Search "butter goods" 948 Items

Release: 2021 / UK – Original

Genre: Rock & Indie

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Extreme Witchcraft Limited Edition

Eels

Box Set | 2021 | UK | Original (Pias / E-Works)

54,14 €* 56,99 € -5%

Release: 2021 / UK – Original

Genre: Rock & Indie

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Death Of A Very Good Machine

Eep

LP | 2022 | UK | Original (Hogar)

30,99 €*

LP | 2023 | Original (Eskapaden)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Eclectic shoegaze from El Paso, Texas. Death OF A Very Good Machine is the ethereal, expansive, high-energy debut full length album from EEP, a quintet whose influences include dream pop, shoegaze, blues, jazz, classic rock, and 60s psychedelic. Lead single “hogar” was chosen by influential Seattle station Kexp as their Song of the Day. This critically acclaimed album was praised by Eli Enis of The Alternative as “a masterfully forward-thinking collection of songs that’s one of the strongest debuts I’ve heard in a long time—shoegaze or otherwise” and by No Ripcord as "offering a new way for shoegaze to expand, this time into a world of both figurative and literal borders." Death OF A Very Good Machine is available on beautiful 180 gram white vinyl and on CD. EEP is Ross Ingram (Guitar, Vocals), Rosie Varela (Guitar, Vocals), Sebastian Estrada (Bass, Vocals), Serge Carrasco (Guitar, Vocals), and Lawrence Brown III (Drums, Percussion, Vocals).

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Elena Rud

Heimlich Weinen

LP | 1995 | EU | Reissue (Universal)

Release: 2023 / Original

Genre: Rock & Indie

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Chasing dopamine in free fall through a burning world. Looks that make you want to go swimming, even though you know you're going to drown. Where is my value? Who do I want to be? And who do I definitely not want to be?

Mental health, body positivity, queerness, sexualized violence and self-determination: Elena Rud sings about these things, loud and wild. With a voice that sometimes seems on the verge of breaking and then hangs deep in the ear canal again. As raspy as after a handful of cigarettes. So distinctive that you will recognize them again and again from a big bunch of newcomer bands.

Because the songs go through the marrow and bone. Under the skin or into the heart. Maybe left in and right out, but it's good in between. Because you feel that you're no longer quite so alone with yourself and this shitty world.

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Elliott Smith

2LP | 2000 | EU | Reissue (Universal)

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Back in print!

“Elliott Smith” is the second studio album by American singer-songwriter Elliott Smith.
Steven Paul "Elliott" Smith (1969 –2003) was an American singer, songwriter, and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived for much of his life in Portland, Oregon, where he first gained popularity. Smith's primary instrument was the guitar, though he was also proficient with piano, clarinet, bass guitar, drums, and harmonica. Smith had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and used multi-tracking to create vocal layers, textures, and harmonies.

Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for an Oscar in the Best Original Song category in 1998.

Smith had trouble with alcohol and other drugs throughout his life, while suffering from depression, and these topics often appear in his lyrics. In 2003, aged 34, he died in Los Angeles, California, from two stab wounds to the chest. The autopsy evidence was inconclusive as to whether the wounds were self-inflicted. At the time of his death, Smith was working on his sixth studio album, “From a Basement on the Hill”, which was posthumously completed and released in 2004.

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Elliott Smith

Figure 8

36,99 €*

LP | 1994 | EU | Reissue (Universal)

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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“Figure 8” is the fifth studio album by American singer-songwriter Elliott Smith, and the final album he completed before his death.

Steven Paul "Elliott" Smith (1969 –2003) was an American singer, songwriter, and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived for much of his life in Portland, Oregon, where he first gained popularity. Smith's primary instrument was the guitar, though he was also proficient with piano, clarinet, bass guitar, drums, and harmonica. Smith had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and used multi-tracking to create vocal layers, textures, and harmonies.

Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for an Oscar in the Best Original Song category in 1998.

Smith had trouble with alcohol and other drugs throughout his life, while suffering from depression, and these topics often appear in his lyrics. In 2003, aged 34, he died in Los Angeles, California, from two stab wounds to the chest. The autopsy evidence was inconclusive as to whether the wounds were self-inflicted. At the time of his death, Smith was working on his sixth studio album, “From a Basement on the Hill”, which was posthumously completed and released in 2004.

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Elliott Smith

Roman Candle

The Best Of All Possible Worlds

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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"Roman Candle" is the debut studio album by American singer-songwriter Elliott Smith.

Steven Paul "Elliott" Smith (1969 –2003) was an American singer, songwriter, and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived for much of his life in Portland, Oregon, where he first gained popularity. Smith's primary instrument was the guitar, though he was also proficient with piano, clarinet, bass guitar, drums, and harmonica. Smith had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and used multi-tracking to create vocal layers, textures, and harmonies.

Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for an Oscar in the Best Original Song category in 1998.

Smith had trouble with alcohol and other drugs throughout his life, while suffering from depression, and these topics often appear in his lyrics. In 2003, aged 34, he died in Los Angeles, California, from two stab wounds to the chest. The autopsy evidence was inconclusive as to whether the wounds were self-inflicted. At the time of his death, Smith was working on his sixth studio album, “From a Basement on the Hill”, which was posthumously completed and released in 2004.

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Elway

LP | 2022 | US | Original (Red Scare Industries)

20,99 €*

2LP | 2023 | EU | Original (Proper)

Release: 2022 / US – Original

Genre: Rock & Indie

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Elway has stuck with us at Red Scare for a few years and now we've been rewarded with their best album yet. Or at least that's what they say. They also tell us that the prevailing theme of these songs is, "...the Candide/Quixote Dilemma. As in, are we naïve for being optimistic?" Hoo-wee, sounds like we're gonna get rich off this thing! The indie-punk quartet recorded a buncha songs out in their home state of Colorado and they whittled it down to the best 11 tracks for the LP. All bangers. And even though it's been lean times for rock tours during the Pando, Elway has managed to play some recent shows with The Lawrence Arms, Hot Water Music, and The Menzingers, and we expect the good times to keep comin' in 2022. Ever the optimists!

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Embrace

Good Will Out

43,99 €*

12" | 2021 | EU | Original (Cresus)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Embrace have quietly created an admirable body of work without fuss or the internal friction that has dogged so many bands of the era - They were founded by the McNamara brothers, singer Danny and guitarist Richard in 1990 in Baliff Bridge, West Yorkshire - Joined by bassist Steve Firth, drummer Mike Heaton and keyboard player Mickey Dale, the line-up has remained stable ever since. Signing to the ultra-cool Fierce Panda label, the group's debut single All You Good Good People was to become a UK Top 10 hit in October 1997, eight months after its first release, when it was reissued by Virgin offshoot Hut Records. As a result, their debut album, The Good Will Out was eagerly anticipated. Released in June 1998, over its hour, it showcased a range of styles and approaches. From the tender ballad Fireworks to the anthemic title track, the singles My Weakness Is None Of Your Business and Come Back To What You Know, the album's 14 tracks represent an accomplished, beautifully crafted body of work. It is easy to see why Chris Martin of Coldplay (who supported Embrace on tour in 2000) is such an admirer, among many others. In many respects, Embrace form a trilogy with two other great northern groups of the time, Oasis and The Verve – yet they were no junior partners: The Good Will Out fully captures the scale of their ambition. It is presented with scrupulous attention to the detail of the original UK first pressing and available in audiophile 180gm double vinyl.

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Emilee

The Extra Ordinary

11,24 €* 14,99 € -25%

LP | 2021 | EU | Original (Pilz)

Release: 2021 / EU – Original

Genre: Rock & Indie

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'The Extra Ordinary' EP is the debut release from London based musician, composer, producer and singer Emilee. Also known as Moggli, Emilee boasts a vast back catalogue collaborating with the likes of Maya Jane Coles, Andrea Oliva, Shlomi Aber and Marc Romboy. This release welcomes five dreamy originals packaged alongside a pairing of club focused remixes courtesy of Maya Jane Coles and Andrade & Sam Clarence.
Maya Jane Coles fully digests the original work before totally revamping 'Rodeo' in a truly unique way as warming rich chords billow around a chugging masterpiece of house rhythms. Andrade & Sam Clarence continue the dreamlike state with Memory Land, once again taking the ethereal voices from Emilee and pairing with a rich, punchy bass line.
DJ support : Carl Craid, Rone, Joris Voorn, Joyce Muniz, Shlomi Aber, Fred P
Remixes Premiere confirmed with: Mixmag - DJ Mag spain and LA- Verzila - Upfront Beats - Moskalus
Premieres wise, Mixmag are running MJC on 25th
Radios : BBC Radio 1 show - MJC remix plays on Friday 15th Jan. Rinse FM - Pat from Slothboogie to play MJC remix on his Rinse FM show Monday. 11th Jan.
Good reviews: DJ Mag Spain supported with a news piece: https://djmag.es/the-extra-ordinary-es-el-ep-debut-de-la-productora-londinense-emilee/
Upfrontbeats supported with a review:https://upfrontbeats.com/track/emilee-the-extra-ordinary-remixes-ft-maya-jane-coles-andrade-sam-clarence
Dubkiks https://dubiks.com/2021/01/06/emilee-debuts-with-remixes-from-maya-janes-coles-and-andrade-sam-clarence/

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Emtidi

Saat

2LP | 2023 | EU | Original (Green Tree)

Release: 2021 / EU – Original

Genre: Rock & Indie

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180g, Black Vinyl.In 1972 The Album Was Released As The 14th Release Of The Legendary Pilz Label Catalogue. Producer Dieter Dierks Prescribed The Folk Duo A Good Portion Of Cosmic Electronic Chords. The Remaster Sounds Better Than All Releases Before. An Enormous Amount Of Work Was Invested In It - It Was Worth It!

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England

Concerts In Japan

54,99 €*

LP | 2023 | EU | Original (Better Noise)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Includes extensive notes and background information about the concerts, the band, the instruments and illustrations by Robert Webb. Music remastered from the original recordings. This live album, recorded in a concert in Japan in 2006, shows the band unearthed from nothing and has great versions of the studio tracks. The band is very cohesive and the sound has a good weight. The music played is beautiful symphonic prog, combining orchestral and chamber music elements through a large array of musicians used to record the originals songs.

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Eva Under Fire

Love, Drugs, & Misery

30,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2008 | US | Reissue (Dead Oceans)

Evangelicals

The Evening Descends

Release: 2008 / US – Reissue

Genre: Rock & Indie

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The Evening Descends... and worlds collide. First you hear the prodigious musical skill: the deft guitar work, the clever pop sensibility, the wild arrangements. But then on other end of the spectrum there is the innocent and youthful charm of a trio of lost boys who seem to have no business making music with such maturity and sophistication. Taken together, you haveEvangelicals, a wholly demented ensemble from Norman, OK. Dabbling in glam, slipping in a little funk and soul, drinking the psychedelic Kool-aid, blasting the synths, cranking up theguitars, and wrapping it all up with a dose of pop smarts, The Evening Descends is the first great album of 2008. Picking up where their 2006 debut So Gone left off, Evangelicals leave behind much of their ADD-addled approach on The Evening Descends, instead taking their wealth of great ideas andharnessing them for good. The hyperactive, overdriven pop is still here, but it is balanced with restraint-not a lot, but enough-that allows the songs to shine through. All this and stories, too: Beneath the shrieks of guitars, keyboard blasts, and pro...

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Between You And Me White Vinyl Edition

LP | 2007 | EU | Reissue (Damaged Goods)

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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White Vinyl repress. Fabienne Delsol followed her 2004 debut solo album 'No Time For Sorrows' with 'Between You And Me'. Three years in the making it is full of swinging 60's 'Ye Ye' pop charm including a few French language songs and the single 'Catch Me A Rat'. It's the usual mix of cover and new songs written by George Miller, Peder Bernhardt and fellow Damaged Goods artist Pete Molinari (who also guests on one track). Originally from Limoges in France, Fabienne was formerly the lead single of legendary London garage band The Bristols and has been living and working in London with long time partner Liam Watson (Toe Rag Studios) since 1996.

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7" | 2007 | Reissue (Damaged Goods)

Catch Me A Rat

9,99 €*

Release: 2007 / Reissue

Genre: Rock & Indie

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Fabienne Delsol is back with her debut single taken from her forthcoming album 'Between You And Me' which is follow up to her 2004 debut solo album 'No Time For Sorrows'. This limited 7" single has a exclusive non-album track on the b-side called 'And I have learnt to dream'. Over three years in the making, 'Between You And Me' is full of swinging 60's Ye Ye pop charm including a few French language songs and the single 'Catch Me A Rat'. It's the usual mix of cover and new songs written by George Miller, Peder Bernhardt and fellow Damaged Goods artist Pete Molinari (who also guests on one track). Originally from Limoges in France, Fabienne was formerly the lead single of legendary London garage band The Bristols and has been living and working in London with long time partner Liam Watson (Toe Rag Studios) since 1996.

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LP | 2019 | EU | Original (Damaged Goods)

Four

Release: 2019 / EU – Original

Genre: Rock & Indie

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Fabienne Delsol's new album Four is a culmination of a year or so's activity at Toerag studios. The big change this time around is the co-production by Fabienne alongside Luke Oldfield, himself a long-time engineer and producer at Toerag. Though swathed in the same toil and tears of her previous three solo albums, Four has a more nuanced and mature sound, rooted in psych whilst retaining some snappy French pop and '60s garage styles of auld. There is also a mass of complimentary instruments, in particular the Mellotron is a welcome and worthy addition to many of the tracks. The contemporary and original songs 'I'll Never Be Lonely Again' and 'See How They Run' are masterfully crafted for Fabienne's distinct delivery, and both feature a strong '60s groove in-keeping with her trademark sound, the latter being a contender for the highlight of this classy album.As is archetypal of a Fabienne Delsol LP, carefully chosen covers are lovingly interpreted via Fabienne's delicate voice - take Lyme and Cybelle's 'Follow Me', itself a wonderful heavy-handed garage-folk jaunt, or the stunning take on the Human Beinz' second album opener 'Face', a spellbindingly solid piece - praise indeed to the assembled players on both. A lifelong devotee of "the Quo", it's no surprise then to hear Fabienne tackling a Spare Parts album track, only here 'When I Awake' is pared-back and sparkling, whilst Francoise Hardy's smouldering French classic 'J'ai Fait Du Lui Un Reve' is reimagined with a sumptuous air of the ethereal, with stark emotion in that voice and slowly building up tonal layers as the track progresses - you'll struggle to hear anything as haunting this year.

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LP | 2019 | EU | Reissue (Damaged Goods)

Four White Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Four has a more nuanced and mature sound, rooted in psych whilst retaining some snappy French pop and '60s garage styles of auld. There is also a mass of complimentary instruments, in particular the Mellotron is a welcome and worthy addition to many of the tracks. The contemporary and original songs 'I'll Never Be Lonely Again' and 'See How They Run' are masterfully crafted for Fabienne's distinct delivery, and both feature a strong '60s groove in-keeping with her trademark sound, the latter being a contender for the highlight of this classy album.Carefully chosen covers are lovingly interpreted - take Lyme and Cybelle's 'Follow Me', a heavy-handed garage-folk jaunt, or the stunning take on the...

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No Time For Sorrows White Vinyl Edition

LP | 2004 | EU | Reissue (Damaged Goods)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Fabienne moved to London in 1996, almost immediately joining the Bristols, a then studio project consisting of Liam Watson and Ed Deegan, two producer-engineers at Toerag Studios. After two albums, a few singles and several tours of Europe, the Bristols came to an end. Eager to carry on singing, Fabienne went solo in 2004. With the help of Liam Watson producing, Fabienne recorded her first album No Time For Sorrows concentrating on a more elaborate but similar style she had previously experienced with the Bristols.

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On My Mind White Vinyl Edition

LP | 2010 | EU | Reissue (Damaged Goods)

18,99 €*

7" | 2023 | EU | Original (Outer Battery)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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White Vinyl repress.Put together in studio down-time and ably backed by Toe Rag's stable of musicians, On My Mind features Fabienne's customary mixture of both English and French lyrics sung with plenty of coquettish charm. The album marks something of a departure from the jaunty beat-pop and ye-ye of her previous albums however, there's a definite autumnal feel to several of the tracks, putting you in mind of what the much mooted Francoise Hardy/Nick Drake collaboration might have yielded.

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Fake Names

12,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Fast Animals And Slow Kids

Alaska

2LP | 2017 | EU | Reissue (Woodworm)

37,49 €* 49,99 € -25%

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Fast Animals And Slow Kids

Hybris

2LP | 2013 | EU | Reissue (Woodworm)

37,49 €* 49,99 € -25%

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Tape | 2024 | US | Original (Secretly Canadian)

Faye Webster

I Know I'm Funny Haha

16,99 €*

I Know I'm Funny Haha Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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I Know I'm Funny haha is Webster's most realized manifestationyet of this emotional and musical alchemy. Continuing to bloomfrom her 2019 breakthrough and Secretly Canadian debut AtlantaMillionaires Club, Webster's sound draws as much from the lap-steelsinger-songwriter pop of the 1970s and teardrop country tunes asit does from the audacious personalities of her city's rap and R&Bcommunity.The album began for Webster with the stirring ballad "In a GoodWay," as in "You make me want to cry in a good way"_an instantclassicFaye Webster one-liner. It's beguilingly simple, the kindof melody and arrangement that seem to have existed forever. Asense of relief charges the neo-psychedelic pop of "Cheers,"where Webster experiments with an overdriven guitar tone. She alsocollaborated, on "Overslept," with the Japanese artist Mei Ehara,who she calls the biggest influence on her new music.Webster's music is full of personality. Many of her songs containbits of girl-group-esque talk-singing, which color her atypical storysongs.Webster says she's in a growth mindset, pushing herself to learnmore, to be more vulnerable. "Growth is really important to me," shesays. "I hope people will relate to my songs, and not just be like `thisis a good record' but `this makes me feel something. This is makingme think differently, this is making me question things.' I told myselfa few years ago that I was going to be more honest in my songwriting,that honesty is the best route to take with music. If I have a voice andpeople are listening to me, I'm not going to waste it."

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Faye Webster

LP | 2021 | US | Original (Secretly Canadian)

23,99 €*

Fade Into The Dawn Mustard Yellow Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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I Know I'm Funny haha is Webster's most realized manifestation yet of this emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R&B community. The album began for Webster with the stirring ballad "In a Good Way," as in "You make me want to cry in a good way" _ an instant classic Faye Webster one-liner. It's beguilingly simple, the kind of melody and arrangement that seem to have existed forever. A sense of relief charges the neo-psychedelic pop of "Cheers," where Webster experiments with an overdriven guitar tone. She also collaborated, on "Overslept," with the Japanese artist Mei Ehara, who she calls the biggest influence on her new music. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical storysongs. Webster says she's in a growth mindset, pushing herself to learn more, to be more vulnerable. "Growth is really important to me," she says. "I hope people will relate to my songs, and not just be like `this is a good record' but `this makes me feel something. This is making me think differently, this is making me question things.' I told myself a few years ago that I was going to be more honest in my songwriting, that honesty is the best route to take with music. If I have a voice and people are listening to me, I'm not going to waste it."

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Field Medic

LP | 2019 | US | Reissue (Run For Cover)

LP | 2024 | EU | Original (Better Noise)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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"Any song that's true is a good song in my mind," says Kevin Sullivan, the lo-fi bedroom folk artist better known as Field Medic. "That's why I never find it necessary to add too much stuff to my recordings. I'm just into songs themselves."That principle is the guiding light behind Field Medic's hypnotically beautiful and fearlessly honest new record, `fade into the dawn.' Sullivan's first proper full-length release for Run For Cover and his first since making the leap to full-time musician, the collection features ten sparse, acoustic tracks that reckon with our perceptions of success and self as they face down the inevitable complications that arise from realizing any hard-won dream. Sullivan has always written candidly about doubt and darkness and anxiety, but he digs deeper than ever before here, blending black humor and bold introspection as he weighs fantasy against reality, grapples with his relationship with alcohol, and searches for meaning in the mundane. "I used to be a romantic / Now I'm a dude in a laminate," he sings of life on perpetual tour, encapsulating at once both the tantalizing allure and endless tedium of the road.

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Finish Ticket

Echo Afternoon

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (K)

Fish Narc

Fruiting Body

16,99 €*

Human And Kind Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The era of fish narc has dawned - - - cool fire and warm passion and bad af. Decades in the making, fruiting body [KLP295] is fish narc's third solo album in as many years. A high-security prism of emotional drive bys and jam beats that gel. Poptones from beyond the bedroom laptop underground. fish narc's hybridizing of post punk with modern sound packs a well-seasoned punch to the contemporary palette. Production on this album by keyblayde808 only makes it all the more epic. A collaboration with 8485 "heart filled with rage" has us all in a tizzy, a post-traumatic love anthem. fruiting body is thirteen songs good.The breaking news: fruiting body has been melded into a long playing (LP) phonograph record and cassette tape from K, available wherever you spike the jive. Get down on it.fish narc and GothBoiClique - - - WHAT WE KNOWIf you have grazed the cheek of the GothBoiClique (GBC) you're aware it's the modern day Mouse Pack of fölk-hearted rappers with an emotional boiling point. fish narc joined the GBC snap fray as producer and guitar slashing action mag who has since collaborated production-wise with Lil Peep (Goth Angel Sinner EP), Mackned x Horse Head ("Too Hard"), Lil Tracy ("Drunk Punx"), Yung Bruh ("laced/neurotic"), Cold Hart ("Get Dressed") - - - it's all too vital.Since 2019, fish narc has written and toured his own graphemic songs, influenced by rap, punk and underground sounds. He released the albums WiLDFiRE in 2020, Camouflage in 2022 and now fruiting body [KLP295].

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Folly Group

12" | 2022 | UK | Original (Technicolour)

23,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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12" | 2024 | US | Original (Field Day)

Forever The Sickest Kids

Television Off Party On

Forgetting You Is Like Breathing Water

Release: 2024 / US – Original

Genre: Rock & Indie

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MARBLE BLUE + B SIDE SILK SCREEN. Forever the Sickest Kids is an American rock band from Dallas, Texas, a beloved part of the late 2000's, early 2010's pop punk and emo scene. This is the first pressing on their debut EP, Television Off, Party On, which was released on July 3, 2007.

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LP | 2024 | Original (Unheard Of Hope)

28,99 €*

LP | 2023 | US | Original (Meritorio)

Release: 2024 / Original

Genre: Rock & Indie

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Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue.

The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmurs that suggest a ’60s or ’70s Fire Music master at their most poignant. Provocative found-sound experiments threading arcane religious recordings through dystopian soundscapes. Ear-shattering free-noise tumult. Where and when did this music come from? Who are these voices?

As it turns out, Forgetting You Is Like Breathing Water springs from an engrossing human story, though it isn’t necessarily the one you’d expect. This work of stunning maturity is in fact an entrance by two little-known explorers in their early 20s, who grew up together in Virginia, in the shadow of the Blue Ridge Mountains. It documents one of those perfect, sparkling moments in post-adolescence when big decisions and responsibilities are right around the corner, but for a spell, two young artists are able to create among the comforts and nostalgia of their shared past.

It also represents a reunion of sorts, as Evans and Trump connected as toddlers, became inseparable as boys, then pursued independent lives and creative paths as young adults. “Theo is my oldest friend,” Evans says, “and I feel like that’s what this band is — us meeting right in the middle of our interests.”

Now, having conjured this magic, they’ve detached once again: Evans, whose other works include the indie/avant-jazz unit Angelica X, is currently based in New York City. Trump recently moved to England, where he’d participated in his family’s theatre company, to go to school and further his solo ambient project. “This album didn’t start out as something super ambitious,” Evans explains. “It was more just an excuse to spend time together again and make music.”

***

In conversation, Evans and Trump are a delight, especially for cynics who might think that Gen-Z is only capable of doomscrolling. They come across as kindly young intellectuals who grew up using the internet as it was intended, for exposure to ideas and art across genres and generations. Trump points to indie-folk and the oracular post-rock of late Talk Talk, Bark Psychosis and Gastr del Sol. Pressed for his guitar heroes, he cites Bill Orcutt, Mary Halvorson and Marc Ribot, and mentions his devotion to alt-country. Heyday electro-industrial stuff like Skinny Puppy and Nine Inch Nails also meant a lot to him.

Evans is equally intrepid, though his background has a greater jazz focus. Ambrose Akinmusire, among today’s most thoughtfully commanding trumpeters, is a favorite. As for the soulful murmur he offers throughout Forgetting You, Pharoah Sanders’ wistful and lyrical contributions to Floating Points’ work is a touchstone.

The two grew up down the street from each other in the northern Piedmont town of Batesville, Virginia. Their families were friends, holidays were celebrated together and they became the most loyal of pals. As children they had a pretend band.

Then life unfolded, they attended different schools and their paths diverged. Evans discovered John Coltrane and became a jazz obsessive, as Trump found punk and hardcore and later began making ambient music. As a dedicated jazz trumpeter, Evans studied formally and widely; Trump was an autodidact, teaching himself guitar and absorbing synthesis and production techniques. The late teens and very early 20s brought moves away from home and back to home, as well as plenty of listening and learning. The Covid pandemic meant an opportunity to reconnect on long walks. Through it all, together and apart, they remained reverent of each other.

By early 2023, they found themselves living again among the Blue Ridge Mountains. In the evening, after giving trumpet lessons in Charlottesville, Evans would make the eerily beautiful trek “over the mountain” to Trump’s home in Staunton, Virginia. They’d talk and eat and begin to improvise, deep into the night. Evans played trumpet and sometimes drums. (Given the wee-hours recording schedule, the neighbors didn’t appreciate the latter.) Trump plugged a rickety, junk-store Telecaster-style guitar into a cheap solid-state amp and explored open tunings; he also layered on lap steel, electric bass, synths and electronics.

They locked in and relished each other’s gifts. In Trump, those include patience and intentionality and sonic decision-making; for Evans, a distinctive trumpet sound that both musicians think of as a singer’s voice. “Will’s playing is so thoughtful and well placed,” Trump says. “My goal from a producer’s mindset is that the trumpet will occupy the space that vocals would take.”

Often, they got lost in the best way. “The thing I look for most when I’m playing is that feeling of disappearing into what you’re doing,” Evans says. “Usually when that happens, the music is good.”

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Fort Not

Depressed For Success

LP | 2023 | EU | Original (Soulbeats)

Release: 2023 / US – Original

Genre: Rock & Indie

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Swedish duo Fort Not are back with their sophomore album Depressed For Success. With eternal love for indie-pop and bands like Half Japanese, Tiger Trap and Pavement, they always aim to find that imperfect pop song with beautiful melodies. Fort Not are getting ready for the Major Leagues. They are back with an album full of songs about love, sex and success. This time they have a couple of lo-fi ballads, perfectly served with the taste of your lovers lips. Love and respect one another and find someone that treats you as good as your new indie darlings Fort Not is treating you. If you don’t like it slow, no worries! There are also some pop songs for you to dance your ass off to. And to make everyone happy, a handful likeable mid-tempo tunes, best enjoyed with a cold drink.

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Franck & Damien

Juniper Road

The Ocean Sleeps Alone Tonight

Release: 2023 / EU – Original

Genre: Rock & Indie

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Family is important. Feeling good, relaxed, loved, listened to, within a community of close friends who share the same vibe, the same interests, the same sensations. Franck & Damien love and share the amber sound of the lapsteel, the intoxicating slide, the roundness of the six-string and the freshness of the banjo. Blues, country music and folk-rock born in the barns of Laurel Canyon... Harmonies, warm voices, fortunate encounters… Simplicity, humility, sharing... Surfing, deserted beaches, California, wild Australia.

You would know the members of this merry band: Xavier Rudd, Ben Harper, Jack Johnson, Donavon Frankenreiter, John Butler Trio, Tash Sultana, John Mayer, Mason Jennings... Yes: family is essential. Between cousins or adopted children, we understand each other so well! What's more, we speak the same language: in this case, English, carried by melodious, laid-back, never-pressed voices on songs that are often gentle, often punchy, always powerful, always hard-hitting. Franck and Damien don't see their tribe that often: they're in Bordeaux, in their beloved Médoc, a land of vineyards, sandy strips, pristine waves and good vibes; the others are in Hawaii, Los Angeles or the Australian bush. But that's all right. The signs, the codes, the vibes are the same. So we decide to get together when we have to, when we feel like it. Why not in Los Angeles, where the duo love to recharge their batteries, between strolls down Sunset Boulevard and ballads recorded at sunset?

Here, for their second album after the warm You Can Find Your Way, it's Donavon Frankenreiter, surf prodigy and international icon of American folk, who has come along to enchant the nervous and captivating California, of which he himself is the embodiment. Feel alright with the high tide! Earlier, it was on the subtle, nonchalant acoustic live version of Home that Donavon’s bassist Matt Grundy slipped in with his sweet harmonica. And with good reason: the Piñon Hills local from San Bernardino is also the producer of this album! Not forgetting, on Spread Love, a visit from Joaco Terán, their freesurfer brother and Argentinian musician. For Juniper Road, the album of maturity, is also one of plenitude and serenity. Franck's voice is full and vibrant, the harmonies chiseled, the atmosphere warm and inviting.

Family is fundamental. So is luck. When they hear the story of Damien picking-up Franck hitchhiking on the side of the road, a meeting so fortuitous it seemed fated, their buddies are still laughing.

The duo complement each other so well, the osmosis and connivance so blatant, Franck's voice and guitar, Damien's string picking and percussion, that this anecdote, so real, sounds fabricated. Okay, it didn't take place on the Pacific Coast Highway in a Cadillac, but more likely in a Renault Clio on the road to Lacanau (a beach town in the South-West of France).

Just like the video for Home, which, like some of their other clips, was not shot in the USA, but in the Spanish desert of the Bardenas Reales.

Franck & Damien have never needed to prove their identity and legitimacy, especially through clichés. From now on, with this second twelve-track album polished in Matt's Super Bloom studio, Franck & Damien know exactly where they're going: back to their Anglo-Saxon and South American cousins who have long since adopted them, to continue touring and performing, distilling their road songs with messages as simple as they are rich and direct, like a true philosophy of life: love, friendship, sharing, fulfillment, such as on the energetic, raging Fire And Soul (much juicier than the Cranberries'), but also hope and melancholy, as on Another Way: an emotional tale of a sailor in perdition, supported by a round bass sound, acoustic drums and an electronic organ.

Not forgetting, of course, their sense of humor. Because behind their music, practiced with the seriousness and meticulousness that characterize them, Franck and Damien like (love) to have a laugh and make those around them and their audience laugh with (and at) them. In the video for California, the third in their mini-series of music videos developed in reverse chronology around four singles and following on from Home and Another Way, they appear as two-bit metalheads. Then, in Blind, dressed-up as priests. Never afraid of the right joke, the right disguise, the witty comeback that sticks out like a sore thumb, on and off stage.

Love, balance, fulfillment, good humor and family, of course. Family is fundamental. Franck and Damien's family continues to grow: Matt and Donavon, other artists with whom were shared songs and experiences on tour… Their audience too, getting bigger by the minute, drawn in by their groove but also by their personalities. Raise Your Voice for Franck and Damien!

Alain Gardinier

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Frank Hammersland

LP | 2024 | EU | Original (Apollon)

39,99 €*

Undefeated Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The final solo album from our dearest Frank Hammersland (1969-2023) "The Ocean Sleeps Alone" will be released on 11. October. He almost managed to record the entire album before his passing, and he recorded vocals for 8 of the 10 songs. Marthe Wulff and Sergeant Petter took care of vocals on the final two. The band on the album is mostly his regular backing band, the Love Connection, with a little help from friends like Thom Hell, Frode Unneland and more. Produced by Bjarte Jørgensen and Vidar Ersfjord. "Frank. The pop kid with a twinkle in both eyes. The music nerd who never gave an inch in countless discussions. The guy it was always fun to bump into in the street. Or the pub. Buddies with all of Bergen and all of Oslo. With more musical talent than the rest of us combined. The man who soundtracked our youth with Pogo Pops, excelled in Popium, found perfect working partners in The Love Connection and Evig Din For Alltid (Eternally Yours Forever) and made solo albums dripping with finesse. Frank, who wrote songs that we’ll carry with us forever. Thanks to everyone involved for making sure we get to hear these songs. Emotionally, the great sense of loss that hits you when Frank’s voice comes floating out of the stereo is tough going - but at the same time it feels so incredibly good, too. The best songwriter in Norway came through all the way to the end. Tor Otto Mjelde, NRK P13." (Tor Otto Mjelde, NRK P13, translated by Erik Fossen, Bergens Tidende) 01. Wheels Inside the Wheel02. Must Have Been Yesterday03. Some Kind of Misunderstanding04. Shimmer from the Lighthouse05. Steam Train06. On Your Side07. That Song08. The Drive to Paris09. The Ocean Sleeps Alone Tonight10. Silver Submarine

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Frank Turner

LP+7" | 2024 | Original (Xtra Mile)

Undefeated Purple Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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“Do One” is the last song I wrote for the new album, and the first song on that album, as well
as the first single. So it’s a summation of what I’m trying to say with this record, a record
about survival and defiance, but also one with a sense of fun and self-deprecation. 19 years
into my solo career, I’m still standing up and putting out some of my best work. It feels
good.”
“Undefeated” is my tenth solo studio album, and in many ways I’m pleasantly surprised by
that statement. I feel very fortunate that I’m still making records and touring - fortunate and
proud. The record is fired by that feeling, and a new sense of energy and liberation. It feels
like a new chapter for me - after the pandemic, back in the independent world, the new
lineup of the Sleeping Souls, and a slightly bewildered sense of gratitude that I’m still
standing, still have something to say. - Frank Turner

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Frank Turner

LP+7" | 2024 | Original (Xtra Mile)

LP | 2022 | US | Original (Get Better)

Release: 2024 / Original

Genre: Rock & Indie

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Fresh

Raise Hell

21,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Merge)

Fruit Bats

Gold Past Life

21,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Sometimes A Cloud Is Just A Cloud: Slow Growers, Sleeper Hits And Lost Songs 2001-2021 Pink & Violet Vinyl Edition

Fruit Bats

2LP | 2022 | US | Original (Merge)

33,99 €*

Tripper White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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2LP is pink & violet vinyl pressed to Side A / Side B effect in a gatefold jacket. Eric D. Johnson, the creative force behind Fruit Bats, doesn't spend a lot of time looking in the rearview mirror. "Maybe it speaks to some Midwest thing," he says. "Don't be overly reflective or navel-gazing. And as a songwriter, you always want to be looking forward, not backward." But with the 20th anniversary of his first Fruit Bats release (2001's Echolocation) on his mind, it seemed as good a time as any to take stock of his work_and he's doing so in the form of Sometimes a Cloud Is Just a Cloud: Slow Growers, Sleeper Hits and Lost Songs (2001-2021), a two-disc collection that tracks the history of Fruit Bats from its earliest days to right now. Thoughtfully compiled by Johnson himself, this set is split in two distinct halves. Set in reverse chronological order, the first disc cherry-picks from Fruit Bats' official releases, including fan favorites _ "Humbug Mountain Song" from 2016's Absolute Loser and "The Bottom of It" from his 2019 Merge debut Gold Past Life _ alongside some of Johnson's more personal choices like "Glass in Your Feet" from Echolocation. If the first disc of this set is "the collection that you buy for your friend that's Fruit Bats-curious," according to Johnson, the second disc is for longtime fans that want a deeper dive into Fruit Bats lore. To put this half of Sometimes a Cloud Is Just a Cloud together, Johnson dug into several hard drives' worth of material. Included here are lovely early versions of "Rainbow Sign" and "The Old Black Hole," recorded to a Tascam 4-track just as Fruit Bats was becoming a reality. There's also a rambling take on the Steve Miller Band's classic rock mainstay "The Joker," and some wonderful never-before-heard original tunes.

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Fruit Bats

LP+7" | 2011 | US | Reissue (Jealous Butcher)

LP | 2023 | EU | Original (Musica & Entretenimiento)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Tripper, the Fruit Bats’ 2011 follow-up to The Ruminant Band, is more pared down, with bandleader Eric Johnson doing most of the legwork himself. Synthesizers and keyboard loops replace the knotted guitars. Atmospheric washes of sound replace the sunny, straightforward hooks. On songs like “The Fen,” instruments replace vocals entirely, sounding more like a clip from an orchestral movie soundtrack than the work of a rock band. The majority of the work was done by Johnson and producer Thom Monahan, resulting in a layered sound that stacks overdubbed harmonies onto combinations of pump organ, found sounds, acoustic guitar, and various bleeps and bloops. Whether he’s working alone or leading a full lineup, though, Johnson knows his way around a good pop hook, and Tripper’s best songs are rooted in catchy, sunny melodies that shine through their heavy wrapping paper. Proof that Johnson knows how to stretch his legs without losing his balance.

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Frutos Del Pais

35,99 €*

LP | 2024 | UK | Original (Clay Pipe Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Frutos del País" (1972) is released now on vinyl, from the original IRT masters! Apart from "Sin ti", their most popular single, there are other songs that move away from this aesthetic, such as "Salgamos a correr" or "Tema de Willy", which give a plus to the album for not only sounding different, but also for being very good songs. Frutos del País was born from the union of two Chilean rock bands, Los Picapiedras and Beat 4. Their sound was quite advanced for the time, their song "Sin ti" is still heard on the radio in Chile. The band's sound is very influenced by Procol Harum, but that doesn't detract from its tremendous quality. Maybe this song reminds them of Procol Harum's "A Whiter Shade of Pale", especially the sound of the Hammond organ. They did not have a direct musical relationship with the groups that in the early 70's fused rock influences with acoustic folk instruments, but Frutos del País belonged to the generation that at that time changed the guard for this music in Chile. By genealogy, they were the continuation of bands from the previous decade, such as Los Picapiedras and the Beat 4. Their two albums, "Frutos del País" (1972) and the more unnoticed "Y volar... y volar" (1974) described a brief trajectory but immortalized by one of the authentic and most recognizable hymns in the history of rock in Chile: the ballad "Sin ti", characterized by the Hammond organ of keyboardist Hugo Raymond and the evocative lyrics of singer Reinaldo Rhino González.

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Garden Gate

Magic Lantern

24,99 €*

LP | 2024 | US | Original (Last Night Glasgow)

Release: 2024 / UK – Original

Genre: Rock & Indie

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After her time with Brown Recluse, a bittersweet psych-pop sextet, and White Candles, a Radiophonic Workshop-inspired electronic duo, Meskers merged the qualities of both groups into a new project and the first Garden Gate single, Houses, appeared in 2016 on Good Behavior Records. Following this, came a clutch of acclaimed releases on labels such as Sunstone and Library of the Occult, notably The Dark Harvest LP (which received a 5-star review in Shindig) and the sought-after 2021 LP, Blood Mansion, an original score for a conceptual horror film.

Magic Lantern is a collection of melancholy yet hopeful neoclassical library pieces with analogue electronic elements that originally soundtracked Audible Originals’ Strange Company audiobook.

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Picture
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Gates Of Light

Gates Of Light Ii

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Gates Of Light Mock Turtle Blue Vinyl Edition

Gates Of Light

LP | 2022 | EU | Original (Shimmy Disc)

7" | 2023 | EU | Original (Munster)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Inspired by the intensity of lockdown, the self-titled debutalbum by electro-pop project Gates of Light, is the result of acollaboration between five artists across four cities, threetime zones and two continents. Hailing from Glasgow, singer-songwriter Louise Quinn and producer Bal Cooke teamed up with London-based DJ and producer Scott Fraser; Parisian musician, DJ and producer Kid Loco; and film director and photographer, New York's Tim Saccenti - who has previously worked with Run The Jewels and Pharell- to create a sublime, electro-pop reflection on the grief, insularity and peculiar highs of lockdown. Immediately after hearing the album, revered post-punk musician and producer Kramer offered to release the vinyl edition on his iconic cult label Shimmy-Disc, which boasts an impressive back catalogue of artists including Daniel Johnson, Low and Galaxie 500. A project grounded on collaboration - born from a period of disconnect - Gates Of Light perfectly amplifies the longing, confusion, lucid dreams and appreciation of the outdoors that the pandemic ignited in so many over the last couple of years. Originally written and recorded by Louise and Bal from their bedroom studio in Glasgow whilst their one-year-old twins slept, the tracks were then sent to Scott and Kid Loco who remixed the tracks from home studios in London and Paris before Tim created the artwork and a video for the track `When The Leaf Falls'. Gates Of Light is the latest project from Louise and Bal who have released music in the past as A Band Called Quinn and DAWNINGS. Louise and Scott Fraser have also previously collaborated following a chance encounter at a nightclub in Glasgow. Their single `Together More' was released on Andrew Weatherall's renowned Birdscarer vinyl imprint in 2019 and featured a remix by the Guv'nor himself who described the track as "sublime magik".For Fans of: Air, Nico, St Etienne, Kid Loco, Young Marble Giants, Sandy Denny, Vashti Bunyan, Andrew Weatherall, Robert Wyatt and Serge Gainsbourg.

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Gatos Malucos

Sem Ver O Luar

15,99 €*

Stoned Blues Machine Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Reissue of this super hard to find self-released Brazilian garage-beat 7" from 1965. Still very unknown even among hardcore collectors of the genre, but surely an amazing example of genuine teenage garage rock from 60s Brazil reissued for the first time The band would later become Loyce e os Gnomos, a cult band featured on the compilation Brazilian Guitar Fuzz Bananas.The reissue includes an insert with liner notes and a previously unseen photo of the band. Unearthing a forgotten chapter in Brazil's musical scene, Gatos Malucos emerges as an enigmatic garage/psychedelic band from the small city of Limera, in the Sao Paulo countryside. Comprising friends aged 14 to 16, Gatos Malucos combined their admiration for iconic acts like the Beatles and Yardbirds with an unmistakable Brazilian essence. Years later, two band members went on to form the amazing proto-punk band Loyce e os Gnomos. "I literally went crazy. I became a fanatic for the Beatles and proceeded on collecting everything related to them. Records, clothes, newspaper clippings and magazines and song lyrics. Even the Gretsch guitar, similar to the model that George Harrison played, I had the opportunity to pick up in the US. Then when the movies came up, it was pure bliss. The mood was set and, to assemble our band, it was a no brainer. After all, the music flowed harmoniously through our veins."Raphael (Gatos Malucos Guitarrist)

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Geezer

Stoned Blues Machine Yellow Transparent Splattered Color Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Geezer it’s a rare band that finds its sound so engagingly, and with Stoned Blues Machine, the sixth Geezer LP, they once again build on their accomplishments, working with producer Chris Bittner at Applehead Recording in Woodstock, NY, to harness the band’s most expansive production to date. A vivid and bombastic album, Stoned Blues Machine is Geezer’s response to the last few tumultuous years. Much of the subject matter deals with the fear, the literal and metaphorical isolation revolving around the pandemic, the resulting political turmoil, the disintegration of truth and decline of a shared, common good. The album that will see them return to Europe for the first time since 2017 and serve as their second release for Heavy Psych Sounds is yet another example of what can be done with classic songwriting in imaginative hands. Stoned Blues Machine puts the emphasis on the band’s dynamic and the joy of playing and writing songs together – more as a unit than ever – and shows that even amid some of the darkest hours, you can always say screw it, go get high and cruise the cosmos.

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Geezer

27,74 €* 36,99 € -25%

Stoned Machine Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Geezer

29,99 €*

LP | 2022 | EU | Original (Hora)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Ghost Horse

Il Bene Comune

LP | 2023 | US | Original (Mom's Basement)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Literally translated from Italian, il bene comune means "the common good." Ineffable and ambiguous, the term in itself offers no intrinsic clues as to what its application should entail, although we generally view it in a positive light. Engaging in acts we perceive as furthering the common good can give us immense personal satisfaction, while participating in collective actions moved by this desire can be among the most rewarding experiences available to us as humans. But the very malleability of the term makes it a powerful tool to be used by the imaginative and the ambitious to further their own agendas. Those able to offer an appealing vision of the common good can wield enormous power, profoundly influencing individual behavior on a global scale since the concept functions as both the carrot and the stick, a tool with which to reward obedience and discourage dissent through massive and diffuse social pressure. Governments, media organizations and opinion leaders vie to manipulate mainstream perception of the common good, and skillful use of comunication and propaganda can shift this perception in such a way as to radically transform acceptable behaviours into taboo, and vice versa. Of course, dissidents as well generally rally around an alternative vision of the common good, and the effectiveness of such movements hinges in part on their ability to spread this vision among the greater populace, infiltrating and undermining the mainstream narrative until such time as the alternative vision achieves mainstream acceptance. Composed during Italy's second Covid lockdown in the winter of 2020-21 through digital correspondence and illicit face-to-face meetings, the underlying structure of this music hinges on shared familiarity with the basic modules, predominantly simple, repeating motifs. This simplicity allows for significant individual freedom for each member of the sextet, however this freedom must be exercised responsibly in order to maintain balance within the greater structure and avoid total collapse or loss of the central message. Individual actions undertaken without due attention and consideration for the common good will cause unforeseen consequences, difficult to predict and manage.

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Ghost Party

Afterlife Of The Party

16,09 €* 22,99 € -30%

CD | 2023 | US | Original (Mom's Basement)

Release: 2023 / US – Original

Genre: Rock & Indie

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The long awaited debut full length from Ghost Party Is finally here! The album is titled Afterlife Of The Party and judging by its title, you know you’re in for a good time. Ghost Party is a pop punk supergroup that specializes in writing songs about having fun, horror movies, beer, girls, beer, pizza rolls and beer. You might think that the singer’s voice sounds familiar and that’s because it probably Is, as it’s Teflon Dave from the infamous Horror Section on guitar and vocals. The band also features Billy Putz on Bass and backing vocals and Patrick Mcvay on drums, both from The Putz, so you can see where I’m getting that whole pop punk supergroup thing from. This album is for fans of Green Day, Horror Section, The Putz and Mr. T Experience.

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Ghost Party

Afterlife Of The Party

11,99 €*

Call A Doctor White Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Girl And Girl

LP | 2024 | EU | Original (Sub Pop)

28,49 €* 29,99 € -5%

Glands Of External Secretion

Release: 2024 / EU – Original

Genre: Rock & Indie

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In one sense, it's easy for artists-songwriters, specifically-to express their feelings in their work. After all, that's what the lyrics are for! But it's much harder to convey emotional energy in how you play, slash at the guitar, and the structure of the music itself. That's precisely why Girl and Girl's Sub Pop debut, Call A Doctor, feels like such a vital, electrifying shock to the senses. Not since the early work of Car Seat Headrest or Conor Oberst's widescreen emotional brutality as Bright Eyes has indie rock managed to come across as this intimate and grandiose, as the Australian quartet led by Kai James lay a lifetime's worth of woes-mental health, the human race's planned obsolescence if you've been living on this cursed rock you know what we're getting at-across a canvas of indie rock that feels both timeless and in-the-moment. An audacious and aggressively tuneful blast of a record, Call A Doctor is an unforgettable first bow from Girl and Girl, whose origins lie in James and guitarist Jayden Williams jamming in his mother's garage in the afternoon after school. One afternoon, James' Aunty Liss headed down to their practice space after walking her dog and asked if she could sit in on drums. "It sounded really great," James recalls. "We begged her to stay, and she said, 'I'll stay until you find another drummer.' We wore her down, and she eventually became a permanent member." After bassist Fraser Bell joined to round things out, Girl and Girl hit the road and began to make a name for themselves beyond the Australian bush, eventually signing to Sub Pop off the strength of word of mouth. Call A Doctor came together quickly soon after, largely recorded in marathon sessions in a two-story industrial complex over the course of two weeks. "That added to the intensity of the album," James says about the frenzied creative process overseen by producer Burke Reid. "I can hear the stress in the record, which is good because that's what it's about-being tense, tied up, and in your own head." Call A Doctor's eleven songs-spanning sweeping guitar epics and wry acoustic shuffles to spiky punk maneuvers and the type of raw, adoringly unvarnished indie-pop associated with legendary PacNW label K Records-are literally plucked from James' personal history, as he reworked older recordings with newer lyrics reflecting his past struggles as well as new anxieties that emerged prior to the album's recording. "I've struggled with mental health for a lot of my life," he explains, "and I went through a particularly difficult patch when we were making the album; the band had started to get some attention, and I felt an enormous amount of pressure to live up to it." "This record is about an individual who's too far in their head, trying to get out," James continues while discussing Call A Doctor's overall outlook-specifically the snapshot it offers of its creator. But even though this record deals with uneasy topics we all know well from within ourselves, it's important to emphasize how teeming with life Girl and Girl's music is. There's a brazen, bold sense of humor to this stuff, an undeniable brightness to the darkness that makes it impossible not to be drawn in as a listener. Feeling down never sounded so goddamn good.

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Neck Pillow

LP | 2022 | US | Original (Siltbreeze)

32,99 €*

The First Glass Beach Album Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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It’s astonishing to think that the most recent vinyl full length outing from Glands OF External Secretion was the splendiferous Reverse Atheism 2xLP (Butte County Free Music Society, 2011). Not that they’ve been dormant—the BuFMS CDR series and a smattering of 7-inchers and lathes have seen to that. No one’s sitting around the twiddler, waiting for their name to be called. But it must be said: the Glands’ sublime warmth and withering wit really crackle when the tone arm slips the needle down into the grooves on the olde timey record playing machine. Then, just like that, a mysterious huckster lures our heroes to Long Beach, CA in April of 2022, where, it was promised, they could record voices and set down séance tracks in the haunted rooms aboard the Queen Mary. You gotta admit, that’s a pretty good gig. But the would-be higgler’s ruse did not come to pass. The Glands were sold out for a warehouse full of Burns & Schreiber’s Pure B.S.! LPs and the duo found themselves thrust into the Siltbreeze cabal. But fate can also be serendipitous. The label, known for its propensity for bringing meat pies to a cake fight, immediately insisted these recorded tracks get the vinyl treatment. And here we fuckin’ are. If unfamiliar, Glands Of External Secretion are the duo of Barbara Manning (28th DAY, World OF Pooh, SF Seals) and S. Glass (Bananafish Magazine, many things BuFMS). Since 1992, they’ve been snatching victory from the jaws of indifference with a pluck that only the most dedicated can intuit. In this world, victory isn’t awards, champagne, and ass-pats. It’s full of gut-flushing probiotics, stores of “the good fats,” one must watch for bones, and there’s gristle. The footing is always unsure. Cut-ups, processed reality, and recollections of memories you never had are all part of the landscape. A hungry tortoise, swinging loveseats, Lowrey organs, kitchen implements, Who stories, Spandau Ballet crooners…. this ain’t the set of a Doritos commercial, friend. If the Puppet Wipes’ Meemaw and Pop-Pop made music, it might come close to the aural delights found on Neck Pillow. What higher commendation could you ask for? Looks like Siltbreeze hits the jackpot again. Edition of 300 copies.

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Glass Beach

LP | 2019 | US | Reissue (Run For Cover)

37,99 €*

CD | 2024 | UK | Original (Rocket)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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glass beach's debut album the first glass beach album is the first album from glass beach. That's a good place to start, but the album's plain & descriptive title does little to explain exactly what goes on in the hour-long adventure contained therein.the first glass beach album was initially self-released by the band in Spring 2019, but it's roots date back to as early as 2015 - songwriter & band leader j mclendon started demoing songs for the album when they first moved to Los Angeles & spent three years polishing those first demos into these songs with bassist Jonas Newhouse & drummer William White. On their Bandcamp page, the band describes their sound as the accumulation of jazz, new wave, synth music, and emo distorted through the lens of punk. The songs that make up the first glass beach album are ambitious, theatrical and chaotic. Abandoning genre limitations makes glass beach's talent for songwriting all the more apparent - mathy guitar leads, catchy drum grooves and the constant interplay of horns, synths, and even the intermittent theremin set the perfect scene for j's stunning vocal performance, which can shift from a charming falsetto to the lead of a sing-a-long in an instant.

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Goat

14,99 €*

LP | 2024 | UK | Original (Rocket)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Ouroborus - that is, the icon of the snake or dragon eating its own tail - appears to some a statement of the brutality of nature. To others of a Gnostic disposition it symbolises the duality of the divine and earthly in mankind. But most commonly, it’s taken simply to mean the endless cycles of death and rebirth that characterise life on this planet. As such, it’s an image that looms large in the world of Goat, the ever-mysterious and endlessly revivifying collective whose latest album marks another adventure above and beyond this particular plane of reality.This may be a band that has named albums both Requiem and Oh Death, yet this eponymous salvo proves yet again that transcendence and metamorphosis are their watchwords. Goat sees this ever-unpredictable outfit summoning rhythmically-driven rituals in unmistakable, uplifting and scintillating style, equally adept at ignitiing dancefloors and expanding minds.

‘One More Death’ and ‘Goatbrain’ are spectacular curtain-raisers, embodying a hedonistic spirit driven by incisive funk and possessed by merciless fuzz/wah-drenched guitar. Yet elsewhere, the band’s love of hip hop is the fuel for the end-credits-epic album closer ‘Ourobourus’ which marries infectious chant to breathless Lalo Schifrin-style breakbeat action. And which also means ultimately, like the titular oldest allegorical symbol in alchemy, we’re right back where we started. As Brad Dourif’s character Hazel Moates intones in the 1979 movie Wiseblood, “Where you come from is gone; where you thought you were going weren’t never there. And where you are ain’t no good unless you can get away from it”; in Goat’s eternal now of renewal and revelation, there’s never been a more potent means of escape.

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Goat

Goat Black Vinyl Edition

LP | 2024 | UK | Original (Rocket)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Goat

Goat Swirl Vinyl Edition

LP | 2024 | US | Original (Dedstrange)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Goblin Daycare

Agitprop Hotline!!

2LP | 2022 | Original (Ponyphone/Recordjet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Ring ring!
AGITPROP HOTLINE!!, this isGoblinDaycarespeaking from Istanbul, Turkey. How may we radicalize you?

Up-and-coming egg punk rascalsGoblinDaycare’s long-awaited second release is here and it’s ready to overload your brain with its lo-fi alien soundwaves. Self-recorded and produced by MamaGoblin, AGITPROP HOTLINE!! is the perfect follow-up to their critically acclaimed debut Q: EP? A: EP!!. But this time around, everything is turned up to 11 and somehow, even more over the top.

Supercharged guitars, over programmed drum machines, earworm synth melodies, growly basslines, shrieking vocals, stupid-yet-fun samples…Made up of 10 short-but-not-so-sweet bursts of unadulterated lunacy, this album clocks in at a whopping 15 minutes.Like all good things, it ends in the blink of an eye. So don't blink. Instead, dial in and let AGITPROP HOTLINE!! mesmerize you. AGITPROP HOTLINE!! is out on Dedstrange May 10th on cassette!

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Goddys

Monsters Of Reality

33,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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Turn All The Lights Out Colored Dvd

Gods Gift

LP+CD | 2023 | Original (Play Loud! Productions)

36,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Death Black Vinyl Edition

Gods & Punks

LP | 2024 | EU | Original (Electric Valley)

Death Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Formed in the tropical city of Rio de Janeiro in 2013, Gods & Punks emerged as a beacon of sonic exploration, blending the heavy riffage of Black Sabbath with the intricate melodies of Rush. Founded by brothers Alexandre and Pedro Canhetti, their journey began with a shared passion for the cosmic resonance of stoner rock. Inspired by a Monster Magnet song, the band's name became a testament to their love of psychedelic music. Gods & Punks, the boundary-pushing Brazilian stoner outfit, is set to unveil their latest sonic opus, "Death," on July 26th, 2024. Released digitally and on vinyl through Electric Valley Records, this album promises to be a cathartic journey through frontman Alexandre’s harrowing near-death experience in 2021. Recorded across continents between Santos and Rio de Janeiro, Brazil, and Paris, France, "Death" is a testament to the band's resilience and artistic evolution. "Death" tells a narrative woven through seven tracks, spanning 40 minutes of intense musical exploration.

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Gods & Punks

LP | 2024 | EU | Original (Electric Valley)

32,99 €*

Exodus Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Godzilla In The Kitchen

LP | 2023 | UK | Original (Argonauta)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Dryland)

Goethes Erben

29,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Many Hats)

Good Kid

Good Kid 4 Black Vinyl M

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Keeled Scales)

Good Looks

Bummer Year

Tape | 2022 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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Born and raised in small Texas towns, the members of Good Looks met and began playing together in Austin. Songwriter Tyler Jordan grew up in a South Texas coastal town dominated by the petrochemical industry, his childhood steeped in the tension between nature and industry, exploitation abundantly present and the wealth gap on full display. His father's church, described by Tyler as "cult-like in its intensity," was homebase and where he learned to sing. Tyler eventually met lead guitarist Jake Ames in the late-night song-swap circles of the Kerrville Folk Festival campground (where they would also meet Buck Meek and Adrienne Lenker pre-Big Thief). They shared their mutual love of the Texas hill country canon (Blaze Foley, Townes Van Zandt, and Willie Nelson), a love of cheap diner food, thrift store baseball caps, and a healthy dose of harmless shit-talking. They began playing in bands together, backing up other songwriters and taking turns in the spotlight. They sought out producer Dan Duszynski (Loma, RF Shannon, Jess Williamson) to engineer their debut album. What would form was Good Looks, a blue-collar political indie-rock band with healthy doses of Replacements swagger and shimmering, desert rock riffs not unlike The War On Drugs.

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Good Looks

Bummer Year

9,79 €* 13,99 € -30%

LP | 2024 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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Good Looks

Lived Here For A While

Into Lake Griffy Panoply Marble Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Good Looks write kindhearted and cathartic rock songs about thepersistence required to make it through hard times. In April 2022, theAustin, Texas quartet released their critically acclaimed debut`Bummer Year'. Immediately after their triumphant hometown recordrelease show, lead guitarist Jake Ames was hit by a car crossing thestreet, fracturing his skull and tailbone. Thankfully, Ames made a fullrecovery. The traumatic accident strengthened the bond that builttheir electric new album `Lived Here For A While'. Out May 3 viaKeeled Scales, it's fearlessly direct music that captures the fullthroatedintensity of their galvanizing live show.Reinvigorated, Good Looks tracked `Lived Here for a While' at Texas'Dandy Sounds with producer/engineer Dan Duszynski (of Loma andCross Record) the following summer. Though Ames had to relearnsome of his parts, his palpably energetic performances elevated theentire record.On the LP, the band trades the Americana sound that colored in thelines of `Bummer Year' for clanging post-punk guitars and expansiveindie rock. Lyrically, the songs on this album are healing meditationson family dysfunction, new relationships, and how a home canbecome unrecognizable. Lyricist Tyler Jordan's songs explore howrelationships can crumble irrevocably but also how thosepartnerships can be centering, hopeful, and exciting.In another horrific accident in July 2023, their tour van was rearendedby a speeding car, causing their van, instruments, merch, andrecords, to go up in flames. Thankfully, none of the band memberssuffered serious injuries. This resilience is essential to Good Looksand why the songs on `Lived Here For A While' resonate soprofoundly.

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Good Luck

LP | 2008 | US | Reissue (No Idea)

Good Morning Seven Blue Vinyl Vinyl Edition

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Good Luck are friends who knew each other from playing in past musical projects like Matty POP Chart, ONE Reason, ABE Froman, and MT. Gigantic. They used to live in Mississippi, Kentucky, and Michigan before something drew them all to Bloomington, IN.

“Flat-out inspiring, wonderful people who immediately light up a room. Intricate and direct, raucous and thoughtful, noodley and restrained. This record puts me in a good mood. Some days it's all I need to get through."—Var (No Idea)

First vinyl pressing in nine years,

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Good Morning

2LP | 2024 | US | Original (Polyvinyl)

45,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Good, The Bad & The Zugly, The

Classic Oslo Attitude / I Hate Conversations

7" | 2021 | EU | Original (Fysisk Format)

12,99 €*

2LP | 2021 | EU | Reissue (No Coincidence)

Release: 2021 / EU – Original

Genre: Rock & Indie

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2021 saw The Good The Bad and The Zugly return to the formula that birthed their now fading credibility almost a decade ago. This is the third release in a series of 7" split singles with exclusive new tracks only available on vinyl with artwork by Flu Hartberg. This time around we get a split between Tgtbtz, and... Tgtbtz.

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Goose

Shenanigans Nite Club

37,99 €*

LP | 2023 | EU | Original (Blue Flowers)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Connecticut-based quartet Goose _ Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], and Ben Atkind [drums] _ shimmy through the cracks between jam, funk, alternative, and rock with head-spinning hooks, technical fireworks, and the kind of chemistry only possible among small-town and long-time friends. After selling out theaters coast-to-coast and a series of seismic festival performances, the musicians welcome everybody to this place on their 2021 second full-length, Shenanigans Nite Club. "In many ways, Goose is a conglomeration of music from the town we grew up in, and the songs are a collection of many different experiences and influences," observes Rick. "Where we come from has inevitably informed and enabled our music. We get these four defined seasons in rural Connecticut, and there's a powerful stillness.""Our area is a very reflective place," agrees Peter. "We're in the woods, and we all find peace from the setting. Being in the sticks positively affected what we're trying to do.""While we've been touring, the record has been happening in the background," says Rick. "We've done our fair share of sweating it out and paying our dues on the road. There was a natural progression until we really got on the same page creatively. It's been a long, weird trip. At times, it was tumultuous. The record is a companion to those growing pains."Goose introduce the record with "So Ready" and it's counterpart "(s?tellite)." Just shy of ten minutes together, the tracks twist and turn through synthesizer "emitting hilariously sexual vibes," jazz-y bass, and a chantable hook."Labyrinth" dives down "a deeper rabbit hole" as warm guitar wraps around shimmering piano originally culled from Rick's school days."`Labyrinth' is one of the only pieces I wrote in my latter high school days," he recalls. "It's got this thematic relevance with the weird sense of humor, rambunctiousness, and partying from back in the day."As the first proper Goose song, "Spirit of the Dark Horse" originated after a "twelve-minute meditation" between Rick and Trevor back in 2015. It unfurls as a captivating trip in and of itself and "holds a lot of meaning." The same could be said of the album title. As legend has it, Shenanigans Nite Club really popped off in the eighties. Rick's uncle worked as a bouncer and manager for the iconic haunt and shared all manner of wild stories with his nephew. He even gave Rick a sign from the original club, which overlooks the basement where the boys jam."Shenanigans has always been around," Rick elaborates. "It became the idea of the record. It celebrates this element of nostalgia and good memories as we move forward."In the end, Goose chart their own course and ultimately encourage everyone else to do the same."In the end, our dream is to inspire people to step off the beaten path," Rick leaves off. "There are a lot of voices that tell you to play it safe. I think the coolest thing in the world is when someone breaks free and goes for whatever weird shit they dream of doing."

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Gotts Street Park

On The Inside

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Damaged Goods)

Graham Day & The Gaolers

Reflections In The Glass

LP | 2022 | EU | Original (Tulle)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Third studio album by Graham Day & The Gaolers! Their first in 14 years! It's been a good time recently to be a fan of Graham Day. Last year saw the release of "A Little More Time With...", a 10" mini LP by The Senior Service, as well as his recent debut solo album, The Master Of None, (released on Acid Jazz). There's also been a string of hometown reformation gigs with the Prisoners, and a US tour with the Woggles. And now this! Damaged Goods asked Graham a few questions about the new Gaolers album_ Q: This is the third Graham Day & The Gaolers album. It's been 14 years since the last one, why the long gap?A: Blimey, is it that long? We never "finished" the band, but with Dan living in the USA it's always been difficult to get together, and we've had to rely on touring to make it worthwhile flying him over. I think we were all feeling a bit tired of touring, my 'day' job got increasingly intense, and we sort of put it on hold for a while. We were set to record the album in March 2020, but then Covid hit so we lost a couple of years.Q: How did you first hook up with Dan Electro from the Woggles?A: I met Dan in 2000, his band the Woggles were supporting the SolarFlares on two nights of a German tour. The first night they blew me away, and we went on first the following night, no way I was going to follow that again! We stayed in touch, became great friends. Dan was over in London 2006 ish, I'd just finished playing bass in the Buff Medways, and Dan suggested we start a band together with Buzz the Woggles bass player. I had an album's worth of material and they flew over and we recorded the first Gaolers' album in 2007.Q: One of my favourites on the album is 'Don't Hide Away'. What inspired the song?A: Covid divided a lot of people, everyone had their own views and different attitudes to risk. Don't hide away is about those friends and family that were so scared they locked themselves away, some of whom still have never returned to social circles. I just wanted to put it out there that there...

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Grave Goods

Tuesday.Nothing Exists.

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Apollon)

Green Sky Accident

Daytime Tv

37,99 €*

We Sang, Therefore We Were

Release: 2022 / UK – Original

Genre: Rock & Indie

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Green Sky Accident from Bergen - Norway plays indierock with lots of energy, catchy riffs and a whole lotta love. A good melody is essential for every song, the arrangements are always built around those. Their music can be compared to the indie heroes of the nineties, jangly and noisy, sweet while still packing a punch. While their previous records were made mostly for themselves with little thought of reaching a wider audience, their new record Daytime TV sounded too good to be kept like a secret, and the band signed a deal with Apollon Records to release it in the spring of 2022. The album is a remarkably cohesive experience considering how varied the different songs are. There is lovely power pop in the songs Insert Coin and Finding Failure, Prog tendencies in the song Daytime TV, aggressive double bassdrums on the song In Vain and big sweeping atmospheric songs like Screams at Night and Point of no Turn, to name half of the songs contained within the album.

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Greg Saunier

LP | 2024 | US | Original (Joyful Noise)

29,99 €*

Guardian Singles Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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It's already hard to describe what Deerhoof sounds like. So we'll skip that part and say this sounds a lot like Deerhoof with a different singer. And in keeping with 30-year Hoofian tradition, melodies soar, big hit earwigs abound, harmonies are complex, and keys change frequently and unexpectedly. Arrangements are in a constant state of impatient agitation. Emotions run high but delivery is usually a falsetto deadpan. We Sang, Therefore We Were is grief delivered in code.Greg plays everything save for a few birds who join in singing now and again. He keeps the instrumentarium severely limited, the sound shambling and anti-slick. It turns out Greg is a really good bass player and guitar player, if a bit more rudimentary and slicing compared to his Deerhoof bandmates. He does play more angry guitar solos.But don't expect another Chippendale/Saunier speed-drum freakout; the songwriting is gorgeous and sophisticated, and drums are almost an afterthought. Here, song is Queen. The singing is high and whispery, tending towards the three-part harmony. What we're saying is: We Sang, Therefore We Were sounds a bit like Deerhoof fronted by The Andrews Sisters.This is a peek inside the mind of one of indie rock's most celebrated drummers, many of whose fans may not even realize the relentlessness of his musicianship and compositional prolificacy. Mozartian chords and sounds insinuate themselves here and there on this record, finally taking over in a big climax at the end, when the drums break off unexpectedly into a laugh-or-cry orchestral outpouring that ironically may be the rawest part of a very raw album."Satomi, Ed, John and I were chatting between shows in Austin in early December. They encouraged me to make a record on my own. With no one to please but myself, it came together way faster than usual. It was basically done by the holidays. I had been excited by the announcement that the new Rolling Stones record was going to sound 'angry.' I thought, 'Yes, I'm angry too.' But Hackney Diamonds turned...

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Guardian Singles

LP | 2021 | US | Original (Trouble In Mind)

21,99 €*

LP | 2024 | EU | Original (Rama Lama)

Release: 2021 / US – Original

Genre: Rock & Indie

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Guardian Singles hail from Auckland, New Zealand, home to (among many things) storied label Flying Nun and just about every great indie band of the last century. After seeing the band's livestream from Auckland for Gonerfest 17 in fall of 2020, Trouble In Mind is honored to welcome the band to the roster and reissue their excellent 2020 self-titled album outside of New Zealand for the first time. Formed in 2015, by Thom Burton on guitar (SoccerPractise, Moppy)and Fiona Campbell on drums (Vivian Girls, Coolies), the band hit the ground running, supporting touring bands in New Zealand like Metz, slots on the Chronophonium festival and tours in Australia. The band had recorded what would become their debut album in early 2018, simply as Campbell puts it "We just wanted good versions of the songs in our live set we were playing at the time." The addition of Yolanda Fagan on bass (Na Noise, Echo Ohs) and Durham Fenwick on lead guitar (Green Grove) solidified the current lineup in late-2018, and Auckland label Moral Support released it in a micro-edition of 150 copies in the spring of 2020. The debut album packs a wallop; driving guitar lines dance across the rhythm sections propulsive throb hearkening back to greats like Mission of Burma, The Wipers and The Sound. Opener "Tea Lights Exploding" does just that, with an instantly memorable hook and sticky guitar line written as Burton explains as "a sort of "Fuck you" to a certain kind of pervasive rape culture and culturally lobotomized idea of masculinity that I was seeing too much of ", followed by the moody "Being Alone". "Roll Undead" is next, with its persistent shuffle springing forth over a synth-siren before breaking open into an anthemic howl of a chorus. Side one closes with the crunchy stutter-step of "Never Gonna See The RainAgain". Side two doesn't let up, with aptly-titled opener "Can't Stop Moving"s ragged guitar sting hanging in the air before the band launches in with Campbell's drums skipping underneath like an arrhythmic heartbeat. Their vital cover of The Sound's "Heartbeat" (from 1980's "Jeopardy") is next, injecting a nouveau sense of modern urgency into Adrian Borland's post-punk rager. "Gold Plated Cars"s razor-wire sway comes next, with Burton & Fenwick's guitar squall waltzing over a robust bassline. Album closer "Midnight Swim" is the album's moody anthem, ratcheting up tension the old-fashioned way balancing jangle and drone with one guitar 's persistent strum and the other 's strategic punches, all while the rhythm section holds down a steady forward motion. "Guardian Singles" is a vital document of a band breaking out of the chrysalis near-fully formed; melodic, urgent and on the verge of greatness. Look for more from the band soon as they head into the studio in 2021 to record the follow-up.

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Guds Pengar

Jag Går Dit Solen Skiner

What Would The Odd Do? Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Det Malmöbaserade bandet har de senaste åren etablerat sig som något av en kultakt med en lojal fanskara. 2020 års debutalbum mottog lovord från Popmani, HYMN, GAFFA, P3, DN och brittiska Amazing Radio, och bandet pekades ut som ett av Malmös största framtidshopp av Sydsvenskan. 18 oktober släpper man äntligen sitt andra album där man fortsätter att utveckla sin dynamiska indierock med en ljudbild som är både ljuvlig och omskakande. Albumet är likt debuten inspelat med Joakim Lindberg (Solen, Vit Päls, Per och Olof m.fl.).

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Guerilla Toss

LP | 2019 | US | Original (NNA Tapes)

20,99 €*

Same Place The Fly Got Smashed Black Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Guerilla Toss returns to NNA Tapes with a brand new EP, What Would The Odd Do?, an exploration into new territories expanding on their recipe for twisted, addictive rock & roll mania: fried funk, damaged dance, and cosmic cacophony. Fans of 70's prog and rock greats like King Crimson and Todd Rundgren and modern torchbearers like Sheer Mag and Deerhoof will be joyfully united by GT's uniquely familiar world of wonder and excitement. For Kassie Carlson, singer, songwriter, and bandleader of Guerilla Toss, What Would The Odd Do? is unarguably the groups most personal release in their impressive history as a music-making collective. After open-heart surgery in 2017 to remove a dangerous blood clot caused by a severe opiate addiction, Carlson has found a new joy in life. She has since cleaned up for good, moved to Upstate New York with her partner and Guerilla Toss drummer, Peter Negroponte, and has never felt more inspired. Kassie Carlson is a true poet of punk, the voice of an unheard generation, the leader of The Odd. Few people have been through what she has'and making it out alive is just the beginning. With her band of musical misfits, Guerilla Toss is an unstoppable force of nature. Like all great and challenging art, their message is abstract, yet decipherable. And once the listener cracks the code, they'll be immersed in a uniquely familiar world of wonder and excitement. What will unite us more than to celebrate the absurd and question what we've been told is obvious? Let GT be just one of the many songs among the soundtrack of existential infinity and divine recovery. A portion of the proceeds from the album will go to the Harlem Harm Reduction Clinic, in an attempt to further our reach in the opiate crisis battle.

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Guided By Voices

LP | 1990 | US | Reissue (Scat)

24,99 €*

Same Place The Fly Got Smashed Transparent Red Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Originally released in 1990, Same Place The Fly Got Smashed was Guided By Voices’ fourth album in as many years. Roughly a concept album about an alcoholic named Joker Bob who goes on a bender, someone dies, and Bob gets the chair (“the electrifying conclusion”). From the moment the needle drops, the listener is served notice that this isn’t going to be an easy listen, as an argument taped off of a TV cuts to a basement recording of a lone, blaring electric guitar with someone yelling over the top. But for those brave enough to pass the opening hazards, there are wonders within.

This particular album has come to be held in higher and higher regard by fans, and they are correct to consider it a top-tier release. The story and sequence have a flow, and consideration for approachability is optional. Many of the crudest tracks reveal themselves as necessary stitches in the album’s tapestry. Yet it also contains all time greats like “Drinker’s Peace,” “Mammoth Cave,” the epic “Local Mix-Up/Murder Charge,” and of course “Pendulum” with its immortal opening line: “Come on over tonight, we’ll put on some Cat Butt and do it up right!”—a rare break in the clouds on one of the band’s darkest albums.

This reissue, like the previous ones in this series, is a mostly faithful reproduction of the original pressing of 500 on the band’s own Rocket #9 label. And like the others, the virgin RTI vinyl is housed in a thick tip-on jacket, and includes Robert Pollard’s original handwritten lyric insert.

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Guided By Voices

LP | 1990 | US | Reissue (Scat)

Guy Hamper Trio Featuring James Taylor, The

Release: 1990 / US – Reissue

Genre: Rock & Indie

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All The Poisons In The Mud

LP | 2022 | EU | Original (Damaged Goods)

Guy Hamper Trio, The 0 Featuring James Taylor

Release: 2022 / EU – Original

Genre: Rock & Indie

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Debut LP from The Guy Hamper Trio! For fans of Booker T & The MGs, James Taylor Quartet, Georgie Fame, Big Boss Man. Groovy Hammond garage rock instrumentals from Billy Childish (Thee Headcoats/CTMF etc) and featuring James Taylor (Prisoners/JTQ). Q & A with Billy Childish:Q: We're loving this new album by The Guy Hamper Trio! Who's in the band sunshine?A: Mainly myself on guitar, Julie on bass, Wolf on drums, and of course Jamie on Hammond. A great bonus is Thee Headcoats with Bruce and Tub guest as rhythm section on a track or two.Q: You and James Taylor go back a long way. Do you remember how you first met?A: The Prisoners were a young group who played with us (the Milkshakes) in the early 1980s. One day they turned up with an organ player, Jamie. Jamie used to then borrow my Selmer guitar amp to play through. Q: You've revisited a few old classics on this album, and given them a true makeover. How would you describe The Guy Hamper Trio's sound?A: I guess there must be a derogatory term for it but I might need some help finding it. In the very early days of The James Taylor Quartet (Wolf was their drummer back then), I was in the Natural Born Lovers (A blues group with Big Russ and Sexton Ming). We used to be the support for them. I really liked their sound and I guess The Guy Hamper Trio is not a million miles from that blues-influenced, film soundtrack vibe, man. Thereyou made me say "man". Next thing you know I will be saying "cool!" Let's just say it's a wizard sound, Jamie is such a great player.Q: Prior to this album The Guy Hamper Trio's sole release was the `Polygraph Test' 7" from 2009. Why such a big gap?A: It takes time for all of us to get all our solders in line. "Get on with it mush! And trifle not, your time is but short!"Q: What inspired the album's title track All The Poisons In the Mud?A: It's actually the title of a novel I've been writing, and rewriting, over the past 12 years, and is taken from a quote from I Claudius by Robert Graves - a formative influence on m...

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All The Poisons In The Mud

CD | 2022 | EU | Original (Damaged Goods)

14,99 €*

LP | 2023 | UK | Original (Heavenly)

Release: 2022 / EU – Original

Genre: Rock & Indie

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H. Hawkline

Milk For Flowers

28,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Hadaka No Rallizes (Les Rallizes Denudes)

Flightless Bird Needs Water Wings Volume 1

LP | 2024 | EU | Original (Life Goes On)

24,99 €*

LP | 2022 | EU | Original (Morr Music)

Release: 2024 / EU – Original

Genre: Rock & Indie

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This record is a nice summary of some of the band's earlier work - when infamous bassist Moriaki Wakabayashi was still playing before he went and hijacked a plane (he was a member of the "Yodogō Group" of the radical New Left Japan Communist League's "Red Army Faction" that carried out the hijacking of Japan Airlines Flight 351 in 1970, ultimately forcing the plane to fly to North Korea, where Wakabayashi currently resides ). A seemingly endless sonic flame-throwers of phased white noise streak across your inner landscape, as stupidly loud and overly-backlit lead guitar emissions perpetrated by a perpetually be-shaded longhair pummel the similarly be-shaded but barely adequate musical backing that sags and creaks under the wattage. Contemporary groups like the Wooden Shjips would have killed for it ! Occasionally, lead vocals of a singular variety are provided by said be-shaded mad axeman, whose paranoid personality ensures all songs are delivered in a voice of querulous subterranean gargling from beyond the valley of Alan Vega. A great collection of LRD tracks with a good level of cohesiveness that brings everything you would expect from this band to the table.

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Haleiwa

Hallway Waverider

23,99 €*

LP | 2023 | EU | Original (Rmv / Playground Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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»Hallway Waverider« is Mikko Singh’s second album for Morr Music under his Haleiwa moniker. Blending the washed-out aesthetics of dream pop with a lo-fi take on modern psychedelia, it is a fuzzy record in more than one sense. The ten songs see the multi-instrumentalist explore the sonic idiosyncrasies of analogue recording equipment while also expressing a self-assured statement by a musician who has carved out a niche for himself and feels perfectly at home in it. “This record is like me telling my teenage self that I am OK,” says Singh. “Back then, I was recording my song ideas on cassette players but held the belief that music should be recorded in an expensive studio with expensive gear in order to be real.” As it turns out however, Singh had been right from the start, having come full circle as an established artist some twenty years later.

After exploring the affordances of vintage equipment for 2019’s »Cloud Formations« LP, Singh worked with a Tascam 244 4-track cassette recorder and Tascam 388 8-track reel-to-reel recorder to transform the sounds of his vintage synthesizers, bass, the occasional guitar part, and drums supplied by Svante Karlsson for »Hallway Waverider«. By experimenting extensively with the machines’ unique sonic qualities and constantly reworking the pieces in regards to their sound signature over the course of two years, Singh has found the perfect equilibrium of electronic music and lo-fi aesthetics while navigating with ease through styles like driving surf rock, gritty garage punk and ethereal dream pop. On his new record, he seamlessly integrates these influences into anthemic yet soothing songs.

The title of the album refers to Singh’s halcyon days as a teenager spent listening to punk music and—in wintertime—skateboarding in his own bedroom. The lyrics refer to surfing as a nod to both his own experiences with riding the waves and the music genre that has provided him with inspiration throughout his career as a prolific recording artist with three solo albums under his belt. However, surfing primarily serves as a metaphor for something bigger. “It’s about things in life that are important to me; things that make me feel good and soothe the mind,” he explains. It comes as no surprise then that »Hallway Waverider« is also dedicated to a key figure in his life. “The album is an ode to my mother who passed away in 2015,” says the artist. “She made it possible for me to have a good childhood and to be able to do what I love.”

This sense of closure and being at peace with himself is also expressed in lyrics like "A sea stroll. Going slower. Feeling featherlight,” expressing a calm that perfectly mirrors the music’s steady grooves and welcoming overall feeling. Starting with the upbeat »River Park/ Sleeping Pill«; to the almost ambient, synthesizer-heavy »A Bottomless Pit«; or short, punk-inspired and bassline-driven outbursts like »Watered Down« or »Halulu Lake«; to the blissful title track that closes the album, Singh opens up a whole panorama of different moods across a broad variety of musical styles. They are connected by that rare thing: a unique musical vision expressed by an instantly recognisable sonic signature.

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Hällas Saga, The

Live At Cirkus

Live At Cirkus Deluxe Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP with poster + iron-on print, gatefold sleeve.On their 2015 self titled debut EP, Hällas lay the foundation of the saga bearing the same name as the protagonist crusader as well as the band themselves, which later grew into a trilogy composed of the two last songs on the aforementioned EP and the two following albums Excerpts from a Future Past and Conundrum.To celebrate the completion of the trilogy the band decided to do a one-off show in front of a seated audience at Cirkus, a classic venue in Stockholm. Due to worldwide restrictions the show had to be replanned and postponed several times until it finally happened on April 10th 2022. After more than two years on hiatus and with the exception of a minor festival gig the year before, this was the band's first performance during that whole period, and it was by far the longest set to date in the band's entire career. All first three releases of the band were to be performed from back to back divided into two acts. Act I consisted of Hällas and Excerpts from a Future Past while Conundrum and two songs from their newly released album Isle of Wisdom were performed in Act II. For the first time people were able to experience these new songs live. Some of the older songs such as Insomnia and Tale of a Tyrant had not been performed for several years. Strider and Blinded by the Emerald Mist had never even been played live before. So Hällas fans from all over the world attending the show were in for an unforgettable evening. With this record you get a slice of that pie in the comfort of your own living room. So please have a seat and enjoy this time capsule, as it is a very good representation of how this band sounded live back then.

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Hällas Saga, The

LP | 2023 | EU | Original (Rmv / Playground Music)

30,99 €*

LP | 2011 | US | Reissue (Captured Tracks)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

2LP with poster + iron-on print, gatefold sleeve with metallic cold foil on frontOn their 2015 self titled debut EP, Hällas lay the foundation of the saga bearing the same name as the protagonist crusader as well as the band themselves, which later grew into a trilogy composed of the two last songs on the aforementioned EP and the two following albums "Excerpts from a Future Past" and "Conundrum". To celebrate the completion of the trilogy the band decided to do a one-off show in front of a seated audience at Cirkus, a classic venue in Stockholm, Sweden. Due to worldwide restrictions the show had to be replanned and postponed several times until it finally happened on April 10th 2022. After more than two years on hiatus and with the exception of a minor festival gig the year before, this was the band's first performance during that whole period, and it was by far the longest set to date in the band's entire career. All first three releases of the band were to be performed from back to back divided into two acts. Act I consisted of "Hällas" and "Excerpts from a Future Past" while "Conundrum" and two songs from their newly released album "Isle of Wisdom" were performed in Act II. For the first time people were able to experience these new songs live. Some of the older songs such as "Insomnia" and "Tale of a Tyrant" had not been performed for several years. Strider and Blinded by the Emerald Mist had never even been played live before. So Hällas fans from all over the world attending the show were in for an unforgettable evening. With this record you get a slice of that pie in the comfort of your own living room. So please have a seat and enjoy this time capsule, as it is a very good representation of how this band sounded live back then.

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Hanoi Janes

Year Of Panic

LP | 2022 | US | Original (Carpark)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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"With the obvious homage the name implies, you'd expect Hanoi Janes to be a group of riot grrrl angnsty types, displaced in time by about 20 odd years. Having taken on the nickname given to Jane Fonda in the 70s because of her anti-war stance on Vietnam, these girls would be all bent up about, well you know, stuff. You'd expect that, but you'd be wrong. It is in fact primarily the work of one guy from Sachen, Germany - Oliver Scharf. But then Hanoi Janes' album, 'Year of Panic', is able to inspire all kinds of misconceptions. Name of the band aside, would you expect a German guy (who's a bit handy with an eight-track) to produce a series of beautifully lo-fi, sub two-minute, surf-pop tracks, full of buzzing guitar and bubblegum spirit. Maybe - maybe not. But that's just what Scharf has done. The sound is distinctly garage, reminiscent of a 70s surf sound, and like The 5. 6. 7. 8's, Hanoi Janes are able to launch into the genre with the luxury of being removed from the scene itself. Tracks like opener, 'The Boys Are Out' and 'Beach Kids' are unashamedly infectious, utilising catchy hooks, hand claps and the odd 'Ooo ooo ooo' to great effect. The production is fuzzy, but that only adds to the overall charm of the album. Because charming is what it is, as Hanoi Janes have packed 'Year of Panic' with some real gems. 'Summer of Panic' offers something tinted with psychedelic sounds; 'Our Lives' could have been an early track by The Strokes had they been influenced by the Californian sun rather than the New York shadows; 'Good Bone' is a track which can only be performed if there are several oversized surf-boards nearby. 'Year of Panic' is lo-fi, scuzzy garage surf-pop at its finest and it deserves to be the sound-track of your summer" -BOWLEGS, UK

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Hans Pucket

Deathconsciousness Black Vinyl Edition with Booklet

Release: 2022 / US – Original

Genre: Rock & Indie

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Wellington, New Zealand four-piece Hans Pucket writes nervy but effortlessly danceable rock songs about feeling bad. Their second full-length album, No Drama, which is out via Carpark Records, gleefully captures the all-too-common twenty-something anxieties of talking too much and then being unable to find the right words to say. When frontman Oliver Devlin sings, “I’m surfing a constant wave of alarm” on the title track, it’s a compass for the other nine tracks. This is inviting and relatable music for people who, despite their best efforts, feel uncomfortable about themselves, the state of the world, and their place in it.

Both lyrically and sonically, No Drama is a departure for Hans Pucket from their 2018 debut Eczema. “I realized I didn’t want to write any more real heartbreak songs,” says Oliver Devlin. “We were and still are a live band. We're still trying to make music that’s catchy and people can dance to, but also really interesting to us: songs about growing up and finding how you exist in the world.” Songs like “My Brain Is a Vacant Space” with its blistering guitars and ebullient hooks hone in on the feeling that you have nothing to offer while “Bankrupt,” a fuzzed-out punk track, boasts lines like “I don’t know if I’ll always feel like / I don’t know what I’m doing wrong.”

Recorded with the band’s good friend and former tour mate Jonathan Pearce of The Beths at his Auckland studio, No Drama is full of big leaps, immaculate arrangements, and a ton of immediate grooves. “We were very ambitious when we first started recording this,” says bassist Callum Devlin. “Intentionally we left heaps of space in the track so we could add strings and horns. Because we were very measured and quite deliberate with the parts we had. It was a really fun process filling in the gaps.”

No Drama came together over several years and during its creation, the band added multi-instrumentalist Callum Passels, who provided all the horn arrangements on the LP. With Pearce producing, his other Beths bandmates like Benjamin Sinclair added string arrangements while singer Elizabeth Stokes provided backing vocals.

Overall it’s a remarkably eclectic record where the smooth pop of a track like “Kiss the Moon” can coexist perfectly with the Abbey Road freakout of “Some Good News.” “We didn’t want to be afraid of our 15-year-old self's influences,” says Oliver Devlin.” We really wanted to make an album that teenage us would just be amazed by.”

The result is Hans Pucket’s most sparkling and confident collection yet. While it’s danceable and fun, it’s also a thoughtful exploration of anxiety, a call for empathy in a turbulent time, and a relatable reminder that it’s hard to figure things out.

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Have A Nice Life

2LP+Book | 2008 | US | Reissue (The Flenser)

40,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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In 2008, Have A Nice Life released their now cult classic Deathconsciousness LP to a whimper and critical non-interest. Six years after its release the band followed up with 2014's stunner The Unnatural World, Deathconsciousness has become a force of influence and fanatic obsession. Seamlessly blending, with unparalleled depth and weight, shoegaze, post punk, new wave, industrial and noise. The album was originally released by Enemies List Home Recordings founded by HANL members Dan and Tim. The album has since floated in and out of production, with the last instantly out of print vinyl pressing occurring in 2009. Now, longtime HANL collaborator The Flenser will re-issue Deathconsciousness with deluxe packaging, including a lengthy accompanying zine. Have A Nice Life commented, “Working with Flenser lets us keep things comfortable on our end, while also pressing enough copies to actually meet the need and not creating an artificially-inflated collector’s market, as happened with some of our past releases.”

The Flenser's reissue of Deathconsciousness will be accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult. Blurring the lines between novella, liner notes, and academic text, the zine itself presents an engrossing narrative. The album is rhythmic, primal and expansive and is a gloomy-post-punk masterpiece; a mediation on death, loss and unrequited love. Deathconsciousness feels more fresh and engaging with every listen and has held up as a remarkable piece of art. Fans of Have A Nice Life exhibit both cultic thought and action for good reason. It is perhaps a fanbase as dark and mysterious as the Antiochean’s, the album itself revolves around. Now The Flenser is honored to rerelease Deathconsciousness a gorgeous and disarming contribution to the modern lexicon for a larger audience.

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Blinded By The Wicked 3 Colored Striped Vinyl Edition

26,99 €* 29,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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In the year of the pandemic, we decided to finally put our efforts towards writing a new record. As the year progressed and the world got darker, so did our songwriting. For this record, we wanted to continue to follow the same dark thematic approach as our previous release, but even more sinister and complex. “Blinded by the Wicked” explores cults and their leaders' malevolent intentions that corrupted the weak minded.For this record, we worked together with our longtime friend Timmy Ternestål at Studio Ingenstans in our hometown of Strängnäs. We had the good fortune to develop a more mature sound, and explore new elements. The record was later mastered at Studio Humbucker by the eminent Robert Pehrsson (Death Breath, Dead Lord, Imperial State Electric). We believe that we have created something mature, diverse and sabbathic and this record is showcasing it. A mixture between traditional doom metal and heavy rock; Rock’n’Doom to be precise!

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Blinded By The Wicked Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Blinded By The Wicked Violet Vinyl Edition

26,99 €* 29,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Hazemaze Black Vinyl Edition

LP | 2021 | EU | Original (Heavy Psych Sounds)