Search "the+walkmen+heaven" 7418 Items

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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LP | US | Reissue (Fat Wreck Chords)

Anti-Flag

The terror state

Release: US – Reissue

Genre: Rock & Indie

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LP | 2009 | EU | Reissue (Cleopatra)

Anti-Nowhere League

We Are...The League

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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LP | 2005 | EU | Reissue (Rough Trade)

Antony And The Johnsons

I Am A Bird Now

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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666 The Apocalypse Of John 1318

Aphrodite's Child

2LP | 2024 | Original (Mercury)

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

If The Ceiling Were A Kite: Volume 1 Black Vinyl Edition

April Magazine

LP | 2021 | EU | Reissue (Tough Love)

Aquabats Vs. The Floating Eye Of Death

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Genre: Rock-Alternative; Dreampop, Indiepop, Lo-Fi. Riyl: Jesus And Mary Chain, Galaxie 500, Belle And Sebastian, Sarah Records. Cream Vinyl Limited To 500 Copiesthe Purest A Band Can Aim For Is To Present Their Milieu As A Time Capsule From The Morning Of. April Magazine Deals Deep In The Hypnagogic Charm Of Their Surroundings. Since The 2018 Release Of "Shirley Don't" A Sneaky Classic That First Turned Ears Outside Their Sf Bay Area Home The Band Has Stirred Out A Handful Of Cryptic Indie Pop Recordings Nestled In Warm Aerosol Hiss And Scrappy Hand-Drawn Cover Art. Music That Glints In The Far Back Of An Urban Daydream Where Guitars Could Be Bells, Bells Could Be Voices, And Voices Hardly Find Use In Words. If The Ceiling Were A Kite Is A Document Of Things Losing Definition And Time Gone Slack. The Songs On If The Ceiling Were A Kite Were Recorded Over A Span Of About Two Years, After Peter, Mike And Kati Started Playing Together Around A Four Track Cassette Player In Peter's Bedroom. Other Kindred Spirits Like Julia Waves, Ian Collins, Anthony Comstock Obc, Zach Vito, And Eventually David Diaz Joined In On Some Of The Recordings And Live Shows Adding To The Collective 'Whatever Works' Ethos Of April Magazine. April Magazine Is Peter Hurley, Katiana Mashikian, Mike Ramos, David Diaz.

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Aquabats

2LP | 2024 | US | Original (Gloopy)

44,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Gloopy)

Aquabats

Fury Of The Aquabat

44,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Gloopy)

Aquabats

Return Of The Aquabats

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Goner)

Aquarian Blood

Bending The Golden Hour

Release: 2021 / US – Original

Genre: Rock & Indie

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With Bending The Golden Hour, the third album from Memphis, Tennessee’s Aquarian Blood, husband and wife team J.B. Horrell (Ex-Cult) and Laurel Horrell (formerly of the Nots) continue the gorgeously stripped-down and atmospheric direction set on their critically acclaimed previous effort A Love That Leads to War. While Aquarian Blood has roots as a chaotic punk rock six-piece, the band shifted gears after two raucous cassette-only releases on ZAP Cassettes, a pair of seven-inches, and 2017’s Last Nite In Paradise, released on Goner Records. After drummer Bill Curry broke his arm, the Horrells redefined Aquarian Blood, reemerging in early 2018 as the more intimate, mostly acoustic balladeers behind the staccato, fever dream sound of A Love That Leads to War. Like its immediate predecessor, Bending The Golden Hour was recorded at the Horrells’ Midtown Memphis home. The band turned over forty-three tracks to Goner co-owner Zac Ives, who handpicked seventeen songs for the album. The final result is shimmering and hopeful; as beautiful and sparse as a Rockwell Kent snowscape.

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Picture
Coming Soon

CD | 1997 | UK | Original (Chemikal Underground)

The Clearing

4,99 €*

Release: 1997 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 2020 | UK | Original (Rock Action)

The Turning Of Our Bones

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Week Never Starts Round Here

LP | 2019 | US | Original (1972)

Release: 2019 / US – Original

Genre: Rock & Indie

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The Week Never Starts Round Here

LP | 1996 | EU | Reissue (Chemikal Underground)

25,99 €*

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | EU | Original (Karisma)

Arabs In Aspic

The Magic Of Sin

39,99 €*

You All Look The Same To Me

Release: 2023 / EU – Original

Genre: Rock & Indie

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“Syndenes magi” was the sixth Arabs in Aspic album, and a turning point in their long career. After “Pictures in a Dream” and “Victim of your Father’s agony” the structure of “the new Arabs” was set. They had lots of songs ready to go, but after attending a spectacular King Crimson gig in Oslo they decided that their new material wasn’t up to par, and they had to do better. The next day Jostein Smeby went back home to Trondheim, and wrote what turned into the 12-minute song «Syndenes Magi». He called up cover artist Julia and asked her to write down some keywords for a concept album. She delivered a good dose of keywords about anxiety, which inspired the composition of the rest of the album. The album was originally written in English, but countless attempts to make the vocals blend in with the music failed. Smeby tried to write a verse in Norwegian instead, and there it was. Then, the rest was remade in Norwegian as well. The album was released on Apollon Records in the fall of 2017, and received a lot of international attention, despite having only Norwegian lyrics. Jostein Smeby says: “When it comes to the remix of the album, that is the hardest project we’ve ever done. We were really happy with the record – so if it was going to get remixed, then the result had to be even better. The band wasn’t entirely in agreement about a remix at all, but the composer had some unfinished business regarding English lyrics. I tried singing the original English lyrics again. And it sounded just as bad as last time. What do you do then? Well, you delete all the Norwegian vocals and work until it gets better. Working with the remix and remaster of «The Magic of Sin» has taken more than twice the amount of time than writing, recording and mixing the original version took. “This is the sixth and final reworked & remastered Arabs in Aspic re-releases on Karisma Records, meticulously mastered by Jacob Holm-Lupo (White Willow, Opium Cartel, Solstein) in Dude Ranch Studios. The limited first pressing of the LP version comes in a special tri-fold cover revealing more of Julia Proszowska’s striking cover art made for the album – and if combined with the first version of the “Syndenes Magi” LP, all five panels of the painting will be visible.

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Archive

2LP | 2001 | UK | Reissue

Release: 2001 / UK – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

You All Look The Same To Me

Archive

2LP | 2002 | EU | Original (EastWest)

214,99 €*

You All Look The Same To Me + Noise

Release: 2002 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl with scuffs, hairlines and light marks. Cover with very little wear, close to NM. With original inner sleeve

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Archive

Box Set | 2024 | EU | Original (Pias Catalogue)

129,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2019 | EU | Original (Contraszt!)

Arctic Flowers

Straight To The Hunter

14,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Live At The Royal Albert Hall

2CD | 2020 | UK | Original (Domino)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Arctic Monkeys and War Child UK are proud to announce the release of ‘Arctic Monkeys - Live At The Royal Albert Hall’ on December 4th 2020. All proceeds from the album will go to War Child UK to help fill what could be up to a £2 million deficit they are facing in 2021, caused by the devastating impact of Covid-19 on their fundraising. These funds are urgently needed to support those who are worst hit by the virus.

Recorded at the start of the band’s ‘Tranquility Base Hotel + Casino’ tour, ‘Arctic Monkeys -Live At The Royal Albert Hall’, features 20 of the band’s finest moments to date.

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CD | 2022 | EU | Original (Domino)

The Car

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Car Black Vinyl Edition

LP | 2022 | EU | Original (Domino)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Who The Fuck Are Arctic Monkeys?

10" | 2006 | UK | Reissue (Domino)

15,99 €*

Release: 2006 / UK – Reissue

Genre: Rock & Indie

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Ariel Pink's Haunted Grafitti

Mature Themes

LP | 2012 | EU | Original (4AD)

Release: 2012 / EU – Original

Genre: Rock & Indie

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2LP | 2000 | EU | Original (Mexican Summer)

Ariel Pink

The Doldrums

21,99 €*

Release: 2000 / EU – Original

Genre: Rock & Indie

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Ario Lalli & The Rubber Snake Charmers

Folklore From Other Desert Cities Black Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

22,99 €*

Ario Lalli & The Rubber Snake Charmers

Release: 2024 / EU – Original

Genre: Rock & Indie

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New super-band featuring desert rock legends Mario Lalli, Brant Bjork, Sean Wheeler and Ryan Güt !!! The first release from this band of pioneering Desert rock musicians captures the band and its purest form exercising the desert born ethic and approach of rock improvisation, psychedelic and flowing, heavy and explorative. The foundation of Mario Lalli’s grooving heavy bass lines and meditative themes with a intuitive guitar work with Brant Bjork and percussion of Ryan Güt set the scene for Sean Wheeler’s poems and songs capturing the dark and beautiful stories and images of life in the Mojave desert of Southern California. This is a representation of desert rock in its purest form. A very special live performance in Gold Coast Australia. Mario Lalli & The Rubber Snake Charmers began in 2010 with a focus on live psychedelic rock improvisation and sonic experimentation curated by desert rock pioneer Mario Lalli, featuring likeminded musicians from all walks of the musical spectrum. Some of the past Snake Charmers include, Dino Lalli, Brant Bjork, Gary Arce, Tony Tornay, Sean Wheeler, JOE Baiza, Vince Meghrouni, Mathias Schneeberger, Bill Stinson, Ryan GUT, Nick Oliveri, Janet Housden, Michael Glass, Alain Johaness, Jason Simon, Dave Travis, John Ramirez, Herb Lienau to name a few. Anchored by Lalli’s heavy grooving and morphing bass lines, a heavy meditation on rhythms, drones, grooves and riffs. Sonically becoming a canvas where each participant is encouraged to create fine lines or splatter and explode into chaos…wherever it goes it goes. Adding to the vision is the dark beautiful words and otherworldly vocal energies of the deserts own Sean Wheeler. Mario Lalli and the Rubber Snake Charmers takes us on a shamans journey through the desert landscape of imagination.

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Folklore From Other Desert Cities Tri Colored Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

27,74 €* 36,99 € -25%

Ario Lalli & The Rubber Snake Charmers

Release: 2024 / EU – Original

Genre: Rock & Indie

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Folklore From Other Desert Cities Violet Vinyl Edition

LP | 2024 | EU | Original (Heavy Psych Sounds)

7" | 2000 | US | Reissue (Sub Pop)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Arlo

Sittin On The Aces

10,99 €*

They Only Talk About The Weather

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Debut release from ARLO. This LA power pop quartet are more fun than a kiddie pool full of Jello. Their edgy, loopy hooks have gotten them favourably compared to everyone from GUIDED BY VOICES to WEEZER. The ultra catchy "Sittin On The Aces" will appear on the upcoming full length debut, to be released by SubPop in early 2001. The B-side "Skyscraper" is exclusive to this limited 7" release.

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Arny Margret

LP | 2022 | EU | Original (One Little Independent)

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

18,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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LP | 1986 | EU | Reissue (Onderstroom)

Harde Feiten

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Onderstroom)

Koudvuur

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

18,99 €*

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1986 | EU | Reissue (Onderstroom)

Zonder Omzien

18,99 €*

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Box Set | 2022 | EU | Original (Onderstroom)

Zwarte Doos

144,99 €*

You Don't Know What Chiptune Is

Release: 2022 / EU – Original

Genre: Rock & Indie

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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Arottenbit

LP | 2024 | EU | Original (Time To Kill)

LP | 2021 | EU | Original (Improved Sequence)

Release: 2024 / EU – Original

Genre: Rock & Indie

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arottenbit is an electronic music project born in 2008 by Alessandro 'Otto' Galli (FOH Sound Engineer for Messa, Deafheaven, Pallbearer, Truckfighters, Bongzilla, Fuoco Fatuo).Playing solo with a 1989 NINTENDO GAME BOY or accompanied by hardcore punk drummer Guido Montanarini (PARADISE LOST, IMPLORE, THE SECRET), he soon found himself opening for some of his favorite bands like MELVINS, ATARI TEENAGE RIOT, THE BODY, MELT BANANA, AUTHOR & PUNISHER, FULL OF HELL and performing at major international festivals like ROADBURN 2022, HELLFEST 2022."You Don't Know What Chiptune Is" is a bold exploration of the chiptune genre, pushing the boundaries of 8-bit music with an experimental and innovative approach. Each track on the album is a unique specimen, meticulously crafted to showcase the versatility and depth of chiptune sounds.The album is characterized by its inventive use of 8-bit sound chips, evoking the essence of vintage gaming consoles like Game Boy. arottenbit skillfully manipulates these sounds to create a wide range of textures and atmospheres. The lo-fi, raw quality of the 8-bit era is preserved, while contemporary production techniques enhance the overall listening experience.

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Arrington De Dionyso

Bobcat Flamethroat

Arrington De Dionyso's Malakait Dan Singa

Release: 2021 / EU – Original

Genre: Rock & Indie

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Originally released on cassette in 1993 and now for the first time on vinyl, this is an incredible document from a teenage Arrington de Dionyso. All the seeds of his 30+ career are engrained on these fully formed Tascam recordings. "Bobcatflamethroat" was originally released as "Pine Cone Alley Cassette #9" in August of 1993. The songs were recorded on a Tascam Porta-One 4 Track cassette studio inside a secret area in the basement of the College Activities Building at the Evergreen State College, known as "Happyland". This album has never before seen a digital release of any kind, however there is one song "Everything is Broken" which later became part of the original "canon" of Old Time Relijun after that band was formed in 1995. That song was re-recorded on the first Old Time Relijun album "Songbook Vol. I" released in 1997. I still dig most of the tunes on this one- these were all written and recorded while preparing to welcome a new young life into the world (my daughter Lucinda, born August 22, 1993). So while not specifically "Children's Music" per se, the tunes are wild, hopeful, optimistic yawps of playful abandon for all ages. There are a number of "inside jokes" that only would have made sense to the very tight knit inner circle hat I considered my "core" group of friends at that point in my life. I also think there are more than a few "hits" on here. I was 18 years old! Anyone who has followed the last thirty years of my musical career should find something of interest and delight on this album. For some reason I chose to record most of the guitar and bass parts "direct" without an amplifier- I'm not sure why I did that but it's a unique sound in retrospect. There's a decent dose of throatsinging and other odd vocal techniques, proving that I dove deep into this territory of vocal exploration at a very young age. Also plenty of mouth harps, flutes, kazoos, and clarinet, although this was just BEFORE I bought my first bass clarinet. The song "Kite Dragon Hypnosis" showcases the very first ti...

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Open The Crown

LP | 2013 | US | Reissue (K)

LP | 2022 | CA | Original (Paper Bag)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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You may have experienced ARRINGTON DE DIONYSO'S MALAIKAT DAN SINGA as an unexpected live force, pushing up through the earth like daffodils in late winter; or maybe you're familiar with their previous exploits in the studio, "Malaikat dan Singa" [KLP215] and "Suara Naga" [KLP226], which burn clean with fragrant traumas. "Open the Crown" is similarly passion-filled, with new vistas (channeled hallucinations) exploring English (previously only the Indonesian language was employed) as their stomping ground to expand parallel themes anew. Open the Crown conveys tendrils of raw energy emanating from the head - dream visions translated directly to audio outrage. Heavy. And sexy. To be expected from ARRINGTON DE DIONYSO and his molten collection of MALAIKAT DAN SINGA who manipulate the "form'd and the formless" to create from within this broken system.

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Art D'ecco

After The Head Rush

Release: 2022 / CA – Original

Genre: Rock & Indie

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Season Of The Witch Chapter 2 Marbled Bi-Colored Vinyl Edition

Arteaga

2LP | 2020 | EU | Original (Interstellar Smoke)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Anthems: Honoring The Music Of Lynyrd Skynyrd

Artimus Pyle Band

2LP | 2024 | EU | Original (BFD)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Rune Grammofon)

Arve Henriksen

Height Of The Reeds

4LP | 2019 | NO | Original (Rune Grammofon)

Release: 2018 / EU – Original

Genre: Rock & Indie

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The Height Of The Reeds' started as a commissioned work to the city of Hull, Great Britain's cultural capital 2017. Composed by Arve Henriksen, Eivind Aarset and Jan Bang, the work celebrates the longstanding seafaring relationship between Hull and Scandinavia. It was originally the musical companion to a sound walk that took place in April, May and June 2017. Those who took part could listen to the music on headphones while crossing the Humber Bridge.

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Arve Henriksen

The Timeless Nowhere

49,99 €*

The Timeless Nowhere - Box Set

Release: 2019 / NO – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Includes CD's in NM condition.

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Arve Henriksen

4LP | 2019 | EU | Original (Rune Grammofon)

74,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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In a world where being loud seems to be the only ticket for attention, Arve Henriksen has somewhat quietly and without much ado established himself as an important, major player on the European jazz scene. In his 20 years with Rune Grammofon we're counting 11 solo albums (including one for ECM) and 12 albums with Supersilent (including two for Smalltown Supersound), in addition to four albums with Food as well as numerous collaborations, far too many to mention here. During these years he has also performed quite extensively in Europe, in later years being more picky, often preferring more unique venues and locations. Consisting of unreleased material from around ten years back and up until 2019, "The Timeless Nowhere" is not a compilation in the traditional sense, but can still be seen as a career overview including many facets of his work, at the same time portraying an artist on an unstoppable quest for discovery through exploration. Indeed, these are also four individual albums that could easily have justified separate releases, but at this stage in Arve's artistic journey it also made perfect sense to assemble them as a box set. The common denominator is about inspiration drawn from composers, collaborators, new discoveries and more specifically; spontaneous interaction with other musicians without other purposes than the music itself. No talk, no demands, no intentions, no explaining; just music in a timeless nowhere. "Captured Under Mountainsides" points to the wild landscape scenery of the area where Arve grew up in the western part of Norway; overwhelming and often strikingly beautiful, but also isolated and with a sense of melancholy. "Acousmograph" is Arve on his own, inspired by compositions and musicians, more experimental in nature and partly based on sketch recordings in odd locations. "Cryosphere" is a co-production with long time collaborator Jan Bang re-modelling material from a series of evolving concert performances. "Towards Language - Live at Punkt" could be seen as a departure from Arve'...

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LP | 2023 | UK | Original (ADF Records)

Join The Club

Release: 2023 / UK – Original

Genre: Rock & Indie

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Tape | 2023 | EU | Original (ADF Records)

Join The Club

Release: 2023 / EU – Original

Genre: Rock & Indie

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Join The Club Blackwhite Storm Colored Vinyl Edition

LP | 2023 | EU | Original (Adf)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Join The Club Tri-Coloured Tour Vinyl Edition

LP | 2023 | EU | Original (Adf)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ascension Of The Watchers

Apocrypha Clear Vinyl Edition

2LP | 2020 | EU | Original (Back On Black)

12,99 €*

Race The Night Limited Transparent Orange Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Industrial Gothic Rockers Ascension Of The Watchers, are set to release their brand new album "Apocrypha". "Apocrypha" has been a decade long journey of writing and recording, from California, Pennsylvania, New York and Wales. In 2018 the band decided to utilize the crowdfunding platform PledgeMusic to jumpstart the project. After a very successful campaign, raising 124% of their goal, PledgeMusic went into administration, eventually declaring bankruptcy! and in turn, would never release any of the funds dedicated to Ascension of the Watchers. Nevertheless, Ascension of the Watchers persevered to complete the album. After ten years of writing and recording, along with reflection on the very personal nature of this project, Ascension of The Watchers will renew it’s journey in 2020! A creative, and innovative journey of pioneering vocalist Burton C. Bell (Co founder and vocalist of Fear Factory). Their latest recording Apocrypha is a vision untold!

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Ash

LP | 2023 | EU | Original (Fierce Panda)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Race The Night Transparent Violet Vinyl Edition

Ash

LP | 2023 | EU | Original (Fierce Panda)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Race The Night Transparent Violet Vinyl Edition

Ash

LP | 2023 | EU | Original (Fierce Panda)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Ba Da Bing!)

Asher White

Home Constellation Study

LP | 2023 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Asher White’s third album in two years (and fifteenth overall), Home Constellation Study is less a refinement of last year’s sly, quaint New Excellent Woman, and more an explosion of it. Her meticulous chamber pop has given way to resplendent swells of horns and squeals of noise, throbbing bass and queasy orchestral loops. The cover, painted by White, frames a burst of flowers against a dark blue abyss, mimicking the music: over-frenzied sambas, bleary slacker rock, hushed ambient meditations, and surprisingly slick disco, White mines her personal minutiae for tokens of political decay, alienation, and religious rapture.

The past year has found the prolific Providence-based singer-songwriter ascending through her city’s fertile experimental rock scene alongside the breakout synth-punk act babybaby_explores and her labelmates Or Best Offer. Live, White’s band plays riotous, unpredictable noise rock that nods to their city’s storied DIY scene; on Home Constellation Study, mid-album highlights like “Downstate Prairie” and “Hymn” nod to Providence’s bands of yore with their blistering sheets of feedback and pummeling drums, placing White, improbably, within the lineage of local heroes Les Savy Fav or the broken pop dispatches of Black Pus.

At its core, however, Home Constellation Study is the product of studied, monastic auteurism. Like New Excellent Woman, it was arranged, performed, recorded and mixed by White alone in her basement studio in Providence. “Happy Birthday” is an earnest psalm, a paean of devotion and remorse to God a la Beverly Glenn-Copeland that drifts along with Panda Bear haziness. White’s concept of “toxic femininity” undergoes further investigation on “Good Luck!” and “Runes,” both with Elliott Smith-like chord changes and the barbs of cynical romantics like Aimee Mann. Asher White’s vision has never been so expansive and unpredictable.

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Asher White

New Excellent Woman

LP | 2021 | US | Original (Felte)

Release: 2023 / US – Original

Genre: Rock & Indie

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Asher White’s music is a complex and heartfelt reaction to the churn of the modern world. With tender intimacy and resounding anxiety, White takes a wide view through the lens of her own queer sexual politics and transgender identity; what does it mean to renew, to progress, to transform? What is lost, gained, or irreversibly altered?

At 22 years old, White has developed a massive self-released discography: over a dozen albums since 2015, each one started the moment the last one was finished. New Excellent Woman is a distillation of these experiments and discoveries, a new achievement in songwriting that stands astride the cracks in the earth and lopsided ground. Songs jump between styles like a pubescent sex drive, all locked together by White’s ability to pull melody out of chaos.

New Excellent Woman wanders a meticulous cut-and-pasted path paved by forebears like The Books and Animal Collective. It sounds like a live band, bursting with kinetic energy, but the album was constructed alone in her Providence, RI studio, where she arranged, performed, recorded, and mixed the record herself. The ingenuity of Dirty Projectors is laced with the catchiness and warmth of The Kinks, and maybe a dash of Elephant 6. It’s like an Adhd party and the listener is the first to arrive.

New Excellent Woman is built from detritus, often quite literally: from the thrift store amplifiers and scavenged keyboards she uses to her penchant for discovering and sampling obscure YouTube videos into her songs. The thick fog of “Bedsong” is made up of little more than a Hammond organ found on craigslist and a few muffled drums piled with rags; opener “Ptolemy” uses a seemingly random video of teenage boredom as its textural and rhythmic backdrop.

The ceaseless march of the modern world can feel both awe-inspiring and abysmal. New highways and condominiums are erected in a matter of weeks as historic burial grounds are demolished. Even short TikToks seem to expire in real time. Asher White won’t change things, but New Excellent Woman gives one a fresh and poignant perspective of the shifting world around through her eyes—and maybe a connection is the best one can hope for.

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Ashley Shadow

Only The End

The Apotheosis Of Vavavoom

Release: 2021 / US – Original

Genre: Rock & Indie

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Ashley Shadow winks at darkness, but she won't lead you towards it. It's easy to fall under the spell of Ashley's haunting voice. The Vancouver, B.C. based songwriter forged her own identity as a songwriter with 2016's eponymous self-titled debut. Her sophomore effort, Only the End, maintains the moody introspection that is ingrained in Pacific Northwest life, but now comes armed with a palpable hope complementing her signature melancholy. Ashley explains, "I wanted to make a more upbeat album, something you could play with some friends over. Some of the songs I wrote were initially bummers, but when we went to record them, we lightened them up." Balancing a couple of jobs and navigating life and love in increasingly unstable times, the album was written over two years by Ashley at her apartment. Her confident vibrato above lightly, distorted guitars mirrors the album's theme of resilience, if not triumph, over adversity. There is comfort in these warm songs that endorse the realism of contented acceptance, rather than the naïve search for non-existent utopias. While the songs were conceived in contemplative solitude, Ashley invited some very capable collaborators for their journey into the studio. Ashley's first album saw her take center stage after more than a decade of gracing friends' projects in a supporting role. The move to the front was a cautious one. "First record was, can I do a solo album? This time, I know what I'm doing. It's way more clear." "Don't Slow Me Down" reunites Ashley with Bonnie "Prince" Billy for the first time on record when she sang vocals on Bonnie's Lie Down In Light album in 2018. The album also includes contributions from Paul Rigby (Neko Case), Colin Cowan (Elastic Stars), Joshua Wells (Black Mountain, Lightning Dust) and Ryan Beattie (Himalayan Bear). It's clear to anyone listening. It's Only the End. If only all endings were so glorious.

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Ashtray Navigations

LP | 2022 | US | Original (Vhf)

Asia In Asia-Live At The Budokan, Tokyo, 1983

Release: 2022 / US – Original

Genre: Rock & Indie

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Third VHF dispatch from the mighty and prolific Ashtray Navigations, following 2020’s mega and extremely popular Imaginary Greatest Hits package. The curiously titled The Apotheosis of VaVaVoom is one of Phil Todd & Melanie O’DUBHSHLAINE’s most direct and rocking packages, with mucho ripping lead guitar action backed by some absolutely fun bubbling synth and drum grooves. “Irons Three” kicks off with wicked wah’d out leads, followed by the subdued ambience of “Tasteful Grey Putting” and “Appropros Tower” and a segue into the driving “Hinges on the Clapometer.” Side 2’s opening combo of “Slush Puppy Window” and “Avatar Down The Highway” sounds like a head on collision between Terje Rypdal and Tangerine Dream on a dark bender, with laser guitar over a bed of tumbling electronics and tiny noises. The closing “Crack Another Bloodcapsule” is one of Ashtray Nav’s all time best, like a lost krautrock classic jam with a driving rhythm from guest drummer Alex Neilson.

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Asia

2LP | 2022 | EU | Original (BMG Rights Management)

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Heat Of The Moment, Live In Tokyo, 2007

Asia

12" | 2022 | EU | Original (BMG Rights Management)

20,24 €* 26,99 € -25%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Enemy Of The Enemy Remastered Edition

Asian Dub Foundation

2LP | 2022 | EU | Reissue (X-Ray Production)

39,99 €*

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (Better Noise)

Asking Alexandria

See What's On The Inside

21,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Black Opaque Red Vinyl Edition

Asking Alexandria

2LP | 2016 | EU | Original (Virgin Music Las)

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Golden Lane)

Asleep At The Wheel

Havin' A Party - Live

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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The Year That Never Came Red Vinyl Edition

Assassins

LP | 2023 | UK | Original (Machines Make Us)

32,99 €*

LP | 2022 | EU | Original (Club AC30)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Assassins did what many bands do: they grabbed a moment out of the air and slammed it onto tape machines and hard drives with relentlessness, cunning, and an attitude.

It was in Chicago, mid 2000’s, and though there was energy in the music scene, it wasn’t coalescing into anything you could use as a heading in the musical encyclopedia. Drag City, Thrill Jockey, Bloodshot, Tortoise, Andrew Bird, 90 Day Men – amazing labels and bands, but discrete and siloed and separated by boundaries that weren’t very real.

In the midst of that complicated morass, Assassins generated a collection of songs that became the album YOU Will Changed US. And it did.

There was confidence built into the fabric of the project: 5 members, 2 singers, massive synced video walls and samples streaming from laptops swirling in three dimensions around the stage. They could go from subtle atmospheric moments to a gargantuan wall of sound instantly. It was hard to do- months in cold practice rooms troubleshooting sections of songs or reworking synthesizer patches put the band through a self-imposed boot camp. And it brought them together as a sort of hive-mind focused on one thing: that these songs could connect. They could cut through the noise and share a state of mind with other human beings.

And it worked. Those early shows were mind bending. It was fun, loud, drunken, and rewarding- that time together, before the record deal, before the tragic let down of being traded and gobbled up by the major label system. The years after that got more difficult, more complicated, more human.

Leading us here: the musical journey of the Assassins has ended. With the up-coming release of their second and final album THE Year That Never Came, we finally get to hear, and feel, the final statements of their inspiring chemistry.

In July of 2021, founding member, songwriter and singer Joe Cassidy unexpectedly passed away. THE Year That Never Came is the culmination and end point of a collaboration that started in the early 2000’s with a chance meeting and excited conversation with Aaron Miller at a gig in Chicago. Quickly joined by David Golitko on keyboards, Merritt Lear on vocals and guitar, and Alex Kemp on bass.

It was Miller who saw Joe Cassidy’s song writing in a new context. Cassidy had been known for his beautiful, post- pop inflected Butterfly Child, a thoughtful, regal project where Joe’s emotions could soar. Miller saw a different context for that voice- not dreamy, but immediate, not just hopeful, but demanding. He took Joe’s open hand and suggested that it could be a fist, raised in the air, with a crowd of other people doing the same.

At the time of his death legendary composer and songwriter Jimmy Webb (who wrote such hits as ‘Wichita Lineman and MacArthur Park) said Joe ‘was a creative and generous producer but, more importantly, he was a creative and generous friend.’

With the release of THE Year That Never Came, this band, this relentless creative force, has to finally relent. No one in the band could see a future Assassins that doesn’t include Cassidy. So in one last act of will, for the love of their friend, they did the rigorous work of finishing the songs that they had started together for the second album.

Assassin’s obsession with the notion of time, from YOU Will Changed US to THE Year That Never Came, flows from the most natural question we all have to ask ourselves: what do I do now? Because: how we react today to life’s unpredictability - that is the tomorrow we build for ourselves.

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Asteroid No.4,The

Tones Of The Sparrow

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (Tough Love)

Astrel K

The Foreign Department

Release: 2024 / Original

Genre: Rock & Indie

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Hurry Up And Kiss Me While The Baby's Still Asleep

Astrid Cordes

LP | EU | Original (Celebration)

41,99 €*

Release: EU – Original

Genre: Rock & Indie

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in.ter a.li.a Colored Vinyl Edition

At The Drive-In

LP | 2017 | EU | Original (BMG)

Pomegranate Gold Colored Vinyl Edtion

Release: 2017 / EU – Original

Genre: Rock & Indie

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With praise still reverberating from December's unveiling of 'Governed By Contagions', At The Drive In has issued another clarion call from its first album in 17 years: 'Incurably Innocent' is the second track to be released in advance of that record, titled in
• ter a
• li
• a, now available for pre-order and confirmed for release May 5th on Rise Records.Pitting spacey phaser and thrash-y riffing against a sidewinder hook and siren wail, "Incurably Innocent," described by vocalist Cedric Bixler-Zavala as "a song about sexual abuse and being able to finally speak out," reveals additional facets of the kaleidoscopic in
• ter a
• li
• a (Latin for "among other things"). Produced by Omar Rodriguez-Lopez and Rich Costey at Hollywood's Sound Factory, the 11-song 41-minute in
• ter a
• li
• a picks up where 2000's Relationship of Command left off... and rockets off into myriad other trajectories as unpredictable as they are intense.

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Ataraxia

LP | 2023 | US | Original (The Circle Music)

35,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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End Of The Tunnel Aqua Vinyl Edition

Atlas Genius

LP | 2024 | EU | Original (Frogs Head Records)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Lifeforce)

Atlases

Between The Day & I

Release: 2023 / EU – Original

Genre: Rock & Indie

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On Air-Live At The BBC & Other Transmissions

Atomic Rooster

2LP | 2018 | EU | Original (Repertoire)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Congregation Of The Damned Gold Vinyl Edition

Atreyu

LP | 2009 | EU | Reissue (Music On Vinyl)

30,99 €*

LP | 2004 | Reissue (Concord)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
GATEFOLD SLEEVE FEATURING THE ORIGINAL ARTWORK
INCLUDES AN INSERT
THEIR 2009 STUDIO ALBUM INCLUDING THE SINGLES “GALLOWS”,
“STORM TO PASS” AND “LONELY”

LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON
GOLD COLOURED VINYL

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Atreyu

The Curse

Release: 2004 / Reissue

Genre: Rock & Indie

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CD | 2024 | EU | Original (My Redemption)

Atrio

The King

16,99 €*

LP | 2022 | EU | Original (Crazysane)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Giessen-based band ATRIO proudly present their forthcoming album "The King", which will see the light of day in October. The artists have earned a reputation for their unique combination of powerful sound and profound lyrics that capture the human experience in all its facets. The album promises an emotional journey that tells of inner struggles, self-delusion, the calm before the storm and the desire for freedom from societal norms."The King" is more than just music; it is a sincere telling of human stories. The songs reflect the challenges we all go through within ourselves and invite listeners to connect with their own journey.ATRIO's haunting lyrics, bluesy guitar and beating drums are skillfully interwoven with a variety of melodies that range from powerful to empathetic. The band has created a sound that pushes boundaries of new and old while appealing to a wide range of emotions.

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Aua

The Damaged Organ

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Austin Lucas / Frank Turner

Under The Influence Vol. 8

7" | 2009 | US | Original (Suburban Home)

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | EU | Original (Dot Matrix)

Autour De Lucie

Immobile

28,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Dot Matrix)

Autour De Lucie

L'echapee Belle

28,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2020 | IE | Original (Strange Brew Rekkids)

Autre Monde

The Imaginary Museum

11,99 €*

Release: 2020 / IE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Guardian Of The Pale Gold & Green Colored Vinyl Edtion

Autumn Tears

2LP | 2023 | US | Original (The Circle Music)

54,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Palilalia)

Ava Mendoza

The Circulat Train

The Fire I Long For Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Ava Mendoza has never made an album quite as personal as her second solo full-length, The Circular Train. Through her decades of collaborations with Nels Cline, Carla Bozulich, William Parker, Fred Frith, Matana Roberts, and Mick Barr—plus years leading her power trio Unnatural Ways and playing in Bill Orcutt’s quartet—the guitarist’s name has become synonymous with virtuoso technique, raw passion, and visceral resonance, a player pushing the edges of the guitar’s possibilities. Along the way, from 2007 to 2023, Mendoza was writing these slow-burning, incandescent songs. The Circular Train is comprised solely of her single-tracked guitar playing and, on two songs, her corporeal singing. Her first solo LP of original material since relocating from California to New York City a decade ago, much of The Circular Train was honed amid pandemic years that clarified the virtues of slowing down.

This expressive avant-rock is a definitive introduction to one of the most uncompromising and inquisitive visions in creative music. Mendoza’s thrilling melange of free jazz, blues, noise, classical training, and blazing experimental rock’n’roll all coheres with ecstatic feedback, with picking and solos that crest with shimmer. Sometimes she sounds like a one-woman Sonic Youth with guttural and poised vocals that equally evoke Patti Smith and blues greats like Jessie Mae Hemphill. Conceptually, The Circular Train is presented as a psychogeographical train ride through certain of Mendoza’s musical homelands. The songs draw on ancestral and recent familial memories, notably of her parents’ roots in mining towns—in her father’s home country of Bolivia and mother’s hometown of Butte, Montana, each country with its own history of colonialism, racism, forced labor, the eradication of culture and the subsequent excavation of it.

These adventurous songs were composed in cars and planes, in the heart of the Mississippi Delta, in Los Angeles and upstate New York—which is to say in motion. “Ride to Cerro Rico,” named for the mountain and silver mine at the center of Potosi, Bolivia, was inspired by Mendoza’s great grandmother’s life there in a Quechua mining family. “Dust From the Mines” drew from that history as well as Mendoza’s familial lineage of miners in Montana, building up to stunning swaths of shredded iridescence. “Pink River Dolphins” was inspired by a visit to the Amazon rainforest, swimming with dolphins alongside her father—the pink bufeos that inhabit both Bolivia and Columbia—and the song is dedicated to the memory of Mendoza’s late friend, the Colombian-American trumpeter jaimie branch. They shared a fascination with those intelligent and agile creatures who often communicate by echolocation. “Make a sound, it comes back around,” Mendoza sings, and later, “Echo, echo/The answer in a sound,” evoking what branch knew well: through music we navigate life.

The Circular Train contains one cover, “Irene, Goodnight,” composed by Gussie Lord Davis and popularized by Leadbelly; Mendoza has been performing it for over 20 years. Almost as deeply embedded in her repertoire is the penultimate track, “The Shadow Song.” “Treat your shadow kind and it might treat you good,” Mendoza sings on this song that she’s been reworking for over a decade, an emblem of devotion. “Treat your shadow kind and it might treat you right,” she repeats, becoming a blues mantra. What is a shadow self if not one’s secret world, which, once laid bare, awaits an echo, a return?

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Avatarium

LP | 2019 | EU | Original (Nuclear Blast)

Avem/Cobra And The Daggers

Release: 2019 / EU – Original

Genre: Rock & Indie

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This autumn our hearts will be enlightened by the fourth studio album of Sweden’s globally praised AVATARIUM. They have no musical boundaries and that plays a vital part in ensuring they have a signature sound. This open-minded, yet doom-laden collective draws elements of folk, jazz and psychedelic brilliance into a grandiose amalgamation that manages to maintain an almost pop-like elegance. After previous album »Hurricanes And Halos« (2017) the band toured the world with their now significant and utterly unique repertoire. Another successful EU headline tour took place in autumn 2017. Next, they focused on crafting the next installment in their catalogue which is titled »The Fire I Long For«.

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CD | 2021 | US | Original (Mom's Basement)

10,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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2LP | 2020 | US | Original (Warner Bros / WEA)

Avenged Sevenfold

Diamonds In The Rough

42,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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No Matter How The World Turns

Awake Again

LP | 2022 | EU | Original (Odyssey Music Network)

22,09 €* 25,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

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... It's Ugly Or Nothing: Beneath The Desert Floor

Awesome Machine

LP | 2024 | EU | Original (Ripple Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Phantom Five Metallic Silver

Awolnation

LP | 2024 | Original (Two Twenty Five Music)

Release: 2024 / Original

Genre: Rock & Indie

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The Ballads VI Transparent Orange Vinyl Edition

Axel Rudi Pell

2LP | 2023 | EU | Original (Steamhammer)

LP | 2023 | JP | Original (Forlife Songs)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Ballads play a very special role in the history of rock music. Firstly: They document the emotional side of the genre and show that behind (almost) every rocker`s hard chest beats a soft heart. Secondly: Those quieter songs are being played by radio stations without rock-affinity – and are loved by listeners for their emotional depth. And thirdly: In an increasingly hectic world, ballads offer brief moments of pause, of reflection on the essential things in life. So it`s no wonder that the ballad compilations of the Axel Rudi Pell Band are an absolute success. Over 250,000 copies have been sold of ‘The Ballads I’ (1993) to ‘The Ballads V’ (2017) alone. And nine (!) of the current Top-10 most streamed Pell songs on Spotify are ballads! • More than enough reason therefore, why fans of the Bochum guitarist and songwriter regularly push for a continuation of this release series. And – as expected –the release will come with a few small surprises. Not only is ‘The Ballads VI’ the latest edition of the popular ARP ‘The Ballads’ series, but also the direct successor of the studio album ‘Lost XXIII’, which managed to rank 2nd in German sales charts in April 2022. High class double gatefold LP in transparent orange black vinyl.

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Ayane Yamazaki

Serenade Of The Wind

39,99 €*

01011001 - Live Beneath The Waves

Release: 2023 / JP – Original

Genre: Rock & Indie, Pop

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Japanese indie artist Ayane Yamazaki, who has been heard on college radio and Internet radio in Europe and the United States by young indie music listeners, especially college students, releases her new album "Serenade of the Wind" on Record Day. Electronica + City Pop + Folk Songs. Colorful whisper voice and unforgettable melodies will make you want to sing once you hear this impressive album. A new city pop masterpiece!!

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Ayreon

3LP | 2024 | EU | Original (Mascot Label Group)

44,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Chronicles Of The Kid Colored Vinyl Edition

Ayron Jones

LP | 2023 | EU | Original (Universal)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (30th Century)

Baba Ali

This House

16,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Earthling On The Road To Self Love

Baby Cool

LP | 2023 | EU | Original (Bad Vibrations)

20,89 €* 21,99 € -5%