Search "It\s A Musical" 7133 Items

Life Of Pause Lenticular Sleeve / White Vinyl Edition

LP | 2024 | US | Original (Captured Tracks)

Release: 2024 / US – Original

Genre: Rock & Indie

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Lenticular Sleeve / White Vinyl.When Jack Tatum began work on Life of Pause, his third full-length to date, he had lofty ambitions: Don't just write another album; create another world. One with enough detail and texture and dimension that a listener could step inside, explore, and inhabit it as they see fit. "I desperately wanted for this to be the kind of record that would displace me," he says. "I'm terrified by the idea of being any one thing, or being of any one genre. And whether or not I accomplish that, I know that my only hope of getting there is to constantly reinvent. That reinvention doesn't need to be drastic, but every new record has to have its own identity, and it has to have a separate set of goals from what came before." What came before: a rightfully acclaimed, much beloved display of singular pop craftsmanship. Tatum's dreamy, unexpected 2010 debut, Gemini, was written while he was still a student at Virginia Tech University. Its equally disarming follow-up, 2012's Nocturne, marked the first time he'd been able to bring his bedroom recordings into a studio, to be performed and fully realized with the help of other musicians. There has been a set of wonderfully expansive EPs in between_each hinting at new directions and punctuating previous ideas_but with Life of Pause, Tatum delivers what he describes as his most "honest" and "mature" work yet, an exquisitely arranged and beautifully recorded collection of songs that marry the immediate with the indefinable. "I allowed myself to go down every route I could imagine even if it ended up not working for me," he says. "I owe it to myself to take as many risks as possible. Songs are songs and you have to allow yourself to be open to everything." After a prolonged period of writing and experimentation, recording took place over several weeks in both Los Angeles and Stockholm, with producer Thom Monahan (Devendra Banhart, Beachwood Sparks) helping Tatum in his search for a more natural and organically textured sound. In Sweden, in a studio...

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Hold Coke Bottle Clear Vinyl Edtion

LP | 2023 | EU | Original (Captured Tracks)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Because Hold, Jack Tatum's fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchie's Harriette Pilbeam, first single "Headlights On" features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters. Tatum produced the rest of the record on his own, partially out of necessity, due to the challenges of the pandemic. The songs were eventually brought to Adrian Olsen at Montrose Recording in Richmond to begin recording drums and filling in the gaps. While largely a product of isolation, Hold also reflects the things Tatum has learned from collaborators, both on previous records and during his acclaimed work with Japanese Breakfast and Molly Burch. The rest of the record was mixed by Geoff Swan, who listeners might know for his work with Caroline Polachek and Charli XCX. Swan put Tatum's vocals high in the mix, and throughout the album, he embraces playful vocal processing like never before. Tatum moved from Los Angeles back to his home state of Virginia about five years ago in search of a scaled-back lifestyle. The relatively suburban environment - and the occasional regret it inspired - proved to be great artistic fodder. It's the paradox of modern America - the suburbs are supposed to be stultifying to art, but they are so full of human desperation perfect for dramatizing. On "Suburban Solutions", he presents an anti-jingle with an acidly bright synthesizer melody, imploring you to sign on the dotted line, put your feet up, and embrace sweet oblivion. Adding to the song's menacing cheeriness is a chorus-sung bridge, made with assistance from Molly Burch and Tatum's wife, Dana, It was loosely inspired by the classic Martika song "Toy Soldiers" and the long-ago pop craze for children's choirs, and he embraces the trend's less-than-stellar reputation. By design, Hold dwells in uncertainty and fear, but in a package that encourages meditation and a bit of fun. "In the face of the pandemic, I think being a parent really forced my hand," Tatum said. "I felt that I had no other choice but to have a positive outlook on the world. Because if I were to give in at any moment and say, "Oh, everything is horrible," then I'll feel as if I've lost and I've given up on my son being able to thrive in this world."

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Golden Haze Golden Haze Vinyl Edition

12" | 2010 | US | Reissue (Captured Tracks)

25,64 €* 26,99 € -5%

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Golden Haze Vinyl. After being long out of press (with the exception of a small, instantly sold- out pressing in 2018 to celebrate Captured Tracks' 10-year anniversary), Golden Haze is finally back on limited edition Gold vinyl!The charming and gorgeous Golden Haze EP is the culmination of Wild Nothing's (Jack Tatum) sound in 2010. Fresh off the heels of breakout debut album Gemini, Golden Haze has become a true fan-favorite of Tatum's cata- log, and an enduring fixture of Wild Nothing's live shows across the world. The tracklist features the previously unavailable Evertide EP, a Gemini B- Side, and now, for the first time on vinyl, includes bonus tracks "Asleep" and "Vultures Like Lovers."When Golden Haze was released in 2010, the EP filled with melancholy vocals over addictive guitar riffs offered a perfect continuation to Gemini. It also re-revealed that Tatum has a knack for creating unique, modern ar- rangements based on decades-old influence. On Golden Haze's single of the same name, tweaked drums and a "textural mesh of severely-gated snare and sleigh bells" evoke 80s bands like The Cure. "Vultures Like Lovers," a newly available track on vinyl, presents delayed guitars with tremolo'd vocals. The most different to Gemini, it revealed that Tatum could make more "electronically pulsed" songs with echoey, hollow vocals. Over 10 years later, Golden Haze continues to prove Tatum's ability to create new songs while evoking a musical nostalgia for the past.

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LP | 2011 | US | Reissue (Captured Tracks)

Gemini

15,99 €*

Wild Classical Music Ensemble

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Wild Nothing, is the solo-project of Jack Tatum whose music is inspired by a longtime love affair with nostalgia. His debut full length album, Gemini, set to come out on Captured Tracks this spring, is full of dreamy, carefree synth-pop songs that linger with an inexplicable sense of regret. Prior to embarking on this recent solo-project Tatum sang and played guitar with the Abe Vigodaish tropical punk band Facepaint and the singer/songwriter project Jack and The Whale. In the summer of 2009 The Virginia tech-college student decided to embark on his first creative-solo project playing bass, guitar, synthesizer and drums while recording in his home-studio. He soon emerged with a unique brand of dreamy pop-songs influenced by bands like, My Bloody Valentine, Shop Assistants, Go-Betweens and Cocteau Twins. In 2009 he delivered a memorable cover of the Kate Bush song Cloudbusting, making it clear that Wild Nothing transcended the lo-fi pop-mold. On his debut album, Gemini, Tatum's frail vocals come warped in an oozing neon haze. Carefully orchestrated synth-pop arrangements, trebly guitar riffs and tattered drum machines blend together to create an intriguing,texturally rich glo-pop album that could come only from the young at heart.

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Confined

LP | 2024 | EU | Original (Born Bad)

LP | 2013 | EU | Reissue (Reba's Ranch)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Wild Classical Music Ensemble is a Belgian experimental rock band formed in 2007 by artists with mental disability within the social-artistic non-profit organisation Wit.h in Kortrijk. Their unique sound is a blend of punk/rock riffs, fanatical rhythms and soaring flutes and fiery synths, over which gravitate multiple, multilingual voices that scratch harshly as much as they comfort. There's something very Belgian about this harshness and noisiness. We often think of compadre Arno, from the TC Matic era.During the Covid crisis, the disabled members of the Wild Classical Music Ensemble were undoubtedly subjected more than others to the harsh conditions of confinement, alone in their rooms. Damien Magnette was still able to visit them with sound equipment. This was one of their all-too-few windows onto the world. Forbidden to meet, let alone play together, the members of Wild were nevertheless able to compose songs in tandem with Damien. The tracks were then sent to musician friends - Fabrice Gilbert, Ava Carrère, Wim Opbrouck, Shht, Arthur Satàn, Nathan Roche and Julien ZLDR - who added their artistic touch. Jean Lamoot and Carl Roosens joined the adventure, one as mixer, the other as video director.It's a result of the conditions under which it was created, this is the band's most highly-produced album, and perhaps its most accessible: frankly rock, with a great deal of freedom in production, and sometimes with a certain pop allure. Jean Lamoot's contribution to the mix had a lot to do with it. In addition, the forced slowdown allowed us to devote much more time and attention to writing the lyrics.Leader Damien Magnette says: "For over a year, we were all confined. But what about when you're a mentally handicapped person? Well, it's very different from you and me... We have the right to choose, the luxury of deciding for ourselves what rules we want to follow or not. We have free will. They don't. This series of confined songs is dedicated to all the people who have gone through this...

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Wild Child

The Runaround

LP | 2023 | EU | Original (Reba's Ranch)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Wild Child is an American indie pop band from Austin, Texas formed in 2010. The band consists of Kelsey Wilson (lead vocals and violin), Alexander Beggins (lead vocals and baritone ukulele), Sadie Wolfe (cello), Tyler Osmond (bass), Matt Bradshaw (keyboard and trumpet), Cody Ackors (guitar and trombone), and Tom Myers (drums).Their second album, The Runaround, was released on October 8, 2013 via The Noise Company and produced by Ben Kweller. "The Runaround has the ability to instill energy into the listener, as the poppy-folk charm is irresistible. (...) Wild Child created a very well-executed LP, and accomplished their goal of staying out of a restrictive style of music. Even though each cut is different from the all the others in terms of style, instruments used or theme, together they form a cohesive album." Theaquarian.com

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Wild Child

End Of The World

Wild Billy & The Musicians Of The British Empire Childish

Release: 2023 / EU – Original

Genre: Rock & Indie

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After more than a decade of non-stop touring, acclaimed Austin songwriting duo, Kelsey Wilson and Alexander Beggins, quietly stopped touring as Wild Child. Headed in different sonic directions, the pair didn't know if they would ever make another Wild Child record. Then, what felt like the "end of the world" brought them back together. Pandemic lockdowns closed stages and drained bank accounts. As artists from all backgrounds took their shows to the internet, Wild Child was no different. Wilson and Beggins got together to practice for a series of online performances for devout fans, and within 30 minutes they wrote the first single for what would accidentally become Wild Child's fifth album, End of the World. Mixed by Matt Pence (Jason Isbell, Elle King) and including contributions from guitarist Charlie Wiles (Paul Cauthen, John Moreland, Orville Peck), End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. There's no heat, no water. It was like a dirge to begin with. But by the end we were all screaming and laughing that, yes, this might be the end of the world, but we're all together right now, making music in my living room by candlelight. It's all OK."

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He's Making A Tape / You're Just...

7" | 2008 | Reissue (Damaged Goods)

9,99 €*

Wild Billy Childish & CTMF

Release: 2008 / Reissue

Genre: Rock & Indie

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This is the second single taken from their latest album 'Thatcher's Children' (Damgood 313) and again it's a limited edition 7" featuring 'He's Making A Tape' on the 'A' side with an exclusive b-side which is rather good called 'You're Just Jealous Of Me'. The cover, designed by Billy features a couple of the original tapes from an ex-boyfriend (of Julie's) which inspired the song.

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Where The Wild Purple Iris Grows

LP | 2021 | EU | Original (Damaged Goods)

Wild Billy Childish & CTMF

Release: 2021 / EU – Original

Genre: Rock & Indie

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Billy Childish - Musician, Poet, Painter And Writer Shows No Sign Of Slowing Down. The Last Twelve Months Have Seen Him Record A "Career In A Year" With The William Loveday Intention, Battle Off A Debilitating Covid Infection And Revisit His Punk Roots With Ctmf. We Asked Him A Few Questions About The Latest, And Possibly Greatest Ctmf Album.Q: Your Records With The William Loveday Intention, Exploring Lyric-Led-Folk 'N' Roll Have Been Well Received Over The Last Year. With That Band You're Aiming To Do A "Career In A Year". What Made You Want To Make A Ctmf Album In The Midst Of It? A: "I Think You Must Be Confusing Me With Somebody Else. I've Heard Some Of The William Loveday Recordings, And They Sound Great But The Group Is Nothing To Do With Me. But We Did Record A Track With Ctmf - 'Bob Dylan's Got A Lot To Answer For'."Q: For The Uninitiated How Does A Ctmf Album Differ From A Wli Album? A: "Easy. They Are Very Different Groups, Apart From William Loveday Poaching A Few Of Our Group Members And Covering A Few Of My Old Songs, That Is. Also The Wli Record In The Same Studio But There The Similarities End."Q: The Previous Ctmf Album Was Last Punk Standing. I Think It's Fair To Say You've Earned That Title. How Do You Keep Up Your Enthusiasm And Desire To Make New Music?A: "Ah, That's Not My Title, It Was A Genuine Question - "Who'll Be The Last Punk Standing?". I Was Likening To Some Of My Loves In That Song - Leadbellys 'Roberta' And Buzzcocks' 'Spiral Scratch'."Q: The Album Cover Features A Picture Of You Looking Happy And Enjoying A Cigar. What Constitutes A Decent Smoke?A: "When I Was In The Dockyard, 46 Years Ago, I Smoked A Clay Pipe With The Balkan Sabranie Mixture. That Is No More. In My 20s I Smoked Players Weights. Now I Occasionally Partake In A Pipe With A Near Match For That The Late Great Balkan Sabranie Otherwise On A Special Opening I Will Enjoy A Montecristo No 2."

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Last Punk Standing Black Vinyl Edition

LP | 2019 | EU | Original (Damaged Goods)

17,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Yankee Hotel Foxtrot Deluxe Vinyl Edition

Wilco

7LP | 2002 | US | Reissue (Nonesuch)

131,99 €*

Widersacher Aller Liedermacher

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Wilco's legendary 4th studio album, Yankee Hotel Foxtrot, was originally released on April 23, 2002. It delivers ten songs that have since become favorites among fans and critics alike. It scored a perfect 10 on Pitchfork, which hailed the album as “complex and dangerously catchy, lyrically sophisticated and provocative, noisy and somehow serene … simply a masterpiece.” And as the New York Times put it, Jeff Tweedy’s songs "unfold in richly enigmatic arrangements.”

This 7-LP Deluxe Edition of Yankee Hotel Foxtrot features the original ten songs remastered; plus an alternate version of the album (titled The Unified Theory Of Everything). Additionally, the songs performed on the September 18, 2001 WXRT radio appearance are included as is the entire July 23, 2002 show from The Pageant in St. Louis, MO. The vinyl is mastered by Bob Ludwig and cut by Chris Bellman at Bernie Grundman Mastering on BLACK vinyl. The package (designed by Lawrence Azzerad) includes a new essay by music journalist Bob Mehr featuring recent interviews with Jeff Tweedy, John Stirratt and Glenn Kotche plus previously unseen live and studio photos.

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As Weda

LP | 2024 | EU | Original (F.A.M.E.)

31,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Record Record Label)

Wide Mouth Mason

Where I Started

Wicca Phase Springs Eternal

Release: 2023 / US – Original

Genre: Rock & Indie

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Where I Started is the third studio album by Canadian rock band Wide Mouth Mason. The album produced four successful singles, "Why", "Companion (Lay Me Down)", "Sugarcane", and "Half A Chance". The album won the award for "Outstanding Rock Recording" at the 1999 Prairie Music Awards. The album was certified Gold in Canada in December 2002

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Wicca Phase Springs Eternal Clear With Black Splatter Vinyl Edition

LP | 2023 | US | Original (Run For Cover)

33,99 €*

Wicca Phase Springs Eternal

Release: 2023 / US – Original

Genre: Rock & Indie

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Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. Wicca Phase first materialized in 2010. After receiving the name suggestion in an email from a friend on tumblr, McIlwee began writing and recording under the moniker. "Once I heard the name, it felt perfect," he explains. Evoking mystical, occult resonances, the name serves as a passageway to explore the parallels between the material world and that of mystery. "My music is very representative of what I'm doing in the moment," he continues. "The influence of the name seeps in and lets everyone know they're getting into something deeper." McIlwee's innate songwriting gift can be traced back to his time in Tigers Jaw, the widely influential band he fronted before walking away in 2013 to fully embark onto new creative pathways. "I was super active on tumblr at the time and came across all of this early internet rap. It was inspiring." He sought more fervently the immediacy of writing, recording and releasing songs instantly, releasing music from his bedroom with no consideration for the industries standard protocol. As he continued to evolve in his new artistic endeavors he ultimately linked up with likeminded creatives by way of Twitter DMs. Together he and his newfound collaborators built a network of creators across the country and in 2015, Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep, the internet collective began creating a palpable buzz and accordingly influencing a growing wave of artists and musicians.

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Suffer On Pink With Neon Purple Splatter Vinyl Edition

LP | 2019 | US | Reissue (Run For Cover)

Wicca Phase Spring Eternal

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. In 2015 Wicca Phase Springs Eternal co-founded Gothboiclique (GBC). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep. With GBC's growing notoriety, Wicca Phase Springs Eternal simultaneously established himself as a singular voice, adeptly combining his natural songwriting instincts with the digital culture enveloping his world. Through an extensive catalog of collaborations, singles, EPs and 2016's Secret Boy LP, McIlwee has become a celebrated pioneer in this vital new direction of underground music. Along the way, he assembled what would become his 2019 Run For Cover Records debut, Suffer On, with the sonic bedrock evolving yet again as he re-embraces an initial vision. Suffer On is an exploration of familiar forms through the lens of something new and extraordinary. It is the first Wicca Phase record fully written by McIlwee, utilizing guitars and keyboards to create each song's core and building upwards from there. Themes of longing, entrapment and sacrifice permeate the album - the notion of wanting more and not getting it. Production and lyrics are both intentionally sparse and bleak, reinforcing such feelings and allowing room for the weighty moods to fill the sonic void. Lush acoustic guitar underscores the heavy emotionality of "Crushed" as he dissects a "natural anxiety about everything." Then, there's "Put Me In Graves." Ethereal synths shimmer above double-time drums as his cadence wavers between frenetic and danceable. Suffer On's title tra...

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Suffer On Deluxe Edition

2LP | 2021 | US | Original (Run For Cover)

51,99 €*

The Well I Fell Into Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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super deluxe, limited edition of the Wicca Phase Springs Eternal album Suffer On, to celebrate the 2 year anniversary of the release - featuring a bonus disc of acoustic renditions of each of the albums songs with completely reimagined packaging.

Wicca Phase Springs Eternal is the creative persona of Scranton, PA singer, songwriter, producer, and multi-instrumentalist Adam McIlwee. Stark transmissions of obsession, melancholia, and raw emotion compliment acoustic guitar and digital percussion as if Peter Murphy and Metro Boomin had been playing Ouija together. Beneath the deep 808's, moody synthesizers and cackling guitar, McIlwee's singular voice effectively resonates with a generation raised amidst the frenzied collage of modern digital expression. In 2015 Wicca Phase Springs Eternal co-founded Gothboiclique (gbc). Comprised of ten artists including Cold Hart, Horse Head, Lil Tracy, and eventually the late Lil Peep. With GBC's growing notoriety, Wicca Phase Springs Eternal simultaneously established himself as a singular voice, adeptly combining his natural songwriting instincts with the digital culture enveloping his world. Through an extensive catalog of collaborations, singles, EPs and 2016's Secret Boy LP, McIlwee has become a celebrated pioneer in this vital new direction of underground music. Along the way, he assembled what would become his 2019 Run For Cover Records debut, Suffer On, with the sonic bedrock evolving yet again as he re-embraces an initial vision. Suffer On is an exploration of familiar forms through the lens of something new and extraordinary. It is the first Wicca Phase record fully written by McIlwee, utilizing guitars and keyboards to create each song's core and building upwards from there. Themes of longing, entrapment and sacrifice permeate the album - the notion of wanting more and not getting it. Production and lyrics are both intentionally sparse and bleak, reinforcing such feelings and allowing room for the weighty moods to fill the sonic void. Lush acoustic guitar underscores the heavy emotionality of "Crushed" as he dissects a "natural anxiety about everything." Then, there's "Put Me In Graves." Ethereal synths shimmer above double-time drums as his cadence wavers between frenetic and danceable. Suffer On's title track encapsulates the delicate sorrow at the record's heart over a haunting timbre.

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Why?

LP | 2024 | US | Original (Waterlines)

Release: 2024 / US – Original

Genre: Rock & Indie

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For nearly three decades, WHY? have thrived in subverting expectations. Across seven unpredictable and adventurous studio albums, the band led by Cincinnati songwriter Yoni Wolf has stretched the fringes of psychedelic pop, hip-hop, and electronic music. No matter the genre experiments and thematic departures, their discography is remarkably consistent, anchored by Wolf's disarming lyrical transparency. His writing is provocative, self-lacerating, and always considered, coming from a place of blunt emotional openness. The Well I Fell Into, the eighth full-length from WHY?, is Wolf at his most cohesive and poignant. An autopsy of heartbreak, the album charts the ups and downs of a devastating breakup while trading bitterness for healing. Self-released on Waterlines, Wolf's new label that follows in the footsteps of Anticon, the trailblazing artist-run collective he co-founded, its 14 tracks stand as the band's prettiest and most immediate work yet.

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Wish On The Bone Grape Purple Vinyl Edition

LP | 2024 | US | Original (Fire Talk)

Release: 2024 / US – Original

Genre: Rock & Indie

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'Wish On The Bone' is Why Bonnie's sophomore LP and debut for Fire Talk. It's untethered from any landscape or genre, propelled by this freedom and resulting in Why Bonnie's most catchy, hopeful body of work to-date. Ranging from twangy country infused rock jams to more intimate and lo-fi arrangements, ‘Wish on the Bone’ is wide-eyed and waiting. It’s a coming of age film in which the protagonist rejects the forces that have tried, and failed, to shape her into something other than herself. It leaves you with a hard-fought sense of hope, which is among songwriter Blair Howerton’s greatest gifts. “You owe it to the people who are experiencing the worst to just keep pushing,” Howerton says. That’s the throughline of “Wish On The Bone”, a record that rewards with repeated listens.

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Wish On The Bone Black Vinyl Edition

LP | 2024 | US | Original (Fire Talk)

Release: 2024 / US – Original

Genre: Rock & Indie

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90 In November Peaock Green Vinyl Edition

LP | 2022 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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90 in November, the first full-length LP from Texas quintet Why Bonnie, crashes into existence with a squeal of feedback and a burst of distorted guitar. It's a dynamic introduction to a more raw-edged indie sound from a band who have matured from bedroom dream pop into a sophisticated rock act, their evolving sound a reflection of the journey undertaken by songwriter Blair Howerton on this vividly rendered collection of songs. The songs for 90 in November were mostly written in Brooklyn, New York, where Howerton moved from Austin in 2019. Already in the midst of a major life change, Howerton's feeling of being between worlds was compounded when quarantine hit and she found herself, like so many others, stuck in her apartment-about as far away from the wide-open spaces of Texas as one can possibly get. It was in this environment that she began to write songs parsing out the complicated, mixed emotions associated with building a new home while attempting to make sense of the one she had left behind.

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90 In November Black Vinyl Edition

LP | 2022 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Keeled Scales)

90 In November

13,99 €*

Alopecia 10th Anniversary Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why?

LP | 2018 | US | Original (Joyful Noise)

LP | 2023 | EU | Original (Krakenduft)

Release: 2018 / US – Original

Genre: Rock & Indie

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"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career-defining album—one so fan-adored that it would go out of print, and so influential that the art-pop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live-recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heart-rending song-rap that jangles like folk, bursts like psych-rock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.

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Whowhooz

25,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Clean Ultra Clear With Purple And Black Splatter Vinyl Edition

Whores.

LP | 2013 | EU | Reissue (Pelagic)

20,99 €*

LP | 2019 | US | Original (You've Changed)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Ultra clear vinyl with purple and black splatter!Since their inception in 2010, Whores. has laid waste to both presumption and audial functioning.Natives of Atlanta, Georgia, members Christian Lembach (vocals/guitars), Donnie Adkinson (drums), and Casey Maxwell (bass) have spent the last six years establishing Whores. as one of heavy music's most distinctive acts thanks to the formidable combination of the group's punk ethos and the ferocity of their sound.Beginning with 2011's Ruiner EP, Whores. brought a welcomed new vision to the often-tired "extreme music" scene. Two years later saw the release of the Clean. EP, a six-track musical display of visceral rancor and songwriting brilliance. Highly anticipated by critics and fans alike, Clean. sold out within a month, prompting the group to release a second pressing. Touted by Spin as one of 2013's best Metal Albums', Clean. simply reaffirmed what listeners had suspected all along. Whores. isn't here to fuck around.For Whores., the cavalcade of anticipation provides no pressure or expectation as Lembach states: "We don't just want to fill in the blanks." The only pressure here is to maintain authenticity, and to that end, Whores. are the quintessential example of genuine malice. "You have to bring a sense of realness to [the music], otherwise it's fake, and it sounds fake. You have to be honest about it, and it's about getting to the really ugly stuff inside of you, and that's what we do." Whores. has eagerly shared that ugliness with their audience having crisscrossed the US four times on separate tours, including headlining shows and stops at festivals like Sxsw, Spillover Fest, Fun Fun Fun Fest, as well as a tour supporting Cult OF Luna. To that end, the band's tireless dedication to the road is simply a mirrored image of their music's relentless power, an attribute that has undoubtedly resulted in their most unforgiving effort yet, proof that good and heavy things come to those who wait.

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Whoop-Szo

Warrior Down

LP | 2023 | EU | Original (Father/Daughter Records / Cargo)

Release: 2019 / US – Original

Genre: Rock & Indie

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WHOOP-Szo is a blazing force of DIY rock. Fronted by Anishinaabe-Canadian community leader Adam Sturgeon, the band has spent nearly a decade carving out a reputation for themselves, rising on the strength of their musicianship, songwriting, and tireless touring.Thunderous and ground-breaking, harmonious and generative, on Warrior Down, WHOOP-Szo create an emotional weather-storm that dances conscientiously between anger and discipline, frustration and hope for a concise, focused 35 minute examination of injustice, history, language reclamation, and Indigenous solidarity. WHOOP-Szo address the poisonous legacies of colonialism to effect positive change in the wider Canadian music and arts community.

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Who Is She?

Goddess Energy Violet

Release: 2023 / EU – Original

Genre: Rock & Indie

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Spark White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark _ the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Spark Transparent Yellow Vinyl Artprint Edition

14,99 €* 24,99 € -40%

Release: 2022 / US – Original

Genre: Rock & Indie

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Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, Spark - the buoyant drum loops, the effortless falsetto hooks, the coruscate keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too? So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they'd play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs _ so much more immediate and modern than their hazy origins _ fit such big-budget reels? "We'd come to the conclusion we weren't going to be filming Super 8 videos to this stuff anymore," Julien remembers with a grin. "How about something more hi-fi, cinematic?" When the footage and the tunes linked, Julien and Max knew they had done it, that they'd finally found Whitney's sound. Spark reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What's more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener "nothing REMAINS," the devastating loss of "TERMINAL," the sun-streaked renewal of "real Love": However surprising it may sound, Spark is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. Spark maintains the warmth and ease of Whitney's early work; these songs glow with the newness of now. Listen closely, and you'll notice frequent references to smoke and fire throughout Spark, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. "We found a way to live while the world was burning/Real life was caving in," Julien sings almost merrily during "back THEN," an anthem for finding out what's on the other side of hardship. In these dire days, scientists speak increasingly of scrutiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how Spark often feels _ Whitney's circumstances were so fraught on so many levels that they hung "the past_out to dry" and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walk up with a little studio, where they're already building songs for the next Whitney album. They're both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. Spark is not only Whitney's best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

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Spark Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Secretly Canadian)

Spark

12,99 €*

LP | 2023 | EU | Original (Meritorio)

Release: 2022 / US – Original

Genre: Rock & Indie

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Whitney's Playland

Sunset Sea Breeze

16,79 €* 27,99 € -40%

LP | 2023 | EU | Original (Maple Death)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whitney's Playland is the pandemic-era project of Inna Showalter and George Tarlson, longtime friends and veterans of the music scene (grandma’s Boyfriend, Blades OF JOY, Modern Charms). Having grown up in and around San Francisco and inspired by their experiences, their music is about the usual things in life: love and loss, sometimes with a wry and sardonic angle. The result is a dreamy pop landscape reminiscent of Yo La Tengo, Guided by Voices, the Sundays, and Dinosaur Jr. The band expanded into a four-piece in late 2022 with the addition of Evan Showalter and Paul Demartini.

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Whitney K

Vivi!

LP | 2024 | US | Original (Drag City)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whitney K and band are back with an electric live album that captures the best from their classics ‘Two Years’ and ‘Hard To Be A God’, including a few nuggets from the back catalog and the unreleased tune aptly titled ‘Dire Straits’.

If ‘Two Years’ was the thunder, the rawness and the spirit, a combination of outsider folk, modern psych, grit, humor and everything in between, ‘Hard To Be A God’ was the sophistication, the dedication, the mind traveling far and beyond… ‘Vivi!’ is the hot sauce missing, the perfect setting, the inevitable gift, really putting the word ‘motion’ behind the poetry, the electricity carrying the rollicking combo, the road opening up literally wide and infinite and the wide-eyed dreams becoming a coliseum standing in front of the chaos.

Recorded live in Montreal upon returning from Whitney K’s first European month long tour, ‘Vivi!’ is a vivid, exuberant and jarring photograph of a band that’s lived to see the force of ‘togetherness’, a ritual, a communion of sorts where emotions run free and into the unknown.

‘Vivi!’ encapsulates everything that makes Whitney K unique, the freewheelin’ songwriting, visions painted with utterly precise strokes, rock’n’roll bravado, sonic interplay, feedback and shimmer, velvet touches and goldmines, Modern Lovers, Television, Fred Neil, Harry Nilsson, Karen Dalton and the jingle-jangle of tomorrow. Played beautifully by Konner Whitney, Joshua Boguski, Marlon Kroll and Avalon Tassonyi, there is no way back, only one way in and it’s positioned crystal clear right in front of us. Alive.

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Whitney Johnson

Hav

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Whitney Johnson, alter-ego of psychoacoustic voyager Matchess, presents a new composition for sine waves, marimba, viola, Arp Odyssey and Halldorophone. Meditating on the duality of the human body (it collects/collates all the sensory info, allowing us the gift of hearing music; it is a fallible structure, wearing down often on the long path to final breakdown), Whitney compassionately radiates healing frequencies to inspire inspired response.

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Forever Turned Around Forest Brown Vinyl Edition

LP | 2019 | US | Original (Secretly Canadian)

Release: 2019 / US – Original

Genre: Rock & Indie

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Forever Turned Around came together over several sessions across the country. Though Julien Ehrlich is Whitney's lead singing drummer while Max Kakacek is the lead guitarist, when writing, both transcend their roles to piece together each offering lyrically and compositionally. "The way it ends up working is one of us comes up with a basic idea for a song and the other person serves as the foil to complicate that idea. We ask, `What can we change to make it more interesting?'" says Kakacek. Challenging each other is the core of their songwriting partnership. It's these risks and experiments that make Forever Turned Around a triumph. Take opener "Giving Up," which started from a stream-ofconscious revelation when Ehrlich improvised the chorus while Kakacek played Wurlitzer. What began as a nod to Neil Young's Live at Massey Hall 1971 in an afternoon turned into a heart-rending and relatable song about the ups and downs of long-term relationships. Over twinkling piano, Ehrlich sings, "Though we started losing touch / I've been hanging on because / You're the only one I love." He explains, "In a relationship, you don't stay at the same level at all times. You go through weeks where you're closed off."

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Forever Turned Around Black Vinyl Edition

LP | 2019 | US | Original (Secretly Canadian)

Release: 2019 / US – Original

Genre: Rock & Indie

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Candid Clear Blue Vinyl Edition

LP | 2020 | US | Original (Secretly Canadian)

Remixes Orange Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Following their acclaimed sophomore 2019 album Forever Turned Around, Whitney have decided to return with a loving tribute to songs that have been formative and lasting to the entire band. Candid is a 10-song collection boasting covers of artists like Kelela, David Byrne, John Denver, SWV, and others but it's also a band challenging themselves to explore more than their musical comfort zone. "This could've been as simple as saying we really love these songs and we love our bandmates and making a covers record just felt right but it truly became an exploration into how we can evolve as a band going forward," says drummer and singer Julien Ehrlich. Covers have long been an integral part of Whitney's ethos. Ever since the band first formed in a Chicago apartment in 2014, tackling songs by the Everly Brothers, Allen Toussaint, and more played an important part in the songwriting process for their breakthrough 2016 debut Light Upon The Lake. Since then, their takes on NRBQ's "Magnet" and Neil Young's "On the Way Home" have become live staples, an essential and communal part of their sets. Their love for the music that makes up their deepest influences has always been genuine and tangible. At its core, Candid is a celebration of both the songs Whitney has adored throughout its formation and the band's evolving bond through years of relentless touring and an enduring friendship. "One thing we realized is how these songwriters could make amazing songs with so much simplicity. Taking these skeletons and working with this incredible material means we're keeping our chops and staying tight as a band," says Ehrlich. The LP is a sincere snapshot of their evolving and eclectic tastes that's imbued with a wholly inviting charm. It's Whitney at their most unvarnished and inventive but most importantly, it's a heartfelt tribute to the songwriters who've helped them most.

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Whitelands

10" | 2023 | UK | Original (Sonic Cathedral)

15,99 €*

Night-Bound Eyes Are Blind To The Day Blue Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Whitelands follow their acclaimed single ‘Setting Sun’ – which saw the London-based band added to the BBC Radio 6 Music playlist – with their first ever vinyl release, an EP of reworkings, which is released as a limited edition orange vinyl 10” on June 23.Simply titled Remixes, the EP features two reworkings of ‘Setting Sun’ by dreampop legends A.R. Kane – the short Initiation Dub and the epic Hero Remix, which comes in three parts, titled Departure, Initiation and Return and takes the song to some unexpected and exciting new places.“Whitelands came up in conversation three times in a week,” explains A.R. Kane’s Rudy Tambala of how he got to know the band and came to remix them. “Two times is coincidence, three times is a conspiracy, so I reached out to them on social media, and we started chatting. They’re cool, like baby Kanes. ‘Setting Sun’ was close to my heart, reminding me of ‘Fools Gold’ meets Slowdive versus Frank Ocean. Anyway, I heard several approaches in my head, so I thought, ‘Fuck it, let’s do ’em all’. “I knew I wanted to take a prog approach: Marvin Gaye’s What’s Going On, Pink Floyd’s The Dark Side Of The Moon, Sasha’s Involver2, Coltrane’s A Love Supreme, Frank Ocean’s Blond, etc. Even my own sixty nine. It’s that seamless drift from one part into the next, stretching the idea until it ruptures, creating space for a new way of perceiving; this has the first inklings of hive mind, telepathy, in a musical form; you dissolve into it as it dissolves into you. A fundamental dreampop construction and aim, whereby subject and object become one. Ahem. “As the extended mix took shape it suggested to me the three components of The Hero’s Journey, hence the titles. The three-minute pop song was determined by the technical limitations of the 7” vinyl single. Digital has obliterated that. The perfect dreampop song has no time limit. ‘Setting Sun’ A.R. Kane Hero Remix is timely.” Alongside Rudy’s reworkings is an equally dazzling drum’n’bass take on last year’s single ‘How It Feels’ by the band’s guitarist Michael in his howdogirlssleep guise. “Combining shoegaze and jungle was something I never thought of, but when I thought about remixing ‘How It Feels’ the song pretty much made itself,” he explains. “It’s such a sonically rich and emotionally capturing song already; the only thing I had to do was add drums that would enhance the track. I tried to create a feeling of transient energy in the song which the mix engineer, and my good friend, Reinaldo helped me to create. I hope people can shake their ass to this one.” “These remixes are an absolute dream!” concludes singer and guitarist Etienne. “Having a legend like Rudy doing this for us is very special. And also having Michael also exploring the experimental possibilities of ‘How It Feels’ is honestly such a great thing.”

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Whitelands

LP | 2024 | UK | Reissue (Sonic Cathedral)

22,99 €*

Sacrament Remaster White Vinyl Edition

Release: 2024 / UK – Reissue

Genre: Rock & Indie

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Repress * The eagerly awaited debut album from the London-based four-piece * At the forefront of the new generation of Black British guitar music with Big Joanie and Bob Vylan *

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White Willow

LP | 2024 | EU | Original (Karisma)

39,99 €*

LP | 2021 | EU | Original (Nuclear Blast)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Sacrament is the classic third album from Norwegian prog legends White Willow, originally released in 2000. For this album, the band spent a long, long time working on the songs and arrangements, coming up with inventive, dynamic and beautiful arrangements for each song. After lengthy rehearsals at the Norwegian Institute for Scene and Studio, the band entered a new studio, called Lydkjøkkenet. The studio wasrun by the friendly and very talented engineer Øystein Vesaas, whose patience and mild manners were a perfect fit for the band, allowing time to experiment and try out different solutions. Sacrament was recorded over an extended period. Holm-Lupo was working a full-time day job at the time, so sessions would often be running from the evening into the night. But everyone was energized and had great faith in the music being made, and remember the recording as an enjoyable experience. The album was madeduring a period where certain elements of prog were beginning to drip into the mainstream, which also provided some moral motivation. And when the album was released, it was to unanimously glowing reviews and healthy sales – and even some mainstream recognition. This re-release was meticulously remastered by the band’s own Jacob Holm-Lupo and is presented with the classic original cover art, for the first time on vinyl. This is the third in a series of six White Willow re-releases on Karisma Records. 01.Anamnesis02.Paper Moon03.The Crucible04.The Last Rose of Summer 05.Gnostalgia06.The Reach

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White Void

Anti Black Vinyl Edition

17,99 €* 23,99 € -25%

LP | 2023 | EU | Original (Atlantic)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Eclectic hard rockers White Void are a curious bunch. Forged in the space between the occult rock of the seventies, the no-excuses-hard rock of the eighties and the British New Wave movement, they balance on the event horizon that separates old from new. Aggression from melody. Dream from drive.

Add to that the fact that the bandmembers of White Void have their backgrounds in Norwegian black metal, chiptune electronica, pop music and blues, and you’ll see why “Anti” is an album that’s hard to pin down. It’s darkly melodic, it’s driven, and it’s infused with earworms, hooks and licks. Boasting a shameless attitude, though, it comes forth as deeply true to the core of our shared hard rock heritage.

Still, “Anti” probably doesn't sound like you think. It’s an album riddled with contrasts and references, musically as well as philosophically. The concept is based on Albert Camus’ Absurdism and deals with how you cope with an existence that is in its core absurd. Musically it draws on the past while forging towards the future. And the result? Well, enter the Void to find out!

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White Reaper

Asking For A Ride

41,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Not Not Fun)

White Poppy

Sound Of Blue

LP | 2024 | US | Original (Not Not Fun)

Release: 2023 / US – Original

Genre: Rock & Indie

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From the grey-skied isles and horse farms of British Columbia comes the second volume of Crystal Dorval aka White Poppy’s “Paradise Gardens” trilogy: Sound Of Blue.

Originally conceived back in 2016, the album was then recorded, finessed, abandoned, resurrected, overdubbed, and finally mixed into nine refinements of daydream shoegaze and therapeutic pop, born from bedroom epiphanies and long winters of the heart.

From slowdive reverie (“Apathy,” “Melancholic Serenity”) and color wheel psychedelia (“Time”) to spiral chorale (“Happy”) and finger-picked drift (“Wiser”), Dorval’s songcraft moves between escape and acceptance, tracing delicate melodies from undercurrents of loss, light, and solitude. It’s music for memory gardens and pastel horizons, dreaming of bliss and distance, but bound to the here and now: “Thinking about leaving here forever / thinking about leaving here for good / but I keep holding on for something / hoping that it could get better than this / what’s one more night?”

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White Poppy

Ataraxia

12" | 2021 | EU | Original (Stroom)

Release: 2024 / US – Original

Genre: Rock & Indie

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The concept for and palette of Crystal Dorval aka White Poppy’s ‘Paradise Gardens’ trilogy first germinated in 2016 as a notion of “paradise music” combining new age, bedroom shoegaze, and bossa nova into “transcendental Tropicalia.” As she filled tapes of recordings exploring the idea, many of the songs gradually gravitated towards the hermetic dream pop her project is best known for, becoming the albums Paradise Gardens (2020) and Sound Of Blue (2023). Dorval describes these collections as a sort of “emotional purging or shadow work,” before arriving at “the state of inner paradise:” Ataraxia.

As the third, final, and most purist realization of the original ‘Paradise Gardens’ vision, Ataraxia delivers. Nine instrumentals of nimble guitar, elevated bass, clean rhythm, and clear light, gliding like swans on a shimmering pond. There’s a sense throughout of playful tranquility, of serenades at sunset, of kisses of blissful Muzak wafting along a boardwalk.

But behind the music is a patience, grace, and levity born of Dorval’s personal journey with spiritual healing that paralleled the trilogy. A process of transmuting pain into beauty, day by day, melody by melody, cleaving the darkness from the soul and re-entering one’s rightful home in the Garden.

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White Light / Jo Bogaert

Whale

20,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Strange lovesongs from the Belgian Dender area in the early 80's

"The other night when I was talking to my friend I said: believe me, I wasn’t far from death when I lived in the hotel the only thing that he could do was take me in his arms and love me and kiss me and show me the difference between friendship and love but there is none"

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The Revenge Of Heads On Fire Splatter Vinyl Edition

2LP | 2022 | UK | Original (Heads On Fire)

Release: 2022 / UK – Original

Genre: Rock & Indie

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"Pure psychotropic madness." A screaming head on fire penetrated my chest, jolting me from the universal plane back to earth." Guitarist/Singer/Sonic Alchemist Dave W's vivid fever dream ignited The Revenge of Heads on Fire, White Hills' latest release, which harnesses the energy of ferocious, hedonistic rock with blissful passages of dark ambience. Exploring themes of mortality, transformation and rebirth, the band reveals a spiritual depth unparalleled in previous works. The roar of fire, swirling of oceans and hallucinogenic visions can be heard throughout the 75-minute journey. From the intrepid prelude "The Instrumental Head" to the closing punk blaze of "Eternity", the album ebbs and flows, smoldering and seething in the middle with the 21- minute mammoth opus "Don't Be Afraid". "'Don't Be Afraid' alone makes this an essential listen for fans of contemporary psychedelia." -All Music The Revenge of Heads on Fire consummates Dave W's prototype for the 2007 release on Rocket Recordings, Heads on Fire, later picked up by Thrill Jockey. Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago. Recorded during the band's tumultuous early years, the music vibrates with the energy and volatility of a sonic boom.

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The Revenge Of Heads On Fire Psych Swirl Vinyl Edition

2LP | 2022 | UK | Original (Heads On Fire)

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Revenge Of Heads On Fire Black Vinyl Edition

2LP | 2022 | UK | Original (Heads On Fire)

33,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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"Pure psychotropic madness." A screaming head on fire penetrated my chest, jolting me from the universal plane back to earth." Guitarist/Singer/Sonic Alchemist Dave W's vivid fever dream ignited The Revenge of Heads on Fire, WHITE HILLS' latest release, which harnesses the energy of ferocious, hedonistic rock with blissful passages of dark ambience. Exploring themes of mortality, transformation and rebirth, the band reveals a spiritual depth unparalleled in previous works. The roar of fire, swirling of oceans and hallucinogenic visions can be heard throughout the 75-minute journey. From the intrepid prelude "The Instrumental Head" to the closing punk blaze of "Eternity", the album ebbs and flows, smoldering and seething in the middle with the 21- minute mammoth opus "Don't Be Afraid". "'Don't Be Afraid' alone makes this an essential listen for fans of contemporary psychedelia." -All Music The Revenge of Heads on Fire consummates Dave W's prototype for the 2007 release on Rocket Recordings, Heads on Fire, later picked up by Thrill Jockey. Six rediscovered songs accompany re-mixed versions of the original material, fulfilling the master arch of the pyre lit long ago. Recorded during the band's tumultuous early years, the music vibrates with the energy and volatility of a sonic boom. The album will be released on Heads on Fire Industries, distributed worldwide via Cargo Records UK.

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Beyond This Fiction Cloudy Sea Blue Vinyl Edition

LP | 2024 | UK | Original (Heads On Fire)

35,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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"One of the best bands to come out of NYC since who gives a shit." -CVLT Nation. When you enter White Hills' lair in Brooklyn, the duo's insatiable desire for music and art is immediately palpable. Crates of vinyl from floor to ceiling line the long hallway. Guitars appear at every angle, one lying across a sofa in obvious mid-play with others in cases tucked beside amplifiers into every conceivable corner. Synthesizers and cables cover the purple satin bed while gouache paintings in various stages of progress strewn the floor. Album covers, movie posters, books, paintings, prints and souvenirs of subversive culture occupy the remaining wall space. A sanctuary of adoration, creation and imagination, it's also the nerve center of their record label Heads on Fire Industries and the site where the final mixes of their latest album Beyond This Fiction took shape. For nearly two decades, White Hills have been blowing minds with their sonic alchemy: a unique mix of neo-psychedelia, art rock, and post-punk- at once original and recognizable. Their cult reputation emblazoned in celluloid following their performance in Jim Jarmusch's sultry vampire romance Only Lovers Left Alive, the duo has toured vigorously since their inception. With a vast catalogue that astounds and a relentless punk ethos, time seems to energize the duo, making them increasingly daring and prolific. "Music creates a bliss beyond sex and drugs," professes one-woman rhythm section Ego Sensation. "We'll never stop making music. It's the highest high to be had in life." Founding member Dave W, whose signature other-worldly guitar sorcery defines the White Hills sound, grabs his Les Paul to record a melody lingering in his head from last night's dream before it escapes. Outside, the sound of passing sirens, honking horns and bits of conversation remind you that you're in the middle of New York, a city so flush with rock legacy and artistic innovation it would take lifetimes to drink it all in. A voice from outside shouts, "This shit is going...

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Beyond This Fiction Black Vinyl Edition

LP | 2024 | UK | Original (Heads On Fire)

Day By Day Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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White Flowers

LP | 2021 | EU | Original (Tough Love)

Are You Tough Love Cream Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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For Songwriting Duo Joey Cobb And Katie Drew Of White Flowers, One Of The Most Exciting Young Bands In The Uk Right Now, It Was Only On Leaving London To Return To Their Native Preston That The Dark-Hued Dreampop Of Their Debut Album, Day By Day, Began To Crystalize. "There's Something Uniquely Bleak About The North," Says Joey, Speaking From The Abandoned Textile Mill That White Flowers Call Home, "But In That Bleakness There's A Certain Beauty." "We Like The More Alien Sounds" Explains Joey, "Where The Focus Is On Creating Atmosphere." This Is Perhaps Most Obvious On The Album Title Track, One Of The More Sonically Enticing Tracks On The Record With Its Pulsing Drone And Portishead-Esque Rhythm, Or Even 'Night Drive', A Live Favourite That The Pair Take Pride In Building Into A Monstrous Wall Of Sound.'Daylight' Pushes Forward With A Prettiness Matched By Katie's Oblique, Near-Glossolalia Vocal. "We Don't Like It When Things Are Clean Or Overproduced" Explains Katie, "And There's Something Interesting In The Instinctive Nature Of The First Thing You Sing, Because You Don't Really Know What You're Singing Until It Comes Out And It Makes Sense." That Psychographic-Style Process To Writing Informs A Collection Of Songs That Are At Once Both Intuitive And Fully-Formed. The Oldest Song On The Record, 'Help Me Help Myself', Bears Witness To This Approach. Perhaps Their Most Direct And Perfect 'Pop' Song To Date, It Suggests These Songs Were Always There Within, Just Waiting To Be Divined. "We'd Just Started Using Drum Machines And There's Something Of A Naïve Quality To It," Explains Katie, Though Its Naivety Has Now Been Augmented By Jez Williams' Impossibly Diaphanous Production. The Constant Upheaval Of, Well, Everything Has Fed Directly Into Day By Day. "The Songs On The Album Were Written From When We Were Teenagers Up To Our Early 20s, So It's Come Of Age In This Weird Apocalyptic Time," Says Katie. "Everything's Surrounded By Uncertainty" Notes Joey, "But It Isn't All Doom...

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White Flowers

12" | 2022 | UK | Original (Tough Love)

15,99 €*

Dull Boy Red Vinyl Edtion

Release: 2022 / UK – Original

Genre: Rock & Indie

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Beach House, Cocteau Twins, Cigarettes After Sex, Slowdive. Isolated from any kind of music scene and enveloped by the cold Brutalism of Preston, White Flowers are a young, enigmatic band developing their own eccentricities away from the influence of big cities. New EP ‘Are You’ is a sonic and aesthetic collage drawing deeply from their environmental and social surroundings. The songs on the EP may at first seem delicate and beautiful, but closer listening reveals dark undertones and dry humour fuelled by the frustration of feeling trapped with no way out. Driven by this sense of claustrophobia, the duo have sought to create a form of escapism outside of their physical and 3 geographical limitations. Recorded late 2021 between Preston and Bristol, ‘Are You’ weaves together a mixture of intuitive home recordings and refined studio production aided by producer Ali Chant (PJ Harvey, Portishead, Perfume Genius). The four songs on the EP are an intentional collection of contrasts and paradoxes - beauty and repulsion, calmness and mania, anxiety and stasis - all combined to form a balanced whole. Whilst influenced in part by the writings of the late Mark Fisher and his idea that we are haunted by futures that failed to happen, that what might have been may yet be the dream that saves us, White Flowers have also found inspiration in the Brutalist architecture that adorns their hometown - futuristic yet dated buildings that serve as an appropriate visual metaphor for Fisher’s theories. Bleakly imposing yet comfortingly familiar, the monochromatic starkness of these structures has fed into the imagery for the record, as well as the sounds found within. Not intending to wallow in cynicism, however, White Flowers’ art ultimately aims to provide a way out of these dystopian fever dreams and spiralling thoughts into a forward facing place

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Whistling Heads

LP | 2023 | EU | Original (Disasters By Choice)

32,99 €*

LP | 2022 | EU | Original (Post Present Medium)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Debut album from Italian sensation Whistling Head, quite a surprise in the british post-punk egemony. Teenage Cliché fast, fresh and edgy, brisk and dodgy, quivers like a carefree kid sneaking around responsibilities, just two minutes that stick like gum under the counter, as short and insatiable as the interval you wish would never end.... The graceful song form represents in a brio that pure sense of evaporating idealism, a track you could listen to the point of exasperation because of its potential structure and the leisurely moments it offers while never concealing that veil of restlessness, disorder and dissatisfaction. ‘Shoot Shoot. Work, eat, sleep, repeat.All work and no play, I'm a dull boy, I'm a dull boy.’ Shoot Shoot is a modern-day Greek tragedy, versifying their conception of the modern horror of routine, homologation and bewilderment, letting out, in a liberating spurt, all the accumulated irritation. The song's verse is held up by a crushing, gloomy and repetitive rhythm section accompanied by a guitar as distorted and sharp as a litany scratching at your brain. The track moves between more noise sounds close to the explosive emotionality of Unwound. A cathartic experience emerges from the sum of alienating, annihilating verses and explosive, angry refrains. Peaceful Warning shows the softer, more vulnerable, but still biting and dynamic side. Alternating between noisy phrasing and melodic refrains, Peaceful Warning sounds like a call to be oneself and to never change, despite the mutability of everything around us…

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Whistler

Telltale Sauce

18,74 €* 24,99 € -25%

LP | 2022 | EU | Original (One Road)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The second full-length by Whistler is a shimmering charge of sound, a spell so loud and ambitious it wants to be heard through speakers the size of a door. Notes boom and sway with a sparkling anti-gravity, lifting you into the air, lowering you onto soft fields. In the words of Whistler's vocalist/guitarist Louis Scherfig, "Our songs musically are quite driven by an idea of beauty." This beauty is paired with a tenacious commitment, each of the nine songs carrying its own sturdy, balanced grace. It is easy to picture the four members walking circles around each song, shoving here and shaking there, ensuring that everything is firmly grounded, supported, braced. Telltale Sauce is an architectural masterpiece. It's also a head-hung downer. Because for every unforgettable hook, for every harmonized embrace, there's a shattering confrontation in the lyrics. As the twinned, weary voices of Scherfig and Ditte Gyldendal Amby sing on the title track, "Change is gonna come," before clarifying: "It'll hunt us down forever." Perhaps Telltale Sauce is best understood as Madchester without the drugs-all the smeared colors and harsh edges of, like, The Stone Roses, but forced into the sober, inevitable light of 2022.

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When Rivers Meet

We Fly Free

LP | 2024 | EU | Original (One Road)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Combining powerful and heartfelt vocals with thundering guitar riffs, Essex-based Blues Rock band When Rivers Meet offers originality with both talent and winning personalities. Grace Bond leads with her incredible vocals, as well as bringing ranched-up mandolin and violin instrumentals. Her husband Aaron Bond commands attention with his imaginative guitar and cigar box playing and complements with compelling vocal harmonies... a winning formula. Since bursting on to the UK music scene with their debut The Uprising EP in April 2019 followed by their second EP Innocence of Youth in May 2020, husband and wife Grace and Aaron Bond have released two critically acclaimed studio albums We Fly Free (2020), followed by their sophomore album Saving Grace (2021). When Rivers Meet were the first band to win four awards at the UK Blues Awards 2021 and another three awards in 2022, including "Blues Band of the Year" on both occasions. Last year WRM were voted Best New Band at Planet Rock's The Rocks Awards 2021, and in 2022 won the "Blues Power Award" and "Album of the Year" (Saving Grace), beating Iron Maiden who came second place. In 2021, the husband-and-wife duo show their chemistry on stage, performing 17 dates along with powerhouse bass and drums on their first UK Headline Tour to mostly sold-out crowds, receiving rave reviews for their captivating stage presence and blistering performances.

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When Rivers Meet

Aces Are High

LP | 2023 | EU | Original (Odyssey Music Network)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Like all the best stories in rock 'n' roll, the epic journey of When Rivers Meet has never been plain sailing. Right now, the acclaimed Essex-based blues-rock duo Aaron and Grace Bond stand on the brink of their latest career peak, releasing fearless third album, Aces Are High, shaking stages on their Breaker Of Chains headline tour, toasting a third consecutive victory as UK Blues Federation Band Of The Year and pulling an army of fans along in the current. Combining powerful and heartfelt vocals with thundering guitar riffs, Essex-based Rock band When Rivers Meet offers originality with both talent and authentic personalities. Grace Bond leads with her larger-than-life vocals, as well as bringing raunched-up mandolin and violin instrumentals, while Aaron paints with seismic grooves, hypnotic cigar box licks and harmonies that stop all the clocks. With the Aces Are High material now rattling speakers and shaking stages everywhere from the UK festival circuit to Joe Bonamassa's Keeping The Blues Alive Mediterranean III Cruise in August, everything is flowing the right way for When Rivers Meet. "Looking back to 2019, when we really started as a duo, it's so surreal to think that now we're on our third album," reflects Aaron. "And when you see people singing the words back to you - my God, that's so emotional

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Wheel

The Path / The Divide EP

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Music On Vinyl)

Wheatus

28,99 €*

2LP | 2023 | EU | Original (Whatever The Weather)

Release: 2017 / EU – Original

Genre: Rock & Indie

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The self-titled debut album by Wheatus was recorded in the basement of vocalist and guitarist Brown's mother's house. The debut single "Teenage Dirtbag" was released in July 2000 as a single and peaked at number 2 in the UK and number 7 in the U.S. charts. The single was later certified platinum in the UK.

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Whatever The Weather

Take A Fruit

39,99 €*

What Kind Of Human Have I Become

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whatever the Weather is an indie/psychedelic folk band from Tours, France, founded by Aymeric Simon in 2021 and whose first album, Take A Fruit, was recorded in autumn-winter 2021 at "Master Studio (Fr). Musicians: David Millet (Bass/guitars/vocals)Mogan Cornebert (Drums)Take a Fruit is a colorful album made of original compositions.

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Avoiding The Diggy Diggy Dogs

7" | 2024 | US | Original (Soft Abuse)

11,99 €*

Skippy Knows White In Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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What Kind of Human Have I Become is a new vehicle helmed by Matt Plunkett (Cuticles, The Trendees, etc.). Conceived as a solo endeavor, the designation got a bit blurry following an invitation to record his new songs with Stefan Neville (Pumice, etc.) at the studio he shares with Ben Holmes (Oksun Ox, etc.) in Auckland.

Once in the studio, Plunkett’s songs puffed in a wholly new way with Neville at the controls, and backing and bits from both Neville and Holmes perhaps channeling Nag and Bendie. Fans of Matt’s past and current activities will find much to rejoice in here; Avoiding The Diggy Diggy Dogs plucks three songs from the sessions. More to come in due time.

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Whadya Want

LP | 2023 | EU | Original (Chapter Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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- First reissue of 1985 eccentric dance-pop opus, on white-in-red vinyl -- Features a who's who of Australian post-punk, including members of Essendon Airport, Whirlywirld, Equal Local, I'm Talking, Laughing Hands and more -- For fans of: Talking Heads, Arthur Russell, New Order -// In 1985, Australian musical iconoclast David Chesworth joined forces with friends Philip Jackson and Warwick Bone to form Whadya Want. Their sole album Skippy Knows is a quintessential mid 80s artefact, melding elements of post-punk, art pop and club-facing dance music. Now a coveted collectors item, at first it seemed to disappear almost without trace.David's background in celebrated Melbourne group Essendon Airport had already seen him explore funk and hypnotic rhythm on their 1981 album Palimpsest (since reissued by Chapter alongside David's early solo albums). Philip also created compelling electronic post-punk in bands Equal Local and Whirlywirld, while Warwick was a mysterious studio maverick.The songs came from a performance David gave in 1983 at the Paris Autumn Festival, whose Australian focus that year saw a host of antipodean artists invited to perform internationally for the first time. David wrote a suite of songs commenting on the archetypes and stereotypes of Australian culture, then going through a brief vogue with the success of Men At Work, Bowie's "Let's Dance" video and Crocodile Dundee. David performed to backing tapes and slide projections showing clichéd images of Australia - kangaroos, platypuses, pristine beaches - with cryptic messages superimposed. Back in Melbourne, David decided to document this project with help from Philip and Warwick, who had access to a high-tech studio featuring a Fairlight CMI and the then-new Yamaha DX7. They recorded late at night and roped in friends such as ex-Essendon Airport pals Robert Goodge and Ian Cox (both playing in I'm Talking by this point), Mick Hauser (Equal Local), Michael Sheridan (Max Q), Paul Schütze (Laughing Hands) and Bill McDonald (Paul...

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And In The Darkness, Hearts Aglow Clear Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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Technological agitation. Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. The celestial-influenced folk album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, and The Guardian admiringly named it one of 2019's best.) While Titanic Rising was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. "We're in a fully functional shit show," Mering says. "My heart is a glow stick that's been cracked, lighting up my chest in an explosion of earnestness." And in the Darkness, Hearts Aglow opens with the wistful, winsome "It's Not Just Me, It's Everybody," a song about the interconnectivity of all beings, despite the fraying of society around us. "I was asking a lot of questions while writing these songs. Hyper-isolation kept coming up," Mering says. "Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal." Other tracks follow in kind. The lullaby-like "Grapevine" chronicles the splintering of a human connection. The otherworldly dirge "God Turn Me into a Flower" serves as allegory about our collective hubris. "The Worst Is Done" is an ominous warning, set against a deceivingly breezy pop melody. "Chaos is natural. But so is negentropy, or the tendency for things to fall into order," she says. "These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment."

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And In The Darkness, Hearts Aglow Black Vinyl Edition

LP | 2022 | US | Original (Sub Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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And In The Darkness, Hearts Aglow

Tape | 2022 | US | Original (Sub Pop)

13,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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A Certain Kind / Everybody's Talkin' Record Store Day 2022 Vinyl Edition

7" | 2022 | US | Original (Mexican Summer)

Pink Room Pink Glass Transculent Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited to 2000 copies. A Certain Kind b/w Everybody's Talkin' is a double A-side 7" of cover songs by Weyes Blood, originally recorded by Soft Machine and Fred Neil. This limited edition of 2,000 worldwide on Blood Starburst color vinyl is available exclusively for Record Store Day 2022.

A Certain Kind b/w Everybody's Talkin'

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Wet

Wet Leg Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Pink Room is Wet's EP as part of Secretly Canadian's Friends Of campaign, guided by the New York three-piece's magnetic singer-songwriter Kelly Zutrau. Pink Room follows Zutrau's third LP, Letter Blue, which was Wet's most collaborative release, with co-writing and co-production from Toro y Moi's Chaz Bear, as well as Frank Ocean's go-to keyboardist Buddy Ross. Notably, founding guitarist Marty Sulkow has rejoined the group, alongside their nimble producer Joe Valle. Altogether, they've helped to create Wet's most natural-feeling and playful songs to date. Wet released their self-titled debut EP in 2014, for the taste-making pop label Neon Gold, before moving to Columbia Records for two understated, celebrated albums, Don't You (2016) and Still Run (2018). "Wet has what it takes to make everyone care about an indie band," Fader announced in a glowing magazine profile before the band went on to play Late Night with Jimmy Fallon and sell out Webster Hall. They've toured with The 1975, Florence + the Machine, and Toro y Moi, who also featured Wet on 2019's Outer Peace. "I'm always interested in multiple feelings at once," Zutrau says. "Not just a happy song, but happy and sad and guilty _ those can all be true." This is as much a sonic statement as it is one about life: "We see these messages in music and media that are very black and white, but our lives don't really live up to those expectations. Instead, we're somewhere in the middle of all these states that are much easier to explain."

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Wet Leg

LP | 2022 | UK | Original (Domino)

25,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Riding Easy)

Westing

Future

West Coast Pop Art Experimental Band

Release: 2023 / US – Original

Genre: Rock & Indie

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“Late in 2021, Slow Season announced they’d become Westing, and that Ben McLeod (also of Nashville’s All Them Witches) was now in the four-piece on lead guitar alongside guitarist, vocalist and keyboardist Daniel Story Rice, bassist Hayden Doyel and drummer / recording engineer Cody Tarbell. Their new LP (fourth overall for Riding Easy), Future, is not coincidentally titled. “Says Rice, ‘We wanted to hit the reset button on some things and so we included a new band name to that list. Fresh start, for the psychological effect of it. We first met Ben in 2014 opening for All Them Witches in San Diego, and we did that again in 2016 and he and Cody corresponded about tape machines, music production, and other similar nerd stuff. We started swapping a few ideas early in 2021 and then flew him out for four days in August 2021. We got Future mostly down in that short span and did some remote stuff for overdubs, but nothing major. Obviously, our creative processes jelled pretty well to allow for such an efficiently productive session.’ “So the story of Westing, and of Future, is about change, but the music makes itself so immediately familiar, it’s so welcoming, that it hardly matters. For about ten years, the Visalia, California, outfit wandered the earth representing a new generational interpretation of classic heavy rock. The tones, warm. The melodies, sweet. The boogie, infectious. They went to ground after supporting their 2016 self-titled third album, and clearly it was time for something different. “Is Future the future? Hell, we should be so lucky. What Westing manifest in these songs is schooled in the rock of yore and theirs purely, and in that, Future looks forward with the benefit of the lessons learned across three prior full-lengths (and the accompanying tours) while offering the kind of freshness that comes with a debut. No, they’re not the same kids who released Mountains in 2014, and the tradeoff is being able to convey maturity, evolving creativity and stage-born dynamic on Future without sacrificing the spirit and passion that has underscored their work all along.” – JJ Koczan

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Volume 3: A Child's Guide To Good & Evil Colored Vinyl Edition

LP | 2017 | EU | Reissue (Jackpot)

LP | 2024 | Original (BFD)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Released in July 1968 on Reprise Records, “Vol.3: A Child’s Guide To Good & Evil” is considered to be the band’s most accomplished work and a masterpiece of the psychedelic genre. Released just nine months after vol. 2, the band explores their incredibly creative psychedelic pop song writing with an accomplished mastery of studio techniques. Featuring iconic original artwork by John Van Hamersveld (Beatles, Rolling Stones) A long awaited reissue from the master tapes.

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Wendy O. Williams

Maggots: The Record

32,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (BFD)

Wendy O. Williams

Deffest And Baddest!

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Ba Da Bing)

Wendy Eisenberg

Auto

23,74 €* 24,99 € -5%

2LP | 2024 | EU | Original (Stickman)

Release: 2020 / US – Original

Genre: Rock & Indie

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Drawing the connections between Wendy Eisenberg’s releases feels like undertaking a wide-ranging investigation. Albums of wildly inventive guitar, tempo-shifting avant rock and curiously leftfield pop fit together as offerings of Eisenberg’s curious mind. On Auto, their most innovative and inner-reaching album yet, Eisenberg explores emotional, subjective truth, and how it interacts with an objectivity no person alone can grasp. Inspired by the solo work of Mark Hollis (Talk Talk) and David Sylvian’s Blemish, with playing skills that have already seen them climbing Best Guitarist lists and an unvarnished vocal immediacy, Wendy Eisenberg has created an album of subtle display that resonates with maximal impact. Auto has multiple meanings. First, automobile: “A lot of these songs were written about and mentally take place when I’m in the car on my way to gigs,“ says Eisenberg. Immediate melodies came to them on these trips, to which they’d later add complex guitar parts. And automata: “I make myself into a machine, which is why everything that’s played is precise.” Finally, they frame their work in the literary technique of auto-fiction, “the semi-fictionalized presentation of the self in a narrative form of growth,” as Eisenberg sees it. The album served as a means toward working through emotional conflicts from adolescent trauma and Ptsd, and dissects the dissolution and conflict that led towards the breakup of their former band. With much of it written while its events played out, Auto faces the grief of losing what one thinks is their future while experiencing a dramatic reshaping of their past; it delves openly into the limited nature of one person’s narrative. After making a few efforts to record Auto, Eisenberg ultimately chose to collaborate with childhood friend Nick Zanca, who contributes electronic elements and production. Mirroring the personal and organic offered by Eisenberg, synthetic sounds form a kind of boundary or context for everything. They “sound like commentary on songs that were written from an organic or subjective perspective,” says Eisenberg. Their place on the album is integral for Eisenberg’s goal “to outweigh the subjectivity of normal singer-songwriter guitar songs with the objectivity of electronic sound.”

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Weite

Oase

Y'all Motherfuckers Forgot 'Bout Good Ol' Son Of A Bitchin' Blues Marbled Dark Green & Lime Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Oase is the sophomore album from Berlin-based progressive rock collective Weite, and the follow-up to the band’s 2023 debut LP Assemblage. Clocking in at almost an hour, Oase—German for "Oasis"— takes listeners on an intricate and textured journey that draws inspiration from the pioneering spirit of 70s psychedelic rock, blending influences from “Canterbury scene” prog, Krautrock, early electronica, post rock, and Americana.

The new album show cases Weite's ability to merge the old with the new, creating an immersive, exploratory sound that moves from contemplative and pastoral to riffy and doomy without ever sacrificing melody.

Oase is characterized by longer expansive, atmospheric compositions yet is undoubtedly more composed than the band’s debut, with more of a focus on songs, albeit in the broader sense of the word.

With the focus on melody, texture and mood—although not necessarily always in that order—Weite create a sound that’s intricate and meditative, inviting the listener to embark on a journey through shifting soundscapes and evolving musical narratives.

Weite was formed in Berlin in winter 2022 by bassist Ingwer Boysen (delving) recruiting drummer Nick DiSalvo (Elder, delving) and guitarists Michael Risberg (Elder, delving) and Ben Lubin (Lawns). Initially intended as a one-of recording session, the four recognized an obvious musical chemistry and common ground and decided to turn the project into a proper band. Keyboardist Fabien de Menou (Perilymph) joined in 2024.

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Weird Tales

LP | 2021 | EU | Original (Interstellar Smoke)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Sub Pop)

Weird Nightmare

13,99 €*

LP | 1994 | EU | Reissue (Geffen)

Release: 2022 / US – Original

Genre: Rock & Indie

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If you're looking for a raw, sugary blast of distorted pop, look no further than Weird Nightmare. The debut album from Metz guitarist and vocalist Alex Edkins contains all of his main band's bite with an unexpected, yet totally satisfying, sweetness. Imagine The Amps covering Big Star, or the gloriously hissy miniature epics of classic-era Guided by Voices combined with the bombast of Copper Blue- era Sugar-just tons of red-line distortion cut with the type of tunecraft that thrills the moment it hits your ears. These ten songs showcase a new side of Edkins' already-established songwriting, but even though the bulk of Weird Nightmare was recorded during the Covid-19 pandemic some of its tunes date back to 2013 in demo form. "Hooks and melody have always been a big part of my writing, but they really became the main focus this time" he explains. "It was about doing what felt natural." To be clear: Weird Nightmare is not a "pandemic album," but an album-some of which had been gestating for quite a while-that just so happened to be recorded during the pandemic. "I had always planned on finishing these songs, but being unable to tour with Metz, and forced to lock down, really gave me a push." After days spent homeschooling his son, Edkins would drive to the Metz rehearsal room and tinker deep into the night on these songs' deceptively simple structures and rich, static-laden textures. "It was a godsend for me," he states about the creative process. "The hours would disappear and I would get lost in the music and record. It was a beautiful escape." Weird Nightmare is, in its own way, a study in extremes: Edkins' melodic instincts and penchant for dissonance are both turned up to the max throughout, the latter reflecting not only the barn-burning tendencies of Metz, but Alex's own sonic predilections. "It doesn't sound right to my ears until it's pushed over the edge." He also cites other artists who are masterful at mixing the sublime and the punishing-Kim Deal and Scout Niblett among them-as influences on his own songwriting. "My favorite songs are the simple ones," he explains. "I've never been attracted to virtuosity or technicality. Certain songs have the power to lift your spirits like nothing else can. I wanted to create that type of song." A few guests pitch in on Weird Nightmare: Canadian alt-pop genius Chad VanGaalen adds his unmistakable touch to the ever-escalating "Oh No," while Alicia Bognanno of Bully lends her distinctive pipes to the thrashing "Wrecked," a collaboration that effectively saved the song. "I almost didn't put it on the album because I thought it was missing something," Edkins explains. "I sent it to Alicia and she lifted it way up." And taking risks and reaching out of Edkins' comfort zone was the name of the game when it came to making Weird Nightmare. "I found myself doing new things I didn't have the guts to do before, recording everything by myself and trusting all of my musical instincts," he states. "I think when music manifests quickly, a certain amount of honesty automatically comes along with it. When it is a purely instinctual creation, there is no opportunity to obscure the truth."

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Weezer

Weezer (Blue Album)

LP | 2021 | EU | Original (Atlantic)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Few bands emerged as fully formed as Weezer, the Southern California band that would quickly shake the world with its reimagined vision of rock 'n' roll. With 17 million albums sold worldwide, and two LPs on Rolling Stone's list of most influential ever made, the L.A. quartet helmed by singer-guitarist Rivers Cuomo proved to be as popular as they are pioneering. Weezer's music continues to shape the sound of rock to this day, well after the release of its first album, the triple-platinum Weezer (The Blue Album), one of rock's most auspicious debuts.
The quartet's incredible run of Geffen Records releases is reissued on standard 140-gram vinyl. The records helped redefine the genre, mixing guitar hooks with a sense of geek-smart humor that radiated into the band's popular live act and multitude of cutting-edge videos and visuals.

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Weezer

Ok Human

Release: 2021 / EU – Original

Genre: Rock & Indie

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Crater Maker Pruple Vinyl Edition

Weed Demon

LP | 2020 | EU | Original (Electric Valley)

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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Rat Saw God Purple Vinyl Edition

LP | 2023 | CZ | Original (Dead Oceans)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Rat Saw God Black Vinyl Edition

LP | 2023 | US | Original (Dead Oceans)

Release: 2023 / US – Original

Genre: Rock & Indie

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Mowing The Leaves Instead Of Piling 'Em Up

LP | 2022 | US | Reissue (Orindal)

28,99 €*

Release: 2022 / US – Reissue

Genre: Rock & Indie

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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.

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Mowing The Leaves Instead Of Piling 'Em Up

Tape | 2022 | US | Reissue (Orindal)

11,99 €*

Release: 2022 / US – Reissue

Genre: Rock & Indie

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I Was Trying To Describe You To Someone

LP | 2020 | US | Reissue (Dead Oceans)

Like No Tomorrow Neon Yellow Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

22,99 €*

Like No Tomorrow Half Red Half Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedge’s new release „Like No Tomorrow” makes for an unholy trinity of Wedge albums in the Heavy Psych Sounds Records back catalogue. The Berlin-based power trio once more is driving their musical Wedge in between many different genres: Garage rock turns progressive while psychedelic guitar lines are tripping over hard rocking riffs. Does this work together? Hell yes! For fans of Deep Purple, MC5, Led Zeppelin or Humble Pie this album is a sure shot. You like fuzz guitars? Hammond organ and vocals trough a swirling Leslie cabinet? More cowbell? You got it. But unlike our beloved rock records from around 1971, which we’ve heard a hundred times before „Like No Tomorrow” has one huge advantage: It’s brand new and the 8 tracks, ranging from 3:00 to 9:00 minutes, deliver a fresh, unspent and unmistakably unique taste to the rock’n’roll menu. In the tradition of bands like The Raconteurs, The Hellacopters, Graveyard or Wolfmother, Wedge are building on that vintage vibe we all know and love but evolve their very own thing and are able to connect it directly to here and now. Also lyrically the tunes are picking up on our zeitgeist, dealing with topics like digitalisation, mass migration and current social issues among others. So it’s no coincidence that the record’s title is a direct hint at our crazy times, in which it feels like the end of the world might be lurking just around the very next corner. But rather than being pessimistic about it, Wedge want to convey a positive message: „When it feels like there might be no tomorrow, just love and live Like No Tomorrow”

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Wedge

LP | 2021 | EU | Original (Heavy Psych Sounds)

28,99 €*

3LP+DVD | 2023 | US | Original (Happy Hapy Birthday To Me)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Wedding Present

24 Songs

48,99 €*

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.

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Wedding Present

24 Songs

56,99 €*

Vol. III Blue Swirl Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Webbed Wing

LP | 2024 | EU | Original (Memory Music)

Right After I Smoke This Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Fronted by vocalist/guitarist Taylor Madison, and with Jake Clarke on drumsand Mike Paulshock on bass, Webbed Wing cement their place in modernrock supremacy across 10 tracks of fuzzed-out pop nostalgia on new albumVol III. One impossibly-catchy anthem after another, loaded with Madison'ssignature sardonic wit, makes for one of the most exciting alternative rockrecords of the year. Taking notes from the likes of The Lemonheads andTeenage Fanclub, "Further" opens Webbed Wing's new album Vol. III witha bang--in less than 10 seconds, we're all the way in with Webbed Wingas they expertly intertwine the vibrancy of modern pop, the heaviness ofgrunge, and the sincerity of country. Brazen and self-deprecating, "Burn ItDown" finds Madison unpacking what it means to fly too close to the sun.Its mid-tempo mastery is a testament to the trio's connection as musiciansand friends; everything about this song just works. Drawing inspiration frombig country ballads and shoegaze gems alike, the song shows off a differentside of what listeners can expect from Vol. III.

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Webbed Wing

7" | 2023 | EU | Original (Memory Music)

18,99 €*

Come In Butterfly Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Put Webbed Wing's Taylor Madison up against some of rock's most celebrated songwriters--he's ready. On their new EP, Right After I Smoke This..., the Philly-based guitarist and singer puts on the kind of unforgettable performance that can take everyday people and turn them into musical heroes for the masses.For those in the know, Webbed Wing--incomplete without Jake Clarke (drums) and Mike Paulshock (bass)--have long-since reached cult status; the project follows Madison and Clarke's already-decorated career in their band, Superheaven. Here, each member freely flexes their innate genre-bending musicality, taking notes from the likes of The Lemonheads, Teenage Fanclub, and Weezer.In just three songs, Right After I Smoke This... channels everything lyrically-gripping about rock music and everything vibrant about pop. There's as much earnest twang in their toolkit as there is snotty skate-park punk and intense metal; it's a celebration of the genre as they've come to love it, resulting in something highly palatable and new.

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Weatherday

LP | 2022 | US | Original (Topshelf)

2LP | 2024 | EU | Original (Mascot Label Group)

Release: 2022 / US – Original

Genre: Rock & Indie

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Weatherday is the noise-pop project of the mononymous Swedish artist Sputnik. While they have also found success with their side project, Lola's Pocket PC, it is their cult-acclaimed album Come in that has garnered them a large and dedicated following through its raucous musical universe and serpentine sparklepunk stylings. Often heralded as an achievement of lo-fi bedroom pop tangled with threads of emo and DIY, Come in is better described, in its author's own words, as a 'life goal.' The initial spark that ignited the fiery, heated debut from Weatherday originated from Sputnik's desire to write, perform, and produce a record all on their own, from the ground up. Starting in 2014-2015, their preliminary attempts at what would eventually become Come in first materialized as a shoegaze EP, and then a dream-pop meets chamber-pop LP. Ever the perfectionist though, Sputnik wasn't satisfied with the results and deleted the releases without a trace, finally deciding to set out in the direction of something more akin to their longtime influences of emo and its various subgenres. After two years of tinkering in this stylistic sweetspot, Sputnik settled on the eleven knotted, maximal tracks that comprise Come in. From the caustic, harsh peaks of 'Sleep in while you're doing your best' to the soothing piano-laden passages of 'Embarrassing paintings' and experimental, granular coda of 'Water dreamer the same,' the range of Weatherday's debut is doubtlessly a product of an artist who refuses to compromise a single shred of their vision.

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Weather Systems

Ocean Without A Shore

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (12XU)

Weak Signal

Fine

31,99 €*

We Were Promised Jetpacks.

Release: 2024 / US – Original

Genre: Rock & Indie

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"The music of New York trio Weak Signal (Mike Bones, guitar and voice; Sasha Vine, electric bass, violin, and voice; Tran, drums and voice) is a masterclass in simplicity and economy but these aspects aren’t present for their own didactic sake. Rather, their art is world-building in the most essential of ways, subtly spinning out in an enveloping, rich haze from a clear, architectural core. There are sections of knife-like collective squall and dialogic drift that glance at improvised music; while not strictly pop, the tunes are incredibly catchy with wry, keenly memorable lyrics that easily stick in one’s craw. With associations including Endless Boogie, Sian Alice Group, and Soldiers of Fortune, Weak Signal formed in 2017. They waxed two full lengths in the period leading up to the pandemic ('lp1'; 'Bianca'), and during that unsettling year-plus without many gigs to speak of, the trio kept busy and unleashed a handful of choice digital EPs and a couple of split 7” singles (cue up 'Rolex' if you haven’t heard it). In 2023 the group released 'War and War', a self-published book / CD (its title taken from a volume by Hungarian writer László Krasznahorkai) that was reissued on LP by 12xu the following year. 'Fine' is their fourth full-length to date, its tight ten-song program fleshed out with sonic icing from keyboardist Alexis Taylor (Hot Chip) and guitarists Doug Shaw (Gang Gang Dance; White Magic) and Cass McCombs."—Clifford Allen

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Unravelling

CD | 2014 | UK | Original (FatCat)

5,99 €*

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

We Were Promised Jetpacks

Enjoy The View

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We Were Promised Jetpacks

A Complete One-Eighty

10" | 2023 | EU | Original (Big Scary Monsters)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Kapitän Platte)

We Stood Like Kings

Away

35,99 €*