Search "Jessie+Ware" 2491 Items

Music From Jarvis Cocker's Sunday Service

2LP | 2019 | UK | Original (Ace)

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie

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7" | 2014 | US | Original (Run For Cover)

Mixed Singles Vol. 2

12,99 €*

Release: 2014 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited Edition.
No. 240/1072.

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Like Someone I Know: A Celebration Of Margo Guryan Red Vinyl Edition

LP | 2024 | EU | Original (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

It's A Cool, Cool Christmas Clear Red Vinyl Edition

2LP | 2021 | UK | Reissue (Jeepster)

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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In The Light Of Time - Uk Post-Rock And Leftfield Pop 1992-1998

2LP | 2023 | UK | Original (Ace)

Release: 2023 / UK – Original

Genre: Rock & Indie

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In the early 90s, a number of bands exploring the daring side of guitar pop and rock started to emerge in the UK. Most were new, some included members of 80s groups looking for new directions. They were supported by established independent labels such as Rough Trade and 4AD/Guernica and new ventures like Too Pure or Domino.

Influenced by the legacy of post-punk, minimalism, 70s art rock and a growing electronic scene, their first releases were enthusiastically received by the media. This included a 1994 article in The Wire where journalist Simon Reynolds used the term “post-rock” to refer to some of them: Bark Psychosis, Disco Inferno, Moonshake, Seefeel, Main, Pram, Insides…

Even though these bands didn’t sound alike, they seemed to share an ethos of deconstruction and were interested in the possibilities of studio manipulation. Calling their music post-rock meant that it still had a link with established rock music, even as it picked it apart and made something new from its component parts.

However, 1994 was also the first year when Britpop dominated the UK charts and music press, and the contemporary artists featured on this collection felt their already-small window of exposure shrinking. Still, away from the limelight, they released innovative records that were lauded worldwide and have since acquired cult status.

The second part of the 90s brought a new crop of groups and “bedroom” labels that carried on this forward-thinking attitude to music, unburdened by genre notions and open-minded.

“In The Light Of Time” is the first compilation to survey this period and scene of UK music. If they were released today, these tracks would probably be described as post-punk, art rock or leftfield pop. But beyond any tags or labels, they remain as inventive and captivating as when they first came out.

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Heaven On Fire- Compiled By Jane Weaver

LP | 2021 | UK | Original (Fire)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Featuring music from Okkyung Lee, Virginia Wing and an upfront track from Vanishing Twin's forthcoming album.

In the age of the playlist, in times where the recommender is royalty, Jane Weaver threads together the spookily hauntological strains of recent Fire releases; sub-navigating styles and genres to create a soundtrack of neo-folk futurism that nods to psychedelia, dream-pop and electronica.

`Heaven On Fire' is a chilled-out coming of age, made by a new set of visionaries, lovingly assembled by Jane Weaver; a state-of-the-label address that gathers Vanishing Twin (upfront exclusive from the new album `Ookii Gekkou'), Marina Allen, Mega Bog (courtesy of Paradise Of Bachelors), Virginia Wing, Islet, Faten Kanaan, Brigid Mae Power and Okkyung Lee (courtesy of Shelter Press).

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Do They Mean Us 5th Anniversary Compilation

LP | 2024 | JP | Original (Blue-Very Label)

32,39 €* 35,99 € -10%

Release: 2024 / JP – Original

Genre: Rock & Indie

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In May 2024, the *blue-very label* celebrates its 5th anniversary, and to commemorate the anniversary, the label will release its first compilation album of the best of the label's music. 10 songs from the 5 years of releases have been selected and have never been released in analog format.

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Brown Acid: The Third Trip

LP | 2016 | US | Original (Riding Easy)

Release: 2016 / US – Original

Genre: Rock & Indie

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"We continue down the wormhole of hard rock, heavy psych, and proto-metal here on The Third Trip with a set of tunes so obscure they can't be seen without a third eye. Most of these tracks were recorded in shack-sized studios, privately pressed for promotional purposes, and tossed out like last night's half empties only to later be discovered to be half-full, if not overflowing with greatness. The majority of these tracks are from the good ol' US of A with two exceptions, Ash-labelmate New Zealanders, Chook, and the mighty Limeys, Factory. As they say, first is the worst, second is the best, third is the one with the hairy chest. So take a shot of whiskey, shotgun a beer, and put some fuzz in between your nipples with the hairiest Trip you've taken yet. You won't be sorry you did."

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Brown Acid - The Sixteenth Trip

LP | 2023 | US | Original (Riding Easy)

23,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Sixteen trips might fry the fragile psyche of the average teenager, but the hoary old heads at Brown Acid boiled their brain pans long ago! As such, Riding Easy is bringing even more hard rock, heavy psych, and garage rock rarities from the North American wasteland of the 1970s. From L.A. to Youngstown, OH, from Toronto to Charlotte, The Sixteenth Trip has got everything covered. As always, original copies of these 45s would cost a pretty penny—if one could find ’em in the first place. And by now one knows the drill: This ain’t no bootleg. All songs are officially licensed. This sixteenth installment kicks off with “Shuckin’ and Jiving,” a seven-minute power jam from L.A.’s kings of garage psych, the Seeds. The song appeared as a single in 1972 with “You Took Me By Surprise” on the flipside. It was the only release on Productions Unlimited, a label created by (or for) the Seeds at the tail end of their late ’60s / early ’70s run as Sky Saxon And The Seeds. Get shucked! Macbeth released their one and only 45 in 1978, with the steamrolling “Freight Train” as the b-side to “Didn’t Mean (To Come This Far).” Boasting a thick-ass riff, a tasty stereo-panned guitar solo and at least one space laser sound effect, this one should satisfy fans of Blue Cheer and Grand Funk alike. Macbeth’s bassist, Ned Meloni, went on to play with UFO guitarist Paul Chapman, Virgin Steele guitarist Jack Starr and do a brief stint with doom legends Pentagram. Formed by three brothers—David, Bruce and Barry Flynn, all GM factory workers—along with organist Tom Applegate, The Headstones (also known as simply Headstone) lent their 1974 garage boogie “Carry Me On” to The Fourth Trip. This time, the Midwest psych rockers return with their killer 1975 instrumental “Snake Dance.” One can hear echoes of this particular guitar style in the recent work of Swedish adventure rock overlords Hällas. The band Clinton might’ve been from Pennsylvania, but that didn’t stop them from writing about New York City. “Midnight In New York” is the flipside to their sole single, 1976’s “Falling Behind.” Stylistically and thematically, it’s not unlike something famous New Yawker Ace Frehley would’ve written for Kiss around the same time.

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Brown Acid - The Ninth Trip Riding

LP | 2019 | US | Original (Riding Easy)

Release: 2019 / US – Original

Genre: Rock & Indie

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The forthcoming ninth edition of the popular compilation series featuring long-lost vintage ’60s-’70s proto-metal and stoner rock singles, Brown Acid - The Ninth Trip is set for release! Some of the best thrills of the Internet music revolution are the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a century—particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins—often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks collected on Brown Acid.

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Brown Acid: The Fourth Trip Colored Vinyl Edition

LP | 2017 | US | Original (Riding Easy)

Release: 2017 / US – Original

Genre: Rock & Indie

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Brown Acid: The Fourth Trip Black Vinyl Edition

LP | 2017 | US | Original (Riding Easy)

Release: 2017 / US – Original

Genre: Rock & Indie

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Bobby Gillespie Presents: I Still Can't Believe Yo

2LP | 2023 | UK | Original (Ace)

33,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.

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Bob Stanley Presents 76 In The Shade

2LP | 2020 | UK | Original (Ace)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Best Of Soundgarden Yellow Vinyl Edition

2LP | 2023 | EU | Original (Magnetic Eye)

51,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Best Of Soundgarden Black Vinyl Edition

2LP | 2023 | EU | Original (Magnetic Eye)

48,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Beam Penetration And Mad Computer, Plus The Minimal Sound Of Motorcycles Standard Edition

10"+CD | 2024 | JP | Original (EM)

39,19 €* 48,99 € -20%

Release: 2024 / JP – Original

Genre: Rock & Indie

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Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. A series of performances, billed as “Night Events” were held at the Expo; the most radical of these was "Beam Penetration and Mad Computer, plus the Minimal Sound of Motorcycles”, but its anti-establishment feel and general madness took the Expo organizers by surprise and it was cancelled after only one night, despite being scheduled for a longer run. An air of myth developed around the event, but a recording of the event has been discovered and this release is the result. This release comprises a CD, a 10-inch record with fold-out sleeve and large obi, plus fascinating notes in Japanese and English by Kenichi Yasuda, an expert on Japanese rock music, and Koji Kawasaki, a renowned researcher of Japanese electronic music, as well as rare photos.

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Beam Penetration And Mad Computer, Plus The Minimal Sound Of Motorcycles Special Edition

10"+CD | 2024 | JP | Original (EM)

67,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Left Ear)

Antipodean Anomalies 2

38,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Antipodean Anomalies 2 is Left Ear Records' most ambitious project to date, a compilation that took over 4 years to license and includes 17 artists across a double LP. AA2 picks up where the first iteration left off, with co-compilers Chris Bonato and& Bridget Small continuing to dig through the music of the geographically isolating and maverick landscapes of Australia and& New Zealand.

As with the first iteration, Left Ear continues its to excavation ofe the music from these vast micro-scenes that evolved out of a number of small community-focused domains, creating their own unique reinterpretation of musical influences from near and far, spanning the years 1980 – 1992.

The compilation scopes an overlooked epoch from Adelaide, presenting acts such as the DNA Lounge, TCH & Will Kuiper. A close-knit community of like-minded mates that made distinctive electronic music together throughout the 80’s, all of which remained unreleased until now. Holbrook Buchanan capture the ambiance of Perth’s heat prodded afternoon’s perfectly with their track Hunger, a breezy 9-minute minimal-jazz jam that includes kalimba, water samples & conga. Furthermore, artists like David Watson & Colin Offord use samplers and handmade instruments to offer a more abrasive and experimental aesthetic.

To round out the compilation, artists such as Jane Stevenson, discovered a 7” at an op-shop and found the needle stuck on the word, ‘Aloha’. Using tape loops, she chose to highlight imperfections rather than hide them and in unison managed to cross boundaries of time; the 60s (album voice) and the 80s (my voice), of location; Hawaii and Australia, and of language; “Aloha and Hi”. This ethos echoes the compilation's vision, to champion artists that implement impromptu creativity, and who have a desire to create regardless of their surroundings and resources. AA2 signs off with the Back to Back Zithers, drawing inspiration from the haiku poems of Basho. To illustrate this, Kari set a Kacapi improvisation to the backdrop of the cicada chorus of summertime in outer Melbourne.

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Allen Ginsberg-The Fall Of America

LP | 2022 | EU | Original (Allen Ginsberg)

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2022 | US | Original (We Are Busy Bodies)

Uwuw

Release: 2022 / US – Original

Genre: Rock & Indie

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7" | 2014 | Original (Tonefloat)

Use Of Ashes

I Hear A New World

8,99 €*

Release: 2014 / Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Born Bad)

Use

Coleur Brique

20,99 €*

LP | 2024 | EU | Original (One Little Independent)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Couleur Brique, third album released by Born Bad for one-man-operation Use?, opens with a coughing fit spurting on a piano, while a guitar gently dies in the back of a hangar. The connoisseur will rekindle fond memories of his underground hit "ampheta-amphe?ta- amphe?tamine", this time to warn us about the "chef d'e?, chef d'e?, chef d'e?-tat". We won't know what he had to spit about to the president, but he's got some left on his trousers.Use? literally punches songs, beating the snare drum to celebrate a lover that bites and claws. It's mostly about boy-meets-girl and tough love in these seven romances that taste like beer chasing uppers, and end up in the back of a van.Praise be, to the melodic effort, supported by layers of sharp and bitter synths, and a straightforward vocal performance. It's a ride in forsaken land, beer in hand, documenting horny guys at the fun fair, late evenings in a shabby pub, and dirty sheets. Here and there, when least expected, flashes of unpretentious drunken wisdom hit the spot.The record is fueled by the broken drummer's energy, but also a verified writing effort. Those songs will be sung, bonded in the wastelands, to fight against buzzkill.Once active in local politics, Nicolas Belvalette settled down for acting, recently starring in "Tout fout le camp" where he plays his own role. But he's at his best on his turf, small rooms and scroungy festivals, where the great romantic weirdo spits on his tits, crawling under a raving audience. You'll have to buy the record if you want to get the lyrics, because at a gig, it's hard to follow when you're busy figuring out whether it's sweat, piss or beer that's connecting you to your neighbor.A fine collection of autumn tunes to get wasted, start a bar fight with new friends, and fall asleep on the counter with no shame.

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USA Nails

Feel Worse

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (One Little Independent)

USA Nails

Feel Worse

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Hex)

USA Nails

Character Stop

LP | 2023 | EU | Original (Blue Rose / Heckmann)

Release: 2020 / EU – Original

Genre: Rock & Indie

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This is the 5th full length for London-based USA Nails full of post-punk noise rock that's as grating as it is catchy.USA Nails release their fifth album "Character Stop" on October 23rd 2020 through Hex Records in the US. The new album from London-based USA Nails (and 2nd for Hex Records) is a post-punk, noise-rock platter that is as grating as it is catchy. The record was tracked live over 4 days at Bear Bites Horse in London with producer Wayne Adams. Though "Character Stop" still features the pummeling noise-punk that USA Nails have become renowned for, it's balanced with more sober, downbeat moments. On it they explore identity - like the online personas of aggressive twitter users, influencers and vloggers, as well as more introspective takes on mental health, giving up on dreams, the joy (and despair) of being a part-timer, and contemplating who they would be if they decided to hang up their guitars for good. Guitarist Gareth Thomas comments, "For me "Character Stop" is the best album USA Nails have ever made by miles. It's more varied than anything we've ever done before and I think it's stronger for it. I feel like it's more fully realized, and more complete as a collection of songs. Every time we get in a room together and write, the dynamic of our relationship as writers (and mates) develops a bit further, we get better at anticipating and complimenting each other. We've always tried to be efficient in our creativity, to do what feels natural and just let things flow. I'm obviously still really happy with all the music we've written up to this point, but on this record everything seemed to come together so sweetly. " Comes on clear green vinyl. USA Nails will tour Europe and the US in 2021, following a clutch of UK album launch shows in late 2020 - Covid permitting.Comes on limited edition clear green vinyl!In the last few years, USA Nails have toured with Sub-Pop lovelies Metz, completed numerous USA and European headline stints, and supported the likes of Mission Of Burma, Joh...

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Us Rails

Live For Another Day

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Sanctuary)

Wonderworld

Release: 2015 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2015 | UK | Original (Sanctuary)

Very 'eavy Very 'umble

Release: 2015 / UK – Original

Genre: Rock & Indie

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The Definitive Anthology 1970-1990 Colored Vinyl Edition

2LP | 2023 | EU | Original (BMG/Sanctuary)

33,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sweet Freedom Picture Disc Edition

LP | 2023 | EU | Original (BMG/Sanctuary)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2015 | UK | Original (Sanctuary)

Salisbury

Release: 2015 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Return To Fantasy Picture Disc Edition

LP | 2023 | EU | Original (BMG/Sanctuary)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Sanctuary)

Return To Fantasy

Release: 2015 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Look At Yourself Picturedisc Edition

LP | 1971 | EU | Reissue (BMG/Sanctuary)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | UK | Original (Sanctuary)

Look At Yourself

Release: 2015 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Music On Vinyl)

Equator

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Silver Lining)

Chaos & Colour

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Original (Sanctuary)

Abominog

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Bella Union)

Ural Thomas & The Pain

Dancing Dimensions

Release: 2022 / UK – Original

Genre: Rock & Indie

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Polychrome The Pink Album Postlude

Unloved

LP | 2023 | EU | Original (Heavenly)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Killing Eve'r "Ode To The Lovers"

Unloved

LP | 2023 | UK | Original (Heavenly)

28,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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V HHV European Exclusive Frosted Blue Vinyl Edition

Unknown Mortal Orchestra

2LP | 2023 | US | Original (Jagjaguwar)

35,99 €*

Shame Clear Vinyl Editoin

Release: 2023 / US – Original

Genre: Rock & Indie

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Artist Edition – exclusive to HHV in Germany.

Created between Palm Springs, California and Hilo, Hawai'i, V is the first double album from the Hawaiian-New Zealand singer-songwriter, multi-instrumentalist and producer Ruban Nielson's Unknown Mortal Orchestra band. Designed to play as one continuous movement and road-tested on dry California freeways, V is the definitive Unknown Mortal Orchestra car record. It's also the fifth full-length album Ruban has released in twelve years. Across fourteen sunbleached songs - written solo or with his brother Kody - Ruban draws from the rich traditions of West Coast AOR, yacht rock, weirdo pop and Hawaiian Hapa-haole music. Over a laidback blend of singalong anthems and cinematic instrumentals, he evokes blue skies, afternoons spent lounging by hotel swimming pools and the alluring darkness that lurks below perfect, pristine surfaces. It's a duality expressed in the dilapidated sunset blues and the saltcorroded soul Ruban explores through tracks like `Layla' and `Nadja. ' During the pandemic's early days, Ruban reunited with Kody at a cousin's wedding in Hawai'i. With assistance from their father, Chris Nielson (saxophone/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, `Weekend Run' and `That Life'. However, the golden good times never last forever. Not long after, health issues began to plague his extended family. Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he'd internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, `I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they're mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realised he had the responsibility and platform to represent Hapa-haole music on the global stage.

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Uniform

LP | 2020 | US | Reissue (Sacred Bones)

Yo Fui Una Adolescente Terrosatanica

Release: 2020 / US – Reissue

Genre: Rock & Indie

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What if the antihero in your favorite film or book had no chance to repent, reconcile, or redeem himself? There's no victim to rescue. There's no evil to thwart. There's no tyranny to turnover. Instead of saving the day against his better judgment, he just walks a Sisyphean circle of existential malaise doomed to repeat yesterday's vices without the promise of a better tomorrow. Rather than tell this story on the screen or on the page, Uniform tell it on their fourth full-length album, Shame. The trio - Michael Berdan (vocals), Ben Greenberg (guitar, production), and Mike Sharp (drums) - strain struggle through an industrialized mill of grating guitars, warped electronics, war-torn percussion, and demonically catchy vocalizations. Born in 2013, Uniform bulldozed a path to the forefront of underground music. Following Perfect World (2015) and Wake in Fright (2017), the group's third offering, The Long Walk (2018), represented a critical high watermark. In addition to touring with the likes of Deafheaven and Boris, they joined forces with The Body for a pair of collaborative albums Mental Wounds Not Healing (2018) and Everything That Dies Someday Comes Back (2019) - as well as the live release, Live at the End of the World (2020). This record marks the debut of Mike Sharp on drums, adding a natural fire to the engine. His presence grinds down their metallic industrial edge with a live percussive maelstrom. Once again, Greenberg assumed production duties behind the board at Strange Weather. Building on the approach from their last LP, the band perfected the powerful hybrid of digital and analog, electronic and acoustic, synthetic and actual that has become their hallmark. In another first, Mixing duties were not handled by Greenberg, but rather handed off to the inimitable Randall Dunn at his studio Circular Ruin.

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Ultrasonicas

LP | 2021 | EU | Original (Munster)

17,99 €*

LP | 2013 | Reissue (Western Vinyl)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Highlightsvinyl Reissue Of The Ultrasónicas Recordings, Classic Late 90s Mexican Underground Rock Band.Their Sound Is Based On Rock And Roll, Garage, Surf And Punk, Along With The Influence Of The Riot Grrrlmovement, Becoming A Reference For 90s Mexican Underground Rock And Also For All-Women Bands, Encouraging Many Others In Mexico To Follow Their Example.This Record Presents, On Vinyl For The First Time, A Selection Of Their Recordings Previously Released On Cd Only As Well As Most Of Those Originally Included On The 10", Comprising A Complete Approach To The Repertoire Of Ultrasónicas.Descriptionjenny Bombo Together With Tere Farfissa Formed This Band From Mexico City In 1996. Several Singers, Guitarists And Bassists Temporary Joined Them Until Suzy Vox, Jessy Bulbo (Bass And Voice) And Ali Gua Gua (Guitar) Arrived. They Began To Play As A Quintet In Memorable Concerts Within The Underground Circuit Of Mexico City Until Tere Left The Band In 1997 And They Remained As A Quartet. Their Sound Is Based On Rock And Roll, Garage, Surf And Punk, Along With The Influence Of The Riot Grrrl Movement.In 1998, With That Line-Up, They Recorded A Demo In The Rehearsal Room With 2 Microphones Only. This Woud Become The 10" Vinyl Record "Yo Fui Una Adolescente Terrosatanica (The Demo Versions)" (1999), A Limited Edition To 500 Copies Only, Sporting A Caveman Sound And A Great Sense Of Humor. They Had Also Recorded Other Songs In A Home Studio That Were Released Exclusively On Cd By Munster Records In 2001 (The "Definitive Versions").This Album Presents On Vinyl For The First Time A Selection Of Those Recordings Previously Released On Cd Only Together With Most Of Those Included On The 10" Record, Comprising A Complete Representation Of The Ultrasonic Repertoire. The Band Has Become A Reference For 90s Mexican Underground Rock And Also For All-Women Bands, Encouraging Many Others In Mexico To Follow Their Example.We Welcome You To The Wonderful Brashness And Rock Sound Of The Ultras. T...

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Ulfur

White Mountain

21,99 €*

Galmandsværk Purple Vinyl Edition

Release: 2013 / Reissue

Genre: Rock & Indie

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Having played in various bands including SWORDS OF CHAOS and in JONSI's touring band, "White Mountain" is ULFUR HANSSON's debut under his own name. With influences ranging from cult cinema, esoteric literature and contemporary music, ULFUR presents a unique twist on the supernatural. In his own words: "Every track is a collage of field-recordings made while travelling. I met so many interesting people on the road (for instance, Alexandra of Mountain Man who did amazing vocals for "So Very Strange") and I always carry my tape recorder with me like a camera. The title is a homage to Rene Daumal's Mount Analogue, as well as Alejandro Jodorowski's film Holy Mountain, but also something else..Each individual sound has a very special memory attached to it, so the album cre...

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Uffe Lorenzen

LP | 2020 | Original (Bad Afro)

22,99 €*

LP | US | Original (Stones Throw)

Release: 2020 / Original

Genre: Rock & Indie

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- Vierte Pressung, Limitiert Auf 500 Stück - Lila Vinyl - Zum Release Schaffte Es Das Album Auf Platz 1 Der Dänischen Album-Charts Uffe Lorenzen (Alias Lorenzo Woodrose) Ist Der Frontmann Von Baby Woodrose Und Spids Nogenhat, Der Bei Diesem Projekt Allerdings Unter Seinem Bürgerlichen Namen Aufnahm Und Zudem Auf Dänisch Singt. Das Erste Ergebnis Ist Das Neue Soloalbum "Galmandsværk", Das Am 10. November Erscheint Und Während Eines Urlaubs Auf Der Kleinen Vulkaninsel Gomera Nahe Der Küste Von Marokko Geplant Wurde, Wo Er Sich Zum Großteil In Einem Kleinen Raum Verschanzte Und Nichts Anderes Tat, Als Zehn Wochen Lang Neue Songs Schrieb. Uffe Lorenzen: "Ich Hatte Im Vergangenen Winter Die Gelegenheit, Für Ein Paar Monate Zu Reisen Und Entschied Mich, Viel Zeit Damit Zu Verbringen, Den Ozean Zu Betrachten Und Songs Auf Dänisch Zu Schreiben. Ich Glaube, Ich Habe Meine Eigene Methode Gefunden Und Vielleicht Sogar Einen Persönlicheren Blickwinkel. Ich Denke Immer Noch, Dass Das Schreiben Auf Dänisch Eine Herausforderung Darstellt, Aber Ich Glaube, Dass Der Ehrlichere Ausdruck Eine Ehrlichere Darstellung Verdient, Daher Sollte Der Name Lorenzo Woodrose, Der Wirklich Nur Für Leute Außerhalb Dänemarks Zwecks Aussprache Gedacht War, Fühlte Plötzlich Merkwürdig Oberflächlich An ".Galmandsværk (Übersetzt "Akt Des Wahnsinns") Enthält Zehn Lieder, Die In Viele Richtungen Gehen Und Sich Anhören, Als Ob Baby Woodrose, Spids Nogenhat Und Dragontears Verschmolzen Sind Und Zu Etwas Neuem Wurden. Der Sound Des Albums Ist Überwiegend Akustisch Mit Vielen Exotischen Instrumenten Wie Sitar, Tablas, Bansuri, Drehleier Und Geige. Uffe Lorenzen: "Ich Denke, Ich Bin An Einem Punkt Angelangt, An Dem Ich Neue Wege Finden Muss, Um Den Prozess Interessant Und Motivierend Zu Gestalten. Diesmal War Das Schreiben Auf Dänisch Nur Eine Herausforderung Von Vielen. Wir Haben Zum Großteil Akustikinstrumente Verwendet Und Versucht Die Üblichen Fehle Rzu Vermeiden, Indem Alle Songs Mit Einer Einfachen Aufnahme Von Gesang Und Gitarre An...

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U.S. Velvet

Release: US – Original

Genre: Rock & Indie

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No Thievery, Just Cool Swirl Vinyl Edition

U.S. Highball

LP | 2023 | US | Original (Lame-O)

A Parkhead Cross Of The Mind

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited Swirl Vinyl No Thievery, Just Cool is the fourth album in as many years from Glaswegian jangle-pop outfit U.S. Highball, comprised of lifelong friends Calvin Halliday and James Hindle.This time around, the boys decided to put the neighbourhood to work, enlisting a host of friends and external collaborators to beef up their characteristically propulsive pop nuggets. Jacob Ewald - frontman of recent tourmates Slaughter Beach, Dog - duets with James on a soaring version of The Mr. T Experience's Big, Strange, Beautiful Hammer, and Manda Rin - one third of Glasgow indie legends Bis - lends her trademark emphatic yelp to the effervescent Tiny Partick. On album closer Out of Time, Aussie stalwarts Darren Hanlon and Shelley Short provide sun-soaked harmonies that elevate the song's ruminative coda to something transcendent, while Joe Howe - typically known to traffic in jittery electronics - unleashes a rousing saxophone solo slap-bang in the middle of Paris 2019.The record was masterfully mixed by Melbourne-based legend-in-the-making Snowy - best known for his work with The Ocean Party and Ciggie Witch - whose ardent ear for detail helped breath fresh life into the songs during the mixing process, bringing out the best in Halliday and Hindle's unorthodox arrangements. Mastering duties were handled once again by Ian Farmer - also of Slaughter Beach, Dog - further cementing his status as the band's de-facto third member.As ever, U.S. Highball have fashioned a densely-populated lyrical world that's at once surrealistic and chock-full of kitchen sink detail, with songs frantically ushering the listener from Buchanan Street to Boulevard Saint-Michel in the space of a single hook-stuffed chorus. Irresponsible Holiday - arguably the album's most urgent earworm - revels in the workaday minutiae of office life, the aforementioned Paris 2019 alludes to brushing up against overly-opinionated strangers on the streets of the City of Lights, while Marjorie Says is a disarmingly earnest love letter to Calvin's dog...

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U.S. Highball

LP | 2022 | US | Original (Lame-O)

Release: 2022 / US – Original

Genre: Rock & Indie

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Some bands reveal themselves immediately, coming right out and winningthe listener over the moment they hit play. And then there are bands thatopen up with time, rewarding repeat listens with new lyrical and musicalthrills on every return. Glaswegian jangle pop extraordinaires U.S. Highballhave the rare distinction of being both. The duo specialize in the kind ofinstantly charming songwriting that makes a great first impression, and aneven better second, third, and beyond. Their songs are equal parts wit andheart, full of pop culture nods, inside jokes, and hooks upon hooks. NowU.S. Highball's third full-length, A Parkhead Cross of The Mind, leans evenfurther into their unique dichotomy, offering another goldmine of discoveryset to their finest batch of pop gems to date.Made up of James Hindle and Calvin Halliday, U.S. Highball is the result of a17-year friendship. Upon meeting in 2005, the two quickly bonded over theiroverlapping musical interests, and when their previous group, The Pooches,began to fizzle, they soon found a new creative chemistry working as a duo."We have pretty much identical tastes in music, and culture in general, so wewere both on the same page as to what we wanted the band to sound like,"Hindle explains. "It's like having all the fun parts of being in a band, withoutany of the hassle!" The prolific songwriters released their debut LP as U.S.Highball, Great Record, in 2019, and quickly followed it with 2020's Up ToHigh Doh.When crafting A Parkhead Cross of The Mind, U.S. Highball set out to makea louder, punchier version of their sound without sacrificing the idiosyncraticcharm of their previous releases. They upgraded their gear and home recordingsetup and got to work, whittling down 40 potential songs to 12, whichwere then meticulously honed. "We definitely prefer to record at home,"says Hindle. "It gives us unlimited time to let the songs gestate for longerwithout the financial and time constraints of being in a studio." This unhur...

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Heavy Light Colored Vinyl Edition

LP | 2020 | UK | Original (4AD)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Heavy Light Black Vinyl Edition

LP | 2020 | UK | Original (4AD)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2015 | UK | Original (4AD)

Half Free

22,99 €*

Release: 2015 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

cracks in cover. With insert

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Bless This Mess Red Vinyl Edition

LP | 2023 | UK | Original (4AD)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Bless This Mess Black Vinyl Edition

LP | 2023 | UK | Original (4AD)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (4AD)

Bless This Mess

Burning In The Shade Transparent Orange Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker.

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Tygers Of Pan Tang

LP | 1987 | EU | Reissue (Cargo)

LP | 2023 | EU | Original (Clouds Hill)

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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Transparent Orange Vinyl, limited to 500 copies. The Tygers of Pan Tang were one of the foremost New Wave of British Heavy Metal Bands and they hit the album charts running when their 1980 debut album Wildcat reached #18 in the UK charts. After three further albums with MCA, they recorded this album for Zebra Records in 1987. Burning in the Shade is the most melodic of their releases and features the line-up of Jon Deverill (vocals), Steve Lamb (guitar), Brian Dick (drums) with guests Steve Thompson and Phil Caffrey.

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Two Year Vacation

Expedition Nowhere

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Grand Jury Music)

Twin Peaks

Wild Onion

33,99 €*

LP | 2019 | US | Original (Grand Jury)

Release: 2014 / US – Original

Genre: Rock & Indie

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Don't bother asking Twin Peaks about the deeper meaning of their band name. They simply thought it sounded cool, which explains why their second album Wild Onion isn't as spooky or surreal as David Lynch's short-lived TV show. It's more like a modern day Nuggets, with Black Lips, Thee Oh Sees and Ty Segall curating instead of Lenny Kaye. Not literally, of course. But the spirit of those garage demigods is alive and well alongside subtle nods to everything from the Pixies and Tame Impala to the godfathers of guitar-guided pop music, the Beatles, the Rolling Stones and the Beach Boys. Having just wrapped a national tour in support of their fellow Chicagoans The Orwells and midwest dates with Arctic Monkeys, Twin Peaks are on the road currently with Brit buzz band Eagulls and will follow that with a headline club tour of all major US markets around release date."The Chicago teenagers who make up the band Twin Peaks make a confident old-school indie rock chug that should be beyond their years."--Stereogum.

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Twin Peaks

Lookout Low

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Left Ear)

Twin Cosmos

Double Action

24,64 €* 28,99 € -15%

Uppers Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Twin Cosmos is not only the name of the musical output of fraternal twins Morihito & Yasuhito Ito, but more philosophically, an album that encapsulates, “the universe of twins”.

The pair were born 1953 in Yokkaichi, Mie Prefecture. A port city 50 kilometres west of Nagoya, famous for its chemical plants. Despite their surroundings, they grew up in an environment that fostered learning and self-expression. From an early age, they began to carve out their own paths.

Morihito was fascinated with scientific endeavours, space travel and spirituality. His father, an electrician by trade - motivated him to build his own musical equipment. This led him to attend an acoustic engineering school in Tokyo from 1972-1974, after which, Morihito returned to Yokkaichi where he worked in the instrument and audio section of a department store. This helped him keep up to date with the latest equipment, while allowing him to simultaneously work on his own musical endeavours.

Morihito’s side of the ‘Double Action’ LP is a cohesive piece, which effortlessly drifts from one song to the next through samples of flowing water and rockets launching into space ,that were recorded while visiting his brother in the States. His music is carried by flowing vocal harmonies, guitar strums, and floating synths to create an eternal dreamlike ambiance.

In contrast, Yasuhito gravitated towards philosophy and the arts and in 1976 followed his Englsih teachers’ advice and moved to the ‘foreign world’ of the United States. It’s here that he further explored his interests in Christianity, sadomasochism and poetry. He was exposed to artists like John Cage and Sun Ra, as well as a variety of ‘Do It Yourself’ recording techniques that enabled him to record remotely.

Using samples, poetry, and an original approach to traditional folk & rock songs, he recorded his side of the LP. The outcome being provocative, dark and confronting realisations, which solely used English lyrics to represent his experiences in the ‘Western world’. In 1980, Yasuhito was wooed back to Japan by his brother and the prospect of a combined record release.

The self-released album ‘Double Action’, was completed at Victor studios in Japan. Without a distribution network, the release was sold mostly to family and friends and fell into obscurity. Despite not reaching commercial success, the pair have continued to make music over the past four decades, crediting it as their driving force in life. This 2022 release includes an insert with archival images & liner notes in both English & Japanese.

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TV Priest

LP | 2021 | EU | Original (Sub Pop)

21,99 €*

Tape | 2021 | EU | Original (Sub Pop)

Release: 2021 / EU – Original

Genre: Rock & Indie

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It's Tempting To Think That You Have All The Answers, Screaming Your Gospel Every Day With Certainty And Anger. Life Isn't Quite Like That Though, And The Debut Album From London Four-Piece Tv Priest Instead Embraces The Beautiful And Terrifying Unknowns That Exist Personally, Politically, And Culturally. Posing As Many Questions As It Answers, Uppers Is A Thunderous Opening Statement That Continues The Uk's Recent Resurgence Of Grubby, Furious Post-Punk Music. It Says Something Very Different Though - Something Completely Its Own. Four Childhood Friends Who Made Music Together As Teenagers Before Drifting Apart And Then, Somewhat Inevitably, Back Together Late In 2019, Tv Priest Was Borne Out Of A Need To Create Together Once Again, And Brings With It A Wealth Of Experience And Exhaustion Picked Up In The Band's Years Of Pursuing 'Real Life' And 'Real Jobs', Something Those Teenagers Never Had. Last November, The Band - Vocalist Charlie Drinkwater, Guitarist Alex Sprogis, Bass And Keys Player Nic Smith And Drummer Ed Kelland - Played Their First Show, To A Smattering Of Friends In What They Describe As An "Industrial Freezer" In The Warehouse District Of Hackney Wick. "It Was Like The Pub In Peep Show With A Washing Machine Just In The Middle_" Charlie Laughs, Remembering How They Dodged Star Wars Memorabilia And Deep Fat Fryers While Making Their First Statement As A Band. Unsurprisingly, There Isn't A Precedent For Launching A Band During A Global Pandemic, But Among The General Sense Of Anxiety And Unease Pervading Everything At The Moment, Tv Priest's Entrance In April With The Release Of Debut Single "House Of York" - A Searing Examination Of The Monarchy Set Over Wiry Post-Punk And Fronted By A Mark E. Smith-Like Mouthpiece - Served As A Breath Of Fresh Air Among The Chaos, Its Anger And Confusion Making Some Kind Of Twisted Sense To The Nation's Fried Brains. It's The Same Continued Global Sense Of Anxiety That Will Greet The Release Of Uppers, And It's An Album That Has A Lot To Say Rig...

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TV Priest

Uppers

9,74 €* 12,99 € -25%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Peripheral Vision Clear Orange Vinyl Edition

LP | 2015 | US | Reissue (Run For Cover)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Virginia Beach's Turnover has never been a band afraid of telling the truth. The emotional honesty poured out over a number of anthemic releases has been a proven formula of success for the band, but on their sophomore LP Peripheral Vision, the band treads into deeper water. Working again with Magnolia producer Will Yip (Title Fight, Circa Survive), Turnover's latest record shows a band maturing to create their best effort: an ethereal, reverb-drenched soundscape blending elements of hazy dream pop and the delicate emo rock of yesteryear. Songs like "Hello Euphoria" and "Like Slow Disappearing" highlight the new calmer, more subdued approach to songwriting, matched by Austin Getz's somber, confessional lyrics that echo throughout songs as if his words were haunting every measure. Peripheral Vision solidifies the idea that Turnover is a band with its finger on the pulse of its generation: growing and learning with every release, but never failing to provide a relatable, cathartic experience for anyone listening.

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Tape | 2015 | US | Reissue (Run For Cover)

Peripheral Vision

18,99 €*

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Virginia Beach's Turnover has never been a band afraid of telling the truth. The emotional honesty poured out over a number of anthemic releases has been a proven formula of success for the band, but on their sophomore LP Peripheral Vision, the band treads into deeper water. Working again with Magnolia producer Will Yip (Title Fight, Circa Survive), Turnover's latest record shows a band maturing to create their best effort: an ethereal, reverb-drenched soundscape blending elements of hazy dream pop and the delicate emo rock of yesteryear. Songs like "Hello Euphoria" and "Like Slow Disappearing" highlight the new calmer, more subdued approach to songwriting, matched by Austin Getz's somber, confessional lyrics that echo throughout songs as if his words were haunting every measure. Peripheral Vision solidifies the idea that Turnover is a band with it's finger on the pulse of it's generation: growing and learning with every release, but never failing to provide a relatable, cathartic experience for anyone listening.

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Myself In The Way Violet Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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A new record from Turnover arrives this fall. Myself in the Way is the band's fifth full-length album, and it follows their first pause in consistent touring in almost 10 years. While the world was shut down, Turnover's four bandmates spent time meditating, painting, volunteer firefighting, skateboarding, and working in state parks - deepening interests and growing roots in places they hadn't been able to while living life on the road for so long. Over 18 months, these individual experiences acted as the soil in which Myself in the Way grew into Turnover's next album. Returning to Pennsylvania to track with longtime friend and producer Will Yip, vocalist & guitarist Austin Getz cites Quincy Jones, Chic, and Dark Side of the Moon as influences in the way that songs like the infectiously-rhythmic "Ain't Love Heavy" and the trippy, disorienting "Tears of Change" feel wider, deeper and more whole than anything in the band's catalog to date. Drummer Casey Getz' new skills behind the drum set that open up songs on Myself in the Way to more improvisation and fluidity, pairing well with bassist Dan Dempsey's infectious bass-lines and Nick Rayfield's sharpened guitar and piano playing. On Myself in the Way, Turnover's creative vision takes center- stage in every way. The album's cover art - a sparkling array of multicolored gems scattered across a neutral canvas - was painted during lockdown by Dempsey. Music videos for the record were directed and filmed by the band, including the dizzy "Wait Too Long" video shot on retreat in upstate New York with friends and collaborators Kyle Lamb and Blair Kemp. Austin's increased involvement on the production side earned him his first-ever co-producer credit, and Nick Rayfield contributed a new perspective as a songwriter for the first time in the recording process. For a band that has never stopped evolving, Turnover has always remained authentic with every release. Myself in the Way is an achievement that ties new and exciting ideas in with the band's unique artistic ambition.

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Myself In The Way Cream Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Magnolia White & Green Splatter Vinyl Edition

LP | 2013 | US | Reissue (Run For Cover)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Two acclaimed releases into their short career - a debut EP and a split 7" with Citizen - Virginia's Turnover had quickly grabbed the attention of a scene of angst filled teens and twenty-somethings who grew up on Drive-Thru records classics and 90's grunge radio. Turnover spent one November with producer Will Yip (Title Fight, Circa Survive) and emerged with Magnolia. Their debut LP fulfills the promise set forth in their prior releases - contemplative, brooding pop-punk songs written with a somber, yet undeniable catchiness.

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Magnolia Leafy Green Half And Half Vinyl Edition

LP | 2013 | US | Reissue (Run For Cover)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Two acclaimed releases into their short career - a debut EP and a split 7" with Citizen - Virginia's Turnover have quickly grabbed the attention of a scene of angst filled teens and twenty-somethings who grew up on Drive-Thru records classics and 90's grunge radio. Turnover spent a month last November with producer Will Yip (Title Fight, Circa Survive) and emerged with Magnolia. Their debut LP fulfills the promise set forth in their prior releases - contemplative, brooding pop-punk songs written with a somber, yet undeniable catchiness.

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Good Nature Evergreen Vinyl Edition

LP | 2017 | US | Reissue (Run For Cover)

Release: 2017 / US – Reissue

Genre: Rock & Indie

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Front man Austin Getz doesn't blink when asked to sum up Turnover's third full-length, Good Nature. "Learning," he replies. "This whole record is about learning. Opening your eyes to new things, going outside of your comfort zone, and learning to grow into something new."The album's unique blend of musical and spiritual growth is immediately audible on the opening track, "Super Natural," a late-summer idyll of intertwined guitar parts and laidback vocals. Listening to how the leisurely "Nightlight Girl" melts into a more propulsive selection like "Breeze," and the way Good Nature flows together as a seamless whole, it's also evident that the foursome has been paying closer attention to how artists from earlier eras made full-length albums: the range of textures, tempos, and dynamics on Good Nature are infuenced in part by bossa nova, cool jazz, electronic music, and psychedelic grooves. This infux of new infuences and inspiration, navigated by Peripheral Vision producer Will Yip, results in the band's best album to date. Good Nature comes from a place of calm and contentment, nurtured by looking inward.

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LP | 2019 | US | Original (Run For Cover)

Altogether

23,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Coast To Coast (U.S. Girls Remix) / Velvet For Sale (Tune-Yards Remix)

Tune-Yards / U.S. Girls

7" | 2018 | US | Original (4AD)

9,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2021 | UK | Original (4AD)

Tune-Yards

Sketchy

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Apollon)

Trust Us

Non-Zero-Sum-Game

22,49 €* 29,99 € -25%

LP | 2021 | Original (PIAS Germany)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Trust us is a new Alternative Post Rock band from Bergen, Norway. With "Non-Zero-Sum Game", they are entering the music scene with melodic, energetic vocals and guitar melodies accompanied with heavy, sonorous and fuzz-driven riffs. Although it is a new band, the members who make up Trust US are no strangers to heavy and progressive music: They are all seasoned musicians from the ever so flourishing Bergen scene, and feature past or current members of Ribozyme, Natt, Krakow and Major Parkinson.

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Trümmer

Früher War Gestern

18,39 €* 22,99 € -20%

Release: 2021 / Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Exile On Mainstream)

Trialogos

Stroh Zu Gold

Release: 2021 / EU – Original

Genre: Rock & Indie

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2LP+7" | 2021 | UK | Original (Soul Jazz)

Vertigo Of Flaws

Release: 2021 / UK – Original

Genre: Rock & Indie

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This new release is a vast leap into an ocean of space and sound, a quantum leap into cybernetics, biology, anti-gravity, time travel, dream speech and transfiguration. A seriously next step release! Showing no signs of slowing down their rapid creative pace - incredibly this is their fourth album in the space of just over one year - 'Vertigo of Flaws' is a mighty 29 tracks, one and a half hours of music across one double album that is surely going to be a defining point in their musical career, a giant leap into the sonic unknown, an epic exploration of intensity and sound. Alongside their now trademark German krautrock motoric-beat rhythms, angular New York post-punk attitude, tripped-out 60s spy soundtrack, psyche-rock, and 70s synthesizers and vocoders, here you will also hear a new cosmic spacial awareness (both personal inner space and galactic outer space) and a truly wilful pushing of sonic boundaries - as police sirens, static noise, alarms, radio signals, avant-garde voices, and orchestral string quartets, all collide to add beautiful dissonance to uber-powerful, intense, addictive and propulsive rhythms - in the process creating a truly unique soundscape that Trees Speak have made wholly their own. If you ever wanted to hear Can, Hawkwind, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Neu!, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard's Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one band - then this is it!

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LP | 2024 | UK | Original (Soul Jazz)

Timefold

15,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Trees Speak are releasing their new album TimeFold worldwide on 15 Nov 24 on Soul Jazz Records.

Trees Speak return with TimeFold, their sixth release on Soul Jazz Records, further expanding their ever-evolving sonic universe. This new album builds on their signature blend of hypnotic krautrock rhythms, post-punk angularity, and experimental soundscapes while venturing into new terrain by blending influences from avant-garde electronics to ceremonial sound forms.

On TimeFold, Trees Speak (comprised of the Tucson-based duo Damian Diaz and Daniel Martin Diaz) push their musical boundaries from expansive, intergalactic landscapes to eerie, imagined 1970s Italian and French sci-fi horror film scores. The album seamlessly weaves John Carpenter-esque synthesizer motifs with ambient sound sculptures, conjuring immersive worlds that are both cinematic and otherworldly.

The album also incorporates the duo’s deep-rooted influences, which span across electronic pioneers like Jean-Michel Jarre (Oxygene), Tangerine Dream, and Karlheinz Stockhausen. Drawing on the revolutionary techniques of Musique Concrète, TimeFold features experimental track splicing, looping, and collage work that harkens back to the golden age of avant-garde music. At times, the album channels the ceremonial tones and hypnotic rhythms reminiscent of early 1970s krautrock, fusing these sounds with organic instrumentation like dulcimers, adding an earthy, drone-like ritual quality to the experimental electronic framework.

A new element in this release is the inclusion of spoken word by Ashley Christine Edwards, which lends the album a haunting, apocalyptic edge. Her contributions evoke a tone reminiscent of the 1970s avant-garde scene, recalling literary and conceptual artists like Ruth White. The spoken words create a sensory experience akin to ceremonial chants, adding to the atmospheric intensity of the album. These vocal elements tie into the overall theme of TimeFold, which continues Trees Speak’s exploration of futuristic technologies and the communication of nature, with the evocative concept of trees and plants acting as organic hard drives storing data and knowledge.

Drawing further influence from Italian and French horror cinema, Trees Speak explore cinematic tension throughout TimeFold, creating a layered listening experience. The record transports the listener from the haunting, desolate beauty of Southwestern desert vast landscapes to an auditory space that melds early electronic experimentation with the contemporary urgency of conceptual art.

Since their debut Ohms in 2020, Trees Speak’s prolific output on Soul Jazz Records has continually redefined genre boundaries. TimeFold solidifies their position as visionaries in experimental music, offering an album that is as much a meditation on future technologies as it is a tribute to the avant-garde traditions that have come before.

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LP | 2024 | UK | Original (Soul Jazz)

Timefold

Release: 2024 / UK – Original

Genre: Rock & Indie

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Shadow Forms Red Brick Vinyl Edition

LP | 2020 | UK | Reissue (Soul Jazz)

28,99 €*

Release: 2020 / UK – Reissue

Genre: Rock & Indie

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limited edition red brick Colored Vinyl Trees Speak's new album 'Shadow Forms' is a blend of 1970s German electronic and 'motorik' Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz's New York Noise series or Eno's New York No Wave)!

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LP+7"+All Media | 2020 | UK | Original (Soul Jazz)

Shadow Forms

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with hype sticker. With 7"

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LP+7" | 2021 | UK | Original (Soul Jazz)

Posthuman

Release: 2021 / UK – Original

Genre: Rock & Indie

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This is incredibly Trees Speak’s third album on Soul Jazz Records to be released in the space of one year – and it’s amazing! Trees Speak’s new album ‘PostHuman’ once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s & 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)! Drawing further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism. Trees Speak’ segue together all these elements into ‘PostHuman,’ which follows on from their criticallyacclaimed debut LP ‘Ohms’, and ‘Shadow Forms’ released on Soul Jazz Records less than six months ago. This powerful new album is a high-concept collage of retro-futurist science-fiction music, fantastically illustrated by the artist Eric Lee, a dramatic vision of life after humanity. Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants – using them as hard drives – and the idea that Trees communicate collectively. The album includes an exclusive bonus 45 single ‘Machine Vision’ and ‘Seventh Mirror’ that will only be available with the first order of the vinyl edition of this amazing and ground-breaking new album. With ‘PostHuman,’ Trees Speak once again manages to take the listener deep into their unique musical world of unknown visions of the past and the future.

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LP+7"+All Media | 2021 | UK | Original (Soul Jazz)

PostHuman

Release: 2021 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2020 | UK | Original (Soul Jazz)

Ohms

Release: 2020 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2023 | UK | Original (Soul Jazz)

Mind Maze

28,99 €*

Wild Pendulum Record Store Day 2024 Silver Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Mind Maze is, amazingly, Trees Speak"s fifth album to be released on Soul Jazz Records in the space of little over two years - an output matched only by the intensity of their music created during this short time. As with all their previous releases, "Mind Maze" is a mind-boggling tightrope walk across an array of musical influences that seamlessly create the unique present-day world of Trees Speak. The band"s sound is characterized by a combination of German krautrock motoric-beat rhythms, angular New York post-punk attitude, 60s spy soundtracks, psych, rock, jazz, and 70s synthesizers and vocoders. There is also a cosmic spatial awareness to their sound; both personal inner space and galactic outer space, as well as a wilful pushing of sonic boundaries. Trees Speak are a musical duo based in Tucson, Arizona, composed of Daniel Martin Diaz and Damian Diaz. Their music is heavily influenced by the cosmic magic of the natural desert landscapes of Arizona, creating a unique and captivating sound that is both experimental and innovative. "Mind Maze" was recorded in Brooklyn, New York with special guests Gabriel Sullivan, Alex Pope, Craig Dreyer, Ben Nisbet and Stephani Guilmette.

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Trashcan Sinatras

LP | WW | Original (BFD)

37,99 €*

Release: WW – Original

Genre: Rock & Indie

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LP | 2010 | US | Original (Run For Cover)

Transit

Keep This To Yourself

LP | 2019 | EU | Original (Tough Love)

Release: 2010 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM.

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Toy

Songs Of Consumption

19,79 €* 21,99 € -10%

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Pias)

Total Tommy

Bruises

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

In The Fade Red Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

Release: 2023 / US – Original

Genre: Rock & Indie

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Red VinylIt would be impossible to encapsulate the entire Tony Molina musical worldview in a single record. This is a man whose home stereo,in a single day, could be blaring The Move, Malo, Internal Bleeding,Dear Nora, and The Melvins. All that said, you'd be hard pressed tofind a better entry point to his work than In the Fade, a record thataccording to the artist himself, ties the entire catalog together.Recorded in spurts over two years in the Bay Area with an array oflongtime friends and collaborators, In the Fade is a mix of both newand old for Tony's first solo album in four years. The record cametogether almost like a compilation, the result of Tony taking inventory of both his extensive solo career and his time in the criminally-underrated band Ovens in the early to mid 2000's. This introspection makes for a very "pop" album - hooks permeate the record'sheavier guitar-pop tunes as well as its more delicate folk-rock andindie-pop tracks. It's a return in part to the Ovens sound, but alsofeatures elements of his more recent material and introduces someintriguing new wrinkles.In the Fade evokes the sounds of some of Tony's favorite bands:Fastbacks, The Flaming Lips, The Muffs. There's a Black Sabbathcover, some reworked songs from his past and most important of all,some of Tony Molina's finest original songs to date. As a whole, Inthe Fade encompases every phase of his recording career to datewhile also fitting together as a tight, endlessly listenable album - ashowcase of Tony Molina's love for well-crafted songs that proveshe's one of the best in the game at writing them.

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In The Fade Gold Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

Release: 2023 / US – Original

Genre: Rock & Indie

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Gold VinylIt would be impossible to encapsulate the entire Tony Molina musical worldview in a single record. This is a man whose home stereo,in a single day, could be blaring The Move, Malo, Internal Bleeding,Dear Nora, and The Melvins. All that said, you'd be hard pressed tofind a better entry point to his work than In the Fade, a record thataccording to the artist himself, ties the entire catalog together.Recorded in spurts over two years in the Bay Area with an array oflongtime friends and collaborators, In the Fade is a mix of both newand old for Tony's first solo album in four years. The record cametogether almost like a compilation, the result of Tony taking inventory of both his extensive solo career and his time in the criminally-underrated band Ovens in the early to mid 2000's. This introspection makes for a very "pop" album - hooks permeate the record'sheavier guitar-pop tunes as well as its more delicate folk-rock andindie-pop tracks. It's a return in part to the Ovens sound, but alsofeatures elements of his more recent material and introduces someintriguing new wrinkles.In the Fade evokes the sounds of some of Tony's favorite bands:Fastbacks, The Flaming Lips, The Muffs. There's a Black Sabbathcover, some reworked songs from his past and most important of all,some of Tony Molina's finest original songs to date. As a whole, Inthe Fade encompases every phase of his recording career to datewhile also fitting together as a tight, endlessly listenable album - ashowcase of Tony Molina's love for well-crafted songs that proveshe's one of the best in the game at writing them.

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In The Fade

Release: 2022 / US – Original

Genre: Rock & Indie

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It would be impossible to encapsulate the entire Tony Molina musical worldview in a single record. This is a man whose home stereo, in a single day, could be blaring The Move, Malo, Internal Bleeding, Dear Nora, and The Melvins. All that said, you'd be hard pressed to find a better entry point to his work than In the Fade, a record that according to the artist himself, ties the entire catalog together.Recorded in spurts over two years in the Bay Area with an array of longtime friends and collaborators, In the Fade is a mix of both new and old for Tony's first solo album in four years. The record came together almost like a compilation, the result of Tony taking inventory of both his extensive solo career and his time in the criminally-underrated band Ovens in the early to mid 2000's. This introspection makes for a very "pop" album - hooks permeate the record's heavier guitar-pop tunes as well as its more delicate folk-rock and indie-pop tracks. It's a return in part to the Ovens sound, but also features elements of his more recent material and introduces some intriguing new wrinkles.In the Fade evokes the sounds of some of Tony's favorite bands: Fastbacks, The Flaming Lips, The Muffs. There's a Black Sabbath cover, some reworked songs from his past and most important of all, some of Tony Molina's finest original songs to date. As a whole, In the Fade encompasses every phase of his recording career to date while also fitting together as a tight, endlessly listenable album - a showcase of Tony Molina's love for well-crafted songs that proves he's one of the best in the game at writing them.

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In The Fade

LP | 2017 | EU | Reissue (Fire Talk)

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side B.
Record is close to VG+.
Still shrink wrapped but opened.
Cover as new with faintly worn corners.
Includes original insert.

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Tonstartssbandht

An When

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Kitten Robot)

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Tombstones In Their Eyes

Asylum Harbour

Symphony N°2 / Highlander

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

For their fifth long player, Tite return with a sound that is familiar in its use of distortion, drive, echo and swirling melodies, but refreshed with an embracing of vocal hooks and harmonies, often absent in the world of psyche and shoegaze. It’s Psychedelic Baby Magazine: ‘Asylum Harbour,’ named for a maritime safe-haven, symbolizes resurfacing from the darkness of 2022-2023 and the pandemic. (Band leader) John Treanor says the album reflects a journey out of a dark place, focusing on voices and harmonies over layers of fuzz. ‘The record marks, to my mind, a further evolution of the band with the voice(s) becoming a main feature rather than being used as another instrument.’” Jammerzine: “The term ‘shoegaze’ gets thrown around more and more, to the point that it’s beginning to become an assembly line genre, with Tite, and ‘I’m Not Like That’ we get a solid progression of original music with a true purpose. That purpose is to inspire.”

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Tomasz Sroczynski

LP | 2021 | EU | Original (Ici D'Ailleurs)

20,99 €*