead, the frivolous duo from Lucerne now presents us the complete collection on April 21st 2023, digitally and on vinyl: "Catch 22" contains 12 tracks that are varied, playful, brute, as well as uniquely special, wonderful, and danceable.The neon-colored space illustrations by Corinne Odermatt accompanied every song release with verve and sure taste: The twelve-page annual calendar, which presented a new song for download every month, was Blind Butcher's answer to the increasingly widespread "waterfall release" strategy. If release strategies are currently subject to the streaming dictate, then at least with style - and haptics.

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Blind Channel

LP | 2020 | EU | Reissue (Svart)

In The Shadow Of The Holy Mountain Blue Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Surprise Color Edition, with 500 copies on black, 300 on Lime Green vinyl and 199 on XXX on Violet vinyl.

"With this album we perfected a style that we now want to grow until we're the biggest band in the world."

The third Blind Channel album presented in a definitive edition with gatefold covera and liner notes by James Hickie.

Svart Records enters into a vinyl partnership with Ranka Kustannus and will in the future release select albums from their ever growing catalog on vinyl. The co-operation starts with Blind Channel, who've by now become a household name and one of the most important music export items currently out of Finland.

Svart Records will release definitive vinyl editions of all three albums Blind Channel released on Ranka - Revolutions, Violent Pop and Blood Brothers. All three shall be presented in a limited edition of 999 copies, split into classic black vinyl and two color editions, which are randomly available to customers. All three feature extensive liner notes and interviews by James Hickie.

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Blind Pilot

LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Blood Orange (Dev Hynes aka Lightspeed Champion of Test Icicles)

Angel's Pulse

CD | 2019 | UK | Original (Domino)

16,99 €*

Release: 2019 / UK – Original

Genre: Rock & Indie

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Blood Orange (Dev Hynes aka Lightspeed Champion of Test Icicles)

Angel's Pulse

LP | 2019 | UK | Original (Domino)

Release: 2019 / UK – Original

Genre: Rock & Indie

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Heart Of The Artichoke Plasma Colored Vinyl Edition

Bloomsday

LP | 2024 | US | Original (Bayonet)

Ok Romance Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The way Bloomsday's Iris James Garrison writes songs feels like somewhere between a mirror and a memory. Spacious, full-bodied folk songs, they are an ode to things that are good no matter how small; they sometimes feel like the ghost of a Mary Oliver poem. Bloomsday's new record, 'Heart of the Artichoke', is a relic of unfettered creativity and community. They recount the miracles of the mundane, the memories that become sacred, an ode to all that is holy: nightswimming, songs plucked from the ether, the ways friendship can endure. Like earlier Bloomsday songs, the work here is threaded with warmth; it's simmering, crisp and deeply human, an encapsulation of the present moment. Recorded across 10 days in June 2023 in upstate New York at duo Babehoven's studio and co-produced by Babehoven's Ryan Albert, with mixing by Henry Stoehr of Slow Pulp. The record was built out with a wideranging group of collaborators, including inventive drumming from Andrew Stevens (Lomelda, Hovvdy), Alex Harwood, Richard Orofino, Babehoven's Maya Bon, Hannah Pruzinsky (h.pruz, Sister.), and Chris Daley. It was an insulated and collaborative experience: all family dinners on the back porch, bonfires, feeling a full sense of joy, of friendship, of purity in the artistic self. Collaboration is an integral part of Bloomsday's musical process. Garrison is malleable in the studio, their songwriting generous and spacious. But in listening to the record, there's a sense that Garrison leaves room for the players, for the listener; for songs to find the shapes they're meant to take. Garrison's role as maestro is crucial, singular - it's a collaborative, exploratory spirit harnessed by Garrison's intuition, and by an honest commitment to carve out creative space for play, to delve into what's known - or pushing past that, into unknown. "The ghosts of the past still come up and haunt me," Garrison says, "but I sit in what I have and see it. All of these songs are about loved ones, about personal struggles with getting out of my head and being present." Heart of the Artichoke was written from a healed, matured place - written in a moment of safety from chaos. It's a prayer for the present, an appreciation of tenderness and what happens once we give ourselves the space to really see, and really feel - becoming free and whole - an ode to the way healing allows us to bloom.

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Blowsom

LP | 2024 | EU | Original (Filature)

Bbc Sessions 1962 -1965 Record Store Day 2024 Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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On his debut album "OK ROMANCE!", Blowsom has gained experience. He's more mature, and certainly stronger. He uses his new songs as a diary, this time recounting his break-up with the woman he thought was the love of his life, "NANCY".A true therapy, each track deals with the stages of reconstruction, where the acceptance of grief quickly transcends melancholy to draw out the strongest emotions; those that make you feel you've never experienced so intensely the joys and sorrows that build us up.The title track "OK ROMANCE!" is reminiscent of Radiohead's masterpiece "Ok computer".Where the legendary band criticize the growing grip of technology on humanity, Blowsom chooses to remind us that love is timeless.

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Blues Incorporated

LP | 2024 | UK | Original (Rhythm & Blues)

20,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Dark Entries)

Blues Lawyer

All In Good Time

7" | 2023 | US | Original (Dark Entires)

Release: 2023 / US – Original

Genre: Rock & Indie

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Oakland band Blues Lawyer joins Dark Entries for their third full-length, All in Good Time, a record of pop-rock songs about living in a world that wants to put your existence on the clock. Blues Lawyer was formed in 2017 as an outlet for guitarist/vocalist Rob I. Miller and drummer Elyse Schrock to write pop songs outside of the strictures of their other groups. Following 2018’s Guess Work and 2019’s Something Different, Blues Lawyer had “graduated from being a side project band, a sort of throwaway project, to actually being a legitimate band,” according to Miller. Under the backdrop of global pandemic and existential crisis, they set about recording their new record. Says Miller, “I have always been really attracted to the way we measure time, especially in relationship to our concepts of what we are supposed to have achieved. There’s a lot of different moments on the record where we’re interrogating this whole value system that comes along with it—determining my worth because of where I’m at in my life in relation to my age, in my love life, in my career.” All in Good Time finds Blues Lawyer moving away from the Flying Nun-influenced jangle pop of their earlier work towards a 90’s alternative rock sound imbued with melancholy of the Lemonheads and Teenage Fanclub. Miller and Schrock agree that this is their first record approached with intentionality, each member having spent their time in pandemic-enforced isolation, honing their songcraft and penning sharp hooks. With the addition of bassist Alejandra Alcala and guitarist Ellen Matthews, Blues Lawyer has become more unabashedly riff-centric, bringing a controlled wildness to the new songs, as evidenced by Matthews’ single-take guitar solo on album closer “Tangled Mess”. This is also the first record on which Schrock and Miller share songwriting duties, with Schrock’s earnest contributions balancing out Miller’s more sardonic approach. Schrock’s optimism particularly shines on the Heavenly-esque “Late Bloomer” as she sings “A late bloom is worth the wait.”. All in Good Time reveals Blues Lawyer as a band ready to stake a meaningful claim in a world that rewards insincerity. The vinyl record includes an insert with liner notes and lyrics.

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Blues Lawyer

Sight Gags On The Radio

11,04 €* 12,99 € -15%

The Bob's Burgers Music Album Volume 2

Release: 2023 / US – Original

Genre: Rock & Indie

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Blues Lawyer is back on Dark Entries with a new 7” EP of summery alt-pop. Fresh off the heels of their critically acclaimed Dark Entries debut, Sight Gags On The Radio expands the Blues Lawyer universe, one where lovelorn millennials struggle to find their place. The four songs were recorded one afternoon by Rob I. Miller, Blues Lawyer co-founder and chief songwriter, in the band’s Oakland rehearsal space. It was recorded just days before Elyse Schrock (singer, songwriter, drummer, and music video creator) would be leaving the Bay Area – her home for the past decade – due to the soaring cost of living. The first single, “Have Nots,” shows the band moving away from the rapid chord changes that characterized their earlier work towards hazy guitar textures. It is accompanied by a tender music video portrait of the band reuniting in Portland, where Schrock now resides. The video documents the band’s touring life: playing pizza parlors and billiard clubs, sleeping on floors, and killing time between gigs. These touching images are elevated by Schrock’s trademark animations and editing style. Blues Lawyer also experiment with new songwriting configurations on this EP. “True Love’s Only Name,” was musically developed by Blues Lawyer guitarist, Ellen Matthews, lyrically by Miller, and sung by Schrock. Sight Gags On The Radio captures the essence of the band's sound but also reflects their development as songwriters. The outcome is Blues Lawyer’s most compelling artistic proclamation to date. Each 7” is housed in a warm orange toned jacket designed by Eloise Leigh featuring lyrics on the back. Blues Lawyer - Sight Gags On The Radio 7” EP releases Friday, September 29th via Dark Entries days before the band embarks on their first tour of Europe and the United Kingdom.

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Bob's Burgers

2LP | 2021 | Reissue (Sub Pop)

50,99 €*

Release: 2021 / Reissue

Genre: Rock & Indie

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Bobbie Nelson & Amanda Shires

Loving You

LP | 2023 | EU | Original (ATO)

Release: 2023 / EU – Original

Genre: Rock & Indie

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It's Just A Matter Of Time

Bobby Patterson

LP | 1972 | US | Reissue (Wax Trader)

Release: 1972 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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Our Brand Could Be Yr Life

Bodega

LP | 2024 | EU | Original (Chrysalis)

Our Brand Could Be Yr Life Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Silver vinyl.

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Bodega

LP | 2024 | UK | Original (Chrysalis)

LP | 2015 | US | Original (The Flenser)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sometimes you have to move backwards to move forwards. Just ask punk cultural commentators Bodega, whose new album sees them carve a new future from fuzz-soaked, consumerism-skewering shards of their past. "Our Brand Could Be YR Life" is Bodega's first album release through Chrysalis Records. "It's something we've been wanting to do for years," guitarist and vocalist Ben Hozie explains of Our Brand Could Be YR Life - a collection of catchy indie-rock ruminations on the slow-creep of corporate-think into youth culture, first written eight years ago. The 15 tracks on "Our Brand Could Be YR Life" explore indie-rock subgenres, self-critique and everything in between. "I think it's our best- sounding record to date," says Hozie, "It's got dance-punk. There's some shoegaze on there. There's slacker rock on there. There's psychedelic rock on there. R.E.M, too. We wanted to be another band in a long stream of missionaries, proselytising a certain type of rock subculture."

LP includes 20 page `zine designed by the band with lyrics and exclusive album content!

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Boduf Songs

Stench Of Exist

Bitter Reflections Black Vinyl Edition

Release: 2015 / US – Original

Genre: Rock & Indie

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England / Ohio’s Mat Sweet presents his latest album under the Boduf Songs moniker via The Flenser! Stench of Exist is at once his most accessible and most esoteric work to date; from the opium flow of the tracks, running headily into one another like tributaries to river, to the muted-industrial-electronic-effected drums underscoring the spiraling melodies and fluttering drones, to the clean and rich guitar, abstracted cycles and feedback walls, its whispered doom metal masquerades as a lullaby. Stench of Exist unfolds languorously, laced with mysterious electronic filigree. Gorgeously intimate, it transforms the minimal into maximal with layers of electro-detritus wreathed in lush guitar strums, street-side field recordings, reverberating pianos and softly crooned vocals. It is a record of rain and cities and nighttime. The collision of arabesque tonalities with electronic sound and ambience brings to mind the promise of Blade Runner—half-asleep at 4:00 A.M. and slightly medicated, with pyramids and flame-spewing cityscapes in downpour glowing against the fluttering eyelids in the almost-dreaming consciousness. A record for saturnine commuters, on headphones, after sunset.

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Body Of Light

LP | 2023 | US | Original (Dais)

Bitter Reflections Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The latest by Arizona desert brotherhood Alex and Andrew Jarson aka Body Of Light further hones their smoldering strain of tempestuous synth-pop into a transformative suite of anthems, reveries, and reckonings: Bitter Reflection. Written in the wake of 2019's neo-EBM classic, Time To Kill, they sifted inspiration from hidden moments within their own arcana - childhood tapes, home movies, abandoned demos - asking themselves the question: "How can we make this grow?" Sampled snippets of voice, noise, synth, and field recordings flicker in the periphery of these 11 tracks, murmuring like nostalgias half-forgotten, or displaced memories. It's music pulled between twin flames of truth and desire, romanticization and reality, catharsis and control, born of a bond sealed by years, dreams, and blood. Working with Telefon Tel Aviv co-founder Josh Eustis in Los Angeles, the brothers incorporated an expanded array of live instrumentation - piano, bass, saxophone, acoustic guitar - in addition to vintage Akai samplers, Moogs, and archaic hardware, giving the album an eclectic, unpredictable palette. Opener "Get It Right" showcases their impressive refinement: sleekly cold drum machinery builds to a swooning chorus of synths and piano, then suddenly slips into a dream sequence bridge of strummed guitar and echo-shrouded vocals, before surging back to the main melody. Throughout, the songs shift gears and moods in evocative ways, as if bending to fleeting thoughts or lengthening shadows. Simmering synth lament "Strike The Match" captures the Jarsons' unique technique of co-crafted lyrics, accruing meaning as the world turns; though written long before, the track ended up being recorded the day Russia invaded Ukraine ("I fall asleep to the candlelight / things will be different but not tonight / it wouldn't be like you to strike the match / over and over, I can't understand"). A trio of intriguing instrumentals deepen the album's scope, echoing the duo's early experimental era as part of the influential Ascetic House collective. "Fortia," "Hyena," and "Deepcolorlights" drift in a prismatic gauze of whispered synths and oblique minutia, in the spirit of Boards of Canada at their most hushed and haunted. Elsewhere the record spins through a gallery of the band's ongoing fascinations: Depeche Modeesque declarations of dread and excess ("This Conversation"), brooding dance floor epiphanies ("Out Of Season"), smooth Thomas Dolby city skyline melancholias ("Never Ever"), lovesick looking glass ballads laced with Art Of Noise orchestral stabs ("On This Day"). A new age demands new waves, and Body Of Light belongs at the forefront of a resurgent generation fusing modern methods with the sounds of futures past. Singer Alex Jarson sees their muse clearly, at the axis of anguished transition, temporal collapse, and, just possibly, the brink of hope: "Time is dysphoric. The dream breaks down. Everyone's beginning to panic, but in the end something will come from it."

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Body Of Light

LP | 2023 | CZ | Original (Dais)

Boeckner! Orange Vinyl Edition

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Boeckner

LP | 2024 | EU | Original (Sub Pop)

War On Everything Clear Red / Black Splattered Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daniel Boeckner understands the grit and gravel that accumulates in the heart and that it takes an unwavering courage to crack through that clutter and burrow to the other side. And in Boeckner's hands, that quest comes via post-apocalyptic synth and guitar heroism, a rallying cry for those always coming home through the scorched clouds. Throughout his work with Wolf Parade, Handsome Furs, Divine Fits, Operators, Atlas Strategic, and more, the iconic Canadian indie rocker recognizes that few feelings are more gratifying-more memorable, more generative, more abundant-than hope. But it takes getting the hell out of your own way. A culmination of that deep library of musical reference, Boeckner is set to release his first album under his own name: Boeckner! No matter where his genre exploration has taken him, there's something about growing up in punk and DIY spaces that puts collaboration in Boeckner's blood. Composed of a collection of intimately familiar elements, Boeckner! elicits the same thrill of young passion and discovery. It's a jet-powered chase through a tech-noir cityscape-fueled by a dream and that special someone in the passenger seat. That urgency and passion have always been a trademark of Boeckner's, and writing on his own pushes those feelings further into the center of the scope. But while Boeckner may be the clear driving force behind the album, he's not without collaborators for his solo debut. After meeting producer Randall Dunn while contributing to the soundtrack to the Nicolas Cage-starring psychedelic horror film Mandy, Boeckner knew he'd found the perfect counterpart for his solo debut. "I'd been a fan of his forever, especially the Sunn0))) records he produced," Boeckner says. "Working with Randall really unlocked some suppressed musical urges, things that I enjoy in my private life but don't normally weave into what I'm releasing-like occult synth, pseudo-metal, krautrock, and heavy psych influences." That base allows Boeckner to thoughtfully weave between emotional imagism and more grounded storytelling. Throughout the record, his imagery delves into science fiction, but it's charged first and foremost by experience. The trio of Boeckner, Dunn, and drummer Matt Chamberlain (Pearl Jam, David Bowie, Fiona Apple) formed a sort of dark engine for the album, and Chamberlain's ingenious approach of triggering a vintage Arp synthesizer simultaneously with each drum track helped Boeckner shape the record's atmosphere. That tense futurism was influenced by Boeckner's time staying in Dunn's Circular Ruin studio, a dusky, electronic aura burned into every track. By the end of the album, Boeckner! eases from sci-fi epic into something more akin to a torched VHS copy of a John Cassevetes film, the chemtrails and nuclear fallout fading long in the distance. Like all good sci-fi, the emotion and pain hits home for the author and listener alike, and the genre flourishes bolster the human experience. In revealing more than ever before, Boeckner! ratchets up the musical intensity to unforeseen levels and hopes to find some peace at the end of the journey.

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Bokassa

LP | 2023 | EU | Original (Diger Distro)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | EU (Dirt Tapes)

Bologna Violenta

Il Nuovissimo Mondo

12,99 €*

Bon Iver 10th Anniversary Edition

Release: 2023 / EU

Genre: Rock & Indie, Electronic & Dance

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"The New World" is the second album by Bologna Violenta. Released for the first time in 2010 by Bar La Muerte, it is a record that in just over 20 minutes tells in a grotesque way the atrocities of the world in which we live. The extreme sound is underlined by samplings that bring to mind the narratives that accompanied the much reviled world movies of the 60s in which the oddities of the human being followed one another on the screen between the serious and the humorous, between the horror and the eroticism, between news and fiction, seamlessly.

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Bon Iver

2LP | 2011 | UK | Reissue (4AD)

37,99 €*

Release: 2011 / UK – Reissue

Genre: Rock & Indie

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Diesen Juni feierte das zweite Bon Iver Album „Bon Iver, Bon Iver“ seinen 10. Geburtstag. Um das, wenn auch ein wenig verspätet, zu feiern, veröffentlicht 4AD am 14.01.2022 die „Bon Iver, Bon Iver (10th Anniversary Edition)“ dieses Klassikers auf CD und Doppel-LP. Neben dem Originalalbum enthält die limitierte Neuausgabe fünf bis dato unveröffentlichte Aufnahmen aus der AIR Studios Session. Eingespielt wurden die Songs gemeinsam von Justin Vernon und Sean Carey als Duo mit Klavier und Gesang.

Das ikonische Artwork der LP und CD wurde gänzlich neu gestaltet. Statt dem ursprünglichen Aquarell des Originals ziert bei der Anniversary-Edition nun eine Blindprägung auf weißen Grund das Cover. Dazu gibt es noch ein persönliches Essay von Phoebe Bridgers über ihre Liebe zu diesem Album und wie es sie als Künstlerin geprägt hat.

Begleitend zum Release spielen Bon Iver im Oktober zwei Shows im neu eröffneten YouTube-Theater in Inglewood in Kalifornien. Es sind Bon Ivers erste Shows seit Beginn der Pandemie und stellen das zweite Album und seine Produktion in den Fokus.

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Weedsconsin Black Deluxe Viny Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken!! Bongzilla is back with a new full length album, 16 years since their last record. These Pioneers of Weed Metal would like to present “weedsconsin” to the universe. An album written by the three long standing original members of Bongzilla - Muleboy (bass, vocals), Spanky (guitar), and Magma (drums). Recorded and mixed by the late John Hopkins at Future Apple Tree Studios in Rock Island, Illinois in October 2020. The six brand new tracks will blow your mind! In a single instant you are contaminated by the classic Weed-Infected sounds the band is known for, while also finding new elements mixed into the bowl. In the unique piece that is Weedsconsin, Bongzilla delivers heavy doses of Crushing Stoner Doom and Psychedelic Space Rock that sets it apart from earlier material. (That’s why HPS Records is the perfect label to release this stuff). This record travels down a path of heavy riffs, mind-expanding jams, sonic tones, and stomping beats in the band's first release as a thunderous three piece, with Muleboy moving from guitar to bass. Approaching these songs as a three piece has created more space musically and allowed the band to showcase their musicianship in a different way. It results in a sound that is very heavy, along the lines of Gateway tone-wise, but sonically more clear. The album is mastered by Carl Saff at Saff Mastering in Chicago, Illinois, and Eli Quinn (Madison, Wisconsin) is the artist behind the astounding new cover art. Weedsconsin is dedicated to the memory of John Hopkins.

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Weedsconsin Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Orange / Neon Green Viny Edition

2LP | 2021 | EU | Original (Heavy Psych Sounds)

43,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Splattered Vinyl Edition

28,79 €* 31,99 € -10%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Weedsconsin Transparent Neon Yellow And Green Vinyl Edition

39,99 €*

LP | 1997 | UK | Reissue (Domino)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bonnie Prince Billy

Joya

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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LP | 2018 | US | Original (Woodsist)

Bonny Doon

Longwave

Suono In Un Tempo Trasfigurato

Release: 2018 / US – Original

Genre: Rock & Indie

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Arriving in the early months of 2017, Bonny Doon’s self-titled debut was a warm introduction to the band for many. Hazy and bright, the album’s woozy melodies and swirling webs of summery guitar textures were easily ingested as low-key slacker pop. But the nonchalant breeziness belied a serious attention to songcraft, and hinted at depths yet unexplored. Lo and behold, before the ink was even dry on the first record, work had already begun on its follow-up Longwave, a conscious about-face from the sonic experimentation of the first album, and a journey inward.

In the spring of 2016 the band decamped to a remote part of Michigan, nesting near the evocatively named Mystic Lake, and spent a week uprooting former approaches and reinventing their sound anew. Moving into more improvisational territory, they wrote quickly and from the hip, using repetitive chord structures to aid in spontaneous generation. Attracted to the session’s spacious arrangements and unaffected sounds, they immediately went into the studio to capture the material. Working for the first time outside of home recording settings with engineer Bill Skibbe and longtime friend and collaborator Shelley Salant, the experience allowed for a focused concentration on bringing the intrinsic spirit of the group to the surface.

Opting for spontaneity and simplicity over the exploration of layers and textures that defined the first record, the band architected an incredibly intimate sound for these new songs. The album was tracked with minimal overdubs or production flourishes, constructing a frame that is spare and understated in the same way as the twilight-tinted third Velvet Underground album or the rusty glow of Bill Fay’s Time Of Last Persecution. These sessions aimed to capture the band at their essence. With the superfluous stripped away, a gentle but steadfast spiritual core is revealed as the backbone of Bonny Doon’s cosmic American music.

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Bono / Burattini

LP | 2023 | EU | Original (Maple Death)

17,59 €* 21,99 € -20%

LP | 2020 | EU | Original (Pure Noise)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Infinite reveries or translucent hallucinations, calm and steady pace, ghostly but undeniably present: this is ‘Suono In Un Tempo Trasfigurato’, Bono / Burattini’s debut for Maple Death.

Inspired by three movies of avantgarde cinematographer Maya Deren (At Land, Ritual in Transfigured Time and A study in Choreography for Camera), Francesca Bono (vocalist, performer, founder of Ofeliadorme and member of the Donnacirco collective) and Vittoria Burattini (percussionist, multi-faceted drummer and member of influential Italian avant-rock band Massimo Volume) created a dense hypnotic transfixing collection of songs based upon the sole use of the Juno 60 synthesizer and the organic linear pulsating sound of a drum kit.

These apparent limitations set the scene for an incredibly rich and rewarding voyage that immediately establishes a strong identity that oscillates between circular dream soundscapes and psychedelic rhythmic architectures. Bono / Burattini excels in threading magical images where objects transform without warning (Your House Is A Ghost) and collapse into kosmische grooves (La Trama Del Desiderio) or when humming electronics mold into temporal dimensions (Sogno Nel Vigneto). Burattini’s astonishing use of the drum kit and her mallet driven timbre produce space and tension (Dinner Illusion) perfectly complementing Bono’s synthesized realm made of nuance and reflection (Dancing Demons). One of the album’s key elements is the sparse use of Bono’s singing, an intricate mix of measured phrasing, breathing, spiral structures and extrasensorial-like choirs that seem to reference the rich Italian tradition of cosmic jazz, library music and the unmatched work of the RAI engineers in the 70s working with Gruppo Di Improvvisazione Nuova Consonanza, Morricone, Daniela Casa. The driving Can-like pulse of Le Ossa shows force and flow while Stella’s haunting piano recreates a futuristic horror-movie OST.

'Suono In Un Tempo Trasfigurato' is beautifully recorded and mixed by Italian composer Stefano Pilia, a perfect match for Bono / Burattini’s sonic explorations and for a record that intersects experimental wave, alien grooves, contemporary electronics and futuristic sci-fi. Their blend of analog electronics and organic pulses place them in a time out of joint where dancing remains the one constant ritual.

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Boston Manor

Glue

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2009 | EU | Reissue (Major Label)

Boxhamsters

Brut Imperial Reissue

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Boygenius (Julien Baker, Phoebe Bridgers, Lucy Dacus)

Boygenius EP

12" | 2018 | EU | Original (Matador)

17,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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Boygenius (Julien Baker, Phoebe Bridgers, Lucy Dacus)

Boygenius EP

LP | 2018 | EU | Original (Matador)

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Emotional Response)

Boyracer

Assuaged

LP | 2020 | US | Original (ATO)

Release: 2021 / EU – Original

Genre: Rock & Indie

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All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.On The 14 Studio Full Length, Boyacer Mainstay Stewart Anderson Has Hit A Jackpot,With 14 Concise Genre Defining Crashpop Gems. Building On The Critical Acclaim Of 2020s Fan Favourite,"On A Promise", Anderson Is Again Aided And Abetted By The Simpatico Talents Of Christina Riley, (Artsick) And The Melodic Talent Of Sarah Records / Slumberland Era Member Matty Green (Tall Boy / Declining Winter). Stewarts Vocals Are Vitriolic And Pointed, Meshing Perfectly With Christina's. Ms. Riley, Handles The Lead Guitar For Most Of The Album, Ensuring A New Direction On A Well Loved Path. Mattys Presence Assures The Pop Element Shines Through The Trademark Squalling Feedback Bursts. Reflective And Urgent, "Assuaged" Offers Many Highlights. The Instant Rush Of "Tommy Mcneil" Is A Paen To The Delightful Confusions Of A First Crush. "40 Hours" Is The Autobiographical Recollections Of Stewarts Disdain At Working At "National Health Food Chain" During Covid. "Spoils" Champions Art Over Fiscal Rewards. Whilst "Digital Friends" Questions How Many Facebook Friends We Really Need. At 36 Minutes Long, "Assuaged" Contains All The Classic And Loved Elements Of Boyracer, Distilled Into A Rush Of Euphoric Indie Punk Songwriting Mastery.

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Brandi Carlile

Firewatcher's Daughter

36,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Kinship)

Branes

Iel

12,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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And The Operators 3 Colored Stripe Vinyl Edition

Brant Bjork

LP | 2002 | EU | Reissue (Heavy Psych Sounds)

And The Operators Black Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Brant Bjork and the Operators is the second solo album by desert rocker Brant Bjork. Although titled Brant Bjork and the Operators, Bjork sings and plays most instruments on the album. He is joined by friends Mathias Schneeberger and Mario Lalli to lend guitar and vocals. After 20 years Heavy Psych Sounds is reissuing this sweat gem with a brand new cover and new colored vinyl versions !!!

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Brant Bjork

LP | 2002 | EU | Reissue (Heavy Psych Sounds)

And The Operators Half-Half Black/White Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Brant Bjork

LP | 2002 | EU | Reissue (Heavy Psych Sounds)

36,99 €*

LP | 2022 | EU | Original (Schnitzel)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Brendan Benson

Low Key

32,99 €*

CD | 2009 | UK | Original (ATO Records/ECHO)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Not every two-year period measures out the same, noted Brendan Benson, the 51-year old Grammy-nominated singer-songwriter and co-founder of The Raconteurs. Benson had just finished his well-received seventh album, "Dear Life" in 2019 when his world came to a stop. "I was rehearsing for South-By-Southwest and gearing up for a tour and had a band ready and then, of course, the world shut down," he said in a recent interview. The lockdown then began to reroute lives, societies and ambitions worldwide. "Everything changed," Benson said. "I went to work on some songs so I'd have new material when things opened up." Over months with minimal interactions, those songs coalesced and took on lives of their own, he said. Two years of semi-isolation, of fading relationships, of the natural inward turn that comes with less human contact unexpectedly pushed Benson's song-writing into new places. Instead of being an afterthought, Benson's solitude evolved into, "Low Key" the eighth album by the idiosyncratic songwriter who has enjoyed both world-wide popularity with the Raconteurs and a devoted cult following for his numerous solo projects. Low Key, the Nashville-based artist said, was his chance to explore how lives and relationships changed during the lengthy isolation from the normal interactions of everyday life. Benson might not have written songs such as "People Grow Apart" and "Whole Lotta Nothing" prior to 2019, he said. "The lockdown afforded people the opportunity to cut ties - or maybe it caused people to do that," he said. "Whatever the case may be, a lot of people fell out." "But then relationships ending is one of my favourite topics for song writing," he said with a laugh. This isn't to say that the 8-track effort recorded in Benson's own Readymade Studio in Nashville is a grim look at the state of human condition. Just the opposite. The catchy, upbeat lead track "Ain't No Good," pokes fun at destructive self-absorption while the guitar-heavy "Whatever's On My Mind" skewers Benson's own hyperkinetic, stream-of-consciousness thinking. And then there's the most unlikely track of all: A cover of Gerry Rafferty's smooth 1978 hit, "Right Down the Line." The cover was suggested by a friend. "She's always been saying I should do that song. I don't normally pay attention when people say that stuff. But then I happened to hear it one day and I said, 'Dang. This is good.' " Low Key concludes with "Something A Little Like Home," a song that surprised Benson because it turned to the loneliness of being on the road and what people will do - one-night-stands, bad behaviour -- simply to stave off the solitude of their environment. But that said, Benson added that he is excited to tour again, not just in support of Low Key but Dear Life as well. Low Key, he said, works as a coda for "Dear Life," almost a sequel. And because Dear Life never had its own tour moment in front of a live audience, he'd like to build some shows around supporting both. Or as Greg Calbi, the album's mastering engineer at Sterling Sound put it: "Brendan combines the classic 80's style song-writing in the Squeeze, Crowded House vein with some incredible contemporary sonic magic, the kind of album which entices the listener to get tickets to a live show immediately." The fact is, it's been a long, rough two years for everyone, Benson said. He knows that this wait for normal times, whatever that is, might be a long one. But he's hardly new at this. Benson has been in the industry for decades and has produced his own eight solo records as well as many others. The lockdown that left him mostly with himself, professionally speaking. Confined to his Nashville studio, Benson played every instrument on Low Key and handled all of the initial production. Michael Ilbert then mixed the album at Hansa Mixroom, Berlin, Greg Calbi and Steve Fallone mastered it at New Jersey's Sterling Sound. The end result was exactly what Benson had been searching for - even if he didn't know it at the time. Those years spent honing his craft as a songwriter, producer and touring musician, turned what could have been a liability of isolation into something far deeper, a body of work he described as the best of his career.

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Brendan Benson

My Old, Familiar Friend

3,99 €*

Release: 2009 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Eye Of The Hunter / Live At The Ica Reissue

Brendan Perry

LP | 2023 | EU | Original (4AD)

44,99 €*

LP | 2022 | US | Original (Sub Pop)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Out of print since release in 1999, Dead Can Dance"s Brendan Perry"s debut solo album "Eye of the Hunter" is being reissued this summer and has been expanded to now also include his 1993 live show as part of 4AD"s infamous 13 Year Itch week of concerts at London"s ICA, a live show that has to date only been available as a very rare promotional cassette.Having mutually disbanded Dead Can Dance so he and Lisa Gerrard could focus on their own material (a hiatus that would last seven years between live shows and sixteen between albums), Brendan"s debut built on his renown as a solo performer, having often played just he and an acoustic guitar during his band"s otherworldly live shows. Indeed, Dead Can Dance"s first official live album, 1994"s Toward The Within, captures just this with three Brendan solo tracks helping to set the scene for what came next.Backed by the band of Liam Bradley (drums), Glen Garrett (bass guitar) and Martin Quinn (pedal steel), Brendan performs the guitar, a 12-string guitar, mandolin and keys to achieve a rich, gothic sound while the album"s incredible production elevates his vocals to Scott Walker and Tim Buckley levels of delivery; two clear influences, the latter"s "I Must Have Been Blind Here" is thoughtfully covered here.A record that has been out of print on vinyl since its release in 1999, people have been asking for it to be repressed for long enough. Having been remastered at Abbey Road, fans will be delighted to hear that not only is Eye of the Hunter finally being reissued but that it"s also being expanded to include Live at the I.C.A.. A true collectible, this extra album has previously only been available on a rare as hen"s teeth promotional cassette, recorded during the 4AD label"s infamous 13 Year Itchresidency at the storied London venue in 1993. Chris Bigg"s fantastic art remains front and centre, upgraded to a gatefold sleeve for the LP with the transparent teal Colored Vinyl matching the album"s palette.

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Bret McKenzie

Songs Without Jokes

Release: 2022 / US – Original

Genre: Rock & Indie

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Initial vinyl pressing on Blue Curacao Transparent Vinyl! As you can probably glean from the title, Bret McKenzie-whom you know from such modern musical treasures as comedy duo Flight of the Conchords, the Muppets movie reboots and other ace kid-film soundtracks, Lord of the Rings fan blogs, guest songs for The Simpsons, cycling around the streets in his native New Zealand, and more- has a new solo record coming out filled with songs that ARE NOT Comedy Songs! There. Doesn't that feel better? Sometimes it helps just to get it out in the open. So, yeah, Bret's a ridiculously funny dude, and you might even call him one of the best comedy songwriters in the biz. (In Bret's own words, there are fewer than a dozen people in the world writing comedy songs today, but who's counting?) He's had smash hits, he's won major awards, he's the better-dressed part of his duo...he's got a good thing going! So, what gives with this whole "songs without jokes" solo stuff, man? The Conchords landed McKenzie and Jemaine Clement a hit HBO TV show, a BBC Radio series, chart-topping records, world tours, a Best Comedy Album Grammy, and a 2018 "reunion" special. McKenzie transitioned to Hollywood, writing songs for 2011's The Muppets (winning a Best Original Song Oscar for "Man or Muppet"), 2014's Muppets Most Wanted, and films in the Pirates! and Dora canons. While he enjoyed and excelled at the work, he wondered where his songs might go if set free of all that plot-bound specificity. And so, while in Los Angeles a few years back, recording movie music with a crack assemblage of legendary session musicians, McKenzie started playing around with a tune or two he had written simply as songs-songs without any external direction, songs without plot-pushing concerns, songs without jokes. The results reveal McKenzie's talents on multiple instruments (he's a veteran of several non-comedy bands in New Zealand back in the day, most notably the reggae-based fusion group The Black Seeds), and his affinity for wry, literate artists like Harry Nilsson, Steely Dan, Randy Newman and Dire Straits. Written mostly during the quieter moments of 2019, with his life split between work in Los Angeles and his family in Wellington, the songs of Songs focus on themes of escape, the perpetual search for peace, and navigating a life being pulled in multiple directions at once. There are also simple meditations on driving through a city, and the weather. McKenzie was inspired by the path icons like Newman and Nilsson had paved, where a silly or playful number could be sandwiched directly between a song about heartbreak or an earnest redemption and a scathing satire or character commentary. He threw a bit of everything into the mix, recording ideas on his phone at home in New Zealand after the kids had gone to sleep. Back in LA, he fine-tuned the songs with his longtime producer and collaborator, Mickey Petralia, and longtime film collaborator Chris Caswell created charts for that same ensemble of session players with whom they'd recorded so many pieces for film. The majority of songs were then recorded at United Studio in Los Angeles in just a few takes. While the album may be free of traditional punch lines, it doesn't lack a sense of humor. It showcases a new stage of McKenzie's career, to be sure, but one that isn't so far removed from his past work and true artistic self. Like Jim Henson before him, who made a career of blending the silly with the sincere and the playful with the profound, McKenzie also aims to connect rainbows to the ridiculous.

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Tape | 2024 | DE | Original (Flirt99)

Friedhof Der Moral

14,99 €*

Release: 2024 / DE – Original

Genre: Rock & Indie

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CD | 2024 | DE | Original (Flirt99)

Friedhof Der Moral

15,29 €* 16,99 € -10%

Release: 2024 / DE – Original

Genre: Rock & Indie

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Friedhof Der Moral Black Vinyl Edition

LP | 2024 | DE | Original (Flirt99)

Release: 2024 / DE – Original

Genre: Rock & Indie

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Friedhof Der Moral HHV Exclusive Red Vinyl Edition

LP | 2024 | DE | Original (Flirt99)

Release: 2024 / DE – Original

Genre: Rock & Indie

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12" | 2009 | UK | Reissue (A)

Brian Jonestown Massacre

Smoking Acid EP

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Machete Product)

Brigada Flores Magon

Immortels

23,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 2024 | US | Original (Dead Oceans)

Bright Eyes

Five Dice, All Threes

16,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Five Dice, All Threes Ghostly Blue Vinyl Edition

Bright Eyes

2LP | 2024 | US | Original (Dead Oceans)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Five Dice, All Threes Red And Orange Splatter Vinyl Edition

Bright Eyes

2LP | 2024 | US | Original (Dead Oceans)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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The Future Is Our Way Out

Brigitte Calls Me Baby

LP | 2024 | UK | Original (ATO)

Release: 2024 / UK – Original

Genre: Rock & Indie

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This House Is Made Of Corners Pink Vinyl Edition

Brigitte Calls Me Baby

12" | 2023 | UK | Original (ATO)

23,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Atlantic)

Briston Maroney

Sunflower

30,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Atlantic)

Briston Maroney

Ultrapure

33,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Do You Like Rock Music? 15h Anniversary Expanded

British Sea Power

2LP | 2008 | UK | Reissue (Rough Trade)

40,99 €*

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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CD | 2024 | EU | Original (Major Label)

Brockdorff Klang Labor

Mädchenmusik

18,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2023 | EU | Original (Major Label)

Brockdorff Klang Labor

Mädchenmusik

Release: 2023 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2023 | EU | Original (Major Label)

Brockdorff Klang Labor

Signs And Sparks

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 2010 | UK | Original (4AD)

Broken Records

Let Me Come Home

4,99 €*

Release: 2010 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 2017 | EU | Original (City Slang)

Broken Social Scene

Hug Of Thunder

19,99 €*

2LP | 2017 | EU | Original (City Slang)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited Edition, Clear Vinyl

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Broken Social Scene

Hug Of Thunder

2LP | 2017 | EU | Original (City Slang)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Near Mint

Sealed copy with a bump on bottom spine

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Broken Social Scene

Hug Of Thunder

LP | 2023 | US | Original (Dark Entries)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.

The group's sound combines elements of all of its members' respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.

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Brontez Purnell

No Jack Swing

13,19 €* 23,99 € -45%

LP | 2012 | US | Reissue (Rvng Intl.)

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Dark Entries and Papi Juice Records team up for No Jack Swing, the solo electronic debut of multi-hype man Brontez Purnell. The Southern-raised, Oakland-based musician and writer has centered his queerness and Blackness in projects Gravy Train and Younger Lovers as well as in his award-winning books 100 Boyfriends and Since I Laid My Burden Down. On No Jack Swing, Purnell gives us a love letter to the most beloved (and secularized) of drum patterns - that is, the electronic 808 “Amen Break”. Beginning recording in 2020, Purnell conceived of No Jack Swing as an audio zine of found sound materials: chain letters of instrumentals recorded in bedrooms, poems from boys in France, found gospel tapes from his childhood family Baptist Choir, and the sound of records skipping on his bedroom turntable. No Jack Swing is as much a homage to No Wave and New Jack Swing as it is an answering to the gods of Indie, Electroclash, Disco, and Gospel. Amidst all this background noise, the unexpected occurs: all the niche pretensions collapse to a singularity - the sound of High Pop! No Jack Swing was produced by Nightfeelings. Each copy of includes a lyric sheet with a photo of Brontez.

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Bronze

Copper

14,99 €*

LP | 2023 | EU | Original (Bruno Major)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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BRONZE is an exercise in impulse. BRONZE is also the San Francisco based trio of Brian Hock, Rob Spector, and Miles Friction the latest addition to the RVNG Intl. family with their debut album, "Copper". Stream-of-consciousness lyrical cooing and restrained analog trickery rest atop constant cog rotation grooves on "Copper". These elements yield a truly conductive album, abundant in compositions that beg for a listener's oxidizing ear. Commencing with "A Showdown Of Sorts", the record assumes a vague narrative aided by the allure of Tuxedomoon / Ralph Records-y exoticism, albeit less claustrophobic. "Showing Them" staggers into even Wierd-er territory, with eye flashes and spots of Legendary Pink Dots. "So Slow" and "The Rouge Became" are sister tracks fallen not far from the same Silver Apple(s) tree. "Wits" and "Fumes In Suits" counter clockwork like a high-pressure Units track and place Copper in the lexicon of San Fran synthesized and syncopated anti-stardom. Each vinyl copy of Copper comes with a copper ring. The ring is intended to be worn to BRONZE performances or even during daily rituals. While wearing the ring, you, the ring bearer, are encouraged to speak informally - if not offensively - with fellow ring mates. When overheard or confronted, blame it on the ring - i.e. "It was the copper talking." The ring will initially turn your finger green. The ring will also heal your wounds, correct your balance and is a fashionable accessory to boot.

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Bruno Major

Columbo

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Bruno Major)

Bruno Major

Columbo

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2020 | EU | Original (Harbour)

Bruno Major

To Let A Good Thing Die

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 1994 | EU | Reissue (BMG)

Bryan Ferry

Mamouna

33,99 €*

Haunted Mountain Black Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2023 reissue. Still sealed with hype sticker.

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Buck Meek

LP | 2023 | UK | Original (4AD)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Haunted Mountain Green Colored Vinyl Edition

Buck Meek

LP | 2023 | UK | Original (4AD)

Release: 2023 / UK – Original

Genre: Rock & Indie

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You Won't Remember Dying Transparent Red Vinyl Edition

Bulbous Creation

LP | 1994 | US | Reissue (Numero Group)

2LP | 2020 | EU | Original (Siluh)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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In 1971, Bulbous Creation poured what little personal surplus they had into a full day of recording at Cavern Studios, tracking enough material for a full length album. The band wouldn't stay together long enough to save up for a custom pressing on Rock. Singer/guitarist Paul Parkinson was deeply individualistic, and left to perform his songs as he thought they should be, as a solo act. He preferred coffee shops to concert halls, and would stick to his craft another 20 years before hanging it up. Drummer Horstmann followed suit. Jim "Bugs" Wine and guitarist Alan Lewis soldiered on, shortening their name to the more sensible Creation and adding vocalist Wayne Austin, dynamic drummer Tommy Ward, and guitarist Roger Sewell. The Bulbous Creation LP was nearly doomed to oblivion, but for the efforts of Rich Haupt, who issued an unauthorized eight song LP in 1995 on his Rockadelic imprint. Lewis died in 1998 of esophageal cancer. When Paul Parkinson died of leukemia in 2001, a lone copy turned up amongst his possessions, with piece of mind that someone, somewhere, was listening.

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Bulbul

Kodak Dream

19,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Sub Pop)

Bully

Lucky For You

13,99 €*